Time to rethink coloured ceilings and woodwork

The article explores a contemporary approach to interior design by challenging the traditional practice of painting ceilings and woodwork in white. It advocates for the use of bold colours on these architectural elements to create unique atmospheres and visual interest within a space. The author suggests that while white remains a classic choice, certain houses and rooms benefit significantly from a more adventurous colour palette. The discussion highlights two primary methods for incorporating colour into ceilings and woodwork: employing a single colour across walls, ceilings, skirting boards, door trims, and joinery, or utilizing contrasting colours. Painting everything in one cohesive colour is presented as an effective technique for dark spaces, fostering a cocoon-like and enveloping ambiance. Conversely, introducing a bold trim in a colour that contrasts with patterned wallpaper can inject playfulness and drama into a room. Several examples from the House & Garden archive illustrate these design principles. One instance features Joanne Burgess's house, where a Georgian part includes walls painted in Farrow & Ball’s ‘Light Blue,’ panelling in ‘De Nimes,’ and glossy window woodwork in ‘Bancha,’ showcasing a layered use of colour. Another example from the same house depicts a main bedroom with walls and woodwork in Edward Bulmer’s ‘Jonquil’ and panelling in Farrow & Ball’s ‘Yeabridge Green,’ creating a bright and energizing suite. A hallway in Burgess's house further demonstrates the use of multiple colours with 'Light Blue' walls, 'De Nimes' panelling, and a distinct colour on the door. The article also presents a Notting Hill house by Studio Vero, where Farrow & Ball’s ‘Brinjal’ (a rich aubergine) is used for all woodwork in the hall and up the stairs, paired with Edward Bulmer’s ‘Jonquil’ on the walls to prevent a boudoir-like feel. In a study-cum-bedroom, a blue 1960s Italian desk inspires the use of Common Room’s ‘Best Buds’ wallpaper, complemented by bespoke blue paint (26-4M from Papers & Paints) on the woodwork. A main bathroom in the Studio Vero project exemplifies "colour drenching" with walls and woodwork painted entirely in Little Greene’s ‘Aquamarine Mid,’ extending to the ceiling for a fully immersive colour experience. Jewellery designer Sandra Barrio von Hurter's house integrates Farrow & Ball’s ‘Lichen’ on walls with ‘Hunters Dunn’ in a gloss finish from Paint & Paper Library on woodwork, demonstrating harmonious contrasts. Further examples include the Eildon Hall hallway in Scotland, which features a deep mustard yellow ceiling contrasting with cool blue walls, adding excitement without sacrificing taste. Nicola Harding’s design for a Berkshire house showcases Farrow & Ball’s ‘Stone Blue’ on the dining room ceiling and built-in bookshelves, providing a vibrant backdrop for brass accents. In another Nicola Harding project, ‘Stone Blue’ is used on the ceiling of a basement room, extending to create a false cornice above ‘Tanner’s Brown’ walls, with the same blue on woodwork contrasting with a red sofa and a green rug. Susan Deliss’s Edinburgh flat features Edward Bulmer’s ‘Verdigris’ on woodwork complementing ‘Lioness & Palms’ wallpaper by CFA Voysey. Jeremy Langmead's country house, also decorated by Deliss, uses Robert Kime's 'Wattle' wallpaper with Sanderson's 'Bengal Red' eggshell paint on woodwork. Rachel Chudley’s London house presents a cohesive look with ceiling, walls, and skirting boards all in a stormy grey from Donald Kaufman. Audrey Carden’s London house demonstrates bold colour in small spaces, using Sanderson’s ‘Mimosa Yellow’ paint on a tiny bedroom wall that stops halfway across the ceiling, giving way to grey. Another bedroom in her house features blue, paper-backed, suede-effect fabric on walls and a tray ceiling painted in the same shade for a dramatic effect. Interior designer Suzy Hoodless's home highlights a glorious yellow doorframe dividing the sitting room and library, acting as an architectural valance and an uplifting burst of colour. Finally, a black bathroom in the same house features Farrow & Ball’s ‘Railings’ on walls matching Emery & Cie cement floor tiles for an enveloping feel. Ben Pentreath’s London house dining room features panelled walls, window frames, and skirting boards painted in ‘Bromine’ by Emente. Susan Deliss’s Edinburgh flat bedroom makes a bold statement with Farrow & Ball’s ‘Charlotte’s Locks’ covering walls, bookshelves, and skirting boards in a fiery deep orange. #InteriorDesign #HomeDecoration #ColourfulCeilings #PaintedWoodwork #DesignIdeas #FarrowAndBall #ColourDrenching #HomeStyling #ArchitecturalElements #InteriorDesign #HomeDecoration #ColourfulCeilings #PaintedWoodwork #DesignIdeas #FarrowAndBall #ColourDrenching #HomeStyling #ArchitecturalElements