10 Ethereal Interiors from Photographer Frank Herfort

This article highlights the work of architectural photographer Barry MacKenzie, focusing on a particular project for Hedgeford and Berkley, which emphasizes luxe dark interiors. Barry MacKenzie is recognized for his contributions to architectural photography through PROEDU tutorials, workshops with Tony Roslund, and his podcast BAAM. The featured project, a simple shoot concentrating on a home's kitchen and bathrooms, achieved publication in Design Et Al and garnered several European awards. The article analyzes MacKenzie's photographic techniques, starting with a one-point perspective hero shot of the kitchen. This image effectively uses angle to emphasize the squareness of cabinets, an island, and appliances, maintaining perfect verticals despite a wide-angled view. The strategic placement of a chair and a French door slice on the left implies connection to other areas of the home, showcasing MacKenzie's talent for subtly linking spaces. A key strength of this image is the lighting quality, which results in a clean, rich, and graphic photograph that appears perfect without looking artificial. Minor details like faint ceiling shadows and window highlights on cabinetry contribute to its realism. Another perspective of the kitchen showcases the island's length and the overall size of the space. Light entering the room accentuates the texture and detail of wood grain, countertops, and light fixtures, revealing intricate brass inlays in marble that echo throughout the kitchen's design elements. Despite the bright exposure, MacKenzie maintains a moody atmosphere, attributed to the dark walls, cabinetry, and design features, which he acknowledged as challenging to photograph and retouch. The article then transitions to a scene depicting the flow from a hallway into the living room, and subsequently into the kitchen and dining area. The exposure of the exterior view through the windows is balanced, suggesting the patio area without overexposing it, while light streams across the floor, highlighting the transition between different flooring materials. The styling of this shot, including a casually disheveled pillow, a blanket, an open patio door, and flowers, softens the otherwise hard, angular, and dark design. A photograph through the home's mudroom reveals how various spaces connect, leading to a bathroom. This image exemplifies MacKenzie's use of clean lines and lighting to elevate the home's luxurious and modern feel, presenting a true-to-life scene. The piece concludes with a vertical shot of the bathroom, framed through a doorway. This vertical orientation avoids excessive dead space and includes important elements like a glam light fixture, creating an intimate yet comprehensive view. The photograph showcases beautiful wooden cabinets, a luxurious marble sink consistent with the kitchen's design, and monolithic tile work, completing a series of beautifully executed images. The article encourages readers to explore Barry MacKenzie's work on his website, Instagram, and his BAAM podcast. #ArchitecturalPhotography #InteriorDesignPhotography #BarryMacKenzie #LuxuryInteriors #DarkInteriors #KitchenDesign #BathroomDesign #LightingTechniques #RealEstatePhotography

This article highlights the work of Melbourne-based photographer Jack Lovel, focusing on his architectural photography with an emphasis on interior design. The piece specifically showcases his project for Studio 103, a wellness studio, underscoring the principles of clean edits, simplicity, and a "less is more" approach. The author, Lexi Taciak, emphasizes the balanced aesthetic captured in Lovel's photographs. The article begins by praising the quality of light in Lovel's images, describing it as soft and perfectly aligned with the wellness studio's atmosphere. The presence of subtle shadows is noted for adding visual interest without distracting from the gentle overall scene. Lovel's ability to introduce viewers to the space by highlighting various design elements, such as a wooden room divider, branding, and the interplay between industrial and chic materials, is also commended. One image is analyzed for its composition, where Lovel strategically uses a shelf and a doorway at the frame's edges to imply spaciousness. A strong one-point perspective anchors the viewer within the room. The soft, directional light raking across the wall is mentioned for bringing life to the plants and the studio's logo, effectively conveying a sense of place and immersing the viewer in the environment. Another photograph, despite its busy nature, is described as well-executed due to the dim foreground and the use of an archway to offer a glimpse into the entryway. The rhythmic wooden dividers guide the eye to key elements like a plant and a coat rack. The inclusion of yoga mats serves as a subtle reminder of the room divider's function, separating two distinct areas. The wooden room divider is identified as a standout design feature by Studio 103, and Lovel's successful documentation of this unique element is lauded. A subsequent image, less busy than the previous one, allows the archway and dowels to take center stage, with a plant perfectly framed, adding an organic touch. The article also points out the beautiful streaming light visible on the studio floor in this shot. A close-up shot is detailed for its focus on the wood grain of the dowels and their contrast with smooth metal. The repetition of linear shapes, subtle light and color gradation, and the way the wood's texture is highlighted against a blue wall are all appreciated. This particular image is presented as an excellent example of showcasing specific details while maintaining the overall mood of the project. The article concludes by examining two vignettes from the other side of the divider. The consistent use of soft, directional light to add dimension without distraction is highlighted. The masterful tidiness in styling is particularly emphasized, noting how lighting is subtly depicted without causing color casts and how every element is perfectly positioned within the frame, down to minute details like the spacing of a chair and the curve of a table. These subtle yet precise details are credited with elevating the project to a superior level. The author expresses gratitude to Jack Lovel for sharing his work, encouraging readers to explore more of his portfolio online. #ArchitecturalPhotography #InteriorDesign #JackLovel #Studio103 #WellnessStudio #PhotographyComposition #LightingInPhotography #DesignElements #VisualStorytelling

The "Showhouse Resource Guide" provides a comprehensive list of designers, brands, and specific items used in the "Design Hollywood at the Century" showcase, highlighting the creative vision and detailed sourcing behind each curated space. The guide categorizes the contributions by residence and specific rooms, offering insights into the diverse styles and design philosophies employed by the participating designers. For Residence 20A, Joan Behnke’s master bedroom and closets featured pieces from Scott Daniel for Environment (table lamps), Stark Carpet (area rug), Micucci (cashmere throws, pillow covers), and Holly Hunt (Christian Astuguevieille cabinet, Sandra Jordan drapery fabric). Other notable contributions included custom casegoods by G&E Custom, plaster work by Arte Bella, and various accessories from Charles Jacobsen and Vis-a-Vis. The master closets were styled by Clos-ette, with clothing from Brooks Brothers and Shopbop. Tim Clarke’s dining room showcased furniture and a rug from Grace Home Furnishings, sconces from Circa Lighting, and wallpaper by Caba/Barkskin. His own designs for dining chairs and decorative accessories were also featured. Waldo Fernandez’s Great Room incorporated a bronze sled-based ottoman by Calvin Klein Home, a floor lamp from Circa Lighting, and several Jean Royere-inspired pieces by Waldo’s Designs, such as the Ours Polaire sofa, chairs, sconces, and a console. Other unique items included a vintage Moroccan rug from Mansour and French Georges Jouve vases from JF Chen. Jane Hallworth’s Bedroom 2 included bathroom sconces and table lamps from Circa Lighting, wall and drapery fabric from Beacon Hill, and a walnut music console from BDDW. Blackman Cruz provided a bronze record side table and a molar stool, while Lee Stanton contributed vitrines and artwork. The room also featured a rug from Jamal’s Antique Rug Collection and paintings by Jaime Orozco. Kathryn M. Ireland’s kitchen and family room highlighted a sectional sofa from Grace Home, a console from Environment, and her own designs for sheer curtain drapery, pillows, and a coffee table. Photographs from Peter Fetterman Gallery and a rug from Woven Accents completed the space. Robert A.M. Stern Architects designed the elevator vestibule with Farrow & Ball ceiling paint, an overhead light from Maison Gerard, and sconces by Pascal Boyer. Dragonette supplied a decorative screen, and a bench from Bernd Goeckler was upholstered with Edelman Leather. Adam Bram Straus’s powder room and hallway utilized Stark Carpet for wall upholstery fabric and Farrow & Ball paint. His own designs for the vanity and bookcases were fabricated by Showcase Cabinets, with art from Los Angeles Modern Auctions and John Wolf Fine Art. Between Residences 20A and 20B, Cliff Fong’s passage featured Farrow & Ball paint, furniture, lighting, and art from Galerie Half and JF Chen, and rugs from Woven Accents and J Illoulian. In Residence 20B, Natasha Baradaran’s powder room and hallway displayed a spider rug by Neisha Crosland from The Rug Company, an axel console by Jean De Merry, and a custom mirror from Downtown. Her own facett bench was upholstered with Dedar fabric from Kneedler-Fauchere. The powder room included a Ramo mirror by Jean De Merry and a Doria crystal chandelier from Downtown. Oliver M. Furth’s elevator vestibule featured Farrow & Ball paint, an antique malayer carpet from Stark Carpet, and unique items such as 19th-century North Korean Bandaji chests from Susanne Hollis and “Argente” stools by Paul Evans from Galerie XX. JF Chen provided Dutch Bubble-Glass sconces and a convex horn mirror. Trip Haenisch’s master bedroom and closets included a rug from The Rug Company, bathroom sconces from Circa Lighting, and Fromental Wallcoverings wallpaper. Custom Cal king beds and throw pillows were sourced from Thomas Lavin/Mark Alexander and Hollywood at Home/Peter Dunham, respectively. Marmol Radziner & Associates’ Bedroom 3 showcased Beacon Hill throw pillow fabric, Calvin Klein Home bedding, and a goat fur rug from The Rug Company. Custom walnut beds and leather-wrapped nightstands were created by Marmol Radziner Cabinet Shop. Nickey • Kehoe’s Bedroom 2 featured Stark Carpet wallpaper, a tapestry art piece from The Rug Company, and chairs from Nickey · Kehoe. Walnut supplied niche book wallpaper, and artwork was sourced from Sears Peyton Gallery. David Phoenix’s Great Room incorporated Beacon Hill fabric for drapes and furniture, Jean De Merry cocktail tables and sconces, and an area rug from Natural Carpet Company. Warner Bros. constructed the sectional sofa and club chairs, while fine art and sculpture were provided by Travis Hansson. This detailed guide serves as a valuable resource for understanding the design elements and collaborations that brought the showcase to life. #InteriorDesign #Showhouse #DesignHollywood #HomeDecor #LuxuryDesign #InteriorStyling #Furniture #Textiles #Lighting

This blog post explores the Los Angeles home of artist Hannah Polskin, renowned for her distinctive wave-like patterns. Polskin’s residence serves as a vibrant canvas, where her signature aesthetic permeates almost every surface, including an unexpected focal point: the kitchen island. The article delves into how Polskin integrates her artistic vision into her living space, transforming functional elements into unique pieces of art. The kitchen island, a central feature of the home, is detailed as a prime example of this artistic immersion. Instead of a traditional, utilitarian surface, it is adorned with her characteristic wave patterns, making it a sculptural and visually dynamic centerpiece. The home tour highlights the seamless blend of art and interior design, illustrating how Polskin's artistic practice extends beyond her studio to define her personal environment. The wave motif, a recurring element in her professional work, is shown to be a foundational design principle within her home, creating a cohesive and immersive artistic experience. The article emphasizes the personal and unconventional approach Polskin takes to interior decoration, moving beyond mere ornamentation to an integrated artistic statement. This extends to various aspects of the home, showcasing how furniture, walls, and even unexpected surfaces become integral parts of her artistic narrative. Further insights are provided into how this unique design philosophy impacts the overall atmosphere of the home. The consistent application of her wave patterns creates a fluid and rhythmic environment, reflecting the artist's personal style and creative spirit. The article details specific instances where her art enhances functionality and aesthetic appeal, offering readers a glimpse into a home that is both a living space and a dynamic art installation. The integration of her art into daily living spaces demonstrates a departure from conventional interior design, offering a bold and personal expression of creativity. The narrative also touches upon the practical considerations of living within such an art-infused environment, showcasing how Polskin balances artistic expression with everyday living. Her home is presented as a testament to the idea that personal spaces can be profound extensions of one's creative identity. The article encourages readers to consider how they might infuse their own homes with personal artistic touches, drawing inspiration from Polskin’s daring and cohesive design. It acts as an inspirational piece for those looking to personalize their spaces with unique artistic elements, rather than adhering to conventional design trends. Ultimately, the piece illustrates how an artist’s home can be a true reflection of their craft, providing a unique and personalized aesthetic experience. Hannah Polskin’s Los Angeles residence stands out as an example of how art can be lived in, transforming a house into a deeply personal and continuously evolving work of art. The home exemplifies a holistic approach to design where the artist's signature style is not just displayed but woven into the very fabric of the living environment. #HomeTour #ArtistHome #InteriorDesign #ArtisticExpression #KitchenDesign #WavePatterns #HannahPolskin #LosAngelesHomes #UniqueInteriors

The Designer Show House, a biennial event sponsored by the Village Improvement Association in Rehoboth Beach, Delaware, showcases diverse interior and exterior design inspirations across its 6,000 square feet of space and nearly an acre of outdoor areas. This event serves as a platform for regional designers to present their expertise and offers visitors a wealth of ideas for their own homes. One featured space is a sunken living room, designed by Kate FitzGerald-Wilks of Timeless Design in Landenberg, Pennsylvania. This room embodies a West Indies aesthetic, characterized by bold lines, soft sandy hues, and rich textures. Key elements include vintage stick bamboo chairs painted black, adorned with Kuba cloth and Ralph Lauren zebra-stripe pillows on a slipcovered camel-backed sofa. A mid-century hutch is repurposed as a cocktail bar, complemented by sculptural metal and glass console tables flanking the fireplace. Wood mirrors with faux tortoise shell lean against textured wallpaper, while modern sculptures and art blend with antique books and global treasures. FitzGerald-Wilks also designed the dining room, aiming for a dramatic effect with a backdrop of 200 wine bottles and a striking Dolcetti chandelier crafted from shells and crystals, evoking sea glass. An 8-foot-long reclaimed wine rack sits atop a buffet. The room's color palette consists of soft creams and tans, punctuated by emerald green accents in the chandelier and wine bottles. Windows are framed with woven ikat print panels. An airy sunroom, conceived by Alfred Wolf Home (a new venture from Design Center of Rehoboth or DCOR), was designed to create a light-filled, contemporary transition between the house and garden. This involved removing existing French doors and window grills, painting the room in various shades of white and French gray-green, and incorporating textural elements of white canvas, iron, and marble. The family room, also by DCOR, maintained the warmth of its original paneling and fireplace stone, setting the foundation for a soft khaki and cream palette. The room is furnished with herringbone, tweed, and leather fabrics, offset by tortoise shell wood finishes and local tidal scene artwork. Mary Stewart of M. Stewart Interiors in Bear designed the upstairs hobby room, named "Just Us," intended as a shared family space for various pastimes like painting, photography, reading, chess, and Lego building. The room features updated cherished family heirlooms and is painted simply white to highlight paintings by Nadia Zychal. Nile Johnson of Kennett Square, Pennsylvania, designed the second-floor paneled library, drawing inspiration from Rehoboth's laid-back yet cosmopolitan atmosphere. This space offers an updated interpretation of a classic library, decorated in layers of sandy tans. Cyndi and Ron Oronzio and Cathie Sheetz of Dreamweaver Interiors of Rehoboth Beach decorated a bedroom and bath, inspired by vibrantly patterned fabrics. They utilized Robert Allen fabrics as wallpaper for an accent wall, building the room's design around this print. The team selected fabrics for their depth, crisp patterns, contrasting textures, and detailed embroidery, incorporating a bright coral pink accent color and rhinestone embellishments for a feminine touch. Brenda Carder of blcINTERIORS of Rehoboth Beach designed a small guest bedroom, combining natural cotton and linen fabrics with metal and reclaimed wood. Crown moldings add formality. To compensate for limited sunlight, the room was kept light and bright, with a deep navy blue accent wall and touches of bright yellow for warmth. The second floor features art by Libby Zando of Zando Designs and Art Affects in Milton, alongside works by award-winning regional artists. Boardwalk Builders of Rehoboth transformed a hallway into a gallery space by adding wainscot paneling, creating an updated cottage aesthetic that visually broadened the hallway. Mark A. Polo of The Urban Dweller in Boonton, New Jersey, designed the master suite, aiming for comfort with soft textural colors ranging from taupe to blue. The furniture is upholstered to enhance the room's softness, featuring taupe draperies of embroidered sheer linen and silk edged in leather and freshwater pearls. Blonde floors are softened by a long-fiber rug. Outdoors, Erin Walls and Justin Bartels of Bella Terra Landscaping in Lincoln repurposed existing flagstone patios and walkways, adding new stones to create a Celtic-inspired design. The layout divides the space into a grand area for social gatherings and secluded nooks for quiet retreats. Creative Concepts Furniture of Lewes and Ocean View furnished the patios as outdoor rooms with bright coastal colors, including a sectional, loveseat, dining area for six, and lounge chairs, inviting visitors to envision themselves in the setting. #DesignerShowHouse #InteriorDesign #HomeDecor #RehobothBeach #DelawareDesign #LuxuryInteriors #OutdoorLiving #DesignInspiration