This Tadao Ando-Designed Home in Japan Is the Quintessence of Ando

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

This article details the transformation of a 1922 midcentury hillside home in Los Angeles, masterminded by designer Shanty Wijaya of Allprace Properties. The renovation successfully integrated Japanese and Scandinavian design aesthetics, a fusion known as Japandi, across the entire three-bedroom property. The core philosophy guiding the design was to foster a healthy, meaningful lifestyle and a strong connection to nature, blending the tranquil principles of Japanese wabi-sabi with the minimalist, warm, and neutral elements of Scandinavian hygge. Upon entering the home, visitors are greeted by a natural, muted, and earthy color palette. The space is intentionally minimalistic and filled with natural light. Despite the subdued color scheme, a variety of textures and materials, such as plaster in the kitchen, concrete, limestone, and reclaimed wood throughout, introduce complexity and visual interest. A crucial aspect of the redesign involved incorporating large windows and sliding doors to emphasize the surrounding views and landscaping, effectively bringing the outdoors in. This was further enhanced by integrating potted hanging plants and greenery within the interior. The exterior and landscaping also received significant attention, with Japanese garden plants, rocks, various types of bamboo, Japanese maples, bonsai, and pine trees strategically placed alongside specially sourced rocks resembling mountain formations. The home purposefully features unique and one-of-a-kind details, opting for vintage, reclaimed, and handmade pieces over mass-produced furnishings. Examples include a wooden chair in the living room, a raw wooden dining table, and a rough-hewn reclaimed French oak kitchen countertop refinished with a dark stain. The selection of materials was also deliberate, chosen for their ability to naturally patina over time. Sustainability played a key role, drawing from the Scandinavian influence. High-performing, sustainably sourced Accoya wood was used for the home's exterior, and a custom-built bioethanol concrete fireplace provides an eco-friendly heating solution. The outdoor space, initially a downward-sloping backyard, was completely re-envisioned into a terraced garden with multiple functional levels. These levels now host a koi pond, a chicken coop, a Japanese rock garden, a plunge pool, a veggie garden, an alfresco dining area, and a meditating space. One of the most challenging aspects of the renovation was applying the Japandi style to the exterior, including custom millwork on the façade, and meticulously planning the landscape design to ensure seamless indoor-outdoor transitions. A notable addition was a 'she-shed,' conceived during the COVID-19 lockdown, designed as a private retreat that can serve as an office, yoga studio, or a space for relaxation. Its architectural elements, including Accoya wood millwork, were kept consistent with the main house's design. Inside, custom-designed features like the primary suite’s headboard, inspired by the setting sun, and the bathroom's large windows, further emphasize the home's beautiful views and natural aesthetic. #JapandiStyle #HomeRenovation #ZenDesign #InteriorDesign #SustainableLiving #OutdoorLiving #LosAngelesHomes #MidcenturyModern #TerracedGarden

Tato Architects, led by founder Yo Shimada, undertook the renovation of an 87-square-metre traditional Japanese house in Hyogo Prefecture for a young couple. The original structure, a single-storey residence, featured a layout comprising six main rooms, a configuration deemed unsuitable for the clients' modern lifestyle. The renovation aimed to transform the segmented interior into a more open and adaptable living space. The core of the renovation involved completely stripping the interior to expose the existing wooden structural framework. Instead of re-establishing traditional partitions, Shimada introduced a novel approach using two curving lengths of plywood to define different functional zones. This design choice was influenced by an earlier experimental project by Tato Architects in 2013, which involved a public toilet building on Shodoshima Island where curved walls were used to divide space. While that project focused on a new build, Shimada believed the concept held greater potential when applied to the renovation of an older structure, allowing for a blend of historical context with modern spatial dynamics. The plywood screens were strategically placed within the house. One screen was installed along the north-eastern side, creating a private area that encloses a bedroom and an adjoining closet. The second screen was positioned towards the back of the house, wrapping around a bathroom and a guest bedroom. This curvilinear partitioning system allowed for a fluid transition between areas, contrasting with the rigid divisions of the original layout. The front portion of the building was specifically designed to be more open plan, maximizing natural light and offering direct access to a newly designed narrow garden. Budgetary constraints influenced the material selection for the curved walls. Initially, 20-millimetre-thick plywood was considered, but it proved to be too flimsy for the desired structural integrity and aesthetic. To overcome this, a solution was devised where a framework of steel rods was sandwiched between layers of plywood, providing the necessary stability while maintaining the curved form. This simple yet effective modification allowed the architects to achieve their design vision without exceeding the project's financial limits. The redesign also incorporated new flooring throughout the living areas, featuring a mortar floor with integrated underfloor heating for enhanced comfort. The bathroom was finished with polycarbonate plastic, offering a clean and modern aesthetic. A small loft space was added above the main bedroom, accessible via a ladder, providing additional utility. For the exterior of the house, a new cladding of charred cedar boards was chosen, contributing to a refreshed facade while respecting traditional Japanese architectural elements. #TatoArchitects #Hyogo #Japan #ResidentialArchitecture #HouseRenovation #JapaneseHouses #PlywoodInterior #CurvedWalls #ModernRenovation

In a quiet residential area of Tokyo, the Japanese design studio Nendo has crafted a new house, aptly named the 'Stairway House,' which features a supersized staircase as its central element. Designed for two families from different generations, the project emphasizes openness and connectivity while maximizing natural light within the site's constraints. The site, surrounded by other apartment buildings, led Nendo to strategically offset the new volume to the north end of the plot. This arrangement creates ample space at the southern elevation, allowing for a largely glazed facade that ushers natural light and ventilation deep into the interior. This glass frontage also facilitates a visual connection between the residents and a garden area, integrating a touch of nature into the urban environment. The house accommodates an older couple on the first floor and a younger couple with their child on the upper floors. The first-floor program includes a kitchen, living/dining room, bedroom, study, bathroom, toilet, and storage. Notably, Nendo incorporated a dedicated cat room for the older couple's eight cats, providing them free access to roam and keep the mother company while gardening. This thoughtful inclusion reflects the family's lifestyle and relationship with their pets. The second and third floors, designated for the younger family, feature a spacious open-plan kitchen, living, and dining area, two bedrooms, a bathroom, a study, and various storage solutions. To seamlessly connect these distinct living spaces, Nendo introduced a massive 'stairway-like' structure that traverses all three levels. This architectural element serves as more than just a means of vertical circulation; it creatively houses essential functions such as bathrooms and additional storage, optimizing the use of space. The upper portion of the 'stairway' transforms into a semi-outdoor greenhouse. This area is rich with greenery and provides a sunny spot for the cats to climb and relax. This design decision blurs the boundaries between indoor and outdoor, enhancing the living experience with natural elements. The stairway, filled with plants, subtly links the upper and lower floors along a diagonal axis, fostering a sense of connection among the three generations while preserving their individual privacy. Furthermore, this innovative structure extends conceptually beyond the building itself, connecting to the southward-facing road at ground level and reaching towards the sky through a rooflight, symbolizing a broader integration with its urban and natural surroundings. Project details confirm the location as Tokyo, Japan, with Nendo as the designer. Photography credits go to Takumi Ota and Daici Ano. #Nendo #StairwayHouse #TokyoArchitecture #ResidentialDesign #MultiGenerationalLiving #NaturalLight #IndoorPlants #JapaneseArchitecture #ModernHome

A townhome in Lewes has been transformed into a mindfulness retreat, drawing inspiration from Japanese architecture and aesthetics. The project, designed by Scott Edmonston, principal of Millville-based SEA Studio Architects, in collaboration with Camenisch Company Inc., sought to create a serene escape for a bachelor who desired a quiet space for writing, away from his primary residence in Manhattan, while also accommodating occasional family visits. The design implicitly embraces several Japanese principles, including *wabi-sabi*, which celebrates the beauty of transience and imperfection; *shibui*, emphasizing simplicity, subtlety, and economy of line; and *miyabi*, denoting refinement and polish. These concepts were expertly integrated by the project’s contractor, Milton’s Camenisch Company. The homeowner's desire for a mindful retreat, coupled with the structural limitations—an HOA mandate against external or window configuration changes—led to a design that maximized internal flexibility and aesthetic coherence. The two-story home, an award winner at the 2022 AIA Delaware, functions to promote mental clarity and a healthy lifestyle, encouraging occupants to slow down and immerse themselves in their surroundings. This is achieved through thoughtful architectural choices that foster a sense of calm and remove daily stressors. Key design elements include custom built-in furniture, such as a sofa in the living room and cabinetry in the kitchen and primary bedroom, fabricated by Alleghany Woodworks. The kitchen features vertical-grain white oak cabinetry with concealed hardware and Pental Quartz countertops and backsplash, designed to seamlessly integrate into the living space and even disappear when not in use. Throughout the home, the flooring is white oak with a custom finish. Light plays a pivotal role in the design, with natural illumination flooding the spaces. The existing clerestory windows are augmented by a system of Japanese *shoji* screens, built by Brian Holcombe Woodworker. These screens not only enhance the aesthetic but also provide flexibility in partitioning space, allowing small areas to feel larger and offering privacy when needed, particularly in the 130-square-foot “bunk room” which can adapt to host varying numbers of guests. The primary bathroom is a standout feature, designed as an open-style wet room with built-in seating, multiple shower fixtures, and a deep soaking tub from Signature Hardware. This space evokes the tranquility of Japanese *onsens*. The materials used, such as Riad Tile in Zellige natural white for walls and Tilebar’s Bronx Collection for flooring, contribute to the serene ambiance. The interior is further curated with select furniture and art, including a Japanese banner that translates to “clear skies for 1,000 miles,” symbolizing both the views of the nearby bay and the clarity of mind the home aims to inspire. #JapaneseDesign #TownhomeLiving #MindfulnessRetreat #CoastalHome #InteriorArchitecture #CustomBuiltIns #ShojiScreens #WabiSabi #Shibui

Kenzo House, the former residence of renowned Japanese fashion designer Kenzo Takada, is a luxurious, Zen-inspired property nestled within an 18th-century apartment building in Paris’s 11th arrondissement. Originally built by Kenzo in 1993, the house underwent a significant redesign in 2018 by award-winning architect Kengo Kuma, known for his work on the National Stadium for the 2020 Tokyo Olympics and the V&A Dundee. This 13,778-square-foot, four-story residence, now offered through Christie’s International Real Estate, masterfully blends Eastern and Western influences, much like Takada's own designs. The current owners, a French businessman and his family, acquired the property in 2016 after spending 15 years in Asia, where they admired Kuma's work and his philosophy of connecting architecture with nature. They commissioned Kuma to renovate Kenzo House, maintaining fidelity to Kenzo's original vision of an authentic Japanese house and garden. Kuma, in collaboration with architect Loïk Corre, who worked on Kenzo’s initial plans, reconfigured the layout to enhance harmony and fluidity, integrating the house more closely with its natural surroundings. He achieved this by adding natural Japanese building materials like cedar shingles, teak, clay, ceramic, stone, and bamboo to the exterior, enriching its texture and warmth. Internally, partition walls were replaced with timber slats, and an indoor lap pool was transformed into an _engawa_, a traditional Japanese exterior corridor crafted from wooden latticing. Large interior windows, a floating staircase, and sliding doors were installed, and all bedrooms were oriented to face the courtyard garden, bringing nature into the interior spaces. Kuma's design philosophy, centered on transparency and a deeper connection to nature, is evident throughout the renovation. He emphasizes the use of light and natural materials to create a new kind of transparency, a characteristic of Japanese architecture. The interiors feature sleek and soothing aesthetics, with French oak louvres, beams, and floors complementing the original wood finishes. Key furniture pieces, including Hans Wegner ‘Wishbone’ chairs in the dining room and Walter Knoll pieces in the living room, were selected to maintain a calm atmosphere. The landscaped Japanese garden is a highlight of the property, perfected by Kuma. It features a stone-studded pond with nishiki carp, a traditional Japanese pavilion with a tea ceremony room, a waterfall, and several outdoor terraces. The careful selection of bamboo, junipers, lichens, mosses, and cherry trees evokes the tranquility of a Japanese landscape. The property now includes four bedrooms, six bathrooms, a Japanese suite opening onto the garden, two large reception rooms, two dining rooms, two kitchens, and three self-contained studio apartments for staff. Additional amenities encompass a music room, fitness room, wine cellar, lift, and private parking. Kenzo Takada himself remarked upon returning to his former home that it was “much more Japanese than before, and much more modern,” highlighting its evolution into a living work of art that inspires a Zen lifestyle. #LuxuryLiving #KenzoHouse #ParisRealEstate #JapaneseArchitecture #KengoKuma #InteriorDesign #ZenInspired #ChristiesRealEstate #ArchitecturalRenovation

Architect Andrew Lister designed a distinctive home for actor Yuri Kinugawa and film producer Owen Hughes in the Auckland suburb of Waterview. The residence, characterized by its tall silhouette, narrow upper window, and a blank cedar-clad facade, adheres to the principles of the Direct Compass, a Japanese discipline akin to feng shui. The home's exterior, covered in cedar weatherboards, initially appears utilitarian, yet conceals a thoughtfully designed interior. The house's structure is composed of two primary boxes connected by a passageway and an adjoining bathroom. Despite its compact footprint, the design creates an illusion of greater spaciousness, as noted by Hughes. A prominent feature of the living room is a two-story bookcase spanning the entire northern wall, housing Hughes’ extensive book collection. This vertical storage solution ingeniously maximizes space, drawing the eye upwards and adding visual texture without encroaching on floor area. The central area of the home is laid out efficiently, with the kitchen to the left and the bedroom to the right. Above these spaces, two offices are stacked, accessible via a stairway at the rear of the room. The interior is enriched by family antiques and Japanese textiles, which introduce complementary textures, transforming the angular space into a welcoming environment. Following Direct Compass principles, the bedroom, considered vital for family relationships, overlooks a small zen garden on the south side of the house. This placement is believed to promote mental clarity due to cooler temperatures. A six-foot-long passageway clearly delineates the transition from the public kitchen and dining areas to the private bedroom. The traditional Japanese bathroom, situated off the central passageway, serves as a space for washing before bathing in a wood-lined onsen (tub). While the north side of the house offers views of an estuary, the street-facing facade maintains a minimalist, private appearance. In stark contrast, the west-facing side features a double-height glass wall that can be fully opened, merging the living space with a veranda. This outdoor area overlooks the garden, estuary, and harbor, providing a setting for observing sunsets and occasional dolphin sightings. The home's exterior features low-maintenance Canadian cedar cladding and aluminum joinery, designed to age gracefully and harmonize with the surrounding garden's sculptural desert plants. The durability of these materials is crucial, given the home's exposure to south-westerly winds laden with salt from the estuary, a condition the chosen plants tolerate well. #JapaneseDesign #BoxHome #TwoStoryBookcase #SmallSpaceLiving #DirectCompass #AucklandArchitecture #CedarCladding #ZenGarden #OpenPlanLiving

Kenzo Takada, a prominent fashion designer known for vibrant prints, bold colors, and unique silhouettes, profoundly influenced the fashion industry by integrating Japanese elements into Western aesthetics. His brand, Kenzo, which he founded and later sold to LVMH in 1993, became a global phenomenon. Following his departure from the active fashion scene, Takada redirected his creative talents towards home interior design, launching his furniture label K-3 less than a year before his passing in October 2020 due to Covid-19 complications. His K-3 collection continued his signature blend of Eastern and Western design principles, characterized by a rich use of color and prints. In stark contrast to the colorful exuberance of his fashion and furniture designs, Takada's personal residence in Paris, known as the Kenzo House, exhibits a serene and Zen-like aesthetic. This 13,778 square-foot home, located in an 18th-century residential building in the Bastille district, was initially built by Takada in 1993 and later redesigned by architect Kengo Kuma in 2018. The exterior of the four-story house features natural materials such as cedar shingles, teak, and clay, contributing to its tranquil and textured facade. A central feature of the home is an interior courtyard designed as a traditional Japanese garden. This garden includes a stone pond inhabited by nishiki carp and koi fish, surrounded by a variety of Japanese flora, including cherry and maple trees, bamboo, junipers, lichens, and mosses. Kuma's redesign ensured that each room of the house offered views of this natural sanctuary, creating a seamless connection between the indoor and outdoor spaces. The garden is further enhanced by carefully placed rocks and miniature waterfalls, replicating a classic Japanese landscape. Adjacent to the garden is a Japanese pavilion that houses a traditional tea ceremony room. This room is authentically appointed with tatami mats and shoji sliding doors, which can be opened to provide an unobstructed view of the koi pond. Inside the main house, the aesthetic continues with extensive use of wood. French oak louvres, beams, and floors maintain consistency with the original wooden finishes. An engawa, a traditional Japanese exterior corridor, featuring a wooden lattice, replaced an indoor lap pool, further emphasizing the home's Japanese design influences. The residence is comprehensively equipped with modern amenities and ample living spaces. It features four bedrooms, each with an en suite bathroom and a dedicated dressing room, ensuring privacy and comfort for residents and guests. Additional facilities include a music room, a study, a fitness room, and an elevator. The property also provides practical accommodations with three self-contained studio apartments for staff and two private parking spaces. This thoughtful integration of Japanese aesthetics with contemporary living defines Kenzo Takada's personal Parisian home as a unique and tranquil retreat. #InteriorDesign #HomeTour #FashionDesigner #JapaneseAesthetics #ParisHome #KengoKuma #ZenLiving #ArchitecturalDesign

Perched atop a hill in Echo Park, Los Angeles, a two-bedroom, one-bathroom Mid-Century Modern bungalow underwent a comprehensive renovation to transform it into a serene sanctuary. The property, owned by Sue Chan, a food and beverage multi-hyphenate, required significant structural retrofitting due to its steep hillside location, along with a full gut remodel of its interiors and a roof replacement. The architecture and design firm Only Way Is Up (OWIU), led by Amanda Gunawan and Joel Wong, spearheaded the project with the goal of creating a space that served both as an ideal home office and a tranquil retreat from the bustling city. Chan, who frequently travels between New York and Los Angeles, desired a home that encapsulated the essence of Los Angeles while maintaining a curated environment for work and calm. To achieve this vision, the designers drew heavily from Japanese design principles, integrating elements such as shoji screens and raised platforms to cultivate a meditative atmosphere within the home and a newly constructed Accessory Dwelling Unit (ADU). Rather than expanding the main house, which would have been cost-prohibitive, a separate unit was built on the property to function as a dedicated office and ADU. This strategic decision provided additional functional space without compromising the original structure. The design philosophy also embraced the natural beauty of the surrounding Echo Park hills, using the landscape as a constant source of inspiration. The interior layout was meticulously planned to facilitate seamless flow, particularly for entertaining. The design team maximized the connection between indoor and outdoor areas, linking the kitchen to the living room and extending it to a deck that offers panoramic views of the hills. This integration makes the space feel considerably larger and introduces unique architectural elements throughout the house. The living room, in particular, was conceived to blend indoor and outdoor living harmoniously, providing ample space for hosting and bathing the interior in natural light. The kitchen, a collaboration with Reform, features a slanted skylight that ensures an abundance of natural illumination, complemented by cedar and oak wood finishes that impart warmth to the space. The bedroom is designed as a private sanctuary, incorporating a shoji screen for privacy and situated on a subtly raised platform, signaling it as a space for retreat without disrupting the open floor plan. An earthy, minimal aesthetic ties these spaces together, prioritizing comfort and functionality. A curved walkway connects the main house to the detached office/ADU, serving both as a practical path and an artistic introduction to the property’s natural elements, showcasing lush greenery and hilltop vistas. The office/ADU mirrors the aesthetic of the main house, featuring cedar-clad siding and oak finishes that create visual harmony. Inside, a raised platform and a picture window frame the surrounding trees, enhancing the sense of retreat and connection to nature. This separate unit was designed as a sanctuary for focused work, maintaining distinct functionality while remaining cohesive with the overall design. Despite challenges, such as integrating the new structure with existing trees, the OWIU team creatively incorporated the natural environment, even creating small holes in the fencing to accommodate branches, ensuring the trees' health and the design's integrity. The result is a home that balances a serene retreat with an ideal space for entertaining and work, reflecting the best of Los Angeles living. #MidCenturyModern #HilltopBungalow #LosAngelesHome #ZenSanctuary #HomeRenovation #JapaneseDesign #ADU #IndoorOutdoorLiving #EchoPark #ArchitecturalDesign

Tamada & Wakimoto Architects have completed the 'Roof House' in the rural outskirts of Tochigi, Japan, on a former farmstead surrounded by rice fields and small factories. This residence is designed to integrate daily life with its garden surroundings. The project is situated on a 2,000-square-meter plot, which previously held a large farmhouse and was framed by hardwood trees. The client, a young individual relocating from the city, sought a space that could facilitate living, working, and social connection, while also offering adaptability for future needs. The architects responded to this brief by disaggregating the house into several compact buildings, which are then strategically arranged around semi-outdoor courtyards. These intermediate spaces, referred to as 'earthen floor' gardens, are unified beneath a single, thin, and extended roof. This design approach results in a relaxed, low-slung architectural form that encourages fluid movement between indoor rooms and outdoor areas. This integration allows the surrounding landscape, prevailing weather conditions, and local daily rhythms to significantly influence and shape the occupants' interaction with the house. The design of Roof House imbues each side with a distinct character. The main garden is oriented towards the existing trees, and an outdoor kitchen is incorporated for cooking and social gatherings, particularly during the spring cherry blossom season. Near the entrance, a shaded zone beneath the eaves serves as an informal space for sitting, conversing, or receiving visitors. To the north, a walled garden provides a dedicated area for weekend activities such as carpentry or car maintenance, reflecting common rural pursuits. Central to the Roof House's concept is its inherent adaptability. The architectural plan allows for future reconfigurations over time. For instance, the private section of the house, which includes the bedroom and bath, could continue to function as a vacation home. Concurrently, other segments of the structure are designed with the flexibility to be repurposed, potentially serving as a small retail shop or an art gallery. This forward-thinking design ensures the residence can evolve with the client's changing needs and aspirations, maintaining its utility and relevance in the long term. #JapaneseArchitecture #ResidentialDesign #GardenIntegration #AdaptableArchitecture #RuralLiving #CourtyardHouse #ArchitecturalInnovation #TamadaWakimotoArchitects

This article details the construction and design of a new three-bedroom modern Japanese-style house located in Lennox Head on the NSW north coast, built by video editor Raquel Banks and builder Jack Nyboer of Nobo Build. The project, which took approximately two years from design to completion, features a single-story layout with two courtyards and a self-contained studio, thoughtfully integrated into its natural surroundings overlooking a nature reserve. The house's design centers around maximizing daylight and connecting indoor and outdoor living spaces through dual north-facing courtyard gardens. The central courtyard serves as a communal outdoor space ideal for entertaining, while a more private rear courtyard, adjoining the main bedroom, includes a plunge pool and outdoor shower, creating an adult retreat. This innovative layout ensures that every area of the home enjoys a view of the garden, fulfilling Jack's initial vision for the property. The exterior of the home features charred jarrah-clad walls, utilizing the Japanese shou sugi ban technique for timber preservation, which also provides a raw, maintenance-free aesthetic that contrasts with the brighter interior. The interior palette, selected by Raquel, emphasizes warmth and coziness through materials such as spotted-gum veneer kitchen cabinetry, travertine benchtops and bathroom tiles, and polished concrete flooring. This neutral base allows for personalization through soft furnishings and contemporary artworks by local artists, which introduce summery and playful colors. Collaboration was a key aspect of the project, with long-time friends architect Hayley Pryor and landscape designer/carpenter Rhys Heggie contributing their expertise. Hayley Pryor was instrumental in proposing the two separate courtyards and the detached studio. The construction itself was largely a hands-on effort by Jack and Rhys, involving long days but ultimately resulting in a home that surpassed expectations. Material choices throughout the house were inspired by the landscape, featuring organic and simple finishes selected for their textural and tonal qualities. The kitchen combines spotted gum cabinetry with overhead MDF cabinets in Moss Grey, complemented by a travertine benchtop. In the bathrooms, travertine flooring and custom-made spotted-gum mirrors reflect the natural theme. The landscape design incorporates Australian native plantings such as coastal pigface, kangaroo paw, and banksia and blueberry ash trees, thriving in the local climate. The living zone boasts a soaring raked ceiling and louvered windows that facilitate cooling breezes and cross-ventilation, especially during warmer seasons. Expansive glazing throughout the home frames views of the lush courtyards. Though the couple has since sold the house, they express immense pride in their first joint project, emphasizing the journey from an initial idea to a tangible home and the value of teamwork. #JapaneseStyleHome #CoastalLiving #CourtyardDesign #SustainableDesign #IndoorOutdoorLiving #ArchitecturalInnovation #MaterialPalette #LennoxHead

Hélène Séguin and Vincent Lavoie, inspired by their 1996 trip to Japan, embarked on a journey to design and build a timber-frame home that blended their needs with Japanese Zen elements. They envisioned a residence that would offer balance and calm, surrounded by natural beauty. The couple spent years meticulously developing their plans, collaborating with ConSpecTek, a structural timber-house design firm, and architect technician Carl Fournier to translate their vision into detailed 2D/3D blueprints. In 2001, Séguin and Lavoie acquired a 5,109-square-meter lot in Hudson, bordered by a protected natural forest reserve. The construction of the B.C. fir timber frame, crafted by Heirloom Timber Frames, began in the spring of 2007. Donald Elliot, a general contractor from Hudson, was enlisted to oversee the project, ensuring a professional and committed team was in place. The self-build project presented its share of challenges. A significant budget overrun occurred when the selected metal roofing firm became unavailable, necessitating the choice of a more expensive alternative. This unexpected cost led to the postponement of certain additions, such as a garage. Despite these hurdles, the couple, along with their two young sons, moved into their partially completed home in February 2008. Over the years, Séguin and Lavoie have continued to enhance their property, adding a pond, sunrooms, a spa with a pergola, and extensive landscaping. The house itself measures 18.28 meters by 13.71 meters and is clad with horizontal white pine planks stained a cedar color. It features cathedral ceilings up to 7.31 meters high in some areas. With no basement, most of the approximately 233 square meters of living space is on the ground floor, complemented by a 20-meter mezzanine housing the main bedroom. Toitures Vaillancourt installed the galvanized sheet-metal roof, and the facade is adorned with a mix of shrubs, climbing plants, and seasonal decorations. Upon entering the house, the Japanese influence becomes immediately apparent. The entryway features slate slabs covered in a glossy, wet-looking epoxy resin, evoking the imagery of a natural riverbed. A Japanese cherry-wood lamp illuminates these details. Two large openings in the wall, designed for glass aquariums that house koi during winter, separate the entryway from the kitchen and offer a view through to the living room and the forest beyond. The dining room incorporates a unique feature: a hollow space 45.72 centimeters lower than the floor, allowing for Japanese-style seating with legs comfortably tucked under the suar wood table. Tatami mats and carbonized bamboo plank floorboards enhance comfort and style. An antique Chinese buffet, acquired during the couple's time in Luxembourg, adds a touch of international flair. The dining room and sunrooms offer views of the pond, with one sunroom serving as an extension of Séguin's psychology office during the summer months. The kitchen, designed for a modern and clean aesthetic, features stainless steel. Pierre Morency Architecte, known for his restaurant kitchen designs, contributed to the layout and suggested a 4.57-meter-long B.C. fir beam as the island counter. Stainless steel cabinets, designed and manufactured by Cajo Métallurgie Inc., were added later around the refrigerator. The kitchen and living room form a cohesive, airy space with Chinese slate flooring from Ramacieri Soligo. Radiant heating from hot-water pipes embedded in the concrete slab ensures warmth throughout the house. A notable architectural detail in the living room is a curved lower timber beam, mimicking a Japanese Torii gate. The space is furnished with an Italian leather sofa purchased in Luxembourg and an antique Chinese cabinet adorned with photos of jazz musicians. Pine wood steps attached to a single galvanized steel beam lead to the main bedroom on the mezzanine, with a custom-made handrail by a Dorion tinsmith and tightly stretched wire cables extending along the mezzanine. The main bedroom, an open-concept ensuite overlooking the living room, features a king-size mattress on tatami mats on an elevated level. The room receives ample light from the living room's upper windows, which align perfectly with the mezzanine. A free-standing Japanese-style vanity required careful planning, including the creation of a false beam to accommodate plumbing without obstructing light. The ceiling is decorated with bamboo slats and natural bamboo poles. Outdoors, the pergola is constructed from B.C. fir beams by Heirloom Timber Frames, and the spa base is made of IPE wood, known for its durability and resistance to humidity, rot, and insects. The exterior pond, a focal point visible from several rooms, was built by Jean Brulé of Jardins Aquadesign, drawing inspiration from a Japanese pond visited by the couple. It features three levels for various aquatic plants and is surrounded by natural stones laid by JPL Excavation and Landscaping. The pond is home to 25 to 30 koi, some purchased and others adopted, which are hand-fed daily. The residents affirm that their home, surrounded by nature, embodies a peaceful and Zen atmosphere, fostering a sense of balance and calm, with ongoing plans for future enhancements to their personal paradise. #JapaneseDesign #TimberFrameHome #ZenLifestyle #HudsonArchitecture #CustomHomeBuild #InteriorDesign #SustainableLiving #LandscapeDesign #HomeRenovation

The article presents the renovation of a 1970s wooden house located in Sumida City, Japan, undertaken by the architecture firm ROOVICE. Originally a dark and compact 65m² residence, the project focused on adaptive reuse with modest updates to align it with contemporary living standards. The revitalization effort is detailed through various aspects of its design and implementation. The project involved a comprehensive overhaul of the existing structure. The renovation aimed to maximize natural light and create more open, functional spaces. Key interventions included reconfiguring the interior layout, replacing outdated materials, and introducing modern amenities while preserving the house's inherent character. The design philosophy emphasized thoughtful, subtle changes rather than radical transformations, ensuring that the updated house retained a connection to its past while embracing modern needs. Material selection played a crucial role in the renovation. Wood, being the primary material of the original structure, was thoughtfully integrated into the new design. This likely involved restoring existing wooden elements, using new timber for structural enhancements or finishes, and ensuring a cohesive aesthetic that celebrated the material's warmth and texture. The choice of materials contributed to both the durability and the visual appeal of the renovated spaces. The layout modifications addressed the previous issues of darkness and compactness. Strategies to increase natural light might have included enlarging windows, creating new openings, or reorienting certain rooms. The aim was to foster a brighter and more spacious feel within the limited footprint of 65m². This spatial reconfiguration would have considered the daily activities of the occupants, designing areas that flowed seamlessly into one another and provided flexibility in use. ROOVICE, led by architect Sorai Takei, executed the project in 2023. The photographs by Akira Nakamura document the completed house, highlighting its transformed interior and exterior. The firm’s approach demonstrates a commitment to sustainable practices by revitalizing an existing building, thereby reducing the environmental impact associated with new construction. The project also serves as an example of how older residential properties in dense urban areas like Sumida can be successfully adapted for modern living. In terms of manufacturers, the project utilized products from Electrolux, Globo Daily, Miratap, and toolbox. These suppliers likely provided various fixtures, appliances, and construction components that integrated into the updated design. The mention of these manufacturers offers insight into the specific choices made for the interior fit-out and functional elements of the house. Overall, the renovation of the House in Sumida by ROOVICE showcases a mindful approach to adaptive reuse. It illustrates how a dated residential structure can be transformed into a functional and aesthetically pleasing modern home through strategic design decisions, careful material selection, and an understanding of contemporary lifestyle demands. The project contributes to the ongoing discourse on revitalizing existing urban housing stock. #ResidentialArchitecture #HouseRenovation #JapaneseArchitecture #AdaptiveReuse #WoodenHouse #InteriorDesign #SumidaCity #ROOVICE #ArchitecturalPhotography

The former residence of the late Japanese fashion designer Kenzo Takada, known as The Kenzo House, is currently on the market through Christie's Real Estate. Located in the Bastille area of Paris, the four-story home was originally constructed by Takada in 1993 within the courtyard of an 18th-century Parisian building. Takada, who founded his eponymous label in Paris, sought to create a living space that harmoniously blended Eastern and Western design aesthetics, reflecting his own cultural background and artistic vision. The initial design of the house, which took seven years to complete, aimed to incorporate elements reminiscent of Japan, providing a tranquil contrast to the vibrant Parisian atmosphere that inspired his fashion work. The property underwent a significant redesign in 2018 by acclaimed Japanese architect Kengo Kuma. Kuma's architectural philosophy, focused on a “frame of nature,” guided the renovation, emphasizing the integration of natural materials and light to foster a deeper connection with the environment. Kuma's redesign utilized organic Japanese building materials such as ceramic, stone, bamboo, and various types of wood, aligning with his belief that these materials enhance the experience of nature within architectural spaces. He championed transparency as a characteristic of Japanese architecture, employing light and natural elements to achieve a distinctive form of visual and atmospheric clarity within the home. The Kenzo House features an expansive layout including four bedrooms, six bathrooms, a music room, a fitness room, a study, an elevator, and staff studio apartments. A central aspect of the property's appeal lies in its meticulously designed outdoor spaces. The garden includes a stone pond inhabited by nishiki carp, and extensive landscape gardens featuring cherry trees, maple trees, bamboos, moss, rocks, and waterfalls, all crafted to evoke the serene beauty of a traditional Japanese landscape. A key element of Kuma's redesign involved reorienting each bedroom to face the garden, visually and materially framing the house with nature. The property also boasts a Japanese pavilion with a traditional tea-ceremony room, complete with tatami mats and shoji sliding doors, opening directly onto the koi pond. Further incorporating Japanese design, a terrace with an outdoor lap swimming pool was converted into an engawa, a traditional Japanese exterior corridor made of wooden latticing, providing a covered outdoor dining and entertaining area with lush green foliage. An elegant stone bathtub offers panoramic views of the Parisian rooftops, contributing to the sense of luxury, peace, and pleasure envisioned in the home's design. #KenzoTakada #ParisRealEstate #JapaneseArchitecture #KengoKuma #LuxuryHomes #HomeDesign #EasternWesternFusion #ArchitecturalRenovation #GardenDesign

The 'Kusatsu House' in Shiga, Japan, designed by Hearth Architects, is a family home structured in an L-shape to embrace a central, tree-planted courtyard. This architectural decision was driven by the clients' desire for a home with a garden where family members could relax and interact, fostering a sense of togetherness. The L-shaped layout effectively integrates nature into the common living areas, creating a lively and engaging atmosphere within an otherwise understated interior palette. The design thoughtfully connects the indoor and outdoor spaces through extensive floor-to-ceiling openings, allowing abundant natural light to penetrate the home and blurring the lines between the interior and exterior environments. This approach enhances the feeling of openness while maintaining privacy. To balance openness with the need for seclusion, the veranda is enclosed by a concrete wall, offering a more private and introverted outdoor space. The design also incorporates traditional Japanese architectural elements, particularly evident in the courtyard. A wooden strip of flooring extends from the interior, effectively expanding the living area into the garden, providing a dedicated space for relaxation and connection with nature. The interiors are characterized by warm, natural tones, and a deliberate absence of excessive decoration, contributing to a minimalist and serene aesthetic. A notable feature is a small, separate Japanese-style room, which fulfills a specific client request. This room is distinguished by its vibrant colors, traditional tatami flooring, and an opaque opening that allows dim light to enter without compromising privacy. The project details confirm that the Kusatsu House was completed in February 2020. It spans a site area of 160.41 square meters, with a building area of 65.21 square meters and a total floor area of 99.36 square meters. Photography for the project was done by Yuta Yamada. Hearth Architects successfully met the clients' brief by creating a harmonious living environment that celebrates both communal interaction and individual privacy, all while deeply connecting with its natural surroundings through thoughtful design and traditional influences. The house stands as a contemporary example of Japanese residential architecture that prioritizes natural light, spatial fluidity, and a calm, inviting atmosphere. #LShapedHouse #HearthArchitects #KusatsuHouse #JapaneseArchitecture #CourtyardDesign #ResidentialArchitecture #NaturalLight #IndoorOutdoorLiving #MinimalistInterior

Sides Core, an Osaka-based studio led by Sohei Arao and Sumiko Arao, designed the House in Mikage for a family with a young child in Kobe, Japan. This project came 15 years after the architects had previously designed a beauty salon for the same clients. The core design philosophy for House in Mikage was to create a series of simple, flexible "containers" using quality materials that would adapt to the family's evolving needs over time. The architects emphasized that such simple containers are timeless, prevent boredom, and allow the inhabitants and their lives to shine. They view living spaces as essential containers that enhance family life and individual experiences. The timber-framed house is situated in Mikage, a residential area near Osaka Bay, just outside Kobe. The plot is uniquely positioned two meters above street level, a deliberate choice that not only provides a private parking space but also ensures privacy for the residents. This elevated position also offers clear views of a forested cliff to the south, integrating nature into the home's visual experience. From the exterior, the house presents itself as a clean, white cuboid structure. It features two prominent, wood-lined openings. One of these openings creates a sheltered balcony on the first floor, which connects to a shared circulation area, storage space, a double bedroom, a single bedroom, and a bathroom. On the ground floor, the second large opening partially shelters a spacious terrace. This terrace serves as an entry point to the open-plan living, kitchen, and dining area through full-height glazed panels. The architects highlighted the deliberate presence of nature within the house, with south-facing windows leading to these outdoor spaces. These deep, tunnel-like openings are strategically designed to obscure views of neighboring houses, providing a serene environment while effectively framing the natural scenery beyond. Exposed structural elements, such as timber beams and ceiling boards, are uniformly pitched throughout the interior. These elements, along with structural supports, showcase the natural character of the wood and serve to connect the interior and exterior spaces visually. Inside the house, the use of wood extends to the stair treads, flooring, and partitions on the upper level, as well as built-in shelving and storage solutions, reinforcing the natural aesthetic. Other interior surfaces are predominantly finished in white, including the slender bannister of the staircase, creating a bright and minimalist contrast with the timber. A compact storage area is discreetly integrated beside the main entrance, which is located on the side of the house. The architects intentionally minimized permanent fixtures in the space, inspired by the clients' previous home, which they found to be uncluttered and efficient. This approach allows for greater flexibility and personalization within the living areas. A notable custom-designed piece is a trestle table on the ground floor, which features interchangeable legs. This innovative design allows it to function as a traditional Japanese low table (chabudai), to be folded away for storage, or to be moved onto the outdoor terrace, reflecting the adaptable nature of the living space. Sides Core suggests that the owners will likely continue to modify their furniture to suit their evolving lifestyle. Founded in 2005, Sides Core is recognized for its minimalist salon interiors, including projects like a salon in Osaka that accommodates only one client at a time and another with mirrors suspended from the ceiling by cables. The architects observed that the salon they designed for the clients 15 years prior still maintained a modern aesthetic, indicating the owners' dedication to maintaining their spaces, a factor that influenced the design of their new residence. Photography of the House in Mikage was conducted by Takumi Ota. #HouseInMikage #SidesCore #KobeArchitecture #JapaneseResidential #WoodenArchitecture #MinimalistDesign #FlexibleLivingSpaces #TimberFrame #InteriorDesign