Pillow Talk with B. Viz Design’s Rebecca Vizard

Momina Watton, the visionary founder of Atelier278, shares insights into her creative journey and the philosophy behind her furniture designs, which emphasize modern aesthetics, natural materials, and meticulous craftsmanship. Watton's design philosophy is characterized by a "classic with a twist" approach, evident in her personal style and the interiors of her apartment, which combine luxurious materials like marble, linens, and velvets with contemporary chrome and stainless-steel accents, creating unexpected yet harmonious pairings. This consistent aesthetic has been a part of her life since childhood, with her interiors brand, Atelier278, solidifying these long-held inspirations. Her creativity, though not formally studied in art or design, manifested in everyday activities from a young age, such as elaborately setting tables for Saturday morning breakfasts. This innate creative drive eventually led to her career in furniture design. A significant source of inspiration for Watton is Roman architecture, particularly its enduring use of natural stone. The timeless appeal of marble columns and travertine buildings serves as a constant reminder that classic design and natural materials possess lasting relevance. This appreciation for the historical use of stone informs her contemporary pieces, ensuring they feel both ancient and modern. Watton's transition into furniture design was unexpected. Formerly working in beauty PR, the pandemic provided her with an opportunity to explore her passion for interiors. She began by sharing her interior finds on Instagram, which led to sourcing vintage marble furniture for notable figures like Bettina Looney and Suki Waterhouse. This experience eventually spurred her to design and create her own pieces. A memorable acquisition was a vintage marble coffee table, discovered in a reclamation yard, which now resides in the home of Vogue Commerce Director, Naomi Smart. This find underscores Watton's ability to see potential in overlooked objects and her talent for transforming them. Her mother's strong, independent sense of style significantly influenced Watton, teaching her the importance of authenticity in personal expression. When it comes to color, Watton expresses a deep affection for green, from vibrant matcha to earthy olive tones, valuing its versatility and pleasing aesthetic in interiors. Green onyx, in particular, is a favored material for her accessories due to its natural texture and rich color. Travel, especially to Copenhagen, also provides rich inspiration. She admires brands like FRAMA and Yonobi Studio for their immersive experiences that extend beyond mere shopping, fostering a sense of community. Collecting glassware is another passion, as Watton believes the vessel can enhance the drinking experience. Her collection spans diverse origins, from Marrakech mint tea glasses to Parisian wine glasses and cut crystal tumblers for negronis, necessitating a dedicated cabinet in her kitchen. In terms of media, she is drawn to films with exceptional art direction and escapist qualities, citing "Call Me By Your Name," "The Talented Mr Ripley," and "A Single Man" for their incredible interiors and settings. Music also plays a crucial role in her creative process, with playlists featuring artists like Arooj Aftab, Sufjan Stevens, The Cure, Mazzy Star, and The Cranberries. Cooking is another creative outlet, with her signature dish being a sea bass recipe inspired by a restaurant in the south of France. Watton holds admiration for fellow designers, particularly the team at Banda, whose interior designs she finds consistently beautiful. The work of the Bille Brahe family, including Frederik's restaurants and Sophie's jewelry, also serves as inspiration. Among her own creations at Atelier278, the Ellipse Dining Table in Unfilled Romano Travertine, designed for Rosie Huntington-Whiteley, stands out for its organic finish and statement presence. The Octavia Console is also highly popular, largely due to the demand for custom-sized console tables that are often difficult to find. Her accessories, such as coasters, are celebrated for their blend of functionality and style. #FurnitureDesign #InteriorStyle #NaturalStone #Atelier278 #DesignInspiration #MominaWatton #ClassicWithATwist #RomanArchitecture #HomeDecor

This article features an interview with Vanessa Rome, an interior designer based in New York City, discussing her career, business philosophy, and personal recommendations. Rome attributes her success to a Type A personality, strong organizational skills, and an unwavering passion for interior design. She emphasizes that her work feels less like a job and more like a calling, which allows her to dedicate long hours and weekends to her projects without feeling burdened. Vanessa Rome Interiors operates as a boutique residential interior design studio in New York City. Rome deliberately limits the number of projects taken on each year to fewer than ten. This approach ensures that each client receives a high level of personalized attention and meticulous care, reflecting the standard of service she would expect as a client herself. A key lesson she has learned in her career is the critical importance of measuring and re-measuring everything to ensure accuracy and prevent errors in design execution. When asked about recommendations for a friend visiting New York City, Rome suggests a culinary and cultural tour. Her top dining picks include Indochine, a long-standing favorite from her NYU days, and upscale Asian restaurants like Nobu and Mr. Chow. For activities, she recommends walking through the neighborhoods of Tribeca and Soho to explore various clothing and furniture stores, indulging her passion for both fashion and home aesthetics. A stroll through Central Park is also highlighted for its people-watching opportunities and scenic beauty. Rome acknowledges the significant contributions of several individuals and groups to her professional journey. She expresses gratitude for the support of her husband and family, who provide her with the freedom and encouragement to pursue her demanding career. Her team also receives recognition, as she states that she could not achieve her goals without their collaboration and dedication. Additionally, she values her fellow interior designer colleagues, who serve as sources of inspiration, guidance, and emotional support during stressful periods. The article also provides contact information for Vanessa Rome Interiors, including her website (vanessaromeinteriors.com) and Instagram handle (@vanessaromeinteriors). The illustrations accompanying the article are credited to photographers Marco Ricca and Julia Lynn. The interview concludes by encouraging readers to nominate other deserving individuals for recognition through Shoutout Miami's platform, reinforcing the community-driven mission of the publication. #InteriorDesign #VanessaRome #Entrepreneurship #NewYorkCity #DesignStudio #WorkEthic #BoutiqueBusiness #PersonalInterview

Neydine Bak, co-founder of Verhaal Studio and co-creative force behind various concept spaces such as Collective Africa, Bungalo34, and Flamingo Room by tashas, shares insights into her inspirations, personal style, travel preferences, and culinary interests. Her design philosophy is deeply rooted in creating tangible experiences, a passion stemming from her childhood love for special occasions and her mother’s talent for entertaining. This early influence, combined with her grandmother's encouragement of creativity, guided her towards interior architecture, allowing her to curate meaningful spaces. Bak describes her personal style as classic with a distinctive touch, eschewing trends in favor of pieces that resonate with her and tell a story. She emphasizes that her focus isn't on brand names but on how items make her feel, often incorporating unique jewelry to add flair to timeless silhouettes. This approach extends to her work, where she draws inspiration from individuals who appreciate beauty in everyday moments, citing designers like Tristan Auer for his meticulous detail, Hugo Toro for his blend of heritage and modernity, and Laura Gonzalez for her bold use of color and contemporary materials. Travel plays a significant role in her creative process, with bookstores being a favorite destination during her trips. She enjoys exploring independent shops and local boutiques that offer handcrafted treasures reflecting local culture. A notable purchase was an embroidered linen kaftan from Lima, Peru, valued for its traditional craftsmanship and personal significance. Another cherished item is a piece from South African jeweler Pichulik, whose work beautifully merges tradition and luxury, serving as a reminder of Bak’s South African roots. Her aesthetic preferences extend to a monochrome color palette accented with gold and silver, allowing accessories to stand out. Italy holds a special place in her heart for its rich history, architecture, and craftsmanship, which consistently spark new ideas. South Africa, her home country, is another cherished destination, appreciated for its people, landscapes, and culture. Greece is also mentioned for its raw and beautiful scenery, offering tranquility and inspiration. Bak's home reflects her travels, filled with unique glassware, ceramics, and artwork collected from various journeys. She is currently curating a collection of non-matching crockery and cutlery to create playful and culturally diverse table settings. In terms of literature, "The Culture Map" by Erin Meyer has been particularly impactful for navigating multicultural work environments, and "Lean In" by Sheryl Sandberg provides continuous guidance for workplace complexities. While not a frequent TV viewer, she enjoys films and theatre, particularly biopics and documentaries, and finds inspiration in the set designs of movies like "Dune: Part II" and "Jeanne du Barry." A recent stay at Sterrekopje Farm in South Africa introduced her to Agathosma Betulina, a unique herb that inspired ideas for a new residential project and a fragrance. Her music taste is eclectic, ranging from Tame Impala for upbeat afternoons to Nina Simone for relaxed mornings and 80s retro for nostalgia. She also enjoys Purple Disco Machine for dancing with her children. Cooking is another passion, with Ottolenghi, Donna Hay, Thali, and Matt Lindsay among her favorite chefs to draw recipes from. A treasured possession is a colorful, intricately painted pedestal cabinet from Sri Lanka, valued for its unique artistry and the story behind its creation, symbolizing the joy of discovering hidden gems. Bak's diverse interests and experiences continuously fuel her creative approach to interior design. #InteriorDesign #NeydineBak #VerhaalStudio #CreativeProcess #TravelInspiration #PersonalStyle #CulturalInfluence #HomeDecor #ArtAndDesign

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

Lisa Davis, an interior designer known for her work on a Back Bay Mansion featured in Boston Home magazine, shares insights into her career, design philosophy, and a new virtual design program. Davis transitioned into interior design after a career in fashion/retail merchandising, taking courses at RISD in color theory, drafting, and architectural history. She highlights the Boston Design Center as an invaluable resource for its comprehensive offerings, from fabrics to floor coverings. Other favorite vendors include Donghia for modern furnishings, Schumacher for transitional fabrics and wall coverings, and Stark Carpet and Steven King for diverse floor coverings. Davis considers color an indispensable design element, emphasizing its individual impact and using clients' preferred colors as a starting point for projects. Her designs are deeply inspired by travel, which provides visual experiences that build her design consciousness. She recounts a recent trip to Iceland, noting the raw, dark, and textured beauty of the landscape and the ethereal quality of its light as influential. Davis describes her personal aesthetic as a blend of old and new, worn and fresh, and smooth and textured, with a subtle and classic use of textures and patterns. She advises against mixing too many animal prints in one room, stating "only one species per room." She introduces her 'Design by Post' virtual interior design service, aimed at making interior design more accessible. This program allows clients to provide dimensions and design concepts virtually, enabling Davis to assist with floor plans, color schemes, furniture and fabric selections, window treatment designs, and floor and wall coverings. Clients can also order trade-only fabric samples through her. Davis acknowledges the guarded nature of designers when it comes to sharing sources but reveals her go-to custom work specialists. These include Franks Custom Draperies for soft treatments, PHD (Paperhanging and Design) with Greg Kahler for wall covering installations, Partners in Design for re-upholstery and custom upholstery, Art Applications for custom builds and painting, and Boston Binding for carpeting installation and area rug binding. For DIY decorators, Davis advocates for a mindful approach: "choose well, not often." She encourages investing in quality and craftsmanship over time, accumulating a collection of lasting pieces rather than frequently replacing low-quality items. Her preferred projects are those that start from the initial structural elements, like floors, kitchens, and bathrooms, and extend to the final decorative details, such as window treatment trim. This allows her to fully engage her design skills across all aspects of a space, including color, paint, wallpaper, living space planning, electronics placement, lighting control, furniture, upholstery, and accessories. Currently, Davis is working on an office space on Boylston Street, where budget limitations have spurred creative solutions. She expresses impressive satisfaction with the versatility and appearance of IKEA cabinetry, specifically recommending their Besta wall units for various spaces like offices, media rooms, wardrobes, and dressing rooms. This project demonstrates her ability to deliver high-quality design even with cost constraints, leveraging accessible options effectively. #InteriorDesign #LisaDavis #DesignPhilosophy #VirtualDesign #CustomWork #HomeDecor #BostonDesign #DIYDesign #TravelInspiration

Alicia Vikander, the breakout star of 2015 and Oscar winner, discusses her recent projects, personal life, and unexpected passion for interior design. Having achieved significant success with an Oscar for Best Supporting Actress in 'The Danish Girl' and joining major franchises like 'Jason Bourne,' Vikander is also venturing into production with her company, Vikarious. Her latest film, 'The Light Between Oceans,' explores themes of loss, adoption, and the impact of difficult decisions on relationships, particularly the emotional toll of miscarriage. She shares insights into the film's intense emotional landscape and how it reflects societal taboos around infertility. Despite her demanding career, which often keeps her away from home, Vikander has cultivated a deep appreciation for having a personal space. She moved to London years ago, initially finding it challenging to settle in such a large and expensive city, but has since found a sense of belonging in north London. Her personal journey of moving between places and not having a stable home for extended periods fueled her desire to create a sanctuary. This desire manifests in her dedication to interior design; she is currently renovating her home, handling much of the design herself after previously redoing a small one-bedroom flat. Her aesthetic preferences blend British countryside charm with mid-century Scandinavian styles, incorporating antiques from the 1930s to the 1960s. Vikander also touches upon her emotional openness, noting that while she might be pragmatic in tough situations, she is easily moved by kindness and beauty, often tearing up during shows like 'The Great British Bake Off.' She discusses the importance of addressing taboo subjects such as infertility, drawing on her own experience as an IVF baby and highlighting the shame many feel when unable to conceive. She emphasizes the need for open conversations and support for those going through similar struggles. Professionally, Vikander reflects on her collaboration with Michael Fassbender, noting his bravery and willingness to take risks in acting as an inspiration. She also discusses her production company, Vikarious, and her commitment to creating opportunities for women in the film industry, lamenting the scarcity of scenes with other female actors in her previous work. Looking ahead, she expresses excitement for an upcoming trip to Japan and her continued passion for travel, which she enjoys planning meticulously. Her love for interior design is so profound that she considers it a potential alternative career path, with plans to join her mother on an antique course. Vikander’s multifaceted life reveals a driven actress, a compassionate individual, and a burgeoning designer with a keen eye for creating meaningful spaces. #AliciaVikander #CelebrityInterview #FilmIndustry #InteriorDesign #HomeRenovation #InfertilityAwareness #LondonLife #SwedishActress #TheLightBetweenOceans

Dublin Design Week, an inaugural event, is set to highlight the contributions of Irish architects and interior designers to both national and international design. The event aims to showcase the significant global influence of Irish designers. One notable figure participating in this event is Maria MacVeigh, an architect and interior designer. After gaining experience in Spain and Chile, MacVeigh established MMV Design in Dublin in 2004. Her design philosophy emphasizes a rigorous process, detailed construction, and the careful selection of materials and finishes, which is reflected in her sophisticated and award-winning interiors. She has a history of collaboration with experienced professionals in the building industry, contributing to her extensive knowledge in the field. Among her distinguished projects is the interior design of Chapter One, a renowned restaurant in Dublin. For this project, MacVeigh meticulously handled every detail, from the specific green-bronze paint on the walls to the various natural stones utilized throughout the space. Chapter One is designed to offer an intimate dining experience, featuring a main area with several nooks, including a secluded demi-salle. A chef’s table is also part of the design, where diners can observe the culinary process from a semi-circular banquette. A central, sculptural marble-topped piece with an integrated induction hob serves as a focal point in the dining room, housing the Gaggenau Experience, which allows guests to witness fine dining preparations up close. The kitchen itself is a display of aesthetic design, featuring stainless steel, deep brown walls, a basalt table, oxblood floor, and green marble worktops. Chapter One undergoes an annual refresh, during which MacVeigh's focus extends to transforming areas like the cloakrooms. Maria MacVeigh's design approach is characterized by a commitment to timelessness, understated elegance, and personalization, moving away from transient trends. This philosophy was evident in a renovated 1950s home project, where she collaborated with her sister. The design aimed to encapsulate the essence of their family home, with a plan that maximized natural light. The project drew inspiration from mid-century modern aesthetics, not only as a homage to their upbringing but also to complement the architectural character of the surrounding neighborhood. Another significant undertaking involved the restoration of a Victorian redbrick property. This project presented the dual challenge of historical preservation and the integration of a contemporary extension and a new kitchen. For this, MacVeigh partnered with Eoin Lyons of LyonsKelly. Lyons, whose expertise lies in finishes, complemented MacVeigh's strengths in architecture, interiors, and fine detailing. Maria MacVeigh is scheduled to participate in a Design Talk at Anantara The Marker Dublin on Thursday, May 22, from 12 pm to 1:30 pm. During this event, she will engage in a conversation with architect and broadcaster Amanda Bone, where she will discuss how her dual professional background provides her with a distinctive perspective on design. Tickets for this event are priced at €35, with a reduced rate of €20 for students. #MariaMacVeigh #InteriorDesign #Architecture #DublinDesignWeek #ChapterOneRestaurant #HomeRenovation #VictorianRedbrick #DesignPhilosophy #AmandaBone

Nicole Crowder, a renowned upholstery professional, has recently returned to her hometown of Minneapolis, bringing her distinct and vibrant design aesthetic to the Twin Cities. Her work is characterized by bold colors, intricate patterns, and unexpected details, distinguishing her from a local design scene that she describes as generally more subdued. Crowder's creative approach is evident in her custom-designed chairs, loveseats, stools, and other furniture pieces, which are highly sought after by designers and homeowners nationwide. Crowder's journey into upholstery began in 2013 as a side pursuit while working as a photo editor. By 2017, her passion for the craft led her to dedicate herself fully to upholstery. Her self-taught expertise largely stems from extensive research on YouTube, where she meticulously studied various techniques like topstitching and different blind stitches. She honed her skills through practical, hands-on experience, often acquiring inexpensive practice chairs from Craigslist, thrift stores, antique markets, and even roadside finds. This period of trial and error in her living room formed the foundation of her current mastery. Fashion serves as a significant source of inspiration for Crowder, influencing her preference for incorporating unique details, buttons, zippers, and unconventional fabrics into her furniture designs. She enjoys projects that allow for experimentation, enabling her to infuse pieces with narrative elements, such as feathers, paper flowers, or fringe, to enhance texture and layering. Despite her vibrant professional and home aesthetics, Crowder admits her personal wardrobe leans towards neutrals, considering her furniture as an "alter ego" where her love for color and patterns truly shines. Since her return to Minneapolis in February, Crowder has embraced a phase of rediscovery, actively exploring the city's design, culinary, music, and arts scenes. She expresses excitement about connecting with other local creatives, who, in turn, introduce her to hidden gems across the city, including shops, parks, and architectural styles. This exploration is crucial for her to understand how people utilize and maximize their home spaces and daily activities, which informs her contribution to the local design landscape. Crowder's ambition is to infuse more energy and boldness into the Twin Cities' design scene. While appreciating the existing "chill energy" of Minnesota, she aims to elevate it with her signature style, characterized by bright colors, dynamic patterns, and an overall sense of vibrancy. She envisions her pieces, such as a Moroccan blue chair with an orange stripe, becoming iconic representations of her unique "stamp" on the community. Her personal favorite shopping spots for furniture and fabric include MidModMen+friends, Loft Antiques, Marva’s Place, and SR Harris Fabric, valuing their diverse and curated selections. She also enjoys the city's culinary offerings, frequently visiting establishments like Rosalia, Martina, and Barbette, and finds inspiration in the outdoor spaces and cultural institutions like the lakes and the Minneapolis Institute of Art. #Upholstery #FurnitureDesign #InteriorDesign #NicoleCrowder #MinneapolisDesign #HomeDecor #CreativeEntrepreneur #Artisan

Cuff Studio, based in Los Angeles, has unveiled its Common Ground collection of furniture and lighting as part of the Virtual Design Festival (VDF) x Sight Unseen collaboration. This collection is featured in Offsite Online, a virtual exhibition curated by Sight Unseen, a digital magazine focused on contemporary design. The Common Ground series includes two tables, a bench, an armchair, and a light, all designed to showcase the studio's distinctive design philosophy that merges angular, architectural forms with playful, feminine elements. The studio's co-founder, Kristi Bender, explains that Cuff Studio consistently integrates curves and edges, formality with casualness, and femininity with a sense of 'testosterone' into their designs. This approach is evident in the Arc bench, chair, and console table, which incorporate the classic architectural arch. For the seating designs, this typically masculine architectural element is softened by luxurious leather or pink velvet upholstery. The Arc console table, while possessing a solid volume, features brass-filled channels that allow light to pass through and hand-chiselled grooves on its exterior, providing an organic counterpoint to its geometric shape. Another piece, the Paddle table, modernizes a traditional material, solid oak. The oak is bleached to achieve a clean white tone, and its thick edges are rounded, giving it a playful, substantial silhouette. The Five Track Surface Light, conversely, utilizes a flexible material—rope—which is meticulously wrapped around a rigid, tubular frame. This light fixture can be installed on walls or ceilings and is available in natural white cotton, as well as a variety of other colors. Wendy Schwartz, the other half of Cuff Studio, emphasizes that the collection aims to demonstrate how contrasting design elements can coexist harmoniously, reflecting a broader message of unity. The studio believes that the creative process can bring people together, particularly in a world marked by political polarization. The Common Ground collection was initially launched in early 2020 at the duo's new studio in Hollywood. This launch was intended not just for press or buyers but as a celebration with fellow makers and artisans, fostering in-person connections within the design community in Los Angeles. This initial gathering highlighted the value of direct interaction and shared passion among creatives. #FurnitureDesign #LightingDesign #CuffStudio #VirtualDesignFestival #SightUnseen #InteriorDesign #ContemporaryDesign #ProductLaunch #DesignPhilosophy

The article showcases the Ramsey Hill Victorian home of Sarah and Zach Olson, built in 1885, located in St. Paul. The Olsons, with their two children Runa (7) and Hans (5), sought to imbue their historically rich residence with a distinct and playful personality, moving away from a conventionally tasteful aesthetic. Sarah Olson emphasized filling their home with objects they genuinely love, fostering an environment that encourages strong reactions from visitors, whether positive or negative. Upon moving in, the Victorian house presented a blank canvas, characterized by white walls, natural oak woodwork, and leaded-glass windows. Recognizing her inclination towards maximalist design, Sarah enlisted the expertise of interior designer Julia Miller of Yond Interiors. Miller's task was to temper Sarah's enthusiastic vision, integrate Zach's specific request for a large, felt-topped game table, and create a cohesive and interesting flow throughout the spaces. The design philosophy adopted by Miller was to harmoniously blend the home's turn-of-the-century heritage with mid-century elements, aiming for a vibe that pays homage to both eras. The vibrant pink wallpaper in the staircase served as a pivotal design element, inspiring a color palette of smoky pastels, browns, blues, and greens. Miller curated an eclectic mix of furnishings and lighting fixtures, which collectively brightened the formal architectural lines of the house. The living room was ingeniously divided into two distinct zones: one dedicated to Zach's strategy gaming and the other designed for Sarah's book club gatherings. The book club area features curvilinear, comfortable sofas and chairs alongside various tables, offering a flexible setting for social interactions. In contrast, the gaming area is anchored by clean cabinetry and elegantly shaped Gubi chairs, which provide a counterpoint to the substantial presence of Zach's game table. Miller highlights the importance of designing spaces that are actively utilized by the residents, underscoring her commitment to incorporating personal passions into the design. She notes that while Zach's game table presented unique design challenges, fulfilling his "heart's desire" was a central and rewarding aspect of the project. This collaboration resulted in a home that not only respects its historical context but also reflects the vibrant personalities and contemporary needs of its inhabitants, demonstrating how heritage and modern living can coalesce into a truly unique and conversation-starting environment. The article also details specific design choices, such as the dusty lavender chosen by Julia Miller for the vestibule, which exhibits shifting hues throughout the day, creating an engaging visual experience. A 1970s travertine table and a Blu Dot leather ottoman provide grounding elements in this narrow entry space. The front door is painted in Benjamin Moore’s Brown Teepee, adding a subtle pink flush that complements the Victorian architecture without overshadowing its intricate details. In the foyer, an exuberant patterned wallpaper, “Proteas’ Dream” by 17 Patterns, was strategically limited to the stairway to prevent an overwhelming effect, while hemp grass cloth from Gregorius Pineo, in a green tone extracted from the wallpaper, adds sophisticated drama. A 1950s-reproduction cone chandelier from 1stDibs maintains a light mood. The custom cabinetry for game storage and an integrated grate concealing the air-conditioning split demonstrate thoughtful functionality. The living room further exemplifies the blend of styles with a curvy sofa from Crate and Barrel, re-covered in a Christopher Farr Cactus Flower fabric, and a marble table with interlocking legs, creating a convivial setting for gatherings. #InteriorDesign #HomeTours #VictorianHome #EclecticStyle #RamseyHill #StPaulHomes #YondInteriors #HistoricRenovation

In an increasingly commoditized market flooded with generic products, establishing a unique brand identity and achieving customer recognition is paramount for designers. Textile designer Beatrice Larkin has successfully cultivated a signature style in her woven textiles, accessories, and interior products, making her designs instantly recognizable through their distinctive blurred edges and broken geometrics. Her creative process begins with hand-drawn sketches, where the initial marks, intricate patterns, and blotches made with pen and ink are deliberately preserved and celebrated in the finished fabric. This artistic approach ensures a consistent aesthetic across all her woven creations. The production of Larkin's textiles involves a collaborative effort with skilled manufacturers in the north of England. She works with a Jacquard mill in Lancashire to produce small runs of her woven designs, which are then washed and finished in the Yorkshire Dales. The process begins in her Margate studio, where she engages in extensive mark-making with inks, envisioning the final product's scale and application. These initial designs are then refined using Photoshop to determine fabric repeats and optimal sizing. Currently, her collection features two primary materials: fine Merino wool, typically used for throws, cushions, and accessories, and recycled cotton, a more robust option suitable for cushions, upholstery, and curtains. The Merino wool, known for its softness, is sourced from spinners in Italy. Similarly, the recycled cotton collection utilizes rejected fabrics from the clothing industry, which are re-spun and repurposed, also originating from Italian spinners. These yarns are then sent to the Lancashire mill for weaving, brushing, and washing before being returned to Larkin. The final products are then sewn either in her studio or by local Margate makers, though fabric is also available for purchase by the meter. This meticulous production chain underscores her commitment to quality and sustainable practices. Beatrice Larkin's entrepreneurial journey recently received significant recognition with the Start Up Award as part of the Women’s Launch Lab Incubator 2024. As one of ten female entrepreneurs selected from hundreds of applicants, she participated in an intensive three-day program. This program provided access to expertise from innovative female entrepreneurs, growth and marketing strategists, and public-speaking coaches. The experience culminated in pitching her business to venture capitalists and angel investors, including notable figures such as Alison Cork MBE, Akshata Murty, and Judy Naake MBE. Larkin emphasized that this experience offered valuable perspective and a significant confidence boost. Her business was founded in 2013, immediately following her Master's degree from the Royal College of Art, where her final collection garnered interest from prominent buyers like Heal’s. After graduating, she sought a British mill capable of producing her designs at scale. In 2015, Daylesford Organic provided funding for her initial fabric run, which was woven in the Cotswolds and Yorkshire. This collection was sold at Daylesford and served as a crucial launchpad for future manufacturing endeavors. By spring 2017, she began selling at Heal’s and unveiled her first collection at Clerkenwell Design Week. Larkin's immersion in the fabrics industry was a natural progression, deeply influenced by her upbringing. Her father owned Gordon Larkin Fine Wallpaper & Fabric in Canterbury, and her mother was also a textile designer, ensuring a household constantly surrounded by fabrics. Childhood memories of accompanying her father to design shows in Chelsea Harbour and exploring fabric showrooms further solidified her connection to the industry. She attributes her entrepreneurial spirit and the ability to forge her own path to observing her parents' lifestyle as business owners. Three years ago, Larkin relocated to Margate, drawn by its vibrant creative community. Since then, she has expanded her client base, with local stockists including Turner Contemporary and Harbour & Tide. Her brand, Beatrice Larkin, has also been embraced by renowned establishments such as Made, Studio Ashby, Conran and Partners, Tate Modern, and Piglet in Bed. Her journey reflects a blend of inherited passion, formal education, strategic partnerships, and a clear vision for her brand's aesthetic and ethical production. #TextileDesign #BeatriceLarkin #MargateDesign #WovenTextiles #InteriorProducts #SustainableMaterials #BritishManufacturing #Entrepreneurship #WomenInBusiness

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

Michael Raymond, a UK-based product designer and winner of the Charles McCaskie Royal Academy of Engineering Prize, has reimagined the traditional four-poster bed with his Glint Bed. This contemporary design is part of a collection named 'Glint,' a reference to the polished geometric chamfer edge that runs around the design, specifically crafted to reflect light. The article features an interview with Raymond, delving into his design philosophy, inspirations, and the unique aspects of the Glint collection. Raymond's journey in design began after studying Industrial Product Design at Coventry University, graduating in 2007. His inspiration is drawn from both organic and geometric forms found in nature, aiming to incorporate these ideals into each of his creations. A core principle for Raymond is to design products that are not only aesthetically pleasing but also functional and purposeful. His vision centers on creating flawlessly beautiful and comfortable products that enhance everyday living through the use of premium materials, advanced design technologies, and skilled handcraftsmanship. The target audience for Raymond's products comprises customers who seek unexpected and unique designs. These individuals are typically active online researchers, valuing exclusivity and personality in their purchases. To ensure a truly distinctive product experience, each piece designed by Raymond is personally signed and numbered. Currently, the mirror-polished steel version of his Glint Table, the inaugural piece from his collection, is available for pre-order online. The Glint Bed, Glint Table, and Glint Pendants are scheduled for exhibition at ICFF in NYC in May 2020 and at DesignJunction in London in September 2020. The Glint Bed and Glint Table will be made to order, with customers able to inquire and place pre-orders through his website before the exhibitions. The Glint Table is priced at £3750 for the mirror-polished steel variant, while pricing for the Glint Bed and Glint Pendants is yet to be announced. Raymond is collaborating with Inomo Design in Greece for the fabrication of the Glint Pendants, which are expected to be exhibited and available for purchase by late 2019. His long-term ambition is to establish a physical studio to prototype new pieces, showcase his existing collection, and interact with clients directly. The genesis of the Glint Bed stemmed from Raymond's desire to innovate the conventional four-poster bed, which he perceived as bulky and outdated. He envisioned an elegant, monochromatic, low-slung version upholstered in leather, giving the impression of floating. Recognizing the fundamental role of sleep in well-being, he aimed to elevate the bed from a mere piece of furniture to a primary element that envelops the user in comfort through textures, details, and the soothing aroma of leather. The choice of a monochromatic palette for the Glint Bed reflects Raymond's preference for simplicity, a timeless combination that exudes elegance and luxury. The bed's form emphasizes symmetry and minimalism; its legs and posts are designed to be as slender as structurally possible, mirroring each other. The low-slung design offers a modern contrast to traditional high-reaching four-poster beds, allowing the details and materials to be appreciated at eye level. The defining 'Glint' detail, a polished geometrically chamfered edge, encircles the design, catching light. This feature is also present on the Glint Table and Glint Pendants, while the rest of the bed frame is painted in a super matte finish to enhance contrast. Regarding materials and production techniques, the Glint Bed's frame is crafted from timber with a steel-reinforced sub-frame, hand-constructed in London. The upholstered sections are also handmade in London, ensuring meticulous quality control. Raymond is actively exploring vegan leather alternatives to minimize environmental impact, demonstrating his commitment to sustainability. He strongly supports British manufacturing and utilizes recycled materials; for instance, the Glint Table incorporates 95% recycled steel, and its brass version is made entirely from recycled brass. #FurnitureDesign #ProductDesign #MichaelRaymond #GlintBed #InteriorDesign #SustainableDesign #LuxuryFurniture #MonochromaticDesign #Handcrafted

The article explores the evolving landscape of mattress ticking, highlighting key trends and innovations showcased by suppliers at ISPA EXPO. A prominent theme is the influence of boxed bedding on product design, leading to a demand for clean, contemporary aesthetics in fabrics suitable for online sales. Suppliers are focused on creating inexpensive, wrinkle-free ticking for borders that can withstand compression and roll packing, often utilizing stretchy knits or wovens with elastic yarns. While knits are popular for mattress panels, woven collections are also being updated with minimalist designs and traditional motifs, appealing to the higher end of the market. The article notes that the design of three-dimensional knits has shifted from super puffy styles to intricate patterns like dots, dimples, and complex geometric shapes, often accented with vibrant colors. The rapid dissemination of information through social media is accelerating trend cycles, exposing consumers to a broader range of design inspirations. Despite this, white mattress panels remain dominant, but there is a growing acceptance of accent colors, particularly blues and grays. Some suppliers report increased interest in brilliant hues for panels, tapes, and trim, with examples such as soft silver, gray heather tones, chambray, indigo, mustard yellow, and bright red gaining traction. BekaertDeslee USA, for instance, featured bronze as its 2018 Color of the Year. Manufacturers and consumers are becoming more receptive to bolder accent colors when used sparingly. The shift in consumer taste extends to a desire for mattresses to appear more like furniture that integrates seamlessly into home environments, leading to an increased interest in high-end wovens, especially those incorporating heather yarns. This trend also encourages producers to extend ticking designs to matching upholstered headboards and bases. Some suppliers are offering flat knits that emulate the smooth appearance of wovens at a more competitive price point, suitable for a wider range of retail prices. For boxed beds, online brands favor clean, crisp, modern, and contemporary looks that photograph well and feature visual interest through texture and pattern rather than bold colors, often adhering to a palette of whites and quiet neutrals. Wrinkle-resistant wovens with stretch and good recovery are crucial for these products. The market for boxed beds also shows a preference for contemporary and transitional geometric patterns over traditional ones. The article also delves into innovations in mattress borders, with suppliers offering diverse options in structure, design, and color, combining various fabric types like knits, wovens, 3D spacer fabric, and prints. Engineered border fabrics, like CT Nassau's Fascia line, are designed to mimic cut-and-sewn textiles while coming off the loom as a single piece. The concept of “technical fabrics” is gaining prominence, encompassing a wide array of finishes, treatments, yarns, and fiber contents that offer performance benefits beyond aesthetics and comfort. These include anti-microbial and stain-resistant finishes, as well as features like cooling, wicking, breathability, and temperature regulation, often achieved through phase-change materials or specialized yarns like Celliant. The article concludes by emphasizing that modern beds are expected to fulfill multiple functions beyond just sleep, including relaxation, regeneration, protection, and aesthetic appeal, driven by continuous innovation in raw materials and construction solutions. #MattressTicking #BeddingIndustry #ISPAEXPO #FabricDesign #BoxedBedding #TextileInnovation #ColorTrends #TechnicalFabrics #SleepProducts

The article introduces Karin Breve, an architect and interior designer, and her business, Iconic Design. Breve discusses the thought process behind starting her business, highlighting her passion for architecture, her Brazilian heritage, and her desire to create emotionally resonant spaces. Growing up surrounded by diverse Brazilian design influences, from Rio's vibrant energy to Oscar Niemeyer's modernism, shaped her unique perspective. After migrating to a new country, she recognized the importance of belonging and combined her architectural background with her cultural insights to establish Iconic Design. Breve emphasizes that Iconic Design goes beyond aesthetics, focusing on crafting functional, sustainable, and deeply personal environments. Her approach involves listening to clients' stories and understanding their needs, whether it's creating a home that reflects their heritage, a workspace that enhances productivity, or a commercial space embodying a brand's essence. This philosophy aims to merge practicality, creativity, and cultural identity, resulting in spaces that leave a lasting impression and inspire innovation. The distinctiveness of Iconic Design stems from Breve's blend of architectural training, cultural diversity, and commitment to meaningful spaces. She draws inspiration from Brazilian color, texture, and tradition, alongside architectural principles of structure and function, to design experiences rather than just rooms. Personalization is central to her work; she delves into clients' needs, preferences, and stories to create authentic spaces. A notable project involved a cultural space celebrating Brazilian heritage, where she fused traditional elements with modern contexts, sparking discussions on cultural preservation and design. Breve's journey to becoming an interior designer involved significant challenges, including cultural differences, language barriers, and navigating a new professional landscape after moving from Brazil. Despite initial rejections and the competitive market, she persevered by focusing on her strengths, unique background, and passion. She learned to adapt to new market preferences and integrated her Brazilian roots into her designs, offering a distinctive style. Building trust and reputation required active networking and seeking out projects aligned with her values. She highlights resilience as a crucial lesson, viewing setbacks as opportunities for growth and trusting the process. Authenticity has been key to connecting with clients who appreciate her vision. Breve's ultimate goal for Iconic Design is to transform lives by creating spaces that elevate the human experience. She believes design can foster connection, whether through a sanctuary-like home, a creative workspace, or a public area that tells a unique story. She concludes by stating that Iconic Design aims to create environments that are truly iconic, reflecting passion, heritage, and the power of design. The article also includes a detailed itinerary for a friend visiting Los Angeles, offering a mix of iconic landmarks, cultural experiences, and culinary recommendations across seven days. This section provides specific suggestions for breakfast, lunch, dinner, and activities in various parts of LA, from Hollywood and Griffith Observatory to Venice Beach, The Getty Center, and the Arts District, reflecting a local's perspective on enjoying the city. #KarinBreve #IconicDesign #InteriorDesign #Architecture #BrazilianCulture #Entrepreneurship #CulturalIdentity #LosAngeles