
In L.A., a Cheaply Constructed Pop-Up Bar That’s a Work of Art (Published 2015)
Los Bar, an art installation conceived by four artists-in-residency at the MAK Center in Los Angeles, functions as both a pop-up bar and a conceptual art piece. The project is a 0.65:1 scale replica of Vienna’s renowned Loos Bar, designed in 1908 by Adolf Loos. Located in the garage of the Rudolph Schindler’s 1939 Mackey Apartments, where the artists reside, Los Bar meticulously reconstructs the original’s refined aesthetic using unconventional, everyday materials.
The original Loos Bar, celebrated for its stripped-down yet sophisticated design and geometric simplicity, anticipated the Modernist movement. The artists – Andreas Bauer, Christoph Meier, Robert Schwarz, and Lukas Stopczynski from Austria and Germany – have reinterpreted these elements with readily available, inexpensive items. For instance, the marble coffered ceiling of the original is crafted from cardboard in Los Bar. Brass and wood handrails are ingeniously replaced with foam pool noodles, while a backlit onyx wall fixture is recreated using paper, glue, and sawdust. The artists deliberately opted for a quick and low-cost construction process, utilizing tools like a nail gun to emphasize an "American way of production," drawing inspiration from America’s DIY culture and Hollywood set design.
Every Friday night, Los Bar transforms into a vibrant hub for Los Angeles’s art community. The artists, who met in April upon starting their residency, take on hosting and bartending duties. Visitors enjoy PBRs and schnapps, acquired through donations, amidst a rotating program of events. Past events have included a mariachi band performing on a small stage and an artist tattooing patrons. The bar’s distinct European atmosphere, characterized by its loudness and allowance for smoking, contrasts with the more orderly bar scene typically found in L.A.
Los Bar serves a signature cocktail named TGV, a potent mix of tequila, gin, and vodka, presented in a glass atop a concrete plinth. The project is set to conclude in mid-September, coinciding with the end of the artists’ residency. The final night will feature performances by previous acts and a wedding ceremony, officiated by Stopczynski, who was ordained online. The artists express aspirations to construct further replicas of Los Bar, experimenting with different scales, and envision London’s Turbine Hall at the Tate Modern as a potential future site for a larger iteration.
Los Bar challenges conventional notions of art and architecture by transforming a historically significant space through accessible materials and a temporary, performative context. It serves as a commentary on design, production methods, and cultural exchange, offering a unique social experience that blurs the lines between art installation and functioning social venue.
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