Furniture makers embellishing with rivets

Echo Petersen, founder of E Lee Designs, has found a creative outlet for her artistic passion by creating a variety of home decor and kitchen items featuring unique swirled acrylic paint designs. Petersen's work, which includes handblown coasters, trivets, charcuterie boards, and holiday ornaments, will be showcased at the 605 Made Holiday Market in Sioux Falls. Her designs are characterized by their vibrant colors and intricate patterns, achieved through a technique of blowing acrylic paints with drinking straws onto surfaces like ceramic tiles, wooden cutting boards, and canvases. This method allows colors to remain separate and distinct without blending, resulting in visually striking pieces. Petersen's journey into this craft began after she retired from her career as a financial assistant. Inspired by a set of handblown coasters she encountered during a trip to Fort Collins, Colorado, she dedicated herself to learning and mastering the technique. This involved extensive research through online videos and significant experimentation to develop her own proprietary mix of acrylic artist paints. Her husband, Bryce, supports her endeavors by creating custom oak frames for her canvas pieces. Each item crafted by Petersen undergoes a meticulous, multi-stage process that spans approximately one week. After the initial paint application, the piece requires time to dry and for the paint to cure. Following this, Petersen prepares the item by sanding its back and carefully taping it before applying a resin layer, which then takes an additional three days to dry. This commitment to quality ensures the durability and longevity of her handmade products. E Lee Designs offers a range of items, from small porcelain tile coasters to larger six-inch porcelain trivets and various wooden cutting boards. A particularly popular item that frequently sells out is her bamboo charcuterie board, which features pullout drawers and includes small wooden utensils, all adorned with her signature handblown paint designs. Petersen prioritizes using high-quality materials to ensure customer satisfaction and product resilience. In her creative process, Petersen pays close attention to current interior design trends, specifically monitoring popular colors in furniture and granite countertops. This awareness guides her selection of hues, ensuring her designs complement contemporary home aesthetics. She also incorporates micro powder glitter into her paints to add a subtle shimmer to the finished pieces. Popular color palettes in her collection include gray-beige, purple, and various autumn colors, while her personal favorite combination involves navy blue, moss green, and gold. This will be E Lee Designs' first participation in the 605 Made Holiday Market, though Petersen has previously showcased her work at vendor shows across South Dakota in cities such as Brookings, Pierre, Aberdeen, and Yankton. The 605 Made Holiday Market, an event organized by Knotty Gnome Variety & Salvage, Sew Doggy Boutique, and SiouxFalls.Business, and sponsored by The First National Bank in Sioux Falls and Dakota Business Finance, will feature over 40 makers. It is scheduled for Saturday, December 7, from 10 a.m. to 4 p.m. at Cherapa Place in downtown Sioux Falls, with free admission for attendees. #E Lee Designs #HandmadeDecor #AcrylicPouring #HomeDecor #HolidayMarket #Craftsmanship #ArtisanProducts #SmallBusiness #SiouxFallsEvents

Robert Greene, known as Bob and affectionately called Hugger by his Bonacker friends, is a renowned decoy carver residing in Springs. His exceptional skill elevates decoy carving to a museum-worthy art form, as recognized in Harvey J. Lewis's book, “Artistry of Louisiana Decoy Carvers: Old and Contemporary.” Greene's masterpiece, a life-size red-tailed hawk, demonstrates his meticulous attention to detail, having taken him 550 to 600 hours to carve. This piece, complete with a chipmunk emerging from a stump and intricately carved oak leaves and acorns, showcases his ability to transform a block of wood into a lifelike sculpture. His home is a testament to his artistic passion, featuring taxidermied animals, his own vibrant landscape and animal paintings, and display cases filled with carved ducks like red-breasted mergansers, green-winged teal hens, and mandarins. Greene's creative process begins in his shed, where he carves the wooden forms, and continues in his basement workshop, where he applies paint. Both spaces are filled with a mix of taxidermied birds he has hunted and his own carved creations, covering nearly every surface. His tools range from band saws for rough cuts to fine-pointed wood burners and Gesswein devices with tiny diamond drill bits for intricate feather detailing. He employs gesso for priming and an airbrush for blending colors, often adding bright dashes of color to secondary feathers, such as the green in a green-winged teal. Greene also crafts “smoothies,” decoys that achieve texture through painting rather than carving. His current project, a group of six lesser yellowlegs, exemplifies his progression toward photorealistic detail, a stark contrast to his earlier, blockier sanderling carvings. He studies books to accurately capture bird outlines, colors, and textures, creating practice pieces like individual duck heads. Decoy carving, an art form originating over 2,500 years ago with Native Americans, now encompasses two main categories: hunting decoys and decorative decoys. Greene specializes in decorative decoys, which demand lifelike detail. He emphasizes that being a successful decoy carver requires knowledge of wood, carving proficiency, painting skills, and an artistic eye. Greene's journey into carving began during his time as a heavy equipment operator, inspired by a fellow worker. Starting with basic tools like a jackknife and coping saw, he refined his craft over five decades, becoming one of the last carvers from his local group. He participated in national duck carving shows, earning ribbons and advancing through classes, and even competed in the prestigious Ward World Championship, though he eventually withdrew due to perceived political biases in judging. Despite his achievements and the museum-quality of his work, Greene views carving primarily as a hobby. He does accept commissions, with his reputation spread through word-of-mouth, as evidenced by a recent request for a $1,500 black duck. His passion for the outdoors extends beyond carving; he started duck-hunting with his father as a teenager and, at nearly 85, continues to fish and hunt with his son and grandson. His yard contains a fishing boat, lobster traps, and a camouflage duck blind trailer, highlighting his deep connection to nature and traditional outdoor pursuits. #DecoyCarving #WoodSculpture #WildlifeArt #RobertGreene #ArtisticProcess #TraditionalCraft #HomeDecor #NatureInspiredArt

This article highlights the work of Brian Moloney, owner of The Finishing Company, focusing on how small architectural details can significantly enhance a home's aesthetic appeal and perceived value. Since establishing his business in 2007, Moloney has observed that classic architectural elements remain popular among homeowners. His company specializes in installing these finishing touches on-site, primarily in homes constructed within the last decade, often completing projects within one to two days. The services provided are considered "semi-custom," with elements installed primed but unpainted, as approximately 75 percent of clients prefer to handle the painting themselves. The article suggests that while these additions may not always increase a home's actual monetary value, they do contribute to its selling power and enhance the residents' enjoyment of their living space. The article then details several popular products and services offered by The Finishing Company, along with their respective costs and reasons for their demand. Moldings are a key offering, sought after for their ability to define areas, draw the eye upward to create an airy sensation, and protect walls. For instance, adding one-piece crown molding to an entire first floor of a 2,000-square-foot open-plan home is estimated at $1,100, while chair-rail and shadow-crown molding in a 14-foot-square dining room would cost around $1,350. Moloney emphasizes the enduring appeal of moldings, predicting their continued popularity. Wainscoting, characterized by its ridged paneling, is another frequently requested feature, particularly for areas like mudrooms and laundry rooms. Homeowners choose wainscoting for its design element and practical benefits, such as ease of cleaning. The cost for adding wainscoting to a single room or along a stairway is approximately $850. Mantels are also a significant part of Moloney's work, often requested by homeowners looking to cover existing brick fireplaces. These projects require custom sizing and design, as pre-milled materials are not typically usable. A custom mantel installation is priced at about $1,250. Coffered ceilings represent the most elaborate and high-end addition, offering a dramatic visual impact. This complex finish is akin to adding a cabinet to the ceiling and requires a minimum ceiling height of 9 feet for successful installation. Due to the significant amount of joinery involved, coffered ceilings are the company's most expensive project, ranging from $5,000 to $7,000. Lastly, The Finishing Company has expanded its services to include stair renovations. A common request involves replacing original builder-grade balusters with wrought-iron alternatives, and newel posts are often updated for both elegance and structural strength. Replacing 60 balusters with the popular iron twist-and-basket design takes one to two days and costs approximately $2,000. These architectural enhancements collectively contribute to a more distinguished and aesthetically pleasing home environment. #HomeDecor #Decorating #Renovation #HomeImprovement #CrownMolding #Wainscoting #Mantel #CofferedCeilings #StairRenovation

Contemporary furniture designer Robby Cuthbert crafts sculptural pieces that merge architectural principles with organic forms, using the concept of tensegrity. His creations, including coffee tables, lamps, shelves, and chairs, are meticulously constructed from wood and steel cables, entirely eschewing traditional fasteners like glue, screws, and nails. This innovative approach results in furniture that appears light, airy, and modern. Tensegrity, a term coined by renowned American architect Buckminster Fuller, describes structures that achieve stability through a balanced distribution of tension. A prime example is the geodesic dome, which, despite its delicate appearance, derives its strength from the tension between its interconnected components. Cuthbert applies this very theory to his furniture, engineering each piece to perfection. The tension within the steel cables or the cantilevered design, anchored to a single point, provides the necessary structural integrity. Cuthbert's work transcends mere functionality, functioning equally as elegant artwork. His background in studio art, coupled with a keen interest in architecture and sculpture, profoundly influences his design philosophy. He explains that he aims to generate architectural and organic forms, often incorporating fantastical or whimsical elements, to explore the role of tension in storing and releasing energy. He uses wood and wire as his primary materials to suggest a state of pent-up energy, held in equilibrium by opposing forces. Each piece maintains potential energy, implying a transformative shift if that energy were to be released. The absence of visible fasteners like nails, screws, and glue is a defining characteristic of his work, highlighting the ingenuity of tensegrity. This method allows for unique aesthetics where components seem to float or defy gravity, creating a sense of wonder and visual intrigue. The design process involves a deep understanding of structural mechanics and material properties, ensuring that the inherent tension within the materials contributes to the overall stability and form of the furniture. His collection, which includes diverse items from lounge chairs to wine racks, showcases the versatility of tensegrity in furniture design. Each item is not just a piece of furniture but a demonstration of complex engineering principles applied artistically. Cuthbert's designs encourage viewers to appreciate the unseen forces at play, celebrating the elegance of structural balance. The visual effect is one of minimalist beauty, where the materials are presented in their most essential and dynamic forms. #contemporaryFurnitureDesign #tensegrity #tensegrityFurnitureDesign #modernFurnitureDesign #RobbyCuthbert #architecturalPrinciples #sculpturalFurniture #designInnovation

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

This article explores the aesthetic and functional benefits of timber mouldings, which are high-quality and affordable decorative elements available at Wickes. It highlights a comprehensive range of pre-cut interior timber mouldings, including skirting, architrave, dowels, and quadrants, designed to add elegance and character to any living space. The article emphasizes that these mouldings serve as perfect finishing touches, enhancing the visual appeal of walls, windows, and doors, and contributing to a cohesive interior design. It details various types of mouldings offered, such as wall panels, decorative mouldings, stripwood, beading, angle trim, dado and picture rails, quadrant mouldings, covers, skirting boards, scotia beading, and wooden dowels. Each category is briefly introduced, showcasing the diversity of options available to homeowners and DIY enthusiasts. The article positions these mouldings as easy to install, catering to both professional builders and individuals undertaking home improvement projects. It suggests that by incorporating these elements, homeowners can elevate the aesthetic of their interiors, creating a more refined and finished look. The availability of different styles ensures that there is a moulding solution to match various architectural preferences and interior design themes. The piece also provides practical advice, recommending that customers consider complementary products like paints and primers to achieve professional-grade results and complete their decoration projects. This guidance underscores the importance of a holistic approach to home renovation, where mouldings play a crucial role in tying together different design elements. The overall message is that these timber mouldings are not just decorative but also instrumental in adding a sophisticated and complete look to any room, offering both charm and structural definition to a home's interior. #HomeDecoration #InteriorDesign #TimberMouldings #DIYHomeImprovement #ArchitecturalDetails #WallPanels #SkirtingBoards #DecorativeElements

The article showcases the work of Jared Abner, a 2021 Furniture Design graduate from RIT, focusing on his distinctive approach to creating furniture and sculptures. Abner's artistic philosophy is characterized by a unique combination of subtraction and addition, a process he describes as "creation through destruction." He begins by engaging in subtractive methods, such as turning, carving, and cutting raw materials, and then reassembles these modified pieces to form new creations. This methodology highlights a dynamic interplay between deconstruction and reconstruction in his design process. One prominent piece featured is a walnut and fiber rush bench from 2020. This work exemplifies his ability to blend traditional woodworking materials with contemporary design principles, resulting in a functional yet artistic piece of furniture. Another significant creation is an abstractly shaped chair crafted from stack-laminated cherry wood, also from 2020. This chair demonstrates his innovative use of lamination techniques to achieve complex forms and textures, transforming solid wood into a visually fluid structure. The intricate layering of cherry wood not only adds to the aesthetic appeal but also speaks to the meticulous craftsmanship involved in its construction. The article also presents a series of "Suspension Study" sculptures, which further illustrate Abner’s exploration of form, balance, and material interaction. "Suspension Study One" features a wood sculpture connected to a large blue ball, utilizing walnut, poplar, and milk paint from 2020. This piece suggests an investigation into equilibrium and the tension between different elements. "Suspension Study Two," from the same year, continues this theme with a wood sculpture incorporating a rope to hold a blue ball, again using walnut, poplar, and milk paint, alongside the addition of rope. The inclusion of rope introduces an element of flexibility and dynamic force, contrasting with the rigidity of wood. Finally, "Suspension Study Three," created in 2020, consists of a black sculpture where two large wood pieces sandwich a blue ball, made from ash, poplar, and milk paint. This piece explores containment and compression, with the blue ball acting as a focal point that is simultaneously supported and constrained by the wooden components. Collectively, these works underscore Abner’s versatility in transforming raw materials into pieces that challenge conventional notions of furniture and sculpture, emphasizing both aesthetic innovation and a thoughtful engagement with the physical properties of his chosen media. His portfolio reflects a deep understanding of material manipulation and an artistic vision that merges functionality with sculptural expression. #FurnitureDesign #Sculpture #JaredAbner #RITAlumni #Woodworking #MaterialManipulation #ArtisticProcess

This article highlights six woodworking studios located in the Hudson Valley, emphasizing their contributions to the contemporary furniture and home goods scene. The region is noted for its high-quality craftspeople, with craft fairs like Field + Supply, The Farmhouse Project, and Woodstock-New Paltz Art & Crafts Fair showcasing their work. The featured woodworkers are recognized for their distinct styles, commitment to sustainability, and use of locally sourced or reclaimed materials. Brian Persico, based in Windham, creates one-of-a-kind furniture and functional objects, drawing inspiration from natural materials and historical craft techniques. He prioritizes locally sourced wood, often from within 20 miles, and utilizes natural finishes and glues, some based on 16th-century recipes. His experience with unusual natural materials in archery bow making, such as horn, bone, and sinew, influences his designs, notably in his Windham series, which incorporates antler pins. Examples of his work include a pine and osage kindling box with hand-cut dovetail joinery and a bent Osage Orange handle, and a walnut cove mirror crafted with an antique architectural molding plane. New York Heartwoods, operating out of Kingston, was founded by Megan Offner in 2010. Her mission stems from her experience as an advertising set designer, where she observed excessive waste of wood materials. The studio reclaims discarded lumber and repurposes Hudson Valley trees felled by natural causes or development. This reclaimed wood is then used in their carpentry studio to create bespoke furniture and products, or sold to architects, designers, and other woodworkers. Noteworthy pieces include the Eclipse Coffee Tables, designed to be nested or used independently, and the Highland Coffee Table, characterized by its faceted corners, butterfly key inlays, and a hand-shaped Mid-Century inspired base. FN Furniture in Stone Ridge, established by Ken Landauer in 2017, focuses on creating well-designed, affordable, and zero-waste furniture. Landauer's designs for indoor and outdoor chairs, benches, and sofas are informed by yogic principles, ensuring comfort and proper alignment. Indoor pieces are made from multi-layered Baltic Birch Plywood using a CNC machine. Following requests for outdoor and office furniture, a line of outdoor pieces was launched in 2020, utilizing marine-grade, high-density plastic. The F2 Rocker, available in vibrant colors like red, yellow, and green, and the F2 Writing Desk with its thoughtful storage nooks, are highlighted examples. Samuel Moyer Furniture, with studios in Staatsburg and Los Angeles, is dedicated to crafting furniture and artwork intended to last for generations, thereby reducing waste. Moyer's handmade, made-to-order cabinets, tables, consoles, chairs, and beds often incorporate brass with unique, sometimes self-milled woods such as locust or American black walnut. His work frequently features unfinished sections that expose the inherent beauty of the wood and the crafting process, with a focus on statement joinery and showcasing raw edges. KHEM Studios in Stanford, founded in 2016 by Kari Britta Lorenson and Erik S. Guzman, emerged from their desire for simple, clean contemporary designs using natural solid hardwoods. Both founders have backgrounds in sculpture, which influences their homeware and furniture collections. They design and produce pieces in their Stanford studio using locally sourced kiln-dried hardwoods. Featured items include the Mega Whale Bone Cutting Board, which combines artistry and functionality with its size and deep channel, and the Unity Bench, praised for its elegant lines and unique angles, suitable for various spaces. Accordance with Nature, located in Accord, is a design and furniture studio established by self-taught furniture makers Patrick Turiello and Leah Fabish. Their backgrounds in sculpture, architecture, and industrial design are evident in their work, which ranges from sculptural side tables to custom wall-mounted shelves and peg rails. Each piece is designed and manufactured by Turiello and finished by Fabish, often utilizing repurposed tools and machinery. The Woven Shelf No. 1 in White Oak is highlighted for its delicate interwoven slats and compact design, and the Peg Rail No. 2 in Ebonized Oak is noted for its stylish organization capabilities in entryways. These six studios collectively represent a commitment to craftsmanship, sustainable practices, and the creation of unique, high-quality furniture and home goods in the Hudson Valley, contributing to a vibrant local design economy. Each studio offers distinct approaches to woodworking, from reclaiming materials to integrating artistic and ergonomic principles, all while focusing on durability and aesthetic appeal. #HudsonValleyWoodworkers #ContemporaryFurniture #HomeGoods #SustainableDesign #HandcraftedFurniture #LocalCraftsmanship #InteriorDesign #Woodworking #ArtisanFurniture

This article details the experience of a couple seeking upholstery services for a secondhand rocking chair, highlighting their journey to discover Das Upholstery, a local business owned by Das Chunilall. Initially apprehensive about the shop's cluttered appearance, the authors were swayed by a local interior decorator's recommendation. Upon entering Das Upholstery, customers can expect a clear pathway despite the visible stacks of furniture. The owner, Das Chunilall, whose first name is the inspiration for the shop's name, is described as friendly and a long-time resident of the neighborhood. Originally from Guyana, Das humorously claims to be from "Heaven." He has operated his shop for approximately 10 years, following 15-20 years of experience at another upholstery business on Jericho Turnpike. His skills were primarily acquired through practical experience, working alongside seasoned professionals, and self-study from books. Beyond the front section, the shop extends to include a workspace where Das and his staff perform their craft. There is also a downstairs area, indicating a larger operational space than initially perceived from the storefront. The cost for reupholstery services, while generally considered expensive, was found to be fair at Das Upholstery, with a labor quote of $325, which was lower than other estimates the authors received. The authors opted for self-pickup and delivery, emphasizing the value of supporting a local business. Das Upholstery offers flexibility in fabric selection. Customers can choose from in-stock samples, swatch books, or provide their own fabric, with Das advising on the required quantity. The authors successfully sourced their preferred fabric online after exploring various NYC fabric stores. The quality of work and turnaround time were also highly praised. Initially quoted a one-week completion, the job took ten days, despite Das anticipating a two-week timeframe due to high demand. The early completion, even falling on the Saturday of Memorial Day weekend, underscored Das's dedication. In addition to repair work, Das Chunilall also constructs original furniture pieces based on designers' plans, making his shop a resource for interior designers and decorators. He is noted for proudly sharing photographs of his projects on his phone. The article concludes with a strong endorsement of Das Upholstery for reupholstering, furniture repair, or custom furniture construction in Ditmas Park. Das operates six days a week, with irregular but generally early morning hours, and recommends calling ahead to confirm availability. #upholstery #furnitureRepair #smallBusiness #localBusiness #homeImprovement #interiorDesign #craftsmanship #DitmasPark

This article explores the art of decorating with paint, emphasizing that it's more complex than a simple coat of color. It highlights the importance of thoughtful consideration in selecting paint colors to effectively transform a room. The guide delves into various factors influencing color choice, starting with the style of the room and its natural light sources. It points out that east-facing rooms receive warm morning light that cools throughout the day, while west-facing rooms experience the opposite. The article also advises considering existing furniture or decorative items that might impact color decisions and the primary time of day the room is used. For instance, a bedroom, primarily used in the evening, is better suited for dark colors, whereas a living room might benefit from lighter, airier tones. The article further elaborates on how specific colors can influence mood and atmosphere. It suggests that yellow, when used judiciously, can evoke feelings of joy, while light blue promotes a calming effect. Green is linked to nature and can help alleviate stress, establishing a connection with the outdoors. It also addresses the use of bold colors, recommending moderation to prevent them from becoming overwhelming. The advice is to balance vibrant hues with neutral tones, especially on walls, to allow for colorful accents in accessories like lamps, pillows, and blankets. This approach ensures that bold elements enhance rather than dominate the space. Another key aspect covered is embracing dark colors. While initially perceived as intimidating, dark colors are presented as adding significant personality to rooms, distinguishing them from plain white or light shades. The article encourages a full commitment to dark colors, advocating for painting all four walls rather than just one, and avoiding half-measures. It emphasizes incorporating accenting colors when using dark neutrals like grey, navy, black, or brown, noting that many colors can complement them effectively. Finally, the article stresses the importance of maintaining cohesion throughout a home. While each room can have its unique character, it's recommended to tie them together with subtle continuities. Using complementary colors where rooms connect is suggested as a method to ensure a harmonious flow and prevent spaces from appearing disjointed. The article serves as a comprehensive guide for homeowners looking to make informed decisions about paint choices, mood-setting, and overall home aesthetic. #InteriorDesign #PaintColors #HomeDecor #ColorPsychology #RoomMood #DecoratingTips #AccentColors #HomeCohesion

This article highlights the enduring appeal of hardwood furniture amidst the emergence of new materials in design. While acknowledging innovations like bioplastics and vegan leathers, the piece emphasizes that skilled and creative woodworkers can transform traditional materials like teak, walnut, and oak into long-lasting, heirloom-quality pieces using only their tools and workshops. The focus then shifts to showcase several custom wood furniture makers in Toronto and the Greater Toronto Area (GTA) who excel in crafting these enduring designs. Five distinct pieces of furniture are presented, each demonstrating different styles, materials, and price points. The first featured item is Daniel Gruetter’s bar stool, crafted from red oak. When treated with iron oxide, the red oak develops a unique ruddy, patinated complexion. Gruetter combines this material with mortise, tenon, and an upholstered seat to create a bar stool designed to be an heirloom, priced at $2500. Next is Nicholas Hamilton Holmes’ Captain’s dining table, which features a rounded design and pin and tenon joints that playfully extend through a marble tabletop. Made from white oak, this table, starting from $3700, offers a commanding presence while maintaining a lighthearted aesthetic. Heidi Earnshaw’s Half Hathaway is the third item, a made-to-order piece distinguished by its minimalist appearance, bevelled legs, turned knobs, and straight-lined design. Despite its seemingly simple form, the piece incorporates complex joinery, showcasing the hidden craftsmanship. It is priced from $5400. Atelier Arking’s Lami dining chair is highlighted for its contrast between a rigid white ash frame and soft, pillowy leather upholstery. This chair, starting from $620, is designed to serve both as a functional everyday seating option and a striking statement piece. Finally, the article features Kate Duncan’s Ribbed Bed. Inspired by brutalist architecture, this bed, however, uses textured hardwood instead of cold concrete. It can also include optional details such as brass pulls and leather-veneered fronts, and is available from $18,000. Each piece underscores the timelessness and quality achievable through traditional woodworking techniques. #CustomFurniture #Woodworking #TorontoDesign #HeirloomQuality #ProductDesign #HardwoodFurniture #LocalMakers

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

This comprehensive guide provides step-by-step instructions on how to upcycle metal furniture, transforming old, chipped, and rusty pieces into refreshed items. The process is designed to be budget-friendly, fast, and customizable, suitable for DIY enthusiasts of all skill levels. The article emphasizes that spray painting metal furniture is an effective method for giving tired garden furniture a second life, while also being applicable to various other outdoor metal projects such as garage doors, benches, archways, and even indoor metal furniture. The initial phase of any metal furniture restoration project involves careful planning and preparation. Before beginning, it's crucial to gather all necessary tools and materials, which typically include a wire brush, steel wool, multi-surface spray paint, metal primer, and essential safety gear like a dust mask, gloves, and safety goggles. The article stresses the importance of adequate ventilation, especially if working indoors, and protecting the surrounding area from paint overspray using old sheets, cardboard, or tarpaulin. The estimated cost for materials is around £40, and a fairly simple makeover is expected to take about 4 hours, though a weekend is recommended to allow for sufficient drying time. Preparation of the project begins with thorough cleaning. Any detachable parts, such as glass tops or cushion covers, should be removed. The furniture is then cleaned with warm, soapy water to eliminate dust, dirt, and grime, followed by a clean water rinse and drying. For greasy or grimy surfaces, methylated cleaning spirits can be used, ensuring surfaces are wiped down and rinsed afterward. Following cleaning, the removal of old finishes, flaking paint, and rust is critical for a smooth paint application. Steel wool or a wire brush can be used to scrub away rust and loose paint, especially effective for intricate designs. For more severe rust, specialist gels or fluids may be necessary. Electric sanders with coarse grit paper are recommended for larger, flat areas or stubborn paint layers. If a completely stripped-back, industrial look is desired, a paint stripper can be applied. After this abrasive work, another thorough cleaning and drying are required to remove any remaining debris. Priming is the next vital step, ensuring the paint adheres well and offering additional rust protection. If multiple colors or intricate designs are planned, masking tape should be applied to create neat lines. The primer is applied in even, sweeping motions with the recommended safety equipment, and typically two coats are suggested for optimal results, allowing adequate drying time between coats. Once the primer is dry, the painting process begins. The spray paint can must be shaken vigorously before and during use to ensure proper mixing. Painting in sections is advised to cover all surfaces, including intricate details. The paint should be applied in slow, straight, and even strokes, maintaining the recommended distance from the furniture to prevent drips and runs. Two to three layers of paint are usually needed for the best finish, with approximately an hour of drying time between each coat. Any imperfections can be corrected with a lint-free cloth or fine-grit sandpaper, and the piece should be allowed to fully cure before removing masking tape. Finally, reattaching any removed fixtures and considering aftercare steps will complete the project. For unpainted metal, an exterior wax coating can provide protection against moisture and prolong the item's life. The article highlights the flexibility of renovation projects, allowing for future changes in style. Storing garden furniture in a shed, garage, conservatory, or under a plastic furniture cover when not in use can help preserve its finish. Minor touch-ups can be done by cleaning, priming, and repainting small areas. The article encourages creativity in design, suggesting various color palettes, stencils, and even combining different colors for a unique look. It also promotes finding old metal pieces from charity shops or car boot sales for future upcycling projects. #MetalFurnitureUpcycling #DIYHomeImprovement #GardenFurnitureMakeover #SprayPainting #FurnitureRestoration #OutdoorDecor #HomeDecoration #CreativeProjects #BudgetFriendlyDIY

The 'Hive' collection, developed by atelier oï for B&B Italia, explores an innovative approach to upholstery using small leather patches, termed "leaves," to construct a three-dimensional textile. This deconstruction process details the extensive trial and error involved in perfecting this complex material, which ultimately informed the design of hexagonal ottomans and complementary low tables. The initial phase of development focused on material exploration, specifically forming studies with leather patches in various colors and configurations. This involved examining both the front and back of these patch arrangements, noting how individual leather pieces connected to form a cohesive textile, even before full attachment. Following these material studies, the design team moved into conceptualizing how this unique leather textile could be applied to furniture. Early sketches focused on adapting the connected leather structures for an ottoman. This led to the creation of numerous ottoman models, varying in size, form, and leather color, to test the aesthetic and structural possibilities. A significant challenge addressed during development was how to effectively wrap the ottoman legs with the patch textile, requiring dedicated studies to perfect the technique. Further refinement involved developing methods to finish the corners and sides of the ottoman, especially given the irregular edges of the leather patches, ensuring a seamless and polished appearance. In parallel with the ottoman design, the concept evolved to include complementary furniture pieces. Initial sketches were created for a similarly shaped table to be paired with the ottomans. This integration aimed to create a cohesive collection where both the ottomans and tables shared a unified design language, inspired by the distinctive beehive-like texture of the leather. The culmination of this design process resulted in a finished product showcasing three-color ottomans paired with the metal tables. The 'Hive' collection was notably featured in an installation at the B&B Italia Store during the Milan Furniture Fair in April 2013, highlighting the successful application of this innovative textile in a contemporary furniture context. #LeatherUpholstery #3DTextiles #FurnitureDesign #AtelierOi #BBItalia #ProductDevelopment #OttomanDesign #TableDesign #MilanFurnitureFair

This article highlights 21 exceptional craftspeople in Britain, as recommended by leading designers and architects featured in Country Life's Top 100 list. The selection emphasizes the critical role of collaboration and specialized skills in successful architectural and interior design projects, showcasing experts whose breadth and depth of experience significantly contribute to outstanding outcomes. The featured craftspeople span a wide array of disciplines. Tom Rennie, a carpenter and joiner, is lauded for his skill, particularly in working with ash. Ceramicists Katrin Moye and George Bronwin are praised for their exceptional and beautiful pieces, while Martha Freud's delicate and intricately inscribed porcelain ceramics are noted for their unique beauty and the joy they bring to special commissions. Edward Bulmer recommends Tom Kennedy for his mastery of scagliola, a 17th-century plasterwork technique. Fretton Handley's Clunie Fretton is recognized as a highly accomplished and versatile sculptor, carver, and gilder, celebrated for both new creations and exemplary restoration work. The Weald & Downland Living Museum is commended for its efforts in preserving traditional crafts, serving as a vital resource for knowledge and inspiration. Hot Metal Toby, known for Hot Metal Engineering, is the go-to expert for steel fabrication, capable of transforming vague concepts into practical designs, with a portfolio that includes significant work at RHS Wisley and Hyde Hall. Kevin Smith of Conservation Leadwork is recommended for his expertise in decorative and architectural lead pieces. Torc Pots is highlighted for its niche in grand-scale, contemporary planters that can complement even period homes, while Marshall Brass is presented as a reliable source for traditional ironmongery. Soane Britain receives accolades for its beautifully crafted, UK-made pieces that achieve a rare balance of uniqueness and timelessness. For joinery and cabinetry, Alex Cottrell of Llangollen Joinery is noted for immaculate work, with Lopen Joinery and Scope Joinery recommended for larger projects. Robert George, a wood artist and arborist, creates incredible one-off vessels and expressive furniture from carefully sourced timber. The Garden Trellis Co. is recognized for its passionate craftspeople and top-end products. Rupert Bevan and his team of furniture-makers are celebrated for their talent and their ability to inspire new material experimentation. Libby Russell recommends Jay Davey for woven willow work and Oxford Planters for superior wooden planters and garden furniture. Cotswold Decorative Ironworkers are long-standing collaborators, creating bespoke garden gates and railings. Darek Dziedzic of Unique Construction (London) is highlighted as an expert cabinet maker. Barley Studio in York is praised for its exquisite artistry and skill in stained glass. Francis Stacey is a master of finishing, excelling in perfectionist plastering and decorative effects using traditional methods. Johanna Welsh, a third-generation Suffolk pargetter, brings freshness and vigor to freehand ornamental plasterwork, often inspired by nature to bring ceilings and wall friezes to life. Lastly, decorative artist Tess Newall is recognized for her beautiful murals and folk art-inspired furniture, which often become standout elements in projects. #Craftspeople #BritishCraft #InteriorDesign #Architecture #Collaborations #SkilledArtisans #HomeDecor #Renovation #CustomFurniture