The sun-filled interiors of this bungalow in Kozhikode are Japandi-core

Architect Andrew Lister designed a distinctive home for actor Yuri Kinugawa and film producer Owen Hughes in the Auckland suburb of Waterview. The residence, characterized by its tall silhouette, narrow upper window, and a blank cedar-clad facade, adheres to the principles of the Direct Compass, a Japanese discipline akin to feng shui. The home's exterior, covered in cedar weatherboards, initially appears utilitarian, yet conceals a thoughtfully designed interior. The house's structure is composed of two primary boxes connected by a passageway and an adjoining bathroom. Despite its compact footprint, the design creates an illusion of greater spaciousness, as noted by Hughes. A prominent feature of the living room is a two-story bookcase spanning the entire northern wall, housing Hughes’ extensive book collection. This vertical storage solution ingeniously maximizes space, drawing the eye upwards and adding visual texture without encroaching on floor area. The central area of the home is laid out efficiently, with the kitchen to the left and the bedroom to the right. Above these spaces, two offices are stacked, accessible via a stairway at the rear of the room. The interior is enriched by family antiques and Japanese textiles, which introduce complementary textures, transforming the angular space into a welcoming environment. Following Direct Compass principles, the bedroom, considered vital for family relationships, overlooks a small zen garden on the south side of the house. This placement is believed to promote mental clarity due to cooler temperatures. A six-foot-long passageway clearly delineates the transition from the public kitchen and dining areas to the private bedroom. The traditional Japanese bathroom, situated off the central passageway, serves as a space for washing before bathing in a wood-lined onsen (tub). While the north side of the house offers views of an estuary, the street-facing facade maintains a minimalist, private appearance. In stark contrast, the west-facing side features a double-height glass wall that can be fully opened, merging the living space with a veranda. This outdoor area overlooks the garden, estuary, and harbor, providing a setting for observing sunsets and occasional dolphin sightings. The home's exterior features low-maintenance Canadian cedar cladding and aluminum joinery, designed to age gracefully and harmonize with the surrounding garden's sculptural desert plants. The durability of these materials is crucial, given the home's exposure to south-westerly winds laden with salt from the estuary, a condition the chosen plants tolerate well. #JapaneseDesign #BoxHome #TwoStoryBookcase #SmallSpaceLiving #DirectCompass #AucklandArchitecture #CedarCladding #ZenGarden #OpenPlanLiving

This article details the transformation of a 1922 midcentury hillside home in Los Angeles, masterminded by designer Shanty Wijaya of Allprace Properties. The renovation successfully integrated Japanese and Scandinavian design aesthetics, a fusion known as Japandi, across the entire three-bedroom property. The core philosophy guiding the design was to foster a healthy, meaningful lifestyle and a strong connection to nature, blending the tranquil principles of Japanese wabi-sabi with the minimalist, warm, and neutral elements of Scandinavian hygge. Upon entering the home, visitors are greeted by a natural, muted, and earthy color palette. The space is intentionally minimalistic and filled with natural light. Despite the subdued color scheme, a variety of textures and materials, such as plaster in the kitchen, concrete, limestone, and reclaimed wood throughout, introduce complexity and visual interest. A crucial aspect of the redesign involved incorporating large windows and sliding doors to emphasize the surrounding views and landscaping, effectively bringing the outdoors in. This was further enhanced by integrating potted hanging plants and greenery within the interior. The exterior and landscaping also received significant attention, with Japanese garden plants, rocks, various types of bamboo, Japanese maples, bonsai, and pine trees strategically placed alongside specially sourced rocks resembling mountain formations. The home purposefully features unique and one-of-a-kind details, opting for vintage, reclaimed, and handmade pieces over mass-produced furnishings. Examples include a wooden chair in the living room, a raw wooden dining table, and a rough-hewn reclaimed French oak kitchen countertop refinished with a dark stain. The selection of materials was also deliberate, chosen for their ability to naturally patina over time. Sustainability played a key role, drawing from the Scandinavian influence. High-performing, sustainably sourced Accoya wood was used for the home's exterior, and a custom-built bioethanol concrete fireplace provides an eco-friendly heating solution. The outdoor space, initially a downward-sloping backyard, was completely re-envisioned into a terraced garden with multiple functional levels. These levels now host a koi pond, a chicken coop, a Japanese rock garden, a plunge pool, a veggie garden, an alfresco dining area, and a meditating space. One of the most challenging aspects of the renovation was applying the Japandi style to the exterior, including custom millwork on the façade, and meticulously planning the landscape design to ensure seamless indoor-outdoor transitions. A notable addition was a 'she-shed,' conceived during the COVID-19 lockdown, designed as a private retreat that can serve as an office, yoga studio, or a space for relaxation. Its architectural elements, including Accoya wood millwork, were kept consistent with the main house's design. Inside, custom-designed features like the primary suite’s headboard, inspired by the setting sun, and the bathroom's large windows, further emphasize the home's beautiful views and natural aesthetic. #JapandiStyle #HomeRenovation #ZenDesign #InteriorDesign #SustainableLiving #OutdoorLiving #LosAngelesHomes #MidcenturyModern #TerracedGarden

Kenzo House, the former residence of renowned Japanese fashion designer Kenzo Takada, is a luxurious, Zen-inspired property nestled within an 18th-century apartment building in Paris’s 11th arrondissement. Originally built by Kenzo in 1993, the house underwent a significant redesign in 2018 by award-winning architect Kengo Kuma, known for his work on the National Stadium for the 2020 Tokyo Olympics and the V&A Dundee. This 13,778-square-foot, four-story residence, now offered through Christie’s International Real Estate, masterfully blends Eastern and Western influences, much like Takada's own designs. The current owners, a French businessman and his family, acquired the property in 2016 after spending 15 years in Asia, where they admired Kuma's work and his philosophy of connecting architecture with nature. They commissioned Kuma to renovate Kenzo House, maintaining fidelity to Kenzo's original vision of an authentic Japanese house and garden. Kuma, in collaboration with architect Loïk Corre, who worked on Kenzo’s initial plans, reconfigured the layout to enhance harmony and fluidity, integrating the house more closely with its natural surroundings. He achieved this by adding natural Japanese building materials like cedar shingles, teak, clay, ceramic, stone, and bamboo to the exterior, enriching its texture and warmth. Internally, partition walls were replaced with timber slats, and an indoor lap pool was transformed into an _engawa_, a traditional Japanese exterior corridor crafted from wooden latticing. Large interior windows, a floating staircase, and sliding doors were installed, and all bedrooms were oriented to face the courtyard garden, bringing nature into the interior spaces. Kuma's design philosophy, centered on transparency and a deeper connection to nature, is evident throughout the renovation. He emphasizes the use of light and natural materials to create a new kind of transparency, a characteristic of Japanese architecture. The interiors feature sleek and soothing aesthetics, with French oak louvres, beams, and floors complementing the original wood finishes. Key furniture pieces, including Hans Wegner ‘Wishbone’ chairs in the dining room and Walter Knoll pieces in the living room, were selected to maintain a calm atmosphere. The landscaped Japanese garden is a highlight of the property, perfected by Kuma. It features a stone-studded pond with nishiki carp, a traditional Japanese pavilion with a tea ceremony room, a waterfall, and several outdoor terraces. The careful selection of bamboo, junipers, lichens, mosses, and cherry trees evokes the tranquility of a Japanese landscape. The property now includes four bedrooms, six bathrooms, a Japanese suite opening onto the garden, two large reception rooms, two dining rooms, two kitchens, and three self-contained studio apartments for staff. Additional amenities encompass a music room, fitness room, wine cellar, lift, and private parking. Kenzo Takada himself remarked upon returning to his former home that it was “much more Japanese than before, and much more modern,” highlighting its evolution into a living work of art that inspires a Zen lifestyle. #LuxuryLiving #KenzoHouse #ParisRealEstate #JapaneseArchitecture #KengoKuma #InteriorDesign #ZenInspired #ChristiesRealEstate #ArchitecturalRenovation

This blog post showcases an executive maisonette in Singapore that has undergone a remarkable transformation, adopting the aesthetics of an upper-class Japanese ryokan. The renovation, executed by Right Angle Studio, skillfully integrates Japanese minimalism and traditional design elements into an HDB flat, creating a sophisticated and tranquil living space. The design prioritizes the beauty of nature and simplicity, resulting in a timeless and elegant home. A key feature of this transformation is the extensive use of wood throughout the maisonette. Inspired by traditional Japanese architecture, the home incorporates numerous wood-clad surfaces, including ceilings and an oak-wood bar counter that also functions as an accent wall. Shoji screens are prominently featured on every window, enhancing the authentic Japanese ambiance and providing a sense of privacy and diffused light. These elements collectively contribute to a warm and natural interior. The staircase area is another focal point, showcasing innovative design. Large wooden feature steps extend beyond the traditional staircase, serving as a versatile seating platform or a decorative ledge for displaying artwork and other items. This thoughtful addition provides visual and textural depth to an otherwise conventional part of the house. Furthermore, an artificial skylight illuminates the stairwell, creating a bright and airy atmosphere. A unique built-in planter at the base of the staircase houses a Japanese maple tree, introducing a natural element indoors. The wood-clad balustrade on the staircase directs attention upwards, framing the wooden windows on the second floor and adding to the architectural interest. One of the most captivating aspects of the renovation is the mini zen garden balcony. Sliding full-length shoji screens separate the living area from this tranquil outdoor space. The balcony is meticulously designed with a mini shishi-odoshi, a traditional Japanese water fountain, a pebble feature, and an everfresh tree, all contributing to an authentic Japanese garden feel. The living area itself includes a faux fireplace, which further enhances the feeling of being in a serene, natural setting reminiscent of a Japanese retreat. The bedroom continues the Japanese theme with a modern interpretation. It features a platform tatami bed, creating a low-profile sleeping area characteristic of Japanese design. Slightly elevated side tables with integrated storage maintain the minimalist aesthetic while offering practical functionality. A half-wall curved wood feature in the bedroom adds a touch of architectural elegance, evoking the sophisticated atmosphere of a suite in a high-end Japanese hotel. Overall, the HDB maisonette successfully merges Japanese design principles with contemporary living, offering a refined and immersive experience that transports residents to a holiday-like setting in Japan. #HDBMaisonette #JapaneseInteriorDesign #RyokanAesthetic #ZenGarden #ShojiScreens #WoodCladInteriors #SingaporeHome #RightAngleStudio #HomeRenovation

This article explores a renovated single-storey semi-detached house located in Subang Jaya, Malaysia, which underwent an expansion from 204 sqm to 279 sqm during a 2022 renovation. The design philosophy behind this home emphasizes introversion, minimalism, and introspective living, challenging traditional notions of private and public spaces. A linear garden wall and strategic use of semi-outdoor areas are employed to ensure privacy while fostering a tranquil atmosphere. The incorporation of an inner courtyard serves a dual purpose: facilitating natural ventilation and light penetration throughout the residence, all while maintaining a strong sense of seclusion. The architectural style is defined by its minimalism, aiming to promote simplicity and authenticity. Natural materials are integral to the aesthetic, with polished concrete flooring extending consistently from the interior spaces into the inner garden, creating a seamless transition. The walls are kept whitewashed, serving as a neutral backdrop for a carefully curated collection of artwork. Deliberate splashes of yellow are used to highlight specific areas, introducing subtle color accents without overwhelming the overall serene ambiance of the home. This thoughtful use of color ensures that the minimalist design remains dynamic and engaging. The exterior of the house maintains a modest profile, featuring a newly installed metal roof that lends a contemporary touch to the structure. The design incorporates two distinct entrances, allowing for separate private and guest access, which enhances the functionality and privacy of the living spaces. The kitchen is strategically positioned within the inner garden, establishing a strong connection with the semi-outdoor zones. This layout encourages both private family life and social interaction, blending indoor comfort with outdoor natural elements. Flexibility in dining options is provided through the inclusion of both indoor and outdoor dining areas, accommodating various occasions and preferences. The garden itself is a central feature, drawing inspiration from Zen principles. It is seamlessly integrated into the living environment, offering a peaceful and private sanctuary for relaxation and contemplation. The master bedroom is located adjacent to the central living area, featuring large glass doors that open up to the semi-outdoor spaces, blurring the lines between inside and outside. The master bathroom continues this theme, being integrated into the walled garden with clean lines and natural materials. A custom swimming pool standing shower adds a unique and luxurious element to the minimalist design. Furthermore, the guest room is designed to be versatile, capable of functioning as a study or a playroom. It benefits from abundant natural light and optimal airflow, contributing to the overall comfortable and healthy living environment. The residence as a whole is crafted to encourage a calm and contemplative lifestyle, thereby fostering a deeper connection between its occupants and the surrounding environment. This architectural project is presented as a successful demonstration of alternative living, reflecting a shift towards simplicity, introspection, and enhanced environmental awareness. #HomeDesign #TropicalSanctuary #JapaneseZenGarden #MinimalistDesign #IntrovertedArchitecture #NaturalMaterials #SubangJayaRealEstate #RenovatedHome #SustainableLiving

Studio Nirvana designed a 2,900-square-foot villa in Kochi, India, for a family of five, focusing on understated, inward-looking aesthetics to create a serene environment amidst an industrial and residential setting. The primary goal was to demonstrate how natural finishes and colors could be utilized in a contemporary home without conforming to either modernist or typical traditional styles. The design prioritizes a 'light and breezy' atmosphere, emphasizing connectedness and calm for its inhabitants. The project commenced with a thorough understanding of the site's surroundings. Given its location in a bustling area, the designers aimed to create a private sanctuary, effectively shielding the interior from external disruptions. This was achieved through an inward-focused design approach, centralizing the most frequently used and interactive spaces to form the 'heart' of the home. This strategic layout encourages family interaction and provides a sense of detachment from the urban environment. The living and dining areas are central to the home's zen-like ambiance. These double-height common spaces prominently feature cement, brick, and oxide finishes, contributing to an earthy yet contemporary aesthetic. Large, wall-encompassing French windows open onto a patio, allowing ample natural light and creating a warm, inviting atmosphere for family gatherings and relaxation. The kitchen incorporates green-stained wood surfaces and alternating brown and green shutters, seamlessly integrating natural textures and colors into the modern design. Cement walls with vertical grooves and simple white cabinets reflect the home's dedication to an unostentatious style, maintaining a clean and minimalist look. The bathroom, while adhering to the grooved cement ceiling and black oxide floor found elsewhere, introduces a subtle departure with its wall tiling. The tiles, though in a neutral palette, feature maximalist traditional patterns, adding a unique visual element. Furthermore, existing family furniture was refurbished and upcycled, including the bathroom wash counter, demonstrating a commitment to sustainability and personalized touches. The upper-floor bedroom is designed to foster a direct connection with nature. A strategically placed slit window above a low-floor bed allows dynamic interactions with natural light throughout the day. The decor in this space, consistent with the rest of the villa, remains minimal, ensuring that fixtures and fittings do not overshadow the modest, natural aesthetic. This thoughtful approach creates a tropical paradise characterized by simple proportions, expansive windows, and natural tones, making it an ideal family residence. #KochiHome #ZenDesign #StudioNirvana #InteriorDesign #NaturalFinishes #InwardLookingDesign #ContemporaryArchitecture #MinimalistHome #IndianArchitecture

The 'Hidden House' in Kozhikode, designed by AslamSham Architects, presents a unique architectural narrative that conceals its true scale. Despite its name, the house is designed to stand out, captivating passers-by with its distinctive form, as desired by the clients—a 30-something entrepreneur couple. The dwelling, a three-level structure, creates the optical illusion of being a smaller, two-storey home when viewed from the street. The design process was shaped significantly by the site's challenging topography, which started three meters below the road level and continued to slope downwards. This contour influenced the building's distinctive form. The facade features two inclined, turfed expanses of varying heights, separated by an interstitial space defined by massive granite walls that enhance the sense of scale and mark the main entrance. Two concrete cuboids, abstracting a patio and a formal living room, emerge from the sloping green landscape. This interplay of solid stone against vibrant greenery and rooted walls versus buoyant cuboids creates an intriguing and atypical elevation. A subtle traditional nuance is introduced through the incorporation of old Mangalore tiles in one section, contrasting the modern composition of straight forms and regimented lines, and demonstrating how vernacular elements can integrate with contemporary design. The interior layout is strategically zoned based on its proximity to the road. The public zone, offering views of the street, encompasses the front sit-out and formal living space. The semi-public section, considered the heart of the home, revolves around a skylighted koi pond and includes the family living area, dining room, and kitchen. This open-plan approach is maintained by using different flooring materials—black leather-finish granite for primary functions and leather-finish Kota stone for other areas—to delineate spaces without resorting to walls. The private zone, located at the rear, houses the bedrooms, a home theatre, and a swimming pool, ensuring seclusion. To accommodate the clients' spatial requirements without extensive site alterations, the house is split into six to seven levels. The primary entry to the public zone involves only a few steps, while a secondary family entrance to the semi-public area is just one step down. From there, residents access the private zone, with bedrooms distributed across half-levels and the primary bedroom on the highest floor. Varying ceiling heights throughout the home contribute to a dynamic spatial experience, communicating different degrees of intimacy and scale. The material and color palette prioritize simplicity and sophistication. Whites, natural textures such as random rubble masonry, cement-finish plaster, wood, leather-finish granite and Kota stone, and deck wood are employed to give each space a distinct personality. The use of these materials helps to visually differentiate areas while maintaining an open feel. Green accents from plants are strategically placed to introduce warmth and coziness. The architects emphasized leveraging the inherent character of materials, with exterior rough textures transitioning to more polished finishes indoors. The project benefited from a strong collaboration between the architects and the accommodating clients, resulting in a cohesive and satisfying design. #KozhikodeHome #ArchitecturalDesign #ContouredSite #ModernArchitecture #VernacularElements #MaterialPalette #SpatialPlanning #CustomDesign #KeralaHomes

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

A townhome in Lewes has been transformed into a mindfulness retreat, drawing inspiration from Japanese architecture and aesthetics. The project, designed by Scott Edmonston, principal of Millville-based SEA Studio Architects, in collaboration with Camenisch Company Inc., sought to create a serene escape for a bachelor who desired a quiet space for writing, away from his primary residence in Manhattan, while also accommodating occasional family visits. The design implicitly embraces several Japanese principles, including *wabi-sabi*, which celebrates the beauty of transience and imperfection; *shibui*, emphasizing simplicity, subtlety, and economy of line; and *miyabi*, denoting refinement and polish. These concepts were expertly integrated by the project’s contractor, Milton’s Camenisch Company. The homeowner's desire for a mindful retreat, coupled with the structural limitations—an HOA mandate against external or window configuration changes—led to a design that maximized internal flexibility and aesthetic coherence. The two-story home, an award winner at the 2022 AIA Delaware, functions to promote mental clarity and a healthy lifestyle, encouraging occupants to slow down and immerse themselves in their surroundings. This is achieved through thoughtful architectural choices that foster a sense of calm and remove daily stressors. Key design elements include custom built-in furniture, such as a sofa in the living room and cabinetry in the kitchen and primary bedroom, fabricated by Alleghany Woodworks. The kitchen features vertical-grain white oak cabinetry with concealed hardware and Pental Quartz countertops and backsplash, designed to seamlessly integrate into the living space and even disappear when not in use. Throughout the home, the flooring is white oak with a custom finish. Light plays a pivotal role in the design, with natural illumination flooding the spaces. The existing clerestory windows are augmented by a system of Japanese *shoji* screens, built by Brian Holcombe Woodworker. These screens not only enhance the aesthetic but also provide flexibility in partitioning space, allowing small areas to feel larger and offering privacy when needed, particularly in the 130-square-foot “bunk room” which can adapt to host varying numbers of guests. The primary bathroom is a standout feature, designed as an open-style wet room with built-in seating, multiple shower fixtures, and a deep soaking tub from Signature Hardware. This space evokes the tranquility of Japanese *onsens*. The materials used, such as Riad Tile in Zellige natural white for walls and Tilebar’s Bronx Collection for flooring, contribute to the serene ambiance. The interior is further curated with select furniture and art, including a Japanese banner that translates to “clear skies for 1,000 miles,” symbolizing both the views of the nearby bay and the clarity of mind the home aims to inspire. #JapaneseDesign #TownhomeLiving #MindfulnessRetreat #CoastalHome #InteriorArchitecture #CustomBuiltIns #ShojiScreens #WabiSabi #Shibui

The 'Kusatsu House' in Shiga, Japan, designed by Hearth Architects, is a family home structured in an L-shape to embrace a central, tree-planted courtyard. This architectural decision was driven by the clients' desire for a home with a garden where family members could relax and interact, fostering a sense of togetherness. The L-shaped layout effectively integrates nature into the common living areas, creating a lively and engaging atmosphere within an otherwise understated interior palette. The design thoughtfully connects the indoor and outdoor spaces through extensive floor-to-ceiling openings, allowing abundant natural light to penetrate the home and blurring the lines between the interior and exterior environments. This approach enhances the feeling of openness while maintaining privacy. To balance openness with the need for seclusion, the veranda is enclosed by a concrete wall, offering a more private and introverted outdoor space. The design also incorporates traditional Japanese architectural elements, particularly evident in the courtyard. A wooden strip of flooring extends from the interior, effectively expanding the living area into the garden, providing a dedicated space for relaxation and connection with nature. The interiors are characterized by warm, natural tones, and a deliberate absence of excessive decoration, contributing to a minimalist and serene aesthetic. A notable feature is a small, separate Japanese-style room, which fulfills a specific client request. This room is distinguished by its vibrant colors, traditional tatami flooring, and an opaque opening that allows dim light to enter without compromising privacy. The project details confirm that the Kusatsu House was completed in February 2020. It spans a site area of 160.41 square meters, with a building area of 65.21 square meters and a total floor area of 99.36 square meters. Photography for the project was done by Yuta Yamada. Hearth Architects successfully met the clients' brief by creating a harmonious living environment that celebrates both communal interaction and individual privacy, all while deeply connecting with its natural surroundings through thoughtful design and traditional influences. The house stands as a contemporary example of Japanese residential architecture that prioritizes natural light, spatial fluidity, and a calm, inviting atmosphere. #LShapedHouse #HearthArchitects #KusatsuHouse #JapaneseArchitecture #CourtyardDesign #ResidentialArchitecture #NaturalLight #IndoorOutdoorLiving #MinimalistInterior

This article details the construction and design of a new three-bedroom modern Japanese-style house located in Lennox Head on the NSW north coast, built by video editor Raquel Banks and builder Jack Nyboer of Nobo Build. The project, which took approximately two years from design to completion, features a single-story layout with two courtyards and a self-contained studio, thoughtfully integrated into its natural surroundings overlooking a nature reserve. The house's design centers around maximizing daylight and connecting indoor and outdoor living spaces through dual north-facing courtyard gardens. The central courtyard serves as a communal outdoor space ideal for entertaining, while a more private rear courtyard, adjoining the main bedroom, includes a plunge pool and outdoor shower, creating an adult retreat. This innovative layout ensures that every area of the home enjoys a view of the garden, fulfilling Jack's initial vision for the property. The exterior of the home features charred jarrah-clad walls, utilizing the Japanese shou sugi ban technique for timber preservation, which also provides a raw, maintenance-free aesthetic that contrasts with the brighter interior. The interior palette, selected by Raquel, emphasizes warmth and coziness through materials such as spotted-gum veneer kitchen cabinetry, travertine benchtops and bathroom tiles, and polished concrete flooring. This neutral base allows for personalization through soft furnishings and contemporary artworks by local artists, which introduce summery and playful colors. Collaboration was a key aspect of the project, with long-time friends architect Hayley Pryor and landscape designer/carpenter Rhys Heggie contributing their expertise. Hayley Pryor was instrumental in proposing the two separate courtyards and the detached studio. The construction itself was largely a hands-on effort by Jack and Rhys, involving long days but ultimately resulting in a home that surpassed expectations. Material choices throughout the house were inspired by the landscape, featuring organic and simple finishes selected for their textural and tonal qualities. The kitchen combines spotted gum cabinetry with overhead MDF cabinets in Moss Grey, complemented by a travertine benchtop. In the bathrooms, travertine flooring and custom-made spotted-gum mirrors reflect the natural theme. The landscape design incorporates Australian native plantings such as coastal pigface, kangaroo paw, and banksia and blueberry ash trees, thriving in the local climate. The living zone boasts a soaring raked ceiling and louvered windows that facilitate cooling breezes and cross-ventilation, especially during warmer seasons. Expansive glazing throughout the home frames views of the lush courtyards. Though the couple has since sold the house, they express immense pride in their first joint project, emphasizing the journey from an initial idea to a tangible home and the value of teamwork. #JapaneseStyleHome #CoastalLiving #CourtyardDesign #SustainableDesign #IndoorOutdoorLiving #ArchitecturalInnovation #MaterialPalette #LennoxHead

Houston-based interior designer Ryia Jose of Kin and Kasa undertook the design of her parents' new Kochi home, aiming to create a serene and soulful space that would evoke the essence of their former bungalow, which had been demolished. The project presented a unique challenge as the parents, Joseph Karukapally and Sherly Jose, were accustomed to bungalow living and found apartment life unfamiliar. Their preference for traditional and wooden elements led to an initial disagreement with Ryia over a black front door, which they eventually embraced after Ryia assured them of its suitability. The design philosophy centered on honoring the past while integrating modern elements. A significant aspect of the renovation involved salvaging and repurposing materials from the old bungalow. Wooden floorboards from the former courtyard were relaid in the new bedroom, discarded rosewood logs were transformed into a dining table, and Ryia's baby crib was converted into a daybed for the balcony. An eight-foot-tall engraved pillar, assembled from two smaller salvaged pillars, became a focal point in the living room. Doors for rooms and wardrobes from the old home were retrofitted and repainted, contributing to the home's sense of continuity and history. This approach ensured that the new apartment felt lived-in and deeply connected to the family's past, rather than appearing cold or impersonal. The balcony was envisioned as the home's centerpiece, inspired by a friend's apartment that felt more like a house due to its integrated outdoor space. Ryia and her father aimed to recreate the feeling of their previous home's courtyard, which had often been underutilized. In the new apartment, the balcony was strategically designed to be a prominent feature, influencing the layout of the surrounding areas. Ryia consciously avoided an open-plan concept, preferring that the living room, dining area, family room, and foyer maintain distinct identities while seamlessly connecting to the central balcony. The presence of balconies on all sides further supported this vision. Ryia's design process, conducted largely from Houston, necessitated collaboration with local designer Lyla John of Lyla John Interiors for on-site execution and vendor coordination. Despite the geographical distance, this arrangement allowed Ryia to develop a broader vision for the home, blending Indian traditions with modern aesthetics. Examples include the chequerboard flooring in the balcony, reminiscent of Chettinad mansions, and barn-style beams in common areas, inspired by her grandparents’ Kerala home. The powder room was a bolder departure, featuring Sabyasachi wallpaper and a deep brown ceiling, along with vintage lighting and antique mirrors. Throughout the home, meticulous attention to detail, including mouldings, exposed brick, transoms, pillars, bamboo ceilings, antiques, and various traditional artifacts, ensured the home reflected the distinct personalities of her parents. After a year, the black front door, initially a point of contention, has become a cherished element. The balcony, fulfilling its role as the home's core, serves as a daily gathering spot for Joseph and Sherly. This design narrative highlights a successful integration of sentimental elements from a bygone home with contemporary living, culminating in a space that is both personal and timeless. #KochiHome #KeralaHomes #InteriorDesign #TraditionalElements #ReclaimedWood #VintageDecor #ArchitecturalDesign #FamilyHome #IndianDesign

Studio Grid, a Mumbai-based architecture firm founded by Rohit Mahadik and Rugved Rane, has completed the design of a sprawling 7,000 square-foot penthouse in Alibaug, transforming it into a serene haven that blends Japanese minimalism with local Indian craftsmanship. Both founders have lived in Mumbai and Tokyo, influencing their design approach which integrates elements from both cultures to create a unique earthy ambiance. The client's primary request was for a calm, soothing, and clutter-free living space. The penthouse offers panoramic views, with the sea on one side and mountains on the other. This natural backdrop played a crucial role in the design philosophy, aiming to integrate nature with the architectural scheme. Consequently, the material palette predominantly features natural materials such as travertine marble, teak wood, and bamboo, contributing to the tranquil atmosphere. A key design principle evident throughout the residence is "enso," the Zen concept of a circle. This motif is subtly incorporated, from the design of door handles to the living room rug, providing a cohesive and harmonious visual flow. The entrance foyer opens into an informal wood-washed tea garden, which embodies this circular typology. This tea garden serves as an informal extension of the living room, which itself is characterized by white marble and minimalist, white-accented furniture. All furniture pieces within the penthouse were custom-designed by Studio Grid and meticulously handcrafted by local artisans in Alibaug. This bespoke approach aligns with the design philosophy of "wabi-sabi," which embraces the beauty of imperfection inherent in hand-crafted items. The aesthetic is further personalized by the client’s daughter, a fine artist, whose artwork is displayed throughout the home. Additionally, sustainability and repurposing were considered, as all the teak wood used in the project was salvaged from the client's previous residence. Locally sourced lime plaster paint was utilized to cool the interior spaces and soften the overall tonal palette. The master bedroom, like other areas, emphasizes the enso circle motif, visible in the artwork on the bedback wall and the rug beneath. Repetitive grid lines and circular enso motifs are consistently integrated into each room, contributing to a sense of predictability and calm that soothes the mind. While each bedroom is uniquely personalized with artwork by the client's daughter, the overarching geometric motifs and material consistency maintain a unified aesthetic throughout the home. The design prioritizes a monochromatic tone, ensuring that all elements complement each other without any single feature dominating, underscoring the firm's focus on creating an immersive and harmonious experience within the space. #JapaneseMinimalism #ZenDesign #AlibaugPenthouse #StudioGrid #NaturalMaterials #CustomFurniture #WabiSabi #InteriorDesign #IndianHomes

The Xchange Apartment in Kyoto, designed by architecture studio TANK, reimagines traditional Japanese craft techniques to transform a previously "drab" flat into a guesthouse for artists. Principal Naritake Fukumoto drew inspiration from kintsugi, the Japanese art of repairing broken pottery with lacquer mixed with powdered gold, to create a unique flooring aesthetic. For the living room, Fukumoto intentionally selected a type of cement flooring prone to cracking. Once the cracks naturally formed, a gold-colored epoxy resin was used to fill these imperfections, mirroring the kintsugi philosophy of celebrating the beauty in imperfection rather than concealing it. This innovative application transforms what might typically be seen as a flaw into a deliberate and artistic design element. Beyond the living area, the bathroom and kitchen floors, which are slightly elevated, feature another adaptation of a traditional Japanese craft: lacquerware. Instead of directly applying lacquer, the architect used a layer of fiber-reinforced plastic netting covered with transparent resin. This method creates a translucent yet visually complex texture, revealing the underlying glass-fiber layers over the wooden base. This technique not only achieves a distinctive aesthetic but also provides material strength and waterproofing, essential for these utility areas. The choice of materials and methods in these spaces reflects a conscious effort to integrate local traditions into contemporary interior design. The apartment's overall decor maintains a minimalist approach, featuring white walls and simple furnishings. Exposed concrete beams, subtly marked with paint stains, contribute to the raw, artistic ambiance. Practical design elements are also incorporated, such as a pair of mirrored doors that can be opened to form a private dressing area. Glass doors lead to a narrow balcony, offering residents picturesque views of the nearby Kiyomizu Temple and the surrounding five mountains, connecting the interior space with Kyoto's natural and cultural landscape. The design aims to create an intuitive and creative atmosphere, encouraging residents to explore both the apartment's unique features and the city outside. TANK, a Tokyo-based studio established in 2010, is known for its inventive architectural projects that often play with conventional elements and perceptions of space. Previous works include an apartment where carpet sections double as flip-flops and a home featuring floorboards on the ceiling, demonstrating a consistent innovative and unconventional design philosophy. The Xchange Apartment continues this tradition by integrating traditional Japanese repair and craft techniques into its modern design, highlighting the potential for contemporary spaces to draw depth and character from historical methods. The photography for the project was provided by Kenta Hasegawa, effectively capturing the apartment's distinctive details and overall aesthetic. The project team included Naritake Fukumoto as the architect, with construction handled by LOÖWE and TANK, emphasizing a collaborative approach to realizing this distinctive residential space. #KyotoApartment #KintsugiInspired #JapaneseCraft #ResinFlooring #MinimalistInterior #FiberReinforcedPlastic #GuesthouseDesign #TANKArchitects #TraditionalModernBlend

This article details the transformation of a 1922 bungalow in Denver's Washington Park neighborhood, owned by Julie and Joe Anderies, an art historian and a jazz musician, respectively. The couple sought to revamp their home to reflect their personal style and world travels, selecting interior designer Katie Schroder of Atelier Design Group for the project. The renovation involved stripping the house down to its studs, allowing for a comprehensive redesign that blends modern and antique elements within a modest space. The design process began with a specific Schumacher fabric and a photograph of teal kitchen cabinets, which heavily influenced the home's overall color palette and aesthetic. Julie Anderies' openness to vibrant colors and her desire for each piece to have a unique story were central to Schroder's approach. To balance the potential for busyness from extensive art collections and colorful furnishings, Schroder opted for a neutral taupe-gray paint (Benjamin Moore’s Thunder) for the main walls, allowing the upholstery and art to be the focal points. The couple's trip to Morocco, where they purchased several rugs, also integrated Moroccan influences into the design, contributing to a jewel-toned theme throughout the house. Schroder emphasized playing with color and texture, creating a dynamic yet cohesive interior. An example of this balance is found in the master bedroom, where a muted Moroccan rug grounds vibrant bedding and a patterned headboard. Hand-carved doors by California artist Evelyn Ackerman add another unique artistic touch. The kitchen, designed by Angela Otten of William Ohs, features a large custom island, sandstone countertops, and recessed lighting to compensate for minimal natural light, all while incorporating the initial Schumacher fabric on a built-in banquette. Functionality was a key consideration in the design. The architect, Jon Hindlemann, strategically placed the living room at the back of the house, behind the kitchen, to draw guests deeper into the home. This layout acknowledges the kitchen's role as a central gathering space. Given the couple's desire to downsize without sacrificing their accumulated possessions, built-ins and hidden storage solutions were crucial. The living room includes an Italian cabinet that conceals a TV, books, and electronics, while a nearby bench seat provides open storage underneath, maintaining an airy feel despite extensive storage. A significant design element highlighted is the vaulted ceiling in the living room, which is covered in Makrana wallpaper by Harlequin, mimicking marble. Schroder initially had to persuade Julie about the wallpaper, but its organic and neutral pattern ultimately brought attention to the unique architectural feature. Midcentury design influences are evident, particularly in the living room and dining area, with Mexican midcentury dining furniture and stained glass French doors by local artist Ann Wolff, serving both as artwork and a privacy screen. The exterior also saw changes, with the original garage being replaced by a new structure further back on the lot, designed to resemble a small studio, complemented by landscaping from Altgelt & Associates and Landwise. The article concludes by emphasizing the importance of building trust between designer and client to achieve such bold and personalized interior transformations. #InteriorDesign #HomeRenovation #Bungalow #GlobalInspiredDecor #MidcenturyModern #WashPark #DenverRealEstate #AtelierDesignGroup #CustomInteriors