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From the Utensil Rack to the Tub, All That’s New in This Home Is Meant to Look Old
This article explores the renovation philosophy of designer Mark Lewis, who prioritizes respecting the existing architecture and age of a property rather than striving for a new, shiny aesthetic. Lewis, who founded his eponymous firm in 2008 and later launched a home store specializing in sand-cast bronze hardware, emphasizes the difficulty of finding finishes that appear aged, leading him to create his own. His guiding principle is to avoid anything that "screams 'shiny.'"
The renovation of Lewis's Victorian row home in North London exemplifies this approach. In 2010, he and his partner, Abi Leland, began by purchasing the garden-level apartment and patiently waited five years to acquire the unit above, recognizing its value for their expansion plans. An extensive eight-month remodel followed, during which they moved out with their two children, James and Olive. The renovation involved integrating the two apartments, creating a striking double-height space with triptych windows overlooking the backyard.
A distinctive feature of Lewis's design is the absence of a kitchen island and upper cabinets. His goal is for the kitchen to appear as freestanding as possible, as if it could be moved. To align with the house's historical era, he installed base cabinets along a single wall, extending approximately 8 meters, and mounted floating shelves precisely 55 centimeters from the countertop. These base cabinets are finished with an aged paint effect and feature hand-cast bronze cup handles. The kitchen space also incorporates functional elements like task lighting under concrete slabs, providing a soft glow, and a separate walk-in pantry designed to evoke a sense of stepping back 70 years, filled with fresh produce and minimal packaging.
The living room reflects Lewis's aversion to modern technology, specifically televisions. Instead of a "black box," the cozy space features a wood-burning stove. For family movie nights or sports viewing, they utilize his son James's bedroom, which houses a large television. Olive's smaller room necessitated creative storage solutions, leading Lewis to design a custom built-in bunk bed with drawers that fits seamlessly into an alcove, topped with a slightly undersized twin mattress. The bedrooms are adorned with wallpapers from Robert Kime and painted in shades like Little Greene's French Grey and Normandy Grey, with furniture and accessories from Mark Lewis Home Store and Conran Shop.
Lewis's favorite part of the house is the primary bathroom, which includes a fireplace to ensure warmth after using the cast-iron tub. He sourced the Art Nouveau-style mantel from a salvage shop, a significant investment at the time that he now cherishes. A vintage French chair in the corner has been updated with a brightly colored felt cushion by artist Laura Lees.
Lewis demonstrates a keen eye for finding vintage pieces, with blackened steel stair railings held by antique brass screws and a powder bathroom that combines reclaimed tiles, the home's original brick, and wood from a previous kitchen floor, resulting in a unique blend of textures that appear to have been part of the house for centuries. His design ethos consistently aims to imbue new elements with an appearance of age and history, respecting the inherent character of the property.
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