Home design ideas: Playing up the Old World essence of a Savin Hill Victorian

This article offers a detailed tour of designer Bailey McCarthy's century-old Victorian farmhouse in Bellville, Texas, showcasing how she infused it with a fresh yet timeless country aesthetic. McCarthy, despite her urban upbringing, drew inspiration from childhood summers on her grandfather's ranch to create a comfortable and inviting retreat for her family and friends. The home features a blend of traditional country elements like buffalo checks, antique quilts, and chintz, alongside modern touches to prevent it from feeling overly thematic. The kitchen, which had been previously restored, received significant cosmetic upgrades. McCarthy painted the walls and varied-height cabinets black to create a cohesive look and replaced granite countertops with butcher-block for a practical, casual, and aging-friendly surface. A farm table functions as an island, complemented by a brass light fixture, floral curtains, and open shelves displaying antique pewter and needlepoint. In the dining room, inspired by the surrounding landscape, McCarthy incorporated rustic wood elements and green accents. An existing antler chandelier was retained, and an antique round table was stripped to raw wood for a weathered appearance. Beech wishbone chairs, lacquered in apple green, provide a lively contrast, while a large antique hutch stores copper Moscow mule mugs and green and white china. A pale pink Oriental rug with subtle blue and chartreuse hues completes the space. The living room is designed for both large gatherings and intimate family game nights. McCarthy combined robust, indestructible furniture, such as a buffalo check sofa and a chintz armchair, with modern elements like a steel-framed coffee table and a graphic longhorn watercolor painting by Mary H. Case. This blend prevents the space from becoming too themed. The primary bedroom, originally the house's parlor, is centered around McCarthy’s company’s Wimberley pattern. A white-painted bed is upholstered in blue-and-white-check fabric, coordinating with whimsical sheets. Wallpaper with a wood-grain pattern provides a warm backdrop, and gauzy eyelet curtains add a country touch. An antique patriotic quilt serves as graphic artwork, highlighting McCarthy's appreciation for craftsmanship. The guest bedroom emphasizes coziness with rich green paint on walls and trim. A four-poster spindle bed, dressed with a striped wool blanket and wood-grain patterned bedding, creates a room-within-a-room feel. Botanical curtains add softness and privacy, while vintage carved wooden lamps and sepia-toned landscape photographs contribute to a collected-over-time aesthetic. Her daughter Grace’s bedroom showcases a vibrant mix of pink and green, with soft pink walls and a bright green cannonball bed. An antique quilt is paired with graphic heart-print bedding, and vintage elements like Murano glass tulip sconces and fair banners personalize the space. The article also highlights a unique dance hall-inspired playhouse for Grace, custom-built by Lilliput Play Homes, based on Gruene Hall, Texas's oldest operating dance hall. #FarmhouseDesign #VictorianHome #CountryDecor #InteriorDesign #HomeTour #KitchenRenovation #BedroomDesign #LivingRoomIdeas #VintageFurniture

This article provides designer-approved tips for homeowners and renters to add vintage character to new builds, making them feel more inviting and less generic. With the rising trend of incorporating antique finds, maximalist design, and ornate millwork, many are seeking to move away from the once-popular all-white, neutral, modern aesthetic. The challenge for new homeowners is to emulate a vintage look without access to original architectural details found in historic houses. The article emphasizes that while it's tempting to add numerous historical elements, a deliberate approach is crucial to avoid a strange or disconnected feel. The key is to select pieces that tie together harmoniously, such as pairing traditional wainscoting with crown molding that isn't overly ornate and incorporating decorative lighting. One of the primary recommendations is to use reclaimed wood floors, sourced from old barns or factories, to introduce texture, color, and wear that is absent in typical new constructions. Another suggestion is to embrace checkerboard flooring, a classic style that can be updated with diagonal placement and antiqued chiseled edges for an authentic look. Stained glass panels are presented as an elegant way to add character and privacy without sacrificing natural light, especially when hung in windows. Decorative molding, including crown molding, picture molding, and tall baseboards, combined with antique decor and artwork, can effectively bring Victorian architectural details into a modern living space while maintaining a contemporary feel. The article also highlights the impact of floral wallpaper, moving beyond traditional perceptions to offer a range of patterns that contribute to a vintage-inspired aesthetic. Incorporating antique doors, preferably locally salvaged and hand-carved, is another method to instantly add historic character to an entryway. Wall paneling is suggested for bringing architectural interest to blank walls, especially when painted in deep, rich colors. For those without a built-in fireplace, creating a faux fireplace with a decorative mantel, or an electric or gas insert, can significantly enhance coziness and vintage appeal. Renters can infuse personality into their spaces by hanging artwork and installing vintage lighting fixtures, which are non-permanent alterations. Decorating with antiques, such as chairs, rugs, and hutches, allows for the gradual accumulation of unique pieces that personalize a home. Texturing walls, an affordable and relatively easy DIY project using drywall compound, can be further enhanced by painting them in deep colors and adding vintage-inspired mirrors and antique vessel sinks. Finally, painting porch floors with a classic checkerboard pattern is offered as a simple yet effective way to add age and rustic charm to a new house’s exterior. #HomeDecor #VintageCharm #InteriorDesign #NewBuilds #DecoratingIdeas #ArchitecturalDetails #AntiqueFurniture #HomeRenovation

The Victorian cottage, formerly kennels belonging to a local lord of the manor, underwent a significant transformation by Claire and Jamie McFadyen over four years. Upon their acquisition eight years ago, the property was in disrepair, characterized by damp walls and pest infestation. Drawing on their prior experience in restoring a period house, the couple embarked on a comprehensive renovation project with an architect. The restoration focused on preserving original features such as windows and repointing red-brick chimneys, while also modernizing the interior layout. Key structural changes included the removal of internal walls to create a more open living space and the addition of a triple-height extension featuring Crittall-style windows. This extension was designed to house a new kitchen and dining area. Claire McFadyen envisioned this new space with a high, vaulted ceiling, prominent vintage lighting, and a large feature window providing views of grazing horses. The kitchen now incorporates an industrial aesthetic, blending salvaged items with functional design. A repurposed French wooden counter serves as a kitchen island, while a sturdy butcher’s block acts as a worktop adjacent to a range cooker. A butler’s sink is illuminated by factory lights, and a substantial chandelier enhances the room’s brightness by reflecting sunlight. Throughout the home, Claire applied the Japanese philosophy of wabi-sabi, which values imperfection and age, to maintain a rustic ambiance. Original wooden risers on the stairs were stripped and painted, and floorboards in the hall and living room were restored. Flagstone tiles were installed on the ground floor to evoke a farmhouse feel. The couple curates their home with vintage furniture and gilt mirrors, allowing the natural patina of age to contribute to the aesthetic. They frequently source unique pieces from places like Ardingly Antiques Fair and France for their interiors emporium, A Hundred Stories, often integrating these items into their own home, making each room a dynamic and evolving space. Claire emphasizes the functional aspect of her chosen pieces, exemplified by pigeonholes repurposed as kitchen storage. Claire's interior design approach is characterized by a balance of old and new, light and dark, and varied textures. She prefers muted color palettes, building visual interest through tactile materials such as wool, cotton, linen, and sheepskins. Nature serves as a significant source of inspiration, with the entrance hall walls painted in pale green and numerous plants adorning shelves, floors, and hanging from the ceiling. Future plans for the kitchen courtyard include adding a 300-year-old olive tree and a pizza oven for outdoor cooking, further enhancing the home's connection to nature and leisure. The completed renovation represents a dramatic transformation from its former state as dilapidated dog kennels to a distinct and inviting family residence. #HomeRenovation #VictorianCottage #SurreyHills #InteriorDesign #VintageDecor #CrittallWindows #KitchenDesign #WabiSabi #ArchitecturalTransformation

Erin Hiemstra, founder of the design website Apartment 34, acquired an 1850s Victorian home in San Francisco's Bayview neighborhood after two years of searching and being outbid on other properties. The house, discovered by her husband through an unofficial 'For Sale' sign, offered a unique opportunity for a full-scale renovation despite its initial dilapidated state. The property featured charming period details such as arched windows, a clapboard exterior, vast bay windows, transoms, original glass and brass doorknobs, and crown molding, alongside significant drawbacks like crumbling ceilings, scratched floors, a makeshift staircase banister, walls painted in 'insane colors,' a mismatched kitchen, and garish 1970s fireplaces. Hiemstra, whose background includes a career in politics and experience with cosmetic design projects, embarked on this extensive renovation as a self-taught designer. She had previously launched Apartment 34 based on her experiences decorating rental lofts and a condo. For this project, she enlisted architect Seth Brookshire, branding the endeavor "This Old Victorian" on her blog. The initial phase focused on meticulously preserving and restoring the home's original features, including rebuilding ceiling medallions, maintaining moldings, ensuring pocket door functionality with original hardware, and restoring fireplaces to their Victorian-era style. Undertaking the renovation without a general contractor, Hiemstra leveraged resources like Google, Instagram, local Bayview shops, and her DIY-savvy husband to source builders and materials. She also educated herself on technical aspects such as electrical plans, wallboards, insulation, permits, and stone sizes. Despite her diligent efforts, the renovation encountered challenges, including a wood floor stain that required redoing, extending a days-long task into weeks, and a rushed decision-making process for light fixtures while six weeks postpartum. The couple successfully modernized the home for their family of three and a French bulldog puppy while retaining its historic essence. This involved reconfiguring the layout by removing walls downstairs to create an open-plan kitchen, family room, and dining room, and redesigning the second floor to include a master suite and an additional bathroom. These changes resulted in a seamless flow between rooms, a significant departure from the original 1800s American architectural style. Hiemstra's design approach blended European and West Coast influences. The interior features pale wood floors, high-gloss black window frames, and matte white walls, creating a mellow palette that allows decor elements to stand out. Modern light fixtures are juxtaposed with decorative Victorian ceiling medallions in rooms with 12-foot ceilings. The integration of a double-width windowed steel door leading to the media room, alongside classic white molding and a window above the industrial door that mimics original transoms, exemplifies the successful fusion of new and old. Inspired by her travels to Sweden and Denmark, Hiemstra emphasized intentional design and the use of negative space to highlight individual objects. The home showcases a curated mix of items, including mid-century seating and artwork from Elsie Green, an 1890s French gilded mirror from 1stdibs, and a vintage Dutch rattan-and-wool chair from Amsterdam Modern. Custom furniture, such as couches and beds, were commissioned to suit the scale of the architecture. Hiemstra's meticulous approach extends to accessorizing, where she acts as a detective to find sources for interesting items and continually adjusts vignettes to achieve a perfectly balanced, understated yet bold aesthetic. The five-year renovation underscores that creating a truly special home requires significant time and effort, debunking the myth of quick and cheap transformations often portrayed in media. #VictorianRenovation #HomeTransformation #HistoricPreservation #InteriorDesign #DIYRenovation #SanFranciscoHomes #ModernVictorian #DesignInspiration #OpenConceptLiving

This article details the transformation of a Victorian villa in South London, a property that has been in the current owner's family for generations. The project, led by designer Scarlett Jones of Sims Hilditch, aimed to respect the home's history and family memories while updating it for a young, modern family. The design approach was deeply personal and aligned with Sims Hilditch's journey toward B Corp certification, emphasizing sustainability and longevity by reusing treasured antiques and investing in durable designs. The renovation began with the hallway, where bold wallpaper was replaced with soft white walls and woodwork in Oval Room Blue, a color that recurs throughout the house. New oak herringbone flooring was installed to add warmth and character, complemented by a vibrant stair runner. Significant layout changes were made to suit modern family life, notably opening up the kitchen and snug to create an informal dining area. The kitchen features Shaker-style cabinetry in warm gray with a rhubarb-pink island, which serves as a vibrant focal point. Existing joinery in the dining area was refreshed with dark teal paint, a new wallpapered back, and brass bamboo handles, paired with glossy red faux bamboo chairs and an oak bobbin table. The living room, spanning the depth of the house, was designed to celebrate exquisite de Gournay wallpaper. A contemporary checkered rug set the tone for a fresh scheme. Existing George Smith furniture was reupholstered in striped and checkered fabrics, and a bespoke L-shaped sofa with hidden toy storage was introduced to accommodate both daily family life and formal entertaining. Upstairs, the color palette shifts to gentler blues and buttery yellows in the principal bedroom. Fabrics are central to the design, including an oversized headboard in embroidered Colefax and Fowler linen and curtains with broad bands of cream and blue linen. The dressing area features fabric-paneled doors, adding visual interest to the cabinetry. The main bathroom is designed for indulgence, with a sunshine-yellow slipper bath, an elegant fluted vanity, a rug, and upholstered pieces that provide a comfortable, sitting-room feel. Beyond the main living spaces, personality continues to infuse the home. The cloakroom features Bengal tiger wallpaper, and the study, with its reworked original joinery, showcases a playful lion-print lining and a family antique desk. The children's rooms under the eaves incorporate fabric-covered shutters, providing both a practical blackout solution and a cheerful burst of color and pattern. Scarlett Jones emphasizes that the project's success lies in its layered design, ensuring that each room contributes to the family’s ongoing story, honoring the past while embracing the present. #LondonVilla #FamilyHome #HistoricRenovation #InteriorDesign #SimsHilditch #SustainableDesign #VictorianArchitecture #KitchenDesign #BedroomDesign

This article features an interview with Mary Graham and Nicole Salvesen, co-founders of the interior design firm Salvesen Graham, renowned for their classic-meets-contemporary aesthetic. The discussion centers around the launch of their debut book, ‘A New English Style: Timeless Interiors by Salvesen Graham,’ offering insights into their design philosophy, sources of inspiration, and fundamental style principles. The designers reflect on the book's creation process, noting that it prompted a deeper consideration of their client work, their evolution as a practice, and their aspirations for growth. They emphasize that English style is inherently dynamic, characterized by ongoing change and the layering of new elements onto existing structures. The process also allowed them to revisit earlier projects, confirming the enduring quality of their initial designs even after a decade. Addressing the balance between English style's rich legacy and contemporary relevance, Salvesen and Graham explain that they always begin by examining the building itself. This approach helps identify traditional elements to be preserved, restored, and celebrated, guiding the overall design direction. They stress that homes should be vibrant and lived-in, not static museums. To inject modernity, particularly in traditional settings, they prioritize personal belongings such as artwork, books, and object collections. They highlight the impact of combining a formal drawing room with a striking piece of contemporary art as a central feature. Regarding the influence of location and setting, the designers assert that the essence of English style is not geographically confined. It can be successfully applied globally, adapting its unique character to each new environment. They liken this adaptability to how each project differs based on individual client preferences. The core of their approach lies in the 'spirit of decorating,' which encompasses layering, incorporating antiques, and prioritizing comfort, rather than being dictated by a specific setting. Layering is a fundamental aspect of their style, and they advise confidence in its execution, suggesting that more layering often leads to better results. They advocate for a mix of patterns and plains, alongside a variety of textures, to achieve depth in a room. For instance, the light-absorbing quality of thick cotton velvet can effectively contrast with a light-reflecting chintz. They clarify that layering extends beyond fabrics to include all elements of a room: flooring, lighting, art, books, and the tones and finishes of paintwork. The aim is a considered, not necessarily fussy, aesthetic. The designers emphasize the critical role of antiques in grounding a room and imparting authenticity, advocating for pieces with clean lines and excellent proportions, whether a 1970s glass lamp or a Georgian center table paired with a modern pendant light. They advise a gradual approach to incorporating antiques, adding pieces over time until a personal balance is achieved. Their approach to color involves strategic splashes in unexpected places within traditional spaces, such as inside a larder cupboard or at the end of a corridor. They acknowledge a contemporary conservatism regarding color in homes, contrasting it with historical periods that embraced more vibrant palettes. Often, they derive color inspiration from a favorite patterned fabric, extracting various hues and applying them with differing intensities to establish a room's identity. The designers confess to occasionally bending conventional design rules in their own homes, particularly regarding pragmatic considerations like heating requirements, prioritizing aesthetics over strict guidelines. They also take a relaxed stance on rules concerning wall light height or furniture spacing, believing that comfort and intuition are paramount. Living with their own interiors has reinforced the importance of quality design and craftsmanship. They note that well-made, classic pieces provide a stable foundation around which styles can evolve, allowing accessories, artwork, and furniture coverings to change while the room's essential structure remains. This concept of 'getting the bones right' applies to architectural details, room layouts, and investment pieces. They draw a parallel to fashion, where a timeless core allows for subsequent embellishment. The concept of 'Future Heritage' means creating interiors that honor and draw inspiration from the past while integrating modern aesthetics, technologies, and lifestyles. Their designs aim to bridge historical elements with contemporary innovations, yielding interiors that are both timeless and forward-looking. Ultimately, they hope their book offers readers a versatile, approachable, and accessible guide, encouraging them to celebrate heritage without being constrained by tradition, and to confidently infuse their homes with personal expression. #InteriorDesign #SalvesenGraham #EnglishStyle #FutureHeritage #TimelessInteriors #DesignInspiration #HomeDecor #Layering #Antiques

This article details the extensive renovation of a Victorian house in London by Charly and Jonny, a couple with two young children. The house had remained untouched for nearly four decades, presenting a significant challenge that the family embraced with a desire to blend beauty with utility and avoid conventional design trends. They enlisted the help of Smith Brooke Architects and interior designer Emma Ainscough to create a home that is both personal and highly functional. A central aim of the renovation was to ensure that every room was utilized, eschewing the idea of spaces reserved only for special occasions. The couple sought to maintain a sense of playfulness while achieving visual cohesion, exploring various patterns and colors throughout the home. Although they preserved and reinstated many original Victorian features, such as cornices, sash windows, and high ceilings, they also made several bold design decisions. One significant change involved replacing an old, impractical conservatory at the rear of the house. Instead of a ground-floor kitchen extension, a side extension was built to accommodate a new entrance for practical items like bikes and strollers. A lower-ground-floor extension featuring elegant arches was also added, reflecting Charly's preference for rounded architecture and a softer aesthetic, drawing inspiration from English country homes. This design choice was complemented by other subtle elements, such as a curved garden path. Architect Lucy Brooke proposed relocating the kitchen from the new extension to the upper floor, creating a combined kitchen-dining area by knocking through existing spaces. The new extension now houses the sitting room, study, utility room, and playroom, all connected by floor-to-ceiling glass doors. This strategic reallocation of space prompted Emma Ainscough to carefully consider how to integrate the new and old sections of the house harmoniously. She aimed to differentiate the spaces while ensuring they remained visually connected, resulting in a refined color palette in the sitting room alongside vibrant touches, such as powder blue cabinetry in the playroom. The home is filled with thoughtful details that contribute to its warmth and softness. Examples include zellige tiles and antique pendant lights in the kitchen, and a checkerboard countertop in the utility room, a recurring pattern that also appears in the sitting room's rug. The design prioritized functionality but also focused on the desired emotional feel of each room, allowing for creative material choices beyond purely utilitarian finishes. Family-friendly decorative elements are evident throughout, such as a durable, patterned, and striped sofa in the kitchen area, designed to withstand daily family life. The study features subtly patterned wallpaper contrasting with a modern frameless window. In the children’s bedrooms, space under the eaves was cleverly utilized to create storage and whimsical reading nooks. Unique, custom-made Delft tiles around the bathroom entrance depict personal symbols like ice cream cones, bears, and even Queen Elizabeth II, adding a touch of patriotism. A repurposed Neptune library cabinet from their previous home was integrated into the dressing nook for storing bags and shoes. Ultimately, the renovation represents a significant step forward in the family's design journey, reflecting increased confidence and a new stage in their lives. The bold and considered approach to combining old and new elements, along with a focus on both beauty and utility, has resulted in a charming and deeply personal family home. #VictorianHouseRenovation #InteriorDesign #HomeTransformation #FamilyHome #ArchitecturalRenovation #KitchenDesign #PlayroomDesign #CustomTiles #ModernVictorian

The article focuses on the recent availability of one of San Francisco's iconic Painted Ladies in Alamo Square, a Queen Anne-style Victorian home, for $2.7 million. Despite its significant price tag and historical charm, the 1,700-square-foot property is described as being in need of a renovation. The home retains appealing original features such as high ceilings, a carved-wood staircase, and stained-glass windows, but also presents areas requiring significant updates, including dirty floors, tiny bathrooms, and dated kitchen cabinets. To explore the renovation potential of this historic home, the author gathered insights from six architectural and design professionals. Each expert provided distinct recommendations for transforming the property while respecting its original character. Caitlin Murray of Black Lacquer Design suggested enhancing the hand-carved trim work with bold, unexpected paint colors like jet black or bright yellow, along with high-gloss finishes for a modern touch. She also emphasized the use of impactful wallpaper prints, such as florals or stripes, particularly for a large blank wall in the dining area. Drew Lang of Lang Architecture proposed preserving the historically significant facade but advocated for updating and expanding the rear-facing windows to increase natural light within the home. Lang also highlighted the importance of integrating an energy recovery ventilator (ERV) into the HVAC system for improved energy efficiency and environmental sustainability. Haley Weidenbaum, founder of Everhem, recommended the installation of inside-mounted woven wood or Roman shades for areas requiring privacy, noting that these would block sunlight while allowing the intricate detailing of the window frames to remain visible. NYC-based designer Becky Shea envisioned a dramatic transformation for the foyer, suggesting the replacement of the existing bland white tiles with graphic black options, such as Fireclay’s Star & Cross pattern, to add depth. She also recommended a showstopping light fixture, specifically Lindsey Adelman’s Drop System, to create an impactful first impression for guests. Ariel Okin suggested extending the house’s exterior pastel and sherbet palette to the interior, balancing the playful colors with cooler materials like iron, terrazzo, and cerused woods to prevent the scheme from appearing too childish. Holly Waterfield, lead designer at The Brooklyn Home Company, focused on the kitchen and dining area, proposing an open-plan layout that encompasses both spaces. Her design included a central island to provide additional storage and serve as an anchor for the room. For the walls, Waterfield suggested a warm white hue with a Portola plaster finish to achieve a weathered aesthetic. She also recommended replacing the floors with natural white oak, finished with a super-matte, water-based color, to complete the home's fresh renovation. #VictorianHome #SanFrancisco #HomeRenovation #InteriorDesign #ArchitecturalPreservation #HistoricHomes #AlamoSquare #DesignTrends

This article details the restoration of a historic Victorian-era homestead located in the Western District of Victoria, a region known for its scenic views and dairy farms. The project, led by interior designer Adelaide Bragg, focused on seamlessly blending the original character of the home with modern functionality, ensuring it serves both as a working rural property and a family hub for generations to come. The design brief emphasized practicality, warmth, and a welcoming atmosphere, steering away from anything overly delicate, given that the property is a working farm and frequently hosts family and grandchildren. The homestead's interior now features a calming palette of creams and clay reds, complemented by natural textures. Key elements include sturdy oak floorboards, antique furniture, and a significant art collection from the client. A primary challenge during the renovation was the house's dated configuration, which was not suitable for a modern family, and the lack of sufficient natural light. The renovation addressed these issues by undertaking extensive structural changes. The original back of the house was transformed into a light-filled, spacious front entrance, adorned with botanical fern prints and wool baskets. A large kitchen and family room extension was added, complete with a fireplace and an Aga stove, alongside a generous verandah to facilitate outdoor dining. Designing for a rural home involved specific considerations to honor its historical integrity while making it adaptable for contemporary living. The renovations maintain high ceilings, large-scale rooms, and simple joinery, ensuring a sympathetic approach to the existing structure. The completed home is characterized by an effortless elegance and timelessness, with design elements chosen to enhance functionality and aesthetic appeal. The dining area, for instance, features a large table and 16 chairs, which serve as a room divider and add textural depth. Kravet fabric on the chairs, referencing horse saddle blankets, and large-scale rooster paintings introduce playful touches. Old olive baskets repurposed as kitchen pendants create a unique focal point, while Monoleath benchtops offer a practical yet concrete-like finish. Oak floorboards, sisal rugs, and cow skins contribute to layering and a casual, inviting ambiance. The homestead's design also integrates with its rural surroundings, offering magnificent views of rolling hills, red gum trees, and the Grampians. The selection of fittings and finishes was guided by the need to be sympathetic to the home's heritage. For example, Sandberg ‘Waldemar’ wallpaper from Ascraft in the powder room was chosen to reflect the oak trees in the garden, and a guest bedroom features a cane bench covered in Lisa Fine ‘Jaisalmer’ fabric from Ascraft. The owners expressed satisfaction with the outcome, confirming that the entire house is now utilized as intended, embodying a successful blend of old-world charm and modern family living. #HomesteadRestoration #InteriorDesign #RuralLiving #VictorianArchitecture #FamilyHome #AdelaideBragg #HomeRenovation #VictorianHomestead

Domino’s design director, Brit Ashcraft, and her husband, Sean, transformed their 1887 Victorian home in Hudson, New York, from a weekend retreat to a permanent residence, infusing it with an edgy, modern aesthetic while preserving its inherent character. Initially drawn to the home’s unique charm, despite its lack of modern conveniences, Brit was captivated by its “witch’s house” appeal, characterized by non-straight walls and stained-glass windows. When they decided to relocate permanently from Manhattan, they opted for thoughtful cosmetic updates rather than a full-scale renovation, embracing a philosophy of “splurge vs. save.” One of the initial projects involved a complete overhaul of the single bathroom. They replaced laminate flooring with black hex tiles, painted the wainscoting black, and installed a wall-mounted toilet to maximize space. A significant splurge was the metallic swan wallpaper by Nina Campbell, which added a touch of luxury to the small room. The kitchen underwent a two-phase renovation. Initially, they painted the walls and cabinets to brighten the space, removed decorative trim for a modern look, replaced granite countertops with stained and sealed butcher block, and updated hardware and lighting. The second phase involved a more daring color choice: drenching the entire kitchen in Farrow & Ball’s Dibber, a Martini olive green, after extensive testing. They also added a 2x2 checkerboard backsplash and upgraded hardware to unlacquered brass, aiming for a consistent, edgy aesthetic. Despite the updates, some practical limitations, like the fridge’s awkward corner placement and the lack of counter space around the sink due to windows, were accepted as part of living in an older home, mitigated by creative solutions like a movable prep table. Brit admitted to a slight regret regarding the initial decision to paint the entire house in a single white with green undertones and a gray trim that sometimes appeared purple, wishing she had chosen warmer tones. The dining room features a striking black and white scheme, anchored by a chandelier from Rejuvenation and dining chairs from Safavieh. The living room required three sofa changes before they settled on a modern Crate & Barrel sectional, chosen for its hard-wearing upholstery and low profile to deter cats. Lighting in the living room is intentionally layered, with bright sconces near the fireplace and a soft West Elm lamp, as Brit dislikes overhead lighting. Brit and Sean’s offices reflect their individual personalities and collections. Brit’s office features IKEA shelving filled with sentimental items, including gifts from friends and family, and a large DIY pinboard displaying cherished memories and inspiring imagery. Sean’s office, conversely, is a testament to his “maximalist” and “nostalgist” tendencies, packed with vintage Star Wars toys, Indiana Jones action figures, and other pop culture memorabilia, alongside art from various artists. He also proudly displays an original 1977 Italian movie poster for Star Wars. The guest bedroom, though small, was optimized for functionality by pushing the bed into a corner, creating more movement space, and incorporating blanket ladders, hooks, and baskets for storage due to the house’s small closets. The primary bedroom, which serves as a repository for overflow items like art and books, has also seen the bed rearranged multiple times to find the most functional layout. The couple frequently engages in weekend activities around Hudson, New York, such as coffee on the porch, visits to local eateries, vintage shopping, and outdoor movie nights, fully embracing their life in the quirky, re-imagined Victorian home. #VictorianHome #HomeRenovation #InteriorDesign #EdgyDecor #KitchenDesign #BathroomRenovation #EclecticStyle #SmallSpaceSolutions #HudsonValleyLiving

The renovation of a historic Victorian Italianate home in Fayette County, Kentucky, showcases a successful blend of old and new design elements, transforming it into one of the world's best homes. The property, built in 1889, holds sentimental value for one of its owners, having been a family home for years. The objective of the renovation was to update the interiors while preserving the original charm and features of the house. To achieve this balance, the homeowners enlisted the expertise of Lexington-based interior designer Isabel Ladd, who collaborated with architects Gibson Taylor Thompson and builders Fox Hill. Ladd's design philosophy, termed "curated maximalism," emphasizes a layered, "mix-don’t-match" aesthetic. This approach involved the thoughtful combination of exquisite prints, colors, and textures through wallpapers and textiles, creating a unique and personal feel throughout the home. The dining room, designed for formal entertaining, features an updated Victorian aesthetic. It incorporates Schumacher's Hollyhock Pyne wallpaper, with the same pattern extending to the dining chair seats, and a Selamat dining chairs and a Fibreworks Eclipse rug, all set against a curved wall and bay windows. Adjacent to the foyer, a cozy parlor serves as a formal living room. This space is centered around a family heirloom piano and an original fireplace. Contemporary pieces, such as a custom Charles Stewart Co. sofa upholstered in Fern Trellis by Cotton & Quill and a Selamat corner chair in Lansdale Bouquet by Schumacher, are harmoniously integrated with antique French bergere chairs and a vintage rug. The living room, part of a magnificent new open-plan addition, is designed to be the heart of the home, with exposed beams, bricks, and trusses. This area connects the family room, kitchen, and staircase. Ladd ensures continuity with the older sections of the house through carefully chosen artwork, a cohesive color palette, and a blend of antique and contemporary furnishings. Notable elements include art from Cross Gate Gallery, a Tilda light by Arteriors, floral chairs upholstered in Heather by Ferrick Mason, and a Fibreworks rug. In contrast to the more vibrant main living areas, a relaxed breakfast nook in the kitchen offers a change of mood. This space features neutral textures and organic materials, such as an Antibes light by Currey and a Domino rug from Fibreworks, complementing an antique table and chairs. The kitchen itself, with its views of the surrounding farmland, maintains a neutral and organic aesthetic with a soapstone countertop, embedded backsplash, and rattan counter stools, bridging the gap between vintage and new elements. The island pendants are Perennials by Regina Andrew, and the counter stools are Libby by Gabby. The entry foyer highlights the home's original features, particularly the decorative staircase. Two gallery walls adorned with unique frames set the tone for the collected and curated interior. A central foyer table, draped with a fringed tablecloth and accessorized with books and treasured items, grounds the space. Art and framing are from Cross Gate Gallery, the Zira rug and Neygi stair runner are by Fibreworks, and the tablecloth fabric is Malaya by Quadrille. The primary bedroom features a contemporary four-poster bed from Bernhardt, upholstered in Schumacher's Hothouse Flowers fabric, balancing the room's architectural pine beams and trusses. Custom silk lampshades from Slightly East and chair upholstery fabric in Davenport from Lee Jofa complement the floral headboard. The renovation also involved upcycling existing furniture, such as a bench and armchair, which were reupholstered in hand-blocked fabric, a solution adopted during the pandemic-induced supply chain disruptions. Off the primary bedroom, a sitting room suite provides a luxurious space for relaxation. The walls are covered in Thibaut's Cantal, a soft stripe, creating a contemporary interpretation of Victorian style. Art and framing are from Cross Gate Gallery, the chaise is upholstered in Palisades Velvet by Vern Yip for Trend, the armchair in Bird & Iris by GP&J Baker, and the Poppy light is by Regina Andrew. The daughter's bedroom is a vibrant space, showcasing creative touches like matching wallpaper, headboard, and bedskirt in Aldith Blue by Thibaut. Chartreuse accents, an antique rug, desk, and chair are combined with modern abstract art by Lesley Grainger, a handmade papier-mache light from Stray Dog Design, and a Baroque rug from Fibreworks. The ottoman is custom-made with Kate Spade's Maxime fabric. For the boy's bathroom, Isabel incorporated playful and modern elements while maintaining traditional touches. Thassos marble tile, rotating sconces, and green cabinetry painted in Palmer Green by Benjamin Moore are paired with an antique rug and needlepoint bench. The Renee sconces are by Hudson Valley Lighting. The powder room, located in the new addition, features a dramatic yet dark Acquario wallpaper by Cole & Son with a fish motif, complemented by natural rattan and bleached wood elements. The countertop has soft blue veining that mimics a tide. The Padma light is by Arteriors. The exterior of the 1889 Victorian home is surrounded by lush farmland. The design incorporates indoor plants, natural materials, and floral prints to create a fluid transition between the interior and outdoor spaces, blurring the boundaries and enhancing the connection to nature. #VictorianHomeDesign #HistoricRenovation #InteriorDesign #CuratedMaximalism #OldMeetsNew #HomeTour #IsabelLaddInteriors #KentuckyHome #ArchitecturalPreservation

The article details the transformation of a stone-built farmhouse in Wiltshire, co-owned by antique dealer Ken Bolan and Emmy Award-winning television producer Caryn Mandabach. The house, situated on a hill with views of ancient woodland and Wiltshire fields, tells a story of the unexpected partnership between a British antique dealer and an American television executive. Caryn Mandabach initially purchased the house ten years prior, seeking a country retreat after moving to London. She found the property in a dilapidated state but was captivated by the views. With the assistance of designer Willie Nickerson, she undertook a restoration and remodelling project, reconfiguring rooms to provide each of the three bedrooms with an en-suite bathroom and adding new windows to maximize the scenic outlook. Her initial furnishing choices included country antiques, vintage items, flatweave rugs, and linen curtains. Outdoors, she created a level grass apron where the kitchen opens to the garden, giving the impression that the house is supported by a land platform rather than perched precariously on a slope. The dynamic of the house changed with the arrival of Ken Bolan, founder of the furniture and interiors company Talisman. Despite his extensive background in curating interiors, Caryn notes that Ken hasn't dramatically altered the original essence of her design. His contributions include significant garden enhancements, the addition of a 'man shack' and a sunroom, and the expansion of the main bedroom and bathroom by incorporating a spiral staircase and opening up the ceilings to the rafters. Ken’s influence is evident in the upgraded furniture and decor, which, as Caryn observes, still align with her personal taste, albeit with a significantly higher price point than her initial budget for individual items. Ken’s 'upgrading' is showcased throughout the farmhouse. For instance, reproduction firedogs in the living room were replaced with fifteenth-century originals, and open kitchen shelves now display a collection of rare eighteenth- and early-nineteenth-century Swedish marble boxes instead of everyday pantry items. His discerning eye for form and original patina has enriched every room. The sunroom, facing the woodland, connects to the main living room, which features an eighteenth-century Swedish cupboard in its original blue paint adorned with floral swags. A smaller living room leads to the kitchen, where an eighteenth-century Swedish table, hand-stripped by Ken, reveals its original red base and blue top. The scullery, with French windows opening to the garden, houses antique bentwood Swedish boxes, admired by Caryn for their Shaker-like simplicity. Upstairs, Swedish commodes and a pair of eighteenth-century carved wooden angels enhance the landing. The main second-floor bedroom boasts a bed flanked by unique Sixties cabinets inlaid with shell and walnut. The oak-framed sunroom and entrance hall were collaborative additions. The sunroom features antique parquet flooring, complemented by mid-century modern leather armchairs and a sofa. The wall surrounding the original front door is panelled with antiqued mirror, and the old, slightly crooked front door is clad in zinc, studded with eighteenth-century Swedish door bosses, creating a blend of rustic charm with a touch of glitz. The successful integration of their individual styles has resulted in a home that harmoniously reflects both occupants' personalities and collections. #WiltshireFarmhouse #AntiqueDecor #InteriorDesign #HomeRenovation #CountryLiving #SwedishAntiques #LuxuryInteriors #ArchitecturalDetails #HomeTransformation

In San Francisco’s Alamo Square, builder John Conomos and his wife Amanda undertook the ambitious project of restoring a Victorian home adjacent to their own, driven by a desire to preserve the city’s architectural heritage. The house, built in 1889, had a rich history, once owned by Verta Vinson, a prominent advocate for Victorian preservation in the 1950s. Over the decades, the home had suffered significant alterations, including stucco and cedar shingle facades, which obscured its original Victorian Stick style. The Conomos family enlisted Jensen Architects to lead a comprehensive reimagining of the property. The initial phase of the restoration focused on the exterior, which lacked historical integrity. Guided by the city’s Historic Preservation Commission, the team removed non-historic coverings to uncover original architectural clues, including shadow lines of former trims and moldings. Historic photographs and details found on an intact east facade were critical in reconstructing the original facade. Skeeter Jones of Clearheart Fine Design and Building, known for his Victorian restoration work, meticulously resurrected the facade, improvising where historical evidence was inconclusive but maintaining an "of the period" aesthetic. Deviations from the original design were subtle and strategic, such as replacing a street-level bay window with a garage for functional necessity and incorporating more formidable, thicker handrails and an arched entry. The facade was ultimately painted a semi-reflective silver, a contemporary choice that offered a nuanced metallic sheen without resorting to traditional Victorian color palettes or the increasingly common all-black trend. Turning to the interior, the Conomos family decided to make the renovated Victorian their new home, driven by the desire for a more cohesive living dynamic than their previous house offered. The design priorities were maximizing light and views and fostering social togetherness. A striking sculptural staircase, clad in fumed and stained oak, became a central design element. Initially conceived as a light well, it evolved into an architectural focal point, with its complex, asymmetric design intended to encourage social interaction through spacious landings and integrated nooks. The design process involved extensive renderings and meticulous fabrication by Hayasa Flooring Design, resulting in a unique structure where no two levels are identical. Further enhancing light penetration, an elevator with a glass cab and exposed mechanical elements functions as a vertical light tunnel. The already high Victorian ceilings were extended vertically into the attic space, significantly expanding the third-floor living area. Walkable glass skylights were strategically placed on the roof and third floor to filter natural light to the lower levels. A reverse floor plan was implemented, positioning social spaces like the kitchen, family room, and sunroom on the upper floors to capitalize on views and light, while bedrooms occupied the lower levels. The kitchen’s modern design features a muted palette with a bold pop of teal on the central island, influencing the interior’s overall color scheme. Interior designer Holly Hulburd of Hulburd Design collaborated on a minimalist design palette, ensuring that furnishings and materials complemented the home’s architecture. Bold textures and green hues were strategically introduced for depth. Private spaces, including the master bedroom and bathroom, were designed for functionality and intimacy, reflecting the family’s desire for communal living rather than isolation. The rear facade, a blank slate, allowed for contemporary innovation. Jensen Architects proposed a metal cladding system of laser-cut aluminum screens on motorized sliders, offering privacy, light control, and an interactive element. This facade also features a cantilevered bump-out with seamless glass corners, maximizing views. The compact backyard was transformed by landscape architects Surfacedesign and Habitat Horticulture with a living wall and patterned pavers. The roof deck, a complex 3D jigsaw puzzle due to the home's geometry, was ultimately unified with the elevator and staircase, offering sweeping downtown views while adhering to height restrictions. The completed Alamo Square Residence masterfully blends historical reverence with modern functionality, creating a warm and innovative family home that respects San Francisco’s rich architectural past while embracing contemporary design principles. #VictorianRenovation #HistoricPreservation #ModernArchitecture #FamilyHomeDesign #SanFranciscoHomes #ArchitecturalTransformation #InteriorDesign #LightMaximization #SustainableDesign

Annie Sullivan Cobb discovered Shelter Island, New York, in her early 20s and immediately felt a connection to its lush environment and historic Heights neighborhood. This sentiment was shared by her British husband, Oliver. Over the years, during their visits, they consistently admired a particular Victorian house, especially its sprawling hydrangeas visible from the side garden. This circa-1880 property, which Annie described as enchanted, eventually came on the market, and the couple purchased it in 2012, just before their first daughter's birthday. They continue to reside in Brooklyn full-time. Initially, they rented out the Shelter Island house due to the demands of raising two young children in Brooklyn. Building a local community also took time, a process aided by their children's summer camps on the island. A decade after their purchase, the couple embarked on an extensive renovation. This included installing central air-conditioning, adding a new patio, and constructing a mudroom and breakfast nook adjacent to the galley kitchen. Annie, who had recently co-founded an interior design business, Sullivan Matthews, with Saara Matthews, oversaw the design. She aimed to maintain the home's original gingerbread Victorian details, such as the intricate gable trim and existing floors, while incorporating modern elements and wallpaper in certain areas. The design approach for the house leaned towards an English country aesthetic, influenced by a friend's London home and featuring products from British brands. They integrated classic Shaker cabinetry and unlacquered brass accessories from DeVol. The kitchen floors were painted with Farrow & Ball’s Sardine, a blue hue, color-matched by Kirby’s Paints, a company known for durable marine-grade finishes. The renovation included a playful design decision: a closet between the kitchen and dining room was transformed into a secret bar. This idea originated from a designer friend, Starrett Hoyt Ringbom, during a visit. Annie initially painted the nook blue-green but ultimately chose Farrow & Ball’s Sulking Room Pink, complete with a wine fridge/ice maker and a bow handle from Beata Heuman. Oliver, Annie's husband, took charge of transforming a nearby closet into his own domain, painting it in Farrow & Ball’s Churlish Green. This closet now houses his record collection and a vintage turntable set into a soapstone counter. His passion for hi-fi extends to the living room, where 1960s KLH Model 6 speakers enhance the atmosphere for social gatherings. During the quieter winter months, the family retreats to the island, enjoying stews, fires, and games indoors, now made more comfortable with central air. Addressing the lack of built-in storage typical of 1880s homes, Annie found creative solutions. She repurposed an antique decorative trunk from Cape Cod for linens and customized a basic IKEA headboard by wrapping it in foam and a Moroccan wedding blanket. When their bedside tables were upgraded to sleek Componibili storage units, the old Victorian tables were moved to the porch to serve as pedestals for potted ferns. The family's plant collection grew significantly during COVID-19, becoming a noticeable feature of the home. The dining table was relocated to the new garden patio for privacy, a response to passersby who often mistook their porch-side meals for a restaurant. Despite the public nature of their home, the Sullivans embrace the community feel, often inviting neighbors and their children inside, fostering an old-fashioned sense of hospitality. #HomeTour #VictorianHome #ShelterIsland #InteriorDesign #Renovation #EnglishCountryStyle #DesignInspiration #DIY #FamilyHome

Vintage styling offers an old-fashioned charm that can transform a house into a cozy home, incorporating elements from past decades into contemporary spaces. This approach provides warmth, nostalgia, romance, and a distinctive character. While authentic vintage finds can be sourced from thrift stores and flea markets, modern retailers also offer a wide array of vintage-inspired pieces for those seeking convenience. Among the featured products is the DII Cream Vintage Tablecloth, a versatile 63-inch circular tablecloth with a warm cream color and subtle lacy design, suitable for most round two- and four-person tables. For window treatments, the allen + roth 84-in Floral Print Single Curtain Panel, made of cotton and linen, adds a feminine floral pattern on a cream background, bringing whimsy to any room. Door hardware is covered by the Reliabilt Baron Antique Bronze Interior Door Knob, which offers an old-fashioned appearance with its weathered bronze finish while ensuring modern convenience and easy installation. Decorative elements include the Nearly Natural White Ceramic Farmhouse Vase, crafted from durable ceramic with a delicate floral design in a country-chic style, featuring cream-white hues with pink and gold accents. Lighting options feature the StyleCraft Home Collection 30.5-in Antique Brass Table Lamp, a two-pack of lamps with ornate curved bases and white fabric lampshades, ideal for bedside or living room side tables. The Infinity Instruments Analog Square Vintage Clock, with its bright red color and off-white clock face, provides a retro touch for wall decor. For outdoor spaces, the Weber 70th Anniversary Kettle Charcoal Grill combines a classic shape and diner green color, evoking 1950s style, while maintaining the high quality and ease of use of modern Weber grills. Interior wall treatments can be enhanced with the A-Street Prints Annelie 57.5-sq ft Floral Wallpaper, which features an antique-inspired floral pattern in subdued hues and is washable and strippable. Luxe Architectural Classic Poplar Picture Frame Moulding offers an intricate and luxurious look with self-adhering panels for easy installation, covering approximately 96 inches of wall space. Functional vintage pieces include the Grayson Lane Traditional Coat Rack, a solid wood piece with metallic gold detailing, curved hooks, and a tripod base, adding class to any entryway. The Morris & Co. Strawberry Thief Indigo Rug, featuring a detailed pattern of birds in indigo, deep red, mossy green, and golden highlights, is also water-resistant, stain-resistant, and machine-washable. For practical home organization, the Dualplex Antique Look Umbrella Stand, with its ornate design and weathered bronze finish, accommodates several umbrellas and includes a removable drip pan. Modern technology with a vintage aesthetic is exemplified by the Feit Electric E26 Vintage Edison LED Light Bulb, a pack of four energy-saving LED bulbs that provide a soft white light while mimicking the look of old-fashioned Edison bulbs. Decorative mirrors include the Fleur De Lis Living Anglo Arch Metal Wall Mirror, a gold-framed accent piece with a decadent scroll design, suitable for various rooms. Furniture options feature the Ophelia & Co. Griffey 46″ Console Table, a Victorian-style console table with a slim silhouette, curved legs, and a distressed white frame, suitable for shabby chic and farmhouse aesthetics. Unique antique-inspired decor like the Williston Forge Fortunata Books And Media Figurine, designed like an antique phone and crafted from solid iron, adds a lived-in feel. Finally, the Joss & Main Perry Metal 6-Drawer Accent Chest, made of iron with a crackle finish, offers practical and stylish storage with an industrial, distressed appearance, measuring 34 inches tall by 23 inches wide by 12 inches deep. #VintageDecor #HomeStyling #InteriorDesign #RetroHome #AntiqueInspired #HomeDecor #ShabbyChic #FarmhouseStyle