Kvadrat + Raf Simons Textiles at Avenue Road

Fashion designer Raf Simons has collaborated with Danish textile company Kvadrat to introduce two new upholstery fabrics, Helia and Silas, expanding his ongoing collection for the brand. Simons' objective for this collection was to explore and push the boundaries of conventional upholstery textiles, drawing inspiration from haute couture fabrics and techniques to achieve unusual textures from natural materials such as linen, wool, and viscose. This collaboration highlights a continued partnership where Simons injects his distinctive blend of colors and materials into Kvadrat's textile offerings. The Helia fabric is primarily composed of new wool, with supplementary acrylic, viscose, and nylon. Its design meticulously mimics the texture and structure of astrakhan fur, which is derived from fetal or newborn lambs. The fabric, characterized as a bouclé textile, presents a woven interpretation of this fur, featuring an organic, structured appearance. The use of yarn-dyed fibers contributes to Helia's melange quality, providing a subtle depth and variation in color. Silas, the second fabric in the collection, is crafted from new wool and nylon, and is distinguished by its soft, voluminous feel. The creation of Silas involves a sophisticated finishing process where the velvet-like texture is repeatedly unraveled and beaten. This technique causes the fabric to swell and then return to its original shape, before undergoing a steam treatment. The result is a textile that evokes the appearance of unravelled velvet, offering a unique tactile experience. Simons expressed his particular interest in experimenting with woven versions of traditional haute couture materials and techniques, such as furs and knits, for this collection. He noted that this exploration led to the development of two sensuous textiles, both featuring heavily textured yet extremely soft surfaces, underscoring his commitment to innovative material development within the upholstery sector. In addition to the two new fabrics, the collection is augmented by three cushions made from the Silas fabric. Simons also refreshed the color palette of his existing Sunniva 3 fabric, demonstrating a holistic approach to his textile design for Kvadrat. Raf Simons, who trained in industrial design and established his menswear brand in 1995, has a notable career in fashion, including roles as artistic director at Jil Sander and, since January of this year, co-creative director at Prada alongside Miuccia Prada. Kvadrat, founded in 1968, has a rich history of collaborating with prominent designers to produce innovative textiles and products. Recent collaborations include the Maya and Jaali fabrics designed by London studio Doshi Levien and a energy-reducing roller blind developed with Ronan and Erwan Bouroullec, reflecting the company's ongoing commitment to design innovation and strategic partnerships. #RafSimons #Kvadrat #UpholsteryFabrics #HauteCoutureInspired #TextileDesign #IndustrialDesign #MaterialInnovation #FashionDesignCollaboration

Avenue Road, a design retailer known for introducing European talent to the North American market, has opened a new 12,000-square-foot showroom in Vancouver's Gastown District. Located within a 100-year-old industrial building, the space was designed by Toronto-based Abraham Chan to blend industrial aesthetics with contemporary furnishings, creating a series of apartment-like rooms. The showroom's design concept emphasizes a juxtaposition of raw and refined elements, reflecting Vancouver's cosmopolitan nature within a setting of natural beauty. The existing brickwork and mechanical systems were cleaned and walls painted white, providing a neutral backdrop. Rough wooden beams and columns were left exposed, contrasting with new industrial-style metalwork that references the building's history. Chan and Avenue Road collaborated on the design, with Chan noting that the space aims to evoke the balance between raw and refined. The upper floor showcases furniture from renowned designers such as Bruno Moinard, Raf Simons for Kvadrat, Christophe Delcourt, and Van Rossum, alongside Canadian designers Unit Five and Jacques Guillon, and co-founders Yabu Pushelberg. Key design updates on the top floor include the transformation of existing wooden columns into archways through the insertion of curved, black metallic structures lined with narrow lights. These archways frame decorated spaces, creating a structured yet open feel. Marbled tiles and pale wooden boards define different areas, while white walls are topped with black metal frames, reinforcing the industrial aesthetic. Long white net curtains add a touch of softness. Custom pieces further enhance the space, such as a decorative blue wall by Moss & Lam, comprising 1,200 handmade glazed ceramic pieces, and a porcelain design by Nymphenburg featuring Pacific loons in flight. Chan highlights the intentional contrast of materials, like smooth grey oak flooring paired with sand-blasted marble, and industrial steel against softly lit walls. The lower level, accessible via a staircase with a red metallic banister, is dedicated to showcasing Avenue Road's category specialists. This includes textiles from The Rug Company, outdoor furniture by Tribù, and kitchens by Obumex. It also features furniture designed by Jaime Hayón for Wittman and a collaboration between architectural lighting brand Apure and Porsche Design. This Vancouver showroom follows a similar apartment-style model to Avenue Road's expanded New York showroom and aligns with a broader trend among brands and galleries like The Future Perfect, Carl Hansen & Sons, Early Work, and Pelle, which are adopting residential-like displays to engage buyers. #AvenueRoad #VancouverShowroom #IndustrialDesign #ContemporaryFurniture #InteriorDesign #RetailDesign #AbrahamChan #DesignRetailer #GastownDistrict

Dezeen Showroom has unveiled 14 new products this week, featuring a diverse range of furniture, lighting, and finishes for both commercial and residential projects. Among the highlights is the "Technicolour" textile collection by graphic designer Peter Saville for Danish brand Kvadrat. This collection draws inspiration from the colorful sprays used by farmers to mark sheep, translating this rustic aesthetic into a series of vibrant handwoven and robot-tufted rugs with color spots, iridescent curtains, and upholstery made from British sheep's wool. Saville describes the collection as bringing "the industry of the land, in raw form, into the living environment," likening it to "rural graffiti." Other notable product additions include the "Mouro" lamp, designed by Patricia Perez for Case Furniture. This portable and rechargeable table lamp, suitable for indoor and outdoor use, features a disc-shaped LED light that rotates 360 degrees, enclosed within a rectangular frame that doubles as a handle. Rainlight's "Phlox" collection for Okamura offers a comprehensive range of seating and tables, including conference chairs, lounge chairs, high stools, and five table shapes. The collection, characterized by its gently undulating silhouettes, is inspired by the petals of the night-blooming phlox flower. For storage solutions, Bruno Rainaldi's "Ptolomeo" bookshelf for Opinion Ciatti is designed to emulate the appearance of books stacked in high piles while providing structural stability. Named after the founder of the Library of Alexandria, this stainless steel shelf is available in black, white, or Corten effect lacquered finishes. Dedar introduces two new textile collections: "The Art of Jacquard" and a "Textile wall covering collection." The Jacquard collection features ultra-thin yarns woven directly into the fabric to create rich patterns, including tropical bird motifs, nature-inspired designs, bold graphics, and abstract floral landscapes. The wall covering collection, inspired by grand tapestries, includes four patterns, such as screen-printed illustrations on linen and classic weaves of jute and linen, aimed at creating a cozy atmosphere. The "Hymn" lamp by Hiroto Yoshizoe for Ambientec is another portable and durable lighting option for indoor and outdoor settings. It employs two magnets to create constant oscillations, producing a flickering effect reminiscent of a candle flame. GamFratesi's "Beetle Chair," available through Suite NY, has been re-released with four new upholstery options in neutral shades, alongside black or brass leg finishes. John Pawson's "Frame" dining table for Nikari, originally designed for his own farmhouse, is a minimalist piece made from responsibly sourced ash or oak wood with a natural oil finish, boasting a lifespan of over 100 years. Alegre Design's "Talent" desk for Actiu is a versatile, mobile, and height-adjustable workstation designed for educational and training environments, featuring a dry-erase worktop that functions as a whiteboard when folded. Finishes also see new additions with CDUK's expanded "Corian Solid Surface" range, now available in a broader spectrum of neutral and warm colors. This material is lauded for its hygienic, durable, abrasion-resistant, and fade-proof qualities, making it suitable for both commercial and residential applications. Forbo Flooring Systems introduces "Marmoleum Linear," a carbon-neutral, plant-based linoleum flooring made from linseed oil, waste wood flour, and jute, designed to mimic wood with irregular grey and neutral stripes. ADEX presents the "Habitat" tile collection, a sustainable ceramic option for interior walls made with 55 percent white-body ceramics for enhanced durability. Lastly, Decocer's "Crag" tiles offer a family of porcelain tiles that replicate the look of stone and weathered steel, suitable for indoor and outdoor walls and floors, characterized by an industrial aesthetic and textured matte finish. #ProductLaunch #InteriorDesign #FurnitureDesign #TextileDesign #LightingDesign #SustainableMaterials #DesignInnovation #HomeDecor #WorkplaceSolutions

Raf Simons, the acclaimed fashion designer known for his work with Jil Sander and Dior, and recently appointed co–creative director at Prada, has launched his latest textile collection for the Danish textile company Kvadrat. This collaboration, which began in 2014, introduces two new upholstery fabrics, Helia and Silas, drawing inspiration from Persian lamb fur and matte surfaces. These new offerings result in a bouclé fabric and a matte fabric, both characterized by a notably soft and gentle hand. Anna Vilhelmine Ebbesen, Kvadrat's head of design consumer, highlights the textiles' extra softness, which contributes to a more rounded, organic aesthetic, and their comforting tactility. In addition to the new fabrics, Simons has refreshed the color palette of Sunniva, a previously designed textile. The collection's launch also features a unique application of these new materials: Simons has used them to reupholster Roberto Matta’s Malitte Seating System, a modular furniture piece from 1966 that is part of the Museum of Modern Art (MoMA) collection. This choice serves as a playful contrast to the sophisticated elegance of the new upholstery textiles, reflecting Simons's haute couture background. Ebbesen expresses her admiration for Simons's creative approach, noting his distinctive perspective on textiles and colors, which brings a fresh dimension to furniture and space design. She describes Simons as a brave individual and an attentive listener who values diverse opinions, qualities she deems crucial for successful collaborations. His commitment to questioning established norms and refusing to compromise on detail or quality further underscores his meticulous design philosophy. The development of this collection predated the global impact of COVID-19, and a planned celebratory event for the launch was canceled due to the pandemic. However, the timing of the new collection, with its focus on enveloping and comforting interior fabrics, proved to be particularly relevant as consumers were spending more time at home. Despite the challenges posed by the pandemic, Ebbesen remains optimistic, viewing the crisis as an opportunity for reevaluation and positive change within Kvadrat's operational practices. #RafSimons #Kvadrat #UpholsteryFabrics #TextileDesign #RobertoMatta #MalitteSeatingSystem #FashionDesigner #InteriorDesign #FurnitureDesign

French fashion designer Simon Jacquemus has launched a series of surrealist pop-up installations titled "Le Bleu" at London's Selfridges department store, running from May 3 to June 4, 2022. These installations, designed in collaboration with experience design studio Random Studio, offer a whimsical and immersive retail experience inspired by Jacquemus' personal bathroom aesthetics. The project encompasses various locations within and around Selfridges, transforming traditional retail spaces into imaginative, water-themed environments. The main retail area for "Le Bleu" is located in Selfridges' creative retail space, The Corner Shop. This section is characterized by pale blue tiles covering the entire interior, setting a serene yet unconventional backdrop. The window display features an oversized, transparent tube of toothpaste, from which ribbons of red and white gel spill out, immediately signaling the surrealist theme. Within The Corner Shop, oversized bathroom fixtures such as a bathtub, sponges, shower facilities, and sinks are repurposed as display platforms for an exclusive selection of Jacquemus products, including items from the brand's Spring Summer 2022 collection. Another prominent installation is an oversized glass containing a fizzing tablet, which Jacquemus describes as a "visual ASMR installation." This particular design was directly inspired by the simple act of observing a tablet dissolve in water, reflecting the designer's desire to create "crazy and unrealistic installations, all related to water and bathroom imagery." A unique 24-hour vending machine, named "24/24," is situated on Edwards Mews, behind the main Selfridges store. This vending machine allows customers to purchase exclusive editions of Jacquemus' popular Chiquito and Bambino bags at any time of day. The entrance to this space is marked by a large circular opening, leading into a square room where five-by-five rows of bags and accessories are displayed within deep blue-hued, oversized vending machines, offering a novel and accessible shopping experience. The third installation, "Le Vestiaire," is a sensory experience housed in the Old Selfridges Hotel, a space now utilized for pop-up events. This installation draws inspiration from public swimming-pool changing rooms, featuring the recurring blue tiles on its walls, floor, and furniture. Visitors encounter a curved welcome desk fronting a tile-clad wall that neatly holds rolled-up towels. The rear of the space is lined with blue lockers and changing cubicles, which integrate "3D experiences" inspired by the iconic works of surrealist French filmmaker Jacques Tati. Jacquemus expressed a particular fondness for "Le Vestiaire," noting it as the brand's first venture into such an immersive, 3D-experience-rich space. This series of pop-ups builds on Jacquemus' previous vending machine installations in European fashion capitals like Milan and Paris, further solidifying the brand's innovative approach to retail and brand experience. In 2019, Jacquemus also designed the Parisian restaurant Oursin, known for its whitewashed walls, colorful ceramics, and rattan furnishings, which aimed to evoke a continuous summer atmosphere. The installations collectively offer a fresh and imaginative take on retail, merging fashion with surrealist art and everyday elements. #PopUpShops #Selfridges #Jacquemus #RandomStudio #London #FashionTag #RetailTag #Installations #Interiors #Design

Toronto offers a diverse range of fabric stores catering to various sewing needs, from quilting cottons to high-end designer textiles and upholstery materials. These establishments provide a wide selection of fabrics, notions, and sometimes even classes, making them valuable resources for hobbyists, fashion students, and professionals alike. The Workroom, located in Parkdale, is highly regarded by sewing enthusiasts for its unique selection of adorable quilting cottons, available by the metre. It is celebrated for its curated collection that distinguishes it from other fabric retailers in the city. King Textiles, a long-standing fixture at Spadina and Queen for over 25 years, presents a vast array of bolts. This store is notable for its substantial inventory and its offering of samples for those interested in wholesale purchases. Fabricland, a well-known home decor chain, has four locations across Toronto, providing a convenient option for a broad range of sewing necessities. They offer a selection of fabrics at competitive prices, making it a go-to for many crafters. Queen Textiles, situated in Queen West, is characterized by its extensive variety of colourful fabrics suitable for numerous occasions. Despite its smaller size, the store's comprehensive selection is a significant draw for customers. Downtown Fabrics, also on Queen West, provides a more organized and relaxed shopping experience. The owner is known for being helpful and engaging, contributing to a pleasant atmosphere for textile browsing. Affordable Textiles, another prominent Queen West establishment, features an almost endless collection of fabric bolts, including unique finds in barrels at the front of the store. Its vast inventory makes it a popular destination, particularly among fashion students who can spend hours exploring its offerings. macFAB Fabrics specializes in high-quality textiles from esteemed suppliers such as Christian Lacroix and Nina Campbell. This veteran fabric purveyor, now located in Leaside, caters to customers seeking premium materials for their projects. Fabric Town, with locations in Danforth East and Markham Road, is a long-established Toronto brand known for its affordable materials. The store offers a membership program for a one-time fee, providing a discount on future purchases. Len's Mill Store on Orfus Road operates as a large warehouse, stocking a wide variety of fabrics, yarns, and upholstery materials. It serves a diverse clientele, from those making clothes to individuals seeking outdoor-compatible fabrics. #TorontoFabricStores #TextileShopping #SewingSupplies #FabricRetailers #HomeDecor #FashionDesign #Crafting #Quilting #Upholstery

The Queen West area of Toronto, specifically the Fashion District stretching from Queen past King, between Bathurst and Spadina, continues to be a significant hub for fabric and bead stores, despite a noticeable decline in their numbers over the years. This district, historically a go-to for textiles and crafting supplies, now hosts just over ten such shops, catering to both seasoned sewers and students from institutions like George Brown and Ryerson. The industry faces challenges, particularly from the rise of online shopping, which makes the tactile experience of selecting fabrics and beads less common. Owners lament that while online platforms offer convenience, they cannot replicate the essential 'touch-and-feel' aspect crucial for these materials. This shift has led to a decrease in new businesses entering the textile retail sector, with many existing stores having operated for decades. Linda Wen, owner of Leo's Textiles, a store with roots dating back to 1955, highlights the impact of online competition and a dwindling interest in sewing among younger generations. Her mother, Susie Wong, expanded Leo's Textiles significantly after purchasing it in 1989, but the sentiment remains that current generations might be the last to sustain this type of business. Similarly, Emily Lau of Bling Bling, a family-owned bead shop specializing in freshwater pearls and non-plastic beads for over 15 years, notes that platforms like Etsy have contributed to a downturn in the bead industry. Some stores, like Arton Beads, have even downsized, though they express confidence in their continued presence. The article provides a comprehensive list of the remaining fabric and bead stores on Queen West. King Textiles, a large second-floor shop, has been supplying fabrics for over 20 years. Neveren's Sewing Supplies, operating for over 45 years, offers a range of fabric, thread, and zipper deals. Leo's Textiles, a popular spot since 1955, is known for its extensive fabric selection, including bridal-worthy materials. EuroFab, established in 1998, focuses on drapery, blinds, and upholstery fabrics for home decor. Downtown Fabrics showcases a wide selection of silks and bamboo jerseys, many imported from Europe. Chu Shing Textiles provides neatly stacked materials ranging from wedding fabrics to various colored jerseys. Queen Textiles, though a cramped space, has been a reliable source for two decades. For bead enthusiasts, Arton Beads remains a popular destination, frequently offering deals on Japanese cube beads and semi-precious stones. Bling Bling specializes in freshwater pearls and gemstones. Fabric By Designers, recently under new ownership, features sales on furs, linens, and silks, along with notions and buttons. Mokuba, a Japanese brand that arrived in Canada in 1987, is known for its ribbons and trims. The Wool House caters to those seeking high-quality natural textiles like cashmere, alpaca, and mohair. The Beadery offers a selection of quality wood bead strands and handmade jewelry, notable also for its pleasant ambiance. Hi Beads boasts a generous selection of beads, including discounted gemstones, Pandora, and Swarovski beads in its backroom. Affordable Textiles Inc. is recognizable by its oil drums filled with fabric rolls, spread across two stores. World Sew Centre, operating since 1979, sells sewing machines from brands like Brother and Singer, along with notions and fabrics. This guide serves as a valuable resource for anyone looking to source materials for fashion or home-related projects in Toronto's Queen West district. #QueenWest #FabricStores #BeadStores #TorontoFashionDistrict #TextileRetail #CraftingSupplies #LocalBusiness #FashionAndStyle

Ali Richmond, co-founder of the Fashion for All Foundation, has resided in his 3,000-square-foot Crown Heights loft for nearly two decades. Originally a communal living space shared with artist-roommates since 2005, the former factory building lacks an elevator and doorbell, requiring a call for entry. Richmond, who initially defined his art as reconstructed vintage clothing, eventually became the sole resident, transforming the loft into the headquarters for the Fashion for All (FFA) Foundation. The genesis of FFA emerged in 2016 following police shootings and subsequent protests during Men’s Fashion Week. Richmond, inspired by activist Hannah Stoudemire, contacted her to propose establishing a movement for diversity, equity, and inclusion within the fashion and art industries. Stoudemire, then working for Lanvin, collaborated with Richmond to found FFA, aiming to demystify the business, provide accessibility to industry leaders, showrooms, and retail venues, and offer access to Richmond’s extensive archive of designer clothing and fashion library. By 2018, the loft transitioned entirely to FFA operations, serving as a venue for work and events. Stoudemire initiated grassroots outreach, cold-emailing a broad range of educational institutions, from prestigious design schools like Parsons and Pratt to community colleges and high schools in East New York, to recruit students. Over time, FFA has forged significant partnerships with prominent entities such as Ralph Lauren, the CFDA, LVMH, and Limitless La Vie. The loft now hosts several key programs, including the eight-week Ann Lowe Summer Intensive Fellowship, which expanded to include international students via Zoom during the pandemic. This fellowship educates students and enthusiasts aged 16 to 39 on the intricacies of the fashion business. Additionally, FFA runs the Bridge to Basel Competition, immersing a select group of minority students in high-end fashion marketing and networking at Art Basel Miami Beach. The interior of the loft reflects Richmond’s eclectic taste and passion for collecting. One former bedroom now houses Richmond's extensive vintage clothing archive, featuring pieces from designers like Ralph Lauren, Yves Saint Laurent, Issey Miyake, Chanel, Willi Smith, Vivienne Westwood, Erik Honesty, and Dapper Dan, alongside global textiles. The entrance hall features a fashion library, complete with a photograph of Bethann Hardison modeling Stephen Burrows’s designs and a Life magazine cover of Veruschka. Richmond's journey began in Tampa, moving to California at age 12, and later immersing himself in the music industry in Los Angeles, securing a production deal with Dr. Dre at Interscope Records in the 1990s. His early interest in fashion was sparked by visits to Ralph Lauren stores, appreciating the storytelling inherent in design. His music industry earnings fueled his collecting habits, which intensified after his move to New York in 2001, where he frequented vintage stores and sought to understand the dealer-collector world. The loft also features a kitchen with an immovable antique safe, a remnant from its industrial past. What Richmond calls “the Black Room” is dedicated to Black historical portraits from the 1870s and Black history books, furnished with a 1960s Charlotte Perriand chaise for Cassina and a wood Steltman chair. The Central Room showcases a Pende Dance Costume from the 1800s, a wooden Dogon walu mask, a late-19th century Nagaland shield, a 1970s Bouloum lounge chair by Olivier Mourgue, and an octagonal glass and Plexiglas table by Alessandro Albrizzi. This room is also furnished with a Milo Baughman sofa from a thrift shop, William Katavolos chairs, a green leather bench by Harvey Probber, a sculpture by Terry Adkins, and a painting by Richmond himself. The library, located in the entrance hall, displays Richmond’s extensive book collection on fashion and art history, with shelves recycled from a store that closed during the pandemic. #CrownHeightsLoft #FashionForAllFoundation #AliRichmond #FashionIndustry #ArtAndDesign #DiversityEquityInclusion #VintageFashion #InteriorDesign #NewYorkCity

This article highlights the top fabric stores in Chicago, catering to a range of needs from apparel to home upholstery and various DIY projects. The selection includes establishments that offer extensive inventories, competitive pricing, and opportunities for skill development through classes. These stores serve a diverse clientele, from fashion students and professional designers to hobbyists and individuals embarking on their first sewing projects. Textile Discount Outlet in Pilsen is presented as a massive discount warehouse with a vast selection of apparel, upholstery, drapery, specialty, and outdoor fabrics at low prices, making it a popular destination for fashion students and designers. The Needle Shop in North Center is noted for its focus on modern fabrics and a variety of classes, including sewing basics, upholstery, and hand embroidery, and also offers wholesale pricing for businesses. Leonard Adler & Company, established in 1903 in Albany Park, specializes in garment construction supplies, offering thousands of buttons, zippers, and threads, alongside a smaller selection of menswear fabrics. This establishment is a preferred provider for local design programs, schools, and universities, indicating its reputable standing in the industry. Fishman's Fabrics in West Loop, with over a century of experience, is recognized for its high-end apparel and interior fabrics, offering a 10,000-square-foot warehouse and showroom. The store provides free samples and custom orders for specialty fabrics. New Rainbow Fabrics in West Loop is a family-owned store favored by design students and sewing enthusiasts for its friendly service and fair prices on apparel fabrics, including lace, cottons, chiffons, and silks, available by the yard or bolt. JoAnn Fabric in Bucktown, a large chain store, offers a wide array of fabrics, machines, patterns, supplies, and classes covering sewing, home decor, jewelry-making, and quilting, known for its low prices and extended hours. Chicago Fabric Yarn & Button, located downtown, provides a convenient option with a large, though sometimes disorganized, selection of fabrics. Supreme Novelty Fabrics in West Lawn, with over 80 years of business, stands out for its unique custom fabric printing services, extensive bridal fabric collection, and intricate beaded laces. The article underscores the accessibility of resources for both novice and experienced sewers, emphasizing the local establishments that foster creativity and skill development in textile arts. #FabricStores #ChicagoShopping #SewingSupplies #DIYProjects #TextileArts #HomeDecor #UpholsteryFabrics #ApparelFabrics #CraftStores

Skims, the shapewear brand launched by Kim Kardashian in 2019 and valued at $4 billion in 2023, has expanded its physical retail presence with the opening of its flagship store on Fifth Avenue in New York City. This development marks a significant step for the brand, which initially sold merchandise through pop-ups and in department stores like Nordstrom and Bergdorf Goodman. The flagship store, formerly occupied by Versace, was designed by Rafael de Cárdenas to reflect Skims' signature monochromatic and modern aesthetic. The store officially opened on December 11, with a celebratory launch party attended by various personalities. Kim Kardashian expressed that the flagship is a dream realized, aiming to embody the brand and enhance the customer experience. Jens Grede, CEO of Skims, noted that the store is the culmination of insights gained from previous retail endeavors, offering an immersive brand experience. Both Kardashian and Grede have indicated plans for further expansion, with future stores projected for locations such as Los Angeles and Charlotte. Upon visiting the store a few days after its opening, the exterior immediately conveyed Skims' brand identity. Situated between Longchamp and Cartier, the cream-colored stone facade and subtle Skims logo aligned with the brand's neutral color palette. Arched windows provided a glimpse into the interior, revealing a large sculpture. Despite opening at 10 a.m., a line of approximately 40 people waited outside around 11 a.m. to enter the store, with security and staff managing customer flow. The waiting system appeared to prevent overcrowding, and visitors were admitted in groups, resulting in a manageable 10-minute wait. The interior of the store was segmented into distinct rooms, each dedicated to specific Skims product lines. The entryway featured a large, armless, headless, and footless 15-foot statue of a woman designed by Vanessa Beecroft, positioned amidst beige tile floors and curved walls. This artistic installation, framed by leafy plants on cream platforms, created an atmosphere reminiscent of a museum. Beyond the central statue, the initial display rooms showcased Skims' classic shapewear, bras, and underwear in various flesh tones. Mannequins, diverse in shape and representing the brand's inclusive sizing from XXS to 5X, were strategically placed on shelves above the racks and in hallways connecting the different sections. The curved architecture of the stairwells, consistent with Kardashian's home aesthetic, also featured groups of five mannequins. Employees, dressed in matching pale-purple sweatsuits, were present in each display room to assist shoppers and stock merchandise. Store maintenance, including floor mopping, was observed to be ongoing, with staff temporarily pausing their tasks for customers. The back room on the first floor contained a wider array of products and incorporated subtle holiday decorations, such as Christmas lights and wrapped gifts, without compromising the minimalist aesthetic. While Skims offers colorful items, these were subtly placed, with the front room exclusively featuring neutral tones. The second and third floors maintained a similar layout, focusing more on clothing displays than sculptures or plants. Each floor had a checkout counter to streamline the shopping process. The ability to physically interact with products allowed for a better assessment of fabrics and fit. Raised platforms for mannequins provided 360-degree views of the garments. The top floor featured more exclusive items, including the Skims x Dolce & Gabbana collaboration pieces and the brand's slip dresses, alongside a dedicated menswear section. The men's mannequins, while diverse in color, exhibited less variation in shape compared to the women's. The steady flow of customers taking their time to browse, converse with employees, and try on items in the dressing rooms indicated the store's popularity. The overall design, product selection, and customer experience of the Skims flagship store were consistent with the brand's image as modern, stylish, sophisticated, and accessible, suggesting its potential for lasting success. The artistic and practical elements of the store, from the architecture to the mannequin displays, reinforced Kim Kardashian's vision for the brand. The observed customer traffic further underscored the store's immediate impact and potential longevity. #Skims #KimKardashian #FlagshipStore #RetailDesign #FifthAvenue #MonochromaticDesign #FashionRetail #InteriorDesign #StoreExperience

Belgian architect Vincent Van Duysen designed the interior of Kvadrat At Home, Danish textile company Kvadrat's new residential showroom located in west London. The showroom, Kvadrat's first dedicated to home furnishings, presents a selection of textiles suitable for domestic applications such as rugs, curtains, and cushions. It houses collections from Kvadrat's home-focused brands, Sahco and Kinnasand, along with fabrics developed in collaboration with fashion designer Raf Simons. Van Duysen, who also serves as the creative director for Sahco, envisioned the 140-square-meter showroom as a 'library of fabrics,' a concept inspired by his personal appreciation for libraries and books as central elements in his architectural and interior design philosophy. The showroom's design incorporates floor-to-ceiling shelves constructed from larch wood, all finished in a dark grey hue. These shelves function similarly to library shelves, displaying various fabric swatches that are suspended from hangers. Cushions and decorative vases are arranged in narrower sections of the shelving system, contributing to the residential atmosphere. The space also includes two oak-wood tables, providing areas for customer consultations, complemented by sea-green stools from Molteni&C;. Oak is consistently used for the service counter and the light-toned Dinesen floorboards, ensuring material cohesion throughout the showroom. At the entrance, a dedicated display area allows Kvadrat to create changing domestic set-ups that highlight their products. For the opening, this area featured a wall hanging made of various blue-toned fabrics, a side table, and two rounded armchairs positioned on a black Kvadrat Semis rug. This approach aims to present a comprehensive living concept rather than a mere display of stacked furniture, avoiding the 'soulless' quality Van Duysen perceives in some showrooms. Van Duysen's signature 'warm-minimalist' style is evident in the showroom's interiors. This aesthetic emphasizes stripping down elements to their core, focusing on simplicity and essential forms. He believes that this approach provides a sense of calmness and serenity, countering the rapid pace of the digital world. His design philosophy is rooted in the idea that simplicity can achieve the highest degree of sophistication, a principle he has applied to previous projects such as the August hotel in Antwerp and an Aesop store in Hamburg. The Kvadrat At Home showroom thus reflects a considered design that prioritizes comfort, conviviality, and a deliberate engagement with materials. #InteriorDesign #ShowroomDesign #TextileShowroom #VincentVanDuysen #Kvadrat #LondonInteriors #MinimalistDesign #ResidentialShowroom #FabricLibrary

Josniel Fiallo, President of Rex Fabrics, discusses how his company distinguishes itself in the fabric and textile industry. Unlike many fabric stores, Rex Fabrics provides an extensive range of services directly related to the fabrics they sell. The company operates an in-house atelier with over 25 years of experience, offering haute couture services, also known as "servicio de alta costura" in Miami. This atelier specializes in custom-made dresses, ranging from jumpsuits to elaborate ball gowns, and particularly focuses on unique bridal gowns. Fiallo emphasizes empowering women by providing custom options that allow brides to feel and look their best, rather than conforming to standard designs. The availability of two in-house tailors further sets Rex Fabrics apart, ensuring personalized service for clients. Rex Fabrics also caters to men's fashion with bespoke tailoring services for suits, sports jackets, dress shirts, and guayaberas, which are popular in South Florida's tropical climate. The company handles diverse client requests, from wedding tuxedos to boardroom pinstripes, while upholding the highest standards of bespoke tradition. Beyond apparel, Rex Fabrics extends its services to home décor, offering custom upholstery for both indoor and outdoor furniture. This includes decorative services such as custom-made curtains, drapes, and furniture cushions, as well as reupholstery. As a Sunbrella® dealer, they provide hundreds of Sunbrella® fabric options for updating outdoor spaces. Fiallo shares his 22 years of experience in the fabrics and textile industry, highlighting his lifelong passion for fashion. He developed his skills at Rex Fabrics, which was already recognized as a premier fabric store in Miami. His journey began at the company's first location in Coral Gables, where he was captivated by the wide array of luxurious fabrics, including Brocades, Embroidered Tulles, Printed Silks, Embroidered Lace, Printed Chiffon, and Mikado Zibeline. He notes that exceptional customer service has always been a cornerstone of Rex Fabrics, a quality he believes is often lacking in contemporary retail environments. Fiallo acquired the store and leveraged his existing fashion knowledge to ensure continued success, contrasting his approach with competitors who might struggle due to a lack of focus on exclusive products or inadequate customer service. Regarding brand loyalty, Fiallo stresses the importance of communication and valuing customers as the company's most significant assets. He advocates for consistent engagement with clients to keep them informed and foster a sense of appreciation, which, in turn, promotes loyalty. Staying connected can also encourage customers to interact on social media, share content, and generate new referrals through word-of-mouth marketing, which he finds highly effective. He advises fabric stores in Miami to prioritize client loyalty by developing and maintaining relationships through personalized, focused communication. An example provided is implementing a communication plan upon a customer's purchase of a custom dress, bespoke suit, exclusive fabric, or upholstered item. This strategy not only gathers data but also builds a strong, lasting relationship, making clients feel valued and appreciated. Fiallo also provides insights into building social media presence, emphasizing that the objective is to cultivate an active online community rather than merely accumulating followers. The key has been to post original content, showcasing new products, vendor displays, custom-made dress results, and fashion-related information. This strategy has proven effective for Rex Fabrics, a company with over 30 years of presence in Miami, enabling them to expand their market and continuously acquire more inventory to meet customer demand for exclusive fabrics. #FabricStore #HauteCouture #BespokeTailoring #CustomUpholstery #HomeDecor #CustomerService #BrandLoyalty #SocialMediaStrategy #TextileIndustry

Fabrics by The Pound, located in Summerdale, Alabama, is highlighted as one of the state's largest fabric stores and a significant destination for sewing enthusiasts. This extensive fabric warehouse offers a diverse selection of materials, catering to various sewing projects from quilts and draperies to clothing and tablecloths. The store provides a wide range of fabrics, including solid colors, intricate patterns, and materials featuring licensed characters, ensuring options for different creative needs. Beyond just fabrics, Fabrics by The Pound also supplies essential backing materials such as foam and vinyl, which are available for custom cutting to precise size specifications. For those who prefer pre-cut options or are looking for materials for smaller projects, the store offers pre-cut bundles known as Fat Cakes. Additionally, an economical option for customers is the sale of fabric scraps by the pound, ideal for those requiring only small quantities of material. The article emphasizes the scale and variety of the store, portraying it as a comprehensive resource that attracts visitors from across Alabama and beyond. The store's commitment to offering custom cutting services alongside a broad inventory reinforces its appeal to both casual hobbyists and serious crafters. This detailed overview underscores Fabrics by The Pound's role as a key hub for textile supplies in the region, providing a one-stop shop for numerous sewing and crafting endeavors. The emphasis on customizability and variety ensures that customers can find exactly what they need for their specific projects, whether large-scale home décor items or small, intricate crafts. The availability of diverse fabric types, including specialized options like licensed character prints, adds to the store's uniqueness and broadens its customer base. By catering to different project sizes and material requirements, Fabrics by The Pound establishes itself as a versatile and indispensable resource for the sewing community. #FabricStore #SewingSupplies #AlabamaRetail #CraftingMaterials #TextileWarehouse #SummerdaleAttraction #CustomFabrics

This comprehensive guide explores the best online fabric stores, making it easier for sewers and crafters to find the perfect materials for their projects, especially when physical access to fabric stores is inconvenient or local selections are limited. The article highlights that online shopping for fabric offers a broader range of choices compared to brick-and-mortar stores, and many online retailers also provide sewing notions and supplies, creating a convenient one-stop shopping experience. Before making a purchase, several key factors should be considered, including the specific type of fabric needed for a project (e.g., clothing, upholstery, quilting), paying attention to the fabric's weight, content, and width. The article also advises on understanding how fabric is measured and sold (by yard or meter, with varying minimums). Swatch availability is another crucial consideration, as it allows customers to assess the material's look and feel before committing to a larger order, though swatches may be limited for deadstock or vintage fabrics. The potential for bulk discounts is also discussed, which can be advantageous for large-scale projects. The availability of notions and sewing supplies on the same platform adds to the convenience for many crafters. Furthermore, the article emphasizes checking shipping costs and return policies, as these can significantly impact the overall purchase experience. For environmentally conscious consumers, the guide points out stores offering recycled or deadstock fabric, which promotes sustainability by reducing waste and carbon emissions. Customer reviews are presented as an invaluable resource for gaining insight into a fabric's texture, feel, and any discrepancies between its description and the physical product. The article then presents its top picks for online fabric stores, detailing their unique advantages and considerations. Mood Fabrics is named the best overall for its extensive selection, diverse textile range, search filters by skill level and project, and a fabric quiz, along with live chat support. Amazon is highlighted as the runner-up for its streamlined shopping experience, affordable prices, and 2-day delivery options for Prime members, offering a wide array of fabrics for various uses. Spoonflower is recommended for the best design selection, featuring thousands of unique designs from independent artists and the option to upload custom photos or designs, although prices are generally higher. Queen of Raw is identified as the best for deadstock fabric, providing a marketplace for discontinued materials that minimizes environmental impact, complete with Impact Footprint Reports for each purchase. JOANN is recognized as the best for crafts and quilts due to its wide selection of novelty and themed fabrics, extensive sewing supplies, and in-store pickup option. Etsy is also considered for its unique and vintage fabric offerings from individual sellers, allowing buyers to support small businesses and find one-of-a-kind materials. The article concludes by providing practical advice for navigating online fabric purchases, such as utilizing search functions, reading reviews, ordering samples, and understanding the cost variations based on fabric type and quality. It also addresses frequently asked questions, including how to find the right fabric, where designers source materials, what constitutes high-end fabric, and the rarity of certain textiles, along with information on bulk discounts. #OnlineFabricStores #FabricShopping #TextileIndustry #SewingSupplies #CraftingMaterials #HomeDecorFabric #UpholsteryFabric #SustainableFabric #DIYProjects

This article provides an exclusive first look inside the newly completed Kith store, a retail space founded by Ronnie Fieg. The store's interior design is a significant highlight, featuring thick carved wood panel floors that contribute to a sophisticated and inviting ambiance. The aesthetic leans towards a minimalist yet high-tech approach, with carefully designed shelving units that complement the curated selection of products. The design choices suggest a focus on showcasing the merchandise in an uncluttered and premium environment, enhancing the customer experience. The store's product offerings are meticulously selected, focusing on high-quality footwear, various accessories, bags, and an assortment of books. This curated selection aligns with Kith's brand identity, known for its emphasis on premium and exclusive items. The article also mentions that an array of apparel will be introduced soon, indicating an expansion of their product lines. The current inventory reflects a strategic approach to retail, concentrating on niche and sought-after items that appeal to a discerning clientele. The article encourages readers to visit the Kith store, which is located at 233 Flatbush Ave, Brooklyn, NY 11217. This physical location serves as a central point for the brand's engagement with its customer base, allowing for a direct interaction with the curated products and the distinctive store environment. The invitation to "drop in and say g'day to Ronnie" personalizes the shopping experience, fostering a sense of community around the brand. Previous coverage highlighted the store during its construction phase in September, suggesting a keen interest in the development of this retail space. The completed store lives up to expectations, demonstrating a successful realization of the design vision. The transformation from a construction site to a fully realized retail environment underscores the attention to detail and commitment to quality inherent in the Kith brand. The article implies that the finished product not only meets but potentially exceeds the initial anticipation. In essence, the Kith store is presented as more than just a retail outlet; it is a meticulously designed space that reflects Ronnie Fieg's vision for a premium lifestyle brand. The combination of distinctive interior design elements, a carefully curated product selection, and a strategic location contributes to an immersive brand experience for customers. The article serves as an announcement of the store's readiness and an invitation to explore its unique offerings and aesthetic. #RonnieFieg #KithStore #SneakerCulture #RetailDesign #Brooklyn #Footwear #StoreInterior #FashionRetail

This article highlights the top three affordable fabric stores in Santa Ana, California, based on Yelp data and a proprietary ranking system. These establishments cater to various needs, from crafting and DIY projects to professional upholstery work, offering a diverse selection of materials and supplies without compromising on budget-friendliness. The featured businesses are La Amiga Fabrics, A-1 Foam & Fabrics and Upholstery Supply, and Alan Upholstery Supply & Fabric. La Amiga Fabrics, located at 1605 W. First St., Unit C, is recognized as the highest-rated low-priced fabric store in Santa Ana, earning four stars out of 71 reviews on Yelp. This store is a comprehensive destination for various fabric needs, providing textiles, trim, lace, and an extensive array of upholstery fabrics. Its diverse inventory makes it a popular choice for both casual crafters and experienced professionals seeking specific materials for their projects. Next on the list is A-1 Foam & Fabrics and Upholstery Supply, situated at 1812 S. Main St. This establishment has garnered four stars out of 48 reviews on Yelp, making it a local favorite for affordable options. The business has a rich history, beginning in 1958 primarily as a foam store, and has since expanded its offerings to include a wide variety of fabrics. Customers can find materials such as durable denim, weather-resistant outdoor fabric, luxurious velvet, and many other options, catering to a broad spectrum of upholstery and crafting projects. The expansion from foam to a full-fledged fabric and upholstery supply store demonstrates its commitment to meeting evolving customer demands and providing a comprehensive resource for materials. The third top choice is Alan Upholstery Supply & Fabric, found at 1516 S. Main St. This store is highly regarded, with Yelpers giving it 4.5 stars out of 12 reviews. It serves as both an affordable fabric store and a reputable spot for furniture reupholstery services. Customers have the flexibility to purchase fabrics directly from the store's current stock or place special orders for more unique or specific requirements. The combination of in-store availability and special order options ensures that customers can find the exact materials they need for their projects, whether it's a small repair or a complete furniture transformation. This dual focus on retail and service makes Alan Upholstery Supply & Fabric a valuable resource for the community, providing both the materials and the expertise required for various textile-related endeavors. Each of these stores offers a unique selection and specialized services, contributing to Santa Ana's vibrant crafting and design community by providing accessible and affordable options for fabric and upholstery needs. The article emphasizes their commitment to affordability and customer satisfaction, making them ideal destinations for anyone looking to undertake textile-based projects. #SantaAnaFabricStores #AffordableFabrics #UpholsterySupplies #DIYProjects #FabricRetailers #HomeTextiles #CraftSupplies #LocalBusinesses #YelpReviews

Ikat patterns have gained immense popularity in both fashion and interior design, yet many consumers are largely unaware of the textile’s rich cultural origins. This article delves into the history and contemporary resurgence of ikat, particularly focusing on its Central Asian roots and its introduction to Western fashion by designers like Oscar de la Renta. The term ikat, derived from a Malay-Indonesian word meaning “to tie,” describes both the intricate resist-dyeing technique and the resulting fabrics and patterns. This labor-intensive process involves carefully resist-dyeing bundles of warp threads to create the design before weaving, a method distinct from other fabric production techniques where patterns are woven in. In the 19th century, Central Asian ikat production involved a sophisticated network of artisans, often organized along ethnic lines, with Tajiks handling red and yellow dyes, Jews managing indigo dyeing, and Uzbeks conceptualizing the patterns and undertaking the weaving. While the ikat technique developed in various parts of the world, Uzbekistan’s silk ikats became particularly renowned for their stunning quality. The origins of ikat in Central Asia, specifically in cities like Bukhara and Samarkand, in the early 19th century remain somewhat mysterious, as its sudden appearance was marked by a high level of sophistication, suggesting unknown precedents. The Smithsonian’s Arthur M. Sackler Gallery’s exhibition, “To Dye For: Ikats From Central Asia,” highlights this cultural journey by displaying a collection of Oscar de la Renta’s ikat-inspired pieces alongside historical Central Asian ikats. De la Renta, after being captivated by these textiles following the collapse of the Soviet Union in 1991, visited Uzbekistan and commissioned local weavers. He subsequently incorporated ikat motifs into numerous collections for both Balmain and his eponymous label, a move credited with popularizing the trend in Western fashion and home decor, seen in brands from Anthropologie to Target. The exhibition, which includes pieces from 1997 to 2013 on loan from de la Renta’s estate and about 30 historical Central Asian ikats donated by Guido Goldman, aims to educate visitors about the textile’s origins and cultural context. Goldman, a Swiss-born academic, amassed one of the world's most significant collections of ikats, including flat tapestries and ceremonial coats and robes. These historical garments, worn by both men and women, symbolized wealth and status in Bukhara and Samarkand. The exhibition thoughtfully juxtaposes de la Renta’s designs with 19th-century ikat coats, making the Central Asian pieces more accessible and emphasizing the shared luxurious and valuable nature of both contemporary and historical examples. The vintage Uzbek coats, cut in wide, loose styles reminiscent of Ottoman kaftans, are striking for their elaborate patterns and vibrant colors, often lined with Russian cotton or Indian chintz. A late 19th-century woman’s robe, for instance, showcases bold red, yellow, and white diamond shapes, stylized flowers, and zigzags on a black background, with a vibrant lining. De la Renta’s pieces, such as a robe from his fall/winter 2000 collection featuring pomegranate shapes, often referenced traditional Uzbek motifs like fruits, flowers, and geometric patterns. He sometimes used actual ikat fabric and at other times replicated its distinctive blurry effect through other techniques like embroidery. Beyond clothing, the exhibition also features noteworthy wall hangings. Flat Uzbek ikats served both decorative and functional purposes, such as insulating house walls or covering bedding. These were typically made from several narrow, loom-width lengths of material sewn together, creating an additional design element. An ikat from mid-19th-century Samarkand illustrates this with its cascading floral forms created by staggered fabric swaths. While Oscar de la Renta's designs played a crucial role in bringing ikat to global prominence, the exhibition subtly underscores the importance of acknowledging the cultural and historical origins behind this now-ubiquitous style. It serves as a reminder that many familiar contemporary designs have roots in diverse cultural traditions, and understanding these origins enriches our appreciation of the art form. #IkatFabric #TextileArt #CentralAsianCulture #FashionHistory #InteriorDesign #OscarDeLaRenta #SmithsonianSacklerGallery #CulturalAppreciation