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NBBJ’s Rysia Suchecka Talks About How She Reinvented a French Farmhouse
In the early 1990s, NBBJ consulting partner Rysia Suchecka and her husband, John Warburton, began a journey to acquire and restore a centuries-old farm in Larroque-Saint-Sernan, France. Suchecka's initial interest was sparked by a fellow architect's description of the unspoiled, authentic working farms in the Gers province, particularly those with 15th-century stone structures. For her, essential features included abundant trees and a traditional pigeonnier, which served historical purposes of fertilizer collection and food source. After viewing approximately 20 properties, they chose one in the worst condition but possessing intact trees, five acres of fields, and a panoramic view of the Pyrénées mountains. The property included a main house, a farmhouse, three barns, a small wine-pressing facility, and the desired pigeonnier, which Suchecka envisioned as a studio.
The 17th-century buildings had been vacant for five decades, resulting in severe dilapidation, including leaking roofs, missing windows, and a complete lack of electricity and plumbing. Some structures had dirt floors, and the pigeonnier was filled with bird droppings. The initial phase of restoration focused on the *maison de maître* and extensive landscaping, involving the planting of 200 bushes, 380 trees (including fig, fruit, oak, maple, almond, and walnut varieties), and 80 plane trees lining the half-kilometer allée leading to the house. The property, named Nautucat, served primarily as a vacation home until 2015, when the couple began spending seven months a year there.
At this point, they initiated the restoration of the remaining structures with the aim of integrating them into the local community. A core principle of the restoration was to support local artisans and businesses. All interior elements were custom-designed by Suchecka and produced within 10 miles of the property, with every subcontractor, from stonemasons to *ébénistes*, being local. This approach was driven by a desire to avoid sourcing materials or labor from larger cities like Paris, Bordeaux, or Toulouse, instead prioritizing the local economy.
While a general contractor was used for the main house in 1997, Suchecka and Warburton acted as general contractors for the subsequent phases, with Warburton, an environmental engineer, managing the project. The process involved significant challenges, including navigating foreign language and construction complexities. Initial efforts focused on repairing barn roofs, which were critical for structural integrity. Subsequent phases involved creating structural openings to connect the farmhouse and barn, often encountering financial constraints that necessitated pausing work. Eventually, a comprehensive restoration effort was undertaken.
During this period, Suchecka pursued new passions, including learning to play the piano. She acquired a Pleyel piano, hired a teacher, and dedicated three hours daily to practice, eventually purchasing a concert Steinway. This led to the transformation of the old farmhouse into guest quarters and a venue for chamber music concerts, produced in collaboration with the local association TerrOpera, utilizing the excellent acoustics provided by the stone walls. Concurrently, Suchecka engaged with drawing, finding it creatively liberating from architectural constraints. She invited her drawing teacher to France, leading to the conversion of the cow barn into an art center for public classes in drawing, painting, and sketching, culminating in vernissages for the local community. The project reflects a desire to give back to the community and integrate personal passions into the restored estate.
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