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The Salvage Squad's Cathy Angelini talks home and design
Cathy Angelini, a Cork-based interior designer and sustainable interiors stylist known from Animo Productions' "The Salvage Squad" on Virgin Media Television, shares insights into her design philosophy, personal style, and professional journey. Beyond her television appearances, Angelini manages her interior architecture and design company, Flamingo Interior Design, offering a comprehensive range of services to both residential and commercial clients. Approaching her tenth year in business, Angelini notes that while her style has naturally evolved, her own home—a converted laborer’s cottage overlooking Cork city—remains a consistent reflection of her core aesthetic, demonstrating the enduring nature of her design principles.
Angelini expresses a strong affinity for Mid-Century design, valuing its simplified forms and timeless quality, despite prevailing trends that occasionally declare it passé. She argues that Mid-Century pieces effectively introduce character and 'soul' into modern new-builds due to a shared design ethos. As an interior designer, her primary role is to help clients identify and articulate their personal style, translating it into their living spaces. This process can be straightforward for some but challenging for others who may lack confidence in their design choices. Angelini often draws inspiration from clients' personal preferences, such as their clothing or jewelry choices, to guide them toward incorporating specific colors or materials, often advocating for the integration of vintage furniture to add depth.
Over the past decade, Angelini has observed a significant increase in design awareness among Irish homeowners, particularly amplified by the Covid-19 pandemic. The lockdowns prompted many to re-evaluate their home environments, fostering a greater desire for well-designed, functional spaces, a trend that continues with the rise of remote and hybrid work models. While platforms like Pinterest and Instagram have raised design consciousness, Angelini also highlights their potential downsides, noting that an overload of inspiration can overwhelm clients and accelerate transient trends, leading to 'fast interiors' akin to fast fashion. She advises clients to prioritize quality furniture, understand a room’s function, and consider their lifestyle rather than succumbing to algorithm-driven purchases, emphasizing the importance of personal style over fleeting trends.
Angelini's own cottage, while not large, appears spacious due to its clean lines and Mid-Century Californian influences. She maintains a decluttered home through a mindful approach, questioning the value an object adds versus the space it occupies. This sentiment extends to her design advice for clients, encouraging a thoughtful curation of possessions. When blending old and new elements in a space, she emphasizes the need for a unifying factor, such as similar forms or design lines, to ensure cohesion, though she admits to occasionally breaking these rules when the outcome is harmonious.
Her work on "The Salvage Squad" showcases her ability to create sustainable makeovers on a tight budget, utilizing freecycled, upcycled, secondhand, and salvaged items. Angelini’s initial motivation for using secondhand items was primarily economic, but she soon recognized their superior quality compared to many new, less durable pieces. She notes a growing bravery among Irish homeowners in embracing color, moving beyond traditional neutral palettes to incorporate bolder hues like orange, lime green, or dark plum. Her own home features a striking orange Mid-Century kitchen, a choice she embraces for its authenticity to the style, anticipating no regrets despite its boldness. Angelini also champions the layering of textures to create warmth and coziness, particularly in new builds, suggesting combinations of bouclé fabrics, velvet, wood, and marble. For art and accessories, she advocates for a gradual, meaningful collection that reflects personal history and sentiment rather than instant, mass-produced purchases, suggesting that cherished items, like a bowl of old matchbooks, hold more value when they tell a story.
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