This Art Director Found His L.A. House on a Stroll—24 Hours Later, He Was in Escrow

The Hancock Park residence of Dean Tavoularis, an Academy Award-winning production designer known for his work on films such as the 'Godfather' trilogy, 'Bonnie and Clyde,' 'Zabriskie Point,' and 'Apocalypse Now,' is now available for purchase. This 1933 Spanish Colonial Revival home, listed at $2.199 million, is being offered for the first time in five decades. The property showcases an abundance of visually striking details, reflecting Tavoularis's professional background. Upon entering the property through its gate, visitors encounter a courtyard featuring a sumptuously tiled fountain and an arched arcade, leading to a porte-cochere. A coffered wood door opens into a formal entry area distinguished by painted tile and wrought-iron grilles. The formal dining room, situated to the right of the entry, boasts intricately detailed moldings and a stained glass picture window. To the left, the living room is adorned with carved plaster beams and a tiled fireplace, complete with a carved wood mantelpiece. The kitchen seamlessly blends period tile and cabinetry with modern appliances and includes a breakfast nook featuring a semi-circular built-in banquette. The 3,500-square-foot residence comprises five bedrooms and five bathrooms. A notable bathroom is rendered in a seafoam green hue, equipped with matching built-in dressers, a tiled pedestal sink, and a wall phone, which appears to be an addition from the 1980s. The master suite features coved ceilings, curved built-in shelving, and an adjoining sitting room with a marble fireplace. These design elements collectively contribute to the home's distinctive aesthetic, which aligns with Tavoularis's expertise in creating compelling visual environments. The property is listed by Scott Lander and Matt Berkley of Deasy Penner Podley. #HancockPark #LosAngelesRealEstate #SpanishColonialRevival #LuxuryHomes #DeanTavoularis #ProductionDesignerHome #HistoricHomes #ArchitecturalDetails

The article details designer Allison Clouser's journey of transforming a 1980s ranch-style home, initially purchased for renovation and resale, into her own family residence. The property, located just outside Bend, Oregon, in Tumalo, was in its original 1980s condition, requiring extensive renovation. Despite its dated appearance, Clouser recognized its potential for thoughtful cosmetic upgrades and its inherent charm, leading to a shift in her initial intention to sell. Key aspects of the renovation focused on addressing the home's outdated features while preserving its rustic charm. A significant challenge was the original wood-paneled ceiling, which had developed an orange, lacquered finish over time. Instead of painting it, Clouser opted for sandblasting to restore the cedar to its natural state, then applied a custom oil stain to achieve a warm, organic finish. This meticulous process transformed the ceiling into a central design feature, setting a grounded, textural, and timeless tone for the main living space. The kitchen, initially dark and disconnected, underwent a major transformation to become open and integrated with the living areas. A zellige-tiled hood was chosen over traditional stainless steel, adding softness, texture, and a focal point to the space. The kitchen incorporates Cle Tile's pantry pavers for a lived-in texture, contrasting with sleek marble countertops. Brass accents and Mullan sconces contribute to a collected feel, while a locally made wooden island and sourced glassware add unique touches. Appliances include an Ilve Range and Forte’s panel-ready fridge/freezer for a seamless look. Due to the absence of a formal dining room, a custom-built corner banquette, upholstered in Schumacher’s ‘Camden’ Check, was incorporated. This element visually separates the kitchen and living space while providing a warm, communal, and highly functional dining area. The Fourhands dining table and vintage bistro chairs further enhance the space, complemented by a Lauren Liess x Troy Lighting ‘Arcane’ pendant. A dramatic and playful home bar was created by carving out a wet bar area with an arched opening, covered in woven grasscloth and deep glossy tiles. Fluted cabinetry and open brass shelving elevate the design, making it a vibrant space for entertaining without disrupting the main living area. The living room was designed for balance, combining grounded elements with a refined rustic aesthetic. The restored ceiling, a soapstone fireplace surround, vintage armchairs, and a Moss Home Studio ‘Linda’ sofa in linen contribute to its character. H&M drapes and Sierra Pacific windows ensure ample light, and a library ledge with brass sconces adds a thoughtful, lived-in touch. The bathroom was significantly expanded to create a retreat-like experience, moving from a small, dimly lit space to a light-filled sanctuary. Cle Tile’s pantry pavers were used on the floors, matching those in the kitchen, and Bedrosians Carrara marble was used in the wet areas. Restoration Hardware vanities and Visual Comfort and Pottery Barn lighting and mirrors complete the space, with a freestanding tub strategically placed to offer mountain views. The bedroom, part of a new addition, features Kravet grasscloth-wrapped walls, rich wood tones, Huey Lighting pendants, Pom Pom at Home bedding, and a McGee & Co. throw. An upcycled IKEA PAX unit with custom Kettlewell panels provides a built-in look for storage. A cozy lounge area adjacent to the primary suite was designed with dark, moody tones, custom pillows, McGuire chairs, and equestrian artwork, reflecting the Central Oregon landscape. A built-in bed nook, wrapped in Farrow & Ball’s ‘Salon Drab’ and adorned with a lumbar pillow from Alice Sergeant and Quince bedding, serves as a charming space for naps and guests. The design philosophy of the home is described as an elevated rustic ranch with a refined edge, drawing inspiration from the natural landscape and agricultural heritage of the region. The project, initially intended for resale, became a deeply personal and creatively fulfilling endeavor, showcasing the value of patience and thoughtful design in creating a truly personalized home. #HomeRenovation #InteriorDesign #RanchStyleHome #KitchenRemodel #BathroomDesign #LivingRoomDecor #RusticModern #CustomMillwork #CeilingRestoration

Whitney Brown and Carlos Naude, founders of Working Holiday Studio, envisioned their 1960s home's exterior as a vibrant space for leisure, complementing its serene interior post-renovation. Carlos Naude, driven by a desire for multifaceted activities, aimed to incorporate various elements like a hot tub and a treehouse into their extensive hillside backyard. The renovation focused on maximizing fun and utility while preserving the original landscape. The couple opted for a jet-black facade for their home, maintaining consistency across the design. The primary challenge was to transform the expansive hillside into an oasis without overhauling the entire existing yard. A significant feature of the backyard renovation was the installation of an 8-foot-wide preassembled cedar-clad hot tub. This decision was a budget-friendly alternative to a costly in-ground swimming pool, which was beyond the couple's financial scope. The installation process presented several logistical hurdles, including the delivery vehicle sinking into the front yard and difficulty fitting the tub through the side yard. Despite these challenges, which resulted in a cracked driveway, Naude found the effort worthwhile, particularly for the convenience of transitioning between the soaking tub and a nearby firepit for s'mores. The article highlights the emphasis on creating a space for enjoyment and relaxation, even in the face of unexpected complications during construction. A childhood dream of Naude's was to build a treehouse, a vision he held since growing up in Mexico with limited outdoor space. Thirty years later, he finally actualized this dream for his 3-year-old son, designing a structure that was both safe for children and aesthetically pleasing for adults. The 'treehouse' frame, painted to match the house, features robust railings to prevent accidents, making it a secure play area. It also serves as a tranquil spot for Naude to unwind with a cocktail while overlooking the hills. The presence of a net swing further enhances its appeal as a playful yet relaxing haven. Naude specifically bought the property because of the tree, recognizing its potential for his long-held treehouse aspiration. The couple preferred a minimalist approach to landscaping, opting for a streamlined look rather than elaborate English-style wildflower gardens, which are currently popular. They undertook significant cleanup, removing all vegetation except for the existing trees. This choice was driven by a desire for low maintenance and to allow the natural beauty of the rolling hills to be the focal point, without the distraction of dense bushes and flowers. The backyard's design allows Naude to observe his son playing freely from the hot tub's built-in bench. The narrative concludes with Naude expressing optimism about the future memories to be created in their newly transformed backyard, emphasizing its potential as a cherished family space. #HomeRenovation #BackyardDesign #TreehouseConstruction #HotTubInstallation #LandscapeDesign #OutdoorLiving #DIYProjects #FamilySpace #MinimalistLandscaping

This article details the seven-year restoration project undertaken by Gustavo Antonioni, a former Hollywood executive, to transform an 18th-century nobleman's villa, Masseria Partemio, in Puglia, Italy, into a stylish and soulful home. Antonioni, a cosmopolitan individual born in Argentina to Italian and Greek parents and raised in Mexico, moved to the U.S. in the early 1980s. After falling in love with Puglia's raw beauty during a visit in 2010, he decided to pursue a career change and search for a property in the region. The villa, located in Latiano, was a derelict masseria (agricultural estate) spanning over 40 acres, which had been vacant for nearly five decades and was inhabited by approximately 200 goats when Antonioni first encountered it. The property lacked basic amenities like electricity, heat, and running water, and its structure was in a state of decay, with no foundation, floor tiles, or windows. Despite its dilapidated condition, Antonioni was captivated by the estate's energy and historical significance, noting its unique blend of Spanish, Greek, and Italian architecture. The property, Parts of the Palladian structure date to 1753, when it was built as a hunting lodge, while sections of it, including a Moorish-style tower, were added in the mid-1800s. It was later owned by Benedictine nuns and then a wealthy family. The acquisition process itself was challenging, as the property was not initially for sale and was entangled in family disputes common to historic properties in Puglia. Antonioni finally closed on the property in June 2017. Antonioni, who holds a degree in architecture from Carnegie Mellon and has experience with renovations in London, Miami, and Los Angeles, was drawn to the historical preservation aspect of the project. He collaborated with local architect Maria Formosi, known for her work on churches in southern Puglia, to navigate the region's strict rules for renovating historic buildings. The restoration aimed to integrate ancient elements with contemporary desires, respecting traditional materials and building techniques. For instance, the distinctive Pompeian-red and ochre-yellow facade colors were recreated using traditional methods, including boiling animal bones and mixing the paste with ferrous oxide. Inside, the renovation revealed striking blue frescoes beneath layers of calcium paint, commonly used as a disinfectant. The 13 vaults of the house, each forming an eight-pointed star, had to be reinforced. Antonioni opted for contemporary flooring, using terrazzo made from marble chips and cement, and traditional cementina tiles in the entry. The decor features a seamless blend of local crafts, linen upholstery, and Antonioni’s personal art collection. Significant structural changes included combining four small rooms into a large living area and converting the eastern stable into suites using recycled materials, and the western stable into a modern kitchen and dining room with stainless-steel counters and custom oak tables. The project, initially estimated to take three years, extended to over seven due to challenges such as conflicts with contractors, pushback from city officials, and the global pandemic. Antonioni temporarily left for two years to work remotely in the Netherlands before returning with a more relaxed approach to complete the renovation. The property now features a unique swimming pool inspired by 1970s Capri, and the Moorish-style tower serves as a social hub for gatherings. Antonioni moved into Masseria Partemio in June 2024 and plans to convert a smaller structure into a guest house and operate the estate as a luxury bed-and-breakfast, embodying the Italian saying, “Slowly, slowly, you will go far.” #Puglia #Italy #HistoricRenovation #VillaRestoration #MasseriaPartemio #HomeDesign #ItalianArchitecture #GustavoAntonioni #LuxuryRealEstate

The Lido Key home of Dan Denton, founder of Sarasota Magazine, is currently on the market for $4.95 million. This four-bedroom, four-bathroom residence at 117 S. Polk Drive exemplifies the Sarasota modern style, a significant architectural movement that gained international recognition from the mid-1940s through the 1960s. Denton, 71, recognized the enduring appeal of this style long before it was formally categorized as the “Sarasota School of Architecture.” He attended the 1982 American Institute of Architects convention where Gene Leedy, one of the movement's pioneers, officially coined the term. Denton, who admires architects like Paul Rudolph and Victor Lundy, acquired the home in 1989. At that time, the Sarasota School was a niche interest, with Mediterranean Revival being the predominant style. Denton was drawn to the home's flat roof, wide overhangs, terrazzo floors, and other midcentury characteristics, viewing it as a hidden gem reflecting the Sarasota School aesthetic, similar to a ranch version of the Umbrella House. Over 35 years, Denton undertook three significant renovations to transform the property into a pure embodiment of the Sarasota modern style. While the specific costs of these renovations are not disclosed, each decision was meticulously considered, with numerous architectural drawings and plans, including an idea for a second floor, ultimately not implemented. The initial layout, with rooms concentrated at one end, was reconfigured to a split floor plan. The guest wing is now arranged in a U-shape, creating a private courtyard at the back, mirroring another courtyard at the front, thereby maximizing outdoor living spaces. The backyard features a pool, spa, and fire pit, and a guest house is accessible via the kitchen in the main house's other wing. Architectural features include floating overhangs for shade and extensive use of windows and glass sliders, designed to enhance cross-ventilation and views. The first renovation in 1990, led by designer Robert Beardsworth, introduced a new pool and kitchen. Ten years later, Beardsworth’s partner, Robert Neal, and architect Michael Epstein of Seibert Architects (a firm founded by Tim Seibert, another Sarasota School leader and former draftsman for Paul Rudolph) collaborated on the second phase. The most recent renovation, completed in 2021, added an open pavilion to the garden, further integrating indoor and outdoor living. The front wall of the living and dining area was replaced with floor-to-ceiling windows, and screen-holding beams on the screened porch were removed to create unobstructed views of the pool. This renovation earned the home a Florida AIA Design Award in 2022. The home is adorned with Denton’s art collection and midcentury furniture, though these will accompany him to his new residence. Notable exceptions include a copper sculpture by Jack Cartlidge in the front yard and a colorful PVC pipe cylinder sculpture by James Renfro in the backyard, both of which will remain. The property does not have historical designation, offering flexibility for future modifications, but Denton hopes the next owner will share his appreciation for the home's unique style, expressing a desire to avoid a buyer who might consider demolition. He notes the challenge and interest in balancing replacements while maintaining the vintage aesthetic, exemplified by his decision to preserve the original pink tile in one of the bathrooms. Denton is downsizing but remaining in the local area. Kim Ogilvie of Michael Saunders & Company is handling the listing, emphasizing the home's prime location, offering access to the beach, boating, and dining without requiring a car, and highlighting the rarity of such expertly remodeled midcentury-modern homes on the market. #SarasotaModern #LidoKeyRealEstate #MidcenturyArchitecture #SarasotaSchoolOfArchitecture #HomeRenovation #LuxuryHomes #DanDenton #ArchitecturalDesign #FloridaAIAAward

Jennifer Liffman's journey into interior design began in 2012 during a vacation in Florida, where an encounter with Coastal Living’s Ultimate Beach House ignited a long-dormant passion. Despite this initial spark, her formal pursuit of design education did not commence until early 2020, coinciding with the onset of the COVID-19 pandemic. During this period, while at home with her family, Jennifer enrolled in a distance-learning program at the New York Institute of Art and Design, delving into various aspects of interior design from hand drafting to space planning. This educational experience culminated in the launch of her own design firm in 2022, and she subsequently joined the interiors team at Craft Realty/Interiors/Homes. Simultaneously with her professional development, Jennifer applied her burgeoning design expertise to her family's late-1960s ranch-style home in Jefferson Terrace. The Liffmans had moved into the home in August 2016 and initiated a series of renovations to align the space with their family's lifestyle. Exterior modifications included painting the brick for a more contemporary aesthetic, while interior changes involved replacing carpeting and tile with wood flooring and expanding the opening between the foyer and living room. These foundational updates paved the way for personalization, with each space being brightened and infused with unique touches. The renovation project was a collaborative family endeavor. Jennifer’s father, John Hawkins, contributed significantly by constructing custom shelves and cabinets for the living room, laundry room, and primary suite bathroom. Her husband, Eric, applied Venetian plaster finishes to select walls, adding textural depth. The home also became a showcase for art, prominently featuring works by Eric’s mother, artist Christy Diniz-Liffman, as well as pieces from other professional artists within their extended family, reflecting the couple's shared appreciation for art. A central theme in Jennifer's decorating philosophy is the integration of meaningful artworks, antique furnishings, and heirloom pieces that carry sentimental value. Examples include an antique iron bed and desk in her daughter Emma’s room, which previously belonged to Eric’s sister, and recovered wingback chairs from her grandmother that now grace the living room. Her coffee table exemplifies this blend of old and new, featuring an antique wood base paired with a new limestone top. Jennifer emphasizes the importance of creating thoughtful, collected spaces that blend time-honored items with contemporary elements, as seen with a hutch in her dining room, a piece inherited from her grandmother that she uses daily. The transformation of her home remains an ongoing process, with Jennifer continuously applying her evolving design skills to spaces like the master bedroom. Beyond her personal residence, she and the Craft Interiors team are actively involved in designing custom finishes for luxury home builds and are preparing for a significant 5,000-square-foot remodel. Jennifer acknowledges that her personal style is still developing and embraces the eclectic nature of her home, which accommodates her growing children, pets, and the continuous evolution of her design aesthetic. #InteriorDesign #HomeRenovation #RanchHome #FamilyProject #EclecticStyle #AntiqueFurniture #HeirloomPieces #HomeDecor #DesignCareer

Meredith Rothman, a manager at Anonymous Content, initially envisioned a Spanish Revival home but was drawn to a modern, boxy house in Beverly Hills due to its floor-to-ceiling windows, natural light, and canyon location, which evoked childhood memories. She sought the advice of interior designer Lauren Waters, who convinced her of the property's potential as a "wonderful blank canvas for intriguing furniture and great art." This affirmation led Rothman to purchase the 2,500-square-foot spec house and commission Waters to transform it into a personal retreat suitable for entertaining and showcasing her art collection, which includes works by Analia Saban, John Baldessari, and a charcoal drawing by her grandmother, Luddie Waters. Rothman emphasizes the importance of collecting art by artists she connects with. The primary bedroom, located on the top floor, is designed as a serene space, featuring a custom wall-to-wall upholstered headboard and large windows offering views of the lush hillside and a 200-year-old oak tree, creating a treehouse-like ambiance. Waters initially advocated for a neutral palette, a decision Rothman now credits for improved sleep quality, with a rust velvet bench from Lulu and Georgia providing the only prominent color accent. A second bedroom on this floor has been converted into a gym. On the main level, a previously clunky electric fireplace with crystals was replaced by an open bookcase. This new feature serves to divide the dining and living areas while also providing a display space for Rothman's dishes, books, and art objects, such as a sculpture by Lauren Tsai and ceramics by Cody Hoyt. The kitchen underwent updates including brass hardware from Rejuvenation and cabinets painted in Farrow & Ball’s Railings, a soft black with blue undertones, to inspire Rothman's culinary pursuits. The living room is furnished with a custom sofa, inspired by Adrian Pearsall's cloud design, upholstered in cream bouclé and adorned with ball pillows made from vintage silks. Complementary pieces include a vintage French standing lamp and a Charlotte Perriand stool. John Baldessari’s screenprint, _Two Sunsets (One With Square Blue Moon)_, hangs above a vintage woodworking table from Amsterdam Modern, which functions as a credenza. Sliding doors connect the living room to an outdoor area featuring a vintage André Dubreuil wrought iron Spine chair. Notably, Rothman opted against placing a television in the living room, desiring a more meditative space conducive to conversation, while a custom sectional in Erica Shamrock rust velvet in the home's ADU is dedicated to movie and series watching with her husband, Jamie Iovine, co-founder of NTWRK. Vintage Benny Linden teak chairs, reupholstered in Zack & Fox fabric, surround a concrete table from Restoration Hardware, creating an inviting workspace. Rothman, who once preferred Spanish Revival, now finds her modern home perfectly suited to her lifestyle. #HomeDesign #InteriorDesign #HollywoodHomes #SpecHomeRenovation #ModernHome #ArtCollection #LuxuryLifestyle #BeverlyHills

Interior designer Kate Marker initially planned to flip a 3,000-square-foot, four-bedroom, five-bathroom Cape Cod-style home in Barrington Village, a Chicago suburb, after downsizing from her 10,000-square-foot countryside estate. However, during the renovation process, she realized she was designing the home as if it were her own, incorporating finishes, materials, and accents she would personally love. The pivotal moment came when her contractor vaulted the kitchen ceilings, giving her a new perspective and solidifying her decision to make it her family's home. Marker embarked on ambitious renovations, including converting the existing garage into a primary suite and adding an upstairs lounge for her two teenage daughters, ultimately creating a beautiful, charming, and welcoming home for her family of four. The entryway of the home features checkered floors, wallpaper, and mustard walls, blending historical charm with a funky aesthetic. Custom millwork adorned with Little Greene Paint wallpaper in the insets leads into the living room, which showcases a mix of found treasures and pieces from Marker's own line, Kate Marker Home. The light and airy family room highlights a limestone mantel with an elegant fluted pattern. The formal sitting room leverages its low ceilings to create a cozy atmosphere. The kitchen, originally isolated, was transformed by removing a wall to seamlessly connect the dining and cooking areas. It now serves as a central walkthrough space. Marker designed the kitchen with a modern French bistro concept, incorporating lower white-oak cabinetry and upper cabinets painted in Oxford Stone by Farrow & Ball, accented with Armac Martin hardware. Honed Calacutta Fior marble and Tamazula Granite provide a subtle tone-on-tone aesthetic. Instead of a large island, a peninsula was chosen to maximize space, and vaulted ceilings, illuminated by Hudson Valley Lighting pendants, create an airy pathway into the family room. A standout Ilve range with Meoded plaster fabrication and a creative coffee bar featuring Kate Marker Home tile and a round window complete the kitchen. The dining area features a long Haven Dining Table, serving as a focal point and a wood accent piece, facilitating family gatherings. The primary suite, converted from the garage, boasts French doors that flood the room with natural light and extend to a private patio. The primary bathroom includes an arched doorway, a standalone tub by Allure, and a white-oak vanity, with a vintage rug adding texture to The Fine Line tile. For her teenage daughters, Marker created a reading nook with vertical paneled walls to enhance height in the low-ceilinged space, furnished with poufs, playful light fixtures, and decor from Kate Marker Home. #HomeRenovation #InteriorDesign #CapeCodStyle #KateMarkerHome #KitchenDesign #LivingRoom #BedroomDesign #BathroomDesign #HomeDecor

Julia Kramer, a former Bon Appétit editor, and her husband, Zach Kaplan, purchased a Craftsman home in Koreatown, Los Angeles, sight unseen during the early days of the pandemic. The decision was primarily influenced by a stained-glass peacock window in the dining room, which resonated with their family's experience visiting live peacocks at the Cathedral of St. John the Divine in New York City. This personal connection served as a significant sign, making the long-distance purchase feel destined. The couple, still residing in their two-bedroom apartment in New York’s Upper West Side, relied on an L.A.-based friend to view the property shortly after it was listed before making an offer. Following the purchase, and with only six weeks until their move, Kramer and Kaplan enlisted the help of Jamie Haller, an experienced Craftsman restorer and shoe designer. Haller's primary task was to modernize certain aspects of the home while also stripping away inappropriate additions, such as built-in speaker systems in the living room and kitchen, and numerous recessed lights. The goal was to preserve the original character and 'good stuff' of the Craftsman style. Kramer, who was largely put off by the ubiquity of newly remodeled kitchens featuring subway tile and open shelves during her house hunt, found the untouched, wood-heavy kitchen of this home particularly appealing. She expressed a preference for living without common countertop materials like marble and granite and appreciated the kitchen's separation from other rooms, allowing her personal space while cooking. Restoration efforts in the kitchen focused on subtle yet crucial updates. Haller oversaw the replacement of awning window chains with historically accurate hardware, a task that required considerable effort to source and install. She emphasized 'restraint' in the renovation process, focusing on making the space functional without sacrificing its original charm. A carpenter was brought in to repair the track of the old-fashioned bread box's garage door, ensuring its safe operation. While the kitchen lacks modern amenities like soft-close hinges, it retains a distinct 'soul' that appealed to the owners. One of the most challenging projects was the living room, where plaster walls had been covered in blue silk dupioni fabric and secured with an estimated 45,000 staples. Removing these staples was a laborious process, taking a week of manual effort. The focal point of the revitalized living room became Kramer’s vintage coffee table, a 1stdibs acquisition, which uniquely functions as a champagne and shrimp cocktail station, with its inverted center perfectly accommodating her ice bucket. Haller also had to source new lighting fixtures, as the previous owners took the originals. She turned to a salvage shop in Los Angeles known for preserving lights from Old Hollywood celebrity homes, finding an antique sconce for the guest bedroom’s salvaged sink that once belonged to Buster Keaton. Distinguishing this Craftsman from others, the home features dark, purple-hued mahogany wood rather than the typical red-orange Douglas fir. This unique wood tone harmonizes surprisingly well with subtle pink accents, such as the original fireplace grout and the new dining room walls, which were painted a soft dusty lavender-gray. Haller noted that the natural light interacting with these elements creates a warm glow. Due to the tight renovation schedule, restoring the painted wood trim was not feasible. Instead, it was repainted in Farrow & Ball’s dark navy shade, Railings, to achieve a cohesive look. In contrast to the home’s more vibrant areas, the main bedroom adopted a softer palette, transforming its previous purple walls into a serene cream. Kramer, typically drawn to maximalist designs, was swayed by Haller’s vision for a neutral, tranquil space. The bedroom renovation included creating two closets on either side of the bed by reallocating space from an adjacent children’s room, and adding a built-in reading nook with a tufted cushion, which serves as Kramer’s preferred work-from-home spot. For the children’s bedrooms, Kramer and Haller exercised a different form of restraint, opting for allover wallpapers with prints that strike a balance between kid-friendly and adult-approved aesthetics. Kramer expressed her desire to postpone 'ugly child spaces,' choosing whimsical crane designs by House of Hackney for her youngest son's room and a floral print by the same brand for the bathroom. She found that the numerous built-ins in the large bathroom helped to break up the busy floral pattern effectively. The various bird motifs throughout the home, from the initial peacock window to the crane wallpaper, have become a personal symbol of good fortune for Kramer. #HomeTour #CraftsmanHome #LosAngelesRealEstate #InteriorDesign #HomeRenovation #SightUnseenPurchase #HistoricPreservation #VintageDecor #FamilyHome

The Calori House, a Spanish Colonial style residence designed by Lloyd Wright (son of Frank Lloyd Wright) in 1926 for Dr. E.E. Calori, is now on the market in Glendale, Southern California, following an extensive restoration. The property, characterized by its white-washed exterior, has been listed for $1.695 million through Crosby Doe Associates. Over the decades since its construction, the Calori House changed ownership several times and experienced a period of neglect and disrepair. However, its current owners undertook a comprehensive restoration, carefully preserving and enhancing its original architectural features. Upon entering, an Art Deco-detailed boxed staircase provides access to the home. The interior spaces are distinguished by their architectural details, including groin and barrel-vaulted ceilings that add a sense of grandeur and historical character. Wrought iron lighting fixtures are integrated throughout the house, complementing the Spanish Deco aesthetic. The ground floor of the residence accommodates the living room, kitchen, and dining room, each offering direct access to the outdoor garden space. This layout facilitates an indoor-outdoor living experience, typical of Californian design. Ascending from the ground floor, a magnesite staircase leads to the upper level, where two bedrooms are located. This staircase is illuminated by stained glass, a detail that further enhances the home's period charm and craftsmanship. The restoration efforts have focused on maintaining the integrity of Wright’s original design while updating the property to contemporary living standards. The Calori House stands as a testament to Lloyd Wright's architectural style, blending Spanish Colonial influences with distinctive Art Deco elements. The listing highlights the house's historical significance and its meticulous renovation, positioning it as a desirable property for those interested in architecturally significant homes. The blend of historical detail with modern restoration makes this property a notable offering in the Southern California real estate market. The property's enduring design and recent revitalization ensure its appeal to prospective buyers who appreciate both architectural heritage and refined living. #LloydWright #CaloriHouse #SpanishColonial #ArtDeco #CaliforniaProperty #GlendaleRealEstate #ArchitecturalRestoration #HistoricHomes

This article details the seven-month-long gut renovation of Homepolish co-founder Will Nathan's 2,800-square-foot SoHo loft in New York City. New York-based designer Becky Shea led the transformation, aiming to create an industrial retreat that suited Nathan's bicoastal lifestyle and respected the building's early 20th-century landmark status. Shea, who shares an appreciation for history and architecture with Nathan, focused on organic modernism with industrial elements. The original loft was compartmentalized into seven small rooms. Shea's primary objective was to open up the space while maintaining the authentic SoHo design ethos. This led to the implementation of an open-floor plan, which significantly impacted the flow and functionality of the home. The kitchen, highlighted as one of Nathan's favorite areas, exemplifies this open concept with a large marble island, minimalist pendant lighting, and open shelving, contributing to an expansive feel. The master bedroom was designed to evoke a hotel-like serenity, with minimal furnishings including a low-profile bed, simple nightstands, and a basic rug that allows the wood flooring to stand out. A distinctive accent chair featuring a 1920s motif pays homage to Frank Lloyd Wright. A key feature of the master suite is a 15-by-8-foot dimmable glass wall separating the bedroom from the bathroom, which not only provides privacy but also showcases Shea's meticulous attention to detail. This glass, along with other elements throughout the home, was sourced to be American-made, specifically from an old factory in Detroit. The guest bedroom also benefits from the designer's efforts to maximize natural light, with changed windows to match the landmarked property's aesthetic and upgraded doors. Shea's design philosophy emphasized simplicity; for instance, the guest bedroom features a clothing rack instead of a full closet, a practical choice given Nathan's bicoastal living arrangement between Arizona and New York. Creative storage solutions are a hallmark of the loft's design. Shea ingeniously utilized space underneath the master bathroom floor for storing entertaining essentials and seasonal items. Another innovative storage feature is a 35-foot bench with a faux brick facade that runs across the living and dining areas, serving as both seating and concealed storage. An inviting sitting area was carved out of a small elevator vestibule, featuring a bench with an upholstered cushion from Stitchroom, a built-in bookcase, LVWood Hickory flooring, a NAFCO Studios table, and a black and white photograph from one of Shea's trips to Amsterdam. Both Nathan and Shea expressed satisfaction with the outcome, appreciating the open-concept design that encourages versatile furniture placement and unconventional spatial thinking. #SoHoLoft #IndustrialDesign #OpenConceptLiving #BeckyShea #Homepolish #OrganicModernism #InteriorRenovation #NewYorkCity #CustomStorage #AmericanMade

This article highlights the latest real estate endeavor of Jeff Lewis, the interior designer from Bravo's "Flipping Out." Lewis has listed a renovated Beverly Hills Post Office home for sale at $3.495 million. The property, initially a three-bedroom, two-bathroom residence spanning 2,000 square feet, has undergone significant transformation under Lewis's guidance. It now features four bedrooms, four-and-a-half bathrooms, and an additional 870 square feet, all designed in his signature style. The renovation process for this home was featured in the final season of "Flipping Out," where Lewis undertook a comprehensive gut renovation. The house is situated at the end of a cul-de-sac and showcases an ultra-modern farmhouse aesthetic. The downstairs area features an open-concept layout, seamlessly integrating the living room, kitchen, and dining room. This design is enhanced by sliding pocket doors that facilitate indoor-outdoor living, leading to an outdoor pool area. Key design elements synonymous with Jeff Lewis's style are evident throughout the property. These include distressed wide plank floors, two-story beamed ceilings, and a meticulously designed kitchen. The kitchen is a focal point, featuring a bold herringbone backsplash complemented by light wood cabinets, marble countertops, and high-end appliances. The article provides a glimpse into various parts of the home through several illustrations. One image displays the main floor, highlighting its open and airy ambiance, with sliding doors opening to the patio and pool. Another illustration focuses on the kitchen, showcasing its blend of patterns, materials, and textures. Further images present the master bedroom, located on the main floor and characterized by an open-air feel, and a guest room that includes a private terrace overlooking the backyard. The listing for this property is handled by Lewis's sister-in-law, Carrie Berkman Lewis, a broker with Douglas Elliman. This project is consistent with Lewis's established business model of acquiring, renovating, and subsequently selling properties. The article emphasizes the luxurious and contemporary upgrades implemented throughout the home, reflecting current high-end real estate trends in the Beverly Hills area. The home’s design combines functionality with sophisticated aesthetics, typical of Lewis's projects, aiming to attract a discerning buyer in the competitive luxury market. #JeffLewis #FlippingOut #BeverlyHillsRealEstate #HomeRenovation #InteriorDesign #LuxuryHomes #RealEstateListing #ModernFarmhouse #OpenConceptLiving