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The Well-Crafted Kitchen: Inside the Whimsical, Dreamy World of Frenchette
Frenchette, a new French brasserie in New York City by chefs Riad Nasr and Lee Hanson, offers a unique dining experience designed to encourage lingering. Unlike many trendy establishments where guests are often rushed, Frenchette's design allows patrons to comfortably absorb the restaurant's vibrant energy even while waiting. The restaurant's design was a collaborative effort with the Springs Collective, comprising Sam Buffa, Amy Butchko, and Zeb Stewart, who aimed to create a luxurious yet unstuffy atmosphere, departing from the chefs' previous experiences with more traditional French brasseries. The design draws inspiration from the Vienna Secession movement, incorporating art deco and art nouveau elements.
Nasr and Hanson, known for their work with restaurateur Keith McNally's French empire, embarked on their own venture five years prior. Their vision for Frenchette evolved from initial ideas of grand, formal French dining, such as using vintage silver-plated water pitchers from the Waldorf-Astoria and white tablecloths. However, the custom-made sapele wood tables, with their distinct grain and heft, persuaded them against covering them, emphasizing a more casual yet refined aesthetic. The water pitchers, originally intended for a grand water service, now serve as plant holders, reflecting the restaurant's whimsical approach.
The restaurant is subtly divided into two main sections: an intimate bar area at the front and a more formal dining room at the back, separated by a sapele bannister and a wall. This layout was carefully considered, with the wall being erected and dismantled twice during the design process to ensure the distinct energies of each space were maintained. The bar area is designed to foster lively interaction, while the dining room offers comfortable booths for a more extended stay. The Springs Collective also maximized the long, narrow space by studying layouts from sailboats and train cars.
Accidental design elements, born from space constraints and fire codes, contribute to Frenchette's unique character. A dramatic corridor, for instance, leads to the open kitchen, creating compelling sightlines. The restaurant features custom woodworking by Jeff Ford of Lucky Rabbit Brand Design, including the distinctive tables, large rectangular mirrors, and rounded door frames that soften the space. Erika Langstroth of Erilan Design added a feminine touch with flower sketches on the plaster walls, balancing the masculine wood-heavy decor. Nasr’s stepfather crafted the ceramic vases and egg holders, further personalizing the space. The ceiling was lowered and curved to enhance coziness, and a whimsical arched takeaway window behind the pewter bar adds an element of mystery.
The kitchen itself, though initially not intended to be open, became a focal point due to the designers' insistence. It features red and black tiles creating an undulating effect, and a striking Athanor cooktop allows three chefs to work face-to-face. Red Le Creuset gratin covers and the visible presence of Nasr and Hanson in the expo station add to the cinematic appeal of the kitchen, turning the culinary process into a dramatic and engaging scene visible from the moment guests enter the restaurant.
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