Photographing a Tidy Interior Design Project with Jack Lovel

This page provides a comprehensive job board specifically for the interior design industry, hosted by Business of Home. It features a wide array of job opportunities across various roles and experience levels, from entry-level design positions to senior leadership and specialized roles such as architectural drafters and project managers. The jobs are primarily for full-time positions, but part-time, freelance, and internship opportunities are also listed. The platform caters to both job seekers and employers, offering functionalities to filter job listings by location, category, employment type, and compensation. The job board currently displays numerous openings from various design firms and companies. For instance, WECSELMAN DESIGN in Miami is seeking an Interior Designer for high-end residential projects, emphasizing a candidate with strong design sensibility and a curated eye. Jeremiah Brent Design in New York is looking for a Senior Design Documentation Specialist on a contract basis for a historic estate renovation, as well as a Senior Designer specializing in Furniture, Fixtures, and Equipment (FF&E;) for the same project. Mia Todd Studio, also in New York, is hiring a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is seeking a Senior Interior Designer with a strong background in architectural design and project management. Bruce Fox Design in Chicago is searching for a Senior Interior Designer with a mature and creative approach to innovative projects. Beyond traditional interior design roles, the board also lists specialized positions. CarbonShack is looking for a Multi-Line Sales Representative for sustainable designer fabrics, Sunthreads, with a commission-based compensation structure and performance bonuses. Marc Phillips Decorative Rugs in Los Angeles has an opening for a Sales Account Manager to cultivate relationships with designers, architects, and trade professionals. Studio Michael Ellison in New York requires a Senior Designer with a passion for luxury interior design and experience in private residential projects. Chused & Co. in Brooklyn is seeking a Senior Interior Designer/Project Manager to lead residential projects, focusing on architectural knowledge and technical drawing ability. Jennifer Messina Interiors in Mill Valley, CA, is hiring an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. in Philadelphia is looking for a Senior Interior Designer for high-end residential projects across the Northeast, coastal Florida, and the Northern Rockies. Jerry Pair in Atlanta needs a Marketing Specialist to engage in various marketing facets within the luxury interior design industry, including e-commerce management and content creation. Julie Hillman Design, an AD100 firm in New York, is seeking an experienced Interior Architect for high-end residential projects. Studio MRS, an Elle Décor A-List firm in New York, is looking for a full-time Interior Architectural Drafter. The platform also provides resources for users, such as a job FAQ section and a dedicated page for employers to submit job postings. Featured jobs are highlighted, indicating potentially urgent or high-profile opportunities. Additionally, there is a classifieds section for other related services, such as office space rentals for designers. The overall structure of the page is designed to efficiently connect interior design professionals with relevant employment opportunities and industry resources. #InteriorDesignJobs #DesignCareers #CreativeIndustry #ProjectManagement #ArchitecturalDesign #SalesAndMarketing #ResidentialDesign #LuxuryDesign

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration

This article showcases a collection of outstanding projects from prominent local interior designers, each highlighting a unique approach to creating captivating spaces. Scott Sanders' cabana exemplifies 'Island Style,' blending 1970s inspiration with contemporary pieces and vibrant colors like cobalt blue and turquoise. The design incorporates natural elements such as bamboo, wicker, and rattan, contributing to a tropical yet sophisticated ambiance. Gil Walsh Interiors presents a living room themed 'Among the Stars,' characterized by a harmonious blend of turquoise, citron, lighter blues, ivories, and grays. Walsh's design focuses on brightening the space and integrating modern fixtures with a mid-century feel to complement the architectural geometry, featuring glamorous starburst motifs. Katherine Shenaman Interiors crafted a 'Pretty in Pink' nursery, embodying a fresh and modern aesthetic while retaining youthful charm. The room is dominated by rosy pink, with a Bradley USA wallpaper and a Wendy Clark Designs rug. Whimsical elements, such as rabbit chairs by Stefano Giovannoni, cater to children's playfulness. Sara McCann Design Group redefines game rooms with 'Playing Favorites,' proving they can be both fun and stylish. The design for a family game room lounge uses brilliant greens and rich caramels against white cypress walls and ceilings, inspired by Palmetto fabric and enhanced by viridian Winnie lamps, creating a luxurious and comfortable tropical atmosphere. Krista Watterworth Alterman of Krista + Home introduces a 'Feast for the Eyes' with a Bali-inspired contemporary kitchen that deviates from typical all-white designs. It features dark woods, natural materials like banana bark chandeliers, gold upholstered stools, and integrated appliances, presenting an earthy yet modern aesthetic with a global and moody vibe. Angela Reynolds Designs, in collaboration with Smith Architectural Group and Davis General Contracting, showcases 'Contemporary Glamour' in a dining room. This design merges classic architecture with contemporary elements, including black fluted lacquer columns and a custom dining table with silver-leaf banding. The room's focal point is a pair of John Pomp chandeliers, whose handblown glass clusters illuminate the space while preserving ocean views. Lorraine Rogers-Bolton of Rogers Design Group, with Amanda Wyant-Binns, created a 'Dream Weaver' bathroom that fulfills a client's vision of tranquility. The space features a silver and crystal chandelier, calming grays and whites in the wall covering, snowy stone with gray veins, and an oval tub, all contributing to an ethereal, airy, and contemporary feel. Finally, Jim Dove Design’s 'Letting in the Light' kitchen in a Hobe Sound home emphasizes natural illumination. Dove integrated three windows to maximize light, which enhances crisp white accents, high-gloss white cabinetry, and countertops. Serene azure blues in the Sub-Zero refrigerator and custom cupboards create a calm ambiance, blurring the lines between indoor and outdoor spaces. #InteriorDesign #HomeDecor #LuxuryInteriors #DesignTrends #PalmBeachDesign #ResidentialDesign #ContemporaryGlamour #IslandStyle #KitchenDesign

Tom Cox, co-founder of HÁM Interiors, offers a tour of his London home, showcasing the design principles that define his family-run studio. HÁM Interiors, established in 2011 by Nick, Pamela, and Tom Cox, is recognized for its blend of timeless and contemporary design, focusing on creating comfortable and high-quality spaces for busy family lives. This article provides insights into Cox's personal design choices and the renovation process of his Victorian mansion block apartment. The property, a Victorian mansion block, was chosen for its location between two parks and its strong architecture, offering great views and abundant natural light. Despite being run down, it possessed salvageable features. The renovation involved a complete makeover, with a key modification being the introduction of a large, glazed partition between the kitchen and living room to open up the space. The apartment now includes two bathrooms and two bedrooms, with one bedroom repurposed as a dressing room, maximizing functionality within the existing structure. Cox's design approach emphasizes a bold color palette, leveraging the apartment's ample natural light. The living room features Farrow & Ball's 'Pigeon,' while the bedroom adopts a lighter but similarly toned 'Hardwick White.' The kitchen uses Dulux's 'Brilliant White' for walls, complemented by darker greens like Farrow & Ball's 'Card Room Green' for cabinetry, and an antique dresser to unify the aesthetic. This strategic use of color creates a distinct atmosphere in each area while maintaining a cohesive flow throughout the apartment. The kitchen, a central element of HÁM Interiors' business, was personally designed and installed by Cox's in-house team. A notable feature is the antique drapers table serving as an island, customized with antique castors for added height and a custom unlacquered brass sheet inlay for practicality and an edgy look. Lighting above the island was sourced from an antiques fair, and the tiles have a simple matte glazed finish. Cox expresses a preference for Liebherr fridges for their utilitarian design, Lacanche cookers for their colors and metal finishes, and Waterworks for kitchen taps, specifically the RW Atlas range. For china, Miranda Berrow mugs and Laguiole cutlery are highlighted. Artwork plays a significant role in Cox's home. He is an avid collector, sourcing pieces during his travels and through his design work, often frequenting antique shops and flea markets. HÁM Interiors also launched an online store for curated artwork. Sidney Teodoruk's early work is a personal favorite. Cox emphasizes the importance of framing, using a mix of antique and contemporary styles to create an eclectic feel. Picture lights and ceiling-mounted directional spotlights are strategically used to illuminate and enhance the details and colors of the paintings. The living room's design incorporates reclaimed glazed panels from a shop front, adapted and hand-painted in a distressed finish to preserve their character and create a sense of expanded space. The ceiling light is from Circa Lighting, available through HÁM Interiors' online store. The dining table combines a custom-made, painted base with an old farmhouse top. Furnishings include an antique armoire, serving as a bookcase and whisky cabinet, and an antique chest of drawers from Brownrigg. Fabric choices for the sofa are William Yeoward, while the window seat uses Christopher Farr fabric, and Fermoie cushions add varied textures and patterns. The bedroom and en suite bathroom are designed as a cool, calm, and connected space. High ceilings allowed for a three-quarter height wall between the two areas, incorporating an open archway instead of a door. This design choice maximizes light and space in the small bathroom and allows views of the reclaimed vanity and antique mirror from the bedroom. Tongue and groove detailing adds subtle texture in the bathroom, with a striking contrast between the shower tiles and the marble sink with reclaimed vanity. The bed from Soho Home features ticking fabric, reflecting a core element of HÁM Interiors' aesthetic. Lighting includes two globe lanterns from JAMB. Artworks in the bedroom include a large painting by British artist Maurice Cockerill, a trumpet piece by David Shrigley, and a reclaimed sign from Somerset. In the dressing room, joinery extends to the ceiling with integrated skirting details, painted in the same color as the walls, windows, and ceiling to create a unified and spacious feel. This room also serves as a display area for Cox's growing art collection, reflecting the studio's philosophy of incorporating art seamlessly into interior design. The article concludes by inviting readers to explore Studio HÁM's online shop and HÁM Interiors' studio for further design inspiration and services. #InteriorDesign #HomeTour #VictorianArchitecture #ColorPalette #KitchenDesign #ArtCollection #LivingRoom #BedroomDesign #BathroomDesign #HÁMInteriors

The article features the architectural photography work of Yang Zhen Siang, operating as ZHENSPACE, highlighting his project on 'The Library Home' by ENDO KL in Kuala Lumpur. This residence is distinctively named for its core design principle, which is inspired by the homeowners' deep appreciation for reading and books, essentially transforming the entire space into a personal library. The design incorporates various seating arrangements and configurations to facilitate reading and relaxation, with Yang's photography effectively showcasing the adaptability and functionality of these elements. Yang details his working relationship with ENDO KL, noting that 'The Library Home' shoot was his second collaboration with the firm. He initiated contact with ENDO KL after discovering their work online, which led to a trusting professional relationship. Working in Penang, Malaysia, presents unique challenges for architectural photographers, particularly concerning budgetary limitations and clients' last-minute approaches to photography workflows. Yang emphasizes the importance of managing these constraints while still delivering high-quality results. A particularly insightful moment shared by Yang involves his favorite photograph from the project, which he describes as a 'happy accident.' This image features a model drawing open curtains, symbolizing the influx of natural light at the start of the day. The photograph was created using only natural light and bracketing, resulting in a soft, warm, and comfortable ambiance that precisely conveys the intended mood of the house. Despite a tight schedule—comprising an hour for initial planning two days before the shoot and only four hours on the shoot day itself—Yang managed to produce a comprehensive set of images. The planning phase involved devising a creative direction that accounted for the model, wardrobe, and props. The compact nature of 'The Library Home' necessitated creative solutions for spatial presentation. The house being occupied also added a layer of complexity, requiring the clients to prepare the space prior to the shoot. During the photography session, the team ingeniously adapted to the small space, employing techniques like squeezing against walls and positioning tripods on cushions to capture optimal angles while shooting tethered to ensure precise composition. Yang's photography meticulously captures the lighting design and atmosphere of 'The Library Home,' presenting both natural daylight and artificial lighting to illustrate the warm and cozy environment. The inclusion of a model reaching for a book subtly reinforces the home's central theme. Furthermore, he captured numerous detailed shots and vignettes, emphasizing the craftsmanship, textures, and materials integral to the home's design. Yang's photographic process is narrative-driven, starting with the identification of the design narrative and the shoot's purpose. This involves developing a creative direction from provided reference materials, pre-determining angles and timing, and conducting scouting sessions to address potential on-site issues. Client involvement during the shoot is encouraged for immediate decision-making, sometimes even extending to clients participating as models. Post-production then follows, leading to the final delivery of images. This project underscores Yang's skill in architectural photography, effectively capturing the essence and functionality of 'The Library Home' within challenging parameters. #ArchitecturalPhotography #LibraryHouse #KualaLumpur #HomeDesign #InteriorPhotography #PhotographyWorkflow #NaturalLightPhotography #ZHENSPACE #ENDOKL

The article provides an intimate look into the Sunfish Lake home of antiques dealer Robert Riesberg and his wife, Christine Hartman, which doubles as both their residence and a by-appointment-only gallery for Riesberg's business. Their Federal-style house, built in 1925, is characterized by a blend of traditional design and warm hospitality, furnished with museum-quality 17th, 18th, and early 19th-century antiques, art, objects, and rugs. Riesberg, with over 50 years of experience, emphasizes buying pieces he would personally want to keep, noting that this passion drives his successful career. The home features a series of formal rooms, including a front parlor with a mahogany drum table, sideboard, and a 1760 cherry New England flip-top secretary desk, with walls painted in Benjamin Moore’s Rosy Apple. A light-filled formal dining room and gallery, added by Riesberg, is used for parties and family gatherings, showcasing French Louis XV rococo console tables with rare brèche d’alep marble from approximately 1760. The exterior of the home maintains its Federal-style architecture, while the kitchen, though the least formal space, is adorned with 18th-century Windsor chairs and Delft tiles depicting manganese figures from the same period. Creative design solutions are evident throughout, such as a small closet ingeniously converted into a walk-in bar with a Dutch door. The sunporch, featuring terrazzo floors and shelves filled with Delftware, opens to a grape arbor, offering a serene space. The fireplace mantel and paneling were custom-designed based on Connecticut fireplace patterns, symmetrically decorated with blue-and-white 18th-century Delftware. The central hallway boasts ash and walnut flooring modeled after traditional French parquetry, complemented by 19th-century oil landscapes, a late 18th-century portrait, and a Regency commode from around 1710. Riesberg’s study, designed with Connecticut inspiration, features millwork painted in a custom green and houses a substantial collection of books and catalogs on antiques, art, landscaping, and architecture. The article also includes five tips from Robert Riesberg and Christine Hartman for incorporating antiques into one's home. These tips encourage individuals to discover their personal taste by visiting various sources like museums and antique shops, and building a file of preferred items. They suggest taking inventory of existing belongings to identify pieces that don't align with one's aesthetic or function, thereby creating space for new acquisitions. The couple advocates for broadening one's scope beyond furnishing a room strictly by a singular period, encouraging the mixing of contemporary furnishings with antique gems to create a space that reflects individual taste and personality. Riesberg advises understanding the craftsmanship of antiques, particularly those made before the machine age (pre-1840), to appreciate their design details and value. Finally, they recommend taking a slow approach to building a collection, emphasizing that a few beautiful, well-chosen pieces are more valuable than a multitude of mediocre ones, and that truly beautiful homes evolve in stages. #HomeDesign #InteriorDesign #Antiques #FederalStyleHome #VintageDecor #HomeTours #LuxuryInteriors #CollectingAntiques

Jennifer Crystal Foley and her husband, Mike, hired interior designer Liza Reyes for their 1930s Hancock Park, Los Angeles home renovation. While the exterior, subject to local council review, largely remained unchanged, the interior was slated for modernization. Reyes, however, acted as a "protector of the house," advocating for the preservation of many original details in the front half, such as dining room ceiling moldings and ornate iron balusters, a sentiment the Foleys shared. In the foyer, Reyes initially envisioned a grand round table with an oversized vase, a "quintessential entryway." However, due to space constraints and the room's curved walls, she opted for a custom oak floating shelf by local furniture maker Taidgh O’Neill. This provided a practical spot for keys and phones for the Foleys and their two daughters, Ella and Dylan. On the opposite wall, Reyes thoughtfully displayed nutshell ankle shakers, a memento from the Foleys’ trip to Zambia, evoking cherished travel memories upon entering the home. Despite the absence of a console, Reyes commissioned a bespoke rug from Mexico-based company Mestiz, entrusting its creator, Daniel Valero, with minimal input beyond color proofs and a concept photo of a bird. The kitchen design, a collaboration with architect Daniel Rodriguez, incorporated Reyes’s signature rules: paneled dishwashers and pull-out trash cans to seamlessly integrate with white oak cabinetry, and dedicated storage for cookbooks within the island. A central stove was a key feature, specifically requested by Mike, the primary cook. This design allowed him to engage with family and guests while cooking, with convenient drawers for utensils and cookware flanking the stove. The kitchen's perimeter was finished with pietra cardosa, a durable and acid-resistant stone, chosen for its aesthetic appeal and low maintenance. Mike expressed his daily enjoyment of the kitchen, particularly when entertaining. An upholstered window bench around a corner was strategically placed as the first focal point upon entering the house. While it serves as a comfortable spot for reading or relaxing, Jennifer humorously noted its practical use as an excellent laundry-folding station. The primary bathroom features a vanity with a dip, originally intended for Jennifer to apply makeup, but in practice, it provides extra space for skincare products, with a ledge naturally dividing the space for Mike. The family room boasts a gallery wall that blends intentional design with spontaneity. Reyes curated the family’s artwork, including children's creations and pieces by Jennifer's great-uncle, artist Bernhardt Crystal. She created paper mock-ups to plan the layout and frame dimensions. Jennifer appreciated the unexpected combination of their baby pictures with their daughters' art, describing it as an "art quilt" of their family, highlighting the personal and sentimental aspects of the home's decor. The article showcases a home that balances historical preservation with modern living, reflecting the family's personality and practical needs. #HomeTour #InteriorDesign #LAHome #Renovation #LizaReyesDesign #CustomFurniture #KitchenDesign #WindowSeat #GalleryWall

Achieving publication in a shelter magazine is a common aspiration for many designers, serving as a significant milestone in their careers. The journey to getting published relies on a combination of high-quality work and effective presentation. Editors, often managing numerous submissions, benefit greatly from clearly articulated narratives that highlight a project's unique aspects. Investing in professional public relations support can be invaluable for framing a compelling story and identifying various angles for editors to consider, especially when budgets allow. For those with limited resources, dedicating time to meticulously craft a clear and engaging submission that showcases the project's most impactful details is crucial. When specifically targeting a project for publication, it is highly beneficial to present a distinct and persuasive angle to editors. This approach simplifies their evaluation process by emphasizing what makes the project stand out. Designers should concisely outline three compelling reasons why their work merits attention, providing concrete discussion points. Including a link to high-resolution photographs is also a practical necessity for submissions. Building relationships with local magazine editors through informal meetings, such as a coffee invitation, can offer insights into their editorial preferences and target audience, thereby fostering trust and enhancing the visibility of future projects. Central to securing publication is investing in a strong team and high-quality visuals. Professional photography is indispensable for showcasing interior design work, and partnering with a reputable publicist can yield significant returns. The success of public relations efforts, however, depends on the quality of the materials provided. Therefore, designers should consider how their designs will photograph from the project's inception, focusing on elements like styling and artwork. Collaborating with experienced photographers who have existing relationships with editors can provide an advantage, as these photographers may actively pitch exceptional work. Additionally, engaging a stylist, despite the added investment, can elevate designs to a polished, magazine-worthy standard, making them more appealing to editors. Strategic styling plays a pivotal role in transforming excellent images into captivating narratives. Publications seek photos that convey a lived-in, layered, and intentional feel, where every detail contributes to the overall story of the space. This involves careful consideration of how textiles drape, how light interacts with surfaces, and how objects are arranged to create warmth and authenticity. Thoughtfully placed elements, such as floral arrangements, draped throws, or curated book stacks, can prevent a photo from appearing staged, instead making it effortlessly chic. Incorporating personal objects and lifestyle elements also enhances relatability and engagement, inviting viewers into the moment and significantly increasing the likelihood of publication. Beyond general spaces, designers should prioritize photographing key areas such as kitchens and bathrooms. Feedback from editors often indicates a desire for a comprehensive view of a project, and including these essential spaces provides a more complete understanding of the design's scope and execution. Having a proficient team to manage public relations and ensure images reach the appropriate publications is also critical. Given the complexity of PR, investing in a team that can effectively position a designer's work allows the designer to focus on creating new projects while their team handles the strategic dissemination of their portfolio. #InteriorDesign #DesignPublication #PublicRelations #ProfessionalPhotography #EditorialStyling #DesignMarketing #ShelterMagazine #DesignPortfolio #ProjectPresentation

Shannyn Weiler, a Utah-based interior designer, initiated a debate on TikTok regarding the display of family photos in homes. She contends that an excessive display of personal photos, which she terms a "shrine," can appear tacky and narcissistic. Weiler illustrates her point with a personal anecdote about her first apartment being filled with only wedding photos, leading to a "shrine"-like feeling. She extends this concept to rooms dominated by baby photos or pictures of a single grandchild, suggesting that such displays lack variety and design sophistication. Weiler advocates for a more balanced approach to home decor, recommending the integration of diverse artwork, mirrors, or other art prints alongside family photos. She emphasizes the importance of mixing different visual elements to avoid the monotonous and self-absorbed impression created by an abundance of personal images. Her perspective suggests that a home's aesthetic should extend beyond personal memorabilia to include broader artistic expression, creating a more refined and less insular environment. The designer's views sparked considerable discussion among the public, with many social media users expressing disagreement. A significant portion of commenters argued that a home should primarily reflect the tastes and preferences of its occupants rather than being designed to impress visitors. Many asserted their preference for displaying family photos, viewing them as integral to personalizing their living spaces and celebrating their lives and loved ones. Some commenters specifically stated they would rather have pictures of their children and family moments than generic art prints, highlighting a prioritization of emotional connection over conventional design principles. Conversely, some individuals concurred with Weiler's professional opinion, admitting that an overwhelming number of personal photos, especially in public areas of the home, could indeed appear narcissistic or lacking in taste. Examples included houses solely decorated with wedding photos, which some found to suggest a narrow range of interests. This group often advocated for a more curated approach, where family photos are either limited in number, confined to private spaces like bedrooms, or thoughtfully integrated with other decorative elements. The article also references broader design discourse, noting that Weiler's opinion aligns with views expressed by other design experts, such as Sarah Han of Apartment Therapy. Han compares an excessive display of self-portraits to having a tattoo of oneself, reinforcing the idea that it can be perceived as vain. Joanna Goddard, a lifestyle blogger, found similar divided opinions among her readers when she posed the question of whether family photos in the living room were tacky. The responses consistently showed a clear split between those who embrace such displays as personal expressions and those who adhere to a more formal, less personal decorating philosophy for public areas of their homes. Following the viral reaction to her initial video, Weiler posted a follow-up, reflecting on how design ideas can be initially resisted but eventually adopted. She suggested that while some design advice might not resonate immediately, experimenting with new approaches can sometimes lead to unexpected aesthetic appreciation. This response acknowledged the varied reactions and encouraged an open-minded approach to interior design principles, regardless of personal initial biases regarding family photo displays. #InteriorDesign #FamilyPhotos #HomeDecor #DesignTrends #SocialMediaDebate #Aesthetics #PersonalStyle #WallArt #TastefulDecor

This article offers a glimpse into the Melbourne home of photographer and author Robyn Lea, showcasing her unique approach to interior design. The residence is a two-storey Victorian home with five bedrooms located in Melbourne's inner-eastern suburbs, where Robyn resides with her husband Tim Hunt, their two children, Isabella and Freddie, and their Beagalier puppy, Magnolia. The family undertook an extensive renovation of the home approximately 12 years prior to the publication of this article, subsequently enlisting Penelope Scott Interiors for window furnishings. Robyn Lea's office is highlighted as her favorite room, described as an evolving space filled with inspiring books, artworks, and various objects. This includes Italian-made plates by La DoubleJ, artworks by Charles Pollock, Nathalie Lété, and John Benn, and four distinct wallpapers, reflecting a constantly changing installation. The sitting room features a mural by Russian artist Ekaterina Panikanova, complemented by chairs from Early Settler and a table from Family Love Tree. The home's collection also includes numerous paintings by artist John Benn, a family friend. The neighborhood where the home is situated is characterized as small, with local cafes, shops, and a family-friendly atmosphere. Robyn expresses her ongoing intention to continuously evolve the interior homescape, viewing it as a natural extension of her visual storytelling through photography and writing about artists. Her advice for decorating is to personalize the space, stating, "Decorate to please yourself – it’s your nest, after all. If you love it, it will love you right back." A significant detail mentioned is Robyn's initial attraction to the home, which was influenced by a majestic magnolia tree in the back garden, reminding her of 'The Magic Faraway Tree.' #EclecticHome #InteriorDesign #MelbourneHomes #PhotographersHome #VictorianArchitecture #ArtisticInteriors #HomeRenovation #PersonalizedDecor

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

This article offers an intimate look into the Highland Park bungalow of Javier Burkle, a renowned interior designer featured in D Magazine's '2022 Best Designers' list. Burkle’s home serves as a reflection of his personality and design philosophy, characterized by an eclectic yet cozy aesthetic. The article details how Burkle rescued the 1930s property from demolition in 2015 and has since meticulously renovated it, infusing each space with personal significance. Many items within the home are souvenirs from his travels with partner Mason McCleskey, while others are nods to his professional beginnings, such as pieces from Ralph Lauren, where he started his design career. This blend of personal history and professional journey creates a unique and layered environment. The living room underwent a significant transformation after Burkle's Great Pyrenees rescue, Finn, damaged the original sofas. Starting anew, Burkle opted for ink leather Arteriors sofas, lacquered the original mantel, and added Carrara marble subway tile to the fireplace surround. He incorporated a 1960s art piece discovered at Benny Jack Antiques and installed a Ralph Lauren brass and leather chandelier after vaulting the ceilings, creating a sophisticated yet comfortable space. The detached garage, once his office, has been converted into a well-appointed closet, showcasing Burkle’s extensive collection of 384 shoes, including his signature Stubbs and Wootten slippers, which he uses to add character to his predominantly navy or black wardrobe. This space is illuminated by iron hat lights from Timothy Oulton, complemented by vintage zebra and Persian rugs. Burkle’s kitchen, the last room to be renovated, was designed for functionality and entertaining. It features continuous soapstone countertops, an island with a butcher block top, and concrete backsplash tiles sourced from Mexico. Recessed arched upper cabinets were designed to resemble furniture, and fluted-glass cabinets display his diverse dinnerware collection. The Ilve range completes the kitchen, designed to withstand frequent use and maintain a lived-in aesthetic. The entry point of the home combines practical storage, such as a dresser for dog leashes, with sentimental items like an umbrella holder for architectural blueprints. A graphic Cole & Sons wallpaper makes a strong first impression, enhanced by Burkle’s signature Santa Maria Novella scented potpourri, ensuring a memorable sensory experience for guests. The bedroom features a neutral Restoration Hardware unfinished wood and linen bed, allowing for seasonal bedding changes. Kravet fabric is used for the subtle, striped drapery, and a budget-friendly rug from World Market adds warmth. Burkle installed board and batten on the walls and displayed a curated collection of art pieces in complementary frames. A desk chair, a gift from his mentor John Tutolo, holds special significance, symbolizing their past conversations and his aspirations. The spare bedroom functions as a cozy den, where Burkle and McCleskey relax. The walls are painted Benjamin Moore 'Gentleman’s Gray,' with a complementary Wallshop wallpaper on the ceiling, and features a self-portrait of Burkle’s grandmother. Even the powder bath is treated as a 'jewel box,' designed to delight guests without the risk of weariness. Inspired by monkey pendants from Scout Design Studio, Burkle transformed the room into a 'little jungle' with Serena & Lily 'Valley' wallpaper and cabinetry lacquered in Benjamin Moore’s 'Enchanted Forest.' A Wisteria mirror completes the vibrant space. Burkle’s collection of turtle shells, displayed throughout his home, serves as a metaphor for his design philosophy, each shell a souvenir of a life well-lived, much like the meticulously chosen pieces in his home that reflect his personal and professional journey. #InteriorDesign #HomeDecor #JavierBurkle #HighlandPark #DesignPhilosophy #HomeRenovation #EclecticStyle #DallasHomes

This article highlights the work of photographer Marcus Stork, focusing on a specific project featuring quiet Scandinavian interiors, designed by Stylingbolaget. The author was initially captivated by the quality of light and depth in Stork's compositions, noting a delicate and tranquil aesthetic coupled with effortless Scandinavian styling. The feature explores various rooms within the project, beginning with the living room where Stork utilizes backlighting from windows. This technique allows light to stream over furniture, emphasizing their shapes and creating contrast. A one-point perspective shot in the living room draws attention to design details, including sculptures and lighting fixtures, with a gradient of light highlighting wall molding and millwork. Stork's collaboration with a designer client is evident in the numerous tight crops and vignettes showcasing styling details throughout the project. These accessory shots are composed with the same care and gentle lighting as the main 'hero' images. A vertical camera orientation is employed to frame doorframes, guiding the viewer's eye from the living room through the dining area and into a child's room. This composition effectively conveys the layout and scale of the flat. In the kitchen, a sublimely lit one-point perspective emphasizes the repetition of rectilinear shapes. The monochromatic color palette relies on the interplay of highlights and shadows to create depth, accentuating elements like the island and cabinetry, as well as trim and paneling. The addition of greenery and cotton stalks softens the otherwise strong linear and hard-edged aesthetic of the kitchen. Another shot from the opposite side of the kitchen uses backlighting to create a dark foreground, leading the eye towards the dining space and living room, while also highlighting the herringbone pattern and subtle color variations of the floor planks. The article praises Stork's commitment to capturing the project's details, asserting that a mix of vignettes with shallow depths of field and wider room views comprehensively tells the home's story. Moving through hallways and other rooms, a consistent minimal color scheme is observed, complemented by gold accents and occasional color pops, such as an ottoman. Images from these areas are noted for conveying a strong sense of space and atmosphere, particularly a "long-shadowed, sleepy later afternoon vibe." One particular image framed through a doorway is highlighted for its rich contrast, pushing the dynamic range while maintaining a natural and realistic feel. The bedroom features a vignette that focuses on wall millwork and a lighting fixture, with a sliver of the bed implying the room's function without dominating the frame. The lighting composition intentionally draws the eye to the fixture. The final image presented is a wide view of the master bedroom, showcasing a variety of textures, from velvet to the bedspread, all illuminated by light raking across the scene. This palpable quality allows viewers to almost 'feel' the objects, providing a fitting conclusion to the photographic project. The article concludes by acknowledging Marcus Stork's contributions and providing links to his website and Instagram. #MarcusStorkPhotography #ScandinavianInteriors #InteriorPhotography #ArchitecturalPhotography #StylingbolagetDesign #HomeDecor #LightAndShadow #CompositionTechniques #ProjectOfTheWeek

The article presents an interview with renowned interior designer Jeffrey Alan Marks, discussing current trends and shifts in the interior design industry. Marks, known for his California cool aesthetic and television appearances, shares insights from his home in Montecito, detailing how client preferences and the design process have evolved, especially in the wake of recent global changes. Marks observes a significant shift in consumer behavior, noting an unprecedented excitement for summer and a desire for home entertaining. He anticipates a period akin to the Roaring Twenties, where people prioritize creating safe, special, and intimate environments at home. This trend is driving demand for outdoor living spaces, larger barbecue areas, and indoor/outdoor bars, leading to sold-out outdoor furniture from major retailers like Restoration Hardware and Palecek. He emphasizes that the importance of home, particularly outdoor living areas, has become more pronounced, with individuals investing in these spaces to enhance their quality of life. He also highlights the digital transformation impacting the design industry. Online sales for his business have tripled, indicating a strong willingness among consumers to purchase items sight unseen, especially when familiar with the vendor. This digital boom extends to real estate, where properties are sometimes bought without physical visits. Clients are increasingly using digital tools like Instagram boards and Zoom meetings to conceptualize their design ideas, arriving with organized visions of what they want. This increased client involvement, Marks states, does not diminish his role but rather transforms it into a more collaborative guidance process, as clients still require professional expertise for sourcing unique items and navigating complex design decisions. Marks addresses the pervasive influence of large retailers like Restoration Hardware, noting that even affluent clients building multi-million dollar homes often present images from these brands as their desired aesthetic. He relates this phenomenon to the impact of cinematic sets, where curated environments, like Nancy Meyers's kitchens, become aspirational but are often misunderstood as easily replicable. Despite the popularity of these readily available styles, Marks finds his value in guiding clients through the process and adding a unique, curated touch, even when working with commercial products. Regarding art, Marks observes that clients are spending more time and money on collecting meaningful pieces rather than simply filling wall space. There is a growing inclination to wait for the 'right' artwork, reflecting a more thoughtful and personal approach to art acquisition, a trend not seen in other aspects of home decor. Marks expresses a desire for a return to 'preppiness' in home design, moving away from avant-garde or shock-value aesthetics. He advocates for infusing color into homes, describing his own house as red, white, and blue with green accents, and featuring candy-striped curtains. He believes color is crucial for psychological well-being and seeks to create happier, more jovial spaces, contrasting with the popular monochromatic styles seen in brands like Jenni Kayne. Finally, Marks discusses his approach to designing sophisticated beach houses, which diverge from the traditional floppy, shabby aesthetic. His designs incorporate tailoring, structure, and a refined sensibility, often drawing from English influences due to his training in England. He emphasizes the significance of 'the little things' in design—the details that make a lasting impression, such as curtains, antique bowls, or carefully placed potted plants. He strives to include one unexpected surprise in each room, a signature element that makes the space uniquely '#JAMapproved'.