
1/2
What’s in the box? NeKeia McSwain designs a luxe lounge with help from Material Bank
NeKeia McSwain, a Denver-based interior designer, conceptualized a luxurious champagne-and-cigar lounge, potentially situated in Manhattan or Cape Town, by utilizing samples provided by Material Bank. This project, which she describes as an ultraluxe immersive escape, aimed to create an exclusive yet relaxed environment where guests could enjoy fine dining, premium champagne, and cigars within a vibrant atmosphere. McSwain's vision for the lounge emphasizes an opulent design, featuring elements like gold-studded ceiling tiles, ornate crown molding, fur-upholstered wingback chairs, and burgundy marble flooring. She specifically chose materials that would evoke a sense of grandeur and sophistication.
Material Bank, a platform offering industry professionals access to numerous brands and overnight sample delivery, played a crucial role in McSwain’s design process. She highlights the platform's innovative approach in solving common business challenges, such as the time-consuming process of visiting multiple showrooms and confirming product availability. The ability to receive samples quickly allowed her to efficiently compare colors and textures, a critical aspect of her design work. Furthermore, Material Bank facilitated the discovery of new brands, with approximately 80 percent of her selections for the lounge coming from companies she had not previously worked with. This was achieved by browsing products based on specific needs, such as leather for a chair, leading to serendipitous discoveries and unique material combinations.
McSwain meticulously detailed her material selections, outlining how each element contributes to the lounge's aesthetic and tactile experience. For the ceiling, she chose Jamie Beckwith’s Nailed It Noir with Matte Gold Nailhead Wood Tile, intending to draw the eye upwards and suggest nobility with its clean, detailed feel and embedded matte gold nail heads. Regal Hand-Painted Crown Molding from FAD, featuring antique bronze, Olympic gold, and antique copper, was selected to create a “crown” effect and complement other metallic accents and the Sheila Bridges’s toile on the windows. The majority of the walls would feature Tilebar’s Mezzo Bordeaux marble mosaic tile, a mesmerizing geometric pattern in bordeaux, white, and gray, which layers textures and prints effectively.
The uppermost portion of the walls would be adorned with Anzea Plastic Basket Bogus Bushel wallcovering, a faux woven leather in oxblood red or classic black, serving as a backdrop for leather-fringed, brass-framed sconces, pendants, and chandeliers. For the flooring, Artistic Tile’s Breccia Vino stone flooring, a wine-colored marble with white veining, would extend the rich color palette. Countertops and islands would be covered with long seamless slabs of Sicis Vetrite in Boheme Brown, a tempered, satin-finished glass that provides lightness, reflectivity, and a nuanced amber-brown depth. Banquette seating would forgo traditional upholstered backing in favor of bolsters made from Momentum Textiles Grandeur UPH in Sangria, attached to the wall with leather straps to maintain the visual impact of the mosaic tile.
The banquette seating materials include Bernhardt Random in Chalk and Brentano Raku in Smoke, chosen for their complementary colors and patterns. The Bernhardt Random adds a zigzag movement, while the Brentano Raku, a performance textile, features an avant-garde crackled surface inspired by Japanese pottery, deemed suitable for a cigar lounge. For the freestanding wingback chairs, Moore & Giles Auckland sheepskin hide in Ivory would provide a lush, soft counterpoint to the prevalence of leather. Barstools would feature a combination of Foglizzo Luce Rutabaga leather upholstery with custom laser-engraved sinuous patterns on the exterior and Foglizzo Veneziana Perforated Leather in Ivory Sand for the interior backing, adding tactility and a woven appearance. Ottomans would be upholstered in Silver State El Dorado in Wine, a solid oxblood color. Moz Designs Skinz Aged Gold decorative metal would create gilded shelving behind the bar. Finally, Benjamin Moore Cottage Red would be used for lacquered walls in entries and passageways, decorated with artwork in ornately carved frames. Sheila Bridges’s iconic Harlem Toile de Jouy in Multi White, used as sheer, triple-fold-pleated window coverings, would filter ambient light and add a classic, artistic touch, paired with large bubble windows that pivot open to city views.
#InteriorDesign #LuxuryLounge #MaterialBank #NeKeiaMcSwain #DesignProcess #MaterialSelection #HighEndFinishes #CommercialDesign #InteriorDesign #LuxuryLounge #MaterialBank #NeKeiaMcSwain #DesignProcess #MaterialSelection #HighEndFinishes #CommercialDesign
0 comment in total
No comments yetYou may also like



































































