Huma Betang Umai, A Winner of IKN Design Competition

The Design for Impact Challenge, a collaborative event bringing together students from George Fox University's interior design program and Portland State University's architecture program, showcased real-world design experience. Held at BORA Architects' Portland office, the event partnered students with industry leaders and higher education design programs. The challenge required teams, each comprising interior design and architecture students, to design a new entry and classroom space for a high school in Southern California. Each team was also paired with an industry mentor, a practicing architect or designer, who provided guidance throughout the five-hour design process. The prompt specified that ideas from the student proposals would be incorporated into the high school's upcoming renovation, adding a significant layer of real-world impact to the exercise. Students engaged in an intensive five-hour session, sketching, modeling, and refining their concepts. The focus was on balancing aesthetic innovation with practical application, demonstrating the students' creativity and problem-solving skills. Following the design period, each team presented their proposals to a panel of professional jurors from the architecture and design industries. This provided students with valuable experience in communicating their design vision and receiving expert feedback. The winning team included George Fox interior design seniors Ava Heflen and Kali Braukmiller, mentored by Shawn from VIDA Design. Their design was lauded for its strong understanding of biophilic design, which integrated native and location-specific plants to promote wellness and environmental harmony within the classroom space. Furthermore, their proposal incorporated trauma-informed design principles. This involved providing choice and flexibility in furniture arrangements and seating, careful attention to classroom acoustics, and the implementation of open sightlines complemented by AI-powered security systems. These elements aimed to create safe and calming environments conducive to learning. The design was further enhanced by curved elements in finishes and furnishings, adding softness and approachability, culminating in a thoughtful and forward-thinking solution. Ava Heflen highlighted the memorable nature of the experience, particularly the opportunity to collaborate with architecture students, which provided valuable insight into real-world design scenarios. She also emphasized the crucial role of the industry mentor in offering helpful feedback and encouragement throughout the process. Heflen noted that the collaborative environment fostered refreshing interactions and sparked numerous creative ideas. The event also served as an inspiration, allowing her to witness the diverse and thoughtful designs developed by other participants in the challenge. Another team, featuring George Fox interior design students Sam Kinsman and Michaela Vega, and mentored by Melissa from Gensler Portland, received the 'Best Concept' award. This recognition acknowledged their visionary approach and compelling presentation. The Design for Impact Challenge provided students with a unique platform for inter-institutional collaboration, direct mentorship from industry professionals, and constructive feedback from respected jurors. For the George Fox students, this experience underscored the practical application of design thinking in real-world contexts and highlighted the transformative power of intentional, human-centered design in shaping future educational spaces. #InteriorDesign #DesignChallenge #GeorgeFoxUniversity #PortlandStateUniversity #BiophilicDesign #TraumaInformedDesign #ArchitecturalDesign #StudentCollaboration #RealWorldExperience

Kengo Kuma, born in 1954 in Yokohama, Japan, initially favored modern concrete homes over his traditional wooden childhood dwelling, which featured rice paper screens and tatami mats. His perspective on traditional architecture shifted after being deeply impressed by Kenzo Tange's Yoyogi National Gymnasium, designed for the 1964 Tokyo Olympics, which ignited his passion for architecture. Over time, Kuma developed a profound appreciation for his childhood home's craftsmanship, natural materials, and the unique sensory experience it offered, influencing his architectural philosophy. Kuma's current architectural approach emphasizes harmony with the environment, history, and local traditions, focusing on the use of natural and handmade materials. This philosophy is evident in his diverse projects globally, including the wooden Japan National Stadium in Tokyo and the stone-clad V&A Dundee in Scotland. He begins each project with an immersive site visit to understand its 'spirit,' feeling the breeze and smelling the soil, often spending an entire day there to grasp its essence before selecting the most suitable materials. He believes that finding the 'protagonist material' for a place is crucial for architecture. His recent works demonstrate this material-focused approach. The UCCA Clay Museum in Yixing, China, incorporates handmade ceramic tiles to celebrate the region's pottery heritage, while the CMP Inspiration museum in Taichung, Taiwan, features a green-planted roof seamlessly integrated with partially buried exhibition galleries. For the Banyan Tree Higashiyama Kyoto, Kuma drew inspiration from traditional Japanese Noh theatre, creating an outdoor stage using yellow cedar and Kyoto cypress, highlighting the ethereal beauty of local traditions. In the South of France, Kengo Kuma & Associates designed the World Heritage and Pyrénées National Park House in Gavarnie, emphasizing harmony with the stunning natural landscape through traditional materials. The building's fluid form and glazed walls offer mountain views, while its thatched roof celebrates local haymaking traditions. Kuma actively advocates for the sustainable properties of thatch, using it in innovative ways such as exterior walls in the Yusuhara Marche and an upside-down thatched roof at Greenable Hiruzen, despite the challenges of reintroducing traditional materials into contemporary construction. Kuma has designed over 70 museums worldwide, including the V&A Dundee and the Hans Christian Andersen Museum. He redefines museums not just as spaces for art, but as places for conversation with art, space, and gardens, prioritizing intimacy and a sense of belonging within urban environments. His favorite museum project is the Nezu Museum in Tokyo, which he redesigned to integrate with its gardens, preserving the spirit and lifestyle of its founder, Nezu Kaichiro. He sees the museum as a tender, intimate space with a soft atmosphere, particularly appreciating the small café where Nezu's living room once stood. Addressing challenges in contemporary architecture, Kuma notes the rising costs of projects due to global events. He believes the solution lies in a long-term vision, emphasizing that architecture should create 'treasures' for future generations. He advocates for a return to nature, natural materials, and craftsmanship, which he sees as the foundation of community and economy. Kuma aspires to be remembered as the architect who transformed concrete-centric architecture back to using natural materials, drawing inspiration from the simplicity and sensory richness of his childhood home. He also admires Geoffrey Bawa's work, finds inspiration in Japan's onsens and ryokans for design ideas, and considers the Bamboo House in China one of his favorite projects due to its contrast with the Great Wall. #KengoKuma #Architecture #NaturalMaterials #SustainableDesign #JapaneseModernism #MuseumDesign #CulturalHeritage #ThatchArchitecture #EnvironmentalHarmony

The "Design Awards 2013: best of the rest" article highlights a curated selection of innovative and influential designs across various categories, reflecting the top trends and notable reissues of the year. The first trend identified is the "puzzle-like" design, characterized by random patterns, asymmetric forms, and modern marquetry. This approach updates traditional inlay and overlay techniques by integrating diverse materials such as stone, wood, leather, acrylic, and ceramic, resulting in freestyle, decorative geometry. Examples include Patricia Urquiola's 'Azulej' tiles for Mutina, which blend ancient majolica with digital-print glazing to create mixed aesthetic patterns; Massimo Morozzi's 'Bois de Rose' cabinet for Edra, featuring random rosewood veneers and piano pedal-operated doors; and Urquiola's 'Fishbone' coffee table for Moroso, utilizing Alycrite to mimic natural materials in a herringbone pattern with a glossy finish. Additionally, Form Us With Love's 'Slab' vases for Cosentino/Silestone demonstrate the versatility of quartz compound beyond conventional surfaces, forming heavyweight, puzzle-like arrangements. The article also features significant reissues that have made a comeback. These include Ferdinand Kramer's 1951 'Calvert' coffee table, now produced by E15 in oak, walnut veneer, or colored lacquer, originally designed for flat-pack export. Giò Ponti's tableware, based on his 1951 sketches and manufactured by Sambonet, includes asymmetric 'Conca' flatware and a unique two-bowl centerpiece. Arne Jacobsen's 1939 'Mayor' sofa, conceived for Søllerød City Hall, is reissued by &Tradition; with a solid oak frame and Kvadrat upholstery. Le Corbusier's 'Projecteur 365' light, initially designed in 1954 and inspired by industrial lamps, is now produced by Nemo Cassina in various models. Further categories include "Best Reinvention," recognizing Muriel Grateau's revitalized gallery in Paris, showcasing her color-drenched ceramics, glassware, linen, jewelry, and new silverware and watch ranges in a newly whitewashed space. "Best Use of Material" highlights Chanel Fine Jewellery's 'Clair-obscur' ring, which ingeniously combines diamonds with industrial titanium, inspired by Gabrielle Chanel's original design philosophy and the celestial discovery of titanium. The "Best Plant Shop" award goes to Qusamura in Hiroshima, founded by Kohei Oda, which specializes in pairing unusual cacti with distinctive pottery, treating these botanical forms as sculptures for the home. Minotti's 2012 furniture collection is lauded as the "Best Collection," epitomizing a blend of innovation and continuity with detailed craftsmanship, luxurious materials, and mid-century and Scandinavian influences, featuring pieces like the 'Evans' table and 'Brice' coffee table, and adaptations for compact living spaces. "Best Future Vision" recognizes Cartier's 'ID Two' concept watch, a non-commercial prototype with a transparent ceramic case and vacuum-sealed interior, signaling future technological and aesthetic advancements in watchmaking. The "Best Finishing Touch" category covers beauty essentials, including Comme des Garçons' 'Amazingreen' Eau de Parfum, Chantecaille's 'High Definition Perfecting Powder', Matylda Krzykowski's 'Borste & Horne' brushes, and Shu Uemura Art of Hair's 'Essence Absolue Nourishing Protective Oil'. Other notable mentions include the "Best Lab," the Faculty of Pharmaceutical Sciences at the University of British Columbia by Saucier + Perrotte Architects and Hughes Condon Marler Architects, praised for its tree-inspired design and engaging spaces. "Best Comfort Food" highlights Jacob's Pickles in New York for its Southern soul food and East Coast pickle culture, and Häagen-Dazs' 'Ice Moons' designed by Doshi Levien. "Best Cover-up" showcases innovative outerwear from Herno, Sealup, CP Company, and Hancock, emphasizing technical fabrics and sharp silhouettes. "Best Bottom Drawer" features Nosigner's 'Cartesia' chest of drawers for MSY, a corner-fitting piece with trapezoid drawers opening in two directions. "Best Loo" recognizes Roca's 'In-Tank Meridian' toilet with a hidden cistern and CEA's 'Hydroplate' water jet cleaner. "Best Fixer-Upper" celebrates Jaime Hayón's redesign of Le Sergent Recruteur restaurant in Paris. "Best Bag" is awarded to Piquadro's 'Coleos' backpack for its extensive compartmentalization and thoughtful features. "Best Winter Retreat" goes to The Alpina Gstaad in Switzerland, a luxury hotel blending reclaimed timber and natural materials, with a Six Senses Spa and Japanese restaurant Megu. "Best Building Sites" features OMA's Shenzhen Stock Exchange in China, a symbol of economic power with a floating podium, and Paulo Mendes da Rocha and Metro Arquitetos' Cais das Artes in Brazil, an arts complex elevated above a plaza. Finally, "Best Getaway" highlights Casa Till in Chile by WMR Arquitectos, a remote, Spartan, yet stylish retreat with breathtaking sea views, constructed with local materials and labor. The article also mentions Trevor Paglen's 'The Last Pictures' project as "Best Mission," sending etched photographs into space to document human history for extraterrestrial audiences, and Daikanyama T-Site in Tokyo by Klein Dytham and Kenya Hara as "Best Bookshop," a vast complex designed to appeal to a broad demographic with an extensive collection of books, music, and a unique lounge bar. #DesignAwards #InteriorDesign #ProductDesign #Architecture #LuxuryGoods #Fashion #Beauty #Travel #FoodAndDrink

The 34th annual Hall of Fame awards, hosted by Interior Design magazine, convened on November 29 at the I.M. Pei-designed River Pavilion at the Jacob K. Javits Convention Center in New York. Editor in chief Cindy Allen initiated the event with a superhero-themed address, emphasizing the importance of relevancy for designers and honoring the 2018 inductees as 'Super Originals' whose work significantly contributes to making the world a better place. Publisher Carol Cisco then acknowledged the event's sponsors and expressed gratitude for the design community's contributions and the industry's unique opportunities. This year's Hall of Fame recognized five individuals for their profound impact across various design sectors, including workplace, hospitality, retail, and residential design. Their leadership and innovative approaches are expected to leave a lasting legacy on the industry. The 2018 inductees included Lisa Iwamoto and Craig Scott of IwamotoScott, Kengo Kuma, Patrick Tighe, and Marcel Wanders. Each inductee shared personal insights and perspectives on their design philosophies and careers. Patrick Tighe, an architect, spoke about design's power to uplift and illuminate in challenging times, asserting that designers can be a beacon of good. Lisa Iwamoto and Craig Scott, a design duo who have collaborated for 16 years, shared a heartfelt message of mutual appreciation. Iwamoto described herself as the 'heart' of their firm, while Scott was the 'soul,' highlighting their complementary creative partnership. Marcel Wanders expressed gratitude and humility, recalling his childhood inclination to transform everyday objects into new creations. He views his current large-scale design work as a continuation of this intrinsic pursuit, describing it as a significant opportunity and responsibility. Kengo Kuma, in his address, thanked his muse—materials. He elaborated on his continuous effort to introduce a new softness into his projects through material exploration, appreciating the extensive freedom available today to delve into material possibilities. Approximately 1,200 designers, architects, and industry professionals attended the black-tie event held within Pei's iconic glass superstructure. Notably, seven students and a faculty member from Auburn University’s College of Human Sciences Interior Design Program were present, their attendance sponsored by design luminaries Richard and Catherine Frinier. These students were selected through a rigorous academic process, recognizing their deep knowledge of the event's 35-year history and their genuine passion for the design profession. The entrance to the event was a collaborative design by architecture firm Tsao & McKown, in partnership with Sunbrella and Sunbrella Contract. Maintaining the structural concept from the previous year, which featured strategically draped Sunbrella performance fabric strips and cords suspended from the ceiling to manipulate viewer perception and direct focus towards the banquet area, the 2018 design introduced a new color scheme. This year's palette transitioned from muted tones to a gradient of warm browns, fiery reds, and creamy whites. Following the event, all the fabric used for the installation was slated for donation to Materials for the Arts, a non-profit organization. The evening concluded with Cindy Allen reiterating her admiration for all attendees, acknowledging them as heroes within the dynamic and inspiring design industry, marking another successful Hall of Fame celebration. #InteriorDesign #HallOfFame #DesignAwards #Architecture #DesignCommunity #KengoKuma #MarcelWanders #PatrickTighe #IwamotoScott

The article showcases the Rising Talent awards at Maison&Objet, a Paris-based trade fair celebrating its 25th year, which took place from September 8-12 at the Parc des Expositions Paris Nord Villepinte. This year's program specifically highlights Dutch design, a field that has historically captured the interest of the industrial design community since the 1990s, with pioneering figures such as Hella Jongerius and Marcel Wanders. The current design landscape, however, is being enriched by a new generation of designers who have been recognized as Rising Talent. A distinguished jury comprising globally renowned female designers, including Kiki Van Eijk, Weiki Somers, Ineke Hans, and Hella Jongerius, selected four individual talents and two design duos for this prestigious accolade. Chantal Hamaide, founder of Intermuros magazine, also played a role in the selection process. While Dutch design traditionally signifies experimental and conceptual approaches, its scope has broadened to encompass an international cohort of students and designers educated or residing in the Netherlands, indicating that "Dutch design is also a state of mind." This new wave of Dutch designers is distinguished by their emphasis on sustainability, frequently incorporating reused waste materials into their creations, and fostering collaborative practices. The article introduces six of these Rising Talents: Atelier Fig, Studio Hanna Kooistra, Théophile Blandet, Studio Yoon Seok-Hyeon, Visser & Meijwaard, and Simone Post, along with Sanne Terweij who received the award for Craft. Atelier Fig, composed of Ruben Hoogvliet and Gijs Wouters, presents the "Gravity" ceramics collection, featuring bowls and candleholders. Their innovative technique involves building objects with liquid clay over a foam armature, which then disappears during firing, resulting in extremely thin, fragile porcelain forms that symbolize impermanence. Studio Hanna Kooistra draws inspiration from traditional Dutch objects and furniture. Her reimagining of the "knopstoel" chair as a foldable, wall-mountable piece exemplifies a nomadic approach to classic styles. Théophile Blandet primarily works with recyclable aluminum and plastic offcuts from local factories, creating pieces that blur the lines between functional furnishings and sculpture, such as his "Fountain of Money," often incorporating socio-economic commentary. Studio Yoon Seok-Hyeon, originally from Cheongiu and a graduate of Design Academy Eindhoven, focuses on environmental impact. His "Relaxing Configuration" project repurposes rug-making knotting skills to create repositionable sofa forms, while his "Ott" project explores tree resin as an alternative, recyclable glazing agent for pottery. Visser & Meijwaard, an Arnhem-based duo, known for their bold hues and clean lines, received praise from juror Ineke Hans for their mastery of product design, exemplified by their LYN cabinet for Pulpo and a kaleidoscopic rug for Moooi. Simone Post, from Utrecht and based in Rotterdam, specializes in textiles, creating rugs from recycled wax-printed cotton leftovers for Label/Breed and flooring from repurposed sport shoes for Adidas, with her design process centered on material exploration and playful experimentation. Sanne Terweij, awarded for Craft, transforms photos of aged doors into wall sculptures using hundreds of colorful metal chips, fascinated by how color influences mood. These designers collectively demonstrate the evolving, innovative, and environmentally conscious direction of contemporary Dutch design. #MaisonObjet #DutchDesign #RisingTalentAwards #SustainableDesign #Ceramics #FurnitureDesign #TextileDesign #ProductDesign #ArtisanCrafts

This page serves as a comprehensive guide for architects, designers, and firms interested in submitting their work for consideration in Architectural Record's various annual awards and special features. It outlines the opportunities available throughout the year for showcasing contemporary architecture, residential projects, interior designs, and innovative products. The primary goal is to encourage submissions to several prestigious competitions and features that celebrate excellence and innovation in the field. The Architectural Record Awards are a key highlight, scheduled for inauguration in the fall. These awards aim to recognize the year’s best built and unbuilt projects, as well as leading design voices, with winners being celebrated at the annual Innovation Conference. This new award program will complement the magazine's long-standing tradition of highlighting architectural excellence in its print editions. Specific details for submission to these awards are provided through a dedicated link. Another significant feature is "Record Interiors," an annual issue that has for decades showcased outstanding contributions to building interiors. This competition invites architects and interior designers to submit projects that demonstrate clever solutions and innovative material choices, with a primary focus on interior scope. The page offers links to submission details and archives of past winners, providing aspiring entrants with examples of previously recognized work. "Design Vanguard" is presented as a program recognizing emerging firms and individual practitioners who represent the next generation of architects. Since 2000, this award has honored ten international winners each year, specifically targeting practices that have been established for ten years or less. This initiative aims to highlight fresh talent and innovative approaches within the architectural community, with application details and a list of past winners accessible on the page. "Record Houses," established in 1956, is an annual issue dedicated to residential design. It seeks projects that challenge expectations, push disciplinary boundaries, and creatively redefine established architectural vocabularies. The platform provides detailed submission guidelines and links to previous winners, offering insights into the types of residential projects that have historically been celebrated. The "Kitchen & Bath" competition focuses on novel approaches to these utilitarian spaces, encompassing both commercial and residential contexts, and even public infrastructure. This category encourages submissions that showcase innovation in design and functionality within kitchens and bathrooms. Information on entering this competition and viewing past winners is also made available. "Record Products of the Year" is a long-running competition that identifies the most innovative building materials, components, and furnishings introduced to the North American market within the past year. A panel of experts, including architects and designers, selects winning entries based on criteria such as inventiveness, functionality, sustainability, and aesthetics. The awardees are featured in the December issue of RECORD, and the page provides entry details for the upcoming cycle and a list of previous product winners. The "Cocktail Napkin Sketch" contest, open to U.S.-based architects, students, and related professionals, celebrates the art of sketching. Entrants are required to submit a sketch on a white cocktail napkin using a pen. Two grand prize winners, one licensed architect and one related professional, receive a gift card and a set of custom cocktail napkins. Winning sketches are announced at the Innovation Conference and published in the November issue and on the website. This contest is sponsored by Construction Specialties. Finally, the "Guess the Architect" contest is a monthly challenge from the editors, inviting readers to identify the architect of a historically important building. The contest runs throughout the month, with a chance to win a $500 Visa gift card. This contest is sponsored by Pac-Clad Peterson. The page concludes by inviting general project submissions, providing links to submission guidelines and the editorial calendar for those who wish to have their work considered for publication outside of the specific contests. #ArchitecturalAwards #DesignCompetitions #EmergingArchitects #ResidentialDesign #InteriorDesign #BuildingProducts #ArchitecturalSketching #InnovationConference #CallForEntries

Johannes Budde, founder of the German creative studio Budde, has been recognized at the first edition of the Isola Design Awards, receiving the DesignWanted special prize in the Furniture & Product Design category. The award specifically celebrates Budde's "Cut coffee table," a piece of furniture distinguished by its focus on sustainability in both its conceptualization and manufacturing processes. The coffee table features a low-level design characterized by a central opening, giving the impression that it has been precisely sliced. This design element not only defines its aesthetic but also invites users to engage with the product by customizing its interior. Budde’s design philosophy, developed through his studies in Milan, Vienna, and Singapore, and his background as an architect and interior designer, aims to challenge conventional viewing habits through the use of unconventional shapes and materials. He describes his creations, including the Cut coffee table, as 'calm eyecatchers' that exhibit simplicity and clean lines. The table is available in matte white or matte black finishes and includes a hand-oiled walnut tray, which introduces a natural, tactile contrast to its otherwise monochromatic and sleek appearance. This minimalist approach allows the coffee table to integrate seamlessly into various interior settings while maintaining a distinctive presence. Beyond its visual appeal, the Cut coffee table is notable for its commitment to a zero-waste approach. It is crafted from a single piece of powder-coated aluminum, ensuring durability and complete recyclability, with no offcuts or welding involved in its construction. The decision to design and manufacture the table in Germany underscores the studio's dedication to maintaining fair labor conditions and ensuring sustainability throughout its entire value chain, from material sourcing to production. In an interview, Johannes Budde articulated his vision for his design practice, emphasizing the importance of inspiring people and evoking meaningful thought processes through his designs. He views creativity as an intrinsic part of his identity, stating that if he weren't a furniture designer and architect, he would likely be an artist. Budde distinguishes his practice by focusing on creating 'calm eyecatchers' that, despite their unique qualities, avoid being overtly flashy. His designs are conceived to harmoniously interact with their surroundings rather than dominating them, positioning them as modern classics that integrate rather than alienate. Budde's long-term vision for his studio, Budde, is to prioritize the creation of unique, selected design pieces that offer lasting value, rather than engaging in mass production. He emphasizes the importance of local sourcing and crafting in Germany as a benchmark for quality and sustainability. His ambition for the next two to three years includes establishing a small team to enhance brand building, marketing, and sales efforts, with plans to expand into other European markets. The inspiration for the Cut coffee table stemmed from the idea of one-piece designs combined with a zero-waste principle. Budde's design process involved initial conceptualization through miniature paper models to gauge the feasibility of the idea, followed by digital 3D modeling, and finally, the production of real-size prototypes. A key challenge in production was sourcing a German manufacturer with the necessary machinery and capacity. Budde specifically invested in a tailor-made tool to ensure seamless bending for the table legs, overcoming initial difficulties with stepwise bending processes and allowing for scaled production while maintaining high quality. #FurnitureDesign #SustainableDesign #JohannesBudde #CoffeeTable #IsolaDesignAwards #ZeroWaste #GermanDesign #MinimalistDesign #ProductDesign

The iF Design Awards, a globally recognized and independent design institution established in Germany in 1953, recently held its 2022 awards ceremony. The awards aim to identify, support, and promote good design, raise public awareness about design's role, help companies integrate design into their strategies, safeguard the role of professional designers, drive social change through design, and support young talent by providing a public platform. The 2022 gala, hosted at the Friedrichstadt-Palast in Berlin, gathered nearly 1500 guests from 36 countries, with 73 products and projects receiving the top iF Design Award 2022 Gold. A jury of 132 independent experts evaluated almost 11,000 entries from 57 countries across disciplines including Product, Communication, User Experience (UX), User Interface (UI), and Professional Concepts. Among the selected projects highlighted in the article, several innovative designs stand out. The CAKE Kalk AP, an electric off-road motorcycle, was designed for anti-poaching efforts, offering a silent alternative to gasoline bikes to increase the effectiveness of rangers. The NESTOUT outdoor battery series provides portable, waterproof, dust-proof, and shock-proof energy for outdoor activities, capable of charging devices, providing light and heat, and even solar power. Ray-Ban Stories are smart glasses that allow hands-free capture of moments, listening to audio, and making calls while maintaining a connection to the physical world. In the realm of home and personal technology, the Beosound Level from Bang & Olufsen is a durable, versatile speaker designed for longevity and various listening scenarios, with magnetic charging for ease of use. LG's OLED Objet Collection (65ART90) is a TV designed to blend into living spaces, featuring a natural wool fabric panel and a metal frame that can transform the home into an art gallery when the screen is not in full use. Samsung's The Freestyle is a compact smart projector that offers flexible projection onto any flat surface with auto-focus and auto-projection features. The Magic Leap 2 is an Augmented Reality headset for enterprise applications, offering a lightweight and comfortable design with an expanded field of view. Work and living spaces also saw innovative designs. The CS chair by ITOKI Corporation is a folding chair designed to make office layouts more flexible and create more casual zones, drawing inspiration from retail and hotel design. In terms of sustainability and everyday objects, Cuppamoka is a compact travel pour-over coffee maker, while the Karusuta Resin dishware series uses recycled PET plastic bottles to create ceramic-like, stackable, and dishwasher/microwave-safe dishes. The HUSSECHUCK fire extinguisher reimagines a safety device as an aesthetically pleasing and highly functional object with voice control and additional accessories. The LAVO – Hydrogen Energy Storage System is a pioneering integrated hybrid hydrogen battery that combines with rooftop solar panels to provide sustainable, off-grid energy for residential and commercial properties. Further innovations include Love Not War, a sustainable adult toy line made from recyclable aluminum with interchangeable heads, and YiBrick, a permeable brick made from over 90% recycled ceramic waste, suitable for pavements and as a heat-absorbent material. The Jiangang Mountain Natural Mineral Water bottle features a unique cone-shaped design inspired by mountain ranges, departing from traditional cylindrical forms. The Premium Olive Oil Dispenser by SOSO FACTORY is a compact, iconic product made from local Spanish ceramic materials, featuring an innovative twist-open stopper. Public art is represented by "Whale #2," a 3-dimensional undulating ocean environment projected onto a Times Square billboard. Hospitality designs include "loose kyoto," a café designed with minimal materials to foster conversation, and "JJJ House," a renovated 4-story home in Tainan, Taiwan, designed for a three-generation family with a cross-shaped opening and vertical skylight for brightness. The Hi Toilet is the world's first contactless, voice-activated public toilet designed for hygiene and universal accessibility, while Taisho University Building #8 uses architectural design to evoke a mountain training ground, reflecting the university's Buddhist identity and creating diverse learning spaces. The iF Design Trend Report, analyzing current design and social trends, is also highlighted as a resource for designers and product development teams. #iFDesignAwards #ProductDesign #SustainableDesign #InteriorDesign #SmartTechnology #UrbanPlanning #Architecture #Innovation #AwardWinners

Mitsubishi Jisho Design architects Kei Atsumi and Motoya Iizawa unveiled 'The Warp' pavilion at the tenth Dubai Design Week, an immersive installation envisioned as a zen Japanese tea garden. This pavilion aims to bridge ancient Japanese craftsmanship with contemporary 3D printing technology. Situated amidst Dubai's modern skyscrapers, the installation offers a temporal journey from traditional Japan to the emirate's futuristic landscape. The Warp was activated through various events, including matcha tea ceremonies and design workshops, emphasizing its cultural and educational aspects. The core concept of The Warp pavilion revolves around the innovative integration of centuries-old Japanese joinery systems with advanced 3D printing techniques. Kei Atsumi highlighted that the pavilion comprises over 900 unique pieces, each featuring distinct shapes and curves, a complexity achievable only through computational design. These components are assembled using traditional Japanese joinery, a system historically employed in wooden shrines and temples. This method allows for easy assembly, disassembly, and relocation, showcasing an adaptive application for a more intricate, modern structure while ensuring its portability and reusability. The design process leverages computational modeling to precisely generate these small, double-curved panels, which seamlessly interlock to form the overall structure without the need for adhesives, nails, or metal fittings. The pavilion's journey for visitors commences at a pebbled garden, leading to the tea house, an intimate wooden space designed with a gentle twist that visually references Arabian sand dunes. Upon entering through a traditional small, low passage known as a nijiriguchi, visitors can participate in a matcha ceremony led by a Japanese tea master. This experience is intended to transport individuals into a Japanese spiritual realm, while simultaneously offering a view of Dubai's iconic Burj Khalifa, thus creating a dialogue between historical tradition and modern advancement. This spatial arrangement underscores the pavilion's role as a portal connecting disparate cultures and eras. Beyond its aesthetic and cultural significance, The Warp pavilion also promotes Mitsubishi Jisho Design’s Regenerative Wood technique. This circular production system focuses on reintegrating wood waste back into the forestry industry. Atsumi noted that typically, only about 50% of wood material is utilized in architecture and other products, with the remainder becoming waste. The pavilion addresses this issue by constructing the entire structure from a 3D-printed wood composite. This composite material is composed of 30% recycled sawdust and 70% bioplastic, making the pavilion a sustainable and beautiful example of material reuse and ecological responsibility. This project exemplifies a new language of architectural expression, combining traditional wisdom with cutting-edge technology for sustainable design and construction. #KeiAtsumi #DubaiDesignWeek #JapaneseJoinery #3DPrinting #SustainableArchitecture #PavilionDesign #WoodComposite #ComputationalDesign #MitsubishiJishoDesign

This article compiles a selection of notable design achievements and trends from the 2013 Design Awards, showcasing innovation across various categories from interiors and architecture to fashion and technology. The presented works highlight a period of design marked by updated traditional techniques, reissues of classic pieces, and forward-thinking concepts. In the 'Best Trend' category, a focus on "puzzle-like" designs emerged, featuring random patterns and asymmetric forms that updated traditional inlaying and overlaying. Materials like stone, wood, leather, acrylic, and ceramic were combined in unexpected ways to create decorative geometry. Examples include Patricia Urquiola's 'Azulej' tiles for Mutina, which blend ancient majolica with modern digital printing to allow for complex patterns. Massimo Morozzi's 'Bois de Rose' cabinet for Edra reimagined woodworking traditions with random rosewood veneers and innovative piano pedal openings instead of handles. Urquiola's 'Fishbone' coffee table for Moroso utilized Alycrite to mimic natural materials in a herringbone pattern, while Form Us With Love's 'Slab' vases for Cosentino/Silestone demonstrated the versatility of quartz compound beyond conventional surfaces, forming sculptural pieces through interlocking rings. The 'Best Reissues' section celebrates the successful reintroduction of classic designs. The 1951 'Calvert' coffee table by Bauhaus architect Ferdinand Kramer was re-released by E15, maintaining its original flat-pack design. Sambonet produced stainless-steel tableware based on unmanufactured 1951 sketches by Giò Ponti, including asymmetric flatware and a unique two-bowl centrepiece. Arne Jacobsen's 1939 'Mayor' sofa, initially designed for Søllerød City Hall, was reissued by &Tradition; featuring a solid oak frame and Kvadrat upholstery. Le Corbusier's 1954 'Projecteur 365' industrial lamp was updated by Nemo Cassina, offering wall, floor, and ceiling models with modern elements developed in collaboration with the Le Corbusier Foundation. Muriel Grateau was recognized for 'Best Reinvention,' transforming her Parisian gallery into a pristine white space that highlighted her bold ceramic, glassware, and linen collections. Starting as a fashion designer, her work across homeware and jewelry, often in collaboration with figures like Peter Marino and India Mahdavi, continues to define Parisian elegance. Chanel Fine Jewellery's 'Clair-obscur' ring received an award for 'Best Use of Material,' for its innovative juxtaposition of diamonds with blackened titanium, an industrial material often used in aerospace. This reinterpretation of Gabrielle Chanel's 1932 high-jewelry collection played on celestial themes, echoing the discovery of titanium in meteorites. Qusamura in Hiroshima was named 'Best Plant Shop' for its unique approach to botanical sculpture, pairing unusual cacti sourced from across Japan with distinctive pottery. Kohei Oda's vision transforms these plants into sculptural art for the home, emphasizing their unique character. Minotti's 2012 collection was lauded as 'Best Collection' for its blend of innovation and continuity, showcasing traditional workmanship, sumptuous materials, and a contemporary aesthetic with subtle nods to mid-century and Scandinavian styles. The collection introduced more color and pieces adapted for compact living, such as the 'York Lounge' armchair and 'Sherman 93' sofa. Cartier's 'ID Two' concept watch was celebrated for 'Best Future Vision.' This unique, not-for-sale timepiece featured a transparent case made from a single block of new-generation ceramic, vacuum-sealed to enhance reliability. It represents Cartier's commitment to pushing technological and aesthetic boundaries, with its innovations expected to influence future watch designs. The 'Best Finishing Touch' category recognized beauty essentials: Comme des Garçons' 'Amazingreen Eau de Parfum' for its green and spicy scent, Chantecaille's 'High Definition Perfecting Powder' for creating a flawless complexion, Matylda Krzykowski's 'Borste & Horne' brushes and pans for their contemporary design, and Shu Uemura Art of Hair's 'Essence Absolue Nourishing Protective Oil' for hair care. The Faculty of Pharmaceutical Sciences at the University of British Columbia by Saucier + Perrotte Architects and Hughes Condon Marler Architects won 'Best Lab.' Its design, inspired by a cubist tree, features a façade of variegated glass boxes and a central atrium, creating a striking and functional space that connects with its natural surroundings. 'Best Comfort Food' was awarded to Jacob's Pickles in New York for its blend of Southern soul food and East Coast pickle culture, and Häagen-Dazs' limited-edition 'Ice Moons' created in collaboration with London designers Doshi Levien, which featured moon-shaped, layered ice cream bombes. The 'Best Cover-up' category highlighted power outerwear brands: Herno, Sealup, CP Company, and Hancock, all recognized for their technical innovation, sharp silhouettes, and quality materials. 'Cartesia' by Nosigner for MSY, a chest of drawers named after René Descartes, was recognized as 'Best Bottom Drawer' for its effortless mechanics, graphic design, and two-directional opening. The 'Best Groom' products included Baxter of California's cut-throat razor, Ursa Major's 'Stellar Shave Cream,' Blind Barber's '90 Proof Pomade,' and Yang Ripol's innovative shaving brush with a magnetised stand. Piaget's 'Altiplano' hard-stone dial watches received 'Best Test of Time,' celebrating the revival of its 1960s and 1970s psychedelic-luxe designs. These timepieces, featuring gem-hued dials, were praised for their blend of fine jewelry and innovative engineering. The Franklin D Roosevelt Four Freedoms Park in New York City, designed by Louis Kahn, was named 'Best Day Out.' This park, completed decades after Kahn's death, offers spectacular views of the Manhattan skyline and serves as a tribute to Roosevelt's vision. Trevor Paglen's 'The Last Pictures' project earned 'Best Mission,' an ambitious artistic endeavor involving 100 photographs etched onto a silicon wafer and attached to a satellite, intended as a message to extraterrestrial life. Daikanyama T-Site in Tokyo by Klein Dytham and Kenya Hara was celebrated as 'Best Bookshop,' a multi-pavilion complex designed to appeal to an older demographic but attracting a broad audience with its extensive collection and unique lounge bar. Bulthaup's 'B3' drawer fitting system won 'Best Storage' for its customizable inserts and organizational features within kitchen drawers. Roca's 'In-Tank Meridian Toilet' and CEA's 'Hydroplate' were jointly awarded 'Best Loo' for their innovative, space-saving, and hygienic designs. Le Sergent Recruteur in Paris, redesigned by Jaime Hayón, received 'Best Fixer-Upper' for its transformation into a modern European rural restaurant. Piquadro's 'Coleos' backpack was named 'Best Bag' for its advanced compartmentalization and expandable design, catering to the needs of the urban individual. The Alpina Gstaad in Switzerland was recognized as 'Best Winter Retreat' for its luxurious blend of traditional and contemporary design, including its Six Senses Spa and Japanese restaurant. Finally, the Shenzhen Stock Exchange by OMA and Cais Das Artes in Brazil by Paulo Mendes da Rocha and Metro Arquitetos were highlighted as 'Best Building Sites' for their architectural audacity and cultural significance. Casa Till in Chile by WMR Arquitectos received 'Best Getaway' for its remote location, minimalist design, and breathtaking sea views. #DesignAwards #InteriorDesign #Architecture #ProductDesign #Fashion #Technology #Watches #Jewellery #UrbanPlanning #Travel #FoodDesign

The Sprudge Design Awards (SDA) is an annual initiative that celebrates artistic and design contributions within the coffee industry. Launched in 2023, the SDA acts as a global platform for showcasing excellence in coffee design, particularly focusing on original packaging, innovative products, and coffee-related artwork. The primary goal of the awards is to highlight the intersection of consumable art and coffee, recognizing the significant efforts of designers, illustrators, and coffee companies in shaping the visual identity of coffee. The 'Outstanding In-House Design Team' award specifically acknowledges the exceptional design and artistic contributions made by in-house design teams. This category is broad, encompassing any product genre within the wider coffee industry. For the 2024 awards, five distinguished companies have been selected as finalists for this coveted award: Brandywine Coffee, Loom Coffee, Onyx Coffee Lab, PERC Coffee Roasters, and Yes Plz Coffee. Each of these finalists has demonstrated a commitment to innovative and impactful design within their respective operations. Voting for the Sprudge Design Awards is an inclusive process, allowing individuals to participate in selecting the winners. The voting period for the 2024 awards commenced on December 6th, 2024, and concluded on January 7th, 2025. Voters had the flexibility to cast their ballots in a single category or across multiple categories, with a restriction of one vote per person to ensure fairness and prevent ballot stuffing. The results, revealing the winners for each category, were scheduled to be announced in early January following the close of the voting period. The Sprudge Design Awards encompass various categories beyond just the 'Outstanding In-House Design Team'. These categories recognize diverse aspects of design within the coffee industry, such as 'Outstanding Packaging: Milk / Alternative Milk / Creamer Finalists', 'Outstanding Design Achievement: Vessels Finalists', 'Outstanding Design Achievement: Goods And Garments Finalists', 'Best Coffee Photograph Of The Year Finalists', and 'Outstanding Design Achievement: Pastry'. These multiple categories reflect the comprehensive nature of design within the coffee world, from the visual appeal of packaging to the aesthetic presentation of beverages and goods. For those interested in future participation, the Sprudge Design Awards encourages entries for upcoming editions. Information regarding the categories and the 2024 finalists is available for review, as are the winners from the inaugural 2023 Sprudge Design Awards. Prospective entrants for the 2025 awards can register their interest, indicating a continuous effort by Sprudge to foster and acknowledge design talent within the global coffee community. This initiative plays a crucial role in promoting creativity and elevating aesthetic standards across the industry, celebrating the individuals and teams who bring coffee to life through visual artistry. #SprudgeDesignAwards #CoffeeDesign #InHouseDesign #BrandywineCoffee #LoomCoffee #OnyxCoffeeLab #PERCCoffeeRoasters #YesPlzCoffee #DesignExcellence

The annual deTour design festival returns to Hong Kong from November 28 to December 7, 2025, transforming the creative hub of PMQ into a dynamic showcase of design and art. Curated by Adonian Chan and organized by PMQ with support from the Cultural and Creative Industries Development Agency (CCIDA), this year's edition, titled 'The Shape of Yearning,' invites visitors to delve into the intricate relationship between desire and design. The festival is structured around a 'Design Trichotomy' framework, encouraging a multifaceted interpretation of objects based on their aesthetics and materiality, their sociocultural and historical contexts, and their speculative, value-driven meanings. The program features 17 installations and exhibits from designers across Hong Kong, Mainland China, and international participants, including a significant international commission by Switzerland’s Encor Studio. At its core, deTour functions as a platform for creative exchange, highlighting innovative ideas from both local and global design talents. PMQ, a former police married quarters revitalized into a creative hub in 2014, serves as the central venue, hosting over 100 emerging designers and fostering a vibrant environment for design, cultural, and artistic events. The 'Design Trichotomy' approach prompts a deeper inquiry into the significance of everyday objects, questioning how they reflect personal and collective aspirations. Curator Adonian Chan emphasizes that despite being constantly surrounded by design, there's often a lack of introspection regarding its deeper implications and how it shapes our lives. A key highlight of deTour 2025 is the debut of Swiss collective Encor Studio in Hong Kong. Renowned for their kinetic sculptures and sound visualization, Encor Studio's commissioned installation, 'ALCOVE IN SITU,' will transform the Qube space into an immersive and responsive environment. This installation utilizes light, electrochromic films, and resonant sound compositions to explore themes of presence, absence, memory, and perception, creating a sensory choreography where visitors become integral to the experience. Beyond this major commission, four feature exhibitions further explore 'The Shape of Yearning' through diverse material and conceptual lenses. Among these exhibitions, Hong Kong art furniture studio TOUN (Renee Neoh and Samuel Choi) presents 'Home Ecology – The Philo Modular System,' an adaptable aluminum home ecosystem designed to meet the demands of urban living. Graphic designer Shunta Sakamoto offers a multisensory experience with 'Instrument.Play.Graphics,' a modular graphic synthesizer that merges physical gestures with visual and sonic compositions. Italian designer Lucia Massari reinterprets Venetian glass traditions in her 'primavera' series, drawing inspiration from Arcimboldo’s floral portraits to craft lamps that redefine memory and heritage through ornamentation. Additionally, London/Hong Kong studio Nopqrst showcases 'Trueform,' an installation of graphics and sand-cast aluminum sculptures that fossilize glue traces from removed street posters, extending these urban artifacts into an interactive augmented reality environment where digital and material forms converge. The festival also incorporates 12 selected entries from an open call, chosen from over 200 submissions. These exhibits explore various themes through robotics, 3D printing, innovative materials, and identity explorations. Notable entries include GROOVIDO’s 'A Battle of Beasts,' which uses ceramic-printed bricks for Chinese board games, blending tradition with play; Architecture and All | AAA’s 'Becoming: Aerated Identities,' a participatory installation of inflated PVC masks exploring performative identity; and Embracefloral × Arfalization’s 'BloomDentity,' which translates MBTI personality data into bespoke 3D-printed vases. The festival extends its reach through public programs, offering over 10 workshops and 40 sessions covering art-tech, craft, sound, and wellness, including an AI design workshop and a visual diary workshop. Guided tours, Creative Voices talks, and live performances by artists like Encor Studio and Hector Chan's Design Club further enrich the experience. deTour Kids, in collaboration with birdintree, also returns with hands-on parent-child design activities, aiming to foster creativity and imagination in young visitors and highlight design's role in early development. #deTour2025 #HongKongDesignFestival #PMQ #DesignTrichotomy #EncorStudio #HomeEcology #InteractiveInstallations #UrbanLiving #CreativeExchange

Architect Mariam Issoufou discusses her design philosophy and recent projects, including the Rolex Pavilion at the Venice Architecture Biennale and the upcoming Bët-bi museum in Senegal. Issoufou, founder of Mariam Issoufou Architecture and a professor of architecture heritage and sustainability at ETH Zurich, emphasizes a research-led approach that prioritizes local contexts, craftsmanship, and sustainable practices. Her work spans various regions, with a notable focus on projects within the African continent and Europe. The Rolex Pavilion, commissioned for the Venice Architecture Biennale, was designed to reflect Rolex's identity while addressing Carlo Ratti's 2025 theme of adaptation to climate change. Issoufou's design for the pavilion showcases a commitment to local materials and artisan collaboration. The facade is constructed from recycled wooden beams sourced locally, and the interior features a translucent colored ceiling crafted by Murano glassmakers, which creates dynamic light effects. The terrazzo flooring incorporates recycled Cottisso crushed glass. Issoufou aimed to honor Venice's heritage of making and to demonstrate how recycled and local materials can be used effectively in high-profile projects, similar to her work in Africa where materials like recycled metal, earth, and cement are commonly employed. Her design process for the Rolex Pavilion began by considering the unique shape of Venice, a city divided by the Grand Canal, which inspired the form and exhibition spaces of the structure. The project also focused on collaboration across different intelligences and showcased resource efficiency. Issoufou expressed pride in seeing the pavilion come together through the work of local glass, metal, and woodworkers, highlighting the successful integration of traditional Venetian artistry with contemporary sustainable design principles. Issoufou’s practice is characterized by a consistent research-led methodology across all her projects. Instead of imposing a design, she first investigates the architectural history, climate, and vulnerabilities of a specific location. Following this, she identifies and engages with local makers and their existing knowledge and skills. This collaborative and context-driven research then informs the design process, ensuring that each project is uniquely tailored to its environment and community. This approach allows the questions she asks in her projects to remain consistent, while the solutions and outcomes vary based on the specific research findings. Sustainability, for Issoufou, is an intersectional concept that extends beyond mere ecological considerations. She integrates green standards with social, cultural, and economic upliftment for the communities involved in her projects. This holistic view ensures that her architectural interventions contribute positively to the broader well-being of people and places, preserving cultural heritage and fostering economic opportunities. Beyond the Rolex Pavilion, Issoufou is currently focused on the construction phases of two significant projects: the Bët-bi museum in Senegal and the Ellen Johnson Sirleaf Presidential Center in Monrovia, Liberia. The Bët-bi museum, commissioned by the Josef and Anni Albers Foundation and Le Korsa, will be a 1,000-square-meter center for contemporary and historic African art, also serving as a temporary home for repatriated objects. Its triangular form is inspired by the Indigenous Serer people's belief system, symbolizing the relationship between elements, the living, and the dead. The museum will be built into the landscape using sustainable, traditional materials with the help of local artisans, reflecting Issoufou’s commitment to culturally resonant and environmentally responsible design. The Ellen Johnson Sirleaf Presidential Center, where Issoufou is the lead architect, involves collaborations with Sumayya Vally and Karen Richards Barnes, further exemplifying her collaborative and community-focused design ethos. These ongoing projects underscore her dedication to creating spaces that are deeply rooted in their cultural and environmental contexts while promoting sustainability and community engagement. #Architecture #SustainableDesign #VeniceArchitectureBiennale #RolexPavilion #MariamIssoufou #CulturalHeritage #CommunityEngagement #AfricanArchitecture #LocalCraftsmanship

The article explores innovative solutions for maximizing the often-underutilized space beneath staircases, drawing inspiration from Grand Designs Live's 'Under The Stairs' feature. This annual exhibition, which champions efficient use of small spaces, showcases various creative installations designed by interior stylists to transform this challenging area into a functional and aesthetically pleasing part of the home. These spaces, commonly used as an unplanned storage for coats, shoes, and cleaning equipment, are re-imagined with purpose and design in mind. At Grand Designs Live, eight distinct installations offer homeowners a diverse range of ideas. These designs incorporate bold colors, varied textures, and innovative concepts that cater to different needs and preferences. One notable example highlighted is a dedicated dog room, demonstrating the versatility of the space. The overall winner of the 'Under The Stairs' competition was Chloe Spillett of 'Chloe Gets Creative,' who designed a child-friendly hideaway den. This particular installation was lauded by the judges for its thoughtful features and its ability to celebrate the triangular shape of the space rather than attempting to disguise it. The design was described as inviting, fun, and open, making it an ideal play area for children, particularly relevant for families residing in smaller properties. Barbra Chandler, one of the judges, emphasized that Chloe Spillett's winning design resonated with many visitors due to its practicality and achievability for parents and grandparents. The success of this installation underscores the potential for transforming under-stair areas into purposeful, comfortable, and useful spaces. The article encourages readers to consider these ideas for their own homes, moving beyond the traditional use of the space as a mere storage area. The featured runner-up designs further illustrate the breadth of possibilities, ranging from bespoke storage units to integrated home offices or cozy reading nooks. These examples collectively demonstrate how strategic planning and creative design can convert an awkward architectural feature into a valuable asset, enhancing both the functionality and visual appeal of a living space. The ultimate goal is to inspire homeowners to view these challenging spaces as opportunities for inventive solutions that improve daily living and reflect personal style. #GrandDesignsLive #UnderStairsIdeas #SmallSpaceSolutions #HomeStorage #InteriorDesign #SpaceSaving #CreativeHome #RenovationInspiration #ChloeSpillett

The home furnishings trade show IMM Cologne annually highlights emerging design talent through its Pure Talents Contest, which has previously featured designers like Sebastian Herkner. This article showcases ten notable finds from the 2020 edition, illustrating innovative approaches to furniture, lighting, and home accessories. First prize in the Pure Talents Contest went to Marie Kurstjens and Iva Coskun for their Levi Table, a flat-pack design intended for university students that emphasizes intuitive, tool-free assembly and disassembly. This addresses a common challenge with flat-pack furniture by simplifying the user experience. Following this, Japanese industrial designer Hiroyuki Morita received second prize for Omit, an electricity-free vacuum cleaner designed for scenarios where power outlets are unavailable, such as cleaning a car. This invention focuses on practical, off-grid functionality. Lighting innovations include Sofia Souidi’s Jojo Lamp, a wind-up light whose intensity gradually dims over time, moving from warm and bright to subtle illumination. Thalea Schmalenberg and Kasper Friis Egelund also presented the Fold Lamp, inspired by the simplicity of a paper fan. This lamp features a foldable paper shade that can be collapsed and stored within an aluminum stand when not in use, offering both aesthetic appeal and practical storage solutions. Furniture designs demonstrated a focus on material celebration and emotional interaction. Sho Ota’s According to the Grain collection highlights the natural knots in wood, integrating these unique features into the aesthetic of his seating. Qing Deng introduced Aspirator, a conceptual "psychological vacuum cleaner" where expressed negative emotions inflate an airbag, which then transforms into a seat. This piece aims to provide a physical outlet for emotional release, allowing users to create a space for relaxation and problem-solving. Filip Lenarcik's Flow Chair exemplifies that flat-pack designs can achieve a classic look, consisting of four main elements and eight joints for streamlined assembly. In terms of sustainable and innovative material use, Daan De Wit's Stratum Tempus Vase Collection features conical forms created by laser-cutting sheet materials, such as 100 percent recycled acrylic or bamboo, into concentric layers. This process is designed to minimize waste. Furthermore, Tim Krahmer addressed the environmental impact of vacuum cleaners with Tenok, an open-source design that utilizes an online instruction manual and a 3D-printed adapter to incorporate functional used vacuum cleaner parts from various manufacturers. This promotes reuse and reduces waste in an often-discarded appliance category. Finally, Peter Otto Vosding's Pipeline Table draws attention to its functionality by making its large pull-out pipe, which extends the table, a visible design element. This design choice emphasizes the table's adaptable nature while celebrating its mechanical components. Overall, the selected designers from IMM 2020 presented a diverse range of products that combine practical utility, aesthetic innovation, and a growing consciousness for sustainability and user experience in home furnishings and accessories. #IMM Cologne #PureTalentsContest #ProductDesign #EmergingDesigners #SustainableDesign #FlatPackFurniture #HomeFurnishings #InnovativeProducts #InteriorDesignTrends

Metropolis, a prominent design publication, has announced its 2024 Future100 Interior Design Graduate Winners, recognizing 17 outstanding graduate students from universities across the United States and Canada. These individuals were selected by the Metropolis team for their exceptional talent, innovative design concepts, strong technical knowledge, and forward-thinking approaches to interior design. The recognized students demonstrate a profound understanding of design principles, a commitment to research, and an ability to create impactful and sensitive spaces. The featured winners include Helia Amini from Marymount University, whose design concepts are noted for superb technical knowledge and a strong research foundation. Lari Bittman, also from Marymount University, is recognized for her remarkable combination of raw talent, technical ability, and perseverance, evident in projects ranging from a playful daycare to a meticulously designed multi-use refuge community center. Brooke Bower from The University of Texas at Austin is highlighted for her imagination as a visual artist and embodied understanding of space, developing a portfolio reflecting an inspiring point of view poised to positively impact the built environment. Christa E. Gorman from Kansas State University is praised for her intensely creative and iterative design process, focusing on producing thoughtful and complete solutions. Sanjana Gopalakrishnan from The New School, Parsons School of Design, possesses a rare sensitivity toward playful design while remaining committed to circular economies. Henry Hammes, also from Kansas State University, is recognized as a talented and motivated student who creates carefully choreographed solutions through deep research and concept development. Kile Hotchkiss from The New York School of Interior Design exemplifies great promise with meticulous research and an insightful approach, integrating architectural details and clever interpretations of history. Pavitra Jairaj from the University of Oregon demonstrates a clear connection to client and user experience, grounded in research, precedent, and empathy. Malik Lovette, also from the University of Oregon, combines a background as a college athlete and artist into his design work, showcasing strong graphic communication and natural collaboration. Madina Masimova from The New School, Parsons School of Design, brings a global perspective to interiors and technology, leading with optimism on the future of design within the context of AI, design, and belonging. Eva Neri from Florida State University is described as a bright, free-spirited, and talented designer who weaves diverse research interests, including ambient sound and music, into multilayered designs focused on physical and emotional well-being. Tasha Singh from Drexel University is commended for her skill, enthusiasm, and consideration for people and place, possessing noteworthy design talent in both digital and hand-drawing mediums. Nihitha Sreenath, also from Drexel University, has a deep set of talents for communicating ideas across various mediums, demonstrating strong material sensibility and sensitivity to human needs. Melida Valera from the New York School of Interior Design is passionate about the design industry, with a deep respect for how things work and a diligent approach to learning. Nicolle Villa from Boston Architectural College is an attentive, detail-oriented student with fantastic interpersonal skills and a great eye for design and materiality. Jessica Wilsey from The University of Texas at Austin is an outstanding graduate student whose work has been repeatedly awarded for its design excellence, bringing remarkable sensitivity to extensive design research and the study of human behavior. Finally, Mingming Zhao from the Savannah College of Art and Design has chosen interior design to create beautiful and functional living environments that positively impact individuals and communities, with a design philosophy rooted in cultural context and locality. #Future100 #InteriorDesign #GraduateWinners #DesignExcellence #StudentDesign #ArchitecturalEducation #MetropolisMagazine #DesignInnovation

Metropolis Magazine has announced its Future100 Interior Design Undergraduate Winners, recognizing the top interior design undergraduate students across the United States and Canada for 2025. This annual initiative highlights emerging talent in the field, showcasing students who demonstrate exceptional creativity, technical skill, and innovative thinking in interior design. The selection process involved nominations from program chairs and professors, who lauded their students' dedication, leadership potential, and unique design philosophies. The featured students come from various prestigious institutions, each bringing a distinct approach to interior design. Irina Alturmessova from Yorkville University is recognized for her strong academic performance, ethical conduct, and volunteer service. Chloe Bartek from the University of Nebraska-Lincoln is noted for her motto, 'Think gardening, not architecture,' emphasizing sustainability, adaptability, and community-focused design. Betty Christianson from Colorado State University is celebrated for transforming spaces into immersive stories and her commitment to inclusivity, balancing aesthetics with practicality. Ewura Esi Eghan from Virginia Commonwealth University integrates her sculpture background into her designs, pushing boundaries to create magical and unexpected spaces. Lené Fourie from the University of Houston is described as a bright, hardworking, and eager-to-learn individual with significant leadership potential, consistently impressing her professors with her capacity as both a designer and a thinker. Olivia Grote from Columbia College Chicago stands out for her empathic approach, blending artistic vision with designs that support and engage, challenging the status quo. Louisa Gutenberger from the School of Visual Arts is on a mission to advocate for unheard communities, valuing cultural heritage, community, and context in her designs. Daria Hall from the University of Arkansas, Fayetteville, exemplifies hard work, exceptional talent, curiosity, and craftsmanship, demonstrating a determination to creatively solve problems in interior architecture. Elly Hallack, also from Columbia College Chicago, is praised for her unique blend of creativity, technical expertise, and commitment to innovative design, balancing imaginative ideas with practical solutions. Keeleigh Johnson from the University of Central Oklahoma combines creativity with practical design solutions, approaching projects thoughtfully and producing high-quality, refined work. Morgan Jourdin from the School of Visual Arts is noted for her extraordinary talent and commitment to innovating for the underserved, creating designs that foster positive behavioral change. Jin Liao from Pratt Institute is an exceptional student with a passion for design, consistently going beyond course requirements with her commitment to excellence. Emilie Luce from the University of Arkansas demonstrates a quiet confidence and determination to achieve excellence, actively seeking feedback to strengthen her work and taking on leadership roles. Anna Maris from Columbia College Chicago shows innate design sensibility and maturity, translating narratives into sophisticated and creative spaces. Tomis Phuong Nguyen from the University of Central Arkansas exhibits a bold aesthetic and strong sense of self, with work that surpasses his schooling. Kate O’Neil from the University of Tennessee, a Gensler Brinkmann Scholarship Recipient, is recognized for her dedication to addressing emerging societal needs through thoughtful design solutions and diverse global experiences. Isabela Rasmussen from The George Washington University displays an exceptional blend of creativity, technical skill, and understanding of design principles, marked by her curiosity and attention to detail. Kiera Rupp from the University of Tennessee integrates creativity with empathy, valuing feedback and collaboration. Monica Samaniego from the University of Nebraska-Lincoln challenges assumptions with her wonder-filled ideas, actively engaging in expanding her understanding of the profession. Juliana Sanchez Duran from Savannah College of Art and Design possesses a rare combination of natural talent and willingness to take creative risks, with a notable dedication to inclusive design. Elina Singh, also from Savannah College of Art and Design, combines technical excellence with creative vision, producing beautifully crafted and inspiring spaces through thoughtful execution. Sydney Slaughter from the University of Arkansas has a keen eye for aesthetics and a remarkable ability to absorb and apply new knowledge. Jesse-James Smith from Purdue University is committed to high-quality craftsmanship and dedicates long hours to design problems, driven by a quest for excellence. Ashley Sparks from The University of Texas exhibits a natural finesse in design development, seamlessly blending digital and analog techniques. Martina Terry from Virginia Tech showcases masterful use of color and impactful diagrams, creating a consistent narrative throughout her projects. Cecilia Torres-Panzera from the University of Tennessee stands out for her academic rigor and creative vision, merging technical skill with poetic narratives. Kiara Villa from The New School, Parsons School of Design, embodies an empathetic and forward-thinking design philosophy, fostering connections through cultural narratives and sustainable practices. Troa Vimahi from Rochester Institute of Technology immerses himself in design culture and current events, demonstrating capability in challenging subjects. Lufan Yang from California College of the Arts creates innovative solutions to complex design challenges with careful attention to detail. Jiuyu Zhou from the University of Oregon presents thoughtful, well-considered design solutions with a keen eye for detail. Finally, Zining Zhu from Colorado State University, an international student, integrates cultural philosophies and aesthetics into innovative design solutions, driven by self-motivation and high ethical standards. #Future100 #InteriorDesign #UndergraduateWinners #StudentShowcase #DesignExcellence #EmergingTalent #ArchitecturalDesign #CreativeThinking

Katherine Receveur, a senior cross-country runner at Indiana University Bloomington, is preparing for her final athletic season while simultaneously pursuing a career in interior design. She is enrolled in the School of Art, Architecture + Design, where she is completing her degree in interior design. Receveur's academic journey at IU began after she transferred from Miami University in Ohio during her freshman year's second semester. Her athletic career at IU has been marked by significant achievements. As a sophomore, she earned All-America honors with an 11th-place finish at the NCAA Championships. In fall 2017, she secured a Big Ten individual title and received another All-America award. Receveur expresses that the most rewarding aspect of her experience has been witnessing the team's growth and improvement. She notes a strong desire to conclude her final season on a high note, giving her full effort for the team, and observes the team's development in the Big Ten, becoming older, stronger, and more proficient. Receveur, a native of Louisville, Kentucky, acknowledges the difficulties of balancing life as a student-athlete but emphasizes how these challenges have equipped her with essential skills for academic success. She highlights the strict time management required, contrasting her situation with other students who might have the flexibility for all-nighters. She recounts instances where extensive design assignments, potentially requiring 20 hours of work, force her to prioritize rest, even if it means pausing work. This disciplined approach has prepared her for the demands of her major. Initially, Receveur did not intend to study interior design. She started her academic path as a sports marketing and management major but soon realized it was not the right fit for her. The prospect of a desk-bound job did not align with her aspirations. Upon discovering IU's interior design program, she discussed it with her parents, who affirmed that they had always envisioned her in such a field. Her interest in interior design was cultivated early on by observing her mother, a real estate agent, stage homes, which significantly influenced her. Through the School of Art, Architecture + Design, Receveur has applied her skills to practical projects. She collaborated with other students on the redesign of the seventh floor of Hodge Hall and is currently involved in redesigning the Friends of Art Bookshop on campus. During the summer, she gained professional experience by working for an interior design firm in Louisville and was also commissioned to work on a newly constructed house in her hometown. Looking ahead, Receveur plans to move to a large city after graduation to utilize her degree. She is particularly interested in working for a large commercial firm specializing in designing hospitals and hotels. Her long-term goal includes establishing her own firm. While running will remain a source of joy even after she concludes her competitive career, she is eager to embark on a professional path that offers similar fulfillment and passion. #StudentAthlete #InteriorDesign #IndianaUniversity #CrossCountry #AcademicExcellence #CareerTransition #DesignProjects #StudentProfile