raf simons upholsters 100 cassina feltri armchairs in vintage quilts for calvin klein's miami/basel debut

Fashion designer Raf Simons has collaborated with Danish textile company Kvadrat to introduce two new upholstery fabrics, Helia and Silas, expanding his ongoing collection for the brand. Simons' objective for this collection was to explore and push the boundaries of conventional upholstery textiles, drawing inspiration from haute couture fabrics and techniques to achieve unusual textures from natural materials such as linen, wool, and viscose. This collaboration highlights a continued partnership where Simons injects his distinctive blend of colors and materials into Kvadrat's textile offerings. The Helia fabric is primarily composed of new wool, with supplementary acrylic, viscose, and nylon. Its design meticulously mimics the texture and structure of astrakhan fur, which is derived from fetal or newborn lambs. The fabric, characterized as a bouclé textile, presents a woven interpretation of this fur, featuring an organic, structured appearance. The use of yarn-dyed fibers contributes to Helia's melange quality, providing a subtle depth and variation in color. Silas, the second fabric in the collection, is crafted from new wool and nylon, and is distinguished by its soft, voluminous feel. The creation of Silas involves a sophisticated finishing process where the velvet-like texture is repeatedly unraveled and beaten. This technique causes the fabric to swell and then return to its original shape, before undergoing a steam treatment. The result is a textile that evokes the appearance of unravelled velvet, offering a unique tactile experience. Simons expressed his particular interest in experimenting with woven versions of traditional haute couture materials and techniques, such as furs and knits, for this collection. He noted that this exploration led to the development of two sensuous textiles, both featuring heavily textured yet extremely soft surfaces, underscoring his commitment to innovative material development within the upholstery sector. In addition to the two new fabrics, the collection is augmented by three cushions made from the Silas fabric. Simons also refreshed the color palette of his existing Sunniva 3 fabric, demonstrating a holistic approach to his textile design for Kvadrat. Raf Simons, who trained in industrial design and established his menswear brand in 1995, has a notable career in fashion, including roles as artistic director at Jil Sander and, since January of this year, co-creative director at Prada alongside Miuccia Prada. Kvadrat, founded in 1968, has a rich history of collaborating with prominent designers to produce innovative textiles and products. Recent collaborations include the Maya and Jaali fabrics designed by London studio Doshi Levien and a energy-reducing roller blind developed with Ronan and Erwan Bouroullec, reflecting the company's ongoing commitment to design innovation and strategic partnerships. #RafSimons #Kvadrat #UpholsteryFabrics #HauteCoutureInspired #TextileDesign #IndustrialDesign #MaterialInnovation #FashionDesignCollaboration

Arper has re-engaged designer Jean-Marie Massaud to introduce the Aston Club, a new lounge chair for 2020, building upon the success of the original 2006 Aston collection. This new addition features a distinctive silhouette and classic design elements, engineered to provide optimal comfort within its enveloping form. A primary focus in the development of the Aston Club was not only ergonomic comfort but also environmental sustainability. The internal components of the chair are manufactured entirely from post-industrial recycled plastic. These components are designed to be easily disassembled, allowing for their recycling or upcycling into other products, thereby minimizing waste. To mark the launch of the Aston Club, Arper selected four specific fabrics from the Kvadrat/Raf Simons collection, which debuted at Salone del Mobile 2019. These fabrics, co-designed by Kvadrat and Belgian fashion designer Raf Simons (who also serves as co-creative director of Prada), were chosen to upholster the new lounge chair. The Aston Club, accompanied by a matching footrest, is designed for versatility, suitable for office, hospitality, or residential environments, offering both visual appeal and a comfortable seating solution for relaxation. Jean-Marie Massaud, the designer of the Aston Club, highlighted that the new fabric range significantly enhances the product's personality and identity. He noted that these exclusive fabrics and finishes expand the Aston Club's aesthetic, making it adaptable to a wide range of settings, from traditional to modern. The manufacturing process of the Aston Club chair intentionally avoids the use of glue, a decision made to reduce emissions and facilitate responsible disposal of all components. Furthermore, the chair's base is finished with a powder-based coat that is free of VOC (Volatile Organic Compound) emissions, underscoring its eco-friendly design. While the chair is prominently featured in the Kvadrat/Raf Simons fabrics, it is also available with various other upholstery options, encompassing both classic fibers and contemporary patterns. The base can be customized with either a polished or painted aluminum finish, offering further aesthetic flexibility. More information about the Aston Club chair and other furniture options is available through Arper's official website and the Design Milk Shop. #Arper #AstonClub #JeanMarieMassaud #KvadratRafSimons #SustainableDesign #LoungeChair #InteriorDesign #FurnitureDesign #EcoFriendly

The author uncovers a stylish accent chair on Kelly Clarkson's Las Vegas residency stage, an unexpected source of home decor inspiration. This discovery highlights the Kelly Clarkson Home x Vegas Collection, a collaboration with Wayfair, designed to capture the glamour and aesthetic of her Las Vegas show. The collection, and particularly the accent chair, embodies a retro, playful, yet sophisticated style, characterized by unique textures, carved wood details, and curvaceous forms. The Steven Chenille Barrel Chair, priced under $350, is the focal point of the article. It features an architectural design with wraparound armrests and a suspended seat, rendered in an on-trend sage green colorway. Its construction includes a solid and engineered wood frame, entirely upholstered in plush, boucle-like chenille, and distinctive cutouts in the legs that create an open and airy look, maintaining clear sightlines. The chair's aesthetic appeal is further emphasized by Kelly Clarkson herself, who identifies it as her favorite piece from the collection. She explains that the collection aims to recreate the warm, homey vibe of her studio sessions, incorporating elements like plants, comfortable chairs, and lamps. The author appreciates the chair's design, noting its curved shape and sage coloring as particularly attractive features. Beyond the chair, the article also suggests complementary pieces from the Kelly Clarkson Home x Vegas Collection to help readers style the accent chair effectively. These include the Anderson Resin Table Vase, featuring a fluted texture and antiqued brown finish, ideal for a coffee table or console; the Mira Woven Chenille Throw Pillow, a velvety cushion designed to add texture to a sofa or accent chair; and the Lillian Wicker Tray, a hand-crafted rattan piece that provides an organic, textured finishing touch for sideboards or ottomans. The article serves as both an exciting product discovery and a guide for integrating celebrity-inspired decor into one's home, emphasizing affordability and stylish versatility. #KellyClarkson #AccentChair #HomeDecor #CelebrityStyle #Wayfair #InteriorDesign #VegasCollection #ChenilleUpholstery #SageGreen

Raf Simons, the acclaimed fashion designer known for his work with Jil Sander and Dior, and recently appointed co–creative director at Prada, has launched his latest textile collection for the Danish textile company Kvadrat. This collaboration, which began in 2014, introduces two new upholstery fabrics, Helia and Silas, drawing inspiration from Persian lamb fur and matte surfaces. These new offerings result in a bouclé fabric and a matte fabric, both characterized by a notably soft and gentle hand. Anna Vilhelmine Ebbesen, Kvadrat's head of design consumer, highlights the textiles' extra softness, which contributes to a more rounded, organic aesthetic, and their comforting tactility. In addition to the new fabrics, Simons has refreshed the color palette of Sunniva, a previously designed textile. The collection's launch also features a unique application of these new materials: Simons has used them to reupholster Roberto Matta’s Malitte Seating System, a modular furniture piece from 1966 that is part of the Museum of Modern Art (MoMA) collection. This choice serves as a playful contrast to the sophisticated elegance of the new upholstery textiles, reflecting Simons's haute couture background. Ebbesen expresses her admiration for Simons's creative approach, noting his distinctive perspective on textiles and colors, which brings a fresh dimension to furniture and space design. She describes Simons as a brave individual and an attentive listener who values diverse opinions, qualities she deems crucial for successful collaborations. His commitment to questioning established norms and refusing to compromise on detail or quality further underscores his meticulous design philosophy. The development of this collection predated the global impact of COVID-19, and a planned celebratory event for the launch was canceled due to the pandemic. However, the timing of the new collection, with its focus on enveloping and comforting interior fabrics, proved to be particularly relevant as consumers were spending more time at home. Despite the challenges posed by the pandemic, Ebbesen remains optimistic, viewing the crisis as an opportunity for reevaluation and positive change within Kvadrat's operational practices. #RafSimons #Kvadrat #UpholsteryFabrics #TextileDesign #RobertoMatta #MalitteSeatingSystem #FashionDesigner #InteriorDesign #FurnitureDesign

Los Angeles-based designer Willett launched his eponymous furniture brand in September 2024, introducing a six-piece, locally made collection. His designs evoke a sense of nostalgia, combining golden-toned wood, silky-smooth lacquer, and soft angles that reference early 20th-century modernism while incorporating the playful aesthetic of the 1960s and 1970s. The debut collection includes the glossy black lacquered 'Popo' chair, 1960s-inspired credenzas with asymmetrical doors, a low-slung armchair with leather cushions, dining tables with integrated seating, a daybed, and a black lacquer coffee table featuring a recessed band of veneer inlay. Willett's journey into furniture design began during the pandemic after he and his wife, chef Molly Baz, relocated from New York to LA. Previously, he worked as an in-house creative director for brands like Nike and YZY GAP, where he focused on experiential spaces, making the transition to bespoke furniture for his own home a natural progression. Currently, Willett operates from his newly opened showroom in LA's Arts District, where he is developing new furniture designs for release next year and engaging in interior design and ground-up building projects. Before the end of 2024, Willett is scheduled to showcase his collection at Design Miami 2024 through installations with the Swiss furniture brand USM and the online marketplace Basic.Space. In an interview, Willett discusses how his experience designing for brands like Nike and YZY GAP influenced his holistic approach to interiors and furniture, emphasizing that every detail contributes to the overall experience. He aims for precision and efficiency in his designs, ensuring every element serves a purpose. Willett is drawn to materials like veneered bent plywood and lacquer because they are readily available and align with his vision of making good design accessible. He believes his pieces should feel familiar yet offer a refreshing perspective amidst market saturation. For Design Miami 2024, Willett is debuting his first dining chair, the 'WT G1 Popo' chair, in new colorways—Willett Red and Cream—alongside the previously released Ebony. These chairs are a contemporary interpretation of a modernist classic, designed to be versatile enough for sophisticated dining rooms or as standalone art pieces. His collaborations with USM and Basic.Space developed organically, stemming from a shared passion for design. Visitors to Willett's LA showroom can expect to see a rotating selection of his pieces, which he lives with and finesses before their official release, ranging from dining tables to daybeds and small stools. The showroom is intentionally pared back to allow the furniture to take center stage. Looking ahead to next year, Willett has several projects that explore the symbiotic relationship between his furniture and the spaces they inhabit. One ground-up build project will feature a roofline that echoes the silhouette of his 'WT G1 Baby Grand' coffee table, demonstrating his integrated design philosophy. He explains that each space is tailored to its environment while maintaining a consistent design language, creating what he refers to as a 'Willett Space.' For Willett, there is no distinction between creating spaces and designing furniture; he approaches both with the same objective: to enhance people's lives through thoughtfully crafted built environments. The Willett showroom is accessible by appointment only through his website. #FurnitureDesign #DesignMiami #Willett #InteriorDesign #Modernism #RetroStyle #LAdesign #ProductLaunch #LuxuryFurniture

Raf Simons, the acclaimed Belgian fashion designer and co-creative director of Prada, in collaboration with Danish textile brand Kvadrat, has unveiled an innovative home storage system dubbed the Shaker System. This collaboration marks a significant departure from their previous endeavors, which primarily focused on upholstery fabrics. For their eighth year of partnership, Simons has ventured into product design, drawing inspiration from the practical and minimalist aesthetics of traditional Shaker homes. The Shaker System reimagines the classic wall-mounted peg rail, a staple in Shaker design, known for its functional approach to keeping common spaces orderly. Simons's fascination with Shaker furniture, which he describes as both pure and surprisingly futuristic, began during his tenure as chief creative officer at Calvin Klein in New York City. His updated version transforms the simple peg rail into an upholstered railing with discreetly hidden hooks. The system is available in Kvadrat’s Vidar 4 fabric, offered in a selection of colors: pink, dark green, black, and white. This design, while appearing minimal, incorporates a technical complexity to achieve its refined simplicity. The expansion into a new product category reflects Simons's desire to create something beyond conventional fabric collections or standalone furniture pieces. He aimed to develop a system that deeply integrates with domestic environments and influences how individuals interact with objects within their homes. Unlike art objects destined for galleries, Simons’s intention was to craft a functional and impactful product for everyday use. This shift is rooted in his background; prior to his fashion career, Simons studied industrial design at Genk’s Luca School of Arts. His design philosophy for the Shaker System is informed by a broad spectrum of influences, including 20th-century art and design figures like Joe Colombo, known for his adaptable domestic systems, and Jacques Adnet, recognized for his meticulous leatherwork. American minimalists such as Donald Judd and John McCracken also served as critical references, alongside the Shaker movement’s emphasis on intuitive functionalism and economic form. These inspirations coalesced into a system that is both aesthetically refined and highly practical. To complement the core Shaker System, Simons has designed a series of coordinating accessories tailored for different areas of the home. These include a magazine holder, wool throws, and matching pillows for living spaces, and a coordinated key holder, shopping bag, and slippers for entryways. The overarching goal behind these accessories is to enhance the system’s utility and integrate it seamlessly into daily life. Ultimately, Simons emphasizes that a truly significant object is one that is used consistently, highlighting the blend of design innovation and practicality at the heart of the Shaker System. #RafSimons #Kvadrat #ShakerSystem #HomeStorage #ProductDesign #InteriorDesign #TextileDesign #BelgianDesign #DanishDesign

The creative studios Astronauts and SERAPIS have collaborated to produce the steel chairs Scylla & Charybdis, which are being showcased at Alcova Miami from December 2nd to 8th, 2024, coinciding with Miami Art and Design Week. These chairs draw inspiration from the formidable Greek mythological sea monsters of the same names and are constructed with rigid unibody steel structures. The Athens-based collectives have designed the chairs with pointed tips at their ends, reminiscent of crab claws. These sharp ends serve a functional purpose by pinning down the upholstery, crafted from jacquard-woven cotton fabric by SERAPIS, onto the seat to form the cushion. The collaboration brings together the distinct yet complementary backgrounds of both studios. Astronauts, founded by Danae Dasyra and Joe Bradford, is a creative studio, while SERAPIS, a hybrid art, design, and fashion collective, includes members and artists Krini Dimopoulou, Dimitra Dimopoulou, and Manolis D. Lemos. Their shared inspiration from Greek mythology for the Scylla & Charybdis chairs is a central theme of their presentation at Miami Art and Design Week. Each collective contributes its specialized expertise to the creation of these sea-monster-like steel chairs. Astronauts is responsible for designing and shaping the thin steel sheets into the chair bases, utilizing the hydroforming technique for precision and structural integrity. SERAPIS then introduces its signature 'rust' colorways, applied to both the upholstery and the metallic finish of the chairs, enhancing their aesthetic appeal. The legs of the chairs are forged from steel and subsequently finished with a custom translucent powder coating. This particular finishing technique allows the natural heat blemishes that occur during the welding process to become visible on the surface, creating a unique ombré effect. The design is completed with pointed tips on the legs, which give the Scylla & Charybdis chairs an ethereal appearance, as if they are subtly hovering above the ground. In addition to the Scylla & Charybdis chairs, Astronauts and SERAPIS are also presenting other works at Alcova Miami. These include vases inspired by sea anemones, their new Sao mobile sculpture made from aluminum and stainless steel, and a hanging silk piece titled Ever Scrapping (Sharjah Yard), which features a printed image of a scrap yard in Sharjah. The exhibition of these pieces underscores the studios' innovative approach to design and their ability to blend artistic vision with functional furniture, all while drawing from rich cultural and natural inspirations. #ChairDesign #SteelFurniture #MythologicalInspiration #AlcovaMiami #MiamiArtAndDesignWeek #AstronautsStudio #SERAPISCollective #HydroformingTechnique #ContemporaryFurniture

A new furniture collection, born from a collaboration between the luxury British carmaker Aston Martin and the renowned makers of luxury interiors and accessories Formitalia, was recently previewed at Milan Design Week. This partnership between two prominent luxury brands aimed to develop a unique, contemporary, yet timeless furniture collection that distinctly reflects the rich traditions and meticulous craftsmanship synonymous with Aston Martin sports cars. The collection, slated for public sale in September, showcases impeccable Italian craftsmanship, utilizing authentic and luxurious materials throughout each piece. The design ethos of the collection blends dark textured timbers with the warm luminescence of brushed brass, complemented by opulent velvets and leathers, and the distinctive open textured weaves of handwoven Italian linens. Each item in the collection is meticulously finished with a newly curated palette of elegant colors, ensuring a sophisticated and cohesive aesthetic. A standout feature of the collection is a signature sofa, ingeniously constructed from a harmonious blend of fabric, leather, wood, and metal. This sofa is further enhanced by integrated functionalities such as a magazine rack crafted from soft leather or an elegant service table made from Canaletto walnut. Another significant highlight within the collection is a luxurious sofa distinguished by its shell, which is exquisitely dressed in premium cuoio leather sourced from the picturesque Tuscan hills. For seating, customers are offered a choice of any fabric or soft leather from the extensive range to upholster the firm, supportive seats. The collection also includes an array of exquisite coffee tables, meticulously fashioned from exotic Sahara Noir or Breccia Medicea marble, and available with either smoked or clear glass tops, offering both functionality and artistic appeal. For the bedroom, the new collection introduces a bed that exemplifies the beauty found in simple, elegant lines. This bed is also adorned with fine cuoio leather and features a futon-style mattress draped in sumptuous cashmere, topped with two coordinating cashmere-upholstered cushions for ultimate comfort and luxury. Complementing the bed are charming sideboards, where the rich tones of Canaletto walnut are paired with fine leather, resulting in two classically beautiful and functional pieces of furniture for the bedroom. To complete the comprehensive collection, two striking armchairs are offered. These armchairs feature seats upholstered in either soft leather or fabric, resting gracefully atop beautifully structured metal or walnut legs, providing both comfort and a sophisticated design element. Gianni Overi, CEO of Formitalia, emphasized that the designs are artistic yet timeless, faithfully adhering to the design philosophies that characterize Aston Martin's iconic sports cars, ensuring that discerning customers can enjoy furniture that integrates Aston Martin's distinct design language into their homes. #AstonMartin #Formitalia #LuxuryFurniture #MilanDesignWeek #ItalianCraftsmanship #HomeDecor #LuxuryInteriors #DesignCollaboration

Australian designer Marcel Sigel, in collaboration with the furnishings and décor brand Gohome, has introduced the 'Lunar' collection, a series of three chairs designed to offer flexible seating solutions for various environments, including residential, hospitality, and commercial settings. The collection is characterized by its soft, curving lines, which are achieved through injected 3D foam manufacturing. A distinctive feature of the 'Lunar' chairs is an arched lumbar scoop, a detail that not only enhances comfort but also contributes significantly to the aesthetic character of the pieces. This design element is said to be reminiscent of a rising moon, from which the collection derives its name. The 'Lunar' collection comprises three distinct styles: 'Lander', 'Rover', and 'Orbiter'. Each style shares the core design philosophy of comfort and visual appeal, adapted to slightly different forms or functionalities. The chairs are upholstered with Camira fabric, offering a choice of four colors: black, grey, blue, and red. This color palette allows for versatility in fitting into diverse interior designs and themes. The use of injected 3D foam manufacturing is a key aspect of the chairs' construction, enabling the creation of smooth, ergonomic curves that conform to the body while maintaining a streamlined appearance. Attention to detail is evident in the design, particularly with the contrasting stitching on the back of the chairs. This subtle yet impactful detail adds a dynamic visual element, preventing the chairs from appearing monolithic and instead providing a sense of movement and crafted quality. The 'Lunar' collection is intended to be adaptable, catering to a broad spectrum of interior design needs. For instance, the 'Lunar Orbiter' model is highlighted as being stackable, a practical feature that makes it suitable for spaces requiring efficient storage or flexible arrangements, such as event venues, conference rooms, or even compact residential areas. The collaboration between Marcel Sigel and Gohome brings together innovative design principles and manufacturing capabilities to produce furniture that is both aesthetically pleasing and functional. The collection aims to provide comfortable and stylish seating options that can seamlessly integrate into various contemporary settings. The inspiration drawn from the moon's shape not only gives the collection its poetic name but also influences the gentle, inviting contours that define each piece within the series. The durability and material choices, such as the Camira upholstery, suggest a focus on longevity and ease of maintenance, further broadening their appeal for both private and public spaces. #MarcelSigel #Gohome #LunarCollection #ChairDesign #FurnitureDesign #3DFoamManufacturing #CamiraUpholstery #InteriorDesign

Belgian designer Casimir marks three decades in the design industry with a new collection of six wooden objects, with another six pieces slated for future release. These initial six items include two consoles, a cabinet rack, a mirror, a side table, and a low table, all crafted from solid oak and walnut, chosen for their ecological qualities. Each piece is a limited edition, signed, and numbered, reflecting Casimir's hands-on approach as a self-described furniture artist who designs and produces his work in his own studio. The designer emphasizes concept over styling or trends, aiming to rethink and question classical furniture through his oeuvre. He values the authenticity and sustainable nature of wood as a material. One notable piece, Cross4, is a customizable console designed to lean against a wall. It incorporates the symbol of a cross, which Casimir explains is a loaded symbol in Flemish culture, traditionally placed above doors to signify welcome and protection. This console is thus intended as a gesture of hospitality at an entrance. CabinetRack2, measuring 120 centimeters wide and 180 centimeters high, showcases an innovative approach to furniture construction. Casimir created a standard cabinet without doors, then sawed it into two equal parts. These parts were subsequently shifted at an angle and glued together, resulting in a rack that can also function as a room divider, demonstrating an "exercise in what you can do with a standard cabinet." Mirror3, another piece in the collection, intentionally restricts the user's view, contrasting with traditional mirrors that offer a full reflection. Casimir drew inspiration from architectural sun blinds, which are horizontal slats used to block sunlight. He reinterpreted this concept by orienting them vertically to limit the reflection to a single viewpoint within a space. The side table, Arch, is unique in the collection for being crafted from walnut wood rather than oak. Its oval-shaped tabletop is cut from a larger rectangular piece of wood, with the remaining material utilized to form the legs. These legs consist of two trusses that cross beneath the oval top, creating a small vault. Plank5, a low table standing 35 centimeters off the ground, features five oak wood planks stacked in a manner reminiscent of a fireplace or campfire, with the plank ends extending at various angles. The final piece of this initial release is Console3, a double-shelved unit supported by three rotatable tripods. Casimir's upcoming six designs to complete the 12-piece collection include three ladders and a cabinet, alongside an exploration of furniture legs, all continuing his work with wood. The designer's ambition for the entire collection is for the pieces to endure for over a century, aligning with the tradition of classical furniture making. He notes the importance of experimentation and intuition in his creative process, where the idea, material, form, and function are deeply interconnected. #FurnitureDesign #WoodenFurniture #OakFurniture #WalnutFurniture #SustainableMaterials #BelgianDesign #ArtFurniture #LimitedEdition

This article highlights five iconic club chairs that embody classic design and offer enduring style, providing an overview of each piece's history, design philosophy, and notable features. Each chair represents a blend of aesthetic appeal and functional comfort, suitable for various interior design preferences. The Toro armchair, designed by Luigi Caccia Dominioni in 1973 for the Monticello country club, is a monumental piece characterized by its 120cm diameter and circular shape. Its unique design allows for easy rotation, enabling users to adjust their seating position. This chair combines striking visual presence with interactive functionality, making it a distinctive addition to any space. The Judge armchair, a creation of Swiss architect Pierre Jeanneret from the 1950s, was originally designed for the Capitol Complex in Chandigarh, India. These historic pieces have been reinterpreted through a collaboration between Kris Van Assche, creative director of Berluti, and François Laffanour of Galerie Downtown. The chairs are now upholstered in Berluti's luxurious Venezia leather, blending mid-century modern design with high-end contemporary materials. Rodolfo Dordoni's Andersen armchair for Minotti, while not strictly a traditional club chair, offers a refined take on the classic form. Designed by the Milan-based architect, this chair features a sophisticated mid-century modern silhouette. It is updated with elegant pewter-colored feet and a metal base, and its dark brown glove-leather finish evokes the luxurious feel of a classic club chair, making it a versatile and stylish choice. The Vanity Fair armchair, developed by Renzo Frau and later by his wife Savina after his death in 1930, stands as a quintessential club chair. Its design is characterized by simplicity, boldness, and pleasing curves, with a tilted back designed for optimal relaxation. Crafted from solid, seasoned beech and covered in Pelle Frau leather, it showcases traditional craftsmanship and timeless elegance, finished with leather-covered pins. Lastly, the Club armchair by Jean-Michel Frank, designed in 1924, is a testament to enduring style. Frank famously used Hermès to upholster his furniture, and this chair was officially added to the Hermès Maison collection in 2010 with the approval of the Jean-Michel Frank Committee. This piece demonstrates how a design conceived in the early 20th century can remain relevant and modern today, embodying a blend of historical significance and contemporary appeal. These five chairs collectively showcase the rich heritage and diverse interpretations of the classic club chair, each offering a unique story and a distinct aesthetic. #ClubChairs #FurnitureDesign #InteriorDesign #ClassicDesign #LuxuryFurniture #Armchairs #DesignHistory #HomeDecor

The Eames Lounge Chair, an iconic wood-and-leather seat often paired with a coordinating ottoman, stands as a prominent symbol of midcentury furniture. Despite the Eameses' reputation for experimenting with materials like plastic and plywood, they produced this luxurious item, making it a ubiquitous statement in various home aesthetics, from modern to traditional. The article delves into the history, design, and manufacturing process of this renowned piece. The genesis of the Eames Lounge Chair dates back to the 1940s at the Cranbrook Academy of Art, where Charles and Ray Eames first met. After graduating, they established the Eames Office in Los Angeles, initially focusing on mass-producible furniture made from inexpensive materials. However, the Lounge Chair marked a departure, representing their foray into luxury design. Amy Auscherman, Head of Archive and Brand Heritage at Herman Miller, emphasizes the Eameses' human-centered approach to design, noting that the Lounge Chair was their first attempt at creating a luxury heirloom item, born from their continuous experiments in molded plywood. The design, first produced in 1956, incorporates a bent-wood frame, a technique refined by the Eameses using their "Kazam! machine" to press thin layers of wood veneer. This innovative construction ensures optimal ergonomics and comfort. The chair is upholstered in high-quality, supple leather, chosen to evoke "the warm receptive look of a well-used first baseman’s mitt," creating a "special refuge from the strains of modern living." Auscherman further highlights that the chair draws inspiration from the classic English Club Chair, making it both familiar and a technological innovation that redefined beauty, allowing it to seamlessly integrate into any environment. Authentic Eames Chairs are still manufactured by Herman Miller in the U.S. and by Vitra in Europe and the Middle East. The manufacturing process remains largely consistent with the original, emphasizing meticulous attention to detail from plywood molding to leather cutting and individual cushion sewing. Herman Miller employs advanced scanning technology to identify defects in leather hides, ensuring only the best cuts are used for upholstery. Consumers looking for authentic pieces should purchase directly from these manufacturers or authorized retailers like Design Within Reach and the MoMA Design Store. While the original chair featured black leather, current offerings include a variety of upholstery and wood options. For vintage pieces, resale sites like 1stDibs and Chairish are options, but buyers must verify authenticity through Eames studio, Vitra, or Herman Miller labels. The Eames Lounge Chair, with its 65 years of continuous production, represents a significant and enduring investment in design. #EamesLoungeChair #MidcenturyModern #FurnitureDesign #HermanMiller #RayAndCharlesEames #LuxuryFurniture #DesignHistory #InteriorDesign #IconicFurniture

Albion Nord, an interior design firm, has unveiled a new bespoke furniture collection designed specifically for the Chelsea Barracks residential development in London. The collection, which reflects the history and values of the barracks, was created in collaboration with various British artisans and will be available for individual purchase. The Chelsea Barracks development, a project by Qatari Diar, a subsidiary of the Qatar Investment Authority, is a 12.8-acre site in the City of Westminster, London. The development includes several apartment blocks and 13 six-story townhouses designed by PDP London, two of which Albion Nord was commissioned to design as show homes. The design philosophy behind the furniture collection emphasizes craftsmanship, quality, and materiality. Ottalie Stride, Creative Director at Albion Nord, stated that the goal was to create a range of furniture, lighting, and accessories that showcase respect for context and tradition. The collaboration with "best-in-class British artisans" was crucial in blending historical elements with contemporary design, resulting in pieces that are intended to be timeless heirlooms. The collection features 11 distinct pieces, each incorporating unique historical references and high-quality materials. Five notable pieces from the collection have been highlighted. The Wellington Desk, a prominent item, draws inspiration from original campaign desks that would have been used in the barracks. It was created in partnership with Stride & Co and Collier Webb and is crafted from a single piece of English pippy oak, featuring an embossed leather top and lockable leather-lined drawers. Its design includes reeded timber details and collapsible legs with brass lion paw feet, mirroring the original campaign desk features. The Barracks Bench, also made from English pippy oak in collaboration with Stride & Co, is designed to be a timeless piece suitable for various interior styles. It features a turned frame, interlocking spindles, and a woven cane seat, with an optional loose seat cushion upholstered in Wren fabric. This fabric's textured print subtly references the architectural footprint of the Royal Chelsea Hospital, adding a layer of historical context to the design. The Elizabeth Side Table features a conical base made from green English oak and a pippy oak top, connecting it visually to other pieces in the collection. Developed with Stride & Co, this table references Britain's historical tea-drinking culture and is presented as an ideal accompaniment to a reading chair. The Radnor Tableware set, designed by Sally Marien, is named after the area's history of porcelain and the William Frend de Morgan pottery works. This porcelain set, consisting of a dinner plate, cereal bowl, side plate, soup bowl, and mug, features the distinctive Chelsea Barracks rose on each item. Finally, The Belgravia Lamp, a statement piece with a symmetrical and architectural silhouette, is handmade from Moleanos stone. This lamp, created in collaboration with David Turner and Concept Bespoke, is inspired by the classic architectural features found in many historic Chelsea buildings. Its design is set on a bronze plinth, offering versatility with various shade designs. The entire collection is available for viewing and purchase through the Albion Nord website, reinforcing the integration of luxury design with local heritage and expert craftsmanship. #AlbionNord #ChelseaBarracks #FurnitureCollection #InteriorDesign #BritishCraftsmanship #LuxuryHome #LondonProperty #HeirloomDesign

Carl Hansen & Søn has announced a collaboration with Edelman Leather to reinterpret six iconic Hans J. Wegner chairs. This partnership introduces a limited-edition collection designed to offer a fresh perspective on classic furniture pieces. The collection is specifically aimed at the residential market in North America, providing a diverse array of options for designers and homeowners. Each of the six chairs can be customized with various leather upholsteries and wood finishes, resulting in 129 distinct permutations. This extensive range allows for significant personalization, enabling designers to select pieces that perfectly complement diverse interior aesthetics. Thomas Vagner, president of Carl Hansen & Søn Americas, highlighted the thoughtful design approach behind the new collection. He noted that the color palette is inspired by the natural world, drawing from the rich textures and hues found in nature. This influence suggests a focus on organic tones and tactile qualities that can bring warmth and sophistication to any living space. The materials used for the chairs include oak, walnut, or painted beech, providing a robust and aesthetically pleasing foundation for the leather upholstery. Each chair is meticulously finished and upholstered by hand, emphasizing the craftsmanship and attention to detail that both Carl Hansen & Søn and Edelman Leather are known for. Among the featured chairs in the collection are Hans J. Wegner’s Wing Chair, reimagined in Sueded Buffalo Bull from Edelman Leather. The Oculus Chair is presented in Royal Hide, while the Shell Chair is available with an oiled walnut frame and upholstered in Rattlesnake leather. Other notable pieces include the CH20 in painted beech and Cavallini, the CH88 with a smoked oak backrest and Shagreen, and the CH33 in oiled oak and walnut with Royal Hide. These specific combinations showcase the versatility of the materials and the potential for creating truly unique furniture items. The collaboration brings together the heritage of Danish design with the luxurious quality of Edelman Leather. Hans J. Wegner’s designs are celebrated for their timeless appeal and ergonomic comfort, and the integration of Edelman Leather's premium materials elevates these pieces to a new level of luxury. The hand-finished details and the broad customization options cater to a discerning clientele seeking bespoke furniture solutions for their homes. This collection not only preserves the integrity of Wegner’s original designs but also infuses them with contemporary relevance through updated material choices. This exclusive collection represents a significant offering for the North American residential interior design community. By providing such a wide range of choices, the collaboration aims to empower designers to create personalized and elegant interiors. The emphasis on high-quality materials and artisanal craftsmanship ensures that each piece is not only visually striking but also built to last, embodying both durability and sophisticated style. The partnership highlights a commitment to merging iconic design with modern luxury, offering consumers a chance to own a piece of design history with a contemporary twist. #CarlHansenSøn #EdelmanLeather #HansJWegner #IconicChairs #FurnitureDesign #LuxuryUpholstery #ResidentialDesign #InteriorFurnishings #DesignCollaboration

Mac Fabrics, a family-owned business established in downtown West Palm Beach in 1959, is celebrating its 65th anniversary. Initially a pioneer in offering elevated quality fabrics, the company has maintained its reputation within the design industry for over five decades by evolving while remaining relevant and modern. In 2017, entrepreneur Sandy Costello acquired Mac Fabrics, leading to a rebrand and expansion. Under Costello's leadership, the business transformed into Mac Fabrics & Design Center, expanding its physical footprint to an 8,000-square-foot storefront and significantly broadening its product selection. This strategic move aimed to position the brand for long-term success by integrating a comprehensive range of offerings beyond just fabrics. The expanded Mac Fabrics & Design Center now provides a wider array of products, including furniture, wallpaper, and home accessories. The introduction of in-store design services further enhanced its appeal to both residential and commercial interior design clients. The relocation of the Design Center to Northwood Village symbolizes a connection to its historical roots in the Palm Beaches while also embracing future advancements in design. The business continues to prioritize elevating interior standards by offering tailored solutions that meet specific client needs. A key addition to its services includes a custom upholstery and drapery workshop, which allows for highly personalized design elements. Furthermore, the company offers local delivery and installation services, providing a complete and convenient experience for its clientele. This contemporary approach positions Mac Fabrics & Design Center as a one-stop shop, effectively blending traditional values with innovative design trends. The article highlights the brand's enduring commitment to excellence and its capacity to adapt and thrive within the dynamic landscape of interior design, cementing its legacy in the Palm Beach community. The showroom, located at 535 24th St., West Palm Beach, showcases various prints, patterns, and bedding, including luxury linens from Ann Gish. #MacFabrics #PalmBeachDesign #InteriorDesign #HomeDecor #Fabrics #DesignCenter #Anniversary #SandyCostello #LuxuryLinens

Raf Simons, widely recognized for his contributions to fashion with brands like Dior and his collaborations with Adidas, has a lesser-known background in furniture design. This foundation in furniture informs his ongoing collaboration with the Danish textile manufacturer Kvadrat, now in its third iteration. The partnership blends Simons' design ethos with Kvadrat's expertise in fabric production, resulting in a collection of textiles, pillows, and throws that merge high fashion sensibilities with home décor. The latest Kvadrat + Raf Simons collection, launched at Avenue Road, features over 200 items. These are not typical upholstery fabrics; they are distinguished by their bold designs and innovative textures, all produced with Kvadrat's renowned quality. Simons' design inspiration for this collection is eclectic, drawing from modernist furniture, pop art, contemporary art, fashion trends, and music. This diverse range of influences is evident in the patterns and materials chosen for the textiles. The collection includes a variety of stripes, solids, and speckled patterns, utilizing premium materials such as 100% wool, mohair, and new wool worsted blends. The tactile quality and superior craftsmanship of these fabrics are immediately noticeable, reflecting the high standards maintained in previous collections. Avenue Road serves as the exclusive distributor for this textile collection in New York City, with the official launch taking place at their 145 West 28th Street location. Pricing for the items in the collection varies, with throws starting at $273 and pillows beginning at $105. For the textiles themselves, pricing is available upon request due to the extensive range of colorway options available for each design. Additionally, customers have the option to customize certain furniture pieces offered by Avenue Road with the Kvadrat + Raf Simons fabrics, with customization costs also provided upon inquiry. This collaboration highlights Simons' versatility as a designer, demonstrating his ability to translate his distinctive aesthetic from high fashion into interior design. The partnership with Kvadrat underscores a commitment to quality and innovative design in homewares, providing consumers with sophisticated and visually striking options for enhancing their living spaces. The collection aims to bring a contemporary and artistic dimension to home interiors, leveraging the strengths of both Simons' visionary design and Kvadrat's manufacturing excellence. #Kvadrat #RafSimons #TextileDesign #Homewares #Furniture #Fabrics #Pillows #Wool #AvenueRoad

The article introduces a new lounge chair designed by Ian Callum, a renowned automotive designer known for his work on vehicles like the Aston Martin DB9 and Jaguar I-Pace. This chair, created under Callum Design, represents a foray into home furniture, specifically a high-end lounge chair. It directly draws inspiration from the iconic 1956 Eames Lounge Chair and Ottoman, widely considered a benchmark in luxury seating. Callum Design's approach integrates automotive design principles, particularly in material selection and aesthetic refinement. The chair features an exposed carbon fiber spine, a design element intended to "lighten" its appearance and echo performance car aesthetics. The wood used in its construction is smoked eucalyptus, complemented by a hand-finished aluminum base, ensuring a cohesive and sophisticated look. The upholstery offers extensive customization, with ten leather trim options and an "infinite" palette of colors available, allowing for personalization to suit diverse interior decors. The article highlights that this design diverges from more conventional automotive-inspired seating, which often takes the form of gaming chairs or office chairs mimicking car seats. Instead, Callum's lounge chair aims to be a statement piece for a luxury living space. However, its exclusivity and premium materials come with a significant price tag. The chair is priced at £8,500, which translates to approximately $10,400 before taxes, making it a substantial investment for home furnishing. This price point positions it considerably higher than the starting price of Herman Miller’s Eames Lounge Chair and Ottoman, which typically serves as its design inspiration. Further emphasizing its exclusivity, the Callum Lounge Chair is produced in a strictly limited edition of only 50 units. This scarcity, combined with Ian Callum's significant automotive design pedigree, is presented as a key selling point. The article suggests that despite its high cost, the chair's unique blend of automotive-inspired materials, luxurious finishes, and limited availability could make it an ideal centerpiece for a high-end personal space, such as a "man cave," appealing to individuals who appreciate fine craftsmanship and distinctive design. #Design #Lifestyle #OffbeatNews #LuxuryFurniture #IanCallum #AutomotiveDesign #CarbonFiber #LimitedEdition #HomeDecor

Fritz Hansen, in collaboration with its curator Carla Sozzani, has introduced a new collection that reinterprets Arne Jacobsen’s iconic 'Series 7' chair through a concept known in Danish as "blød møblering," or soft furnishing. This approach involves the application of padding, upholstery fabric, and piping to enhance both comfort and the aesthetic qualities of the furniture, adding texture, color, and improved acoustics. The updated 'Series 7' chairs feature tailored front upholstery, offering an additional layer of comfort and elegance. The collection's color palette comprises subtle, dusty tones with gouache-like textures, incorporating shades of yellow, green, pink, and red. The wooden back of the chair retains its original form but is finished in 'A Sense Of Colour,' a new palette of 16 compatible colors and seven new bases introduced by Fritz Hansen last year. This palette is also applicable to other classic models like the 'Grand Prix' and 'Ant' chairs. A distinctive element of the redesign is a visible wooden ribbon that frames the fabric on the seat and back, creating a harmonious visual link. The colors within the special palette are designed to complement each other and the chair’s existing design, fostering warmth and balance through various combinations. For example, 'Deep Clay' and 'Light Beige' serve as neutral tones that can be used to create serene and sophisticated color schemes. Fritz Hansen also offers made-to-order and customizable solutions for specific projects, allowing clients to personalize their chairs by selecting bespoke upholstery, shell colors, and base finishes. This customization option ensures that the chairs can be integrated seamlessly into diverse interior styles, emphasizing the interplay of form, function, texture, and color to achieve optimal comfort and aesthetic appeal. The initiative aims to infuse homes and interiors with enhanced color, vitality, and dynamism, building on the legacy of Jacobsen’s original design with contemporary sensibilities. #FritzHansen #Series7Chair #ArneJacobsen #FurnitureDesign #InteriorDesign #Upholstery #ColourPalette #CarlaSozzani #DanishDesign

Luxury fashion brands have increasingly ventured into the home furnishings sector, with Fendi Casa being a long-standing participant known for its distinctive and high-quality designs. The brand's seating collections, in particular, consistently showcase a blend of sophisticated aesthetics and practical functionality. Among their notable offerings, new sofas such as the Embrace series integrate premium finishes and luxurious upholstery, complete with reclining mechanisms, demonstrating Fendi Casa's commitment to both comfort and style. Fendi Casa's Fanny chair has also received a recent update, featuring a contrasting leather exterior, a hallmark of the brand's expertise in leather craftsmanship. The chair's design is further refined by subtle seaming, emphasizing its sartorial influence. Beyond its elegant appearance, the Fanny chair incorporates functional elements, such as a steel base that can be equipped with a swivel mechanism, promoting dynamic and engaging social interactions. This thoughtful addition ensures that the chair is not merely a static piece of furniture but a versatile component in a living space. The brand's collections continue to evolve, introducing new pieces that maintain their signature luxury while exploring diverse design directions. A recent example is the Pastille coffee table, created by French designer Thierry Lemarie. This design features a unique configuration of four petal-like pieces, which initially presented with brass sides and wood tops, with an alternative option for a glass surface. The Pastille coffee table represents a slightly more romantic aesthetic, yet it seamlessly integrates with Fendi Casa's existing range, showcasing the brand's ability to diversify its offerings while preserving its core identity of refined elegance and innovative design. This piece, like many others in their portfolio, reflects a meticulous attention to detail and a commitment to high-end materials, ensuring that each item contributes to an overall luxurious home environment. #FendiCasa #LuxuryFurniture #HomeDesign #InteriorDesign #DesignerFurniture #SeatingCollection #ItalianDesign #ThierryLemarie