John Lewis stay ahead of the Japanese trend with V&A inspired range

The article highlights a growing trend among luxury brands to utilize their boutiques as spaces for artistic and design installations, moving beyond mere retail outlets. This phenomenon is exemplified by Delvaux's Brussels flagship, designed as an art gallery, and Loewe's Mayfair store in London, which showcases an eclectic art and design collection. The Row's first European flagship in Mayfair also integrates expertly curated and purchasable design objects, such as pieces by Charlotte Perriand and Corbusier, into its retail environment. Since taking over Jil Sander in 2017, Lucie and Luke Meier have significantly enhanced the brand's artisanal identity through various architectural and artistic collaborations. Notable examples include a Tokyo flagship designed by John Pawson and a living installation at the Milan headquarters in collaboration with artist Linda Tegg during Salone del Mobile 2019. This strategic approach culminated in the announcement that Jil Sander's Via Saint Andrea store in Milan would be exclusively dedicated to temporary installations and exhibitions, thereby complementing the fashion collections housed at its Via Pietro Verri flagship. For the inaugural installation at the Via Saint Andrea store, the Meiers presented large, bulging sculptures crafted from padded down inflation. These sculptures were a direct reference to their ongoing fascination with architectural and buoyant silhouettes, reflecting a deep-seated interest in fabrication. This interest was previously evident in the label's S/S 2020 women’s collection, which featured intricate designs incorporating raffia, paper, beading, and elaborate intarsia techniques. The Meiers explained that these installations offer a platform to showcase items that do not fit into the typical runway or campaign presentations, allowing for a broader expression of their creative vision. Jil Sander's second installation at the Via Saint Andrea space is dedicated to Japanese denim, a material widely recognized for its superior quality and craftsmanship. The installation transforms the space with long curtains of dark denim, illuminated by tubular strip lighting. This dramatic backdrop showcases a new range of unisex denim styles, alongside men’s denim shirts and women’s shirt dresses, emphasizing the versatility and aesthetic potential of the fabric. The Meiers underscored that the Via Saint’Andrea space provides a unique opportunity for experimentation and exploration, suggesting a continuous evolution of thematic installations. The article underscores that these installations are not just about displaying products but about creating an immersive brand experience that physicalizes the artistic and design inspirations behind Jil Sander's work. By transforming retail spaces into cultural venues, brands like Jil Sander are engaging customers on a deeper level, offering more than just merchandise but a glimpse into their creative philosophy and craftsmanship. This approach solidifies the brand's position at the intersection of fashion, art, and design, promising an exciting future for their exploratory installations. #JilSander #JapaneseDenim #MilanFashion #FashionInstallation #LuxuryBrands #ArtAndFashion #LucieAndLukeMeier #TextileInnovation

Acne Studios, the Swedish fashion label, has opened a new flagship store in Tokyo's Aoyama district, a move that encapsulates the brand's playful yet minimalist aesthetic. The store, located on a prominent corner of Omotesando, an area known for its architectural significance, was designed by Acne Studios' founder and creative director, Jonny Johansson, in collaboration with Stockholm-based studio Halleroed. This new location replaces a previous store on a nearby backstreet and represents the culmination of Johansson's long-standing connection and inspiration drawn from Japan. The conceptual foundation for the store was inspired by the idea of a 'garage' – an open, technical space. Johansson envisioned an interior that maintained the skeleton of the original building, incorporating extensive use of glass to create a seamless flow between the inside and outside, allowing visitors to feel connected to Aoyama. This structural openness is complemented by a unique design element: softly-textured pink granite stone. This material is used to connect various spaces, extending across floors and walls, and forms two prominent, airy staircases with clean, minimalist lines and subtly indented handrails. The choice of pink for the granite was deliberate, aimed at avoiding a 'banal' or 'naïve' impression. According to Ruxandra Halleröd, co-founder of Halleroed, the team explored various textures and materials before settling on a granite that intensifies in pink hue when flamed. This approach was intended to create a mature and nuanced pink, moving beyond typical feminine connotations to become a 'pop color' that aligns with Acne Studios' slightly vague yet distinct brand identity. Contrasting the soft pink granite, the store integrates reflective metal accents, angled mirrors, and dynamic stainless steel clothing hangers that are sharply suspended from the ceiling. This blend of materials and forms adds to the store's contemporary and edgy atmosphere. Further enhancing the creative interior are bespoke elements from long-term Acne Studios collaborators. British designer Max Lamb contributed a series of pieces, including shiny soft leather seats that appear to merge with the walls, tufted carpets, and 'Blob' chairs made from hand-dyed yarns. Illumination is provided by dozens of custom strip-lighting fixtures, conceived by designer Benoit Lalloz, which are strategically placed across ceilings and integrated into metal displays. Surrealist mannequins by artist Daniel Silver introduce an additional layer of artistry. Ruxandra Halleröd emphasizes that the design thrives on contrasts, mirroring Tokyo's own blend of high-tech and historical elements. The stark, hard-material-clad building contrasts with the irregular, shiny furniture, creating unexpected visual and tactile experiences. Christian Halleröd, also a co-founder of Halleroed, highlights Japan as a significant source of inspiration, particularly for its commitment to quality and craftsmanship. The store's opening is also marked by a collaboration with artist Takuro Kuwata, who created a series of candy-bright ceramic vessels and reinvented the brand's 'Camero' bag and denim jeans with rainbow designs and trompe l'œil effects. This reflects Johansson's perspective that "fashion is supposed to be fun" and a desire for luxury to be inclusive rather than exclusive, a philosophy that deeply informs the new Tokyo flagship. #AcneStudios #Tokyo #FlagshipStore #FashionDesign #RetailArchitecture #InteriorDesign #JapaneseCraftsmanship #ContemporaryArt

The author shares an exclusive preview of the John Lewis spring/summer 2025 homeware collection, highlighting key pieces available now and those to anticipate later in the season. The collection showcases cheerful colors and abundant patterns, confirming existing home decor trends like the preference for dark wood. Many items from this range are already accessible for purchase and are rapidly becoming popular. The article provides a detailed overview of furniture offerings, new brand partnerships, and stylish accessories from the collection. In the furniture category, the uniquely shaped and comfortable Lozenge sofa is a focal point. Originally available as a chaise style, it now includes a three-seater version, offered in pistachio green—the brand's color of the year—and a classic cream boucle, with the latter available for quick delivery. For outdoor spaces, a curved, comfortable Lozenge garden sofa is introduced, along with the new Marcy sling garden chair, priced at £149 and available in burnt orange, green, and greige striped finishes, noted for its comfort and trendy aesthetic. John Lewis is expanding its brand partnerships, making high-demand brands more accessible. New additions include Ottolenghi's serveware in collaboration with Serax and Jamie Oliver's 'Big Love' tableware range, which features popular items like a pink oval scalloped platter suitable for serving elongated foods. Another significant collaboration is Henry Holland's partnership with Harlequin, offering patterned wallpapers and soft furnishings, including stylish cushions. The article also mentions the availability of the MADE range, including stylish lighting such as an asymmetrical rattan table lamp, within John Lewis stores. The collection also features a variety of stylish accessories designed to enhance room aesthetics. The bestselling striped stoneware vase from the previous season is reprised in new colorways and sizes. A jute chequerboard rug in a chocolate brown shade is highlighted for its on-trend design and versatility, suitable even for kitchen flooring. John Lewis’s expertise in home textiles is further evident in its made-to-measure curtains and quilted bedspreads, such as a patchwork design that adds color and pattern to bedding, consistently popular with customers. Looking ahead, the article anticipates exciting lighting additions, particularly a scalloped rattan table lamp, expected to be a bestseller given the enduring popularity of the scalloped trend. A highly anticipated collaboration with heritage fabric and wallpaper brand Sanderson is set to launch on March 20th. This collection will feature over 200 products, including furniture, wallpaper, and lighting, all adorned with Sanderson's archival patterns, with prices starting from £15. The author expresses enthusiasm for this upcoming release, suggesting it will offer many showstopping items for home decoration. #JohnLewis #HomeDecor #InteriorDesign #SpringSummerCollection #Furniture #HomewareTrends #OutdoorLiving #BrandPartnerships #HomeAccessories

Muji, the Japanese lifestyle brand known as Mujirushi Ryohin or “no-brand quality goods,” opened an 11,000-square-foot flagship store on Fifth Avenue in December 2015. This expansion highlights the brand's growth from its 1980 inception as a generic line for Seiyu Supermarket Group, initially offering forty products. Today, Muji is a two-billion-dollar independent company, providing over seven thousand items, from furniture to snacks. The company maintains low prices by focusing on efficient processing and packaging, such as using unbleached paper products and industrial materials like the discarded ends of pasta for its U-Shaped Spaghetti. Muji’s 2015 year-end report characterized this period as a “jump” phase, marked by global expansion and domestic efficiency. With over seven hundred stores worldwide, including thirteen in the U.S., Muji plans to increase its global presence to 888 stores, with significant growth projected in China where seventy-two new stores are anticipated. Muji’s design philosophy leverages the aesthetic outcomes of its cost-cutting measures, contrasting its plain-looking goods with what it describes as “over-embellished products” in the market. The brand's aesthetic embraces simplicity and utility, aligning with contemporary trends like the KonMari tidying craze. This represents a shift towards a 'post-cool, normcore' Japan, a curated vision of Japanese culture embodying serenity, neatness, and propriety. The company’s products, while seemingly basic, are the result of sophisticated and premeditated design. Muji aims to create essential products in their most necessary forms, producing staples like stationery, kitchenware, and storage options in generic colors, patterns, and materials. Industrial designer Naoto Fukasawa's collaboration with Muji on kitchen appliances exemplifies this approach, with compact, all-white items featuring “a square shape tinged with mellow roundness,” a concept Fukasawa terms “super normal design.” Muji also offers customization options, allowing customers to personalize notebooks with stamps or embroider cloth goods. Its clothing line features standard wardrobe items in natural earth tones, emphasizing “genuine color.” The brand communicates its principles through statements and its seasonal catalogue, “The Why of Muji,” suggesting a spiritual dimension to its philosophy of life without excessive branding. Advertising campaigns depict a peaceful existence devoid of logos and bright colors, promoting an image of tranquility and freedom from distraction. While Muji largely avoids attributing products to individual designers, its original framework was developed by graphic designer Ikko Tanaka, an architect, and creative consultant Kazuko Koike. Kenya Hara, who took over Tanaka’s role in 2001, is credited with revitalizing the brand by refocusing on design. The brand's philosophy, often described as minimalist or even Zen, is articulated as being rational and free of agenda, focusing on “perfectly functional products.” Naoto Fukasawa explains this as striving for “just right,” implying a comfortable and pleasing exactness. Muji's pursuit of simple, well-designed everyday items is documented in “Found Muji,” a catalog and concept store that features objects from around the world that have inspired Muji products. An example is the ninety-degree heel sock, adopted after discovering a Czech grandmother's handmade version. The company's financial success is evident in its 2015 revenue increase of eighteen percent to $2.14 billion and a fourteen percent profit increase to $196 million. Muji aims for “perpetual growth” and to establish a “global brand” by 2020, based on the principle that simplicity can be more appealing than luxury. This growth strategy, termed “massive minimalism through perpetual growth,” is a commercialization of a fantasy of Zen purity, as described by science-fiction writer William Gibson, offering a vision of an idealized, minimalist lifestyle. #Muji #JapaneseDesign #Minimalism #HomeGoods #RetailExpansion #LifestyleBrand #ProductDesign #GlobalGrowth #CommercialZen

John Lewis has launched a vibrant interiors collection for Spring/Summer 2023 in collaboration with British interior designer Matthew Williamson. This collection is characterized by bold patterns and vivid colors, designed to inject a sense of joy and dynamism into home interiors. It features 90 products, including patterned towels, cushions, lampshades, and mirrors, all reflecting Williamson's distinctive aesthetic. The collaboration aims to encourage consumers to experiment with designs and color palettes that elevate their mood and personalize their living spaces. Among the standout pieces is the Bobbin Rectangular Wall Mirror, priced at £150. This mirror, with its intricate curves and vibrant pink hues, is designed to create a striking focal point in areas like hallways. It comes with pre-fitted mounts for easy installation, emphasizing both style and convenience. Another notable item is the Planet 5 Pendant Cluster Ceiling Light, available for £225. Crafted from art glass, each shade of this luxurious ceiling light features rich colored swirls and a gold base, with unique variations in each shade ensuring a distinctive look for every piece. For bedroom décor, the Majestic Peacock Duvet Cover Set, costing £100, draws inspiration from peacocks, showcasing a vibrant and symmetrical print that gives it a tapestry-like quality. The Candy Stripe Table Lamp, priced at £145, offers a playful yet striking element with its contrasting stripes, making it suitable for maximalist-inspired homes. The Ikat Peacock Pouffe, retailing for £120, is a luxurious item made using the traditional Indonesian Ikat dyeing technique. Its design mimics the elegant fronds of a peacock feather, making it an ideal companion for the peacock-themed bedding. The collection also extends to bathroom accessories with the Matthew Williamson Mustard Wave Towels, priced at £14. These towels feature a psychedelic wave pattern, bringing a touch of 1960s design to the bathroom. Finally, the Wild Cat Cushion, available for £48, helps create an exotic aesthetic with its depiction of hibiscus flowers against a bold palm tree print, appealing to wildlife enthusiasts. This comprehensive collection allows for the integration of bold, mood-boosting elements throughout the home, from lighting and furniture to textiles and decorative accents. #JohnLewis #MatthewWilliamson #HomeDecor #InteriorDesign #VibrantColors #BoldPatterns #SS23Collection #LuxuryInteriors #EclecticStyle

The Vaughan Ellisfield Collection, a new offering from the London-based trade lighting, textile, and furniture company Vaughan, draws inspiration from a diverse array of aesthetic movements and cultural influences. Co-founder Lucy Vaughan highlights the collection's roots in the Arts and Crafts Movement, emphasizing fine craftsmanship, organic materials, and nature. It also integrates elements from the Aesthetic Movement of the 1870s and 1880s, which prioritized beauty for its own sake, and showcases significant Japanese and Chinese influences, adding richness and sophistication to the pieces. This collection marks an organic evolution from Vaughan's previous Chawton Collection, a testament to the brand's flourishing creativity, particularly evident during recent periods of introspection. Among the pieces, the Colemore Chest of Drawers is a standout, admired for its beautiful wood finish, elegantly tapered legs, and fine brass handles. This piece evokes a sense of nostalgia, as its original counterpart has been a fixture in Vaughan's London drawing room for a decade. The Ellisfield Collection signifies a forward movement for the brand while simultaneously honoring its heritage as antique dealers, reintroducing furniture alongside new lighting pieces. This strategic addition of furniture serves to ground the lighting elements and provide functional bases for them. The collection introduces several fresh and exciting pieces, such as the Woodcott, Somborne, and Linford tables, which feature striking ebonized bases that blend contemporary and traditional aesthetics through the contrast of different wood finishes. In the lighting category, the Ibthorpe lantern is a favored item, noted for its naturalistic leaves and soft white finish. The primary materials used throughout the collection are wood and brass, selected for their versatility and capacity to accommodate a wide range of finishes, textures, and veneers. This allows for diverse applications across both lighting and furniture. Vaughan envisions designers utilizing the Ellisfield Collection in various spaces and contexts, suggesting that the new pieces can be seamlessly integrated with existing lighting and textiles from the brand. The anticipation is to observe how designers will innovatively apply these items, allowing them to bring life and a sense of grounding to people's homes. The development of the collection has been a rewarding process, with the most significant satisfaction derived from seeing the finished pieces come to fruition. Each collection presents its own unique journey, and the Ellisfield Collection, in particular, has been a joy to develop, with meticulous attention given to fine-tuning every detail. #EllisfieldCollection #VaughanDesigns #HomeFurnishings #LightingDesign #FurnitureDesign #ArtsAndCraftsMovement #AestheticMovement #JapaneseInfluence #ChineseInfluence #InteriorDesign

John Lewis has prominently featured a stylish rattan sideboard on its official Instagram, signaling the retailer's engagement with the rattan furniture trend. The sideboard, painted black, showcases a large oval of natural rattan on its front, serving as the central design element of the double-door storage unit. This particular piece was photographed in the home of a John Lewis Home Design Stylist and was accessorized to accentuate its role as a room feature. It is part of a broader collection of rattan furniture and accessories available from John Lewis and can be purchased online for £599. Beyond John Lewis, other retailers are also embracing the rattan trend. Dunelm, for instance, shared an image of a cane headboard in a natural tone. This headboard, characterized by a floral, sunburst-style design, is currently on sale and comes in single, double, and king sizes, starting from £79.50. The article also compiles a selection of other popular rattan items available from various retailers, including both new products and those on sale. Among the listed rattan products is the John Lewis & Partners Rattan Sideboard in black for £599. Another item from Dunelm is the Franco Large Sideboard, priced at £279. For outdoor spaces, John Lewis offers the John Lewis & Partners Rattan Solar Powered Garden Lantern, which was originally £22 and is now reduced to £10. The John Lewis & Partners Rattan Bed Frame, Double, in black, is available for £629. La Redoute features the Malu Vintage Rattan Bedside Table, reduced from £99 to £69.30. Seating options include the ANYDAY John Lewis & Partners Rattan Folding Chair in black, priced at £119. For bedroom decor, Oliver Bonas offers the Bali Natural Rattan Flora Double Headboard for £275. Storage solutions include a Chest of Drawers, Rattan & Oak, from Made, which has been reduced from £699 to £579. Finally, for organizational needs, the ANYDAY John Lewis & Partners Rattan Magazine Rack in grey is available for £28. These examples illustrate the diverse range of rattan products currently on the market, catering to various home decor needs. #RattanFurniture #JohnLewis #HomeDecor #InteriorDesignTrends #Sideboard #Headboard #FurnitureSale #Dunelm #HomeStyling

Metaphor Interior Architecture, a Jakarta-based interior design consultancy, services clients globally. This firm, composed of creative individuals, aims to provide optimal design solutions, specifically focusing on The Zora Kanade cluster. Christine, a senior associate, spearheads the design for Kanade Type 12. She reveals that her prior work on the Samasana Club House at The Zora provided a foundational understanding of the developer's design aspirations for the Kanade Cluster, which she extended to its three show unit houses. Her approach to the design brief involved analyzing the high-end target market and varied price points of the three housing units to determine appropriate interior design concepts. This led to distinct designs for each show unit, all incorporating a Japanese sensibility tailored for a modern, affluent demographic. Christine explains that the Japanese philosophy is translated not through direct imitation, but through the principle of 'balancing,' akin to Zen philosophy. This balance is evident in the harmonious use of colors, materials, and room composition, which collectively contribute to the desired ambiance. Elaborating on design balance, Christine highlights that each room's decor aligns with its function. For instance, a spacious area between the living and dining rooms demonstrates their strategy for balancing different zones within a single space. They also collaborate with Henco Home Decor to supply custom-designed furniture. Regarding color palettes, earth tones like brown or gray form the base, augmented by accent colors such as burnt orange, teal, and combinations thereof. While orange might not be traditionally Japanese, teal and olive are chosen for their natural associations, reflecting leaf colors. These accent colors are strategically employed to infuse a modern and luxurious feel into the Japanese aesthetic. Acknowledging the Japanese preference for simplicity, Christine clarifies that the target market's demand for luxury necessitated a nuanced approach to color, resulting in a unique modern atmosphere. The three show units, contrary to having a common thread, are each designed with distinct interior concepts to cater to their specific target markets. For example, the Type 12 unit targets a mature clientele prioritizing luxury, while Type 8+ and Type 10 units are designed with younger families in mind, featuring more youthful aesthetics. To ensure each unit resonates with potential buyers, the design process incorporates diverse consumer style preferences. These customer needs are then translated into unique designs for each unit, varying in color and overall concept. Material selection prioritizes both aesthetics and ease of maintenance, with choices like solid surface, marble, or laminate ensuring durability and practicality. #InteriorDesign #JapaneseDesign #LuxuryHomes #MetaphorInteriorArchitecture #HomeDecoration #DesignPhilosophy #ColorPalette #MaterialSelection

Le Creuset has introduced its new SS20 collection, named "Zen Kitchen," drawing inspiration from Japanese culture to bring a sense of tranquility and mindfulness into the home. This collection is aligned with the prevailing 2020 interiors trend that emphasizes Japanese influence. The Zen Kitchen range is designed to facilitate the preparation of simple yet authentic Japanese dishes, blending existing Le Creuset staples with new products. The collection features a harmonious color palette inspired by Japan's appreciation for neutral tones and natural elements. The colors include the serene Meringue, tranquil Coastal Blue, calming Flint, and a vibrant accent of Cerise. These shades evoke imagery of cherry blossoms, Zen gardens, and expansive blue waters under the rising sun, aiming to create an environment that promotes energy, elegance, and well-being. This aesthetic serves as a counterbalance to the fast pace of modern life, fostering peace and calm within the kitchen space. Key new additions to the Zen Kitchen collection include a 3-ply Stainless Steel Wok, available in classic Cerise and Flint, as well as Meringue and Shell Pink. The new Cast Iron Rice Pot and Cocotte Every are presented as ideal for cooking perfectly fluffy rice, as well as various soups and casseroles. For tea enthusiasts, a new Stoneware Teapot with a Stainless Steel infuser is introduced. The collection also features dedicated dinnerware such as the Stoneware Noodle Bowl 1L and Stoneware Rice Bowl 600ml, specifically designed for serving ramen and rice dishes. To complement the new cookware and dinnerware, Le Creuset collaborated with Masterchef 2011 winner Tim Anderson and renowned Japanese chef Yuki Gomi to provide authentic Japanese recipes and culinary inspiration. These recipes include dishes like oven-baked Miso Curry Chicken, Primavera Fried Rice, Salmon in Nan Ban Sauce, and Pork, Tofu & Hijiki Patties, demonstrating the versatility of the new products for various cooking styles. The article also provides visual examples of the new products and food styling, highlighting how the collection integrates Japanese aesthetics into functional kitchenware. #LeCreuset #ZenKitchen #JapaneseDesign #Kitchenware #HomeInteriors #Cookware #MindfulLiving #CulinaryTrends

This article highlights ten furniture and lighting designs from Japanese brands and designers, curated to coincide with Designart Tokyo, an annual design festival that showcases architecture, interiors, product design, and art across various locations in Tokyo. The selection features a range of products including outdoor lantern lamps, sculptural tables, and carved wooden chairs, all previously showcased on Dezeen Showroom. Among the featured designs is the Kawara Armchair by Ronan and Erwan Bouroullec for Koyori. This chair is characterized by its classic shape, designed for dining or meeting settings, and its representation of high-quality Japanese craftsmanship. The box-like structure of the chair is intended to provide comfort. Another notable piece is the Sculpture Casting Bronze table by Time & Style, which incorporates a metal casting technique traditionally used for Buddhist statues in Japan for its large, sculptural base. This base is paired with an elliptical oak tabletop available in two sizes. Eterble fabric tablecloths by Japanese tableware brand Eterble are also presented. These tablecloths are made from recycled fabric, sourced from discarded items from weddings, hotels, and function rooms, and are offered in a neutral color palette. Seiki Design Studio, led by Kyoto-based designer Seiki Ishii, introduces the Bell lamp, a mobile lamp crafted from recycled glass. Its bell-shaped lampshade and blue loop allow it to be hung on a wall or placed on a floor stand. The Sou sofa, designed by Teruhiro Yanagihara for Swedish manufacturer Offecct, combines a wooden base with various cushioned seat options. Its minimalist design draws inspiration from both Japanese and Scandinavian design traditions. The Spectrum Workstation Round ST160, a collaboration between German studio Geckeler Michels and Japanese furniture manufacturer Karimoku, is a table made from Japanese oak. It features a circular cable tunnel in its center to manage cables efficiently while maintaining an aesthetic appeal. Product designer Yoshiki Matsuyama's Cachalot lamp for Ambientec is a portable light with a shape inspired by a whale's body. It consists of an LED light unit within a sculptural acrylic case, mounted on a die-cast zinc base. The DC10 chair by Inoda + Sveje for Miyazaki Chair Factory showcases a frame made from a carved piece of wood, emphasizing the natural material's color and grain. Its construction blends traditional handcrafting with modern CNC technology. The TO side table, created by Japanese designer Naoto Fukasawa for Italian brand Plank, is a minimalist piece featuring a circular base and tabletop. Made from four-millimeter-thick steel, it comes in various powdered-coated finishes. Finally, the Sparkler Lanterns by Kensaku Oshiro for Poltrona Frau are outdoor lamps available in three sizes. Their perforated shells, made from woven polypropylene rope, create unique patterns of light and shadow. This collection underscores a blend of traditional craftsmanship and contemporary design across various home furnishing categories from Japan. #JapaneseDesign #FurnitureDesign #LightingDesign #DezeenShowroom #DesignartTokyo #ProductDesign #InteriorDesign #Craftsmanship #SustainableDesign

The article introduces the new John Lewis Pleat sofa, highlighting its unique design and comfort as it becomes available for purchase. The author, Sara Hesikova, a content editor at Ideal Home, shares her positive impression of the sofa, stating that it's an "icon in the making" after having tested approximately 250 sofas. The Pleat sofa features deep seats made from foam derived from recycled post-consumer mattresses, emphasizing both comfort and a touch of sustainability. Its design draws inspiration from art deco styles, offering a timeless aesthetic while also incorporating contemporary sofa trends. Key features that make the Pleat sofa stand out include its curved seat and armrests, aligning with the popular curved sofa trend. The default warm brown shade, known as 'Ginger' chenille, is identified as a significant sofa color trend for the current year and beyond. The chenille material also adds a tactile texture to the piece. Currently, the four-seater with a chaise in Ginger chenille is available for immediate delivery within seven days, priced at £3299. A left-hand chaise option is also offered. The sofa's modular design allows the chaise section to be separated from the main sofa, providing versatility. The most distinctive element of the Pleat sofa is its pleated base, which gives the sofa its name. Mia Larden, a homeware designer at John Lewis, explains that the pleated plinth was a crucial design detail from the outset. Initially conceived for the seat back, the pleating was repositioned to the plinth as the design evolved. This placement helps break up the otherwise solid fabric block and introduces a fresh approach to fabric manipulation, elevating the overall design. Larden describes the sofa as blending low-slung comfort with retro-inspired texture and shaping, with soft curves inviting comfort and the velvet upholstery adding richness. For those willing to wait 12 weeks, a made-to-measure option is available, allowing customers to choose from over 90 different fabrics. A three-seater size, starting at £1849, is also offered for the made-to-order version. Unlike the chaise model, the three-seater comes as a single piece and cannot be separated. The Pleat sofa is part of John Lewis’ Modern Luxe trend, characterized by curved and sculptural silhouettes, luxurious materials, and an earthy color palette of browns and greens. Mia Larden suggests pairing the Ginger chenille sofa with earthy tones, natural woods, and sculptural silhouettes for a Modern Luxe interior, though it can also fit into more eclectic settings with bold patterns and tactile layers. The article also mentions other items from John Lewis's Modern Luxe collection, such as a burl wood-effect coffee table, a chrome and chocolate chenille accent chair, and a retro glass side table with an amber top. #JohnLewis #SofaDesign #HomeDecor #FurnitureTrends #ModernLuxe #InteriorDesign #LivingRoom #NewCollection #HomeFurnishings

The Jil Sander flagship store on Avenue Montaigne in Paris has reopened, featuring a minimalist design that aims to create a welcoming and serene retail experience. Located in the architectural heart of the 8th arrondissement, the store's design emphasizes the clothing pieces by making them the central focus. The interior incorporates elements that pay homage to the surrounding neighborhood, with benches along the walls inviting guests to engage with the space. Natural light plays a crucial role in the store's ambiance, streaming in to highlight the inherent qualities of the ready-to-wear materials and connect with a sense of nature. The store's design, a collaboration between Jil Sander creative directors Lucie and Luke Meier and architect John Pawson, is characterized by its 'minimal extravagance.' The first floor is uniquely segmented, offering distinct sensory experiences within the same space. One section features walls finished with Calacatta marble and plaster, exuding a sense of refined elegance and a stark, clean aesthetic. Another section utilizes timber walls and cherry wood displays, introducing warmth and a natural texture that complements the brand's aesthetic. This division allows for an 'intra-discovery' element, encouraging guests to explore different facets of the Jil Sander universe. The overall retail ambiance is carefully curated to reflect the brand's core values of sophisticated minimalism and high-quality craftsmanship. By integrating architectural elements that are both inviting and luxurious, the flagship store transcends a typical retail environment, positioning itself as an immersive brand experience. The thoughtful selection of materials, the strategic use of light, and the structured yet flowing layout all contribute to an atmosphere that elevates the shopping experience. This re-opening marks a significant moment for Jil Sander, reinforcing its presence in a key fashion capital with a store design that embodies its contemporary vision while respecting its heritage of understated luxury. #JilSander #ParisFashion #FlagshipStore #RetailDesign #MinimalistArchitecture #LuxuryFashion #JohnPawson #InteriorDesign #AvenueMontaigne

Jiun Ho, founder and president of a multidisciplinary firm specializing in residential and commercial design, furniture, lighting, and art, has released a new textile collection inspired by Japan. Ho, who has traveled to over a hundred countries, considers Japan his constant source of inspiration, stemming from his first visit as a boy from Malaysia. His latest collection draws from the natural elements and harmonious color palettes of Kyoto, the former capital of Japan and a hub of history and culture. Ho describes Kyoto as a city where old shops with aged-wood detailing line the streets, and geishas clad in hand-woven kimonos attend traditional tea ceremonies. He appreciates the subtlety, craftsmanship, and wabi-sabi aesthetic of the city. The color names in the new textile collection reflect various aspects of Kyoto, such as greens and golds inspired by Kinkakuji, a temple known for its gold leaf and cypress trees. Ho plans to return to Japan for personal rituals, including bike rides to explore Kyoto's temples like Kiyomizu-dera and its gardens, hoping to witness the cherry blossoms in bloom. Ho emphasizes that Japanese culture uniquely allows materials to speak for themselves, whether in textiles, cuisine, or ceramics. He details the designs within the Kyoto collection: **Ami:** This performance textile features a partially buried boucle, giving its ribbed surface a texture reminiscent of flowering trees. It comes in Washi, Rice Paper, and Enoki. Ho notes that most textiles in the collection are high-performance, utilizing the latest generation of polypropylene for a softer feel and enhanced resistance to abrasion and pilling, making them suitable for residential, commercial, and yacht use. **Hanakago:** Named after traditional Japanese flower baskets, this is Ho's first indoor-outdoor print, showcasing an organic graphic design with vibrant color pops. He explains that while Japanese culture is often seen as calm, it also has a vibrant side, which he sought to capture. For example, the Japanese Maple colorway features deep brown, pink, red, gold, and orange, mimicking the tree's hues. Indigo references the shibori dyeing technique with interwoven green for contrast, while Matcha reverses this with dominant green and light blue. Black Sesame, his personal favorite, pairs bright yellow against a deep charcoal background. **Lava:** This popular fabric, known for its linen-like feel and volcanic stone-inspired texture, is reintroduced with lighter neutrals: Rice Paper and Pearl. It is an indoor-outdoor polypropylene. **Raku:** Inspired by a 16th-century Japanese pottery style characterized by unique, organic, and slightly rough pieces, this high-performance fabric has a "crackled" texture with multiple shadings. Colorways include Shiitake (mushroom tones), Matcha (tea greens), and Mizu (deep blues). Kintsugi, named after the Japanese art of repairing broken ceramics with gold, features gold threads woven into darker yarns, symbolizing the celebration of imperfection. **Salar II:** Inspired by Ho's journey to the Salar de Uyuni salt flats in Bolivia, this re-released fabric comes in Salt, Platinum, and Onyx. The chenille fabric has a slight sheen and reflectivity, and its pattern directly translates photographs of the salt flats. **Tatami:** Named after classic Japanese floor mats, this textile has an irregularly ribbed surface and a dry hand, yet is surprisingly soft and exceptionally durable. It is ideal for seating and headboards due to its high performance and easy care, making it family-friendly. One colorway, Sureto, means "black" or "charred" in Japanese. **Umami:** Woven at a Belgian mill using a jacquard technique and seven distinct types of yarn, this linen-blend fabric has a tactile boucle slub texture. Its six colorways, including Sea Salt, Toro, Shiso, and Whiskey, evoke complex flavors. Ho envisions it for upholstery and drapery in traditional Western homes. **Yugen:** Lighter and more ethereal than Umami, Yugen is an indoor-outdoor performance fabric that defies the perception of performance fabrics being tough. Its chenille composition provides a soft hand. Colorways include neutrals like Washi, Taro, and Rock Garden, as well as saturated options like Wasabi (chartreuse green) and Mizu (blue). Yugen, an aesthetic concept describing subtle, mysterious grace, aptly rounds out the collection inspired by Kyoto's nuances. #JiunHo #TextileCollection #KyotoInspiration #JapaneseDesign #InteriorDesign #PerformanceFabrics #LuxuryTextiles #HomeDecor #ProductLaunch

Milan Design Week 2025 showcased a significant presence of Japanese design and craftsmanship across various creative disciplines, ranging from furniture and lighting to unique homes and traditional tea caddies. This year's event highlighted an array of projects that blended traditional Japanese aesthetics with contemporary design principles, demonstrating a commitment to functionality, material integrity, and serene living. Among the standout exhibits was Nao Tamura’s ‘Vosco’ portable light for Ambientec. Tamura, inspired by timeless tools, crafted a light with a clean-lined solidity, featuring a cast iron top and a base made from Japanese walnut, maple, or oak. The design emphasizes utility and durability, incorporating a new Fresnel lens for uniform light diffusion across five levels, catering to diverse needs from a gentle glow to brighter illumination. Tamura's approach reflects a broader philosophical shift towards designing objects that are truly useful and enduring in a world already saturated with products. Atsushi Shindo presented ‘Some Echoes,’ a lighting installation at Salone Satellite inspired by a deep forest. Crafted from hundreds of hand-split Japanese sawara cypress wood pieces, the installation diffused a warm LED light, mimicking the scattered light through trees. Shindo aimed to create a 'moment in time' rather than just an object, using natural materials to evoke a sense of tranquility and connection to nature. Kengo Kuma collaborated with Gandia Blasco to create ‘Hos,’ a furniture collection that explores the interplay between timber and textiles. The collection features rug-like textiles made from recycled PET fibers draped over structural wood frames, reminiscent of Japanese temple joinery. Kuma appreciated the rich texture and natural roughness of the recycled PET, using it to create a harmonious blend with wood. Additionally, Nao Tamura launched the ‘Dunne’ collection for Gandia Blasco, characterized by streamlined curves inspired by ocean waves. Muji, with Paris-based Studio 5.5, unveiled a modular micro-house during Milan Design Week. This manifesto for modern living was constructed from five functional ‘slices’ using bio-based and repurposable materials, including recycled textiles for insulation. The design prioritized sustainability and essentialist functionality, featuring natural ventilation, a white roof for heat reduction and rainwater collection, a deep window-side wooden bathtub in the 'ofuro' bathroom, and a mini Japanese 'niwa' garden. The interior boasted a metal grid system for adaptable storage and a tatami sleeping area, epitomizing micro-living efficiency. Maruni Wood Industry presented its 2025 collection, showcasing designs by Naoto Fukasawa, Jasper Morrison, and Cecilie Manz. Fukasawa's updated Hiroshima sofa included a new modular addition with an angled design, promoting comfortable conversations. Cecilie Manz introduced ‘Maku,’ a serene screen made from washi paper and hinoki cypress, designed as a versatile object that can function as a sculpture or a light source. Her expanded Shoto collection featured a high table and stools with softly rounded edges. Jasper Morrison's new Lightwood Sofa, with its circular wood armrests and soft cushions, emphasized lightness and a flat-packed design. His T&O collection also expanded to include high-end office furniture, reflecting a shift towards more inspiring workspaces. Adal Look into Nature focused on revitalizing the tatami industry by reimagining igusa (rush grass) in contemporary forms. Their exhibition featured the Haori Armchair, with a traditional kimono jacket-shaped cover, and Nagare, undulating wall panels of woven igusa inspired by natural movements. Karimoku Case (KC), Karimoku New Standard (KNS), and Mas presented distinct approaches to design. KC showcased new work designed for specific spatial projects, emphasizing serenity and comfort. KNS and Mas created a lounge space with brightly colored furnishings and prototypes, including a new paper lamp and contemporary woven baskets, set against an urban film installation. Yomosugaru, a new Japanese lighting brand, debuted minimalist outdoor lights inspired by nature. Highlights included Suiren (water lily) with flat circular lights, Shobu (iris) with brushstroke-like black forms, and Kodama, a contemporary interpretation of Japan’s tree spirits. Time & Style harmonized Japanese washi paper with Italian architecture in their renovated Largo Treves showroom, displaying their new 2025 collection of contemporary pieces in a serene setting. Hideo, specializing in high-quality freestanding bathtubs, exhibited luxuriously spacious white tubs made from eco-sustainable materials, such as Cristalplant Biobased Active. Finally, Kaikado, Japan’s oldest tea caddy makers, celebrated their 150th anniversary with a book and an exhibition of 150 tea caddies, alongside demonstrations of their craftsmanship. Nagano Interior showcased a new series of stools made from camphor wood, featuring playful finishes and a foldable wooden bookcase. #MilanDesignWeek #JapaneseDesign #FurnitureDesign #LightingDesign #SustainableDesign #Craftsmanship #MinimalistDesign #InteriorDesign #ProductInnovation

Evan Kinori, a designer known for his thoughtful and honest approach to clothing, has opened his first brick-and-mortar store in San Francisco. This new space, located on Valencia Street, serves as both a retail outlet and an extension of his design studio, with most of his clothes being produced in nearby factories in San Francisco or Los Angeles. The store offers a physical manifestation of Kinori's design philosophy, allowing customers to experience his earthy, high-quality, and low-concept garments firsthand. The shop's interior features lime plaster walls, white-washed floors, and a serene ambiance, showcasing not only Kinori's latest collection, including store exclusives, but also furniture by BCMT and Frama, and ceramics from Dora Good and Shed Project. These additional items highlight Kinori's appreciation for slow, craft-forward design and his network of like-minded artisans. Kinori launched his brand six years ago and has since cultivated a devoted customer base who appreciate the meticulous consideration behind his seemingly simple designs. The new store aims to cater to these loyal fans while also attracting new customers who might encounter the compelling storefront while walking through San Francisco. The designer sees the store as an expansion of his creative universe, a metaphorical and literal opening of new spaces within his world. The creation of the store came about unexpectedly when Kinori's previous workspace was sold, forcing him to find a new location. After a challenging search for suitable art studio-style spaces in San Francisco, which often suffered from inflated "tech startup" rents, he discovered the current Victorian building. This unique setup offered a large storefront connected to an equally sized workspace/warehouse, providing an ideal solution for combining his production and retail operations. Kinori emphasizes that the design of the shop is a direct extension of his personal aesthetic and his evolving interests, whether in fabric, furniture, or wall finishes. He describes the process as intuitive rather than a calculated corporate decision, with the space evolving naturally from the building's existing structure rather than being a high-concept, rigidly designed environment. He notes that the development of the space was an intense yet fulfilling process, involving various specialists who worked to bring his vision to life. The fixtures in the store combine antique and vintage pieces with contemporary designs from makers like Black Creek Mercantile and Lakes Studio, reflecting his discoveries during travels and through personal connections. Responding to queries about his choice of San Francisco as a base, Kinori expresses enjoyment in the "quasi-punk, underdog feeling" of operating in a city not typically known as a fashion capital. He values the intimate, town-like feel of San Francisco, as well as the immediate access to nature, such as redwoods and Mt. Tamalpais, which offers a retreat from societal pressures. He views his work through a lens of clothing in general rather than just fashion, drawing inspiration from the city's rich history of style, including the Beats and early hippie movements. This environment allows him to operate in a bubble, largely detached from contemporary fashion trends, focusing instead on creating simple, beautiful, and elegant tools for living that are subtle yet distinct to a discerning eye. Kinori's design approach is characterized by significant restraint, guided by intuition and the practicalities of running a small team. He intentionally offers a limited range of core styles, such as the Big Shirt and Elastic Pant, in various fabrics, preferring depth and essence over a vast number of new designs. This slow approach, though potentially perceived as boring compared to the rapid pace of other brands, is authentic to his personal style and his belief in encouraging consumers to invest in fewer, more meaningful items. The store therefore embodies this philosophy, providing a calm and considered space for experiencing his unique brand of honest, timeless design. #EvanKinori #SanFrancisco #RetailStore #ZenStyle #FashionDesign #SustainableFashion #Craftsmanship #InteriorDesign #Menswear

Daniel Lalonde, CEO of Design Holding, a prominent luxury multibrand group in the high-end interiors market, outlines his strategic vision for the company's future, focusing on making the experience of purchasing high-end interior products more accessible. Design Holding, established through Investindustrial's acquisitions of Flos (2014), B&B Italia (2015), and Louis Poulsen (2018), has expanded its portfolio to include nine brands, such as Maxalto, Azucena, Arclinea, Fendi Casa, Audo, and Lumens. This consolidation has positioned the group as a significant entity in design-led, luxury interior products, operating in over 130 countries with ten manufacturing facilities. Lalonde, who assumed the CEO role in late 2021, brings extensive experience from luxury multi-brand companies like LVMH, Louis Vuitton, Ralph Lauren, and SMCP. He acknowledges the transition from high fashion to interiors as a "leap of faith" but recognizes commonalities in heritage, craftsmanship, and the use of top designers. The company's brands collectively boast an extensive collection of works from celebrated designers, including modern classics by Achille and Pier Giacomo Castiglioni, Poul Henningsen, Arne Jacobsen, and contemporary pieces by Tobia Scarpa, Antonio Citterio, Philippe Starck, Naoto Fukasawa, Jasper Morrison, and Piero Lissoni, among others. The group also actively seeks emerging design talent. A key aspect of Lalonde's strategy involves shifting the sales model to be more consumer-centric. Historically, over half of Design Holding's business relied on wholesale channels. To address this, the company has opened a 25,000 sq ft retail center at 135 Madison Avenue in New York. Designed in part by Lissoni & Partners, this flagship store provides distinct spaces for each brand, offering a comprehensive multibrand experience. This move aims to engage architects and designers, who significantly influence furniture sales (up to 45% in the US), by providing an immersive environment for both professionals and consumers to make informed decisions. Technological advancements are also integral to the strategy, with new e-commerce platforms and a configurator app being developed for individual brands. However, Lalonde emphasizes the importance of physical interaction with products, which the Madison Avenue store facilitates. The company is also exploring other innovative showcases, such as the West Coast model home at the Mandarin Oriental Residences in Beverly Hills, which features B&B Italia products exclusively. Lalonde's role includes maintaining the distinct identity and character of each brand while fostering collaboration. He highlights the complimentary nature of the brands, noting, for example, the different design DNA between a B&B Italia sofa and a Maxalto sofa. Collaborative efforts among contract teams across brands are encouraged, especially for large projects. The group includes Italian brands (B&B Italia, Maxalto, Azucena, Flos, Arclinea, Fendi Casa), Danish brands (Louis Poulsen, Audo), and the San Francisco-based Lumens. Sustainability and ethical practices are central to Design Holding's environmental, social, and corporate governance (ESG) strategy. The company prioritizes product longevity, quality, ease of maintenance, and repairability. They also focus on sourcing sustainable and ethical supply chains, with benefits extending across all nine brands, such as sourcing wood from certified forests. The preservation of traditional manufacturing techniques and skills is also a priority, with investments in technical schools in Italy to ensure the continuity of craftspeople. The company is also targeting expansion into new markets, particularly Asia, where there is a large luxury market but a relatively nascent high-end design market. Plans are underway to open stores in China, as Design Holding aims to bring the enduring value of design to a global audience. #DesignHolding #LuxuryInteriors #FurnitureBrands #RetailStrategy #DanielLalonde #SustainableDesign #GlobalExpansion #DesignInnovation #Craftsmanship

John Lewis has introduced a revolutionary self-assembly furniture range called Easy Klix, designed to simplify the often-frustrating process of assembling flatpack items. This new line aims to eliminate complicated instructions, fiddly screws, and the need for an Allen key by utilizing a 'Threespine click furniture technology.' The brand claims that the Easy Klix pieces can be assembled up to 10 times quicker than traditional self-assembly methods, a significant improvement for consumers. The core innovation of the Easy Klix range lies in its ability to be effortlessly clicked together and, crucially, unclicked for disassembly. This feature addresses a common challenge for renters or individuals who frequently move, allowing furniture to be packed away and reassembled multiple times without incurring damage. Nicola Waller, Head of Home Furnishings at John Lewis, highlights this benefit, stating that the collection, which includes wardrobes, sideboards, and coffee tables, is ideal for renters due to its easy and quick pack-down capability. The Easy Klix collection is divided into two distinct styles: Sherbrook, offering a sleek and modern aesthetic suitable for contemporary living spaces, and Harllson, which presents a more playful, mid-century feel. The range comprises 19 essential furniture pieces, such as wardrobes, drawers, bedside tables, and coffee tables. These items are characterized by their elegant and neutral designs, making them adaptable to various interior styles. While the starting price of £139 for a bedside table might appear higher than other flatpack brands, John Lewis emphasizes the quality of materials used. The furniture is constructed from solid wood, differentiating it from products made with particle board. This commitment to durability suggests that the Easy Klix range is built to last and to withstand multiple moves, offering a more long-term investment compared to typical flatpack options. Pieces like the Sherbrooke small sideboard, with its recessed handles and tapered legs, exemplify the thoughtful design and quality of the collection. The Easy Klix range is currently available for pre-order online, with in-store availability scheduled for mid-March. The introduction of this innovative furniture line by John Lewis marks a significant advancement in the flatpack market, promising a much-improved user experience through faster assembly, easy disassembly, and enhanced durability. #JohnLewis #FlatpackFurniture #EasyKlix #HomeFurnishings #FurnitureAssembly #RenterFriendly #HomeDecor #InteriorDesign #ThreespineTechnology

The recently opened J.Crew men’s store on the Bowery in New York City offers a unique shopping experience infused with vintage aesthetics and a distinct boathouse theme. Designed by Estelle Bailey-Babenzien of Dream Awake, the concept shop serves to launch the brand's first men's collection, spearheaded by her husband, Brendon Babenzien, J.Crew men’s creative director and Noah cofounder. The design aims to blend a classic yet current vibe that resonates with the J.Crew customer and the New York lifestyle, incorporating elements like unlacquered brass, warm woods, worn rugs, nutty brown leathers, and strategic splashes of J.Crew green, a deep foresty shade visible on the coffee bar walls. Beyond its retail function, the store's highly curated interior also serves as a source of practical and creative closet organizing inspiration. Bailey-Babenzien highlights three key strategies homeowners can adopt to transform their dressing rooms into spaces that are both functional and visually appealing. The first technique, termed 'Either Oar,' involves utilizing decorative items like oars not just for their aesthetic appeal but also for practical purposes. In the store, paddles are adapted into a rack for hanging garments, a concept that can be replicated in entryways or mudrooms to provide useful hanging space while maintaining a nautical theme. The second tip, 'Go Vertical,' encourages moving away from conventional enclosed closet rods. The store showcases an innovative hanging solution where clothing rods, rigged by a sailboat captain with climbing rope, can be installed in open spaces. This method allows for greater flexibility in placement and offers an opportunity to incorporate unique materials like black rope to match personal style, transforming a mundane storage solution into a design feature. Finally, 'Forward Thinking' focuses on the strategic use of simple hooks or knobs, exemplified by brass fixtures in the store. These elements are designed to turn clothing forward, making it easier to view and select outfits. Additionally, hooks provide convenient spots for organizing accessories, enhancing the overall functionality and tidiness of a closet or dressing area. These design insights from the J.Crew store demonstrate how retail space design can inspire practical and stylish home organization solutions, creating dressing rooms that are both efficient and aesthetically pleasing. #ClosetOrganization #DesignInspiration #RetailDesign #HomeOrganization #InteriorDesign #FunctionalDecor #JcrewStore #EstelleBaileyBabenzien