The InterView: Keenan Johnson, Interior Designer for FleischmanGarcia

The article presents an interview with renowned interior designer Jeffrey Alan Marks, discussing current trends and shifts in the interior design industry. Marks, known for his California cool aesthetic and television appearances, shares insights from his home in Montecito, detailing how client preferences and the design process have evolved, especially in the wake of recent global changes. Marks observes a significant shift in consumer behavior, noting an unprecedented excitement for summer and a desire for home entertaining. He anticipates a period akin to the Roaring Twenties, where people prioritize creating safe, special, and intimate environments at home. This trend is driving demand for outdoor living spaces, larger barbecue areas, and indoor/outdoor bars, leading to sold-out outdoor furniture from major retailers like Restoration Hardware and Palecek. He emphasizes that the importance of home, particularly outdoor living areas, has become more pronounced, with individuals investing in these spaces to enhance their quality of life. He also highlights the digital transformation impacting the design industry. Online sales for his business have tripled, indicating a strong willingness among consumers to purchase items sight unseen, especially when familiar with the vendor. This digital boom extends to real estate, where properties are sometimes bought without physical visits. Clients are increasingly using digital tools like Instagram boards and Zoom meetings to conceptualize their design ideas, arriving with organized visions of what they want. This increased client involvement, Marks states, does not diminish his role but rather transforms it into a more collaborative guidance process, as clients still require professional expertise for sourcing unique items and navigating complex design decisions. Marks addresses the pervasive influence of large retailers like Restoration Hardware, noting that even affluent clients building multi-million dollar homes often present images from these brands as their desired aesthetic. He relates this phenomenon to the impact of cinematic sets, where curated environments, like Nancy Meyers's kitchens, become aspirational but are often misunderstood as easily replicable. Despite the popularity of these readily available styles, Marks finds his value in guiding clients through the process and adding a unique, curated touch, even when working with commercial products. Regarding art, Marks observes that clients are spending more time and money on collecting meaningful pieces rather than simply filling wall space. There is a growing inclination to wait for the 'right' artwork, reflecting a more thoughtful and personal approach to art acquisition, a trend not seen in other aspects of home decor. Marks expresses a desire for a return to 'preppiness' in home design, moving away from avant-garde or shock-value aesthetics. He advocates for infusing color into homes, describing his own house as red, white, and blue with green accents, and featuring candy-striped curtains. He believes color is crucial for psychological well-being and seeks to create happier, more jovial spaces, contrasting with the popular monochromatic styles seen in brands like Jenni Kayne. Finally, Marks discusses his approach to designing sophisticated beach houses, which diverge from the traditional floppy, shabby aesthetic. His designs incorporate tailoring, structure, and a refined sensibility, often drawing from English influences due to his training in England. He emphasizes the significance of 'the little things' in design—the details that make a lasting impression, such as curtains, antique bowls, or carefully placed potted plants. He strives to include one unexpected surprise in each room, a signature element that makes the space uniquely '#JAMapproved'.

This article features an interview with Jake Arnold, a British interior designer based in Los Angeles, known for his signature style that combines timeless sophistication with lived-in comfort. Arnold's design philosophy emphasizes rich textures, warm color palettes, and bespoke detailing to create modern luxury spaces. The interview delves into his creative journey, starting from his unexpected transition from studying economics in London to pursuing interior design in LA. He details how he secured an internship by messaging a design studio on social media and subsequently established his own studio in 2020 after working with established firms. Arnold's core design elements include a neutral palette and natural materials, often incorporating unique antiques and curiosities to maintain a classic yet timeless aesthetic. His goal is to create cozy, high-impact spaces that are also functional for modern living. He frequently utilizes materials such as bronze, brass, oak, walnut, and a variety of layered textiles like linen, heavyweight wools, suede, and mohair. While he favors warm neutrals, he is not averse to using color, mentioning Farrow & Ball's 'Dimity' and 'Broccoli Brown,' and Portola's 'Patagonia' as preferred paint colors. Stripes are considered neutrals in his design vocabulary, and he appreciates subtle prints and textures, occasionally integrating eclectic wallpaper or bold fabrics. Material drenching, a technique where one material is used extensively throughout a space, is a hallmark of his style. He also emphasizes layering textures, employing earthy color palettes, and sourcing vintage pieces from places like JF Chen and Galerie Half. Arnold shares personal insights, including his recent purchase of his first home in West Hollywood, an area he values for its creative energy and design history. This personal project allows him complete creative freedom to focus on layered and collected design. The article also highlights three of Arnold's favorite projects: Benedict Canyon, Loma Linda, and Del Lago. The Benedict Canyon project, for Chrissy Teigen and John Legend, focused on artisanal craftsmanship, incorporating warm tones, mauve, chartreuse, and gold and brass accents with calacatta monet and jade quartzite. Key features include a custom brass shell TV cover, Venini sconces, and a Jeff Zimmerman pendant. This home was designed as a generational and organic space, aiming for comfort, luxury, and a connection to nature, moving away from historical architecture to embrace a contemporary cultural paradise. For the Loma Linda project, a 1980s Mediterranean property, the approach was 'less is more,' transforming it into a serene, liveable home using muted neutrals, earthy greys, beiges, walnut, oak, calacatta viola, and antique limestone. Highlights include a custom daybed, mohair seating, vintage lamps, and Rose Uniacke pendants, balancing luxury and comfort. This project involved restoring the Gerard Colcord home to its natural state, creating an open and amicable space. The Del Lago project in Fort Lauderdale, for a hotel developer, aimed for a tropical vacation feel with Californian softness meeting Palm Beach style, using cool neutrals, lush greens, blues, calacatta monet, and zellige tiles. Notable elements are vintage Axel Einar chairs, an Atelier Vime pendant, Stephen Antonson lighting, and De Gournay wallpaper, all designed to evoke escapism without being clichéd. This ground-up home was a collaboration with Smith & Moore Architects, creating an architectural dreamscape with whimsical details and island motifs. #InteriorDesign #JakeArnold #HomeDecor #LuxuryInteriors #DesignPhilosophy #AlistClients #ArchitecturalDesign #LAInteriorDesign

Jessica Warren, founder of JP Warren Interiors, shares insights into her design philosophy and creative process. Her journey into interior design began in the fall of 2011, driven by a longstanding passion for modern furniture and a penchant for collecting unique pieces from thrift stores. Before establishing her business, Warren amassed a collection of furniture, lighting, and objects, with an initial intention to open an antique store or interior design studio after her daughter left for college. Her personal renovation of a Clinton Hill residence, which garnered significant media attention, further solidified her reputation and provided a practical "classroom" for her design education. This project allowed her to develop a distinctive aesthetic and approach, preparing her for her first professional commission: a 10,000-square-foot new construction project. She views design as a continuous evolution, influenced by curiosity and a constant refinement of personal tastes, echoing Norma Kamali's perspective on taste development. Warren emphasizes a client-centric yet artful approach to interior design. She aims to create spaces that are personal, interesting, and rooted in art, rather than being overly "designery" or pretentious. A key aspect of her work involves educating clients on the relationship between art and interior design, often exposing them to art as the fundamental basis for her design work. She integrates artful forms into all interiors, whether through actual artworks or sculptural elements like lamps, chandeliers, and chairs. This process involves refining taste to identify recurring colors, shapes, and patterns that form a consistent motif. Warren also advocates for creating tension in spaces by juxtaposing opposing elements—soft against hard, organic against geometric, dark against light—to highlight the inherent beauty of each component. Her team develops a clear aesthetic map by assigning characteristics to furniture and materials, such as "organic shape" or specific material types like stone or metal, before sourcing begins. Storytelling is integral to Warren's design philosophy. An interior should narrate a story that begins with the architecture and is enriched by furnishings, art, and objects. These additions should be historically aware, personal, and layered, reflecting an ongoing evolution rather than a static "time capsule." She prefers the term "collected" over "eclectic" to describe spaces that possess a timeless quality, appearing as if pieces were gathered over time from family, travels, and various purchases, creating an authentic and evolving environment. She deliberately avoids using iconic pieces extensively, instead seeking unique, less identifiable items to ensure the space feels personal rather than branded or contrived. For each project, Warren dedicates time to experience each room through different light cycles to understand its natural use and potential. She sometimes draws color palettes directly from the room itself, or from a client's cherished painting or object, using tools like "Color Explorer" to translate emotional responses into a cohesive design scheme. In her own home, a significant decision was to preserve the original architectural envelope while updating elements like the parlor floors, eliminating amber tones in the oak to achieve an elegant palette, and staining dining room woodwork black. Regarding Brooklyn row houses, Warren acknowledges their inherent strengths as substantial, solid structures, alongside challenges such as narrow layouts and limited natural light. She advises designing to enhance the natural light available rather than striving for an impossible "white room" in naturally darker spaces, suggesting instead to create "beautiful rooms." For narrow spaces, scale of furniture is crucial. She recommends respecting the original intention of furniture placement while also being open to re-purposing rooms to better suit modern lifestyles. Her approach balances preservation with contemporary functionality, ensuring that homes remain dynamic and reflective of their inhabitants' lives. #InteriorDesign #HomeRenovation #DesignPhilosophy #BrooklynDesign #ClintonHill #ModernFurniture #ArchitecturalPreservation #SpacePlanning

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

Kevin Jones, a former NFL running back, has transitioned from a successful career in professional football to a prominent role in industrial design. After retiring from the NFL in 2009, Jones pursued a bachelor's degree in industrial design and an MBA at Virginia Tech, subsequently founding his own design firm, Joba Studio, in 2015. His journey into design was unexpected, stemming from a desire to finish his degree and a newfound interest in the creative aspects of product development, which he discovered through his interactions with sports brands like Reebok, Under Armor, and Red Bull during his athletic career. Initially exploring fashion, he was guided towards industrial design, finding a deep connection with its diverse applications, from prosthetic legs to architectural models. During his time at Virginia Tech, Jones undertook an internship with USM, a Swiss furniture manufacturer known for its modular Haller shelving system. This experience provided him with a comprehensive understanding of USM's manufacturing processes, design philosophy, and the iconic Haller system's components, including tubes, ball joints, and panels. The internship exposed him to the company's ethos of maintaining an engineering-focused team while collaborating with external designers to foster innovation. This period was pivotal, culminating in Jones using the USM system as the subject for his senior thesis project. Years later, Jones, through Joba Studio, collaborated with USM and French designer Marc Venot to introduce a significant update to the Haller shelving system, unveiled at Salone del Mobile in Milan. This new iteration, called the Soft Panel system, aims to enhance the system's modularity, human connection, and adaptability for home environments. The core innovation lies in the introduction of felted, two-tone, reversible panels that attach magnetically to the existing Haller framework. This magnetic attachment eliminates the need for specialized tools, allowing users to easily customize, rearrange, and refresh their shelving units by simply flipping or sliding the panels. Jones emphasized that the update was driven by a desire to make the Haller system more user-friendly and less intimidating to modify post-purchase. The design philosophy behind the Soft Panel system centered on making the beloved utilitarian shelving feel "more connected, more human, and more modular." Addressing feedback that the original metal system could appear "cold" or overly industrial, the felted panels introduce a softer aesthetic, making the furniture more suitable for residential settings while still integrating seamlessly with existing metal components. The timing of this release coincided with USM’s 60th anniversary, marking a strategic move to offer new product variations that USM's extensive network of partners had been seeking. The collaboration embodies a "Connected By Our Dreams" theme, signifying a realization of design aspirations for Jones, USM, and its customers, ensuring the Haller system continues to evolve while honoring its foundational principles of modularity and timeless design. #KevinJones #JobaStudio #USMHaller #ModularShelving #IndustrialDesign #FurnitureDesign #ProductInnovation #SaloneDelMobile #DesignCollaboration

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

The article reviews Scott Johnson's recently published book, "Inside Architecture: A Design Journal," offering insights into his career and architectural philosophy. Johnson, known for his serious approach to architecture, recounts a notable incident involving his meticulously designed Fox Plaza office tower. Completed in 1987, the upper floors of the building were altered for use as a film location for the movie "Die Hard," a revelation that initially concerned Johnson about the tower's architectural integrity. Despite his initial apprehension, the movie's success made the Fox Plaza tower an instant landmark, leading to full occupancy and increased recognition for Johnson's firm. The unexpected publicity from "Die Hard" significantly boosted the firm, then known as Johnson Fain + Pereira, and later Johnson Fain. This exposure led to numerous challenging assignments, including an intriguing offer from Donald Trump to design the world's tallest building in Los Angeles. Johnson declined this particular offer but undertook several other successful projects in L.A.'s Century City and downtown San Francisco. The book delves into the design and development processes of these projects, offering a glimpse into client interactions and the guarded packaging of unique architectural endeavors. A significant portion of Johnson's journey involves the Opus One Winery in Napa Valley. His involvement with this project predates the Fox Plaza incident, dating back to 1984 when the firm won a competition for the joint venture between Robert Mondavi and Baron Philippe de Rothschild. The protracted design process for the winery became a comprehensive tutorial in winemaking and social etiquette, proving beneficial for Johnson and his evolving firm. This project, along with other hospitality assignments, helped Johnson Fain navigate economic downturns and attract an international clientele following the Fox Plaza success. Johnson's book also documents the firm's diverse international commissions, including master planning resorts in Hawaii and Guam, designing office towers in Taiwan, Indonesia, and China, and planning Beijing's central business district. Closer to home, the firm undertook projects like an office tower in Dallas, a Native American museum in Oklahoma City, and several office towers in L.A.'s Century City. Each project presented unique challenges related to clients, site constraints, design considerations, and financial aspects, all meticulously observed and navigated by Johnson, who also demonstrated his skill as a conciliator. The article highlights Johnson's unique involvement in the Christ Cathedral (formerly Baptist Crystal Cathedral) in Orange Grove, tracing his contribution from an apprentice under Philip Johnson in the 1970s to his role as a principal in Johnson Fain during its renovation into a Catholic cathedral decades later. The narrative also explores Johnson's personal architectural ventures, including designing several private residences, four of which were his own. These include a town house, a renovated industrial loft, and two distinct family vacation homes—one in Napa Valley and another in Ojai. These personal projects showcase Johnson's versatility and deep connection to architecture, culminating in his and his wife's move to a pied-à-terre in Harlem, New York City, which he describes with poetic appreciation for its urban environment. Finally, the review mentions Johnson's academic pursuits, including teaching design at UCLA and leading USC's Master of Architecture program. His intellectual contributions are further evidenced by his various publications and his role as an art and architecture design theorist. The book's extensive epilogue features excerpts from these theoretical works, providing a comprehensive view of Johnson's journey as a gifted architect in a demanding profession. #ScottJohnson #ArchitectureDesign #InsideArchitecture #FoxPlaza #DieHardMovie #JohnsonFain #OpusOneWinery #ArchitecturalJournal

The article details the renovation of Frank Gehry's first house, originally built in 1974, by Dan Brunn Architecture for artist James Jean and his wife Chihiro Torikai. The property, located in Los Angeles, holds significant architectural provenance, being Gehry's initial residential project before his more renowned deconstructivist works. Despite Gehry's original involvement, many of his design details for this particular house went unbuilt, leaving it as a relatively blank canvas for the subsequent renovation. James Jean, a celebrated commercial and fine artist known for his work with Prada, sought a living space that would integrate his artistic practice with his family life, desiring a home studio rather than a separate workspace. He gave architect Dan Brunn significant creative freedom, having developed a friendship after meeting at a street-art festival in Hawaii. Brunn's approach honored Gehry's legacy while infusing the home with contemporary design elements and personal touches reflective of Jean's artistic style. Brunn acknowledged Gehry's original design at the recessed entry, cladding it with overlapping copper panels that subtly reference Gehry's signature fish-scale motif. Inside, Brunn focused on transforming the space, starting with a central staircase. This staircase, crafted from 2-by-8-inch solid walnut planks of varying lengths, features a dual geometry: a crisp crease line combined with a subtle curve. This curved element subtly alludes to the fluid and lyrical forms characteristic of Jean's drawings and paintings. The staircase is not merely a vertical connector; it also defines the horizontal flow of the ground level, compressing the space between the foyer and the main living, dining, and studio areas. A significant design feature is a 12-foot-wide pivoting plasterboard partition. When open, it allows the living area to connect directly with the library. When closed, it converts the library into guest quarters, demonstrating a versatile use of space. Adjacent to the library-bedroom, an alcove was designed as a contemplative retreat. This open-sided box, constructed from canted walnut planes, is inspired by Japanese teahouses. Sliding glass doors allow this volume to merge with the meticulously landscaped garden, which features bamboo, ginkgos, and Japanese maples, creating an atmosphere of absolute zen. Lighting throughout the ground level is designed to be diffuse, providing a shadow-free environment ideal for photography and everyday living. At night, LEDs ringing the alcove's walnut box offer programmable color cycles, controlled by a handheld remote, serving as an homage to light artist James Turrell. This multi-layered approach to lighting underscores Brunn's nuanced take on minimalism. For furnishings, Brunn selected a mix of modern and contemporary design icons. The library features classic Eames swivel armchairs and ottomans. The dining area includes a slimmed-down Parsons table by Bertjan Pot, surrounded by Jonathan Prestwich side chairs and Diez Office armchairs. In the living area, an Antonio Citterio pale gray sectional is paired with Jean Prouvé black sling chairs, gathered around a custom cocktail table made of reclaimed Douglas fir, detailed with turquoise inlays and copper staples. Upstairs, Brunn made a significant decision to reduce the total square footage to 3,600 by removing a bedroom. This sacrifice created private outdoor space, a glass-walled pocket terrace for the master suite. This solution unexpectedly echoed Gehry's original plans for the same spot, which had envisioned a greenhouse. The project team included Aras Burak from Dan Brunn Architecture, structural engineer Chris Salas, CBM Woodworks and Woodmaster Kitchen & Bath for woodwork, KR Welding for metalwork, and RealCo Creations as the general contractor. #ResidentialDesign #ArchitecturalRenovation #FrankGehry #DanBrunnArchitecture #JamesJean #InteriorDesign #LosAngelesArchitecture #ModernInteriors #AdaptiveReuse

Momina Watton, the visionary founder of Atelier278, shares insights into her creative journey and the philosophy behind her furniture designs, which emphasize modern aesthetics, natural materials, and meticulous craftsmanship. Watton's design philosophy is characterized by a "classic with a twist" approach, evident in her personal style and the interiors of her apartment, which combine luxurious materials like marble, linens, and velvets with contemporary chrome and stainless-steel accents, creating unexpected yet harmonious pairings. This consistent aesthetic has been a part of her life since childhood, with her interiors brand, Atelier278, solidifying these long-held inspirations. Her creativity, though not formally studied in art or design, manifested in everyday activities from a young age, such as elaborately setting tables for Saturday morning breakfasts. This innate creative drive eventually led to her career in furniture design. A significant source of inspiration for Watton is Roman architecture, particularly its enduring use of natural stone. The timeless appeal of marble columns and travertine buildings serves as a constant reminder that classic design and natural materials possess lasting relevance. This appreciation for the historical use of stone informs her contemporary pieces, ensuring they feel both ancient and modern. Watton's transition into furniture design was unexpected. Formerly working in beauty PR, the pandemic provided her with an opportunity to explore her passion for interiors. She began by sharing her interior finds on Instagram, which led to sourcing vintage marble furniture for notable figures like Bettina Looney and Suki Waterhouse. This experience eventually spurred her to design and create her own pieces. A memorable acquisition was a vintage marble coffee table, discovered in a reclamation yard, which now resides in the home of Vogue Commerce Director, Naomi Smart. This find underscores Watton's ability to see potential in overlooked objects and her talent for transforming them. Her mother's strong, independent sense of style significantly influenced Watton, teaching her the importance of authenticity in personal expression. When it comes to color, Watton expresses a deep affection for green, from vibrant matcha to earthy olive tones, valuing its versatility and pleasing aesthetic in interiors. Green onyx, in particular, is a favored material for her accessories due to its natural texture and rich color. Travel, especially to Copenhagen, also provides rich inspiration. She admires brands like FRAMA and Yonobi Studio for their immersive experiences that extend beyond mere shopping, fostering a sense of community. Collecting glassware is another passion, as Watton believes the vessel can enhance the drinking experience. Her collection spans diverse origins, from Marrakech mint tea glasses to Parisian wine glasses and cut crystal tumblers for negronis, necessitating a dedicated cabinet in her kitchen. In terms of media, she is drawn to films with exceptional art direction and escapist qualities, citing "Call Me By Your Name," "The Talented Mr Ripley," and "A Single Man" for their incredible interiors and settings. Music also plays a crucial role in her creative process, with playlists featuring artists like Arooj Aftab, Sufjan Stevens, The Cure, Mazzy Star, and The Cranberries. Cooking is another creative outlet, with her signature dish being a sea bass recipe inspired by a restaurant in the south of France. Watton holds admiration for fellow designers, particularly the team at Banda, whose interior designs she finds consistently beautiful. The work of the Bille Brahe family, including Frederik's restaurants and Sophie's jewelry, also serves as inspiration. Among her own creations at Atelier278, the Ellipse Dining Table in Unfilled Romano Travertine, designed for Rosie Huntington-Whiteley, stands out for its organic finish and statement presence. The Octavia Console is also highly popular, largely due to the demand for custom-sized console tables that are often difficult to find. Her accessories, such as coasters, are celebrated for their blend of functionality and style. #FurnitureDesign #InteriorStyle #NaturalStone #Atelier278 #DesignInspiration #MominaWatton #ClassicWithATwist #RomanArchitecture #HomeDecor

This page provides a comprehensive job board specifically for the interior design industry, hosted by Business of Home. It features a wide array of job opportunities across various roles and experience levels, from entry-level design positions to senior leadership and specialized roles such as architectural drafters and project managers. The jobs are primarily for full-time positions, but part-time, freelance, and internship opportunities are also listed. The platform caters to both job seekers and employers, offering functionalities to filter job listings by location, category, employment type, and compensation. The job board currently displays numerous openings from various design firms and companies. For instance, WECSELMAN DESIGN in Miami is seeking an Interior Designer for high-end residential projects, emphasizing a candidate with strong design sensibility and a curated eye. Jeremiah Brent Design in New York is looking for a Senior Design Documentation Specialist on a contract basis for a historic estate renovation, as well as a Senior Designer specializing in Furniture, Fixtures, and Equipment (FF&E;) for the same project. Mia Todd Studio, also in New York, is hiring a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is seeking a Senior Interior Designer with a strong background in architectural design and project management. Bruce Fox Design in Chicago is searching for a Senior Interior Designer with a mature and creative approach to innovative projects. Beyond traditional interior design roles, the board also lists specialized positions. CarbonShack is looking for a Multi-Line Sales Representative for sustainable designer fabrics, Sunthreads, with a commission-based compensation structure and performance bonuses. Marc Phillips Decorative Rugs in Los Angeles has an opening for a Sales Account Manager to cultivate relationships with designers, architects, and trade professionals. Studio Michael Ellison in New York requires a Senior Designer with a passion for luxury interior design and experience in private residential projects. Chused & Co. in Brooklyn is seeking a Senior Interior Designer/Project Manager to lead residential projects, focusing on architectural knowledge and technical drawing ability. Jennifer Messina Interiors in Mill Valley, CA, is hiring an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. in Philadelphia is looking for a Senior Interior Designer for high-end residential projects across the Northeast, coastal Florida, and the Northern Rockies. Jerry Pair in Atlanta needs a Marketing Specialist to engage in various marketing facets within the luxury interior design industry, including e-commerce management and content creation. Julie Hillman Design, an AD100 firm in New York, is seeking an experienced Interior Architect for high-end residential projects. Studio MRS, an Elle Décor A-List firm in New York, is looking for a full-time Interior Architectural Drafter. The platform also provides resources for users, such as a job FAQ section and a dedicated page for employers to submit job postings. Featured jobs are highlighted, indicating potentially urgent or high-profile opportunities. Additionally, there is a classifieds section for other related services, such as office space rentals for designers. The overall structure of the page is designed to efficiently connect interior design professionals with relevant employment opportunities and industry resources. #InteriorDesignJobs #DesignCareers #CreativeIndustry #ProjectManagement #ArchitecturalDesign #SalesAndMarketing #ResidentialDesign #LuxuryDesign

Henry Holland, a prominent figure initially known for his contributions to the fashion industry, has successfully transitioned into a ceramics artist, establishing Henry Holland Studio. This article delves into his creative journey and the diverse influences that have shaped his distinctive style, characterized by boldness and playfulness, which he views as a direct reflection of his personality. Holland emphasizes the role of clothing and home decor as forms of self-expression. His artistic inclination was evident from a young age, with teachers recognizing his creativity and early entrepreneurial endeavors like starting a Christmas card business. His mother served as a significant source of inspiration, fostering his creativity and exhibiting a strong sense of style. The profound impact of her loss over a year ago compelled him to actively seek joy in his work, as he believes sadness hinders his creative output. Presently, his inspiration primarily stems from his friends, family, and husband, as he is drawn to human stories and enjoys weaving narratives into his characterful ceramic and homeware designs. Moving to London from Northern England marked a pivotal moment in Holland's development, where he recognized the importance of taste and personal style amidst the city's diverse cultural landscape. His career path has been serendipitous; he initially pursued journalism but found himself drawn to fashion through a hobby that quickly evolved into a brand. Similarly, his foray into ceramics during the pandemic began with lessons and organically grew into his current studio. He highlights the unexpected synergies between the fashion and homeware industries, noting that his fashion background provided invaluable business training, and he now appreciates the more relaxed pace of the homeware sector. Travel has also played a crucial role in shaping his creative vision. Childhood experiences in the French countryside, accompanying his parents to antique markets, exposed him to various design periods, from art deco to mid-century modern. This early exposure instilled a deep appreciation for diverse aesthetics. He is an avid collector of Richard Bernstein's *Interview* magazine covers from the 1970s and 80s, valuing them as miniature pieces of pop culture history that illustrate the nascent intersection of fashion, culture, and celebrity. His most cherished item is a Debbie Harry cover signed by Andy Warhol and Truman Capote. While not an extensive reader, Holland finds value in self-help and spiritual guides, citing Eckhart Tolle's *The Power of Now* as particularly impactful. He also utilizes Blinkist to access condensed book summaries, a testament to his admitted impatience. Film, specifically costume and set design, provides another rich source of inspiration. He admires Baz Luhrmann's visually striking films, particularly *Romeo & Juliet*, and often references 1990s teen movies like *Clueless*, *Hackers*, and *Empire Records* in his fashion work. His musical tastes lean towards 90s pop, influenced by his first job at *Smash Hits* magazine, and he enjoys sharing these playlists with his studio team. Despite not being a keen cook, he hopes a forthcoming kitchen renovation will spark culinary creativity, though he prefers dining out. His favorite restaurant is Brat in London, known for its exceptional food and cocktails and its chef, Tomos Parry, whom he considers a friend. Holland expresses admiration for numerous contemporary creatives. He acknowledges the challenges faced by professional creatives and values the heart and soul they invest in their projects. He is particularly impressed by Es Devlin's set design and fellow ceramicists like John Booth, whose vibrant use of color he appreciates, and Alma Berrow for her humor. He also follows Christabel MacGreevy's transition into ceramics and is a significant admirer of Dirk Vander Kooij's work, especially his innovative use of recycled plastic materials, exemplified by a Melting Pot dining table that represents their first significant home investment. #HenryHollandStudio #InteriorDesign #CeramicsArt #CreativeInspiration #FashionToHomeware #PopCultureInfluence #TravelInfluence #DesignPhilosophy

The article explores the concept of the "fresh start effect" in interior design, particularly as it applies to the new year, through an interview with Chicago interior designer Jessica Lagrange. Lagrange notes a significant increase in new projects in January, attributing it to people's desire for positive change in their homes. She discusses two primary "new ideas" rather than fleeting trends that are influencing her work in 2025. The first is a stronger connection between indoor and outdoor spaces, evolving from a pandemic-driven need to incorporate restorative elements that mimic natural settings. This approach not only provides aesthetic beauty but also enhances mental and physical well-being, especially for those without outdoor access. Lagrange highlights the use of scenic wallpapers from companies like Gracie or De Gournay to achieve this natural integration. The second idea is personalized minimalism, a preference particularly seen among millennial clients who desire clutter-free yet warm and personalized spaces. This requires thoughtful curation and meticulous attention to materials, from foundational furniture to small accessories. Lagrange also touches upon design trends, mentioning that while many come and go, some patterns like animal prints have an eternal quality. She had recently returned from Maison & Objet, a major French interior design trade show, indicating a focus on current developments in the industry. Regarding her current projects, Lagrange mentions working on several second homes in Arizona and Florida, as well as her personal escape to Palm Beach. When discussing client preferences, she notes a continued favor for dark, saturated colors and motifs that reference nature, such as florals or foliage, to boost well-being. She shares a personal example of using fabric embellished with embroidered insects in her own bedroom to evoke happiness. Her philosophy on indoor-outdoor spaces emphasizes their growing importance beyond warm climates, extending to homes with gardens where large windows or glass walls bring the outside in year-round. She cites a project in Lincoln Park involving increasing window sizes to create an outdoor feel in a combined family room and kitchen. The designer details her project development process, which is client-centric and involves extensive interviews and continuous feedback to ensure client satisfaction and avoid mistakes. Lagrange identifies the most challenging aspect of her work as consistently meeting each client's expectations, which demands significant time, communication, research, and feedback. Lagrange clarifies that her personal style does not dictate her client work; instead, she maintains a client-centric approach, adapting designs to individual needs and preferences. She emphasizes the importance of using quality fixtures and furnishings within budget constraints, having learned that quality can be found at various price points. For making simple changes in a home during winter, she suggests changing pillows or repainting a wall with vivid colors and using exuberantly patterned pillows to alter a room's mood. She also advises layering window treatments with sheer textiles and keeping drapes open to maximize natural light for mental well-being. She cautions about increased buyer's premiums at auction houses when sourcing new objects and art. #InteriorDesign #JessicaLagrange #FreshStartEffect #HomeDecor #WellnessDesign #PersonalizedMinimalism #IndoorOutdoorLiving #DesignTrends #ClientCentricDesign #QualityMaterials

This article features an interview with Grania Murray, an interior designer with over 25 years of experience, originally from Ireland and now based in Los Angeles. Murray emphasizes that clarity is the most crucial factor behind her success. She specializes in guiding clients through complex design decisions with a sense of calm and clear direction, helping them navigate the often overwhelming process of building or renovating spaces. Her professional approach focuses on simplifying complicated choices, allowing clients to move forward with confidence in their projects. Murray's dedication to providing clarity in design became deeply personal after the devastating LA wildfires, which led to her daughter and daughter-in-law losing their home. Witnessing their struggle with loss, bureaucratic hurdles, and a multitude of decisions highlighted the critical need for guidance during such challenging times. This experience inspired her to create "The Design Align," a service that offers high-level, strategic support to clients before they commit to potentially costly decisions. This initiative focuses on helping clients understand the broader picture and establish a clear foundation for their projects, demonstrating her commitment to making design accessible and less daunting. While she continues to run a full-service interior design studio, The Design Align represents a significant and proud expansion of her work, driven by a desire to share her extensive knowledge and experience. Murray credits Jane McDonnell, Co-Founder and Publisher of The Gloss Magazine and Co-Founder of DESIGN WEEK DUBLIN, for playing a pivotal role in her career. McDonnell saw Murray's home design in Ireland, suggested she pursue interior design professionally, and subsequently featured her work in an article. This feature led to Murray acquiring her first clients, effectively launching her career in the field. Murray reflects on her childhood passion for rearranging furniture, highlighting an innate inclination towards understanding how spaces feel. She views design as a means of making sense of the world, emphasizing the blend of form and function to create spaces that evoke a sense of "home at last." Her design philosophy involves mixing old and new elements, incorporating art, vintage finds, handmade pieces, and clients' existing treasures to achieve unique and personal interiors. What truly distinguishes Murray's work is not just the aesthetic but the comprehensive client experience she provides. Her approach is described as strategic, empathetic, and deeply attuned to fostering comfort and stability within a space. She prioritizes listening to her clients and making choices that align with her values, particularly concerning sustainability. She acknowledges facing challenges like dry spells, unsuccessful detours, and the difficulties of relocating to Los Angeles and starting over. However, her resilience and quiet determination have been constant driving forces. Murray advises that one does not need all the answers but rather needs to focus on what matters most and act accordingly. She believes that great design stems from clarity—understanding a space's purpose, aligning it with practical considerations like budget, timing, and emotional connection, and allowing beauty to emerge naturally. She also shares a favorite quote by Paulo Coelho: "When you want something, all the Universe conspires in helping you achieve it," reflecting her belief in universal support for one's aspirations. Murray concludes the interview by sharing recommendations for visitors to Los Angeles, drawing from her diverse experiences living across the city. Her suggestions include day trips to Lake Arrowhead for its lake and brewery, and Santa Ynez for wine tasting, with Buttonwood being a favorite spot. She also recommends scenic drives along the Pacific Coast Highway to experience classic LA coastal vibes. For morning or afternoon activities, she suggests visiting The Huntington Gardens and The Norton Simon Gallery in Pasadena, and taking a clay class at Green & Bisque in Pasadena. For dining, she highlights Star Leaf (Asian Fusion) and Redbird (Downtown LA), and mentions Los Felix as an all-time favorite. For drinks, The Pasadena Hotel is recommended, and for entertainment, she enthusiastically suggests Blah Blah Karaoke and any show at The Pantages. #InteriorDesign #GraniaMurray #DesignPhilosophy #ClientClarity #TheDesignAlign #CareerJourney #LosAngelesDesigner #Resilience

This blog post features an interview with Jason Apilado, a Senior Interior Designer, who offers insights into the interior design industry, discusses his notable projects, and shares his recommendations for cultural experiences, dining, shopping, and community engagement in Los Angeles. The interview begins by addressing common misconceptions about interior design, highlighting the blend of creativity and business acumen required for success. Apilado emphasizes the technical skills involved, including mathematics, geometry, engineering for cost calculation and collaboration with architects, and deep dives into psychology, history, and cultural studies for robust conceptual development. He also touches upon the challenges of navigating new design languages and effectively communicating these to various stakeholders, all while managing logistics and meeting deadlines. Apilado stresses the importance of artistic restraint and balancing imagination with practicality, without compromising design values. He introduces his '3 R's' approach—Recognize, Reassess, Recalibrate—to prioritize time management and support creative discipline, a skill he developed over 14 years in the field, including a significant period as a freelancer. Resilience, problem-solving, and leading with confidence without ego are also identified as crucial for designers. Apilado then shares details about some of his favorite projects, including a brutalist home/event space in Eden, Utah, designed in collaboration with Tom Wiscomb Architects and Benchmark Modern. This project features art installations and furniture by renowned artists and designers such as Jónsi, James Turrell, Rick Owens, Vibha Galhotra, Naama Tsabar, Pedro Reyes, and MAD Architects. Other significant works mentioned are the Soulmate Restaurant in West Hollywood, a G550 jet interior, and a contemporary residence in the Hollywood Hills, developed with Belzberg Architects and Dobkin Construction. The discussion also covers his recent ventures into dealing antique furniture, launching a textiles collection, and selling curated goods online. The interview shifts to local recommendations for Los Angeles. For cultural experiences, Apilado suggests Casa Perfect Los Angeles 3.0, Anat Ebgi gallery, Vardan Gallery, Arcana Books, and the Endeavour space shuttle. Dining recommendations include Santa Monica Seafood Market, Santa Monica Farmers Market, Spoon & Pork, Kang Ho Dong, and Siam Night Market. Shopping highlights feature H. Lorenzo and the Rose Bowl Flea Market. For community engagement, he recommends In Sheep’s Clothing hifi, Ambient Church, Brain Dead Studios, Aroma Golf Range, and the LA River West Bank Bike Trail. Finally, Apilado expresses gratitude to numerous individuals who have inspired and supported his career. He acknowledges fellow designers and craftsmen, emphasizing the importance of community and mutual support among artists. He specifically thanks his parents for fostering his creativity, his brothers for their support, and his high school teachers and college mentors for seeing his potential and never giving up on him. Special recognition is given to Sean Leffers for trusting him to build a design studio, and a list of influential figures such as Riza Stillwell, Scott Pennington, David Waggoner, David Goggins, Bjarke Ingels, Ridley Scott, The Wachowskis, Craig Green, and Richard Feynman are mentioned for their impact on his professional journey. #InteriorDesign #CreativeProcess #DesignProjects #LosAngelesCulture #BusinessAcuemen #ProfessionalJourney #ArtisticRestraint #CommunitySupport