HGTV’s Monica Pedersen talks design from World Market Center | Fashion | Life

Margrethe Odgaard, a Copenhagen-based designer, has cultivated a rigorous and innovative approach to color and textile design since launching her independent studio in 2012. Her body of work includes textile designs for prominent companies such as Hay and Georg Jensen Damask, as well as collaborations with other Danish creatives, including furniture designers and chef-brewers. This extensive output is underpinned by a meticulous methodology, particularly her unique color index. Odgaard developed her own 280-color palette as an alternative to existing mathematically-derived systems like Pantone, RAL, and NCS. She found these traditional systems to lack complexity and aimed to create hues that possess an immediate sensory appeal beyond just sight. Her criterion for a successful color is its 'edibility' – if one is willing to put the color in their mouth, it effectively relates to the body. This approach led to a rich spectrum of colors, from a color-shifting cocoa to an ultra-saturated neon purple, which she meticulously painted onto popsicle sticks to visualize and categorize. Her design philosophy is deeply influenced by her upbringing in pastoral western Denmark, where the natural environment fostered an attraction to opposition and a drive to make a significant impact through her work. Odgaard, an alumna of the Rhode Island School of Design and the Royal Danish Academy of Fine Arts, describes her constant striving to not merely 'make noise' but to 'make a difference' as a designer. Beyond her color index, Odgaard's diverse portfolio showcases her inventive spirit. She created 'Navajo Drawings,' which are wooden 3-D stick drawings inspired by Native American art, envisioned as three-dimensional wall decorations. Her 'Fold Unfold' tablecloth design features patterns that appear to flow out of its creases, demonstrating an innovative use of textile form. Additionally, her design for the 'Yolk' bowl for Kähler exemplifies her ability to translate her color and form sensibilities into various product categories. Odgaard's studio in Copenhagen serves as the hub for her multifaceted projects. Her consistent output and distinct approach highlight a designer who not only understands the technical aspects of color and material but also imbues her creations with a deeper, sensory connection. Her work stands as a testament to the power of thoughtful design that engages both the intellect and the senses. #MargretheOdgaard #TextileDesign #ColorTheory #DanishDesign #ProductDesign #InteriorDesign #DesignInnovation #CopenhagenStudio

Henry Holland, a prominent figure initially known for his contributions to the fashion industry, has successfully transitioned into a ceramics artist, establishing Henry Holland Studio. This article delves into his creative journey and the diverse influences that have shaped his distinctive style, characterized by boldness and playfulness, which he views as a direct reflection of his personality. Holland emphasizes the role of clothing and home decor as forms of self-expression. His artistic inclination was evident from a young age, with teachers recognizing his creativity and early entrepreneurial endeavors like starting a Christmas card business. His mother served as a significant source of inspiration, fostering his creativity and exhibiting a strong sense of style. The profound impact of her loss over a year ago compelled him to actively seek joy in his work, as he believes sadness hinders his creative output. Presently, his inspiration primarily stems from his friends, family, and husband, as he is drawn to human stories and enjoys weaving narratives into his characterful ceramic and homeware designs. Moving to London from Northern England marked a pivotal moment in Holland's development, where he recognized the importance of taste and personal style amidst the city's diverse cultural landscape. His career path has been serendipitous; he initially pursued journalism but found himself drawn to fashion through a hobby that quickly evolved into a brand. Similarly, his foray into ceramics during the pandemic began with lessons and organically grew into his current studio. He highlights the unexpected synergies between the fashion and homeware industries, noting that his fashion background provided invaluable business training, and he now appreciates the more relaxed pace of the homeware sector. Travel has also played a crucial role in shaping his creative vision. Childhood experiences in the French countryside, accompanying his parents to antique markets, exposed him to various design periods, from art deco to mid-century modern. This early exposure instilled a deep appreciation for diverse aesthetics. He is an avid collector of Richard Bernstein's *Interview* magazine covers from the 1970s and 80s, valuing them as miniature pieces of pop culture history that illustrate the nascent intersection of fashion, culture, and celebrity. His most cherished item is a Debbie Harry cover signed by Andy Warhol and Truman Capote. While not an extensive reader, Holland finds value in self-help and spiritual guides, citing Eckhart Tolle's *The Power of Now* as particularly impactful. He also utilizes Blinkist to access condensed book summaries, a testament to his admitted impatience. Film, specifically costume and set design, provides another rich source of inspiration. He admires Baz Luhrmann's visually striking films, particularly *Romeo & Juliet*, and often references 1990s teen movies like *Clueless*, *Hackers*, and *Empire Records* in his fashion work. His musical tastes lean towards 90s pop, influenced by his first job at *Smash Hits* magazine, and he enjoys sharing these playlists with his studio team. Despite not being a keen cook, he hopes a forthcoming kitchen renovation will spark culinary creativity, though he prefers dining out. His favorite restaurant is Brat in London, known for its exceptional food and cocktails and its chef, Tomos Parry, whom he considers a friend. Holland expresses admiration for numerous contemporary creatives. He acknowledges the challenges faced by professional creatives and values the heart and soul they invest in their projects. He is particularly impressed by Es Devlin's set design and fellow ceramicists like John Booth, whose vibrant use of color he appreciates, and Alma Berrow for her humor. He also follows Christabel MacGreevy's transition into ceramics and is a significant admirer of Dirk Vander Kooij's work, especially his innovative use of recycled plastic materials, exemplified by a Melting Pot dining table that represents their first significant home investment. #HenryHollandStudio #InteriorDesign #CeramicsArt #CreativeInspiration #FashionToHomeware #PopCultureInfluence #TravelInfluence #DesignPhilosophy

Nordic Nest, an e-tailer established in 2002, has cultivated a distinctive niche in the Scandinavian interior design market by prioritizing storytelling and brand building. Unlike typical online retailers, Nordic Nest offers a curated experience that allows customers to explore and engage with Scandinavian design at their own pace. The platform serves as a primary destination for enthusiasts of Scandinavian interior design, emphasizing functional simplicity and timeless beauty, and is expanding its efforts to enhance the global visibility of Scandinavian design. The company's extensive catalog features over 60,000 Scandinavian design products from more than 300 brands. The selection is meticulously curated, highlighting craftsmanship and artistic expression. Nordic Nest supports a diverse range of creators, from emerging talents to established designers, providing year-round assistance through marketing collaborations, exclusive product launches, and international outreach. This commitment extends beyond transactional relationships, focusing on showcasing each studio's unique craftsmanship and innovative techniques through various channels, including digital campaigns, curated showcases, and events, thereby popularizing Scandinavian design globally. During the 2025 Stockholm Design Week, Nordic Nest hosted an intimate dinner at Stockholm’s Nationalmuseum, bringing together leading Scandinavian design brands such as Fritz Hansen, Iittala, Louis Poulsen, Gärsnäs, and Audo Copenhagen. This event celebrated both the enduring traditions and contemporary innovations within Scandinavian design, underscoring the company’s dedication to providing brands with a platform for increased visibility and recognition beyond the Nordic region. Among the highlights of the event was the unveiling of Iittala’s Solare collection, a new tableware line inspired by light. This collection, which includes glassware, textiles, and home accessories, captures the interplay of brightness and form, continuing Iittala’s legacy of avant-garde design and colored glass since its founding in 1881. Danish brand Audo also introduced the Pavot Collection, a collaboration with designer Colin King. This collection, featuring artfully crafted vessels like the Pavot Centerpiece, Bowl, and Vase, draws inspiration from the organic shape of a poppy seed head, blending ancient influences with modern craftsmanship. Each piece is cast in aluminum and finished with a brown bronzed patina, embodying a timeless yet contemporary aesthetic. Through these initiatives, Nordic Nest reinforces the notion that Scandinavian design is rooted in careful attention to detail and a profound sense of connection. #ScandinavianDesign #InteriorDesign #NordicNest #ECommerce #DesignRetail #BrandBuilding #DesignEvents #FurnitureDesign #HomeDecor

Scandinavian design, known for its tranquil, functional, and well-ordered spaces, traditionally relies on serene, neutral colors, especially whites, to achieve a sense of cleanliness and order. These spaces also incorporate natural elements like wood, textural accents, and occasional color pops to create a comfortable, rather than sterile, environment. HGTV's "Home Town" star, Erin Napier, recently showcased a unique twist on this aesthetic by introducing a bright teal color to the cabinets of a Scandi-inspired kitchen. Her innovative approach involved painting only a portion of the cabinets, specifically the faces, while leaving the frames in their natural wood finish. This design choice captivated enthusiasts due to its unexpected nature and the unique application of color. Napier's design philosophy prioritizes functionality and personalization. She integrates 'storied pieces' that resonate with the homeowner, creating what she describes as an "imperfectly perfect homescape." This approach often involves embracing unexpected elements rather than strictly adhering to traditional design rules. For the featured kitchen, the jewel-toned teal on the cabinet faces, contrasted with the light-colored wood frames and white countertops and backsplash, creates a visually striking yet grounded space. The natural wood frames beautifully complement the wood floors, while the white surfaces contribute to the room's brightness. Another distinctive feature in this kitchen is the inclusion of two large sinks, aligning with the functional aspect of Scandinavian design. The overall aesthetic maintains the clean and orderly characteristics of Scandinavian style, with minimal items displayed on the countertops. The chosen accents adhere to a warm-toned and neutral color palette, featuring copper, orange, and brown shades that enhance the cohesive and calming atmosphere. The vibrant teal is strategically limited to the cabinet faces and pendant lights, ensuring it acts as a captivating accent rather than an overwhelming presence. This design exemplifies how a bold color can be integrated artfully without disrupting the core principles of Scandinavian minimalism. To replicate or adapt this approach, one can begin by decluttering and simplifying storage in a kitchen space. Prioritizing unadorned, smooth-front cabinets aligns with the minimalist nature of Scandi-inspired designs. When considering the color palette, incorporating the undertones of existing natural wood elements as a primary color, such as yellow or deep brown, can provide a warm foundation. Complementing this with a calming, contrasting color like a jewel-toned blue, green, or pastel, while keeping other colors neutral, is key. Strategic lighting can further enhance the warmth and welcoming feel of the space. Another method to incorporate Napier's inspiration is to selectively paint cabinets. Options include painting only the lower cabinets in an accent color, leaving the upper ones natural, or painting all cabinets in a neutral shade and then selecting a few at random for an accent color. Reversing Napier's technique by painting just the cabinet frames and leaving the faces in natural wood is also a viable option. Regardless of the specific application, these methods allow for a personalized and stunning Scandi-inspired kitchen design. #ScandinavianDesign #ErinNapier #KitchenDesign #HomeTown #InteriorDesign #ColorPalette #Cabinetry #DesignInspiration #HGTV

Ellen Van Dusen, the designer behind the fashion and homeware line Dusen Dusen, operates from a 600-square-foot studio in Williamsburg, Brooklyn. She moved into this space approximately five years ago, seeking a more interactive and creatively stimulating environment than working from home. Previously, working from home led to feeling isolated and dealing with practical issues like fabric scraps and pins. The studio serves as a dedicated space for her creative endeavors, addressing the challenges she faced in her previous home-based work setup. Van Dusen’s studio is a vibrant display of repetitious shapes, lines, arches, and squiggles, characterized by a bold use of primary colors combined with unexpected hues. The space showcases numerous examples of her brightly colored graphic prints across various products. These include silky dresses, linen jumpsuits, color-blocked jackets, dog beds, patterned throw pillows, graphic bath and beach towels, fruit-printed bed linens, and cozy blankets. Poster boards featuring her most popular prints are also displayed throughout the studio, highlighting the consistent aesthetic of her brand. Despite the abundance of items, the studio maintains an organized chaos. There is a clear sense of order within the colorful environment. For instance, scissors are neatly hung, and books, though seemingly disarranged, are easily located by Van Dusen. She references a book on the principles of geometry, noting its exploration of mathematical patterns, including tessellations—repeating shapes that fit together seamlessly. She observes that some of these geometric principles resemble prints she has independently created, highlighting an intuitive connection to mathematical design. Van Dusen's approach to design is inherently analytical, stemming from her academic background. She has no formal fashion or design training. Instead, at Tufts University, she created her own major, "Psychology of Design," which explored art history through the lens of neuroscience. Her studies focused on how the brain perceives color, culminating in a senior thesis on the use of color by artists Mark Rothko, Morris Louis, and Ellsworth Kelly. Her lifelong fascination with color drives her inquiry into its visual appeal, its role in human perception, and the success of color-centric art. Her interest in art and design began in childhood, influenced by frequent visits to museums in Washington, D.C., and craft projects with her architect parents. This upbringing fostered a diverse range of interests that shaped her aesthetic, which she describes as drawing from many different worlds. As a teenager, Van Dusen began designing her own clothing, using a sewing machine to reconstruct thrift store garments. She often favored bright, unexpected color combinations and graphic patterns, creating her own printed textiles by laboriously sewing patterns onto fabric, as she initially did not know other methods. After moving to New York, Van Dusen received an opportunity to stock her designs in an East Village boutique, prompting her to rapidly learn professional skills like grading, pattern-making, and finishing. She launched Dusen Dusen in 2010, hand-sewing her initial collection from a makeshift workspace in her bedroom. In 2015, she expanded her brand into home decor, including pillows, blankets, bed linens, towels, and pet beds, adapting her clothing prints to different scales for these items. She notes that designing for home decor allows for individual object design, unlike clothing, where fabric patterns are cut from a larger piece. Van Dusen's design process incorporates technology, with her brothers helping her code patterns to generate variations. This method aids in brainstorming and developing new print ideas. However, she emphasizes the importance of unplugging and working with analog methods. Her studio is intentionally divided into a digital workspace and an "analog side" where computers are not allowed, enabling focused drawing and idea generation without digital distractions. Looking ahead, Van Dusen is renovating her home, which is influencing her thinking about larger-scale design. She is also collaborating with a furniture designer and developing upholstery fabric, considering its potential use in both home furnishings and unconventional clothing items. #DusenDusen #EllenVanDusen #BrooklynStudio #ColorPsychology #PatternDesign #HomeDecor #FashionDesign #TextileDesign #CreativeProcess

David Bromstad, a prominent figure on HGTV, known for his shows like 'Design Star,' 'Color Splash,' and 'My Lottery Dream Home,' advocates for a specific design trend in kitchens: white kitchens. Having won 'Design Star' and hosted multiple successful series, Bromstad has extensive experience and influence in the interior design world. His current show, 'My Lottery Dream Home,' highlights his talent for identifying both desirable homes and compelling narratives. Bromstad has also participated in other HGTV productions such as 'Rock the Block,' but 'My Lottery Dream Home' remains his most recognized work. Bromstad consistently advises his clients on 'My Lottery Dream Home' that white kitchens are a popular and stylish choice. In a recent episode from the 17th season, he enthusiastically pointed out the features of a "deliciously white kitchen," including its color scheme and elements like open shelving. Despite some differing opinions among other HGTV personalities regarding white kitchens, Bromstad maintains that they are very much in vogue. However, Bromstad emphasizes that merely having a white kitchen is not sufficient; it requires thoughtful execution to avoid appearing cold or sterile. He suggests incorporating warmth and texture through various methods. One simple yet effective technique is the integration of wooden elements, such as wooden shelves, which can instantly make a kitchen feel cozier. He also recommends using cabinets to store items that do not align with the white aesthetic, thereby maintaining a clean and open appearance in the space. According to Bromstad, the key to a successful white kitchen lies in moderation and attention to detail, preventing it from looking bland. In addition to white kitchens, Bromstad endorses manufactured quartz countertops as another crucial component of this trend. He views manufactured quartz as the optimal choice for countertops, citing its durability and ease of cleaning, which make it ideal for daily use and cooking activities. While quartz is available in various shades, white is the most frequently used. Bromstad has been observed praising manufactured quartz on his show, describing it as "indestructible" and expressing a desire to extend its use beyond just island countertops to the main counter spaces. He firmly believes that manufactured quartz is a timeless and enduring material for kitchen design. Bromstad's design philosophy extends beyond kitchens to other areas of the home. He champions the use of wallpapers with distinctive personalities to add depth and character to rooms, drawing on his expertise in color. He also highlights the importance of wood elements, whether in the form of window shutters or ceiling beams, to introduce warmth throughout a home. Above all, Bromstad encourages individuality and personal expression in design. He recommends accent furniture to infuse a home with personality and suggests that even exterior elements like landscaping and shutters can significantly enhance a house's overall appeal. Bromstad asserts that these design trends, particularly white kitchens paired with manufactured quartz countertops, are essential for anyone looking to update their home's aesthetic. #DavidBromstad #HGTV #InteriorDesign #KitchenDesign #WhiteKitchens #QuartzCountertops #MyLotteryDreamHome #HomeDecor #DesignTrends

The article highlights a shift in the perception of Scandinavian design, moving beyond the traditional male-dominated figures like Arne Jacobsen, Finn Juhl, and Hans Wegner. It introduces a new publication, '_Real Nordic Living_', which aims to provide a more contemporary and inclusive view of Nordic design by featuring female designers, diverse aesthetics, and lifestyle elements beyond furniture. The core concept of 'hygge' is explored through the work and philosophies of three prominent women designers. Josephine Akvama Hoffmeyer, the Ghanaian-Danish founder of File Under Pop, is presented as a key figure in this modern interpretation. Her company specializes in hand-making ceramic tiles, wallpaper, and paints in Copenhagen. Hoffmeyer's work extends to hotels and residences globally, including a current project in Uruguay. She emphasizes the importance of color in Nordic interior design, noting a move away from the past two decades' prevalence of white and pastels. Hoffmeyer advocates for using specific color palettes to define rooms, such as fresh and cool hues for bedrooms and warmer, denser tones for kitchens or living rooms, to create 'hygge' in an accessible and economical manner through paint. Julie Bonde Bülck of Uh la la Ceramics is another designer featured, known for her porcelain pieces characterized by slick, curved shapes often described as 'seductive'. Her work incorporates a modern, tech-inspired aesthetic, exemplified by spherical dishes with snap-on lids. Bonde Bülck acknowledges Jony Ive as an influence, indicating a blend of traditional ceramic craftsmanship with contemporary design sensibilities. Finally, Ragnhild Wik of Wik Oslo, initially a costume designer, established her eponymous shop in 2014. Her studio, located in a 200-year-old stable in Oslo, serves not only as a workspace but also as a showroom and a communal gathering space for family, friends, and colleagues. Wik’s approach to her studio, filled with secondhand furniture and collected items, embodies the cozy and inviting spirit of Nordic 'hygge', reflecting a personal and collected aesthetic rather than a purely minimalist one. This collection of designers collectively showcases a refreshing and expanded definition of Scandinavian design, one that is more diverse, vibrant, and reflective of modern living. #NordicDesign #ScandinavianDesign #Hygge #HomeDesign #InteriorDesign #WomenInDesign #CeramicArt #WallpaperDesign #ColorTheory

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

Following his appointment as creative director at Celine, Hedi Slimane has swiftly implemented his vision, significantly transforming the luxury brand. His initiatives include removing the accent from the brand's 'e', introducing menswear lines, and reshaping womenswear. A cornerstone of this transformation is the global rollout of his new retail concept, driven by Celine's CEO Séverine Merle's strategy to expand the brand's footprint with larger flagship stores capable of showcasing the broadened menswear and womenswear collections. This expansion began in March with a 5,000 sq ft New York flagship and two new addresses in Paris: a remodelled two-storey space on rue de Grenelle for both menswear and womenswear, and the brand’s first dedicated menswear flagship on rue François 1er. By mid-April, new boutiques had opened in major cities including Tokyo, Shanghai, Los Angeles, Madrid, Milan, and London, with a Beijing store slated for later in the year. Each store, designed in collaboration with Celine’s in-house team, possesses a unique character while adhering to common design principles. A strong emphasis is placed on natural stone and bold materials, with massive, richly veined slabs of marble, granite, and travertine adorning walls, shelves, and columns. Basaltina lava stone covers the floors. These materials, with their contrasting patterns, are reflected in large mirrors and steel surfaces, creating a visually dynamic environment. Reclaimed oak, alongside wood and leather furniture, introduces warm brown accents that complement the sleek black-and-white palette. Many surfaces, such as the creamy Bianco Raffaello marble and ginger-veined black granite, are noted for their smooth, tactile qualities, inviting touch and offering a departure from the typical coldness associated with stone. Slimane's architectural style is characterized by rigorous lines, evident in the intersecting seams of concrete floors, parallel shelving, and rectangular metal displays. Despite this precision, the designs maintain a sense of weightlessness; display cases and shelves appear to hover, and materials, like brushed steel and Grande Antique marble, are positioned in close proximity without directly touching. This creates an effect of suspension and delicate interaction between elements. The stores also feature a new collection of furniture designed by Slimane, alongside vintage 1960s and 1970s pieces that highlight French woodworking. Slimane’s furniture, primarily made from light or dark plywood, is minimalist and evokes the simplicity of children's building blocks or primitive thrones, with future plans for retail. A significant aspect of the new concept is the Celine Art Project, which integrates contemporary artworks by established and emerging artists. These pieces, either acquired or commissioned, add another layer of sensory engagement; examples include Rindon Johnson’s yellowed rawhide cube wrapped in rope and Shawn Kuruneru’s ink-and-acrylic paintings that echo the marble patterns. The rue de Grenelle store's centerpiece is a site-specific installation by Oscar Tuazon, reflecting Slimane's commitment to combining global brand strategy with a passion for supporting young talent in music, art, and creativity. #HediSlimane #Celine #RetailDesign #LuxuryFashion #StoreArchitecture #InteriorDesign #MaterialSelection #ArtIntegration #FurnitureDesign

The article highlights five Copenhagen-based creatives who are redefining Danish design by blending traditional aesthetics with contemporary approaches. These designers are characterized by their respect for heritage, openness to new ideas, and a focus on pushing creative boundaries, moving beyond the well-established minimalist, muted, and naturalistic style often associated with Scandinavian design. They are introducing fresh perspectives while maintaining a strong connection to craftsmanship and human-centered design principles. Helle Mardahl, a former fashion designer, transitioned into creating colorful blown-glass objects, including lamps, tableware, and decorative pieces. Her work is notable for its vibrant colors and whimsical forms, reminiscent of candy and childhood treats, which challenges the traditional muted palette of Danish design. Mardahl’s experience studying abroad in London influenced her appreciation for Copenhagen and inspired her to incorporate bolder aesthetics, proving that exposure to diverse cultures can enrich local design. Architect Søren Pihlmann operates his studio with an unconventional approach, emphasizing the use of existing building elements in renovations. His methodology avoids fighting against a structure's inherent potential, instead allowing the building to guide the design process. Pihlmann's work, which spans from industrial breweries to private homes, focuses on understanding materials and their stories, advocating for a shift away from purely conceptual architecture towards a more tangible, material-driven practice. He also questions profit-driven trends, prioritizing sustainable and respectful renovation. Thomas Woltmann, a furniture designer, focuses on bringing conceptual artistic thinking into relatable, functional design. His award-winning Re-C chair, made from recycled wood from an old church, exemplifies his commitment to using regional and recycled materials, re-establishing a connection between humans and the physical objects in their lives. Woltmann believes in drawing inspiration from Denmark's rich craft history to address contemporary challenges, such as the climate crisis, by focusing on natural materials, longevity, and craftsmanship, echoing the spirit of past Danish design masters while adapting to modern needs. Interior designer Jessica Vedel, with a background in fashion and photography and international experience in Berlin, London, and New York, blends Nordic minimalism with cosmopolitan elegance. Her designs are characterized by bespoke furnishings, intricate architectural details, and a keen sense of form and scale. Vedel's work is influenced by her Danish roots and the tradition of quality materials and architecture but incorporates more volume and layering, reflecting her global exposure. She also designs furniture, collaborating with brands and developing custom pieces, always driven by an intuitive creative impulse. Danielle Siggerud, an architect from Oslo, initially considered a career in medicine due to an interest in helping people, but her awareness of how spaces affect human feelings led her to architecture. Her firm specializes in both new builds and historic renovations, applying a "refined minimalism" that emphasizes materiality and tactility. Siggerud's approach, refined under John Pawson, considers the routines and situations of inhabitants, focusing on creating sensory experiences through thoughtful integration of elements like lighting, doors, and surfaces. Her work, which extends to furniture design, aims to elevate the everyday and interact with the past through a deep appreciation for human interaction with built environments. These five creatives collectively represent a dynamic evolution in Danish design, honoring its foundational principles while boldly exploring new directions. #CopenhagenDesign #DanishDesign #CreativeInnovation #HomeDesign #ArchitecturalRenovation #SustainableDesign #FurnitureDesign #InteriorDesign #MaterialExperimentation

Stockholm Design Week 2019, anchored by the Stockholm Furniture Fair (February 5-9), presented an array of exhibitions and installations that skillfully blended Swedish heritage, a commitment to sustainability, and the charm of village life with contemporary design. The event, held amid a snowy Stockholm, showcased numerous designers and studios, each contributing to a rich tapestry of Nordic aesthetics and innovative practices. Among the highlights was French designer Pauline Deltour's 'Rope Rug' for Hem. Deltour's meticulous process involved exploring 25 braiding techniques to create three distinct rug designs available in four modern tones: terracotta, seaweed, salt & pepper, and night blue. Produced in collaboration with Indian manufacturers, these rugs emphasize traditional craftsmanship and intricate dyeing, resulting in a rustic yet contemporary appeal. Note Design Studio, based in Stockholm, created the 'Snowtopped' installation for Tarkett, demonstrating the versatility of Tarkett’s sustainable vinyl flooring. This installation reimagined the Nordic landscape with layers of snowdrifts and dunes, showcasing the material's limitless possibilities beyond its functional use. The aim was to highlight the material's flexibility and adaptability in an unexpected way. Copenhagen-based Frama and Andreas Martin-Löf Arkitekter collaborated on 'Spatial Sensibilities.' This exhibition, located in a newly renovated architectural office overlooking the Riddarfjarden waterway, presented Frama’s minimalist designs and muted tones within a naturally lit modernist building. The setting offered a tranquil contrast to the bustling design week activities. Neri + Hu, the Chinese design duo, served as the guest of honor at the Stockholm Furniture Fair. Their site-specific installation, 'The Unfolding Village,' addressed the global issue of disappearing village cultures. Inspired by the alleyways and street life of clan-based villages, the structure, constructed from local timber, unfolded to reveal furniture designed by Neri + Hu, emphasizing the preservation of community and tradition. Färg & Blanche presented 'The Baker’s House' in an 1800s Swedish townhouse, which was the former home of co-founder Emma Marga Blanche’s great-great-grandfather. This personal exhibition featured new designs that referenced the Blanche family's historical Crispbread factory. The display included contributions from brands such as Petite Friture and Gärsnäs, merging personal history with modern design. Sight Unseen collaborated with Swedish brand Kasthall to showcase the capabilities of its new Rug Designer tool. The vibrant and graphic rug designs highlighted the bespoke potential of the digital service, allowing both designers and non-designers to experiment and create unique pieces. The inspiration for the designs subtly drew from the trompe l’oeil geometric patterns often seen on Milanese building facades. British architect David Chipperfield's product designs were featured in an exhibition displaying his work for brands like Alessi and e15. The exhibition also introduced new iterations of his ‘w102’ lamp for Wästberg, originally launched in brass, now available in a black steel finish and various configurations, including wall and floor mounts. The collaboration 'Sie Wohnen Hier' by Bukowskis x Magniberg brought together contemporary art and design from the auction house Bukowskis with textiles from Magniberg. The abstract showcase featured artful compositions, pairing oriental porcelain and cubist furniture with layered prints and textured surfaces, aiming to inspire design-led curiosity. Snøhetta's ‘s-1500’ chair for NCP reimagined Bendt Winge’s classic ‘R-48’ chair using recycled plastic waste from fish farming, including nets, ropes, and pipes. This exhibition at the fair highlighted the material and craft heritage of northern Norway and underscored Snøhetta's commitment to sustainability, encouraging other companies to rethink material repurposing. Claesson Koivisto Rune opened the Portal Bar in St. Eriksplan during Stockholm Design Week. This new space, owned by chef Klas Lindberg, hosted numerous events and featured interiors with murals by Jesper Waldensten, custom lighting by Wästberg, and furniture by Swedese, quickly becoming a central hub for social gatherings. Finally, Baux introduced 'Acoustic Pulp,' revolutionary acoustic tiles made from Swedish fir and pine trees, water, wheat bran, potato starch, plant wax, and fruit peels. This biodegradable, recyclable, lightweight, durable, and sound-absorbing material, originally developed for the coffin industry, showcases a true dedication to nature, with geometric patterns organically derived from the wheat content. These diverse presentations collectively underscored Stockholm Design Week's focus on innovation, heritage, and environmental responsibility. #StockholmDesignWeek #SwedishHeritage #SustainableDesign #NordicDesign #InteriorDesign #FurnitureFair #Craftsmanship #MaterialInnovation #ArchitecturalDesign

Athena Calderone, a well-regarded visual storyteller and designer, shares insights into how her personal aesthetic influences both her fashion choices and home decor. Her overall style is characterized by a clean, modernist approach combined with a deep respect for classic and timeless details. In terms of interior design, Calderone advocates for an eclectic mix of vintage and found objects, emphasizing that these items, collected over time, tell stories and reflect personal journeys. She values the legacy of antique pieces, giving them new life and incorporating them into her spaces to add narrative, history, and personality. She believes that, much like one's home, fashion is a deeply personal expression of vision, style, and dynamic self, allowing individuals to convey their most authentic selves. Her husband, Victor, a techno DJ, maintains a minimalist aesthetic, primarily wearing black and favoring narrow silhouettes, slim-cut blazers, and pronounced lapels. His focus is on fit and luxurious, tactile materials, with subtle accessories like a gold watch providing a touch of distinction. In contrast, Athena describes her own fashion sense as more adventurous, playing with romanticism, sophistication, and a touch of edge. This contrast in their personal styles highlights how individual preferences manifest differently. Calderone's personal style directly translates into the design of her Greek Revival townhouse in Cobble Hill, Brooklyn. She intentionally curated the home with 99 percent vintage and antique pieces from the 1930s–1970s, predominantly Italian and French. This approach allowed her to blend classic elements that have endured through time with items she could personalize through reupholstery, such as her 1970s Italian Mario Bellini sofa. The sofa's low, loungy profile and plush nude velvet upholstery contribute to a balanced retro yet elevated ambiance. For the architectural aspect of her home, she made the unconventional choice to open up the parlor floor, contrasting with the typical compartmentalized layout of townhouses. Simultaneously, she preserved traditional elements like Greek Revival crown molding, wall paneling, a grand gilt mirror, and a striking black and gold marble fireplace within an otherwise all-white space. Personal touches, such as an elegant green marble head from her childhood, infuse the space with family history and personality. Calderone also uses layering of materials and varying sizes to create visual dynamism within her home. An example is the arrangement of a rustic wood column and an ancient marble fluted pillar in her living room, demonstrating how playing with scale, shape, and placement in decor mirrors accessorizing in fashion. She views both design and fashion as forms of self-expression, where individuals interpret and reflect the world through their unique intuition. She embraces the idea of creating thought-provoking tension by juxtaposing extremes, whether in a highly feminine dress paired with bold boots or a romantic gown contrasted with rugged jewelry. This deliberate interplay of elements is what she believes makes both a space and an outfit smart, intriguing, and balanced, captivating the observer and encouraging contemplation. #AthenaCalderone #HomeDesign #FashionStyle #InteriorDecor #VintageFurniture #EclecticDesign #BrooklynTownhouse #PersonalAesthetic #GucciFashion

Cuff Studio, based in Los Angeles, has unveiled its Common Ground collection of furniture and lighting as part of the Virtual Design Festival (VDF) x Sight Unseen collaboration. This collection is featured in Offsite Online, a virtual exhibition curated by Sight Unseen, a digital magazine focused on contemporary design. The Common Ground series includes two tables, a bench, an armchair, and a light, all designed to showcase the studio's distinctive design philosophy that merges angular, architectural forms with playful, feminine elements. The studio's co-founder, Kristi Bender, explains that Cuff Studio consistently integrates curves and edges, formality with casualness, and femininity with a sense of 'testosterone' into their designs. This approach is evident in the Arc bench, chair, and console table, which incorporate the classic architectural arch. For the seating designs, this typically masculine architectural element is softened by luxurious leather or pink velvet upholstery. The Arc console table, while possessing a solid volume, features brass-filled channels that allow light to pass through and hand-chiselled grooves on its exterior, providing an organic counterpoint to its geometric shape. Another piece, the Paddle table, modernizes a traditional material, solid oak. The oak is bleached to achieve a clean white tone, and its thick edges are rounded, giving it a playful, substantial silhouette. The Five Track Surface Light, conversely, utilizes a flexible material—rope—which is meticulously wrapped around a rigid, tubular frame. This light fixture can be installed on walls or ceilings and is available in natural white cotton, as well as a variety of other colors. Wendy Schwartz, the other half of Cuff Studio, emphasizes that the collection aims to demonstrate how contrasting design elements can coexist harmoniously, reflecting a broader message of unity. The studio believes that the creative process can bring people together, particularly in a world marked by political polarization. The Common Ground collection was initially launched in early 2020 at the duo's new studio in Hollywood. This launch was intended not just for press or buyers but as a celebration with fellow makers and artisans, fostering in-person connections within the design community in Los Angeles. This initial gathering highlighted the value of direct interaction and shared passion among creatives. #FurnitureDesign #LightingDesign #CuffStudio #VirtualDesignFestival #SightUnseen #InteriorDesign #ContemporaryDesign #ProductLaunch #DesignPhilosophy

The project "Knowing the Ropes," initiated by designers Brynhildur Pálsdóttir, Þuriður Rós Sigurþórsdóttir, and Theresa Himmer, delves into the ubiquitous nature and varied applications of rope, challenging conventional perceptions of this utilitarian material. This artistic endeavor explores the cultural and structural significance of rope within a Scandinavian context, specifically focusing on its dual existence in interior design and maritime industries. The designers utilize two historical production facilities, Hampiðjan in Reykjavík, Iceland, and Aarhus Possementfabrik in Denmark, both established in the early 20th century and employing similar machinery. These facilities represent the divergent paths of rope production: one for marine use and the other for interior textiles. The core of the project lies in highlighting the unexpected aesthetic and functional intersections that arise when examining a material with such diverse applications. The genesis of "Knowing the Ropes" dates back to 2017. Over time, the project evolved from its initial conceptualization into a comprehensive body of work, culminating in a publication and an exhibition featuring objects and video installations. The initial exhibition was held at the Reykjavík Art Museum in 2021, showcasing the designers' innovative interpretations and creations. The artists further developed their project by presenting an evolved version at the Hallwyl Museum in Stockholm. This particular venue, a meticulously preserved Victorian home from the turn of the 20th century, provided a unique juxtaposition for the contemporary design pieces. The museum's ornate and traditional environment offered a striking contrast to the modern and unconventional objects crafted from rope, creating an unexpectedly modern aesthetic within a historical setting. The exhibition features a range of objects that reimagine the use of rope in everyday items and art installations. These pieces include floor lamps with rope-wrapped bodies and exposed light bulbs, demonstrating how rope can be integrated into lighting design to create a distinctive texture and form. Pedestals made entirely from rope showcase the material's structural capabilities and its potential as a sculptural element. A standing round mirror, framed and supported by intricate rope work, highlights the material's versatility in creating decorative and functional home furnishings. A modern three-legged table also utilizes rope in its construction, presenting it as a primary material rather than a mere accent. Additionally, arch-shaped shelving units, crafted with rope netting, illustrate innovative approaches to storage and display. Through these creations, Pálsdóttir, Sigurþórsdóttir, and Himmer prompt viewers to reconsider the inherent qualities of rope and its potential for artistic and design expression. The project not only celebrates the craftsmanship and heritage associated with rope making but also pushes the boundaries of how textiles can be perceived and utilized in contemporary design. The juxtaposition of modern designs with a historic setting further emphasizes the timeless appeal and adaptability of this fundamental material, inviting a deeper appreciation for the overlooked elements of our material world. #TextileArt #RopeDesign #ScandinavianDesign #MaterialExploration #ContemporaryArt #ExhibitionDesign #InteriorFurnishings #DesignInnovation

This article features an interview with Vanessa Rome, an interior designer based in New York City, discussing her career, business philosophy, and personal recommendations. Rome attributes her success to a Type A personality, strong organizational skills, and an unwavering passion for interior design. She emphasizes that her work feels less like a job and more like a calling, which allows her to dedicate long hours and weekends to her projects without feeling burdened. Vanessa Rome Interiors operates as a boutique residential interior design studio in New York City. Rome deliberately limits the number of projects taken on each year to fewer than ten. This approach ensures that each client receives a high level of personalized attention and meticulous care, reflecting the standard of service she would expect as a client herself. A key lesson she has learned in her career is the critical importance of measuring and re-measuring everything to ensure accuracy and prevent errors in design execution. When asked about recommendations for a friend visiting New York City, Rome suggests a culinary and cultural tour. Her top dining picks include Indochine, a long-standing favorite from her NYU days, and upscale Asian restaurants like Nobu and Mr. Chow. For activities, she recommends walking through the neighborhoods of Tribeca and Soho to explore various clothing and furniture stores, indulging her passion for both fashion and home aesthetics. A stroll through Central Park is also highlighted for its people-watching opportunities and scenic beauty. Rome acknowledges the significant contributions of several individuals and groups to her professional journey. She expresses gratitude for the support of her husband and family, who provide her with the freedom and encouragement to pursue her demanding career. Her team also receives recognition, as she states that she could not achieve her goals without their collaboration and dedication. Additionally, she values her fellow interior designer colleagues, who serve as sources of inspiration, guidance, and emotional support during stressful periods. The article also provides contact information for Vanessa Rome Interiors, including her website (vanessaromeinteriors.com) and Instagram handle (@vanessaromeinteriors). The illustrations accompanying the article are credited to photographers Marco Ricca and Julia Lynn. The interview concludes by encouraging readers to nominate other deserving individuals for recognition through Shoutout Miami's platform, reinforcing the community-driven mission of the publication. #InteriorDesign #VanessaRome #Entrepreneurship #NewYorkCity #DesignStudio #WorkEthic #BoutiqueBusiness #PersonalInterview

Milan Design Week 2022 showcased a variety of temporary installations designed to captivate the design community. These installations frequently leveraged unique settings, ranging from abandoned nunneries and military hospitals to former sports venues and historic villas, to create impactful experiences. The event featured nine notable installations that demonstrated innovative approaches to design and material use. One featured installation was “A Statement of Form” by Gaggenau, a kitchen manufacturer, which was located in the Villa Necchi Campiglio, a historic Italian villa known from the film “House of Gucci.” This installation, a collaboration with architecture firm 1zu33, marble expert Salvatori, and ceramic specialist Kaufmann, presented a sleek kitchen design within a luxurious setting. Another highlight was "Monumental Wonders" by SolidNature, exhibited at Alcova’s Lavanderia building. This installation showcased the versatility of natural and semi-precious stones, featuring nine types of onyx in a dramatic entry portal. OMA designed a stone-wrapped doorway and marble-and-onyx furniture pieces, including a rotating cabinet and a bed with hidden storage. Sabine Marcelis contributed a pink onyx bathroom sculpture, demonstrating the material’s aesthetic and functional potential. “Silentscape” by Isabella Del Grandi for Slalom, also at Alcova, focused on acoustics. This colorful sound studio installation integrated soft surfacing materials and suspended upholstered spheres to create a calming, sound-absorbing environment, highlighting acoustic system solutions. Hermès presented "Houses" by Charlotte Macaux Perelman, a luminous installation of ash wood and translucent colored paper structures at La Palota. Inspired by water towers, these glowing geometric forms displayed new cashmere fabric designs for the home. Flos’s “See the Stars Again” exhibition, curated by Calvi Brambilla at the Fabbrica Orobia, introduced 14 new lighting products. A key feature was the anniversary edition of the Arco lamp, Arco K, which showcased its lead-free crystal base. The exhibition also included sculptural displays and indoor gardens. Lee Broom’s “Divine Inspiration” presented six new lighting collections and 30 products in a gallery setting. Drawing inspiration from religious architecture, the exhibition featured unique moods in each room and included limited-edition hand-sculpted pieces, such as a broken pendant light in the Requiem collection. Amine El Gotaibi’s 300-pound ceiling-mounted weaving for Beni Rugs, titled Spoken Lines, was unveiled at Alcova. This site-specific artwork, made from 80 feet of natural wool, set the stage for a collection of 10 rugs and was crafted by a cooperative of female weavers in Morocco. Caffè Populaire, a collaboration between Lambert & Fils and DWA Design Studio, offered an _aperitivo_ garden at Alcova. The installation combined sculptural lighting from Lambert & Fils with flowered wallpaper by Superflower and various plantings. It featured an elevated interior garden and a water sculpture, contrasting Brutalist lighting forms with hyperrealistic floral imagery. Finally, "Holotype" by Refractory, a newly launched furniture brand, was presented at Alcova’s E/Space building. The installation created a unique sensory experience with the scent and visual presence of turmeric, used to tint concrete walls and piled on the ground. This backdrop framed Refractory’s artisanal furniture and lighting pieces, crafted from materials like cast bronze and solid black walnut, and incorporated paleontological specimens and imagery of America’s West. #MilanDesignWeek #InstallationArt #ProductDesign #InteriorDecor #FurnitureDesign #LightingDesign #TextileArt #MaterialInnovation #ExperientialDesign