Yuji Kimura Design conceals terraces at House K behind a tall wall

Kiyoaki Takeda Architects has designed and built a timber house in Tokyo's residential Setagaya ward that integrates with its hilly surroundings through the strategic use of five retaining walls. Unlike typical developments in the area that flatten land with large concrete walls, this project embraces the uneven terrain, featuring a rough slope with a 3.5-meter height difference. The primary objective of the design is to foster a deeper connection between the residents and the natural environment, despite the urban setting. The architect, Kiyoaki Takeda, aimed to restore the tactile sensation of living in a "place," emphasizing that this goes beyond merely adding soil to a floor. Instead, he sought to create an experience where inhabitants feel supported and enveloped by the earth's structure, achieved by contrasting natural elements with man-made interventions. The design focuses on merging nature and artifact, creating a vibrant living space that acknowledges the inherent life force rooted in the earth itself. The house, intended for a young couple and their four children, incorporates several small excavated areas to maximize the potential of the terrain. To manage the varying height differences resulting from these excavations, five distinct retaining walls were designed. Each wall, while uniquely shaped, maintains a flat structure reinforced by L or T-shaped ribs, engineered to support the earth's load with minimal thickness. This approach allows the retaining walls, typically construction materials, to become an integral part of the living space, contributing to the interior environment and benefiting from geothermal properties. This complex border between the earth and the architectural structure is intended to offer dynamic moments within the home. The architecture extends from this foundation, tracing the contours of the earth and the retaining walls. The structure is built in two layers: a reinforced concrete base and a timber upper section. The reinforced concrete part, traditionally an underfloor space, is integrated into the interior, creating a large atrium within the timber structure. This atrium features various skip floors, each offering a different environmental experience. The timber structure above provides an open frame with exposed beams, offering flexibility for future expansion or modification of the floor space. This design philosophy encourages residents to first perceive the unique characteristics of each space and then to creatively adapt and personalize their lives within this distinctive environment. The project underscores a harmonious coexistence between contemporary architecture and the inherent qualities of its natural site, making the retaining walls an essential and tactile element of the home. #KiyoakiTakedaArchitects #TokyoArchitecture #TimberHouse #RetainingWalls #ResidentialDesign #NatureIntegration #SustainableArchitecture #JapaneseArchitecture

This blog post features the renovation of a 90-year-old house in Kamakura, Japan, transformed into an atelier by architect Yuji Okitsu. The project, named Annex House, serves as an annex to the clients' main residence, designed to host artists, culinary experts, and entertain friends. The building, a 721-square-foot structure, is situated on a flat site on a steep hillside, typical of Kamakura's topography. Upon initial assessment, the house had been stripped to its framework, with its original layout largely unidentifiable. The renovation aimed to harmonize the existing structure with the surrounding environment, preserving the historical essence of the building while integrating modern elements. A key design philosophy was to maintain respect for the house's long history. This was achieved by not painting the exposed parts of the repaired and reinforced framework to differentiate new wood from old. The project sought to symbolize the coexistence of old and new and the building's enduring presence. Material selection emphasized longevity and character. The exterior walls were clad in yakisugi, a traditional Japanese charred wood, known for its durability and aesthetic aging. Brass door knobs were chosen for similar reasons. Inside, solid chestnut wood flooring, repurposed from the client's previous home, and antique window frames that the clients already owned, were incorporated, adding personal history and warmth to the interior. The ground floor of the renovated space is primarily dedicated to the atelier, kitchen, and dining area. The strategic placement of the stairwell and variations in ceiling height create an open and fluid layout, allowing for unhindered circulation throughout the space. The second floor features low windows, known as muso-mado, which are traditional Japanese windows with vertical slats. These windows open to the first-floor atelier, facilitating the transmission of atmosphere, sounds, and warm air from the wood stove, thereby creating a unified, open-plan feel across both levels. A distinctive feature of the renovation is the concrete deck in the garden. This deck is engineered to collect a thin layer of water when it rains, transforming it into a reflecting pool. The ripples on the water's surface create dynamic patterns that reflect the architecture, fostering an interactive blend of nature and design. After the rain, it becomes a temporary water basin, mirroring the surrounding trees and natural light, further merging the landscape with the built environment. The renovation successfully preserves the historical integrity of the 90-year-old house while adapting it for contemporary use as a flexible art and gathering space. The design integrates old and new elements thoughtfully, reflecting the passage of time and ensuring the building's relevance for future generations. The project embodies a balance between architectural intervention and environmental harmony, creating a space that is both functional and aesthetically integrated with its unique setting. #Kamakura #JapaneseArchitecture #HouseRenovation #AtelierDesign #YakisugiCladding #ConcreteDeck #ReflectingPool #HistoricPreservation #ArchitecturalHarmony

A Cat Tree House, located in Kamakura, Japan, is a private dwelling and work studio designed by architect Tan Yamanouchi for himself, his partner, and their two cats. The design of the residence prioritizes the needs and behaviors of the feline inhabitants, integrating them seamlessly with human living spaces. Yamanouchi, drawing from ten years of observation, identified three primary cat needs: the ability to choose comfortable temperature levels, the desire to be in the same room as owners while maintaining personal space, and the necessity of multiple safe hiding spots. These considerations informed the core architectural concept of the home. The residence is structured around a large spiral staircase, or caracole, featuring multiple nooks and crannies. This central element includes an atrium with a skylight, allowing natural light to penetrate the interior. The staircase steps are designed with varied rises, based on the body measurements of the cats, resulting in 23 distinct floor levels. This stratification creates fine layers of temperature zones, enabling the cats to move freely and find their preferred climate throughout the day. The run of each step is generously set at 900 millimeters, providing ample space for cats to hide, maintain distance, or rest undisturbed. The caracole's design draws inspiration from a tamasudare, a traditional Japanese bamboo screen, influencing its loosely woven and adaptable structure. This exposed architectural feature also addresses Kamakura's highly humid climate, complementing the split-level design. A buffer space, one meter above ground level, is integrated between the raft foundation and the floor. This area facilitates airflow and accommodates hot water pipes for floor heating, contributing to effective temperature and humidity control within the house. Around the caracole, various functional spaces are arranged on different levels, including a bedroom, guest room, studio, kitchen, dining room, and bathroom. These rooms are designed not only for human comfort but also to serve as potential hiding places for the cats, particularly when guests are present. Fall prevention handrails in the atrium are inspired by Kamakura's mountain views and are crafted from delicate stainless steel. A bookshelf is integrated along the spiral steps, transforming the passage into a multi-level library for humans and cozy resting spots for cats. One section of the circular steps extends backward, leading to a window positioned at cat eye level, providing an outdoor view. The final step of the staircase is elevated to the height of a human chair, creating a porch-like area for the cats. The house's exterior form comprises two interlocking L-shaped volumes with shed roofs of varying angles. This configuration simplifies construction and harmonizes with the natural landscape of Kamakura. The architect also intentionally designed window placements and heights to allow passersby to observe the cats, integrating them into the architectural exterior and local scenery. In terms of landscape design, the garden is divided into two main zones: an Approach Zone leading to the entrance and front garden, and a Terrace Zone with a wooden deck and kitchen garden. The Approach Zone features approximately 80 species of plants, providing a diverse color palette, while the Terrace Zone hosts 20 species of edible herbs. An outdoor space covered with fragrant wood chips offers a place to sit and dine, completing the home's comprehensive design that caters to both human and feline occupants, harmonizing their needs within a thoughtfully constructed environment. #CatFriendlyDesign #JapaneseArchitecture #SpiralStaircase #ResidentialArchitecture #PetCenteredDesign #SustainableDesign #KamakuraHome #MultiLevelLiving #ArchitecturalInnovation

Case Real, a Fukuoka prefecture-based design and architecture firm, has undertaken a partial renovation of the Yamaguchi Sake Brewery in Kurume city, Japan. The project involved updating a traditional cedar-beam property, originally constructed in the early 1800s by the Yamaguchi family ancestors. Designers Koichi Futatusmata and Koichi Shimohira were responsible for infusing contemporary architectural thought into the historic site. The core of the renovation addressed the client's desire to effectively utilize the courtyard situated between the aged main house and a warehouse on the same premise, while ensuring continuity between the two structures. To achieve this, Case Real connected the buildings with a washed-finished cement floor and a stair. Additionally, large openings in the lounge space of the main house were re-arranged to foster a closer connection between the two previously distinct areas. The design facilitates the delicate sake brewing process, which requires gentle handling of rice milling and precise humidity levels in the rooms. The newly created connective courtyard allows for a more comfortable flow of this intricate process. A key feature of the renovation is the secret garden, intentionally sparsely ornamented with slim native trees and anchored by off-white pebbles. This garden is designed to provide a distinct and meditative area, offering brewers a serene space to unwind during their shifts. In conjunction with the garden, a new, dedicated lounge space was created. This lounge is conceptualized as a zen environment that respects the brewery's historical roots while embracing a contemporary outlook. The walls within this space are rendered in modern sweet-chestnut shades, and vast windows are strategically placed to maximize natural light. The flooring incorporates characterful, polished stone, referencing the structure's early days. Overhead, the original cedar beams remain sturdy, serving as a constant reminder of the Yamaguchi family’s long-standing heritage in sake brewing. Case Real has a history of designing functional workspaces that prioritize employee freedom and creativity, as seen in their previous projects such as a Japanese storehouse live-work conversion and minimalist designs for brands like Aesop. This renovation of the Yamaguchi Sake Brewery continues that tradition, blending historical preservation with modern functionality and a tranquil aesthetic. The project exemplifies a harmonious integration of old and new, creating a refreshed environment that supports both the traditional craft of sake brewing and the well-being of its practitioners. #JapaneseArchitecture #SakeBrewery #MinimalistDesign #SecretGarden #ArchitecturalRenovation #WorkspaceDesign #TraditionalCraft #ZenDesign #CaseReal

Architect Christian Kerez designed and completed House Okamura in Prague 6, Czech Republic, near the Villa Müller museum. The building distinguishes itself from surrounding structures through its use of circular brick volumes, a traditional and almost archaic construction method. The entire structural form, including the interiors, is composed of bricks, eliminating the need for dividing walls within the individual rooms. This housing project is divided into three distinct apartments and is formed by 16 tangent cylinders, collectively featuring 39 rooms. A unique aspect of House Okamura is the visibility of each room's outline from the exterior, a consequence of the absence of traditional dividing walls. The layout of the rooms allows for dynamic shifts in position across different floors, meaning that rooms within the same vertical shaft can belong to separate owners. This varied and seemingly random placement of openings within each room contributes to a labyrinth-like spatial experience. The rooms themselves vary significantly in size, ranging from 4 square meters to 18 square meters, and in height, from 2.35 meters to 4.9 meters. Additionally, there are 19 interstitial spaces located between the circular rooms, bringing the total number of spaces to 58. All spaces within a single apartment are interconnected and open to each other, with apartment sizes varying between 90 square meters and 110 square meters. Kerez describes the arrangement as a space that opens inward, creating an impression of expansion despite physically limited boundaries, which is a direct outcome of the rigorous geometrical organization. The circular room configurations are not static but change from one level to the next. Only the circular rooms within House Okamura are equipped with doors for closure. These areas function as intermediate spaces and house the elevator, storage facilities, and sanitary areas. Kerez acknowledges that designing such a complex using the spatial concept of autonomous rooms aggregated into a sequence of spaces feels both radical and innovative. However, he notes that this concept, combined with the traditional brick construction method, proved easier to implement on site compared to designing orthogonal spaces. #ChristianKerez #HouseOkamura #PragueArchitecture #CircularDesign #BrickConstruction #LabyrinthineSpaces #ApartmentDesign #InnovativeArchitecture #SpatialConcept

Architects Daisuke Ibano and Ryosuke Fujii of id+fr designed the 'Diagonal House' in a densely populated residential area of Tokyo for a couple and their children. The project addressed the challenge of strict height limitations due to category 1 height control district regulations on the front half of the lot, requiring an innovative approach to urban housing. The primary goal was to integrate the kitchen, living space, and terrace, which were important to the client who spends significant time cooking. This led to the implementation of a design featuring staggered floors, aiming to achieve spatial continuity and facilitate smooth vertical circulation throughout the residence. To enhance the sense of spatial continuity, the architects incorporated a slab above the living room that folds upwards along a slanted line. Additionally, a portion of the uppermost slab was partially raised to create a large kitchen terrace opening, further connecting indoor and outdoor spaces. These design choices resulted in unique features that encourage diverse activities within the home. For instance, the sloped floor of the terrace is suitable for sunbathing, while the area beneath the raised section of the top slab forms an alcove that can be utilized for sleeping. The architectural compositions extended to other design elements, including platforms integrated at a diagonal angle alongside the stairwell that navigates between the staggered floors. Correspondingly, storage units on the opposite wall also adopted a diagonal angle. A triangular light garden was positioned at the end of a large opening in the living room, establishing a diagonally oriented axis that contributes to a more spacious feel within the interior. The numerous diagonal lines throughout the 'Diagonal House' were carefully considered to optimize visibility and establish interconnected relationships between various spaces. These diagonals became a defining characteristic of the design, fostering a sense of openness and connection to the external environment. The architects aimed to create a dwelling that not only harmonizes with the varied architectural forms of the surrounding residential buildings but also provides a microenvironment where the family can experience a strong sense of urban life from any point within their home. The project successfully blends functionality with an aesthetic that responds to its tight urban context, offering inventive solutions for modern living in Tokyo. #TokyoArchitecture #ResidentialDesign #SpatialContinuity #DiagonalElements #StaggeredFloors #UrbanHousing #JapaneseArchitecture #idfrArchitecture #InnovativeDesign

The Rowan is the newest tiny house model introduced by the online marketplace, Tiny House Listings. This 34-foot-long (10-meter) tiny house distinguishes itself with a useful porch area and an expansive interior layout, uniquely arranged on a single floor. While its length is comparable to many North American tiny houses, its increased width of 10 feet (3 meters) — 1.5 feet wider than the standard 8.5 feet (2.6 meters) — contributes significantly to a more spacious and home-like feel inside. However, this extra width necessitates a permit for towing on public roads in the USA, making it less ideal for frequent relocation. The Rowan is constructed on a six-axle trailer, a notable feature that suggests a design choice to distribute weight effectively. The exterior is finished with engineered board and batten wood, complemented by a metal roof, ensuring durability and a contemporary aesthetic. The interior boasts drywall finishes, providing a clean and modern canvas for residents. Access to the home is through a 6-foot (1.8-meter) porch, which leads into the living room via double glass doors. The living area is well-lit with generous glazing and is designed to accommodate a sofa, a TV, and a cabinet, creating a comfortable space for relaxation. Adjacent to the living room is the kitchen, which is equipped with an induction stove and a sink. It offers ample cabinetry and designated space for additional appliances, catering to practical cooking needs. A breakfast bar with seating for two further enhances the kitchen's functionality, serving as a casual dining or workspace. Moving deeper into the tiny house, past the living and kitchen areas, is the bathroom. This facility includes a shower, a sink, a flushing toilet, and some storage, providing essential amenities within a compact footprint. One of the most significant design aspects of the Rowan is its single-floor layout, particularly evident in the bedroom. Unlike many tiny houses that feature loft bedrooms requiring occupants to crawl, the Rowan’s bedroom offers ample headroom, allowing residents to stand and move around comfortably. Located at the opposite end of the house from the entrance, the bedroom is designed to accommodate a queen-sized bed. It also includes a large built-in closet and washer/dryer hookups, maximizing convenience and storage within the limited space. The Rowan is currently available for purchase at US$92,000. This model aligns with Tiny House Listings' recent offerings, which include the larger duplex-style TinyPlex and the more budget-friendly Cortado, showcasing the marketplace's diverse range of tiny home solutions. The Rowan represents a practical yet comfortable option for individuals or couples seeking a tiny house experience with an emphasis on interior spaciousness and a semi-outdoor living component provided by its porch. #TinyHouses #TinyHouseDesign #SmallSpaceLiving #MobileHomes #AffordableHousing #CompactLiving #MinimalistLiving #OutdoorLiving #ArchitecturalInnovation

The former residence of the late Japanese fashion designer Kenzo Takada, known as The Kenzo House, is currently on the market through Christie's Real Estate. Located in the Bastille area of Paris, the four-story home was originally constructed by Takada in 1993 within the courtyard of an 18th-century Parisian building. Takada, who founded his eponymous label in Paris, sought to create a living space that harmoniously blended Eastern and Western design aesthetics, reflecting his own cultural background and artistic vision. The initial design of the house, which took seven years to complete, aimed to incorporate elements reminiscent of Japan, providing a tranquil contrast to the vibrant Parisian atmosphere that inspired his fashion work. The property underwent a significant redesign in 2018 by acclaimed Japanese architect Kengo Kuma. Kuma's architectural philosophy, focused on a “frame of nature,” guided the renovation, emphasizing the integration of natural materials and light to foster a deeper connection with the environment. Kuma's redesign utilized organic Japanese building materials such as ceramic, stone, bamboo, and various types of wood, aligning with his belief that these materials enhance the experience of nature within architectural spaces. He championed transparency as a characteristic of Japanese architecture, employing light and natural elements to achieve a distinctive form of visual and atmospheric clarity within the home. The Kenzo House features an expansive layout including four bedrooms, six bathrooms, a music room, a fitness room, a study, an elevator, and staff studio apartments. A central aspect of the property's appeal lies in its meticulously designed outdoor spaces. The garden includes a stone pond inhabited by nishiki carp, and extensive landscape gardens featuring cherry trees, maple trees, bamboos, moss, rocks, and waterfalls, all crafted to evoke the serene beauty of a traditional Japanese landscape. A key element of Kuma's redesign involved reorienting each bedroom to face the garden, visually and materially framing the house with nature. The property also boasts a Japanese pavilion with a traditional tea-ceremony room, complete with tatami mats and shoji sliding doors, opening directly onto the koi pond. Further incorporating Japanese design, a terrace with an outdoor lap swimming pool was converted into an engawa, a traditional Japanese exterior corridor made of wooden latticing, providing a covered outdoor dining and entertaining area with lush green foliage. An elegant stone bathtub offers panoramic views of the Parisian rooftops, contributing to the sense of luxury, peace, and pleasure envisioned in the home's design. #KenzoTakada #ParisRealEstate #JapaneseArchitecture #KengoKuma #LuxuryHomes #HomeDesign #EasternWesternFusion #ArchitecturalRenovation #GardenDesign

Tamada & Wakimoto Architects have completed the 'Roof House' in the rural outskirts of Tochigi, Japan, on a former farmstead surrounded by rice fields and small factories. This residence is designed to integrate daily life with its garden surroundings. The project is situated on a 2,000-square-meter plot, which previously held a large farmhouse and was framed by hardwood trees. The client, a young individual relocating from the city, sought a space that could facilitate living, working, and social connection, while also offering adaptability for future needs. The architects responded to this brief by disaggregating the house into several compact buildings, which are then strategically arranged around semi-outdoor courtyards. These intermediate spaces, referred to as 'earthen floor' gardens, are unified beneath a single, thin, and extended roof. This design approach results in a relaxed, low-slung architectural form that encourages fluid movement between indoor rooms and outdoor areas. This integration allows the surrounding landscape, prevailing weather conditions, and local daily rhythms to significantly influence and shape the occupants' interaction with the house. The design of Roof House imbues each side with a distinct character. The main garden is oriented towards the existing trees, and an outdoor kitchen is incorporated for cooking and social gatherings, particularly during the spring cherry blossom season. Near the entrance, a shaded zone beneath the eaves serves as an informal space for sitting, conversing, or receiving visitors. To the north, a walled garden provides a dedicated area for weekend activities such as carpentry or car maintenance, reflecting common rural pursuits. Central to the Roof House's concept is its inherent adaptability. The architectural plan allows for future reconfigurations over time. For instance, the private section of the house, which includes the bedroom and bath, could continue to function as a vacation home. Concurrently, other segments of the structure are designed with the flexibility to be repurposed, potentially serving as a small retail shop or an art gallery. This forward-thinking design ensures the residence can evolve with the client's changing needs and aspirations, maintaining its utility and relevance in the long term. #JapaneseArchitecture #ResidentialDesign #GardenIntegration #AdaptableArchitecture #RuralLiving #CourtyardHouse #ArchitecturalInnovation #TamadaWakimotoArchitects

Sunny Simmons and Caroline Smith, a husband and wife duo, transformed a former auto body shop in San Francisco into Onsen, a Japanese-inspired bathhouse and restaurant. This ambitious three-year project involved a complete revamp of the space, with the couple even residing in an Airstream inside the automotive building during the renovation period. Sunny, a craft builder, prioritized retaining the original character of the building while integrating modern amenities. He meticulously collected wood over time, which was then used throughout the building, contributing to its unique aesthetic and connection to the past. The aesthetic of Onsen is deeply influenced by Japanese bathhouse culture, yet it incorporates the couple's personal touch and a focus on community. Caroline curated the art that adorns the walls of the treatment rooms and the restaurant, adding a distinct artistic dimension to the space. The bathhouse section of Onsen features six treatment rooms and a communal bathing area. A notable highlight is the cold plunge shower installation, which draws inspiration from steampunk fiction, providing a distinctive and invigorating experience for patrons. Each treatment room within the bathhouse offers a unique environment. One room is a dry sauna constructed entirely from redwood, evoking the feel of a traditional sauna. Another room showcases striking black and white tiles, adding a graphic element to its design. The communal bathing room’s five-head cold shower plunge system exemplifies the blend of traditional inspiration with a unique, artistic interpretation. The walls are further decorated with a collection of bathhouse tickets from various locations around the world, adding to the authentic and global feel of the space. Beyond the bathhouse, Onsen features an intimate, chef-driven restaurant and tearoom at the front of the building. This culinary space offers fresh, seasonal cuisine and tea service, complementing the tranquil and rejuvenating experience of the bathhouse. The owners' commitment extends beyond commercial enterprise to community engagement. On Tuesdays, when the business is closed, Simmons and Smith plan to open their facility to the neighborhood, offering services to those who might not otherwise have access. This initiative reflects their dedication to giving back and fostering a sense of community. The entire transformation, from an industrial auto body shop to a serene Japanese-inspired haven, showcases a blend of historical preservation, modern design, and community spirit. #ZenBathhouse #JapaneseDesign #SanFrancisco #AdaptiveReuse #InteriorDesign #CommunitySpace #CraftBuilding #Wellness

The 'Kusatsu House' in Shiga, Japan, designed by Hearth Architects, is a family home structured in an L-shape to embrace a central, tree-planted courtyard. This architectural decision was driven by the clients' desire for a home with a garden where family members could relax and interact, fostering a sense of togetherness. The L-shaped layout effectively integrates nature into the common living areas, creating a lively and engaging atmosphere within an otherwise understated interior palette. The design thoughtfully connects the indoor and outdoor spaces through extensive floor-to-ceiling openings, allowing abundant natural light to penetrate the home and blurring the lines between the interior and exterior environments. This approach enhances the feeling of openness while maintaining privacy. To balance openness with the need for seclusion, the veranda is enclosed by a concrete wall, offering a more private and introverted outdoor space. The design also incorporates traditional Japanese architectural elements, particularly evident in the courtyard. A wooden strip of flooring extends from the interior, effectively expanding the living area into the garden, providing a dedicated space for relaxation and connection with nature. The interiors are characterized by warm, natural tones, and a deliberate absence of excessive decoration, contributing to a minimalist and serene aesthetic. A notable feature is a small, separate Japanese-style room, which fulfills a specific client request. This room is distinguished by its vibrant colors, traditional tatami flooring, and an opaque opening that allows dim light to enter without compromising privacy. The project details confirm that the Kusatsu House was completed in February 2020. It spans a site area of 160.41 square meters, with a building area of 65.21 square meters and a total floor area of 99.36 square meters. Photography for the project was done by Yuta Yamada. Hearth Architects successfully met the clients' brief by creating a harmonious living environment that celebrates both communal interaction and individual privacy, all while deeply connecting with its natural surroundings through thoughtful design and traditional influences. The house stands as a contemporary example of Japanese residential architecture that prioritizes natural light, spatial fluidity, and a calm, inviting atmosphere. #LShapedHouse #HearthArchitects #KusatsuHouse #JapaneseArchitecture #CourtyardDesign #ResidentialArchitecture #NaturalLight #IndoorOutdoorLiving #MinimalistInterior

Architect David Hicks designed Woodend house, located in the Macedon Ranges of Victoria, Australia, drawing inspiration from European vernacular architecture, particularly villas found in the French, Tuscan, and Puglian countryside. The house features a deliberate windowless facade, a design choice Hicks frequently employs to create intrigue and privacy. This approach ensures that the dwelling's interior experience is revealed only upon entry, rather than from the exterior. The single-story home was created for an older couple seeking to downsize, who had previously owned another windowless property designed by Hicks. Access to the Woodend house is gained through a wrought-iron arched gate situated on the side of the building, leading to a portico and then into an entrance vestibule. The interior walls throughout the house are rendered in micro cement and finished with limewash, imparting a stone-like texture. A vintage chandelier, made from ruched Murano glass, is a focal point in the vestibule, suspended from a circular recess in the ceiling. A central corridor extends from the vestibule, providing access to all the other rooms within the residence. Among the rooms is a 'retreat' area, functioning as a relaxed study and sitting room. This space is furnished with an Eames lounge chair, a multi-armed light fixture by French designer Serge Mouille, and a fireplace framed by a Ceppo marble surround. The same Ceppo marble is utilized for shelves within two arched display niches, adding a cohesive aesthetic element. Double doors connect the retreat to the principal bedroom, which is appointed with luxurious touches including a velvet rug, a satiny headboard, and fluted glass wall sconces. Storage solutions in the bedroom are subtly integrated behind white lacquered panels. The principal bedroom also features an en-suite bathroom where surfaces are covered in pale Calacatta marble. Large sliding glazed doors at the rear of the bathroom offer views of a small brick courtyard, which is adorned with a miniature maple tree. The main living area, a more formal space, contains white armchairs and a curved baby pink sofa, with sheer linen curtains covering French doors that open to the garden. The kitchen, integrated into this area, includes simple white cabinetry and a breakfast island topped with Calacatta marble. The home's powder room showcases extensive use of Ceppo marble, covering the walls, floor, and washbasin with its distinctive pattern. The photography for Woodend house was captured by Shannon McGrath. The project exemplifies a trend in Australian architecture for homes with striking, often unconventional, facades. Other notable examples include the Birdwood house by Peter Besley, which features a perforated screen of terracotta brick and metal mesh, and the Bangalow Road House by Son Studio, characterized by a wall of timber louvres that echo traditional wooden beach shacks. These designs collectively demonstrate a focus on unique exterior treatments that often contrast with rich and private interior spaces. #AustralianArchitecture #DavidHicks #WoodendHouse #VictoriaAustralia #WindowlessFacade #InteriorDesign #LuxuryInteriors #Marble #ResidentialArchitecture

Kichi Architectural Design has completed the House of Kubogaoka, a cube-shaped residence in Ibaraki Prefecture, Japan. The house features small square windows intermittently placed across its facades. The structure utilizes a timber framework, but its front and rear facades are finished with plaster, providing the appearance of solid concrete construction. In contrast to these two facades, the side walls of the house are painted white. According to the architects, the use of white on the side walls creates a clear visual distinction against the basic mortar color of the other exterior walls. The main entrance of the house is created by an apparent cut-away section at one corner of the cube. Upon entering, a corridor extends directly through the house to a terrace located at the rear. This corridor features a dark tiled floor, which the architects liken to the traditional earth floors found in older Japanese homes. This design element aims to evoke a sense of historical Japanese dwelling immediately upon entry, extending the concept of an 'earth-floored room' to the outdoor yard beyond. The interior of the house introduces varying floor levels and materials to define different spaces. The main living area of the first storey is raised by two steps from the entrance corridor. This change in elevation is accompanied by a transition in flooring material, moving from the dark tiles of the corridor to a wooden surface. Further into the house, this wooden surface then gives way to a grid of tatami mats, forming a traditional Japanese room. The architects state that this combination of tatami and tiles harmonizes Japanese and Western interior styles within the residence. The traditional Japanese room is designed with sliding partitions, allowing it to be separated from an adjacent long, narrow space. This adaptable space serves multiple functions as a combined living room, dining room, and kitchen. This layout facilitates an open-plan living environment while retaining the option for privacy or distinct area definitions through the use of traditional sliding screens. An outdoor dining area is integrated into a recess at the back of the house. This area is strategically aligned with a sheltered balcony on the upper floor, suggesting a vertical connection between the outdoor spaces. A staircase, constructed with wooden treads, provides access to the upper storey. The upper floor accommodates two bedrooms, which are situated along opposite walls, with a second tatami room positioned between them. Photography for the project was carried out by Ippei Shinzawa. Floor plans for both the ground and first floors, as well as a cross-section, are available to illustrate the layout and design. #ResidentialArchitecture #JapaneseHouses #KichiArchitecturalDesign #IbarakiPrefecture #CubeHouse #TatamiRooms #TimberConstruction #ArchitecturalDesign

This article presents the 'House in Tama' project, designed by Cheng Hao Chung Architect, located on the border of Kanagawa and Tokyo, Japan. The house is situated on the southern slope of a hill, offering ample sunlight and a clear atmosphere, despite being in a dense residential neighborhood. The design approach for this 116 square meter residence, completed in 2024, focused on integrating with the natural topography and maximizing light and views while ensuring privacy and comfort for the inhabitants. The architectural concept emphasizes a multi-layered structure that adapts to the sloping site. The design creates a sequence of distinct yet interconnected spaces, each with its own relationship to the exterior environment. The architects utilized a combination of concrete, wood, and glass as primary materials, contributing to both the structural integrity and the aesthetic of the house. Concrete provides a robust foundation and defines the main volumes, while wood introduces warmth and texture in interior finishes. Large glass panels are strategically placed to blur the boundaries between indoor and outdoor spaces, allowing natural light to penetrate deeply into the living areas and offering framed views of the surrounding landscape and the distant Buddhist cemetery. A key aspect of the design is the careful consideration of the site's unique characteristics. The building form responds to the contours of the hill, creating a stepped profile that minimizes its visual impact and blends with the terrain. The internal layout is organized to take advantage of the southern orientation for optimal sunlight exposure and to create a comfortable microclimate within the house. The use of varied ceiling heights and spatial configurations contributes to a dynamic and engaging living experience, moving from more intimate, enclosed areas to expansive, open-plan zones that facilitate family interaction and entertaining. The project involved collaboration with structural engineer Jun Yanagimuro and constructor Sekkeikomu. The construction process highlighted attention to detail in material selection and craftsmanship, aiming for a durable and aesthetically pleasing outcome. The interior spaces feature a minimalist aesthetic, allowing the quality of materials and the interplay of light and shadow to define the atmosphere. The design includes functional elements such as a modern kitchen, comfortable living areas, and private bedrooms, all designed with a focus on usability and long-term sustainability. Overall, the House in Tama demonstrates an architectural solution that responds thoughtfully to its context, balancing modern design principles with respect for the natural and cultural landscape. The project showcases how a residential building in a challenging urban-natural interface can achieve both architectural distinction and a high quality of life for its residents through careful planning, material selection, and a strong conceptual vision. The dwelling serves as a contemporary example of Japanese residential architecture, prioritizing light, views, and a harmonious relationship with its immediate surroundings. #ResidentialArchitecture #JapaneseArchitecture #ModernDesign #SlopingSite #NaturalLight #Concrete #Wood #Glass #UrbanIntegration #SustainableDesign

Exposed brick, a material with a long and diverse history in construction across various cultures, is now experiencing a resurgence in contemporary interior design, particularly within retail spaces and furniture. This versatile material has transcended its traditional structural role, evolving into a foundational element for artistic and cultural expression, as evidenced by its application in Roman architecture and the strategic perforated designs found in the Mediterranean. Renowned architects like Louis Kahn, Walter Gropius, Mario Ridolfi, Aldo Rossi, and Renzo Piano have previously showcased brick's capacity for innovation. Today, exposed bricks, interior bricks, and brick tiles are transforming spaces, integrating historical heritage with sustainable design practices. Kengo Kuma's design for Camper's Barcelona storefront exemplifies this trend, where the architect merges Japanese and Spanish cultural influences. Kuma reinterprets traditional brick tiles, creating a unique fish-scale pattern that forms decorative matrices, displays, desks, and chairs. This approach highlights the module's versatility and its ability to serve multiple functions within a retail environment. Similarly, Japanese designer Tsuyoshi Hayashi's "Kawara Bench" collection reimagines the traditional Japanese clay shingles, Kawara. Conceived in 2014, the collection incorporates salvaged and ready-made shingle scraps into lightweight wooden structures, showcasing a sustainable and artistic use of materials. The addition of color to these pieces further expands the aesthetic possibilities of brick. In furniture design, Simone Bonanni's Obon coffee table collection for Moooi uses terracotta, celebrating its warm tones and embracing slight imperfections as part of its aesthetic. These minimalist tray tables, in various sizes and mounted on cylindrical bases, introduce an earthy touch to modern interiors. The application of brick also extends to specific regional contexts, such as Aesop's Sao Paulo store, which pays homage to Brazil's traditional cobogó bricks. Designed by Fernando and Humberto Campana, the store utilizes perforated bricks to provide natural shade and ventilation, creating a seamless flow between indoor and outdoor spaces. The design incorporates radial motifs, reflecting artisanal traditions and Mediterranean influences, similar to Patricia Urquiola's Tierras and Celosia collections for Mutina. Tierras features modular, multi-colored porcelain stoneware claddings with earthy tones, bringing tactile materiality to industrial production. Celosia, on the other hand, consists of hollow terracotta modules that use a three-dimensional effect to redefine interior aesthetics. In Aesop's Brussels location, Bernard Dubois Architects employed traditional yellow brick tiles, common in the Benelux region, referencing works by modernist pioneer Hendrik Petrus Berlage. Dubois uses basic rotations and aggregations of these tiles, laying them vertically to cover curved surfaces, creating a continuous and uniform interior that balances tradition with innovative design principles. This global reinterpretation of brick underscores its enduring relevance and adaptability in contemporary architecture and interior design, moving beyond its ancient origins to shape modern retail and living spaces. #ExposedBrick #InteriorDesign #RetailArchitecture #SustainableDesign #KengoKuma #TsuyoshiHayashi #SimoneBonanni #CampanaBrothers #PatriciaUrquiola #ArchitecturalMaterials