No slumping at Clerkenwell Design Week – 11 things to see and savour

New York Design Week, held in May, showcased a diverse range of innovative lighting designs, establishing lighting as a central element of cultural storytelling and cutting-edge home design. Shelter by Afternoon Light, a newcomer to the design fair scene, made a significant debut with a focus on fresh talent and remarkable lighting products, including the popular “Jonald Dudd” exhibition, playfully titled “Grateful Dudd.” Minya Quirk, co-founder of Shelter, highlighted the transformative power of lighting, noting its ability to swiftly alter a space's aesthetic and mood. The event featured a variety of exhibitions across different venues, from major fairs like ICFF and WantedDesign to galleries and ateliers such as Love House, Colony, Lyle Gallery, and Lawton Mull, all contributing to a vibrant display of creativity and functionality. Among the standout pieces were Lana Launay’s ‘Kinship I & II,’ exhibited at Love House Gallery, which utilize stainless steel, aluminum, LED, and antique doilies to reflect on domestic craft and interconnectedness. Andreea Avram Rusu’s ‘Marea’ chandelier, presented at Shelter, captivated viewers with its hand-blown glass and ombre colors, reminiscent of a jellyfish’s fluid movement, created through a unique molten process. Samuel Aguirre, a Providence-based artist, debuted a collection of table lamps at WantedDesign, crafted from handmade Mexican Amate paper, combining ancient paper-making traditions with contemporary design principles, resulting in organic and archival pieces. Cuff Studio, founded by Kristi Bender and Wendy Schwartz, introduced a new triangular metal sconce as part of their “Within” exhibition at WantedDesign. This piece, available in patinated brass or copper, offers a graphic aesthetic with a soft uplight. Lawton Mull’s gallery featured the ‘Norrlanda Lamp,’ a collaboration with glass artist Jennie Olofsson, which blends industrial brass with mouth-blown, asymmetrical glass lobes, creating a balance of strength and lightness. Soft-Geometry’s ‘Long Hair’ sconces, showcased at Lyle Gallery, were inspired by intimate domestic rituals and incorporate sustainable hemp-lime composite material, marking a move towards eco-conscious design. Scott Newlin Design Studio presented whimsical ‘Stack Lights’ at the Jonald Dudd exhibition, transforming slip-cast ceramic into versatile, colorful lamps. Marmar Studio’s ‘Ette Sconce,’ displayed at Colony’s “The Independents” exhibition, combined ash wood and hand-painted dye to create a fixture that evokes both architectural lines and natural forms. FDK Junior Studio, led by Fernando Kabigting, launched a new porcelain lighting collection at Shelter, emphasizing the material’s delicate beauty and celebrating imperfections. Michiko Sakano Studio’s ‘Droplets’ glass lighting collection, also at Shelter, merged traditional Japanese aesthetics with glassblowing techniques, creating luminous sculptures that exude organic fluidity. Larose Guyon’s ‘Saule’ collection at ICFF drew inspiration from the willow tree, featuring hand-formed brass and glowing glass in an immersive display. Lastly, Steven Haulenbeek’s ‘RBS Nopal Chandelier,’ featured at Egg Collective, utilized resin-bonded sand in a subtractive process to create organic, desert flora-inspired forms, blurring the lines between art and lighting design. These diverse creations collectively highlighted the innovative spirit and artistic depth of contemporary lighting at New York Design Week. #NewYorkDesignWeek #LightingDesign #InteriorDesignTrends #ContemporaryLighting #HomeDecor #ArtisticLighting #SustainableDesign #HandcraftedLighting #DesignInnovation

Stockholm Design Week 2025, held from February 3-9 in conjunction with the Stockholm Furniture Fair, showcased the dynamic and evolving landscape of Scandinavian design through a diverse array of exhibitions, events, and furniture launches. The event featured experimental and limited-edition pieces, particularly from the collectible design platform Älvsjö Gård. Among the notable presentations was "Table 4" by Niklas Runesson for Älvsjö Gård, a birch table featuring legs inspired by a beaver's tail, designed to comfortably seat seven. OEO Studio, for &Tradition, introduced the Ita table and bench collection, crafted from oak using Miyadaiku, an ancient Japanese carpentry technique that eliminates the need for screws or glue. This collection, including dining and coffee tables and benches, is designed for flat-pack shipping and easy assembly. Studio Stockholm, in collaboration with Dusty Deco, presented "Decadent," a club chair with a gracefully curved backrest and seat. Made from FSC-certified wood and upholstered in a dusty rose wool-blend bouclé Jacquard, it adds a feminine touch to a classic design. Erik Bratsberg's "CabinEtt" for Älvsjö Gård was a striking limited-edition piece made of walnut framing unevenly cut Mappa burl wood veneer. Form Us With Love designed the Nest Club Chair for +Halle, integrating a side table into a lean silhouette, aimed primarily at the hospitality market. Axel Wannberg's "Lamp 53" for Nordiska Galleriet, named for its 53-degree design angle, was re-released in new powder-coated stainless steel finishes. Thomas Bernstrand and Stefan Borselius, for Blå Station, introduced "Villhem," a lounge chair that blurs the lines between business and residential design with various customizable upgrades. David Ericsson's "V.DE.07" for Verk is a distinctive armchair with an optional Gotland sheepskin seat cover, known for its unique wool. Rug company Layered celebrated a decade with "Ten Years Unfolded," an archival collection re-presenting three existing geometric patterns—Illusion, Letters, and Triangle—in new colorways, all hand-tufted from 100% wool. Form Us With Love also collaborated with Baux on "X-Felt," a soundproofing solution featuring large-format acoustic panels and tiles with circular patterns inspired by Japanese Zen gardens. These panels are made from GRS-certified PET plastic, meeting fire safety standards without harmful chemicals. Finally, Kay Bojesen introduced the "Painted Mini Monkey," a four-inch rendition of the iconic wooden monkey, now available in apple green and power pink, crafted from FSC-certified beech wood. These highlights collectively demonstrate the innovation and aesthetic diversity showcased at Stockholm Design Week 2025. #StockholmDesignWeek #ScandinavianDesign #FurnitureFair #InteriorDesign #ProductLaunches #SustainableDesign #Craftsmanship #DesignExhibitions

Milan Design Week 2022 showcased a variety of temporary installations designed to captivate the design community. These installations frequently leveraged unique settings, ranging from abandoned nunneries and military hospitals to former sports venues and historic villas, to create impactful experiences. The event featured nine notable installations that demonstrated innovative approaches to design and material use. One featured installation was “A Statement of Form” by Gaggenau, a kitchen manufacturer, which was located in the Villa Necchi Campiglio, a historic Italian villa known from the film “House of Gucci.” This installation, a collaboration with architecture firm 1zu33, marble expert Salvatori, and ceramic specialist Kaufmann, presented a sleek kitchen design within a luxurious setting. Another highlight was "Monumental Wonders" by SolidNature, exhibited at Alcova’s Lavanderia building. This installation showcased the versatility of natural and semi-precious stones, featuring nine types of onyx in a dramatic entry portal. OMA designed a stone-wrapped doorway and marble-and-onyx furniture pieces, including a rotating cabinet and a bed with hidden storage. Sabine Marcelis contributed a pink onyx bathroom sculpture, demonstrating the material’s aesthetic and functional potential. “Silentscape” by Isabella Del Grandi for Slalom, also at Alcova, focused on acoustics. This colorful sound studio installation integrated soft surfacing materials and suspended upholstered spheres to create a calming, sound-absorbing environment, highlighting acoustic system solutions. Hermès presented "Houses" by Charlotte Macaux Perelman, a luminous installation of ash wood and translucent colored paper structures at La Palota. Inspired by water towers, these glowing geometric forms displayed new cashmere fabric designs for the home. Flos’s “See the Stars Again” exhibition, curated by Calvi Brambilla at the Fabbrica Orobia, introduced 14 new lighting products. A key feature was the anniversary edition of the Arco lamp, Arco K, which showcased its lead-free crystal base. The exhibition also included sculptural displays and indoor gardens. Lee Broom’s “Divine Inspiration” presented six new lighting collections and 30 products in a gallery setting. Drawing inspiration from religious architecture, the exhibition featured unique moods in each room and included limited-edition hand-sculpted pieces, such as a broken pendant light in the Requiem collection. Amine El Gotaibi’s 300-pound ceiling-mounted weaving for Beni Rugs, titled Spoken Lines, was unveiled at Alcova. This site-specific artwork, made from 80 feet of natural wool, set the stage for a collection of 10 rugs and was crafted by a cooperative of female weavers in Morocco. Caffè Populaire, a collaboration between Lambert & Fils and DWA Design Studio, offered an _aperitivo_ garden at Alcova. The installation combined sculptural lighting from Lambert & Fils with flowered wallpaper by Superflower and various plantings. It featured an elevated interior garden and a water sculpture, contrasting Brutalist lighting forms with hyperrealistic floral imagery. Finally, "Holotype" by Refractory, a newly launched furniture brand, was presented at Alcova’s E/Space building. The installation created a unique sensory experience with the scent and visual presence of turmeric, used to tint concrete walls and piled on the ground. This backdrop framed Refractory’s artisanal furniture and lighting pieces, crafted from materials like cast bronze and solid black walnut, and incorporated paleontological specimens and imagery of America’s West. #MilanDesignWeek #InstallationArt #ProductDesign #InteriorDecor #FurnitureDesign #LightingDesign #TextileArt #MaterialInnovation #ExperientialDesign

Milan Design Week transforms the city into a global design hub, attracting attendees to both Salone del Mobile and Fuorisalone. This year's event showcases a diverse range of installations, highlighting innovative approaches to design, lighting, and materiality. Atelier Biagetti, a recurring favorite at Fuorisalone, presents "The King," an exploration of obsessions inspired by Elvis Presley. Their installation reimagines a fantastical living room featuring "The King Sofa," a modular piece accompanied by guitar cases cleverly reinterpreted as tables with intricate Ravenna mosaics. This piece exemplifies their propensity for the impossible and their unique artistic vision. Ross Gardam, an Australian lighting designer, offers "Transcendence," an exhibit focused on the allure of illuminated glass. Gardam, known for creating meditative moods with his fixtures, demonstrates his broad talents and deep fascination with glass's ability to transcend physical boundaries. The installation promises a dynamic curation of luminaires, showcasing the material's unparalleled qualities. Giopato & Coombes, Treviso-based lighting masters, unveil "18 Pockets" after six years of dedicated research. This exhibit provides a glimpse into their creative process, highlighting the magical qualities of the immaterial. Their previous fixtures are transformed into 18 unique luminaires through a complex system of weight and balance, creating charming and poetic combinations. Galerie Philia's "Desacralized" exhibition takes place in a deconsecrated 11th-century Milanese church, fittingly exploring the theme of desacralization. Over 20 artists from the gallery's roster contribute to this unique setting. Notable pieces include Studiopepe's octagonal marble side table, inspired by Italian baptisteries, Kar Studio’s chair, drawing inspiration from ancient Chinese Shang Dynasty script, and a monumental chandelier by Morghen Studio, designed to offer a transformative experience of light within the historic space. SolidNature returns with "Beyond the Surface," an OMA-designed installation that metaphorically connects quarrying stone with the act of dreaming across seven distinct rooms. A highlight is Sabine Marcelis’s lustrous table, an ombré glass coffee table anchored by impressive stone blocks, demonstrating her experimental approach to materials. Objects of Common Interest, composed of Eleni Petaloti and Leonidas Trampoukis, presents "Poikilos." Inspired by ancient Greek references to iridescence and insights from Romanian artisan Ovidiu Colea, their ethereal objects and tables with opalescent finishes and sinuous curves inject energy into the Nilufar Depot. Loewe Chairs, under Jonathan Anderson's direction, reinterprets chairs into distinctive totems through an emphasis on texture, personality, color, and weaving. The display integrates materials close to Loewe’s brand identity, such as leather and raffia, with unexpected techniques like incorporating thermal blankets, elevating the humble stick chair into a canvas for elaborate woven decoration. Suchi Reddy, founder of Reddymade Architecture and Design, collaborates with Lexus on "Shaped by Air," an installation focused on carbon neutrality. Visitors navigate a forest of Matisse-like forms to discover a life-sized interpretation of the Lexus Electrified Sport, designed to evoke the sensation of being shaped by air. Lastly, "Bar Flora" is a collaboration between Sophie Lou Jacobsen, Nick Ozemba, and Felicia Hung of In Common With. Building on their Flora Collection, which employs Venetian glassmaking techniques to mimic natural forms, this installation transforms Palinurobar into a floral oasis. It introduces two new additions, including a sandblasted amber colorway, further enhancing their partnership. Byredo, known for its unconventional approach to fragrance, showcases "Bal D’Afrique by Dozie Kanu." Founder Ben Gorham teamed with Portugal-based artist Dozie Kanu to capture the essence of the beloved fragrance through a showcase that merges Kanu's unique objects with photographic negatives from Adjoa Armah’s _saman archive_, creating a multi-sensory experience that extends beyond traditional perfumery. #MilanDesignWeek #DesignInstallations #Fuorisalone #LightingDesign #FurnitureDesign #MaterialInnovation #CollectibleDesign #ArtAndDesign

London Design Festival 2025, in its 23rd edition, showcases a diverse array of installations, exhibitions, and products across the city, emphasizing design's role beyond aesthetics in driving innovation and societal progress. Festival Director Ben Evans highlights the event's commitment to supporting the entire design ecosystem, from emerging talent to established brands, and showcasing London's creative energy. The festival includes numerous district-wide events and installations at leading institutions such as the V&A and the Design Museum. Key highlights include 'Material Matters' at Space House, returning for its fourth edition with new materials like Mycoworks' mycelium-based products and recycled PVB film from FILIE Materials. The Brompton Design District, curated by Alex Tieghi-Walker with the theme 'A Softer World,' invites new voices and unconventional formats, featuring designers like Charlotte Taylor and Tione Trice across non-traditional exhibition spaces. British designer Paul Cocksedge's 'What Nelsons Sees' at Trafalgar Square provides a unique perspective of the city through telescopic viewing portals. Lee Broom's 'Beacon' at the Southbank Centre is a site-specific light installation using upcycled glass fragments to reinterpret classic street lamps into a sculptural chandelier. Max Radford Gallery collaborates with Ercol, commissioning London-based designers to reimagine traditional wooden furniture using rejected parts, displayed at the Clerkenwell Fire Station. The David Collins Foundation presents 'Convergence' at The Lavery, an exhibition celebrating its 40th anniversary and founder David Collins' vision, featuring works by eleven artists and designers. Aram and EcoLattice offer a sustainable alternative to foam with 'Beyond Foam,' commissioning designers to create furniture using EcoLattice's 3D-printed recyclable elastomers. 'A Seat at the Table' by Design Everything is a mobile furniture exhibition travelling in a Luton van, hosting community events with pieces by emerging UK designers. Ceramicist Emma Louise Payne's 'The Objects we Live By' transforms her childhood home into an exhibition space, showcasing crafted design pieces integrated into daily life. Heirloom studio's 'Out of Orifice' explores objects designed for the human body, from medical to pleasurable. Design London Shoreditch debuts with three exhibitions focusing on workplace design, sustainability, and interior trends, featuring prominent designers and brands. 'Otl Aicher: The Legacy Archive' at Wiedemann Lampe offers a rare glimpse into the legendary designer's work, including classic posters and unique pieces for sale. Industrial designer Terence Woodgate and automotive engineer John Barnard collaborate on 'Lightness of Form,' a collection using carbon fibre displayed at Carpenters Workshop Gallery. Finally, 'Reconstructing Value' at the Bank of England Museum features a sculptural installation made from reclaimed banknotes, complementing an exhibition on the Bank's architectural evolution. #LondonDesignFestival #DesignExhibitions #InteriorDesign #MaterialInnovation #SustainableDesign #PublicArtInstallations #EmergingDesigners #FurnitureDesign #ArchitecturalEvolution

This year-in-review article from Core77 highlights significant trends and notable designs in furniture and lighting throughout 2011, alongside a retrospective of major international design festivals. The review begins by emphasizing the continuous relevance of furniture and lighting in industrial design, noting that while broader topics like technology emerge, these categories remain fundamental. Key discussions include the versatile use of wood as a material in furniture, featuring pieces ranging from left-field commentary to subtractive designs, crazy curves, and plywood pods, often incorporating nest-like warping. The article also showcases various applications of reclaimed materials, from preserved and polished pieces to de-militarized items and those simply repurposed. Lighting designs are explored in depth, highlighting how many lamps creatively mimic other objects, including the lampshade itself, leading to skeuomorphic designs like the cluster-like 'TamTam' ceiling lamp, the futuristic 'LED Shade Lamp,' and the humble 'Sympathy for the Bulb.' The popular levitating lamps by Light Light are also mentioned. Beyond conventional forms, lamps took on abstract biomorphic shapes, both 3D-printed and otherwise, and imaginative forms such as an open-ocean predator, fly kicks, and a maritime marker. The intersection of indoor lighting and upcycling is noted, with designers transforming plumbing fixtures into steampunk lighting and repurposing recyclable materials into elegant pendant lamps and minimalist desk lamps. The 'Liter of Light' project, developed by MIT students, is recognized for its significant social impact in providing sustainable lighting solutions. Chairs, a staple of furniture design, are presented through their diverse material explorations. These include aluminum wire, cork, laser-cut steel, Twintex, recycled PET bottles, piano keys, circuit boards, salvaged signage, and even the creative use of empty space. The article humorously contrasts a chair made of discarded candy wrappers with one made entirely of candy, both praised for their aesthetic appeal. The vast array of chair designs in terms of shapes and sizes is acknowledged, including those designed for bachelors and by student bachelors, and chairs that resemble other objects. DIY approaches to seating are also covered, ranging from emphatically designed pieces to simpler, deconstructed or remixed versions of classic designs like the Eames Lounge. The enduring popularity of the Mid-Century Modern (MCM) aesthetic is discussed, noting its continued presence in designs both at home and internationally, despite playful attempts to 'retire' it. The MCM movement persists through the resurrection of long-lost designs, limited-edition reinterpretations, and online resources. The review then shifts to an overview of global design weeks and festivals. Dutch Design Week 2011 is highlighted for its conceptually rich work, including Tom Gottelier's wax creations and Dennis Parren's 'CMYK Lamp.' The inaugural Beijing Design Week showcased 'site-specific' designs reflecting mainland Chinese cultural touchstones, such as the 'Chinese Stuff' exhibit and the Water Calligraphy Device Tricycle Hack, with Naihan Li's 'CRATES' collection of mobile pop-up furniture being a notable success. Design Tide Tokyo, part of Tokyo Design Week, featured 'Souvenir' by Design Soil, a series of furniture designed for easy disassembly and travel. Exhibitions in Tokyo offered a comprehensive view of Japanese design, from traditional crafts to contemporary issues and accessories. Vienna Design Week, though smaller, presented significant installations, including Philippe Malouin's collaboration with Lobmeyr and Thomas Feichtner's crafted 'M3' chair. The Salone Milan, recognized as the year's largest design event, featured Studio Formafantasma's 'Botanica,' an exploration of material science roots, and Thomas Lommée's forward-thinking OpenStructures project. The Open Source movement's impact on furniture design, seen in DIY projects and design-build firms, is also emphasized. Milan's diverse offerings included craft mashups, photoluminescent lamps, and unique material explorations. New York Design Week, including ICFF and the Noho Design District, showcased American innovation and craftsmanship, with notable works from Uhuru and Lindsey Adelman, and a tribute exhibition for Tobias Wong. London Design Week featured diverse European designs, such as the 'Argonaut' collection by Greek designers and Kyuhyung Cho's experimental typography, alongside student projects from the RCA and eco-minded cardboard furniture startups, concluding the review with a look at cardboard's versatile applications. #FurnitureDesign #LightingDesign #DesignFestivals #MaterialInnovation #Upcycling #MidCenturyModern #DutchDesignWeek #BeijingDesignWeek #TokyoDesignWeek #ViennaDesignWeek #SaloneMilan #NewYorkDesignWeek #LondonDesignFestival #OpenSourceDesign #SustainableDesign

The Milan Design Week showcased a strong and growing synergy between luxury fashion and home décor, with several high-profile fashion houses extending their design expertise into interior furnishings. This trend highlights the increasing influence of fashion aesthetics on home design, offering consumers opportunities to incorporate runway-inspired pieces into their living spaces. Seven notable collaborations and collections stood out, demonstrating diverse approaches to this cross-industry integration. Fendi's new Casa collection, under the direction of Silvia Venturini Fendi, featured Christina Celestino’s “Ottavia” chairs. These chairs, inspired by the Roman landscape, boast a rounded back for comfort and sophistication, along with stained wood that accentuates the natural grain. The collection also included Piero Lissoni’s modular Taiko sofa system, the “Blow Up” modular seating by Controvento Studio under Gabriele Chiave, and a logo-adorned “Artichoke” pendant lamp by Louis Poulsen, reimagined in metal and yellow glass. Fendi's offerings emphasized fashion-forward color palettes such as yellow micro bouclé, pink velvet, and grey bouclé. Missoni unveiled a new line of poufs, bringing their iconic zig-zag prints and geometric patterns to life. The brand described its display as a "surreal space with decorative visions that overcome the force of gravity," offering more artistic than purely functional pieces designed to add glamour. A notable item was a circular stool embellished with Swarovski crystals, exuding a disco-inspired aesthetic. Dior Maison continued its collaboration with renowned designer Philippe Starck, presenting the latest iteration of the Monsieur Dior’s armchair at Milan’s 18th-century Palazzo Citterio. This modern reinterpretation of the classic medallion design was showcased through a sound and light extravaganza, available in various colors and materials, including a fluorescent orange toile de Jouy. Versace introduced the “Zensational” sofa, a modular seating system characterized by the brand's signature swirls and Medusa head adornment. This luxurious piece is offered in two distinctive options: crocodile-embossed leather or Baroque-print jacquard, embodying classic Versace style. Loro Piana's collection, developed with Argentinian designer Cristián Mohaded, featured 12 towering stone structures wrapped in the house’s archival interiors fabrics. The art-inspired furniture collection highlighted the transformation of raw materials into desirable items, emphasizing preservation and natural beauty. Materials like chiseled wood, undyed raw cashmere, silk velvet, and vicuña were prominently used. Loewe, under designer Jonathan Anderson, presented a collection that reimagined Welsh stick chairs. Anderson, an avid collector of these chairs, collaborated with artisans globally to transform these humble pieces into haute design objects. The chairs were adorned with various materials such as paper, twine, shearling, leather, raffia, and even emergency insulating foil, creating unique, emotionally resonant pieces. Marni collaborated with Belgian brand Serax to launch its first tableware collection, "Midnight Flowers." This 120-piece hand-illustrated porcelain set features whimsical florals and a fresh color palette, inspired by Marni's quirky-elegant runway collections. Creative director Francesco Risso noted the shared ground between ready-to-wear and tableware in their emphasis on dialogue, materiality, tactility, and sensorial emotions. These collaborations collectively underscore the expanding boundaries between fashion and interior design, bringing high fashion sensibilities into the home décor market. #MilanDesignWeek #LuxuryFashion #HomeDecor #FashionInteriors #DesignerCollaborations #FendiCasa #DiorMaison #VersaceHome

Milan Design Week and Salone del Mobile, annual events in April, draw a global audience of designers, curators, buyers, editors, and visitors. This week serves as a hub for creative ideas and industry discussions, offering insights into future trends in interiors, product design, and architecture. Four interior design experts from Arighi Bianchi, ROCCIA, Apollo Blinds, and My Fitted Bedroom analyze the potential impact of this year's key trends on UK interiors. One significant trend is "Playful Maximalism," indicating a shift away from subdued minimalism towards bold, expressive designs. This approach embraces vibrant colors, whimsical forms, and a mix of eclectic materials, as seen in Louis Vuitton’s flower-shaped record player and Loewe’s artistic teapots. Gavin Farrington of ROCCIA notes that this trend, especially in kitchens and bathrooms, encourages bold tile choices, expressive textures, and unexpected color pairings like deep emeralds with blush pinks or terrazzo floors with sculptural brassware. Maximalism emphasizes curated expression through purposeful layering of patterns, finishes, statement lighting, and art. Lucy Mather of Arighi Bianchi adds that this trend promotes freedom and personal reflection in home decor. Another emerging trend is "The Reflective Renaissance," characterized by the widespread use of shiny chrome, aluminum, and mirror finishes. Examples include Hiroto Yoshizoe’s ‘ubique’ lights and Nilufar Depot’s ‘Silver Lining’ concept, highlighting luminosity and depth. Lucy Mather believes this trend is gaining momentum in the UK, especially in smaller spaces where reflective materials can bounce light, add depth, and uplift a room without extensive structural changes. Mirrored coffee tables or chrome light fittings can transform spaces with limited natural light. The key is balance, using well-chosen high-gloss elements to make rooms feel bigger and brighter, while also creating tactile contrast when paired with plush fabrics like velvet or boucle, as observed by Matt Thomas from Apollo Blinds. The "Fusion of Fashion" trend sees major fashion houses integrating their brand DNA into home interiors. Gucci reinterpreted its bamboo motif, Prada focused on sustainability with discussions on a vintage train, and Dolce & Gabbana revitalized baroque print furniture with vibrant patterns. Missoni Home’s debut boutique further solidified the connection between fashion and home decor, emphasizing storytelling through spaces and objects. Lucy Mather appreciates how interiors are becoming as expressive as fashion, driven by inspiration from online magazines, Instagram, TikTok, and Pinterest, leading to increased confidence in color, curated clashes, and layered textures. Finally, "The Human Touch" highlights a return to craft and tradition, focusing on human-centric design and inclusivity. SaloneSatellite’s ‘New Craftsmanship’ theme underscored personal connection and wellbeing. Brands like Cassina and Natuzzi revisited their archives, reinterpreting heritage with fresh energy. New furniture lines with organic curves and immersive sensory installations were designed to evoke emotion and enhance mood and wellbeing. Megan Baker of My Fitted Bedroom notes that this trend reflects a desire for furniture with purpose, precision, and personality, moving away from disposable trends. It emphasizes creating spaces that make life easier, more beautiful, and deeply personal, where comfort and emotional connection are paramount. The overarching theme observed by all experts is the increasing role of technology in home design, with installations at Fuorisalone and LG demonstrating the blend of physical and digital worlds. #MilanDesignWeek #SaloneDelMobile #InteriorDesign #PlayfulMaximalism #ReflectiveRenaissance #FashionFusion #HumanCentricDesign #HomeDecorTrends #ProductDesign

Isola participated in Dutch Design Week 2023 in Eindhoven, Netherlands, for the fifth consecutive year, presenting two primary exhibitions under the theme “Nothing Happens if Nothing Happens.” The event, held from October 21st to 29th, showcased Isola's dedication to sustainable design, craft, and collectible designs. Gabriele Cavallaro, co-founder and CEO of Isola Design Group, highlighted the organization's strong ties with Dutch designers and local partners, emphasizing their aim to spotlight exceptionally talented designers and their pioneering approaches. DesignWanted served as a media partner for the event, featuring eight notable projects from Isola's showcase. The first exhibition, "Nothing Happens if Nothing Happens," was part of the "Something Bigger" event at the Schellens Fabriek. This 400-square-meter space hosted over 60 exhibitors from more than 24 countries, displaying approximately a hundred products. The showcase included innovative biomaterials, circular products, and collectible design pieces. Isola further demonstrated its commitment to sustainability by incorporating Polygood® material from The Good Plastic Company, which is made from 100% recycled and recyclable plastic, into its exhibition setup. The second exhibition, "Tools & Crafts," paid homage to the rich Dutch tradition of craftsmanship. This exhibition was held in collaboration with a local woodworker at Fuutlaan 12c, featuring more than 20 exhibitors and over 35 products. The focus was on a new generation of artisans who blended traditional expertise with innovative and experimental techniques to create contemporary and collectible design pieces. Among the featured projects, "Icons Re/Outfitted" by The Visionary Lab transformed iconic Vitra chairs using repurposed denim from Levi’s, addressing textile waste by upcycling furniture with materials from fashion. Designers like Nkwo Onwuka and Hannah Brabon contributed to this project, showcasing diverse techniques in creating artful chairs. "Pleated Scenery" by Kim Melody Zoutewelle presented wall lamps made from glass powders on colored and formed glass, which, when illuminated, created a shimmering, dream-like landscape effect. These lamps were crafted using artisanal techniques, ensuring each piece is unique. Giulia Toneguzzo's "Spektrum" introduced a wall shelf that interacts with daylight, utilizing colors to materialize the nature of light and enhance the atmosphere of a space as it changes throughout the day. The Makkuro vase by Iammi exemplified sustainable innovation, crafted from discarded automotive foam waste sourced from Re-Mat, an Italian startup recycling mattresses and foam. IAMMI studio also designed Isola’s exhibition layout for the event. Zeynep Boyan's "Units" featured sculptural stoneware ceramic products designed to hold multiple objects. These collectible pieces, created by hand in Montreal, combined stoneware clay with burnished aluminum and hand-sculpted ceramic knobs, blending traditional and experimental techniques to create functional art. "Compact Sun" by vanPlestik, a collaborative research project, showcased a wall lamp made from 100% recycled plastic from used CD cases. This modular design, with its 3D-printed lines, created a mesmerizing sun-like reflection. Ruben de Haas's "Egglamp" was a playful exploration of materials, featuring a lamp made from real eggshells, offering a soft and warm glow with unique imperfections. Finally, "Moiréverse" by Thanos Deenen presented objects that combined movement, color, and pattern to create a moiré effect, originally part of an interactive installation, now imagined as interior design pieces. These projects collectively highlighted the themes of sustainability, craftsmanship, and innovative design that Isola championed at Dutch Design Week 2023, demonstrating a forward-thinking approach to product creation and material usage. #DutchDesignWeek #SustainableDesign #Craftsmanship #CollectibleDesign #InnovationDesign #RecycledMaterials #InteriorDesign #LightingDesign #Upcycling

Milan Design Week annually transforms the city's historic streets with a multitude of installations, performances, and interventions, captivating visitors with creative displays in shop windows and hidden courtyards. In recent years, fashion brands have increasingly participated, extending their design expertise to furniture, interiors, and architectural spaces. This integration showcases a growing trend of interdisciplinary collaboration between fashion and design industries. Among the highlights of Milan Design Week 2019, Marni's 'Moon Walk' installation draws inspiration from celestial themes, merging 'primitive fascinations with the imagination of the future.' This project features a collection of brightly colored chairs, loungers, stools, and tables crafted from innovative materials by Colombian artisans, with whom Marni has a long-standing collaboration. The designs reflect an exploration of unexplored forms and textures, bringing a unique artisanal touch to the event. Jil Sander's 'Adjacent Field' installation, a collaboration between creative directors Lucie and Luke Meier and artist Linda Tegg, emphasizes sustainability and spontaneity. The Jil Sander headquarters in Milan houses a botanical display comprising mosses, succulents, weeds, herbs, and flowers, illuminated by a sophisticated lighting design by Nic Burnham. This installation transforms the space into a natural oasis, highlighting the beauty and importance of biophilia in urban environments. COS, an early adopter of Milan Design Week participation since 2012, partnered with architect Arthur Mamou-Mani for 'Conifera.' This futuristic bower, constructed from 3D printed wood and bioplastic conical bricks, occupied the courtyard of the historic Palazzo Isimbardi. The project exemplifies the brand's commitment to innovative design and sustainable practices through the use of advanced manufacturing techniques and eco-friendly materials. Tod's No_Code Shelter, a joint effort between Tod's and architect Andrea Caputo, created a multi-room exhibition within a cavernous space adjacent to the National Museum of Science and Technology. Surrounded by reconstructions of Leonardo da Vinci's inventions, the installation delved into themes of shelter, sustainability, and safety in contemporary society, prompting reflection on modern living challenges and solutions. Miu Miu presented 'M/Matching Colourstool,' a playful collaboration with creative agency M/M Paris. This design features a perforated linden wood stool that allows for customization with over 300 colored 'matchsticks,' offering owners a personalized decorative experience. The stool debuted at Milan's Teatro Gerolamo, underscoring Miu Miu's vibrant aesthetic and engagement with artistic expression. Issey Miyake, on its third appearance at Milan Design Week, collaborated with architect Jólan van der Wiel for 'The Strange Attraction of Water.' The piece, 'Journey of a Raindrop,' integrates water and design to simulate a raindrop's journey through various elements, showcasing an understanding of the natural world and its influence on creative expression. This installation offers an immersive experience, blending natural phenomena with artistic interpretation. Finally, Raf Simons and Kvadrat continued their collaboration with 'No Man's Land,' an installation at Garage 21 that explores the 'microarchitecture of yarn.' The exhibit featured apocalyptically styled soft furnishings, a prefab house by Jean Prouvé, and catering from London's Rochelle Canteen. This project highlights the innovative use of textiles and examines the intersection of fashion, architecture, and interior design in creating conceptual spaces. #MilanDesignWeek #FashionInstallations #InteriorDesign #ArchitecturalSpaces #SustainableDesign #ArtisanCraftsmanship #Biophilia #3DPrinting #TextileInnovation #CustomizableFurniture

This article highlights seven innovative design studios from across the globe, showcasing their unique approaches to architecture and design. These emerging practitioners are recognized for transcending traditional disciplinary boundaries, from product design blending technology with furniture to architectural firms challenging physical space limitations through virtual installations. Norman Kelley, based in Chicago and New York, is featured for its sly and conceptual approach, often playing with visual expectations. Their "Wrong Chairs" exhibit, for instance, exaggerated elements of the iconic Windsor chair, making them appear "wrong" yet fully functional. Principals Carrie Norman and Thomas Kelley emphasize a rigorous playfulness in their work, valuing impact and gratification over overwhelming designs. Despite being geographically separated, they maintain constant collaboration, blurring the lines between academic and professional practice. Their work extends to residential rehabs and commercial projects, such as their first retail space for Aesop in Chicago, where they utilized reclaimed common brick, and a subsequent project in New York's Tribeca district, using ombré paint to reflect the neighborhood's character. Homeowner Sam Vinz, who commissioned Norman Kelley for a residential project, praises their ability to refresh existing concepts in an accessible manner. San Francisco-based Branch Creative, led by Nick Cronan and Josh Morenstein, specializes in making technology discreet or "invisible." Their product, Plume, replaces traditional Wi-Fi routers with hexagonal pods that blend into home decor, providing efficient wireless connectivity. Both Cronan and Morenstein bring extensive industrial design experience, having worked for notable companies like fuseproject and Ammunition. They ventured into developing futuristic devices, including the modular Google Ara phone and Athos exercise clothing that provides real-time muscle activity feedback, which they refined to be seamless and intuitive. Despite their focus on technology, they are passionate about furniture design, creating pieces for Council's Drift collection that combine classic forms with subtle illusions, emphasizing longevity and sophistication. SIBLING, a young Melbourne-based firm, is recognized for its experimental and participatory approach to design. The five directors—Amelia Borg, Nicholas Braun, Jane Caught, Qianyi Lim, and Timothy Moore—engage in a wide array of projects, including exhibitions, commercial fit-outs, and residential designs. They actively initiate their own research projects, such as the ON/OFF exhibition, which explored the digital and physical worlds by creating a space that blocked smartphone reception. These conceptual investigations inform their commercial work, exemplified by the DUST retail space that integrated a digital commercial platform into a physical setting. SIBLING's freedom from established practice allows them to design a business model that is unique to their founders' processes, clients, and community. Refik Anadol, a media artist based in Los Angeles, explores the intersection of architecture and digital art. Inspired by the Walt Disney Concert Hall, Anadol created large-scale video artworks that transform architectural facades into dynamic canvases. His collaboration with Gehry Technologies and the Los Angeles Philharmonic resulted in immersive experiences like "Visions of America: Amériques," where real-time custom software projected images responsive to music and conductor movements. Anadol's work also extends to public art commissions, such as "Virtual Depictions: San Francisco" for 350 Mission, which uses Twitter data to generate animations on a large LED display, exploring how public art interacts with public data. He envisions a "post-digital architectural future" where media architecture transcends traditional screens and VR. Tropical Space, from Ho Chi Minh City, focuses on eco-friendly and avant-garde architecture that utilizes simple building materials. Founders Nguyen Hai Long and Tran Thi Ngu Ngon specialize in designing porous homes that "breathe" in tropical climates, moving away from conventional closed-off modern Vietnamese housing. Their projects, such as the Terra Cotta Studio and the two-story Termitary House, showcase innovative facades made from traditional red baked bricks, providing both graphic appeal and natural ventilation. They also design custom furniture from recycled materials, emphasizing simplicity and cost-effectiveness while fostering social interaction within living spaces. APRDELESP, a Mexico City-based architecture office, distinguishes itself through a multidisciplinary approach that integrates commercial ventures with design practice. Founders Rodrigo Escandón and Guillermo González operate a variety of "subspaces" including a restaurant, a café that doubles as a furniture showroom, an art gallery, and a print shop. This model allows them to experiment with how space is used and to circumvent traditional design practices. They view these ventures not merely as revenue streams but as experimental projects to foster new thinking and better conditions for their design work. Their unconventional approach to client engagement and public relations emphasizes dynamic interaction over formal style, resulting in a design methodology that documents the full lifespan of a project through casual snapshots and detailed drawings of everyday objects. LCLA, led by Colombian architect Luis Callejas with bases in Oslo and Medellín, integrates landscape, cartography, and botany into architecture. Callejas, who gained prominence through public competitions and his work on the Aquatic Center in Medellín, challenges conventional architectural typologies by blending natural elements with built structures. His conceptual motif of the "island" highlights the potential for unique developments within contained environments. Callejas advocates for cultivating atmospheres rather than prescriptive sequences, using evocative collages as a key representational tool. His work, like "The River That Is Not" study for the Medellín River, proposes integrated strategies for hydrologic remediation and public engagement, demonstrating a political resonance in his designs. His current projects explore topographical sites in the Andes and Norwegian mountains, applying large-scale thinking to residential jobs. #ArchitecturalInnovation #DesignStudios #ProductDesign #SustainableArchitecture #MediaArt #UrbanPlanning #InteriorDesign #ExperimentalDesign #EmergingTalent

This blog post chronicles an eight-hour sprint through Milan Design Week, offering a comprehensive overview of 11 exhibitions, two dinners, and numerous networking opportunities, resulting in over 1,100 photos and a personal record for steps taken. The journey began at Nilufar Depot, a Milanese gallery celebrating its 10th anniversary with a theatrical presentation across three floors, showcasing a blend of classic icons and new designs, including a fur-lined maze with metal furniture and a striking red room by Objects of Common Interest. The tour continued to Casa Cork by David Rockwell, an immersive installation by Cork Collective that highlighted the versatility of natural cork. This exhibition featured various cork furnishings, from wall sconces to lounge chairs, and centered around a replica cork tree, demonstrating cork’s malleable properties and regenerative qualities. Next, SCP, a British manufacturer, marked its 40th anniversary with an exhibition divided into three sections: George Sowden’s rubberized lighting designs, SCP’s 2025 collection of foam-free upholstered seating emphasizing sustainable innovation, and the Boxed collection, featuring easily shippable objects designed to fit into a shipping container. Ligne Roset reissued its 1970s and 1980s Sandra settee and Kashima armchair, presenting them in new colors that maintain a contemporary feel while offering comfort. Loewe's exhibition, held in Palazzo Citterio, showcased 25 teapots created by various artists, designers, and architects, contextualizing a new line of homewares. The display transformed the utilitarian teapot form into art, presented dramatically in a bunker-like basement space. Marimekko collaborated with artist Laila Gohar to launch a new collection of bedding, sleepwear, and ceramics featuring colorful stripes. The installation included a grand-sized bed and playfully addressed the idea of eating in bed, symbolizing a blend of home life and art. Beni Rugs, a brand working with Moroccan artisans, presented “Intersection,” a line of 10 new rugs made in collaboration with Studio KO. The collection highlighted five weaving techniques, drawing inspiration from paperwork and showcasing the narrative ability of rugs in a former textile shop. Ikea revisited its Stockholm collection, featuring high-end pieces like chairs, shelving units, and a three-seat sofa, all in tan tones, presented in a large industrial space. Calico Wallpaper, in collaboration with Stephen Burks Man Made, displayed its Particulaire design, a wallpaper featuring favorite objects gathered during travels, showcased at the Instituto dei Ciechi. The exhibition included human-scale cutouts of selected objects, creating an immersive experience. The journey concluded with L’Appartamento by Artemest, which showcased Italian craftsmanship by opening Palazzo Donizetti to the public for its 10th anniversary, featuring 180 Italian artisans and artists across six unique spaces. Lastly, Capsule Plaza hosted Hem and USM. Hem celebrated its 10-year anniversary with an immersive suite showcasing collaborations and new releases like Philippe Malouin’s Great sofa, while USM provided a backdrop for Pharrell’s Humanrace skincare brand with a modular bathroom design. #MilanDesignWeek #FurnitureDesign #ProductShowcase #InteriorDecor #SustainableDesign #Craftsmanship #ExhibitionHighlights #HomeFurnishings #ArtAndDesign

The annual WOW!house at Design Centre, Chelsea Harbour, showcases 22 immersive spaces designed by a mix of established and emerging talents. This year's exhibition, on view from June 2 to July 3, offers a comprehensive look at current design trends, featuring contributions from designers like Alessandra Branca, Chad Dorsey, and Peter Mikic. The showhouse serves as a source of inspiration for both full-scale redesigns and minor refreshes, highlighting innovative approaches to spatial planning, color palettes, and luxurious yet livable layering. The following outlines key design ideas observed at the showhouse. The entrance hall, designed by Victoria Davar of Maison Artefact, creates a theatrical ambiance reminiscent of a country château. Davar raised the ceiling to five meters and installed a floating staircase, an antique stone floor, and traditional joinery. The space is adorned with an 18th-century Norwegian table and Pierre Forsell candleholders. A spiraling ‘Oak Leaf’ chandelier by Cox London serves as a dramatic focal point, emphasizing the impact of nature-inspired, large-scale pieces in an entryway. Chad Dorsey’s Fromental Drawing Room combines American and British Arts and Crafts influences. The room features a bespoke Strike fireplace, Alexander Lamont’s ‘Kita’ lamp, Kyle Bunting’s custom leather chequerboard rug, and Romo’s cinnamon chevron textiles. Fromental’s hand-painted ‘Kiku’ wallcovering extends across the walls, ceiling, and door casings, creating an immersive, atmospheric effect. Tommaso Franchi of Tomèf Design created a Venetian-inspired primary bedroom and sitting room, showcasing Italian craftsmanship. Franchi blended modern and historic elements using Fortuny textiles, Bonacina’s handwoven rattan, and Barovier&Toso;’s Murano glass. Draped fabric panels on the walls and upholstered doors add softness, warmth, and a cinematic quality to the space. Ben Pentreath Studio’s unfitted kitchen presents a Greco-Gothic fantasy with bold colors, eccentric details, and a focus on craft. Designed by Rupert Cunningham, Leo Kary, and Alice Montgomery, the kitchen features delicate wooden storage shelving from Lopen Joinery, allowing the architectural background and wall color to show through, blending practicality with poetic design. Alessandra Branca’s bedroom features a canopy bed wrapped in Casa Branca’s patterned linens, inspired by Mongiardino and David Hicks. The design combines classical references with sculptural pieces by Timothy Schreiber and Francis Sultana. ‘Paisley’ walls and striped drapery, alongside antiques from Rose Uniacke and Hawker Antiques, create a soft, luxurious, and hospitable environment. Alex Dauley’s media room, in collaboration with Nucleus, is a warm, cocoon-like space. Fully upholstered walls, ceilings, and a fitted custom rug in amber and walnut shades create an enveloping atmosphere. Hidden smart sound and lighting technology from Nucleus, along with handcrafted walnut and bronze shelving and sculptural lighting, add sophistication. The room also highlights pieces by Black artisans, including Darren Appiagyei’s raw wood vessels and Danielle McKinney’s giclée print. Emma Sims-Hilditch’s courtyard room, a boot room and dog snug, demonstrates that functional spaces can be stylish. It incorporates a marble sink for muddy vegetables and an elegant dog shower. Layered with antiques, bespoke craft, and hand-painted Delft tiles by Marlborough Tiles, this space highlights a modern trend of dedicating comfortable areas for pets. Daniel Slowik’s chartreuse morning room, designed with Treasure House Fair, emphasizes romantic restraint. The walls are covered in hand screen-printed cotton poplin with a trompe-l’œil pattern. Notably, large, ruffled frilled cushions made from Nuthall Temple fabrics add a witty and indulgent contrast to the room's unique antiques and art. Nicola Harding’s powder room, created with Drummonds, features a tented aubergine silk ceiling, transforming the small space into a magical retreat. Layers of patterned fabric, glossy tiles, and brass and mirrored finishes create a sensory experience. Harding’s bespoke rug-covered cabinetry and playful furnishings, combined with Drummonds’ elegant fittings, show how small spaces can achieve significant dramatic impact. Pirajean Lees’ circular sanctuary, wrapped in Dedar fabrics, is a sensory experience inspired by music, particularly jazz. Wool satin curtains, wild silk, and velvet mohair cover custom bookcases and a desk, with case designs referencing musical instrument trunks. A curving bespoke sofa, a custom Jennifer Manners rug, and a sculptural “Record” chair invite deep listening and pause. Peter Mikic’s dining room is a vibrant celebration of color, featuring Benjamin Moore’s ‘Broadway Lights’ yellow. The room includes an atomic chandelier, a bespoke dining table by Kaizen inlaid with semi-precious stones, and hand-painted trompe l’oeil panels. Billy Metcalfe’s abstract mural electrifies the back wall with sweeping strokes of green, blue, and red, creating a full-color feast. #DesignTrends #ShowhouseDesign #InteriorDecor #LuxuryInteriors #ColorPalettes #CustomFurnishings #ArchitecturalDetails #LondonDesign #HomeStyling

The design industry's annual textiles event, Paris Déco Off, has become known as the "couture week" of interiors. Editors from ELLE DECOR attended the event in Paris, moving from showroom to showroom to identify the most significant trends in fabrics, wallcoverings, and interior aesthetics for the upcoming year. The article highlights five key trends that emerged from the event, blending traditional craftsmanship with contemporary influences. The first notable trend is the resurgence of Faux Bois, where designers are incorporating the look of wood paneling and natural textures without the typical installation challenges. Brands like Arte International introduced wallcoverings made with wood veneer and inlaid rattan, while Phillip Jeffries utilized colorful chevron wood patterns. Lori Weitzner showcased an innovative approach by transforming mulberry wood into a latticed wallcovering suitable for various surfaces, including ceilings and floor lamps, emphasizing an organic and textural aesthetic. Secondly, the "coquette" trend, popularized on social media platforms like Instagram and TikTok, is making its way into interior design. This aesthetic embraces all things romantic and feminine, featuring elements such as tassels, bows, and florals. Samuel & Sons collaborated with interior designer Timothy Corrigan on the Bagatelle collection, a silk passementerie line displayed with elaborate Marie Antoinette–style wigs adorned with trim bows. Marmi introduced a new bath collection with a seductive pink marble tub and vanity, while Little Greene debuted National Trust IV wallpapers with various floral Ditsy prints. French textile company Antoinette Poisson also contributed to this trend with new floral patterns in their collaboration with Ruth Ribeaucourt. Thirdly, yellow is emerging as a strong contender for the color of the year, challenging the dominance of green. This sunny yet biophilic hue was prominently featured in many collections, often serving as a vibrant accent. Nobilis showcased goldenrod yellow juxtaposed with traditional patterns, while Rubelli, under the creative direction of Formafantasma, immersed its showroom in pastel shades, including a soft, playful yellow. Marvic Textiles incorporated yellow hues into its indoor/outdoor fabric collections, often alongside green, indicating a cheerful and natural inclination in color palettes. The fourth trend observed is "Couture Moments," reflecting the Parisian setting of Déco Off and drawing inspiration from haute couture. Arte International's Le Couturier collection presented wallcoverings that evoke high fashion, such as a caramel-hued jacquard design with loose threads, a truffle-colored covering with an embroidered pattern designed for immersive viewing, and a hand-embroidered silk-and-cork wallcovering adorned with pearl accents. The Vale London introduced a baby blue beaded Elizabeth Tape trim, an homage to Queen Elizabeth II, styled as a jacket in their display, further solidifying the link between fashion and interior textiles. Finally, "Animal Print 2.0" signifies a refreshed take on classic animal motifs. Designers are embracing a wilder side, moving beyond traditional leopard and zebra prints. Élitis presented hand-tufted jute rugs with abstract zebra and spotted leopard patterns, blending savanna influences with artistic flair. Clarke & Clarke collaborated with interior designer Breegan Jane for a maximalist, allover cheetah wallcovering and a glamorous toile featuring big cats. Dedar’s new tiger print fabrics, inspired by the idea of a tiger snuggling on a soft sofa, suggest a return to glamour and a more refined interpretation of animal prints. These trends collectively indicate a dynamic and diverse future for interior textiles and design in 2024. #ParisDecoOff #FabricTrends #WallcoveringTrends #InteriorDesign #FauxBois #CoquetteStyle #YellowInteriors #HauteCoutureInspiration #AnimalPrint

The biennial Euroluce lighting exhibition, a central component of Milan design week, showcases the latest innovations and designs in lighting. Dezeen editor-at-large Amy Frearson curated a selection of twelve notable lighting launches from Euroluce and other venues across Milan. The Salone del Mobile, a furniture fair, hosts Euroluce, featuring prominent international lighting companies such as Flos, Foscarini, Artemide, A-N-D, and Lambert & Fils. Among the featured designs, Ronan Bouroullec's Luce Sferica for Flos is a modular suspension lamp described as a blend of softness, magic, and technical sophistication. It consists of mouth-blown glass spheres connected by a polished extruded aluminum body, evoking the delicacy of raindrops or a soap bubble. Michael Anastassiades also contributed to Flos's new collection with the Linked lights, which utilize linear glass links forming illuminated ropes. These glass-encased elements hook over each other, creating vertical lines that can extend from the ceiling to the floor, functioning as both lighting and spatial dividers. Herzog & de Meuron's Trois Rois lamps for Artemide, originally designed for a hotel in Basel, are portable, rechargeable, and dimmable table lamps with a curvy shade and animal-like three-legged base. Available in felt or die-cast aluminum, the design aims for a lightweight, creature-like aesthetic. Patrick Jouin's Vera pendant for Lasvit features a unique texture created by pouring molten glass over a tree trunk, inspired by the natural presence of the forest surrounding Lasvit's production facility. Kwangho Lee collaborated with Lambert & Fils on the Bolda pendant, incorporating copper enamelling on polished aluminum sheets, drawing inspiration from traditional Korean chilbo art. Lukas Peet of A-N-D designed Tier, a multi-level linear light system suitable for various surfaces like kitchen counters or desks, utilizing extruded aluminum elements that can be stacked and feature a scalloped form for even light reflection. Francesca Lanzavecchia's asymmetric Allumette chandelier for Foscarini reinterprets traditional chandelier forms with arms of varying lengths connecting a central body to transparent tubes, aiming to soften its formal rigidity through technological elements and irregular balances. Aqua Creations' Metropolitan Collection, including the Miami wall lights, draws inspiration from art deco, placing lights behind translucent materials like silk, handmade paper, and wood veneer to create functional artworks that resemble paintings. Alessandro Zambelli's Dansì wall lights for Luceplan are a family of four geometric designs made from die-cast aluminum, which can be arranged to create the illusion of a thread weaving through a wall, offering a sculptural presence by day and an unexpected brightness by night. Samuel Wilkinson’s Corka pendants for Zero are conical lamps made from granulated cork pressed into a mold, emphasizing a sustainable, single-material design with minimal electrical components. Mathias Hahn's Gambosa lamp for Marset provides a sculptural take on the classic table lamp, featuring a smoothly curved steel base and a matching shade in various color combinations. Lastly, Form Us With Love developed the modular Catena desk lighting system for Blond, a workplace solution allowing for diverse sizes and configurations. This system, debuted at Stockholm Design Week, uses glass tube lights connected by aluminum frames, which can be exposed or encased in aluminum mesh shades, demonstrating versatility in design and application. These diverse lighting solutions highlight innovative uses of materials, sustainable practices, and creative forms presented at Milan Design Week. #MilanDesignWeek #Euroluce #LightingDesign #RonanBouroullec #MichaelAnastassiades #HerzogDeMeuron #PatrickJouin #KwanghoLee #LukasPeet #FrancescaLanzavecchia #AlessandroZambelli #SamuelWilkinson #MathiasHahn #FormUsWithLove #SustainableDesign #InteriorLighting #ProductDesign #DesignInnovation