A Texas Designer Gives an 1898 Folk Victorian a New Life Outside of Austin

This article highlights a unique interior design project by Clive Lonstein in Litchfield County, Connecticut, transforming a late 1800s Colonial Revival home with a distinctive turret. Lonstein, a designer who previously worked for William Sofield, opened his own studio in 2016. His clients requested bold color, comfort, and an interesting backdrop for their growing art collection, seeking a bespoke design tailored to their tastes. Instead of extensive structural renovations, Lonstein focused on a decorating approach, embracing the architectural personality of the house designed by Ehrick Rossiter, known for his whimsical country homes. Lonstein emphasized the importance of context in his projects, subtly infusing the unique characteristics of the location into the design. The project involved a vibrant use of color, beginning with a candy apple-red front door, an aubergine staircase, and a bubblegum pink kitchen. The sitting room features moss-hued paint, reflecting the clients' desire for the rich colors often seen in English country houses. The living and dining rooms, however, maintain a white base to allow a diverse collection of art and furniture to stand out. Lonstein skillfully integrated the clients' existing furniture, reupholstering pieces and adding new ones. For instance, the living room showcases paintings by Sophie Larrimore, Caitlin Keogh, and Mary Grigoriadis alongside a reupholstered 1950s sofa, chairs by Sergio Rodrigues, and a game table and chairs by George Nakashima. In the library, a vintage Viggo Boesen chair upholstered in sheepskin complements a sofa, with table lamps from Bitossi and a desk and chair by Mira Nakashima. Upstairs, the color scheme continues with a chartreuse bathroom and a collegiate blue bedroom, echoing the hue of an Yves Klein table downstairs. Lonstein’s favorite space, the round turret room, is bathed in a dusty pink that harmonizes with the original elaborate moldings and serves as a backdrop for a richly-hued photograph by Vik Muniz. A collaborative effort with the client’s art advisor, Bridget Murphy, ensured the seamless integration of the art collection into the design. In the dining room, another Vik Muniz photograph after Gustave Courbet enlivens the neutral space, which includes sheepskin-upholstered vintage Saarinen chairs, a Noguchi light, and a 1950s Martin Eisler caned credenza. Lonstein's approach, despite his personal aspiration to minimalism, is characterized by an appreciation for the idiosyncratic, demonstrating his talent for cohesively blending diverse elements and client preferences into a unified and vibrant interior. #CliveLonstein #InteriorDesign #ConnecticutHome #VictorianArchitecture #BoldColors #ArtIntegration #EclecticDecor #HomeRenovation #DecoratorProject

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Austin's design landscape, traditionally celebrated for its architectural prowess with influences from Texas Rangers architects and contemporary figures like Craig Dykers, James Dodson, and Michael Hsu, is now experiencing a flourishing furniture design scene. This resurgence is fueled by the city's innovative environment, attracting creatives, particularly those with backgrounds in architecture and traditional design, to explore smaller-scale, more intimate projects. This article delves into the practices of three distinct furniture design companies—Muhly, Yucca Stuff, and Maček Furniture—to offer a comprehensive understanding of Austin's dynamic furniture design community. Muhly, established in 2021 by lifelong friends Ann Edgerton and Megan Carney, exemplifies contemporary design with a focus on both aesthetics and functionality. Their work, such as the Lindheimer Credenza, reinterprets classic pieces through modern lenses, showcasing natural wood grains and cross-sections. While primarily working with wood, Muhly also experiments with materials like steel for outdoor furniture, as seen in their powder-coated Lineage Bench and stainless steel Flecto Fire Pit. Their iterative design process, involving extensive hand drawings, has resulted in creations that have attracted significant public and professional interest, including collaborations with interior designers like Kelly Wearstler and commercial clients such as La Condesa restaurant. Yucca Stuff, founded by Daniel Morrison, embraces a Texas-centric sensibility, blending domestic hardwoods with unique materials like limestone. Morrison, an architect by training and a self-taught woodworker, explores the harmonious integration of contrasting materials. His design philosophy centers on finding the most aesthetically pleasing way for different materials to interact, evident in pieces like the Odessa Coffee Table and the Concho Table. These designs ingeniously resolve the interface between porous limestone and hardwood through innovative joinery. Yucca Stuff's success led to a collaboration with Design Within Reach in 2022 and features in DIOR's flagship New York store and across East Asia and the Middle East, highlighting the brand's global appeal and Morrison's continuous exploration of new materials, including Mexican lava stone. Maček Furniture, led by Mark Maček, boasts 28 years of experience, producing high-quality custom furniture. Maček, also initially from an architectural background, discovered a passion for the tangible nature of woodworking. His design ethos is rooted in functionality, which has evolved through years of custom work, yet he maintains a distinct level of craftsmanship. Collaborations with architects and designers, such as the Kathleen Desk created with Ann Tucker, demonstrate his ability to adapt his design language while retaining his signature style. Maček also dedicates time to academia, teaching wood design at The University of Texas School of Architecture (UTSOA), where he mentors young designers and imparts both the theoretical and practical skills of woodworking. A significant factor contributing to Austin's thriving furniture design scene is The Splinter Group, a large communal maker space in East Austin. This workshop accommodates 25 tenants and 40 artisans, serving as a hub for the region's leading furniture designers, including Muhly, Yucca Stuff, and Maček Furniture. The Splinter Group fosters an inspiring environment characterized by a free exchange of ideas and experiences. Mark Maček, as one of the wood shop’s three managers, emphasizes the critical importance of such affordable and collective spaces for woodworkers, metalworkers, and ceramicists. He highlights that craftsmanship is inherently communal, with designers relying on a local network of makers, suppliers, and enthusiasts to push the industry forward. #AustinDesign #FurnitureDesign #Woodworking #CustomFurniture #MaterialInnovation #DesignCommunity #Craftsmanship #InteriorDesign #TexasDesign

Designers are increasingly drawing inspiration from English interiors, and tapestries are emerging as a prominent antique item in stylish spaces. These textiles are being embraced to introduce warmth and character into modern interiors, moving away from formal perceptions to appear cozy and confident. Whitney Romanoff of Meet West notes that tapestries instantly add mystery, romance, and softness, captivating with their historical craftsmanship and visual narratives. This trend signifies a shift towards cultivating atmosphere, reminiscent of English country houses where layered textures, mixed patterns, and a lived-in feel are valued over excessive polish. Modern applications of tapestries emphasize rich, moody aesthetics, often featuring velvets, fringe, and pastoral scenes that contribute texture and depth, creating an intimate, cocooning effect in living spaces and bedrooms. The renewed appeal of tapestries aligns with a broader desire for personalized rather than impeccably polished rooms. Designer Sarah Stacey highlights that tapestries are classic, versatile, and can function as wall art, a means to conceal televisions, or even as material for pillows and upholstery. She notes their ability to read as almost neutral despite intricate designs due to their non-repeating patterns. The growing appreciation for handmade items in an increasingly AI-driven world also contributes to the timing of this trend. For individuals seeking impactful decor without committing to extensive gallery walls or large paintings, a tapestry offers an accessible solution to complete a large wall. Designers recommend specific strategies for styling tapestries. Crystal Sinclair appreciates the texture antique tapestries bring, using them to introduce a sense of history and balance to modern environments. She advocates for pairing them with contemporary furniture to avoid a heavy or theatrical feel, emphasizing that the textile's age becomes an asset when contrasted with clean-lined pieces. Sinclair advises homeowners to be bold with their choices, suggesting that a tapestry should be a room's focal point. Both Stacey and Chiara de Rege agree on the importance of scale, encouraging oversized pieces that can extend almost wall-to-wall or behind furniture, making the layering appear intentional and allowing the tapestry to define the space. Achieving a current aesthetic with tapestries hinges on contrast. Designers stress the importance of combining them with modern furniture, streamlined shapes, or unconventional materials. De Rege particularly enjoys the dynamic tension created by juxtaposing very old tapestries with contemporary elements like steel consoles or modern seating, describing the effect as both grand and subtly satirical. The objective is not to replicate historical period rooms but to use the tapestry as a grounding element, allowing the rest of the decor to feel fresh and contemporary. When sourcing, designers overwhelmingly favor vintage pieces for their unique character and inherent narrative. Sinclair emphasizes the challenge and reward of finding suitable vintage tapestries, while Stacey often searches auctions, flea markets, and online marketplaces. De Rege encourages selecting pieces whose stories resonate with the client and project. In an era where warmth, personality, and thoughtful design are highly valued, tapestries provide a unique blend of intimacy, layering, and groundedness, offering a sense of escapism that aligns with current design sensibilities. #InteriorDesign #HomeDecor #TapestryTrend #AntiqueDecor #DesignInspiration #EnglishInteriors #TextileArt #VintageHome

The article profiles the interior design firm Breckinridge Taylor, founded by Charles Taylor and Breck Woolsey, focusing on their return to Dallas from California and their impact on the local design scene. Both designers, originally from Texas, met in San Diego and decided to establish their business in Dallas, citing the city's abundance of opportunities for small businesses. They experienced initial delays in launching due to their ongoing individual projects but eventually succeeded in forming their company. Breckinridge Taylor is noted for its collaborative style, which blends vintage aesthetics with an eclectic mix of traditional, midcentury, and contemporary elements. The designers incorporate unexpected shapes and finishes into their work. Taylor describes his style as more contemporary, often mixing it with midcentury modern pieces, while Woolsey combines traditional and midcentury modern with Hollywood Regency influences. They aim to introduce current design trends to Dallas, often drawing from what is popular on the coasts or their personal tastes. Beyond their interior design services for residential and commercial spaces, such as the Osgood O’Neil salons, Breckinridge Taylor has ventured into furniture design. They collaborated with Mecox to create a line of 70 wood furniture pieces available in various finishes and also designed a rug collection sold at Interior Resources. Additionally, they have created special edition Lucite furniture for Plexicraft and will soon feature their updated vintage pieces at Again & Again. They have also launched a separate furniture line called Whilom Inc., which will soon be available at Mecox. On the commercial front, the duo has completed the interior design for John Tesar’s Spoon restaurant in Preston Center. They credit their success to the support and endorsement of bloggers, tastemakers, and influencers. Both designers expressed admiration for the architecture and innovative design of the Perot Nature and Science Museum, which they view as an example of the originality they hope to see more of in Dallas. The Design District in Dallas is highlighted as their favorite area, recognized for its comprehensive resources for designers and its potential for future growth with new restaurants, living spaces, and hotels. The article also mentions their participation in charitable events, including a Habitat for Humanity competition and a Dwell With Dignity event, demonstrating their engagement with the local community. #InteriorDesign #HomeDecor #DallasDesign #BreckinridgeTaylor #FurnitureDesign #CommercialDesign #VintageModern #EclecticStyle #TexasDesigners

The article explores the evolution of the Williamsburg brand, which has shifted from merely reproducing 18th-century colonial furniture and decor to creating contemporary pieces inspired by historical archives. Historically, residents of Colonial Williamsburg were influential in American high style, importing trends from prominent 18th-century London cabinetmakers. The restoration efforts initiated by Rev. Dr. W. A. R. Goodwin, John D. Rockefeller, and Abby Aldrich Rockefeller in the late 1920s solidified Williamsburg's reputation as a bastion of American traditional style and helped popularize Colonial Revival-style architecture. The initial Williamsburg brand collections launched in 1936 to meet consumer demand for colonial reproductions. Kiri Franco, Director of Brand and Licensing for Colonial Williamsburg Foundation, highlights the brand's adaptation to modern living, noting that contemporary interpretations often surprise people with their "trend meets tradition" aesthetic, especially in collaborations with licensees like Global Views, Robert Abbey, and Capel. Williamsburg Licensing’s associate director, Liza Gusler, and senior brand designer, Jillian Pyle, emphasize that new product introductions often derive from design elements discovered in the foundation's extensive archives, which house over 70,000 items. These archives provide inspiration for innovative products that bear little resemblance to the original items or traditional reproductions. An example is the Shoe Buckle Mirror from Global Views, inspired by an 18th-century shoe buckle. The process involves curators and designers exploring the archives to find graphics, shapes, or details that can be reinterpreted into new, contemporary designs. In a significant move, Williamsburg introduced its first Designer in Residence, Anthony Baratta, who reimagined the interior of the historic Palmer House (circa 1750) on Duke of Gloucester Street. Baratta, known for his eclectic, all-American, and maximalist style, was invited to furnish and decorate the 18th-century home with a fresh take on Americana. Due to the home's historic designation, structural changes were not permitted, so Baratta focused on paint and furnishings. He utilized a palette of historically accurate primary colors (vermilion, blue, yellow, and green) in various rooms and incorporated a mix of traditional Williamsburg reproduction furniture, contemporary Williamsburg products, and antiques from his personal collection. Baratta’s design approach involved blending different eras and styles. In the living room, he combined a Victorian balloon-back armchair, a Duncan Phyfe-style sofa, and a Chippendale-style wing chair. Accessories included neoclassical-style urns and traditional brass candlesticks. In the dining room, he paired Caskata’s Blue Marble dinnerware, inspired by antique hand-marbled endpapers from the archives, with Mottahedeh’s traditional Imperial Blue dinnerware. The master bedroom featured a brass bed once owned by Gore Vidal, Robert Abbey swing-arm reading lamps, and a metal sculpture from Global Views inspired by 18th-century clock hands. He also layered the walls with contemporary paintings, vintage prints, ship models, and dioramas from his collection alongside reproduction artwork. Baratta's residence at the Palmer House provided an immersive experience, allowing him to create a lived-in feel rather than a period-specific show house. Future plans include another Designer in Residence and new collaborations that extend beyond traditional home interior spaces, showcasing Williamsburg's continued evolution in home design. #HistoricPreservation #HomeDecor #InteriorDesign #HistoricHomes #Williamsburg #AnthonyBaratta #ColonialRevival #DesignEvolution #ProductInnovation

Jennifer Liffman's journey into interior design began in 2012 during a vacation in Florida, where an encounter with Coastal Living’s Ultimate Beach House ignited a long-dormant passion. Despite this initial spark, her formal pursuit of design education did not commence until early 2020, coinciding with the onset of the COVID-19 pandemic. During this period, while at home with her family, Jennifer enrolled in a distance-learning program at the New York Institute of Art and Design, delving into various aspects of interior design from hand drafting to space planning. This educational experience culminated in the launch of her own design firm in 2022, and she subsequently joined the interiors team at Craft Realty/Interiors/Homes. Simultaneously with her professional development, Jennifer applied her burgeoning design expertise to her family's late-1960s ranch-style home in Jefferson Terrace. The Liffmans had moved into the home in August 2016 and initiated a series of renovations to align the space with their family's lifestyle. Exterior modifications included painting the brick for a more contemporary aesthetic, while interior changes involved replacing carpeting and tile with wood flooring and expanding the opening between the foyer and living room. These foundational updates paved the way for personalization, with each space being brightened and infused with unique touches. The renovation project was a collaborative family endeavor. Jennifer’s father, John Hawkins, contributed significantly by constructing custom shelves and cabinets for the living room, laundry room, and primary suite bathroom. Her husband, Eric, applied Venetian plaster finishes to select walls, adding textural depth. The home also became a showcase for art, prominently featuring works by Eric’s mother, artist Christy Diniz-Liffman, as well as pieces from other professional artists within their extended family, reflecting the couple's shared appreciation for art. A central theme in Jennifer's decorating philosophy is the integration of meaningful artworks, antique furnishings, and heirloom pieces that carry sentimental value. Examples include an antique iron bed and desk in her daughter Emma’s room, which previously belonged to Eric’s sister, and recovered wingback chairs from her grandmother that now grace the living room. Her coffee table exemplifies this blend of old and new, featuring an antique wood base paired with a new limestone top. Jennifer emphasizes the importance of creating thoughtful, collected spaces that blend time-honored items with contemporary elements, as seen with a hutch in her dining room, a piece inherited from her grandmother that she uses daily. The transformation of her home remains an ongoing process, with Jennifer continuously applying her evolving design skills to spaces like the master bedroom. Beyond her personal residence, she and the Craft Interiors team are actively involved in designing custom finishes for luxury home builds and are preparing for a significant 5,000-square-foot remodel. Jennifer acknowledges that her personal style is still developing and embraces the eclectic nature of her home, which accommodates her growing children, pets, and the continuous evolution of her design aesthetic. #InteriorDesign #HomeRenovation #RanchHome #FamilyProject #EclecticStyle #AntiqueFurniture #HeirloomPieces #HomeDecor #DesignCareer

Sara Story Design, a New York City-based firm, collaborated with Lake|Flato Architects to create SK Ranch, a modern ranch retreat nestled in the Texas Hill Country. The expansive property spans 10 acres of rolling hills and encompasses a main house, a guest retreat, a pool house, and a tennis pavilion. The architectural design of the ranch skillfully merges modern aesthetics with classic ranch elements, incorporating both modern and vintage furnishings, clean lines, and an impressive collection of contemporary art. The construction prominently features massive blocks of Texas Lueders limestone, complemented by steel and glass walls, which allow for abundant natural light and offer expansive views of the surrounding green landscape through floor-to-ceiling windows. The main house features an open-concept living and dining area with double-height ceilings, creating a grand and spacious ambiance. A notable design element in this space is the Fragile Future chandelier by artists Lonneke Gordijn and Raph Nauta, crafted from dandelion seed heads, concrete, and phosphorus bronze. This unique lighting fixture is positioned in front of a surrealist painting by Tomasz Kowalski. Beyond the main living area, the house includes an eat-in kitchen, six bedrooms, and a master suite. The pool house provides a tranquil space with views of both the landscape and the pool, suggesting a serene environment for relaxation. Each of the bedrooms within the ranch is designed with a distinct character. The master suite, conveniently located adjacent to the great room, is characterized by perforated suede wall panels that impart a luxurious feel. This suite also features a vintage 1970s Eileen Gray Transat Chair and a painting by Kati Heck. The separate guesthouse offers additional accommodation, comprising two bedrooms, an indoor/outdoor living room, and a wine cellar, further enhancing the retreat's amenities. The overall design emphasizes a harmonious blend of indoor and outdoor living, capitalizing on the picturesque Texas landscape. The selection of materials, from local limestone to contemporary art, reflects a considered approach to creating a sophisticated yet comfortable family ranch. #ModernRanch #TexasArchitecture #LuxuryHomes #InteriorDesign #ContemporaryArt #SaraStoryDesign #LakeFlatoArchitects #ArchitecturalDesign #HomeDecor

This article highlights the design philosophy and personal home of Katie Kath, an interior designer and partner at Jkath Design Build + Reinvent. Kath embarked on building her dream home with her husband, Jesse, on a double-wide lot along Minnehaha Creek, aiming to create a space that prioritizes timeless interiors, exceptional quality, and impeccable craftsmanship, moving away from a standard builder-grade aesthetic. The vision for their 4,000-square-foot home was to incorporate customized features tailored to their family of five, ensuring every detail was intentional and thoughtfully chosen. The construction of the home, which commenced during the pandemic, was completed in a swift eight months. Despite the rapid timeline, design decisions were meticulously made, with Katie acting as both the manager and client. This dual role necessitated careful attention to both major and minor details to ensure the home's enduring appeal. Key design elements on the main floor include reclaimed wood beams from Manomin Resawn Timbers and alder accents in the cabinetry, island, and built-in banquette, which together create a warm and inviting atmosphere. The cast stone fireplace surround, matching the kitchen cabinetry, serves as a contemporary focal point in the living room, with white oak flooring extending up to its base for a seamless look. The home's modern design is enhanced by black-frame windows, which are balanced with gold tones to maintain a comfortable and clean feel. The baseboards and millwork are intentionally taller than standard, adding a traditional touch. Unlacquered brass cabinet hardware from Armac Martin in London provides a desired contrast in the kitchen. Beyond the physical design, the article emphasizes that the true essence of Kath's home lies in the traditions she shares with her family, especially during the holiday season. These traditions transform the house into a cozy, safe, warm, and inviting home, fulfilling her original vision of a timeless, traditional abode with festive flair. Kath also shares practical tips for incorporating seasonal spirit into home decor without overwhelming the space or compromising on timelessness. She advises decorating for the season rather than specific holidays to allow decor to remain relevant for longer periods. Sticking to neutral earth tones for the main color scheme, with bright accents, is another recommendation. Kath suggests focusing decorating efforts on main entertaining areas, like the ground floor, and involving family in the decorating process to make it an enjoyable event. Finally, she advocates for investing in high-quality, reusable decor pieces, such as garland, and taking advantage of end-of-season sales to build a collection of timeless decorations that can be cherished year after year. #HomeDesign #InteriorDesign #TimelessInteriors #HolidayDecor #CustomHome #JkathDesignBuild #Renovation #FamilyHome #SeasonalDecor

This article details the comprehensive renovation of a 120-year-old historic carriage house on New York's Long Island by its new owner, Jamie Morgan, founder of Blake & Dane interior design studio. The property, originally part of a French Beaux-Arts style estate, presented a unique challenge: preserving its historical essence while adapting it for modern family living. Morgan and her husband, Chris, were drawn to the house's character and history, including its 12-foot ceilings, a 30-40 foot entryway cupola, and visible remnants of its past use, such as where hay entered and the original horse doors. The core objective of the renovation was to enhance these historical attributes without compromising contemporary comforts. The kitchen, initially a challenging long, narrow galley layout, was transformed into an intimate family space. A large kitchen island with seating on both sides was introduced to serve as a central gathering point for meals and entertaining. The high 12-foot ceilings, which could have posed a design constraint for cabinetry, were ingeniously addressed by integrating a library ladder and brass rail system, turning a potential problem into a distinctive feature. White kitchen cabinets with dark stone countertops and Signature Hardware pulls were used, with upper glass cabinets skinned in white oak, contributing to a tailored aesthetic. A custom-designed plaster cooker hood and Arabescato Antico marble backsplash further elevated the kitchen's traditional yet modern appeal. The dining room highlights many of the carriage house's original features, including warm-toned ceiling beams from its days as an outhouse. Railings around the stairs and raised floor spaces subtly nod to the former stalls and stables. To visually break up the open-plan living and dining area and add sophistication, elegant moldings and wainscoting were newly introduced. A custom black ash dining table paired with upholstered dining chairs from Arhaus ensures a sleek, contemporary look that harmonizes with the historic backdrop. An arched doorway off the kitchen leads to a butler's pantry, distinguished by its deep green/teal subway tile color scheme. This space provides practical storage with light oak cabinetry and dark wood open shelves, and serves as an additional food preparation area, compensating for the galley kitchen's smaller footprint. The home office masterfully combines old and new elements, featuring an original window alongside a newly installed white oak coffered ceiling. This traditional framework is juxtaposed with contemporary office furniture, including a streamlined desk and striking red chairs, and a Phillip Jeffries' Burled Chevron Carob wallcovering. The design ensures privacy while maintaining an open, airy feel, allowing the office to overlook the living space. The primary bedroom exudes a traditional ambiance with bespoke millwork creating a fitted look around the Arhaus bedframe. Benjamin Moore's Misty Gray on the walls and millwork offers a cool, restful atmosphere, complemented by colorful Milan bedding from Annie Selke, a large arched floor-standing mirror, and a white area rug. The primary bathroom was designed for luxury, incorporating Carrera marble tiles, Waterworks fixtures, and an Aerin Bonnington Chandelier. The layout specifically frames a freestanding bath beneath a window, with watery blue walls adding a shimmering effect. The overall renovation strategy prioritized preserving the home's unique character while upgrading amenities and adjusting the layout to suit modern family needs, resulting in a successful blend of historical charm and contemporary functionality. #InteriorDesign #HistoricRenovation #CarriageHouse #HomeTour #KitchenDesign #DiningRoom #HomeOffice #BedroomDesign #BathroomDesign

The article details the transformation of a modern "blank, white box" home in Highland Park, Dallas, into a space filled with character and originality, guided by interior designer Annie Bacon of Ashby Collective. The client, a London native, sought to infuse her new Dallas residence with a blend of old and new, combining vintage elements with modern classics, playful silhouettes, and rich textures. The overarching design philosophy aimed for an aesthetic that felt "effortless, collected, and organic. The dining room exemplifies this approach, featuring an 18th-century hand-hewn oak table paired unexpectedly with contemporary Cassina Cab chairs by Mario Bellini in a Russian red hue. This initial design decision established a balance that influenced the rest of the home. Throughout the residence, antique accessories and iconic vintage furniture pieces were strategically incorporated to impart a sense of soul and history to the otherwise neutral palette. The home's color scheme is grounded in earthy tones such as mossy green, deep sea blue, rich brown, and rust, demonstrating that a neutral foundation can still achieve intrigue through thoughtful layering of materials and unexpected complements. One of the first pieces acquired for the home was a silk living room rug from Black Sheep Unique. While appearing neutral from a distance, it reveals a spectrum of colors upon closer inspection, setting a vibrant yet subtle tone. The living room, a long and narrow space, was optimized by adding a daybed and distinct seating zones to create visual depth and facilitate intimate conversations. Furnishings in this area include a Lecco sofa from Design Within Reach in inky blue, custom swivel tub chairs in golden velvet, a GUBI coffee table, a Soho Home floor lamp, and art curated by advisor Anne Bruder, all contributing to an eclectic yet harmonious mix. A key consideration for the client was longevity, reflecting a European mindset focused on investing in heirloom-quality pieces rather than fleeting trends. This guided the selection of durable textiles and refined silhouettes throughout the home. The kitchen, initially a "nice but a little sad" gray, was updated with Benjamin Moore’s Cabin Fever, a brown-leaning green, transforming it into a richer, moodier space that aligned with the home's evolving aesthetic. The bathrooms feature dramatic design elements, such as an ombre wallpaper in the powder room, where the light fixture was strategically placed to highlight the lighter gradient. The primary suite embraces a romantic and luxurious feel with Portola’s Roman Clay in Cathedral, honed quartzite counters, and granite tiles. The existing bathroom was fully renovated to create a modern wet room, complete with a sculptural concrete tub, Allied Maker sconces, and a Studio2046 Velasca vanity stool. Upstairs, the media room diverges from the main palette, featuring Benjamin Moore’s Roman Shade, a rosy orange, chosen for its lively and relaxing ambiance. The monochromatic scheme includes coral velvet curtains, a tonal sofa, and custom walnut-and-chrome coffee tables. This room is designed for durability and low-maintenance, suitable for pets. Adjacent to it is a music room for the homeowner's fiancé, adorned with Eames seating and a collection of guitars. The primary bedroom continues the luxurious and cozy theme, wrapped in a Phillip Jeffries wallpaper that subtly shifts between gray and blue, complemented by a custom velvet loveseat, a rope cabinet by SEM Milano, and a fiberglass pendant light by Blue Green Works. The outdoor patio, despite its size, offers multiple seating areas, a fireplace, a TV, and access to a pool, completing the home's comprehensive design. #HomeDesign #InteriorDesign #VintageFurniture #ModernClassics #NeutralPalette #EclecticStyle #LuxuryInteriors #DallasHomes

This article details the transformation of a 100-year-old American Craftsman home in the foothills of Colorado’s Rocky Mountains by the design firm Salvesen Graham. The project was initiated when a young couple, one American and one British, relocated from California and sought a home that blended their cultural traditions, offering both relaxation and elegance without being overly formal. The designers, Mary Graham and Nicole Salvesen, aimed to create a comfortable yet sophisticated living space. The house, part of a community of heritage homes dating back to the early 20th century, presented a unique opportunity for Salvesen Graham, a firm more accustomed to working with buildings over 100 years old in the UK. The designers meticulously preserved and enhanced the home's period features, such as its brick and shiplap exterior and expansive veranda. Their approach balanced respect for the original architecture with a desire to update it for modern living, rather than creating a "living museum" of a 1900s mining town house. In the entryway, a small-scale patterned wallpaper contributes to a Victorian aesthetic, complemented by an Arts and Crafts lantern. The designers made a conscious decision to paint some of the original pine woodwork a sage green to neutralize its overwhelming orange tones, allowing the unpainted sections of craftsmanship to be appreciated more easily. This thoughtful intervention highlights the delicate balance between preservation and contemporary adaptation. The drawing room was designed as a sophisticated space for entertaining, with the clients actively participating in sourcing art, including an abstract floral piece. The living room, in contrast, serves as a more casual gathering area. The project was significantly impacted by the early days of the COVID-19 pandemic, leading to initial client-designer interactions via Zoom. This period also amplified the British client's desire to infuse English design elements into the American architectural style. A central pass-through space in the house was transformed into a hallway-cum-library, offering an intentional quiet zone that connects different rooms. The kitchen, designed in a Shaker style, bridges functional utilitarianism with English charm. Its formal layout was maintained, rejecting the trend of open-plan spaces, and features fitted units and a large island painted in various shades of blue. The dining room, referred to as the "hearth room," provides an informal dining experience with windows on three sides, creating a sense of dining among treetops. The space incorporates a striped floral fabric for curtains and Roman shades, aligning with painted tongue-and-groove paneling on the ceiling. Upholstered dining chairs, vintage rattan chairs, and a vibrant green built-in window seat contribute to a layered aesthetic. The bedrooms, particularly the master suite, are characterized by a rich interplay of color and pattern, featuring florals, stripes, paisleys, and soft geometrics in a cheerful palette of pinks and greens. Salvesen Graham, founded in London in 2013 by Mary Graham and Nicole Salvesen, is known for its layered aesthetic and timeless approach, aiming to create warm and soft interiors inspired by Georgian England and 18th- and 19th-century Indian textiles, while bringing an edge to quintessential British charm. #HomeDesign #InteriorDesign #AmericanCraftsman #BritishCharm #SalvesenGraham #ColoradoHomes #HistoricRenovation #TraditionalModern #LayeredAesthetic

Nina Magon, an interior designer and founder of Contour Interior Design, undertook a significant renovation of her 11,000-square-foot home in Piney Point, Houston. Upon purchasing the property, Magon perceived a negative energy within the house, describing it as 'haunted' and 'run down' with a generally unpleasant ambiance. This emotional and energetic state of the house prompted her to seek a solution beyond conventional interior design practices. Magon turned to Vastu Shastra, an ancient Indian system of architecture that her parents faithfully followed and which she had previously applied with success in her earlier home to address financial difficulties. Vastu Shastra, akin to the Chinese practice of Feng Shui, aims to integrate architecture with nature, ancient beliefs, and traditional Indian culture to create harmonious living spaces that positively impact the inhabitants' well-being. Magon enlisted a Vastu master who meticulously mapped out the entire house, dividing it into 16 directional zones. This detailed assessment revealed fundamental issues with the home's layout according to Vastu principles, necessitating substantial architectural changes. For instance, the family room and kitchen had to be swapped, and the swimming pool's location required relocation to align with Vastu guidelines, which prohibit water sources in certain areas. While Magon did not adhere to all Vastu recommendations, such as specific color placements, these significant structural adjustments were crucial for addressing the perceived negative energy. Beyond the Vastu-driven structural alterations, Magon applied her extensive interior design expertise to transform the aesthetic and functionality of the home. The house, originally featuring a cream-colored plaster finish, appeared dull and dark. Magon and her team opted for a comprehensive repaint, predominantly using white tones throughout most rooms, complemented by the installation of brighter LED lighting. This decision resulted in a light-filled, airy interior that minimized the need for artificial lighting during the day. Magon chose to preserve key original architectural elements, such as the high ceilings, beautiful molding, and wood paneling in the main family room, recognizing their contribution to the house's character. Rather than removing these traditional features, she integrated them with modern European design elements, furnishing the home with pieces from renowned Italian brands like Minotti, Riva, B&B Italia, and Flexform. This approach created a contemporary yet character-rich living space. The renovation also included specific updates in various rooms. The kitchen was outfitted with Gaggenau appliances and Eggersmann cabinetry, featuring Cosentino marble for both the floor and countertops, alongside a Gallotti&Radice hanging lamp and Molteni&C chairs. The master bedroom showcases a B&B Italia bed, with a seating area comprising a Meridiani sofa and a Molteni&C coffee table, accented by a Gallotti&Radice bench and end table. The study adopted a muted grey palette to cultivate a cozier atmosphere, furnished with Fendi armchairs and rug, and a Meridiani table. The game room downstairs incorporated a vibrant orange lounge chair from Zanotta and a Davide Groppi table lamp. The master bathroom utilized marble from Porcelanosa and Cosentino. A dynamic table by Karim Rashid for Riva served as the centerpiece in the dining room, complemented by B&B Italia chairs and a sculpture by Alexander Krivosheiw. The parlor featured Minotti seating, a Serge Mouille lamp, and a sculpture by Richard Macdonald, with a Joan Miró painting adorning the main room. The collaboration between traditional Vastu principles and modern interior design sensibilities ultimately transformed the property into a harmonious and inviting residence, alleviating the initial sense of unease felt by the designer. #InteriorDesign #VastuShastra #HoustonRealEstate #LuxuryHomes #HomeRenovation #ModernEuropeanDesign #ArchitecturalChanges #NinaMagon #ContourInteriorDesign

In Austin, Texas, architect Paul Lamb was tasked with designing a home for a couple and their daughter in the Zilker neighborhood, known for its 1950s and '60s ranch-style houses by A.D. Stenger. The clients sought a residence that seamlessly integrated with the existing architecture, appearing as if it had always been part of the landscape. Lamb, in collaboration with Ted Young, drew inspiration from Californian architect Cliff May's low-slung, pitched-roof ranch style, combined with references to the clients' Southern and central Texas roots, specifically the architecture of the brush country. This synthesis resulted in a light-filled home that balances calming, earthy textures with strategic bursts of color and pattern. The home's exterior features a welcoming front entrance with a Jamey Garza table, a Salterini chair, and a Justice Design Group fixture, complemented by cacti. The roof and parts of the exterior are clad in green recycled tile from Ludowici. Inside, the design philosophy prioritized neutral tones in high-traffic areas, allowing for vibrant expressions of color elsewhere. The living room exemplifies this approach, featuring an ebullient yellow Nobilis fabric on a Nana Dietzel sofa, juxtaposed with vintage black Terje Ekstrom chairs and a striking painting, Zebras by Gustavo Novoa, above the fireplace. The fireplace itself, inspired by the husband's childhood home, includes a hearth designed for art and tchotchkes. The dining room showcases a vintage table surrounded by Salterini chairs and a unique snakelike woven light fixture from Mexico, hung beneath a dropped slatted ceiling. This ceiling, designed by Lamb, works with mortar-smoothed limestone walls and dark tiled floors to filter the harsh Texas sunlight and keep the home cool. A vintage Afghan rug, one of the first pieces acquired by the couple, served as the design anchor for the room. The kitchen, central to the home, features an AG&M; quartzite island, purposefully left clear of sinks or appliances for prep work, and is illuminated by a Juniper lighting fixture. The quartzite slab extends to the countertops, and the glazed tile backsplash is set with terra-cotta grout to complement the stone's brown veining. Minimalist cabinetry in subtle green tones echoes the exterior tiles, maintaining a balance with the home's abundant natural light and dark floors. In the primary bathroom, an AG&M; Luce di Luna quartzite vanity with Rohl fittings and Juniper sconces creates a smooth, elegant surface. To enhance morning efficiency, Lamb designed two separate shower niches, framed by soothing archways with aged-brass panels and fixtures, a masonry reference reflecting the stone construction of the house. Mint-green Fireclay tiles with coordinating grout subtly reinforce the home's overall green palette. This comprehensive design approach ensures a cohesive aesthetic that is both functional and reflective of the clients' heritage and contemporary tastes. #AustinRanchHome #ContemporaryDesign #PaulLambArchitects #TexasArchitecture #InteriorDesign #ZilkerNeighborhood #ArchitecturalRenovation #SustainableMaterials #ModernRanchStyle

Interior designer Boo Randle undertook a comprehensive redesign of her 1906 Uptown New Orleans home, transforming a previously all-white interior into a vibrant, personalized space. Randle, who moved into the home in spring 2022, aimed to create a living expression of her personal style that was also family and animal-friendly, and conducive to entertaining. She approached the project with a structured methodology, similar to how she manages client projects, assembling a team of an architect, contractor, fabricators, installers, and artisans from the outset. The redesign began with conceptualization, moving through design, procurement, and installation. Randle envisioned a home that felt collected, layered, and timeless, incorporating a mix of antique, vintage, and modern pieces. Many items have a personal history, such as 1960s wingback chairs that have been reupholstered multiple times, a glass and iron table from her childhood home, and mid-century modern lamps acquired from a former employer. This approach ensures that the home tells a story and retains sentimental value, aligning with her philosophy of integrating clients' special pieces into their designs. A distinctive aspect of Randle's design is her color palette, which features a blend of greens, blues, and soft pinks. She strategically used darker, richer colors in the front rooms, transitioning to cream paint in areas with more natural light towards the back of the house. To maintain cohesion, the same green trim was used throughout the main level, and a consistent color palette was echoed in various combinations across rooms. Randle views the downstairs as a single, interconnected space, where each room flows into the next, and elements like rugs and trim complement each other seamlessly. Whimsical elements are also integrated to add a playful touch. For instance, the formal dining room features music-inspired wallpaper from MINDTHEGAP, reflecting Randle's love for music. Near the bar area, a southern tropical wallpaper adds another layer of print, complemented by bold-patterned vinyl floor covering from Spicher and Company, which Randle praises for its durability and aesthetic appeal in high-traffic areas. The renovation encountered structural challenges typical of historic homes, particularly in the kitchen. Instead of moving the range due to electrical issues, Randle opted for sleek European custom cabinetry to enhance aesthetics and storage. An island made of Infinity White Quartzite was added to the kitchen, creating more prep space and fostering an open, welcoming environment for entertaining, a crucial aspect given the kitchen's role as the central gathering spot for her family and guests. Upstairs, a significant design decision involved combining two bedrooms and two bathrooms into a quad design, achieved in collaboration with architect Kim Payne Allen of Studio BKA. This transformation was driven by the need for more functional space, including a large, multifunctional closet and a larger bathroom, sacrificing a fifth bedroom to accommodate these desires. Architectural obstacles, particularly concerning existing plumbing, led to creative solutions like a walk-through shower. The design prioritized natural light, especially in the primary bedroom and bathroom, where wood plantation shutters offer views of pecan trees and enhance the lustrous marble surfaces. Allen's design for the closet made the original fireplace a focal point, framing the display of Randle's shoes and bags, creating a stylish backdrop. The expanded space also includes an office nook, his and her closets, and a small exercise area. Randle's personal touches, such as French artwork, vintage dressers, plush rugs, and objet d’art, further personalize the bedrooms, which are kept light and bright to maximize natural light, with color accents in upholstery and accessories. The entire project reflects Randle's ethos of surrounding oneself with beloved items, resulting in a home that is authentically her, functional, and imbued with warmth. #HomeRedesign #HistoricHome #InteriorDesign #UptownNewOrleans #BooRandle #ArchitecturalRenovation #PersonalStyle #ColorPalette #WhimsicalElements