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The Biggest Living Room Design Mistake Emily Henderson Sees People Make
Interior designer Emily Henderson, following the launch of her new seating collection on Wayfair, shares her insights into common living room design mistakes and offers practical advice for creating functional and aesthetically pleasing spaces. Henderson identifies the biggest design error as pushing all furniture against the walls, a common attempt to maximize floor space that often results in an empty, awkward feeling in larger rooms. She emphasizes that sofas, particularly those from her collection designed with low profiles and attractive backs, should be positioned to anchor the center of a room, creating a more intimate and well-defined conversational area.
Henderson also highlights a current design trend she appreciates: the integration of old-world tapestry elements. She points to items like throw pillows and furniture from Anthropologie's Hale collection, which feature whimsical, antique-inspired patterns. Her recommendation is to balance these ornate pieces with more modern or post-modern elements to achieve a sophisticated and eclectic look. This approach prevents the space from appearing overly traditional or dated, instead fostering a contemporary blend of styles.
To combat decision fatigue in decorating, Henderson suggests starting with a colorful sofa as a focal point. She argues that a vibrant couch, such as those in greens, blues, or pinks, simplifies the design process by establishing a central theme. The rest of the room can then be built around this piece with neutral tones and a single accent color, making the overall scheme cohesive and manageable. Additionally, colorful upholstery is often more practical for households with children and pets, as it tends to conceal wear and tear more effectively than lighter shades.
For overlooked spaces like empty corners, Henderson offers an affordable and effective solution: a small pedestal table paired with two chairs. She notes that these simple arrangements can make a room feel cozier and provide an additional functional area without requiring significant investment. She specifically mentions using accessible options from retailers like World Market for stools. In terms of paint colors, Henderson is currently fond of Sherwin-Williams' Alabaster, a white with a subtle taupe undertone. She praises its versatility, noting its ability to complement various wood tones without being too warm or too cool, making it suitable for a range of interior styles.
When it comes to sourcing decor, Henderson advocates for incorporating vintage items, particularly for art and lighting. She explains that thrift stores offer affordable alternatives to contemporary art, allowing individuals to introduce unique pieces without a large budget. Similarly, vintage lamps can instantly elevate the style of a room, providing character and functionality that new lamps might lack. This practice promotes sustainability and individuality in design.
Finally, Henderson addresses the common dilemma of televisions in living rooms. Contrary to the belief that TVs should be hidden or excluded for aesthetic reasons, she argues that a living room without a television might go unused, defeating its purpose as a communal space. She cites an example where redesigning a living room to include a TV, cleverly disguised within a gallery wall, led to the family using the space more frequently. This pragmatic approach prioritizes the room's functionality and the enjoyment of its occupants over strict adherence to aesthetic ideals, suggesting that incorporating a TV thoughtfully can enhance, rather than detract from, a living room's utility.
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