Meet The Interior Designer: Fanny Ward

This page provides a comprehensive job board specifically for the interior design industry, hosted by Business of Home. It features a wide array of job opportunities across various roles and experience levels, from entry-level design positions to senior leadership and specialized roles such as architectural drafters and project managers. The jobs are primarily for full-time positions, but part-time, freelance, and internship opportunities are also listed. The platform caters to both job seekers and employers, offering functionalities to filter job listings by location, category, employment type, and compensation. The job board currently displays numerous openings from various design firms and companies. For instance, WECSELMAN DESIGN in Miami is seeking an Interior Designer for high-end residential projects, emphasizing a candidate with strong design sensibility and a curated eye. Jeremiah Brent Design in New York is looking for a Senior Design Documentation Specialist on a contract basis for a historic estate renovation, as well as a Senior Designer specializing in Furniture, Fixtures, and Equipment (FF&E;) for the same project. Mia Todd Studio, also in New York, is hiring a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is seeking a Senior Interior Designer with a strong background in architectural design and project management. Bruce Fox Design in Chicago is searching for a Senior Interior Designer with a mature and creative approach to innovative projects. Beyond traditional interior design roles, the board also lists specialized positions. CarbonShack is looking for a Multi-Line Sales Representative for sustainable designer fabrics, Sunthreads, with a commission-based compensation structure and performance bonuses. Marc Phillips Decorative Rugs in Los Angeles has an opening for a Sales Account Manager to cultivate relationships with designers, architects, and trade professionals. Studio Michael Ellison in New York requires a Senior Designer with a passion for luxury interior design and experience in private residential projects. Chused & Co. in Brooklyn is seeking a Senior Interior Designer/Project Manager to lead residential projects, focusing on architectural knowledge and technical drawing ability. Jennifer Messina Interiors in Mill Valley, CA, is hiring an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. in Philadelphia is looking for a Senior Interior Designer for high-end residential projects across the Northeast, coastal Florida, and the Northern Rockies. Jerry Pair in Atlanta needs a Marketing Specialist to engage in various marketing facets within the luxury interior design industry, including e-commerce management and content creation. Julie Hillman Design, an AD100 firm in New York, is seeking an experienced Interior Architect for high-end residential projects. Studio MRS, an Elle Décor A-List firm in New York, is looking for a full-time Interior Architectural Drafter. The platform also provides resources for users, such as a job FAQ section and a dedicated page for employers to submit job postings. Featured jobs are highlighted, indicating potentially urgent or high-profile opportunities. Additionally, there is a classifieds section for other related services, such as office space rentals for designers. The overall structure of the page is designed to efficiently connect interior design professionals with relevant employment opportunities and industry resources. #InteriorDesignJobs #DesignCareers #CreativeIndustry #ProjectManagement #ArchitecturalDesign #SalesAndMarketing #ResidentialDesign #LuxuryDesign

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration

This article features an interview with Grania Murray, an interior designer with over 25 years of experience, originally from Ireland and now based in Los Angeles. Murray emphasizes that clarity is the most crucial factor behind her success. She specializes in guiding clients through complex design decisions with a sense of calm and clear direction, helping them navigate the often overwhelming process of building or renovating spaces. Her professional approach focuses on simplifying complicated choices, allowing clients to move forward with confidence in their projects. Murray's dedication to providing clarity in design became deeply personal after the devastating LA wildfires, which led to her daughter and daughter-in-law losing their home. Witnessing their struggle with loss, bureaucratic hurdles, and a multitude of decisions highlighted the critical need for guidance during such challenging times. This experience inspired her to create "The Design Align," a service that offers high-level, strategic support to clients before they commit to potentially costly decisions. This initiative focuses on helping clients understand the broader picture and establish a clear foundation for their projects, demonstrating her commitment to making design accessible and less daunting. While she continues to run a full-service interior design studio, The Design Align represents a significant and proud expansion of her work, driven by a desire to share her extensive knowledge and experience. Murray credits Jane McDonnell, Co-Founder and Publisher of The Gloss Magazine and Co-Founder of DESIGN WEEK DUBLIN, for playing a pivotal role in her career. McDonnell saw Murray's home design in Ireland, suggested she pursue interior design professionally, and subsequently featured her work in an article. This feature led to Murray acquiring her first clients, effectively launching her career in the field. Murray reflects on her childhood passion for rearranging furniture, highlighting an innate inclination towards understanding how spaces feel. She views design as a means of making sense of the world, emphasizing the blend of form and function to create spaces that evoke a sense of "home at last." Her design philosophy involves mixing old and new elements, incorporating art, vintage finds, handmade pieces, and clients' existing treasures to achieve unique and personal interiors. What truly distinguishes Murray's work is not just the aesthetic but the comprehensive client experience she provides. Her approach is described as strategic, empathetic, and deeply attuned to fostering comfort and stability within a space. She prioritizes listening to her clients and making choices that align with her values, particularly concerning sustainability. She acknowledges facing challenges like dry spells, unsuccessful detours, and the difficulties of relocating to Los Angeles and starting over. However, her resilience and quiet determination have been constant driving forces. Murray advises that one does not need all the answers but rather needs to focus on what matters most and act accordingly. She believes that great design stems from clarity—understanding a space's purpose, aligning it with practical considerations like budget, timing, and emotional connection, and allowing beauty to emerge naturally. She also shares a favorite quote by Paulo Coelho: "When you want something, all the Universe conspires in helping you achieve it," reflecting her belief in universal support for one's aspirations. Murray concludes the interview by sharing recommendations for visitors to Los Angeles, drawing from her diverse experiences living across the city. Her suggestions include day trips to Lake Arrowhead for its lake and brewery, and Santa Ynez for wine tasting, with Buttonwood being a favorite spot. She also recommends scenic drives along the Pacific Coast Highway to experience classic LA coastal vibes. For morning or afternoon activities, she suggests visiting The Huntington Gardens and The Norton Simon Gallery in Pasadena, and taking a clay class at Green & Bisque in Pasadena. For dining, she highlights Star Leaf (Asian Fusion) and Redbird (Downtown LA), and mentions Los Felix as an all-time favorite. For drinks, The Pasadena Hotel is recommended, and for entertainment, she enthusiastically suggests Blah Blah Karaoke and any show at The Pantages. #InteriorDesign #GraniaMurray #DesignPhilosophy #ClientClarity #TheDesignAlign #CareerJourney #LosAngelesDesigner #Resilience

Meredith Stern, an interior designer and home stylist, defines her legacy through the relationships she cultivates with clients and the personal, transformative spaces she designs for them. Her design philosophy extends beyond aesthetics, focusing on understanding each client's lifestyle, preferences, and aspirations to create spaces that are not only visually appealing but also uniquely tailored to their individual needs. Stern limits the number of large-scale projects she undertakes to ensure each receives her full attention and commitment. Her undergraduate background in psychology significantly influences her design approach, enabling her to create homes that positively impact her clients' mood, productivity, and overall well-being. She emphasizes that the functionality and appearance of a home profoundly affect happiness and quality of life, aiming for her projects to leave a lasting impression of joy, comfort, and inspiration. Meredith Stern Interiors is characterized by its meticulous approach to client understanding, eschewing 'cookie-cutter' designs for personalized spaces that enhance daily life. Stern's psychological background provides a unique insight into how environments shape emotions and well-being, which she integrates into every project. She takes pride in the trust clients place in her to actualize their visions, finding immense reward in transforming homes and the lives within them. The human connections forged during projects are as meaningful to her as the design itself. Starting her own business, Meredith Stern Interiors, was a significant life transition initiated during the COVID-19 pandemic after renovating her own home in Florida. This experience rekindled her passion for design, though the entrepreneurial journey presented challenges such as client acquisition, balancing creativity with business operations, and establishing her brand in a competitive industry. Perseverance, hard work, and the support of her husband, family, and the design community were crucial to her success. She learned the importance of patience, resilience, and maintaining her vision, along with prioritizing quality over quantity by selectively choosing projects to ensure dedicated attention to each client. Stern articulates that Meredith Stern Interiors is more than just about creating beautiful spaces; it is about designing homes that genuinely reflect their inhabitants. Her overarching goal is to craft spaces that are aesthetically pleasing, highly functional, and transformative, ultimately bringing joy, comfort, and daily inspiration to her clients. She views design as a service that profoundly impacts lives by shaping the environments people inhabit. The interview also delves into a personal anecdote, outlining a hypothetical week-long itinerary for a best friend visiting Florida, filled with activities centered around thrifting, vintage hunting, and design inspiration. This includes visits to World Thrift in Lake Worth Beach, various thrift stores in Delray Beach, followed by dinner at The Grove. The itinerary extends to Miami to explore vintage and antique shops on Biscayne Boulevard, particularly mentioning Avra Art, Robert Massello, Cur8ed Studio, Iconic Design Gallery, CastellArts, and Michel Contessa. Meals at Mandolin in the Design District are suggested, alongside exploration of Wynwood's street art and the Design District's architecture. A visit to the Morikami Museum and Japanese Gardens in Boca Raton is also included, highlighting its serene beauty and intentional design. Stern attributes much of her success and confidence to her husband, who has been her biggest supporter and cheerleader since the inception of Meredith Stern Interiors, providing unwavering belief and encouragement throughout the challenges and triumphs of entrepreneurship. #InteriorDesign #HomeStyling #MeredithStern #ClientRelationships #PsychologyInDesign #Entrepreneurship #FloridaDesign #PersonalizedSpaces

Jane Hall, an architect, author, and curator known for her work in expanding the understanding of design and its societal impact, discusses her new book, "Making Space: Interior Design by Women." Hall is a founding member of Assemble, a London-based collective that received the Turner Prize for its community-focused architectural work. Her academic background includes studies at King's College, Cambridge, the Royal College of Art, and a PhD focusing on modernist architects. In 2013, she was the first recipient of the British Council's Lina Bo Bardi Fellowship. Her publications consistently aim to re-evaluate the role of women in the creative arts. Her 2019 book, "Breaking Ground: Architecture by Women," provided a comprehensive, visually rich overview of hundreds of buildings by women architects, seeking to integrate their contributions into architectural history. Following this, "Woman Made: Great Women Designers" (2021) cataloged over 200 female practitioners across various design fields, including furniture, products, and graphics, reframing design history as a interconnected global narrative rather than a limited canon. Her latest work, "Making Space: Interior Design by Women," focuses specifically on interior design, exploring its evolution through the careers of 250 female designers from the early 20th century to the present. Hall highlights how interior design, despite often being seen as a "feminized" profession, has historically provided a significant arena for women's design influence. She notes that unlike architecture, interior design was less institutionalized and theorized, allowing women an earlier and more artistic role in shaping spaces, particularly domestic ones. Hall emphasizes that while the term "interior designer" is a modern professional title, many women in her book, especially from earlier periods, engaged in what could now be considered interior design without formally identifying as such. She points out the client-centric nature of interior design, contrasting it with product design for mass production. Interior designers, she explains, act more like artists, translating client visions into unique aesthetic statements, thereby influencing broader design trends. She identifies the Second World War as a turning point, noting that before the war, many women in the profession came from affluent backgrounds, enabling them to realize ambitious and extravagant projects. An example is Dorothy Draper's design for the Greenbrier Hotel, characterized by bold colors and patterns, which pushed conventional boundaries of taste. Hall observes a surprising lack of Bauhaus or Modernist interior designers among women, as interior design often operated outside academic and theoretical frameworks, providing an avenue for women to express avant-garde ideas. In the post-war period, designers like Florence Knoll gained prominence, alongside figures like Barbara D’Arcy of Bloomingdale's, who made design accessible to a wider audience by showcasing how to integrate products into home interiors. Hall also cites Eva Jiricna, who introduced high-tech aesthetics and glass staircases into retail environments, influencing contemporary spaces like Apple Stores. Other influential designers include Marion Hall Best, known for her vibrant 1960s color-blocking, demonstrating how individual creativity initiated broader trends in interior environments. Contemporary interior design, while more specialized, still requires significant artistry. Hall notes that while the industry has expanded and designers are highly skilled, the proliferation of platforms like Instagram can sometimes flatten the perceived complexity and excitement of their work. However, modern designers, including those like Alex Dorley, Sophie Ashby, Pamela Shamshiri, Jialun Xiong, Maye Ruiz, and Tekla Evelina Severin, continue to create innovative and influential interiors, often extending their practice to include their own furniture, paint, and fabric lines. Many younger designers, not from traditional wealthy backgrounds, find opportunities in commercial spaces, pushing creative boundaries to stand out in a visually driven world. #InteriorDesign #WomenInDesign #Architecture #DesignHistory #FeministArchitecture #DomesticSpaces #CreativeArts #PhaidonBooks

The article introduces Cat Earp, an interior designer who, after completing the shepherd huts she rents on her Dorset farm, has launched her own design studio. In addition to expanding her homeware range, Earp has also undertaken the extensive design of her family's 16th-century thatched farmhouse. Earp's background in fashion PR for brands like Gucci, Prada, and Mulberry cultivated her creative passion, which she has now fully channeled into interior design. Her initial foray into interiors began with the shepherd huts at Aller Dorset, a project that, by necessity, pushed her to develop her design confidence. Each hut is uniquely designed, often starting with a specific color or a favored fabric in the kitchen, and building the rest of the scheme from there. The positive reception to Aller Dorset and her design work motivated her to start selling her designs and launch The Aller Studio, offering interior design services for projects of all sizes. Earp draws inspiration from fabrics and pieces she loves, alongside the work of interior designers such as Elizabeth Hay, Lucy Barlow, Laura Stephens, Beata Heuman, Emma Ainsborough, Sarah Southwell, and Sean Symington. Her preferred brands for homeware include Alice Palmer, Bettina Ceramica, Matilda Goad, Beauvamp, Hum London, and Hastshlip. A cherished item in her own home is a bespoke plate from Harlie Brown, displayed prominently in her kitchen. She also highlights a new wavy footstool from Isabelle Baldwin as a perfect addition. For local shopping, Earp recommends Aitta in Sherborne and the curiosity store in Dorchester, while online she favors Glassette for its curated selection of independent homeware brands. She recently discovered Birdie Fortescue for its well-priced lamps and lampshades. The renovation of her own 16th-century thatched farmhouse was a significant undertaking, involving changes to the layout, a new kitchen, and new bathrooms. Due to its listed building status, Earp collaborated closely with an architect to navigate planning permissions and structural considerations, ensuring the preservation of original elements while modernizing the space. Her design process involved creating mood boards, collecting fabric and paint samples, and setting up scheme areas in her sitting room to ensure a cohesive flow throughout the house. A strong advocate for bold colors, Earp believes they never disappoint and emphasizes attention to detail in finishes. Key areas of her renovated home include the hallway, which features Farrow & Ball paint, Beata Heuman pendants, Bettina Ceramica wall lights, and a scalloped built-in bench. The kitchen, a major part of the renovation, involved extending the space to include a utility room, pantry, and dog's room. Designed by The Dorset Kitchen Company, it showcases a blue unit color, Farrow & Ball paint, Beata Heuman and Beauvamp pendants, Otto Tiles, and furniture from Birdie Fortescue and Isabelle Baldwin. The cloakroom boasts Soane wallpaper, The English Panelling Company wall paneling, Mandarin Stone floor tiles, a Soho Home vanity unit, Alice Palmer lampshades, Pooky wall lights, and an Alice Palmer mirror. The pantry, a personal favorite, features Ottoline wallpaper and Mandarin Stone flooring, while the utility room continues the blue theme with Farrow & Ball paint and units from The Dorset Kitchen Company. The main bedroom is designed for timeless tranquility, featuring Soane's scrolling fern fabric for blinds and curtains, Farrow & Ball paint, Vaughan lamps, and furniture from Clockhouse Furniture and The Trove. The en-suite bathroom incorporates checked Mandarin Stone flooring, Otto Tiles zellige tiles, The English Panelling Company paneling, Farrow & Ball paint, Etsy mirrors, Soho Home vanity units, Alice Palmer lampshades, and Pooky wall lights. Her daughter's bedroom is inspired by Schumacher's tiger-palm print wallpaper, complemented by Lewis & Wood linen and a ric-rac trim. Her son's bedroom uses English Panelling Company panelling and Farrow & Ball paint, with cushions from Schumacher and a headboard from The Aller Studio. The son's bathroom features playful wallpaper, a Holly Oak House vanity, and a Hastshlip rattan mirror. Finally, the guest bedroom utilizes Ottoline's little wild tulip print fabric, a headboard and cushions from The Aller Studio, and lampshades from Hum London. The guest bathroom features Alice Palmer striped wallpaper, checked floor tiles, and an Alice Palmer bin. #InteriorDesign #HomeRenovation #AllerDorset #CatEarp #TheAllerStudio #DorsetFarmhouse #DesignInspiration #LuxuryInteriors #ShepherdHuts

Neydine Bak, co-founder of Verhaal Studio and co-creative force behind various concept spaces such as Collective Africa, Bungalo34, and Flamingo Room by tashas, shares insights into her inspirations, personal style, travel preferences, and culinary interests. Her design philosophy is deeply rooted in creating tangible experiences, a passion stemming from her childhood love for special occasions and her mother’s talent for entertaining. This early influence, combined with her grandmother's encouragement of creativity, guided her towards interior architecture, allowing her to curate meaningful spaces. Bak describes her personal style as classic with a distinctive touch, eschewing trends in favor of pieces that resonate with her and tell a story. She emphasizes that her focus isn't on brand names but on how items make her feel, often incorporating unique jewelry to add flair to timeless silhouettes. This approach extends to her work, where she draws inspiration from individuals who appreciate beauty in everyday moments, citing designers like Tristan Auer for his meticulous detail, Hugo Toro for his blend of heritage and modernity, and Laura Gonzalez for her bold use of color and contemporary materials. Travel plays a significant role in her creative process, with bookstores being a favorite destination during her trips. She enjoys exploring independent shops and local boutiques that offer handcrafted treasures reflecting local culture. A notable purchase was an embroidered linen kaftan from Lima, Peru, valued for its traditional craftsmanship and personal significance. Another cherished item is a piece from South African jeweler Pichulik, whose work beautifully merges tradition and luxury, serving as a reminder of Bak’s South African roots. Her aesthetic preferences extend to a monochrome color palette accented with gold and silver, allowing accessories to stand out. Italy holds a special place in her heart for its rich history, architecture, and craftsmanship, which consistently spark new ideas. South Africa, her home country, is another cherished destination, appreciated for its people, landscapes, and culture. Greece is also mentioned for its raw and beautiful scenery, offering tranquility and inspiration. Bak's home reflects her travels, filled with unique glassware, ceramics, and artwork collected from various journeys. She is currently curating a collection of non-matching crockery and cutlery to create playful and culturally diverse table settings. In terms of literature, "The Culture Map" by Erin Meyer has been particularly impactful for navigating multicultural work environments, and "Lean In" by Sheryl Sandberg provides continuous guidance for workplace complexities. While not a frequent TV viewer, she enjoys films and theatre, particularly biopics and documentaries, and finds inspiration in the set designs of movies like "Dune: Part II" and "Jeanne du Barry." A recent stay at Sterrekopje Farm in South Africa introduced her to Agathosma Betulina, a unique herb that inspired ideas for a new residential project and a fragrance. Her music taste is eclectic, ranging from Tame Impala for upbeat afternoons to Nina Simone for relaxed mornings and 80s retro for nostalgia. She also enjoys Purple Disco Machine for dancing with her children. Cooking is another passion, with Ottolenghi, Donna Hay, Thali, and Matt Lindsay among her favorite chefs to draw recipes from. A treasured possession is a colorful, intricately painted pedestal cabinet from Sri Lanka, valued for its unique artistry and the story behind its creation, symbolizing the joy of discovering hidden gems. Bak's diverse interests and experiences continuously fuel her creative approach to interior design. #InteriorDesign #NeydineBak #VerhaalStudio #CreativeProcess #TravelInspiration #PersonalStyle #CulturalInfluence #HomeDecor #ArtAndDesign

Jessica Warren, founder of JP Warren Interiors, shares insights into her design philosophy and creative process. Her journey into interior design began in the fall of 2011, driven by a longstanding passion for modern furniture and a penchant for collecting unique pieces from thrift stores. Before establishing her business, Warren amassed a collection of furniture, lighting, and objects, with an initial intention to open an antique store or interior design studio after her daughter left for college. Her personal renovation of a Clinton Hill residence, which garnered significant media attention, further solidified her reputation and provided a practical "classroom" for her design education. This project allowed her to develop a distinctive aesthetic and approach, preparing her for her first professional commission: a 10,000-square-foot new construction project. She views design as a continuous evolution, influenced by curiosity and a constant refinement of personal tastes, echoing Norma Kamali's perspective on taste development. Warren emphasizes a client-centric yet artful approach to interior design. She aims to create spaces that are personal, interesting, and rooted in art, rather than being overly "designery" or pretentious. A key aspect of her work involves educating clients on the relationship between art and interior design, often exposing them to art as the fundamental basis for her design work. She integrates artful forms into all interiors, whether through actual artworks or sculptural elements like lamps, chandeliers, and chairs. This process involves refining taste to identify recurring colors, shapes, and patterns that form a consistent motif. Warren also advocates for creating tension in spaces by juxtaposing opposing elements—soft against hard, organic against geometric, dark against light—to highlight the inherent beauty of each component. Her team develops a clear aesthetic map by assigning characteristics to furniture and materials, such as "organic shape" or specific material types like stone or metal, before sourcing begins. Storytelling is integral to Warren's design philosophy. An interior should narrate a story that begins with the architecture and is enriched by furnishings, art, and objects. These additions should be historically aware, personal, and layered, reflecting an ongoing evolution rather than a static "time capsule." She prefers the term "collected" over "eclectic" to describe spaces that possess a timeless quality, appearing as if pieces were gathered over time from family, travels, and various purchases, creating an authentic and evolving environment. She deliberately avoids using iconic pieces extensively, instead seeking unique, less identifiable items to ensure the space feels personal rather than branded or contrived. For each project, Warren dedicates time to experience each room through different light cycles to understand its natural use and potential. She sometimes draws color palettes directly from the room itself, or from a client's cherished painting or object, using tools like "Color Explorer" to translate emotional responses into a cohesive design scheme. In her own home, a significant decision was to preserve the original architectural envelope while updating elements like the parlor floors, eliminating amber tones in the oak to achieve an elegant palette, and staining dining room woodwork black. Regarding Brooklyn row houses, Warren acknowledges their inherent strengths as substantial, solid structures, alongside challenges such as narrow layouts and limited natural light. She advises designing to enhance the natural light available rather than striving for an impossible "white room" in naturally darker spaces, suggesting instead to create "beautiful rooms." For narrow spaces, scale of furniture is crucial. She recommends respecting the original intention of furniture placement while also being open to re-purposing rooms to better suit modern lifestyles. Her approach balances preservation with contemporary functionality, ensuring that homes remain dynamic and reflective of their inhabitants' lives. #InteriorDesign #HomeRenovation #DesignPhilosophy #BrooklynDesign #ClintonHill #ModernFurniture #ArchitecturalPreservation #SpacePlanning

The article provides an intimate look into the Sunfish Lake home of antiques dealer Robert Riesberg and his wife, Christine Hartman, which doubles as both their residence and a by-appointment-only gallery for Riesberg's business. Their Federal-style house, built in 1925, is characterized by a blend of traditional design and warm hospitality, furnished with museum-quality 17th, 18th, and early 19th-century antiques, art, objects, and rugs. Riesberg, with over 50 years of experience, emphasizes buying pieces he would personally want to keep, noting that this passion drives his successful career. The home features a series of formal rooms, including a front parlor with a mahogany drum table, sideboard, and a 1760 cherry New England flip-top secretary desk, with walls painted in Benjamin Moore’s Rosy Apple. A light-filled formal dining room and gallery, added by Riesberg, is used for parties and family gatherings, showcasing French Louis XV rococo console tables with rare brèche d’alep marble from approximately 1760. The exterior of the home maintains its Federal-style architecture, while the kitchen, though the least formal space, is adorned with 18th-century Windsor chairs and Delft tiles depicting manganese figures from the same period. Creative design solutions are evident throughout, such as a small closet ingeniously converted into a walk-in bar with a Dutch door. The sunporch, featuring terrazzo floors and shelves filled with Delftware, opens to a grape arbor, offering a serene space. The fireplace mantel and paneling were custom-designed based on Connecticut fireplace patterns, symmetrically decorated with blue-and-white 18th-century Delftware. The central hallway boasts ash and walnut flooring modeled after traditional French parquetry, complemented by 19th-century oil landscapes, a late 18th-century portrait, and a Regency commode from around 1710. Riesberg’s study, designed with Connecticut inspiration, features millwork painted in a custom green and houses a substantial collection of books and catalogs on antiques, art, landscaping, and architecture. The article also includes five tips from Robert Riesberg and Christine Hartman for incorporating antiques into one's home. These tips encourage individuals to discover their personal taste by visiting various sources like museums and antique shops, and building a file of preferred items. They suggest taking inventory of existing belongings to identify pieces that don't align with one's aesthetic or function, thereby creating space for new acquisitions. The couple advocates for broadening one's scope beyond furnishing a room strictly by a singular period, encouraging the mixing of contemporary furnishings with antique gems to create a space that reflects individual taste and personality. Riesberg advises understanding the craftsmanship of antiques, particularly those made before the machine age (pre-1840), to appreciate their design details and value. Finally, they recommend taking a slow approach to building a collection, emphasizing that a few beautiful, well-chosen pieces are more valuable than a multitude of mediocre ones, and that truly beautiful homes evolve in stages. #HomeDesign #InteriorDesign #Antiques #FederalStyleHome #VintageDecor #HomeTours #LuxuryInteriors #CollectingAntiques

This page functions as a comprehensive job board specifically tailored for the interior design and home industry. It lists a variety of available positions across different locations, employment types, and compensation ranges, catering to a wide spectrum of professionals from architects and interior designers to sales associates and logistics managers. The platform provides detailed job descriptions for each listing, outlining responsibilities, required experience, and company information. For instance, TAMARA FELDMAN, a Miami-based studio, is seeking an Architect with a minimum of seven years of experience, emphasizing design sensitivity and technical expertise. Thibaut Design, a historic wallpaper company, is looking for a Sales Associate for their NYC showroom with a salary range of $50k-$70k annually, focusing on delivering exceptional customer experiences. Charlap Hyman & Herrero (CHH) in Los Angeles is seeking an Interior Designer to support high-level interior design projects, requiring strong design sensibility and organizational skills. Armadio is hiring a Trade Sales Account Manager in Los Angeles to service existing high-end interior designer and architect clients and prospect new business. Caroline Gidiere Design LLC is looking for a Junior Designer & Procurement & Logistics Coordinator in Birmingham, AL, whose responsibilities include coordinating project logistics from procurement to installation and managing vendor relationships. Amy Aidinis Hirsch Interior Design in Greenwich, CT, requires a Logistics Manager to ensure smooth project execution by managing expediting, scheduling, and coordination between various stakeholders. SARAH & FRIENDS INTERIORS in Menlo Park, CA, is looking for a Senior Interior Designer specializing in high-end residential design. LLM Purchasing offers a remote full-time position for a Junior Procurement Associate, responsible for managing the full FF&E; procurement life cycle for interior design clients. Hawthorne House in Athens, GA, a furnishings and lighting showroom, is seeking a Furniture Showroom Sales Specialist to serve both local and national clients. Amy Kartheiser Design in Chicago is looking for a Senior Designer with a strong background in high-end procurement and elevated design details for luxury residential projects. Wecselman Design in Miami is seeking an Interior Designer with excellent design sensibility for sophisticated residential interiors. Jeremiah Brent Design in New York, NY, has openings for a Senior Design Documentation Specialist (contract) and a Senior Designer (FF&E;) for a historic estate renovation project, emphasizing creative sensitivity and technical precision. Mia Todd Studio in New York, NY, is seeking a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is looking for a Senior Interior Designer with a strong background in architectural design and project management. The platform also offers resources for employers to post jobs and provides a resume board for job seekers. Additional sections on the website include news, articles, products, events, experts, and a magazine, all related to the home and interior design industry. #JobBoard #InteriorDesign #HomeIndustry #DesignCareers #ArchitectureJobs #SalesAssociate #LogisticsManager #Procurement #ResidentialDesign

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

The Petit Palais in Paris is currently hosting an exhibition dedicated to Charlotte Perriand, focusing on the significant role photography played in the development of her renowned interior designs. This unique exhibition delves into Perriand's creative process, presenting her inspirational photographs alongside the finished products they informed. The core idea is to illustrate how Perriand's observations of the natural and urban environment, captured through her camera lens, directly translated into her groundbreaking furniture and interior architecture. Perriand's engagement with photography as a preliminary study method began in 1928, when she joined the influential Le Corbusier/Pierre Jeanneret studio as a furniture design associate. During this period, she dedicated herself to exploring the 'laws of nature' in various contexts, from bustling cityscapes to serene mountain landscapes. The exhibition features a substantial collection of 380 photographs, many of which depict objects and forms discovered during her extensive walks and explorations. This photographic archive underscores her philosophy that the modernist movement was driven by a spirit of inquiry and a process of analysis rather than a mere stylistic trend. Her keen eye for the world around her is evident in these images, revealing a designer who constantly sought inspiration from her surroundings. A key highlight of the exhibition is the direct juxtaposition of these inspiration photographs with their resultant designs. For instance, the skeletal structure of fish bones is shown to have directly informed the design of her 'Banquette Tokyo.' Similarly, the elegant lines of a reclining human figure are presented as the muse behind her iconic 'Chaise Longue Basculante.' Other examples include the 'Chaise Ombre' from 1954, shown with its photographic precursor, and the 'Table Basse' from 1984, which evolved from an 'Art Brut Grès plage Normandie vers' photograph from 1935. The 'Chaise longue bambou' from 1940 draws inspiration from a 'Paysanne corse' photograph from 1937, demonstrating Perriand's ability to translate organic forms into functional and aesthetically pleasing furniture. Furthermore, the exhibition reveals Perriand's innovative approach to design by showcasing how she was one of the first designers to integrate photography as an essential tool throughout her furniture and interior design projects. This method allowed her to meticulously analyze forms, textures, and compositions from the real world, subsequently abstracting and reinterpreting them into her distinctive modernist aesthetic. The exhibit also includes images like 'Immeuble de l’Armée du Salut en construction, vers' from 1931, which inspired the 'Meuble de séparation' from 1954, and 'Pont à poutrelle' from 1933, leading to the 'Table Gigogne' from 1951. These examples highlight her holistic approach, where even architectural elements and everyday structures found their way into her furniture designs. In essence, the exhibition at Petit Palais offers a profound insight into Charlotte Perriand's meticulous design methodology and her enduring legacy as a modernist pioneer. It demonstrates how her photographic practice was not merely a documentation tool but a fundamental component of her creative process, allowing her to bridge the gap between observed reality and innovative design solutions. The careful arrangement of photographs and finished pieces effectively illustrates her journey from capturing momentary inspirations to crafting timeless pieces of furniture and interior spaces, firmly establishing her as a designer who saw the world through a uniquely analytical and artistic lens. #CharlottePerriand #InteriorDesign #ModernistDesign #DesignHistory #PhotographyInDesign #PetitPalais #FurnitureDesign #LeCorbusier #DesignProcess

Tiffany Clark, an interior designer, shares her journey, insights into managing social media for her business, and how she funded her venture. Clark emphasizes the significant role social media plays in her business, noting that 95% of her clientele comes from these platforms without direct advertising costs. She personally manages her social media, which involves content strategy, customer relations, responding to supporters, and brand promotions through high-quality visual content. Understanding platform algorithms and optimal posting times is crucial for visibility and audience engagement. Clark advises aspiring entrepreneurs to start immediately, even if it means creating a new account to attract a targeted audience with business-related content and a visually appealing page. Clark discusses her lifelong passion for interior design, which she discovered as a child while decorating her own room and later extended to family and friends. Her love for design was further nurtured by playing "The Sims" and watching HGTV shows like "Design on a Dime" and "Property Brothers." After serving nine years in the military, Clark decided to pursue interior design professionally in 2018. Despite initially struggling with self-doubt and fear of leaving a stable corporate job with good benefits, she enrolled in "The Interior Design Institute" to expand her knowledge. A pivotal moment for her was reading "Woman Evolve" by Sarah Jakes Roberts, which helped her overcome her fears and fully commit to her design career. This decision led to significant positive changes in her life, freeing her from previous anxieties. Funding her business began with "zero dollars" and a strong belief in her vision. Clark stresses the importance of faith and self-confidence for any entrepreneur, especially when seeking investors. She advises against waiting for the "right moment" to start a business, as there will always be challenges; instead, one should have a plan, a vision, and trust in divine guidance. Her journey highlights that achieving significant goals requires hard work, dedication, determination, and unwavering faith. Clark also shares a story of resilience, recalling her initial attempts to find employment with design firms after completing her studies. Despite curating a portfolio, she faced numerous rejections due to the close-knit nature of the industry and limited hiring opportunities. This period was discouraging and led her to temporarily stop designing for others. However, she eventually realized that these rejections were a redirection, guiding her towards starting her own business. Believing that a higher power had bigger plans for her, she launched her own company, allowing faith to lead the way. This leap of faith transformed her professional life, empowering her to become her own boss and find fulfillment in her purpose. Her contact information, including her website, Instagram, and Facebook profiles, is provided for those interested in connecting with her work. #InteriorDesign #Entrepreneurship #SocialMediaMarketing #BusinessFunding #CareerTransition #PersonalGrowth #Resilience #SmallBusiness #CreativePursuits

Interior designer Bee Osborn shares the story and design choices behind her idyllic country cottage in the Cotswolds, a home that became a permanent family residence during the pandemic. The article details the extensive, yet thoughtful, renovations undertaken to transform a tired three-bedroom property into a warm, stylish, and functional living space. Osborn emphasizes the use of texture, natural materials, and practical space-saving solutions throughout the house. The renovation began with the property itself, which had been in the same family for years and was in need of updating. Osborn, initially looking for a rental, stumbled upon the cottage and felt an immediate connection, likening it to her childhood home. She purchased and moved into the cottage with her builders, who started gutting and rewiring the property immediately. The transformation of the kitchen is highlighted, where a tiny original kitchen was expanded by integrating an accessible barn. Osborn decided to maintain the barn's original sunken level and natural walls, creating a unique feature. Reclaimed materials were extensively used, including an old kitchen floor for the roof and a stripped-down original Crittall window that now forms doors. The flooring in the kitchen is 'Barnwood Floor' from Osborn Interiors, and the cabinets were custom-made by a local joiner with a natural, raw wood finish. High-end pendant lights from Pinch were a significant investment, balancing the rustic elements with smart design. The kitchen also features a TV snug with L-shaped seating made from repurposed fence planks, equipped with built-in USB plugs, and a mirrored TV from Picture Frame TV with a custom-painted frame. The dining room boasts a large, custom-made pendant from Hadeda, serving as a focal point within a nine-circuit lighting scheme that creates subtle pools of light. The main attraction is a resin and 10-year-old oak table, meticulously crafted over four months, which has proven both beautiful and practical. The Blue Room, inspired by an inky off-black wall in a previous office, features a sofabed custom-made to fit the space and contrasting with the dark wall color. Despite planning permission issues for French windows, a large window was installed. Linen fabrics, leather, and wicker are used throughout, reflecting Osborn's preference for natural materials. The living room maintains its original fireplace, with versatile hampers and baskets serving as storage and side tables. The paint color in this room is a custom mix, and artwork is sourced from antique markets. The master suite, initially a small room with limited space, underwent a significant redesign. Osborn removed the fireplace and stained glass window to reorient the bed and create space for an en-suite bathroom. The bedroom connects visually with the downstairs through wood-clad ceilings and walls from a reclamation center, and hidden cupboards are integrated throughout. The en-suite bathroom includes a second-hand eBay bath and discreetly placed loo. Expensive Porta Romana lights and Anthropologie wardrobe handles add luxurious touches. All bedrooms feature 100% linen sheets for a relaxed aesthetic. Finally, an outdoor 'Pod' by Sandman Homes, measuring 3m x 5m, is made from reclaimed wood, features a wildflower roof, an electric wood burner, and collected baskets, providing an additional charming space. Osborn's design philosophy prioritizes natural materials, thoughtful construction, and practical solutions, creating a harmonious and personalized home. Osborn's work can be further explored through her Instagram and website, OsbornInteriors.com. #InteriorDesign #CotswoldsCottage #HomeRenovation #NaturalMaterials #SustainableDesign #ReclaimedWood #SpaceSavingSolutions #CountryLiving #BeeOsborn