Interior Designer Michael Smith shares Insight on Design Elements for ‘White House Style’

The White House, America's most recognizable residence, has undergone numerous transformations throughout its history, reflecting the changing tastes and needs of its presidential inhabitants. From its initial construction to modern-day modifications, each renovation has left a distinct mark on the iconic building. The process of building the White House began in 1789, culminating in 1800 when President John Adams became its first resident. The original structure, designed by James Hoban, was a classically inspired building that laid the foundation for its enduring architectural style. However, its early existence was brief; in 1814, during the War of 1812, British soldiers burned the White House. Reconstruction efforts, again led by Hoban, completed in 1817, and further additions like the South and North Porticos followed in the 1820s. Over the decades, presidents have initiated various projects to personalize or modernize the residence. In 1881, President Chester Arthur introduced a distinct Victorian flair, including a prominent Louis Comfort Tiffany screen and gilded tracery, while simultaneously auctioning off existing furnishings. This Victorian influence was later removed in 1902 during Theodore Roosevelt's classical renovation, which also saw the significant addition of the West Wing, transforming the White House into a more cohesive and modern administrative center. In 1942, under Franklin Delano Roosevelt, the East Wing was added, primarily to conceal an underground bunker known as the Presidential Emergency Operations Center, and has since served as office space for the First Lady and her staff. A major structural overhaul became necessary between 1948 and 1952 during the Truman administration, as engineers found the building to be structurally unsound. This extensive renovation involved dismantling and rebuilding much of the interior, forcing the presidential family to reside elsewhere. This effort ensured the physical integrity of the White House as it stands today. A decade later, in 1961, First Lady Jacqueline Kennedy embarked on a celebrated redecoration project. Collaborating with experts like Sister Parish and Stéphane Boudin, she focused on restoring the White House with historic American art and artifacts, aiming to showcase the nation's presidential history rather than merely redecorate. Her efforts were widely acclaimed, culminating in a televised tour that earned her an honorary Emmy. Subsequent administrations continued to introduce changes. In 1979, the Carter administration demonstrated an early commitment to sustainability by installing the White House's first computer and water-heating solar panels, though the panels were later removed and reinstalled by different administrations. More recently, the Obama administration undertook a redesign of the Oval Office in 2013, guided by AD100 designer Michael S. Smith, introducing a mix of historic and contemporary elements. In 2017, the Trump administration initiated a significant $3.4 million overhaul of the Oval Office, HVAC and IT systems, the West Wing lobby, and the South Portico steps, which included new furniture, wallpaper, carpeting, and gold-hued upholstery. The proposed additions in 2025 by President Trump included a new ballroom and modifications to the Rose Garden. The Rose Garden, originally designed by Rachel “Bunny” Lambert Mellon, saw its central lawn replaced with stone pavers, aiming to create a patio-like space. The more substantial plan involved a $200 million, 90,000-square-foot ballroom designed by classicist architect James McCrery II, intended to expand seating capacity significantly. This project, which required partial demolition of the East Wing, generated concerns among architectural historians and professional organizations like the Society of Architectural Historians and the American Institute of Architects, who advocated for a rigorous design and review process for such a monumental alteration to a historic building. #WhiteHouse #PresidentialResidences #ArchitecturalHistory #RenovationTimeline #AmericanHistory #InteriorDesign #HistoricalPreservation #GovernmentBuildings #ArchitecturalChanges

In 2013, interior designer Mary Laipple built a three-bedroom, 2 ½-bathroom home at 455 Wyola St. in the Sweetbriar Village development on Mount Washington, deliberately avoiding the then-popular farmhouse style characterized by white shaker cabinets and gray interiors. Instead, Laipple, in collaboration with Sweetbriar developer Jeff Paul of Pomo Development, aimed for an "industrial modern" aesthetic that conveyed a lived-in, welcoming atmosphere, eschewing the typical new construction feel. Her design choices were focused on creating a timeless style, which has since gained widespread popularity on social media. The home's distinctive design elements are evident from the moment one approaches, with a Craftsman-style front door framed in teal. Inside, high ceilings contribute to an expansive feel. The main living space, accessible via three steps, immediately showcases Laipple’s vision. The kitchen, a central feature, boasts custom Decora cabinets with taupe finishes, a professional-grade Jenn-Air appliance suite including wall ovens and a six-burner gas range, and black soapstone countertops. Laipple specifically chose soapstone for its aesthetic appeal and antimicrobial properties. A center island with a waterfall edge provides seating for four. The kitchen's walls are adorned with neutral-hued, handmade subway tiles, complemented by a bronze-rubbed statement hood and a basket-weave backsplash. Lighting in the kitchen and dining area is provided by lantern pendants over the island and dining table. A custom wall bar, designed for entertaining, includes seeded-glass front doors, wine storage, a sink, and a mini-refrigerator, strategically positioned near the patio to facilitate both indoor and outdoor gatherings. The outdoor space features a roof-covered deck, a grill, and a settee, which Laipple notes is frequently used. The living room features a stacked stone gas fireplace, uniquely accented with a vertical soapstone panel on one side, cleverly concealing media and technology components. The upper level of the home accommodates a custom primary bedroom suite, distinguished by a tray ceiling, ceiling fan, and a continuation of the wide-plank oak flooring seen downstairs. The primary bathroom is designed as a luxurious retreat, featuring a double-bowl vanity, porcelain-and-glass tile walls, a soaking tub, and a spacious glass-walled shower with a seat. This suite also includes a walk-in closet equipped with custom cabinet drawers, ample hanging space, and shoe storage. The two additional bedrooms on this level measure 11x11 square feet and 11x10 square feet, respectively. One serves as a guest bedroom, decorated in a soft green-gray, while the other is currently configured as an office in a soft heather pink hue. An additional bathroom in the hallway could be integrated into the guest bedroom to create a second en-suite. The upper level also includes a conveniently located laundry space and attic storage with pull-down access. The finished basement offers further functionality with a yoga studio and workout area, a half bathroom with the potential for conversion into a full bathroom, and three large closets. Laipple highlights the flexibility of this space, mentioning that previous owners have adapted it into a guest suite by combining the bathroom with the main room. The property also features a two-car integral garage. The Sweetbriar Village community provides a large common area and sidewalks, promoting a friendly environment suitable for dog walking and social interaction. Laipple emphasizes the convenience of the Mount Washington location and its diverse community. #HomeDesign #InteriorDesign #MountWashington #PittsburghRealEstate #TimelessStyle #CustomHome #KitchenDesign #PrimarySuite #ResidentialArchitecture

Ken Blasingame, an interior designer from Texas, was selected by President George W. Bush and First Lady Laura Bush to decorate the first family's residence in the White House. This appointment followed a long-standing professional relationship, as Blasingame had previously worked on their Dallas home and the Texas Governor's Mansion since 1989. The designer described the opportunity as surreal and filled with "pinch me" moments, marking a significant career highlight. His work commenced in 2002, shortly after the presidential inauguration. A key aspect of his role involved accessing a vast, undisclosed warehouse containing historic American furnishings. This collection included items like pieces purchased by Harry S. Truman for White House renovations and an American highboy chest previously used by Presidents John F. Kennedy and Lyndon B. Johnson. Blasingame, who studied art and developed an early affinity for design and Spanish Colonial antiques, founded Blasingame Design in 1976. His calm demeanor and ability to blend various eras and origins in his designs made him well-suited for the Executive Mansion. He shared a painterly design approach with Laura Bush, who desired the residence to be both appropriate for a national leader and comfortable for guests and family. Blasingame's contributions extended beyond temporary decor. President Bush appointed him to the Committee for the Preservation of the White House, where he served from 2002 to 2008. During this period, he made more permanent additions to the White House's interior. For the 100th anniversary of the West Wing, the White House Historical Association commissioned him to design a new Cabinet Room rug, replacing an older one from the Johnson era. His design incorporated stars, a laurel-leaf border, and other classical elements. Additionally, Blasingame designed a rug for the Diplomatic Reception Room, inspired by gold rays on a china pattern owned by George Washington. This room is noted as the most frequently used entrance in the mansion. Many of his upholstered pieces and newly selected items, chosen in collaboration with Laura Bush, have become part of the White House’s permanent collection. These items are expected to remain in place despite changes in presidential administrations. Interestingly, Blasingame's design process is characterized by spontaneity, with a notable absence of architectural drawings or extensive paperwork. He humorously mentioned that he refuses to do renderings and works with very few notes, preferring a more intuitive approach. Despite this unconventional method, his work has left a lasting legacy on one of the United States' most iconic buildings, contributing to its historical and aesthetic continuity. #InteriorDesign #WhiteHouse #KenBlasingame #PresidentialHistory #LauraBush #GeorgeWBush #AmericanFurnishings #HistoricalPreservation #DesignLegacy

President Donald Trump's redecoration of the Oval Office has garnered significant attention, largely due to his extensive use of gold accents. This "Midas touch," as some describe it, involves a range of gilded elements, including ornamental moldings on the fireplace mantel, wainscoting, and crown molding, as well as golden tables, gilded portrait frames, and a glammed-up presidential seal. Even golden cherubs are part of the new aesthetic. Trump himself has described these additions as being handled with "great love and 24 karat gold," and The Wall Street Journal reported that a South Florida cabinetmaker, whom Trump refers to as his "gold guy," custom-made the elaborate finishes at the President's request. However, this narrative has been met with skepticism from some social media users, who theorize that the opulent decor might actually consist of inexpensive millwork appliqués from Home Depot, merely covered in spray paint. This raises questions about the true origin and cost of the White House's new gold embellishments. The debate reflects a broader difficulty in discerning truth in contemporary public discourse, particularly when conflicting claims arise about prominent figures or institutions. Investigative reporting by Inside Edition delved into these theories, specifically exploring whether the Home Depot rumor held any weight and how individuals might replicate a similar look using supplies from the popular home improvement store. A TikToker's viral video presented a compelling argument that specific elements, such as the fireplace millwork and cherubs, are polyurethane pieces manufactured by Ekena Millworks, a brand widely available at Home Depot. This claim suggested that parts of the White House's decor could be sourced from a common retail outlet, challenging the perception of custom, high-end craftsmanship. BuzzFeed followed up on these allegations by contacting Ekena Millworks for their perspective. The company responded by stating, "We work with several design firms in DC that have worked on the White House and believe these could be our onlays." This statement, while not a direct confirmation, lends credibility to the idea that their products might have been used. Furthermore, the White House had previously announced its collaboration with McCrery Architects, a Washington, D.C.-based firm, for a new ballroom project, which could indirectly support the possibility of D.C.-based design firms utilizing various suppliers. Ekena Millworks also highlights its reputation for producing high-quality carvings, noting that clients like Disney trust their products for complex projects. The implication is that if their inexpensive polyurethane and wood moldings are suitable for the rigorous demands of Disney theme parks, they would likely be durable enough for the White House. Regardless of whether the gold decor was custom-made by Trump's designated artisan or purchased from a retail chain, the article suggests that DIY enthusiasts interested in achieving a similar gilded look can do so using readily available products like Rust-Oleum Universal Surface Metallic or Krylon Gold Spray Paint, which are popular among DIYers for their effectiveness in creating a metallic finish. #WhiteHouseDecor #GoldDecor #OvalOffice #HomeDepotRumor #TrumpAdministration #InteriorDesign #DIYDecor #EkenaMillworks

This article highlights American creative talents, including interior designers, fashion designers, and artists, who have collaborated with the White House and its occupants on various commissions. These works range from extensive interior renovations to official presidential portraits, reflecting a blend of design, art, and political authority. The architectural firm Tod Williams and Billie Tsien are identified as the lead architects for the Obama Presidential Center in Chicago. This project, set to open in 2025, moves beyond merely commemorating past achievements to create a dynamic space for future narratives. The campus includes a museum tower, forum, library, public plaza, and connected landscapes, all designed to embody a sense of grace and elevate the surrounding world, aligning with the Obama Foundation's mission. Interior designer Sheila Bridges is recognized for her distinctive "Harlem toile" designs, which integrate Black cultural themes with traditional toile aesthetics. Bridges was chosen by Vice President Kamala Harris and Second Gentleman Doug Emhoff to design their official residence at One Observatory Circle, incorporating a neutral palette with bold accents, such as a pink library. Her previous political commissions include President Bill Clinton's Harlem offices. Fashion designer Gabriela Hearst, originally from Uruguay, is celebrated for her commitment to sustainable luxury. Her eponymous label, founded in 2015, prioritizes slow fashion, ethical production, and innovative, eco-friendly materials like aloe-treated linen and deadstock fabrics. Hearst's work extends to philanthropic efforts, including partnerships with non-profit organizations. Dr. Jill Biden wore a custom-designed, embroidered coat dress by Hearst at President Joe Biden’s 2021 inauguration, symbolizing national unity with floral patterns representing each state and territory. Dr. Biden has continued to wear Hearst's designs. Christopher John Rogers, a fashion designer, gained prominence after securing a slot at New York Fashion Week under his own name. His aesthetic draws from his childhood experiences in Baton Rouge, Louisiana, and the tradition of dressing in one’s "Sunday best" for church. This influence is reflected in his designs, such as an iridescent cyan pantsuit worn by Michelle Obama and a vibrant all-purple ensemble for Vice President Kamala Harris at the 2021 inauguration. Rogers' work is characterized by its fun, flamboyant nature, combined with a sense of composure, redefining power dressing. American painter Amy Sherald is noted for her intimate portraits and depictions of Black American life, which challenge traditional portrayals of race and skin color. Sherald has achieved several milestones, including being the first woman and African American to win the grand prize in the Outwin Boochever Portrait Competition. She is most renowned for her official portrait of First Lady Michelle Obama for the National Portrait Gallery, completed in 2018, which uses her signature grayscale technique to symbolize success for Black women. Artist Kehinde Wiley, based in New York City, is known for his unique approach to portraiture, blending historical artistic traditions with references to the Black experience. In 2018, Wiley, alongside Amy Sherald, became the first African-American artist to paint an official U.S. Presidential portrait for the Smithsonian National Portrait Gallery, depicting President Barack Obama. Obama personally selected Wiley, whose portrait shows the president leaning forward, dressed casually, against a floral backdrop incorporating jasmine (Hawaii), chrysanthemums (Chicago), and African blue lilies (Kenya), symbolizing his heritage. Wiley's exhibition, 'An Archaeology of Silence,' currently touring the U.S., explores themes of brutality, humanity, injustice, grief, and grace within the Black community. Interior designer Michael S. Smith is recognized for his fusion of European classicism and American modernism. In 2010, President Barack Obama selected Smith to renovate the Oval Office and other White House spaces, a project spanning eight years. Smith employed a neutral color palette in the Oval Office, integrating culturally significant items such as Native American pottery and a rug with quotes from prominent Americans like Martin Luther King Jr. and Abraham Lincoln. He also facilitated the display of works by pioneering Black artists, including Jacob Lawrence, Alma Thomas, and Glen Ligon, throughout the White House, making the interiors welcoming for the Obama family's children. Taiwanese-American fashion designer Jason Wu developed a long-standing relationship with then-First Lady Michelle Obama. Starting with her patronage of his brand, Wu was commissioned to design her gown for President Barack Obama’s 2009 inaugural ball, creating a memorable white, one-shouldered gown adorned with organza flowers. During Obama's presidency, Mrs. Obama continued to wear Wu's designs for significant occasions, including a ruby red gown for the second inauguration, a navy lace dress for his farewell speech, and a light blue off-the-shoulder dress for her White House portrait by artist Sharon Sprung. #WhiteHouseDesign #PresidentialCollaborations #InteriorDesign #FashionDesign #ArtAndPolitics #ObamaPresidentialCenter #SheilaBridges #GabrielaHearst #ChristopherJohnRogers #AmySherald #KehindeWiley #MichaelSSmith #JasonWu

The front door serves as a crucial element in a home's exterior, significantly impacting curb appeal and setting the overall tone. When a house features a clean, white exterior, the choice of front door color becomes even more vital for enhancing visual appeal and expressing design style. While trends in home aesthetics fluctuate, certain front door colors possess a timeless quality that endures through changing styles. This delicate balance involves selecting a shade that feels contemporary without quickly becoming outdated, as the front door is the initial visual point for visitors and passersby. This article explores a curated selection of five optimal front door colors that reliably complement a white house, alongside five colors that are generally best avoided, drawing on expert opinions and design considerations. Among the recommended colors, Poinsettia red offers a joyful and modern pop against a white backdrop. Sherwin-Williams' Poinsettia, with its subtle pink undertones, provides a fresher alternative to traditional brick red, as championed by designer Emily Henderson. Coordinating colors like Ibis White and Egret White can further enhance this vibrant choice. Black with warm undertones, such as Sherwin-Williams' Black Magic, is another enduring choice, adding a sleek and contemporary contrast. This color has even been shown to potentially increase property value, according to a Zillow study, though considerations for heat absorption in warmer climates are important. Haint blue, a historic greenish-blue shade often associated with Southern porches, offers an elegant and versatile option. Benjamin Moore's Palladian Blue is noted for its ability to complement various architectural styles, providing a fresh yet safe hue that remains perpetually stylish. Mustard yellow, specifically Portola Paints' Joshua Tree, presents an unexpectedly chic and earthy alternative, grounding the color without being overly loud. This shade can evoke a mid-century modern aesthetic, blending past and present seamlessly. Finally, Magnolia Green, a custom shade by Joanna Gaines, provides a bold yet natural touch of cool calm, inspired by the magnolia flower. This organic green offers an eye-catching alternative to lighter greens, striking a balance between personalization and neighborhood cohesion. Conversely, several colors are identified as less suitable for a white house. Cement gray, despite its past popularity in interiors, is now considered detrimental for exterior resale value, with studies indicating negative reactions from potential buyers. Warmer neutrals like taupe or greige, or slate gray with blue undertones, are suggested as more welcoming alternatives. Plain white is deemed the worst front door color, as it causes the door to blend into the house, negating any opportunity for curb appeal and personality. Suggestions for enhancing a white door include contrasting trim or decorative elements like sconces and pot plants. Hot pink is highlighted as a bold choice in all the wrong ways, often appearing garish and difficult to integrate with a home's overall aesthetic. Softer, peachy hues like Sherwin-Williams' Youthful Coral, which align with trending colors like Pantone's Peach Fuzz, are presented as more tasteful unconventional options. Bright orange is also strongly advised against, as its theatrical intensity can clash with a neutral white exterior and make harmonious matching challenging. Muted shades like burnt orange or rust are preferable if an orange tone is desired, though even these can feel seasonally limited. Lastly, vintage brown is described as an unwanted blast from the past, making a house look dated against a modern white exterior. Bronze tones, such as Sherwin-Williams' Urbane Bronze, or refinished warm woods, are recommended for achieving an earthy look without the drabness of traditional brown paint. Making an informed decision on front door color can significantly elevate a home's exterior appeal. #FrontDoorColors #WhiteHouse #CurbAppeal #ExteriorDesign #HomeImprovement #PaintColors #DesignTrends #SherwinWilliams #BenjaminMoore

The article explores six architectural trends that are expected to define home design in 2025, emphasizing a shift towards more thoughtful and lasting styles rather than fleeting fads accelerated by social media. Architects observe a growing dissatisfaction with mass-produced, trend-driven designs like the modern farmhouse and advocate for more unique and historically informed approaches. The evolving trend cycle, influenced by digital platforms and home-improvement media, has led to an overabundance of certain styles, prompting a desire for change among design professionals and homeowners alike. The insights provided by four architects highlight key areas of transformation in residential architecture. One significant trend is Natural Modernism, characterized by an increased integration of natural elements such as large windows, raw materials like wood, steel, and stone, and nature-inspired color palettes. This approach aims to foster a stronger connection between inhabitants and their natural surroundings in an increasingly digital world. Another emerging trend focuses on Historical Character, moving away from monochromatic, overdone styles like the white farmhouse with black windows. There is a renewed interest in incorporating more color and drawing inspiration from diverse historical architectural styles, such as modern industrial, modern Tudor, and a sleeker interpretation of French Country, with regional variations in popularity. The article suggests that historical context plays a crucial role in the relevance of these styles. Additionally, there is a noted appreciation for 1920s Details, reflecting a renewed interest in the craftsmanship and elegant restraint of early modernism. This trend involves sculptural forms, minimal detailing, and the use of natural materials like wood, stone, and brick, often complemented by tile or metal roofs. A notable departure from recent open-concept living is the return to Closed Floor Plans. Architects observe a movement toward more defined spaces, where rooms like formal dining areas are re-evaluated, and kitchens are often designated as separate, distinct zones for cooking, while larger rooms accommodate various gathering activities. The concept of Third Spaces at Home also gains prominence, addressing a perceived lack of communal spaces outside the home. This trend involves creating dedicated areas within the residence for activities previously conducted externally, such as guest accommodations, storage for sports equipment, home gyms, and specialized workspaces, reflecting evolving lifestyle needs. Finally, a strong emphasis on American-Made Materials is highlighted. Triggered by past supply chain disruptions and geopolitical factors, there is a growing consciousness among clients and designers to source building materials domestically. This shift not only supports local economies but also helps reduce construction timelines due to shorter shipping distances and a focus on locally sourced goods like wood, stone, and metal. These trends collectively indicate a move towards more authentic, functional, and enduring architectural designs. #ArchitectureTrends #HomeDesign #NaturalModernism #HistoricalCharacter #ClosedFloorPlans #ThirdSpaces #AmericanMadeMaterials #InteriorDesign #Craftsmanship

Jessica Warren, founder of JP Warren Interiors, shares insights into her design philosophy and creative process. Her journey into interior design began in the fall of 2011, driven by a longstanding passion for modern furniture and a penchant for collecting unique pieces from thrift stores. Before establishing her business, Warren amassed a collection of furniture, lighting, and objects, with an initial intention to open an antique store or interior design studio after her daughter left for college. Her personal renovation of a Clinton Hill residence, which garnered significant media attention, further solidified her reputation and provided a practical "classroom" for her design education. This project allowed her to develop a distinctive aesthetic and approach, preparing her for her first professional commission: a 10,000-square-foot new construction project. She views design as a continuous evolution, influenced by curiosity and a constant refinement of personal tastes, echoing Norma Kamali's perspective on taste development. Warren emphasizes a client-centric yet artful approach to interior design. She aims to create spaces that are personal, interesting, and rooted in art, rather than being overly "designery" or pretentious. A key aspect of her work involves educating clients on the relationship between art and interior design, often exposing them to art as the fundamental basis for her design work. She integrates artful forms into all interiors, whether through actual artworks or sculptural elements like lamps, chandeliers, and chairs. This process involves refining taste to identify recurring colors, shapes, and patterns that form a consistent motif. Warren also advocates for creating tension in spaces by juxtaposing opposing elements—soft against hard, organic against geometric, dark against light—to highlight the inherent beauty of each component. Her team develops a clear aesthetic map by assigning characteristics to furniture and materials, such as "organic shape" or specific material types like stone or metal, before sourcing begins. Storytelling is integral to Warren's design philosophy. An interior should narrate a story that begins with the architecture and is enriched by furnishings, art, and objects. These additions should be historically aware, personal, and layered, reflecting an ongoing evolution rather than a static "time capsule." She prefers the term "collected" over "eclectic" to describe spaces that possess a timeless quality, appearing as if pieces were gathered over time from family, travels, and various purchases, creating an authentic and evolving environment. She deliberately avoids using iconic pieces extensively, instead seeking unique, less identifiable items to ensure the space feels personal rather than branded or contrived. For each project, Warren dedicates time to experience each room through different light cycles to understand its natural use and potential. She sometimes draws color palettes directly from the room itself, or from a client's cherished painting or object, using tools like "Color Explorer" to translate emotional responses into a cohesive design scheme. In her own home, a significant decision was to preserve the original architectural envelope while updating elements like the parlor floors, eliminating amber tones in the oak to achieve an elegant palette, and staining dining room woodwork black. Regarding Brooklyn row houses, Warren acknowledges their inherent strengths as substantial, solid structures, alongside challenges such as narrow layouts and limited natural light. She advises designing to enhance the natural light available rather than striving for an impossible "white room" in naturally darker spaces, suggesting instead to create "beautiful rooms." For narrow spaces, scale of furniture is crucial. She recommends respecting the original intention of furniture placement while also being open to re-purposing rooms to better suit modern lifestyles. Her approach balances preservation with contemporary functionality, ensuring that homes remain dynamic and reflective of their inhabitants' lives. #InteriorDesign #HomeRenovation #DesignPhilosophy #BrooklynDesign #ClintonHill #ModernFurniture #ArchitecturalPreservation #SpacePlanning

The article details the design process and outcome of a new build home in Minneapolis, Minnesota, which was specifically crafted to possess a timeless, lived-in feel, rather than appearing brand new. Interior designer Victoria Sass spearheaded this project for a family of five, collaborating with architecture firm Murphy & Co. The core challenge was to infuse character and an aged aesthetic into a modern construction, a task Sass describes as surprisingly difficult. The design philosophy aimed to avoid the 'too perfect' trap often associated with new builds by incorporating elements that mimic the natural irregularities and evolved nature of older homes, such as slightly unconventional floor plans and asymmetrical shapes. The initial design brief from the homeowners favored an understated, classic American white brick house, reflecting a 'casual but tailored' sensibility. This led to plans emphasizing wooden balconies, large windows, screened verandas, and a traditional porch, all situated to capitalize on the tranquil waterside setting near Minnehaha Creek. The interior adopted a traditional color palette of off-whites, rusts, and caramels, complemented by oak flooring and timber windows, establishing a grounding backdrop across the home's three main living levels. A significant shift occurred in the design direction when the family spent time in Barcelona during a pause in construction. This experience broadened their perspective, prompting a desire for more color and 'joie de vivre' upon their return. Victoria Sass adapted the design to incorporate these new influences, focusing on furniture, fabrics, hardware, and lighting to introduce unexpected and vibrant elements. This strategic re-evaluation led to the inclusion of unique pieces such as a mosaic table made from corn husks, sourced from a Spanish artist, and a sculptural 'Moon light' art installation in the entryway. Further examples of this evolved design approach include a powder room vanity adorned with distinctively mismatched tiles, deliberately chosen to evoke Mediterranean design aesthetics, and a dining room featuring a bespoke wall mural by Ginny Sims. This mural intricately weaves in the family's personal story, adding a deeply customized and playful touch. The snug area boasts a chimney breast finished with hand-fired tiles, which Sass notes might subtly reference Scandinavian coziness, reflecting her husband's Danish heritage. Across the home, there's a strong emphasis on varied textures—from large-scale photographic prints and custom wall sculptures to marbleized wallpaper in the study—contributing to a rich, almost three-dimensional feel. Victoria Sass highlights the delicate balance required to integrate diverse decorative influences while maintaining a cohesive overall aesthetic. She explains that a consistent color palette and careful consideration of scale are crucial for harmonizing these elements. The designer emphasizes that if one design 'dial' is turned up, another must be adjusted to ensure equilibrium. The final result is a home that seamlessly combines classic and experimental features, juxtaposing graphic silhouettes with undulating forms. This blend achieves what Sass terms a 'perfectly imperfect' outcome, effectively transforming a new construction into a residence that embodies the charm and character of an older, well-established home. #HomeDesign #InteriorDesign #NewBuild #TimelessArchitecture #MinneapolisHome #VictoriaSass #HomeTours #DesignPhilosophy #ArchitecturalRenovation

This article details the initial phases of the 'Home On The Ranch' project, a significant design endeavor featured on the Netflix show 'Dream Home Makeover.' Situated on a expansive farmland property boasting mountain views, the residence is designed to accommodate multiple generations of family and friends. The overall design emphasizes a balance between timeless elegance and practical, livable materials, with the unexpected addition of a regulation-sized basketball court illustrating a blend of sophistication and recreational elements. The project involved collaboration with Hebdon Studios and Everlast Custom Homes to realize the client's vision. The exterior of the home immediately conveys its design philosophy through a thoughtful combination of time-honored elements and diverse materials. Redbrick, white shiplap, and natural wood finishes create a dynamic yet cohesive facade. These materials contribute to a sense of depth and a streamlined aesthetic, extending to the stained wood doors that mark the primary entrance. This initial impression sets the tone for the interior design, which consistently integrates classic and modern sensibilities. Upon entering, a grand two-story-high vaulted entryway greets visitors. This space features stained wood rafters and intricate wall paneling that seamlessly extends into other areas of the home. The entryway is furnished with carefully selected pieces, including a vintage console, a traditional Windsor chair, and a curved settee, which collectively achieve an elevated yet inviting atmosphere. The paint scheme in this area uses Benjamin Moore's Swiss Coffee at 75% strength, applied in different finishes (Eggshell for walls, Satin for trim, and Flat for the ceiling) to add subtle variations and dimension. Adjacent to the entryway, a pair of natural wood doors leads into the family library. This dedicated space serves multiple functions, including a study area, a music room, and storage for an extensive book collection. The library's design incorporates herringbone floors and ceiling beams, contributing to its classic charm. A large central table provides ample workspace, complemented by a rust-colored velvet sofa that adds a touch of warmth and luxury. A rolling ladder, a quintessential library feature, enhances both aesthetics and functionality. A notable personal touch is the client's grandmother's piano, which was repainted in Benjamin Moore's Grey Owl, revitalizing it for the space. The built-in shelves are thoughtfully styled with a mix of old and new decorative objects, further personalizing the room. Task lighting integrated into the built-ins illuminates the displayed items, enhancing the character of the space. Beyond the library, a hallway leads to the mudroom, a highly functional area designed for organization and convenience. The mudroom features meticulously crafted cabinetry that provides locker-style storage, ensuring that personal items are neatly tucked away. A designated landing zone is incorporated for everyday essentials like cellphones and keys. A custom bench with a leather cushion offers comfortable seating and contributes to the room's tailored look. The flooring in the mudroom consists of Bleu Chinois Cobblestone from Exquisite Surfaces, adding a distinctive and durable element to this high-traffic area. The article also provides a practical tip for interior design, advising to order a single piece of hardware for significant areas to visualize the impact before committing to a larger purchase. Finally, the project includes a court area, which, while briefly mentioned, underscores the home's comprehensive design, catering to both aesthetic appeal and practical living requirements. The overall design narrative for this project emphasizes creating spaces that are both beautiful and functional, capable of hosting and serving a family for many years. #HomeDesign #InteriorDesign #DreamHomeMakeover #EntrywayDesign #LibraryDesign #MudroomDesign #CustomCabinetry #TimelessElements #StudioMcGee

This blog post identifies and critiques ten home design trends that were prevalent in 2022 but are now considered outdated or impractical. It begins by noting the annual emergence of new design fads and highlights the transition from last year's trends like moss-covered accent walls and Tuscan-style kitchens to this year's focus on the "cloffice" and other elements. The article aims to guide homeowners and real estate professionals on design choices that might negatively impact a home's appeal or value. The first trend discussed is the classic farmhouse look, characterized by distressed furniture, kitschy signs, shiplap walls, barn doors, and mason jars. While acknowledging some antique charm, the article suggests that an overuse of this style can make a home appear dated, especially when not situated in a rural environment. The second trend highlighted is vessel bowl sinks in bathrooms. Once popular for their modern aesthetic, these sinks, which sit on top of the vanity, are criticized for losing their appeal due to cleaning difficulties and susceptibility to damage around their exposed edges. Traditional undermount sinks are implicitly favored as a more practical alternative. Matching furniture sets are identified as another waning trend. The article argues that purchasing entire furniture sets in perfectly coordinated colors, such as a beige sofa with matching chairs and coffee table, creates a monotonous and uninspired look. Instead, it advises mixing and matching pieces, for instance, pairing a beige sofa with velvet chairs in contrasting colors like blue or green, to add depth and dimension to a room. Cowhide prints, which gained popularity over the past decade as a modern accessory, are now considered passé. The trend encompasses cow print rugs, statement chairs, kitchen stools, and even mass-produced Highland Cow artwork. A UK survey is cited, labeling cowhide prints as one of the worst interior design trends ever, encouraging readers to explore alternative ways to achieve a black and white color scheme. Rainfall showerheads, initially seen as a luxury spa feature, are losing favor due to practical drawbacks. The article points out that the water flow from these showerheads often feels more like a continuous pour than a gentle stream, and they tend to have reduced water pressure due to the larger head size. This highlights a shift towards more functional and efficient shower systems. Venetian plaster walls, while currently trendy for their textured, earthy appearance, are viewed with caution due to the potential difficulty and cost of removal or refinishing if the homeowner tires of the look. These lime-based putties, applied in earth-tone colors with stroke-like finishes, can create a matted, chalky effect. The article advises thorough research before committing to this style, referencing its previous resurgence with 1990s Tuscan décor. Wallpaper murals, particularly "scenic murals" in bathrooms, are mentioned as a recent hot trend for 2022. These intricate designs, depicting landscapes or large florals, can serve as accent walls. However, the blog post subtly suggests that while popular, homeowners should consider the ease of removal, noting that peel-and-stick options offer a simple exit strategy should the trend fade. The article also criticizes tile countertops, especially the square tile designs popular in the 1970s and '80s. These are now considered one of the worst home décor styles due to the difficulty of cleaning grout and the tiles' propensity to chip. Granite and quartz are presented as modern, preferred alternatives, though the author suggests homeowners might salvage outdated tile by creatively coloring grout lines. A "jungle of greenery" is listed as another trend that has gone too far. While acknowledging the general appeal of green, the article warns against excessive use of plants in every corner of the home, including oversized planters and hanging greenery. This maximalist approach to indoor plants, often seen on social media, is deemed overwhelming in real-life settings, humorously suggesting a greenhouse for overflow. Finally, the "cloffice"—a closet converted into a home office during the pandemic—is identified as the most horrifying trend. Initially a practical solution for remote work, these small, often decorated spaces are no longer desired as homeowners seek more spacious and dedicated workspaces. The desire to reclaim storage space also contributes to the decline of this trend, reflecting a post-pandemic shift in home office preferences. Each trend is presented with a brief description and the reasons for its diminishing appeal, offering insights into evolving home design tastes. #HomeDesignTrends #InteriorDecor #RealEstate #HomeStaging #DesignFads #ResidentialDesign #PropertyValue #ArchitecturalStyle

The "Vapor House" in Bethesda, Maryland, designed and built by architect David Jameson, emerged from an unexpected event: a large poplar tree falling on his family's Midcentury Modernist home, originally designed by Charles M. Goodman. Instead of rebuilding the damaged 1950s residence, Jameson opted to create an entirely new property, driven by a desire to craft a home that resonated with his childhood memories of a murky freshwater pond on Maryland’s Eastern Shore. This emotional inspiration led him to name the project "Vapor House," aiming to capture the ephemeral qualities of water, such as steam or fog. The 7,000-square-foot, five-bedroom residence presents two distinct architectural personalities. The public-facing exteriors of the L-shaped main house and adjacent pool pavilion are clad in solid panels of rippling black stainless steel, arranged in a running bond pattern. This creates an illusion of oversized metallic bricks with an indeterminate scale. In contrast, the private rear of the house features expansive, precisely engineered floor-to-ceiling glass, offering views of a pool terrace and the surrounding forested landscape. The layout, with its two- and three-story glass boxes winding around the pool, stepping back and cantilevering out, echoes the organic flow of the original Goodman-designed house. Bead-blasted stainless steel wraps fascias and soffits along the glazed facades, providing a powdery, pewter sheen that smoothly transitions between the glass and the blackened stainless steel. To achieve the rippled metallic texture reminiscent of light playing off water, Jameson collaborated with Zahner, a Kansas City-based metal fabrication company. The process involved pressing stainless steel into metal molds, and a coating similar to that used on the Museum of Pop Culture in Seattle imbued the panels with a highly distinctive silvery-black luster. This metallic skin refracts light and reflects the environment in constantly changing ways, appearing whitish-gray on foggy days and a reflective white on bright days, evoking Hiroshi Sugimoto’s luminescent seascapes. The bespoke window-and-door system, described by Jameson as "1,000 percent custom," blurs the lines between indoor and outdoor spaces and seamlessly integrates fixed glass panels with retractable windows and doors, creating a continuous skin of flush glazed surfaces framed in blackened steel. Inside, solid-sawn sapele, a type of African mahogany, conceals the steel structural columns behind the window frames. This refined material contrasts with the unfinished cedar used for interior walls, ceilings, and soffits, which still bear rotary saw marks, highlighting a deliberate interplay between machined and organic elements. This duality reflects Jameson’s admiration for Italian Modernist Carlo Scarpa, whose work is characterized by a poetic blend of precision and craftsmanship. This influence is evident in the kitchen’s hand-troweled marble-plaster walls, the asymmetrical pattern of a book-matched marble backsplash, and the master bath’s cascading rain showerheads. The master bath also features ground-glass tiles crafted from recycled computer monitors for the shower wall, alongside Franco Sargiani showerheads, all contributing to the meticulously designed and emotionally resonant "Vapor House." #ArchitecturalDesign #ResidentialArchitecture #ModernistInfluence #MaterialInnovation #SustainableDesign #ExperientialDesign #CustomHome #MarylandArchitecture #InteriorExteriorIntegration

In Seattle's historic Wedgwood neighborhood, a 1970s home has undergone a significant transformation, blending its original architectural character with modern functionality to suit a young family's lifestyle. The project, named The Wedge(wood), was a collaborative effort between Best Practice Architecture and Ainslie-Davis, a contracting firm with a personal connection to the property, as the home was originally built by a family member. The renovation focused on creating open, adaptable spaces while retaining nostalgic elements. The kitchen, previously enclosed and outdated, was a primary focus of the redesign. It was opened up to seamlessly connect with the dining area, enhancing the flow of the main living spaces. A new wooden bench was integrated, serving as a transitional element between the kitchen and dining zones. A notable feature is the lowered leaf on the kitchen island, specifically designed to encourage children's participation in meal preparation, fostering a more inclusive and interactive family environment. Respect for the home's heritage was a guiding principle. Key original features, such as the sunken living room and its vintage wood-burning stove, were preserved and integrated into the new design. To improve the connection between the living room and the adjacent kitchen and dining areas, existing partial-height walls were replaced with custom wood shelving. This solution maintained an open feel and unobstructed views to the outdoors, while still subtly defining distinct areas within the open-plan layout. A significant structural modification involved converting a formerly covered porch into a functional mudroom. Given Seattle's climate, this addition proved highly practical, providing a cheerful and organized space for managing wet weather gear. The mudroom features patterned tiles and ample storage, adding valuable square footage and enhancing the home's overall utility. Upstairs, the renovation continued with the addition of a full bathroom, addressing the family's growing needs. An underutilized great room was reconfigured to create both a new bedroom and a playroom, catering to the younger members of the household. The primary suite also received a comprehensive update. The design maximized natural light by preserving existing clerestory windows and created an airy, spa-like atmosphere in the newly designed bathroom. The removal of the upper portion of a dividing wall in the primary suite established a visual connection to the surrounding trees and sky, contributing to a tranquil and expansive ambiance within the private quarters. The overall renovation successfully balances preserving the home's historical essence with contemporary design and functionality. #HomeRenovation #Architecture #InteriorDesign #ModernLiving #SeattleHomes #FamilyHome #SustainableDesign #MidCenturyModern #KitchenDesign

A well-designed entryway is crucial for setting the tone of a home and offering a glimpse into the residents' personalities, while also serving practical functions such as storage for keys and shoes. This article showcases five Dallas designers and their approaches to creating impactful and functional entryways, ranging from blending historical elements with modern touches to maximizing limited spaces and incorporating bold color statements. Studio Thomas James, led by Philip Thomas Vanderford, designed an entryway that seamlessly merges an original 100-year-old home with a new addition. This was achieved by meticulously replicating rough-hewn wood beams and utilizing textured Donghia grasscloth on the walls. To combat shadowy areas, Vanderford incorporated tiered sconces and a strategically placed mirror that reflects Parisian art, enhancing both light and visual interest. A refurbished antique table, custom lamps from Hall Snyder, a high-backed McGuire chair, and an Abrash rug on limestone floors contribute to an elevated and permanent feel, aiming to extend the home's longevity. Christina Garcia Lysaught of Layered Dimensions Interior Design faced the challenge of making a high-rise entryway feel cozy and comfortable despite a client's preference for a black, white, gray, and taupe palette. She used a dark, textured wall covering as a backdrop for a fluted secretary that conceals a pullout workspace and mail station. Sculptural mirrors and light chairs were added to soften the space. A custom console with a floating drawer, finished in high-gloss piano lacquer over rift-cut white oak, along with an ottoman, a custom mirror, and Picasso-inspired art, create a layered focal point. A repurposed floor lamp with a custom shade further enhances the design, demonstrating how a limited color scheme can still achieve warmth through varied textures and strategic placement. Ginger Curtis of Urbanology Designs approached an entryway in a family heirloom home with 20-foot ceilings by emphasizing legacy and personal functionality. She embraced the grandeur to create a warm and soulful welcome. A 11-foot antique canning table from a Round Top trip serves as a focal point on one side. Opposite, a custom bench with ample shoe storage and a gallery wall displaying the clients' Chinese heritage art honor cultural traditions. A central round table with a lava stone top and concrete base, complemented by a leather stool, introduces raw, natural materials and rich textures, making a bold statement while integrating seamlessly with the space. Tara Lenney addressed the common challenge of homes in North Texas lacking a defined entryway. In a particular client's home where the entrance immediately led into the living space, a traditional entry table or chest felt out of place. Instead, she utilized an heirloom piano as a unique focal point, accessorizing it with plants to create an interesting moment. Budget-friendly wall art on the opposite side of the stairs helped unify the color palette, demonstrating how to create an arrival moment in a confined or unconventional space. Lisa Henderson Interiors designed an entryway in a Manhattan high-rise apartment that serves as the immediate entry point from the elevator. Given the generous space, Henderson opted for a bold, coral-colored paint that extends into the adjoining dining room and is echoed in the draperies. A buffet, traditionally for dining rooms, was repurposed for the entry, while a slim 12-inch deep console with curved edges was chosen for its perfect fit and ease of movement. The client's existing collection of antique oil paintings, prints, a large mirror, blue and white ginger jars, and a distinctive light fixture were integrated to create a sophisticated and "dressy, grown-up" atmosphere, showcasing a blend of inherited pieces with new design elements. #EntrywayDesign #HomeDecor #InteriorDesign #DallasDesigners #LuxuryHomes #SpaceUtilization #HistoricRenovation #ModernInteriors #CulturalInfluences

Interior designer Phillip Thomas undertook a comprehensive two-year gut-renovation of a 1922 Federal-style home in the Berkshires, transforming a property marred by uncohesive 1980s updates into a vibrant, joyful residence. The initial challenge involved discerning the home's original character, which had been obscured by renovations that introduced elements like white Formica cabinets and large-format black-and-white tiles. Thomas's vision was to respect the early 1900s aesthetic while infusing the interiors with an energetic spirit suitable for a family, including children and grandchildren. The renovation, commencing in 2021, focused on restoring a sense of historical integrity while modernizing essential utilities, such as adding central air. A key aspect of the transformation was the imaginative use of color, a deliberate departure from the clients' previous preference for neutral palettes. This decision was driven by a desire to create a home that felt consistently warm and inviting, especially during the cold, snowy Berkshire winters. Cheerful cerulean cabinetry revitalized the kitchen, while the family room, a former three-car garage, was reimagined with layers of red, white, and blue patterns. The third floor was converted into a guest haven, featuring three en-suite bedrooms and a bunk room. Thomas emphasizes storytelling in his designs, incorporating vintage pieces in novel ways to add depth and character. The selection of a marquetry chest and chairs for the stair hall, for instance, established a tone of relaxed formality that permeated the entire home. Notable design choices include floral oil paintings by local artist Mike Glier above the living room's original mantel, a 1920s brass-and-crystal chandelier from London in the dining room, and vibrant Santa Monica Blue cabinetry in the kitchen, complemented by aged brass fixtures. The family room showcases Thomas's trademark pattern mixing, with a chandelier from The Urban Electric Company featuring custom shades painted in Benjamin Moore's Currant Red. The primary bedroom was designed for tranquility, using a blush Phillip Jeffries grasscloth wallcovering to create a soothing atmosphere. The bunk room provides a fun, camp-like environment for grandchildren, featuring a playful Lee Jofa wallpaper. Guest bedrooms, particularly one on the attic level, boast mosaic wallpaper by Christopher Farr Cloth, climbing walls and dormer ceilings, paired with bamboo nightstands and headboards. The rear entry, functioning as a mudroom, highlights a Rapture & Wright wallpaper from Studio Four NYC, chosen as the focal point among mixed patterns. The exterior, with its Federal-style architecture nestled into the rolling hills, captivated Thomas, reinforcing the home's connection to its artistic and natural surroundings in the Berkshires. #InteriorDesign #HomeRenovation #FederalStyleHome #Berkshires #PhillipThomas #ColorPalette #PatternMixing #HistoricPreservation #LuxuryHomes

A family in Seattle's Hawthorne Hills neighborhood, facing the challenge of outgrowing their 1948 three-bedroom, two-bathroom home with another child on the way, opted for a complete rebuild rather than relocating. The initial plan to remodel and add a second story evolved into a full ground-up reconstruction, allowing for optimal use of existing infrastructure, minimized site disruption, and cost efficiency. The primary design goals, as articulated by Aaron Trampush of Analog Architecture and Design, centered on fostering flow, establishing a strong connection to the backyard, and maximizing natural light throughout the residence. The original house, situated on a corner lot with a detached garage, possessed a large backyard, but its interior felt disconnected, making it difficult for parents to supervise children playing outdoors. The previous layout was characterized by small, poorly connected spaces, limited natural light, and a dark, low-ceilinged unfinished basement. The clients, Steve and Molly, desired an exterior that was distinct yet harmonious with the neighborhood's architectural style, while the interior was envisioned as a warm, kid-friendly, open, and light-filled environment seamlessly integrated with the backyard. Key design elements were implemented to achieve these objectives. The entry was made highly functional with ample storage. A window seat at the top of the stairs, overlooking the street, was incorporated to provide a cozy spot for story time while maintaining privacy and a connection to the community. The floor plan itself was influenced by the family's tradition of playing chase, with pocket doors around the office creating a continuous loop around the staircase, encouraging movement and playfulness. The central feature of the home's design is a light well positioned above the main staircase, which serves to channel sunlight into the heart of the house. The steel staircase, painted white, blends into the background while adding textural interest. The living room, intentionally designed to face the backyard rather than the street, offers a cozy yet open ambiance, complete with a fireplace and stone hearth. Transparent shelving near the windows helps define the space and provide privacy without completely isolating it from the outdoors. The kitchen and dining areas are tailored for both entertaining and daily family life, featuring floor-to-ceiling glass doors that open directly to the backyard, creating a seamless indoor-outdoor experience. The dining room, situated beneath a double-height space and catwalk, benefits from its central location and volume, making it suitable for larger gatherings. The home office, dubbed the “control center,” provides a flexible workspace that can be a quiet, focused area or opened up to the rest of the house via sliding pocket doors, incorporating features like a custom-built desk, a through-wall mail slot, and strategic architectural lighting. The primary bedroom offers views of the neighborhood and the University of Washington, complemented by a primary bathroom designed as a spa-like retreat with a soaking tub and steam shower. The overall design emphasizes thoughtful, playful details, functional spaces, and high-quality natural materials in warm tones, creating a comfortable, timeless, and personalized home for the growing family. The homeowners expressed satisfaction with the flow, comfort, and meticulous execution of the design and materials.