Designer Rahul Mishra’s new Mumbai flagship is a museum of craft and couture

Ralph Lauren has launched a new luxury concept store in Miami's Design District, setting a new standard for retail experiences in the area. The store showcases a meticulously curated selection of Men’s Purple Label and Women’s Collection apparel and accessories, featuring exclusive, one-of-a-kind handbags and accessories that are only available at this Miami location. This emphasis on exclusivity aligns with the Design District's reputation for offering unique and high-end products. The interior design of the new Ralph Lauren store draws inspiration from Miami's nautical and opulent waterfront lifestyle. The flooring features a combination of teak wood planks and white tiles, evoking the deck of a luxury yacht or a sophisticated coastal residence. Blond mahogany wood millwork is used throughout the space, complementing the clean lines and adding a touch of warmth. Stainless steel and black ebonized detailing further enhance the contemporary and luxurious aesthetic, creating a refined atmosphere. The furniture within the store is exclusively sourced from the Ralph Lauren Home Collection, ensuring a cohesive and immersive brand experience. This integration of home furnishings with fashion retail allows customers to fully appreciate the Ralph Lauren lifestyle, extending beyond clothing to interior design. The careful selection of each piece contributes to an ambiance that reflects the brand's signature blend of classic elegance and modern sophistication. Beyond its physical retail offerings, the store is also pioneering innovative customer engagement strategies. Ralph Lauren plans to connect with the Miami community through a series of unique experiences. As part of its grand opening, members of the Web3 community Pool Suite received a special Ralph Lauren NFT, granting them exclusive access to a celebratory event. This initiative demonstrates the brand's forward-thinking approach to integrating digital assets and community building into its retail strategy. Marking a significant milestone in retail innovation, this new location is the first Ralph Lauren store to accept cryptocurrency as a form of payment. This move positions Ralph Lauren at the forefront of adopting emerging payment technologies, catering to a modern, digitally-savvy clientele and further solidifying its status as a luxury concept store. The acceptance of cryptocurrency highlights the brand's commitment to evolving with consumer trends and embracing digital transformation. To commemorate the store's opening, Ralph Lauren hosted an exclusive cocktail party at a private waterfront residence in Miami. The event attracted a notable gathering of brand associates and celebrities, including Joan Smalls, Lily Aldridge, Camila Coelho, and Claire Holt, all adorned in Ralph Lauren attire. Guests were treated to a performance by Leslie Grace, enjoying the luxurious setting. The property itself was transformed with pieces from the Ralph Lauren Home Collection, creating a coastal living/Riviera-chic ambiance that perfectly encapsulated the brand's aesthetic. The store is located at 170 NE 40th Street, Miami, inviting visitors to experience this new dimension of luxury retail. #RalphLauren #LuxuryRetail #MiamiDesignDistrict #ConceptStore #HomeDecor #InteriorDesign #CryptocurrencyPayment #FashionRetail #Web3

This blog post highlights a unique studio apartment located at 400 West 12th Street in the Superior Ink condo building, West Village, New York City, currently listed for $2.3 million. The 943-square-foot residence, described as a “zen suite,” features an interior meticulously designed with a focus on luxury, custom elements, and smart home technology. The apartment's aesthetic is characterized by a blend of natural materials and contemporary finishes, creating a tranquil and sophisticated living space. The entrance to the home features a narrow hallway adorned with leather walls, artistic displays, and subtle light coves. This hallway provides access to essential amenities including a full bathroom, a walk-in closet, and a washer/dryer closet. A smaller closet ingeniously houses a Savant smart home system, allowing for integrated control of the apartment's various functions. The bathroom itself is a showcase of modern design, featuring heated travertine floors, a limed oak vanity topped with white Quartzite, a spacious walk-in shower with a teak floor, and a separate water closet, emphasizing both comfort and style. The kitchen area is equipped with white Quartzite counters, a distinctive blue-vein Cipolino marble backsplash, a Sub-zero refrigerator, and stainless-steel Viking appliances, indicating a high-end culinary setup. Adjacent to the kitchen is a bedroom alcove, which has been reconfigured into a custom dressing room surrounded by built-in closets, catering specifically to individuals with a significant wardrobe. Both the kitchen and the dressing room can be privately enclosed using hand-carved sliding doors imported from Bali, adding an exotic touch to the interior. The main living space is accessed via a hallway lined with architectural mirrors. The bed area is distinguished by a white leather headboard and a coordinating footboard that cleverly conceals a custom television lift. The room offers ample space for a separate sitting area and features Shagreen counters, grasscloth walls, and large south-facing windows that fill the space with natural light. The apartment boasts 10-foot ceilings throughout, Morado wood floors, custom light fixtures, a built-in audio system, and electronic drapes, sheers, and shades, enhancing the luxurious feel. The Superior Ink condo, built in 2010 and designed by Robert A.M. Stern, is LEED-certified, underscoring its commitment to environmental sustainability. Its prime location offers residents convenient access to Hudson River Park, the High Line, the Whitney Museum, and other cultural attractions within the West Village. The building also provides a range of amenities, including a residents’ lounge, a screening room, a fitness center with a pilates/yoga room, a playroom, and 24-hour concierge and doorman services, ensuring a comprehensive luxury living experience. #WestVillage #StudioApartment #LuxuryRealEstate #SuperiorInkCondo #InteriorDesign #SmartHome #Fashionista #NewYorkCity #RobertAMStern

The Lost & Found OōEli store in Hangzhou, designed by B.L.U.E. Architecture Studio, represents their second collaboration with the lifestyle brand 'Lost & Found.' This project is situated within OōEli, a comprehensive art park in Hangzhou, developed by Renzo Piano, which integrates offices, art spaces, retail, design hotels, and exhibition areas. Lost & Found is known for offering solid wood furniture, ceramics, utensils, fabrics, and plants, all contributing to a cherished daily life. The design philosophy behind the OōEli store aims to extend the brand's core concept of 'home' into a retail environment, fostering a sense of familiarity and appreciation for everyday objects. The spatial design of the 225 square meter store emphasizes materiality, natural textures, and artisan craftsmanship, aligning with Lost & Found's commitment to art and daily life. The architects sought to create a retail experience that transcends a typical showroom, instead offering a space that feels like a home where products are naturally integrated into living scenarios. This approach allows customers to envision how these items might fit into their own homes, enhancing the connection between the brand's offerings and personal lifestyle. Key design elements likely include the use of natural wood, reflecting the brand's furniture focus, alongside other organic materials that evoke a sense of warmth and authenticity. The layout of the store is presumably organized to guide visitors through different 'rooms' or vignettes, each showcasing a curated collection of products within a simulated domestic setting. This experiential design encourages exploration and interaction, making the shopping process more engaging and less transactional. B.L.U.E. Architecture Studio's design for the OōEli store is a response to the brand's ethos of valuing craftsmanship and the aesthetics of everyday living. The project is an example of how architectural design can effectively translate a brand's philosophy into a physical space, creating an immersive environment that resonates with its target audience. The store's location within OōEli, a hub for art and design, further reinforces its positioning as a destination for those who appreciate thoughtful design and quality lifestyle products. #RetailDesign #InteriorDesign #LifestyleBrand #Materiality #ArtisanCraftsmanship #HangzhouArchitecture #ExperientialRetail #BlueArchitectureStudio

Muze, a new dining establishment in Khar West, Mumbai, reimagines the glamour of the Jazz Age through its interior design, offering an immersive experience for contemporary diners. Founded by Gen Z sisters Saloni and Anannya, the concept draws heavily from the liberated spirit of the Flapper Girl era, blending vintage charm with a modern sensibility. DesignWorx, led creatively by Shaji Arakkel, conceptualized the space to evoke the bold energy of the 1920s while ensuring it remains current and engaging. The restaurant's aesthetic is characterized by rich Art Deco hues, dramatic geometric forms, and luxurious textures. Emerald, gold, and inky black tones establish a sophisticated backdrop, complemented by playful motifs such as sleek leopards, vibrant parrots, and elegant black swans. This combination creates an atmosphere that is both lively and refined, embodying the fusion of historical inspiration and contemporary taste. The design aims to be dynamic, engaging, and fresh, moving beyond mere homage to a bygone era. Materiality is a central theme in Muze's design narrative. Sculptural Art Deco-inspired columns, adorned with antique mirrors and metallic gold detailing, serve as focal points. A gold mosaic-tiled bar, set beneath a ribbon-shaped bulkhead, provides a fluid and unifying element within the space. The Private Dining Room features a velvet-draped ceiling, enhancing its plush and theatrical ambiance. The furniture selection is intentionally eclectic, incorporating rich velvets, warm woods, supple leathers, and gleaming brass, ensuring that every corner of Muze possesses a unique character and thoughtful curation. Muze's design also incorporates subtle nods to Mumbai’s own Art Deco heritage, drawing inspiration from iconic facades and precincts in South Mumbai and Marine Drive. This local influence is evident in the symmetry, form, and decorative details throughout the restaurant. Furthermore, curated artifacts and Asian-inspired accents, including animal print wallpapers and handcrafted sculptures, introduce a layer of global sophistication, reflecting the cultural cross-pollination characteristic of the 1920s where Eastern and Western influences converged. Even the restrooms are designed to extend this narrative of indulgence and surprise, complete with a seating nook. Ultimately, Muze serves as a compelling example of how historical design languages can be integrated into a dynamic, modern hospitality setting, creating a unique experiential dining destination that bridges cultural memory with future trends. The establishment is located at Gabbana House Apartment, 1st floor, 15th Road, Opposite HDFC Bank, Khar West, Mumbai, and offers reservation services. #MuzeMumbai #ArtDecoDesign #Roaring20s #ExperientialDining #KharWest #RestaurantInterior #DesignWorx #MumbaiHospitality #GenZFounders

In the vibrant and often chaotic urban landscape of Mumbai, the concept of design restraint and the pursuit of tranquility become particularly valuable. Architect Nishita Kamdar, through her eponymous studio, has masterfully embodied this philosophy in the creation of a 1,200-square-foot showroom for Waltz Partitions, a division of JBGlass. The design ethos centers on a minimalist approach, strategically employing natural materials, harnessing the interplay of light, and adopting a deliberate rejection of clutter to cultivate a serene and meditative environment. Kamdar's design intelligently subdivides the pre-existing warehouse-like space into four distinct functional zones: a welcoming reception area, a dedicated zen garden, a practical conference room, and an area for utilitarian product display. This partitioning is not merely about delineating space but about guiding clients through a calming and integrated experience. The strategic placement of partitions and openings facilitates a smooth flow and movement throughout the showroom, ensuring that each zone transitions harmoniously into the next, contributing to an overarching sense of peace and cohesion. The design intentionally uses the very products of Waltz Partitions to sculpt these transitional spaces, showcasing their versatility and aesthetic contribution. A key element of the design is the incorporation of elements that evoke spiritual and reflective qualities. For instance, a circular fixed glass and metal partition is interpreted by Kamdar as a "window of spiritual enlightenment," a clear nod to Buddhist tenets. This feature not only serves as a visual focal point but also imbues the space with deeper meaning. The choice of materials, such as wood and various types of glass and aluminum from Waltz Partitions, contributes to the natural and minimalist aesthetic, enhancing the feeling of openness and connection to nature, even within an interior setting. The showroom's interior courtyard is transformed into a zen garden, offering a contemplative space surrounded by the brand's diverse aluminum and glass partitions. This allows visitors to observe and appreciate the products in a context that emphasizes their potential to create calm and beauty. The reception area features a custom-built amorphous wooden sofa, designed to mimic the organic forms of planter beds commonly found in local gardens, further blurring the lines between interior and exterior and reinforcing the natural theme. Upon entry, the front-of-store incorporates _genkan_-inspired 12-foot doors. This design choice not only creates an impressive entrance but also cleverly gives the illusion of a much higher ceiling, contributing to the overall spaciousness and grandeur of the showroom. The continuous visual access to rooms flooded with natural light ensures that the entire showroom feels open, interconnected, and uplifting. This thoughtful integration of natural light minimizes the need for artificial illumination during the day, further promoting a sense of well-being and environmental consciousness. In the conference room, a marquina marble table serves as a central focal point, complemented by a geometric lighting fixture suspended above. This combination introduces a touch of modern sophistication while maintaining the minimalist and uncluttered aesthetic that defines the entire showroom. The design ensures that even functional spaces adhere to the overarching principle of creating an environment that invites pause, reflection, and an appreciation for both the design elements and the products on display. Kamdar’s project for Waltz Partitions demonstrates how thoughtful design can transform a commercial space into a tranquil haven, highlighting the products while offering a restorative experience to its visitors. #MumbaiShowroom #ZenPrinciples #NishitaKamdar #WaltzPartitions #MinimalistDesign #NaturalMaterials #InteriorArchitecture #RetailDesign #IndianDesign

Design Miami/ Basel returned for its 13th edition, showcasing a diverse collection of new creative projects, iconic designs, and conceptual interpretations within the design genre. The event, held in the Herzog & de Meuron-designed fairgrounds, featured 43 international galleries representing modern and contemporary design, alongside ten special Curio presentations and large-scale installations, marking a significant celebration of both culture and commerce. This overview highlights several key installations and collections that captured attention. One notable presentation was the ‘(Con)temporary Home’ by Brazilian brand ETEL, designed by Italian architecture firm Superluna. This Collectors Lounge was conceptualized as a domestic environment, enclosed within a steel frame that subtly separated it from the fair's activity. The interior featured a curated mix of contemporary and historical Brazilian design pieces, complemented by photographs from Ruy Teixeira. A significant portion of the furniture offered to guests for relaxation, accompanied by champagne, included pieces by Jorge Zalszupin, honoring the Brazilian master on his 96th birthday. New York gallery Friedman Benda presented Nendo’s 'Watercolour Collection,' a series of 18 pieces designed to evoke the illusion of watercolor paintings on paper. Crafted from folded metal sheets, these objects utilized a special finishing technique to mimic paper, then hand-painted to create a light blue watercolor effect. The collection reimagined traditional furniture forms into abstract compositions, with the paint interacting with the shapes to produce a poetic, illusory quality. Belgian gallery Maniera collaborated with Dutch architect Anne Holtrop to present new works, including furniture, lighting, and accessories. These pieces formed micro-architectures that reflected Holtrop's distinct aesthetic, characterized by his unique sense of shape and material. Maniera's ongoing commitment involves commissioning architects to translate their signature styles into smaller-scale design objects. Design at Large, the annual initiative by Design Miami/ Basel, was curated by photographer François Halard in 2018. Halard explored the enduring impact of design through a series of nine diverse projects from the 20th and 21st centuries. The exhibition featured architectural elements by Jean Prouvé, interiors by Gaetano Pesce for the Dujardin children’s store, and a micro-architecture by RDAI. Halard's curatorial vision aimed to connect past influences with present and future design trends, emphasizing the continuity of ideas in art and design. ‘A New Layer Taiwan,’ presented by Spazio Nobile Gallery, showcased an initiative by the National Taiwanese Craft Research and Development Institute. This project fostered collaborations between Taiwanese craftsmen and international designers. Curator Lise Coirier brought together seven designers who worked with local artisans to produce a range of pieces, including ceramic works by Anton Alvarez and BCXSY, bamboo furniture by Sebastian Herkner and Jin Kuramoto, and lacquer objects by Julie Richoz and Wonmin Park. Olivier van Herpt, an Eindhoven graduate, presented 'Blue and White' for VIVID. This collection highlighted his unique ceramic 3D printing technique, which creates a distinct aesthetic. The series drew inspiration from the Delft tradition of blue porcelain, with cobalt pigment applied by hand before extrusion, resulting in a radial gradient pattern that symbolizes the collaboration between human interaction and machine precision. This project was initially commissioned by the Gemeentemuseum Den Haag. Calvin Klein made its debut at Design Miami/ Basel with an installation featuring Gaetano Pesce’s 'Feltri' chair, designed in 1987 for Cassina. The installation, inspired by a barn, was reinterpreted by creative director Raf Simons using vintage American heirloom quilts from the 19th and 20th centuries. It showcased 100 limited edition numbered chairs, marking a unique cross-disciplinary presentation. Lastly, 'Origins: Design from the Ancient World' was presented by Galerie Chenel and Oscar Humphries. Following his successful Curio installation from the previous year, Humphries, in collaboration with Paris’ Galerie Chenel, displayed Roman design for the first time at a design fair. The collection featured Greco-Roman artifacts, design, and architectural elements from 200 BC to approximately 200 AD, including columns, capitals, urns, and fragmentary sections from interiors and furniture. This exhibition aimed to introduce this material to a new audience and provide a fresh context, demonstrating the fundamental synergy and enduring influence of ancient design on contemporary genres. #DesignMiamiBasel #CollectibleDesign #ContemporaryDesign #DesignExhibition #ArchitecturalDesign #FurnitureDesign #ArtAndDesign #InteriorDesign #Craftsmanship

Apartment 1701 in Mumbai, designed by Sahiba Madan of Insitu Design Studio, embodies a maximalist approach that celebrates Indian craft traditions, nostalgia, and warmth across its 2,250 square feet. The design integrates ornament and memory, with each detail, from brass inlays and carved columns to hand-painted tiles, intentionally placed to create an intimate yet exuberant residence. The home's design philosophy is evident even before entering, with a lift lobby featuring a handmade marble fountain and a Kalakaari Haath wallpaper with playful parrots. A stained-glass partition framed by hand-carved solid wood columns offers a glimpse into the interior's maximalist character. The spatial flow of the apartment is defined by its Kota stone flooring, which extends throughout, creating a warm, abstract canvas. The subtle variations in the stone mimic the patina of traditional Indian homes, grounding the maximalist aesthetic in an everyday Indian context. The living room is anchored by a Jaipur Rugs carpet, whose vibrant colors complement the surrounding elements. A classic swing sourced from Rani Arts in Chennai is centrally placed, inviting relaxation while offering views of the balcony. The home utilizes craft as its primary spatial language, with the living area serving as a central nexus from which the den and dining room extend. Brass flower inlays punctuate the Kota stone, creating delicate patterns, while the den and dining areas feature bolder expressions with large-scale floral white marble inlays, executed with meticulous craftsmanship. A significant design element is the majestic sliding-folding partition papered in Kalakaari Haath. This partition functions as a mural when closed and, when opened, dissolves boundaries to create an expansive space ideal for entertaining. The den’s brick-clad walls provide a contemporary contrast to the polished ornamental details found elsewhere. Recurring motifs such as lotuses, peacocks, and cypresses appear in wallpapers, inlays, and carved elements, establishing a cohesive visual narrative rather than merely decorative excess. The master suite draws inspiration from Jaipur's palatial aesthetics. A partition with floral brass inlays separates the bedroom from a cozy lounge, featuring pivoting wooden panels that allow for visual continuity or separation as desired. The lounge is adorned with beautifully carved jharokhas, adding dramatic framing, while a four-poster bed reflects traditional craftsmanship. These elements contribute to the room's regal presence, thoughtfully curating an authentic contemporary Indian lifestyle. The master bathroom brings nature indoors with hand-painted tiles by Shibani, depicting birds among blooming branches on the shower wall. White marble flooring, interspersed with brass leaf inlays, mimics fallen foliage, creating a serene and personalized space that reflects the client's affinity for flora and fauna. The Mumbai home distinguishes itself through its emotional resonance, utilizing materials like Kota stone, teak wood, brass, and stained glass that evoke Indian domestic memory. Each surface and detail is intentionally designed to foster a sense of cultural rootedness. Rather than pursuing luxury through minimalism, Apartment 1701 embraces a “more is more” philosophy, guided by intention, narrative, and a profound respect for Indian craft traditions. The residence successfully blends heritage with modern clarity, allowing tradition and innovation to coexist harmoniously. #MumbaiHome #IndianCrafts #MaximalistDesign #InsituDesignStudio #HomeDecor #InteriorDesign #TraditionalCraftsmanship #ModernIndianHome #ArchitecturalDigest

The Nakhla Brand Store is a retail pavilion situated within the Grand Egyptian Museum, designed by Yasmina Makram. This project represents an expansion for Nakhla, a long-standing family-owned jeweler, establishing a presence in a prominent cultural location. The design for this 55 square meter space, completed in 2023, was undertaken by Yasmina Makram's architectural firm, with key contributions from Mohamed Nour and Samir Aiyad for concept and layout, and Hana Faltas for construction drawings. Nour El Refai provided the photography. The store's design brief focused on creating an inviting atmosphere that blends the brand's heritage with contemporary aesthetics. The material palette includes wood, steel, and stone, contributing to a sophisticated and enduring character. The lighting design, handled by Enlighten, plays a crucial role in highlighting the jewelry and creating a warm, engaging environment for customers. MEP design was managed by Hassan Allam, ensuring functional efficiency within the space. A distinctive element of the store is a headlight piece designed by Omar Chakili and a sculpture by Nathan Doss Artist, adding unique artistic touches. The interior layout was carefully planned to optimize the customer experience and showcase the jewelry effectively. This involved strategic placement of display cases, seating areas, and interaction points. The use of natural materials aims to create a connection to the brand's authentic craftsmanship and the cultural context of its location. The design team also focused on ensuring the retail space is both elegant and practical for daily operations. The project underscores a commitment to detailed interior design, integrating architectural elements with artistic installations to create a cohesive brand environment. The choice of materials and the collaborative effort of various designers and consultants reflect a comprehensive approach to retail space development. The store is located in Kafr Nassar, Egypt, aligning with its presence in a significant national museum. Overall, the Nakhla Brand Store exemplifies a harmonious blend of historical context, brand identity, and modern retail design principles. #RetailDesign #InteriorDesign #JewelryStore #MuseumsAndExhibit #CommercialArchitecture #YasminaMakram #EgyptArchitecture #BrandExperience #ModernDesign

The "Crafting Topographies" exhibition showcases hand-embroidered wall art created by Brinda Dudhat of Morii Design, celebrating traditional Indian weaving techniques and the significant role of women artisans. Curated by designer Suchi Reddy and hosted at Salon Design, the exhibition highlights the historical and cultural richness embedded in these fiber art pieces, which utilize dyeing, weaving, stitching, and embroidery to create intricate, story-telling topographies. Brinda Dudhat's Morii Design operates on principles of collaboration, sustainability, and community engagement. The studio works with over 80 artisans across India, ensuring ethical practices and fair, living wages for their skilled work. Morii Design is committed to local sourcing and preserving authentic traditional techniques, making each piece respectful of its heritage and the labor involved. The inherent slowness and meditative nature of hand-embroidery infuse each artwork with care, love, and attention, reflecting the energy of its creation. Suchi Reddy, the exhibition's curator, emphasizes Morii Design's transformative approach to Indian craftsmanship. Reddy notes that the studio's dedication to showcasing age-old techniques, particularly those rooted in the wisdom and artistry of Indian women, fosters a powerful dialogue between the past and present. She views the exhibition as more than just textiles; it is a celebration of the stories, skills, and soul embedded within every thread, offering a contemporary lens through which to appreciate Indian craftsmanship. Reddy's own design philosophy, evident in her studio Reddymade, focuses on neuroaesthetics—the study of how environmental design impacts the brain. Her guiding principle, "form follows feeling," underscores the deep connection between human experience and the built environment. This perspective aligns with the ethos of "Crafting Topographies," which seeks to expose the profound, often overlooked, work of women artisans throughout centuries. The continuous, meditative movements of artisans' hands over the fabric imbue the pieces with an inherent energy and history. Salon Design, a contemporary art gallery in New York City's Tribeca, provides an elegant setting for the exhibition. The gallery, founded by designer and art advisor Amanda Pratt, frames the works in salon-style vignettes, allowing viewers to experience the art in an intimate and familiar manner, akin to walking through a brownstone. This presentation elevates the contemporary pieces, making them both accessible and highly collectible. The exhibition thus not only displays beautiful art but also draws attention to the cultural significance and meticulous process behind each creation. #HandEmbroideredArt #IndianCraftsmanship #MoriiDesign #SuchiReddy #SalonDesign #FiberArt #TextileArt #EthicalDesign #CulturalHeritage

This article highlights the design of a 2,100 square feet, four-bedroom apartment in Worli, Mumbai, overlooking the Arabian Sea. The interior design, a collaboration between Maulika Gandhi of Magnolia Design Studio and Richa Bahl of Richa Bahl Design Studio (RBDS), combines modern and traditional elements, drawing inspiration from American farmhouse, French modern, and English country styles. Gandhi, the homeowner and a trained lawyer who transitioned into interior design, sought to create a space that reflects her personal memories and family journey. The design process involved Bahl focusing on layouts and material selection, while Gandhi curated furniture, art, and decor. A defining feature is the consistent use of deep sage green, complementing the kota-like flooring, which Bahl envisioned to provide warmth and coziness, counteracting the typical high-rise glass complex feel. The aim was to create a home that could fit anywhere globally, like New York, London, or Paris, yet avoid a traditional Indian aesthetic, despite the family's previous residence in South Mumbai's older, gentrified areas. The entryway features a French checkered marble floor, softened by a foliage-printed cabinet, an arch-designed oakwood console, a colonial cane chair, and vintage glass lights from Hesperus. This foyer opens into a large living space, including a dining area and a bar. A key design challenge in the living room was integrating a round pillar and a fixed rounded window, which Bahl creatively incorporated as a central element for a curved bar unit. Magnolia manufactured most of the furniture, reflecting Gandhi's preference for transitional living. The living room includes an ochre sofa and a tomato-colored daybed with self-textured geometric fabric. Floor-to-ceiling windows offer panoramic views of the sea and skyline, making the living room Gandhi’s favorite spot, enriched by her carefully selected art, upholstery, oakwood tones, and blinds. The home is divided into two wings: the left wing houses the kitchen, children's bedroom, and master bedroom, while the right wing contains the powder bathroom, a family den, and the grandparents' bedroom. The fourth bedroom was converted into a den, a cherished family space with vibrant wallpaper and playful artwork, designed to be adaptable as a guest room with a sofa-cum-bed. Bahl introduced a half-glass partition to replace a wall in the passageway, enhancing natural light and creating a more open, 'villa-like' ambiance. Gandhi's extensive collection of art and decor, gathered over 12 years of global travel from art shows, museums, and local markets, is thoughtfully distributed throughout the home. Bahl ensured that each piece aligned with the mood and color scheme of its designated space. The master bedroom features a built-in arched niche, showcasing some of Gandhi's collected artifacts. The color palette of warm yellows, pinks, greens, and faded blues in the furniture contrasts with the subtle wall and floor colors. The dining area includes a farmhouse-style table and cane-back chairs, set against a pale green tiled wall. The use of pastels, like light green flooring and various shades of blue, contributes to a cohesive design, while detailed elements like panelled walls and wooden mouldings add visual interest, balancing the expansive high ceilings and large windows. #MumbaiHomes #LuxuryHomes #EclecticDesign #TraditionalModernMix #InteriorDesign #HomeDecor #MagnoliaDesignStudio #RichaBahlDesignStudio #WorliApartment

Interior designer Luna Grey transformed a 600-square-foot one-bedroom rental in a prewar Brooklyn building for a young couple, creating a romantic and bohemian aesthetic. The clients, who were about to get married, expressed a desire for a space reminiscent of an Anthropologie catalog, which Grey interpreted as a call for romantic and bohemian decor. The project involved furnishing and styling the entire apartment, with an approximate budget of $18,000, covering all furniture, lighting, rugs, window treatments, art, and accessories. The entire process, from initial consultation to completion, took about three months. The designer utilized online shopping extensively, with virtually all new items procured from various e-commerce platforms. The couple's only existing pieces were a tall wooden dresser and a gilded mirror, both incorporated into the bedroom design. For the living/dining area, an extra-deep Maxwell sofa from Interior Define serves as the focal point, complemented by nested coffee tables from Willa Arlo Interiors (sourced via Wayfair and AllModern). A colorful Moroccan rag rug, discovered on Etsy, adds warmth and texture to the space. Lighting includes a flush mount ceiling fixture from Rejuvenation and a Miles Tripod floor lamp from Pottery Barn. A significant element of the living room is a thoughtfully curated gallery wall, featuring art acquired from online retailers such as One Kings Lane and Artfully Walls. Decorative pillows from Etsy and Anthropologie further enhance the bohemian feel. Window treatments consist of layered bamboo shades and sheer linen curtains, hung floor to ceiling to create an illusion of height and softness. The dining area features a table from West Elm and Madeleine chairs from Restoration Hardware. A metal and glass bar cart from Hayneedle and shelves from Ballard Designs complete this section of the apartment. The bedroom continues the layered and textured theme. An intricately carved Maharaja headboard from Home Decorators (available through Home Depot) creates a statement. A white dressing table and a wide dresser from Restoration Hardware's Baby and Child department were chosen to complement the serene atmosphere. The Fela Tassel chandelier, designed by Justina Blakeney and available from Anthropologie and other online sources, adds a distinctive touch. Other bedroom furnishings, including table lamps, a nightstand, and a bed platform, were sourced from Pottery Barn and West Elm, along with a Moroccan rug. Throughout the apartment, the strategic use of layered textiles, diverse materials, and a blend of online sources allowed for the creation of a cohesive and personalized bohemian living space. #InteriorDesign #BohemianDecor #BrooklynHeights #RentalApartment #OnlineShopping #GalleryWall #TextileLayering #LunaGrey #HomeRenovation

The article highlights a growing trend among luxury brands to utilize their boutiques as spaces for artistic and design installations, moving beyond mere retail outlets. This phenomenon is exemplified by Delvaux's Brussels flagship, designed as an art gallery, and Loewe's Mayfair store in London, which showcases an eclectic art and design collection. The Row's first European flagship in Mayfair also integrates expertly curated and purchasable design objects, such as pieces by Charlotte Perriand and Corbusier, into its retail environment. Since taking over Jil Sander in 2017, Lucie and Luke Meier have significantly enhanced the brand's artisanal identity through various architectural and artistic collaborations. Notable examples include a Tokyo flagship designed by John Pawson and a living installation at the Milan headquarters in collaboration with artist Linda Tegg during Salone del Mobile 2019. This strategic approach culminated in the announcement that Jil Sander's Via Saint Andrea store in Milan would be exclusively dedicated to temporary installations and exhibitions, thereby complementing the fashion collections housed at its Via Pietro Verri flagship. For the inaugural installation at the Via Saint Andrea store, the Meiers presented large, bulging sculptures crafted from padded down inflation. These sculptures were a direct reference to their ongoing fascination with architectural and buoyant silhouettes, reflecting a deep-seated interest in fabrication. This interest was previously evident in the label's S/S 2020 women’s collection, which featured intricate designs incorporating raffia, paper, beading, and elaborate intarsia techniques. The Meiers explained that these installations offer a platform to showcase items that do not fit into the typical runway or campaign presentations, allowing for a broader expression of their creative vision. Jil Sander's second installation at the Via Saint Andrea space is dedicated to Japanese denim, a material widely recognized for its superior quality and craftsmanship. The installation transforms the space with long curtains of dark denim, illuminated by tubular strip lighting. This dramatic backdrop showcases a new range of unisex denim styles, alongside men’s denim shirts and women’s shirt dresses, emphasizing the versatility and aesthetic potential of the fabric. The Meiers underscored that the Via Saint’Andrea space provides a unique opportunity for experimentation and exploration, suggesting a continuous evolution of thematic installations. The article underscores that these installations are not just about displaying products but about creating an immersive brand experience that physicalizes the artistic and design inspirations behind Jil Sander's work. By transforming retail spaces into cultural venues, brands like Jil Sander are engaging customers on a deeper level, offering more than just merchandise but a glimpse into their creative philosophy and craftsmanship. This approach solidifies the brand's position at the intersection of fashion, art, and design, promising an exciting future for their exploratory installations. #JilSander #JapaneseDenim #MilanFashion #FashionInstallation #LuxuryBrands #ArtAndFashion #LucieAndLukeMeier #TextileInnovation

The Jil Sander flagship store on Avenue Montaigne in Paris has reopened, featuring a minimalist design that aims to create a welcoming and serene retail experience. Located in the architectural heart of the 8th arrondissement, the store's design emphasizes the clothing pieces by making them the central focus. The interior incorporates elements that pay homage to the surrounding neighborhood, with benches along the walls inviting guests to engage with the space. Natural light plays a crucial role in the store's ambiance, streaming in to highlight the inherent qualities of the ready-to-wear materials and connect with a sense of nature. The store's design, a collaboration between Jil Sander creative directors Lucie and Luke Meier and architect John Pawson, is characterized by its 'minimal extravagance.' The first floor is uniquely segmented, offering distinct sensory experiences within the same space. One section features walls finished with Calacatta marble and plaster, exuding a sense of refined elegance and a stark, clean aesthetic. Another section utilizes timber walls and cherry wood displays, introducing warmth and a natural texture that complements the brand's aesthetic. This division allows for an 'intra-discovery' element, encouraging guests to explore different facets of the Jil Sander universe. The overall retail ambiance is carefully curated to reflect the brand's core values of sophisticated minimalism and high-quality craftsmanship. By integrating architectural elements that are both inviting and luxurious, the flagship store transcends a typical retail environment, positioning itself as an immersive brand experience. The thoughtful selection of materials, the strategic use of light, and the structured yet flowing layout all contribute to an atmosphere that elevates the shopping experience. This re-opening marks a significant moment for Jil Sander, reinforcing its presence in a key fashion capital with a store design that embodies its contemporary vision while respecting its heritage of understated luxury. #JilSander #ParisFashion #FlagshipStore #RetailDesign #MinimalistArchitecture #LuxuryFashion #JohnPawson #InteriorDesign #AvenueMontaigne

The Kin, a 15-room design-forward boutique hotel in Mumbai, has opened its doors in a leafy lane in Dadar, offering a unique blend of eclectic design and heartfelt hospitality. Co-founded by siblings Imrun Singh Sethi and Guneet Singh, the hotel occupies a three-storey building that previously operated as a two-star establishment run by their grandfather. The siblings undertook a four-year renovation project to transform the space into its current iteration, aiming to preserve the grandfather’s ethos of running it like a home, but with a modern flair. Upon entering, guests are greeted by a light-filled passage with a mild floral aroma. To the right, fresh, colorful blooms from the nearby Dadar flower market are arranged, while to the left, a concept store showcases an eclectic array of curios, including scented candles, coffee table books, vases, and tote bags. The store features skylights, mirrors on the ceiling, and marble flooring, leading guests to the reception desk, where the hotel's nuanced detailing begins to unfold. Samir Raut, principal architect at Atelier Nowhere, skillfully executed the interiors, reflecting the siblings' design sensibilities. Many items within the hotel, including light fixtures, artworks, decor pieces, sKIN toiletries, and even some furniture, are available for purchase or pre-order, with the exception of bed linen, beds, and curtains. Guneet Singh personally curated and designed many of the products for both the store and the guest rooms, collaborating with ACKM Studio for technical detailing. Each of the 15 rooms, spread across three floors, boasts a distinct design, layout, and size, ranging from 215 to 320 square feet, with an additional connecting family room spanning almost 550 square feet. This intentional variety aims to offer guests multiple unique "experiences of stay" in Mumbai. The flooring across the rooms combines hand-laid terrazzo in various hues with Indian marbles. While individual rooms vary in color scheme, orientation, and major interior details, cohesive elements such as circular and slanted windows, open wardrobes, retro-style analog phones, and custom KIN cushions and stationery create a unified aesthetic throughout the hotel. Beyond the guest rooms, The Kin offers additional amenities designed to enhance the guest experience. A well-equipped gym is located on the terrace, providing fitness options with city views. The adjacent Terttulia restaurant, also managed by Sethi, offers both in-room dining and a seated dining experience, providing convenient and delicious meal options. These features, combined with the integrated concept store, demonstrate The Kin's ability to maximize substance and style within a compact footprint, presenting a chic and spirited boutique hotel experience in the bustling city of Mumbai. #MumbaiHotel #BoutiqueHotel #InteriorDesign #HotelDesign #EclecticStyle #DesignForward #HomeDecoration #TravelIndia

The article presents an interview between Joy Moyler and Esha Ahmed, focusing on Ahmed’s journey into textile design and the philosophy behind her brand, Makrosha. Esha Ahmed, born in Bangladesh and raised in New York, recounts her early introduction to textiles through her mother’s extensive sari collection in Jackson Heights. These early experiences, including playfully repurposing saris into costumes, sparked her interest in fabrics and fashion. Ahmed's formal education at the Fashion Institute of Technology, where she studied fashion design and later costume preservation and textiles for her master’s, further solidified her passion. Her initial career involved managing designer Peter Marino's extensive textile collection, an experience that broadened her understanding of textiles within interior design, covering commercial, residential, and hospitality projects. This role provided insight into both the creation and application of textiles, exposing her to numerous vendors and artisans. Following her tenure with Marino, Ahmed launched Makrosha, a business specializing in fabric, rugs, and throw pillows. A core mission for Makrosha is to preserve and support vanishing traditional weaving arts globally, ensuring the survival of high-quality, handcrafted textiles. Ahmed collaborates with weavers worldwide, each contributing unique methods and aesthetics to her designs. She also partners with designers for custom textiles and represents Aïssa Dione Tissus, a Senegalese master weaver known for handwoven fabrics. Ahmed draws inspiration from historical fashion design, particularly medieval styles, and shares an affinity for late 18th-century Europe and medieval Spain, periods known for their ornate, colorful, and detailed designs that resulted from cultural fusions. She acknowledges the historical influence of the fashion industry on luxury home textiles, observing how trends from designers like Dries Van Noten often translate into the home market. However, Ahmed expresses concerns about the modern culture of disposability and emphasizes the importance of sustainability and longevity in design. She advocates for investing in high-quality items, such as hand-knotted rugs that can take months to create, intending for them to last generations rather than being treated as disposable goods. Her design process involves starting with inspirations from her antique collection, developing renderings with mills, and collaborating closely with individual makers across different cultures, such as those in Laos, Nepal, and England, to ensure the essence of craftsmanship is maintained. Ahmed stresses that true quality and craftsmanship come from this collaborative, hands-on approach. The conversation highlights the critical need to protect traditional weaving practices from extinction due to increasing mechanization, underscoring Makrosha's role in keeping these artisanal skills alive. #TextileDesign #GlobalWeaving #EshaAhmed #Makrosha #InteriorDesign #SustainableDesign #ArtisanalCraftsmanship #FashionHistory #HomeDecor

This week, Paris is hosting a diverse array of art and design events, with the return of Art Basel Paris and Design Miami Paris for their third editions. The French capital's historical venues, including _hotels particuliers_ and landmark apartments, are showcasing collectible design that explores experimental and multidisciplinary approaches, from textile-like treatments of solid surfaces to the integration of music with design. This roundup highlights the most compelling design exhibitions available to explore during this period. India Mahdavi presents a triple bill of collaborative exhibitions. Her Project Room #20 features 'Parenchyma,' a solo exhibition by studio Kauani, displaying cactus-shaped sculptural lights, an intimate study of xerophytic plants, created by Inés Llasera and Inés Quezada. Her Tiny Room gallery hosts an exhibition of anthropomorphic chairs by Serban Ionescu, reflecting his Balkan origins and an improvised approach to wood. Additionally, Mahdavi collaborates with culinary collective We Are Ona for _Rose C'est La Vie_, a flower-clad restaurant pop-up with Mexican chef Jesús Durón, whose interiors evoke Mahdavi's iconic APT club in New York. Perrier Jouët returns to Maxim's for the second year with its 'Parenthèse Belle Époque,' transforming the legendary Art Nouveau venue with stained glass windows, Émile Gallé anemones, and vintage posters. This event includes exclusive gastronomic pairings by Maxim's chef Yann Meinsel and Maison Belle Époque executive chef Sébastien Morellon. Charles Zana unveils his new _In Situ_ furniture collection within a 500-square-metre Directoire apartment, formerly home to the Swedish Circle. The exhibition presents a 'fantasy' interior that mixes Zana's works to create an emotional experience rather than just an aesthetic. The display also features a coffee bar by pastry star Yann Couvreur and a soundtrack by Sébastien Tellier and Ray Mang. The Contributions design festival, curated by Anna Caradeuc and Élise Daunay, hosts its second edition, intertwining design and music through five installations. Highlights include Nifemi Marcus-Bello's M2 Shelf with an integrated speaker, in collaboration with La Boîte Concept, and Italian musician Andrea Laszlo De Simone's audiovisual piece _Una Lunghissima Ombra_, accompanied by a natural wine bar and micro-cinema by Harold Mollet and the design collective Metals. The inaugural Salon des Nouveaux Ensembliers, held at the Galerie des Gobelins under the patronage of France’s manufactures nationales (Sèvres and Mobilier national), brings together a new generation of interior architects. Under the theme ‘L’Ambassade de demain’ (the embassy of tomorrow), ten architect-decorators reinterpret diplomatic spaces, focusing on how design can embody representation, openness, and exchange while addressing ecological and social responsibility. Salon 94 Design showcases Massimiliano Locatelli and Fabio Zambernardi's 'Nullus Locus,' a collection of objects featuring embroidery on timber, transforming wooden vessels and furniture into unexpected canvases for floral designs, realized with the expertise of Graziano Ricami. Additionally, 'Un Souffle De Vent' by Yves Salomon Editions X Dimorestudio presents an immersive installation inspired by Georges Perec’s novel _Les Choses_, emphasizing contemplation of objects through tactile surfaces and a rich material palette. Nilufar and Métaphores present 'In The Mood for Touch,' an immersive installation exploring the tactile and emotional potential of interiors through their respective design and textile works. CØR Studio, Harold Mollet, and Monument present 'Im Zwischen,' a group exhibition exploring the 'in-between' as a bridge between historical and contemporary design, featuring a 10-metre light wall by François Chapuis and iconic designs by Ron Arad and Ingo Maurer. LVH Art showcases Donald Judd's minimalist work within a grand Parisian residence, providing a compelling contrast with ornate French interiors. Finally, Invisible Collection and Féau Boiseries exhibit 'Period Rooms of the Future,' where previously unseen Art Deco elements form the backdrop for contemporary pieces, bridging the cultural continuity between the 1920s and today's collectible design. Galerie Patrick Seguin hosts 'Saint Laurent – Charlotte Perriand,' where Anthony Vaccarello has selected and recreated four of Perriand’s lesser-seen works, produced in limited editions from archival drawings and original models. #ParisDesignExhibitions #ArtBaselParis #DesignMiamiParis #InteriorDesign #CollectibleDesign #IndiaMahdavi #CharlesZana #ContemporaryArt #FrenchDesign