A Eye for Design Gave This Mount Washington Home Its Timeless Style

This article highlights the extensive renovation and interior design transformation of a historic Federal-style townhouse in Smith Row, Georgetown, Washington, DC. Built in 1815, these homes are rarely available, and the current owners undertook a nearly three-year project to update the property while honoring its historical integrity. The renovation involved a "full-gut" and an excavation to add space in the basement, overseen by Overmyer Architects, Goldsborough Design Build, and DCA Landscape Architects, with Tracy Morris Design handling the luxurious interior finishes. The entry foyer was designed to complement the home's elegant Federal-style detailing with contemporary furnishings. Overmyer Architects introduced wall paneling for subtle detail, and the space was kept clutter-free with minimal furnishings. The original floors were replaced with warm walnut by Welborn & Wright, and modern fixtures like a lantern from Urban Electric and a console by Alfonso Marina were incorporated. The design intent was to create a contemporary contrast that highlights the home's historic architecture, a significant undertaking given the property's neglected state prior to the renovation. A new family living room was added to the home, featuring an enormous skylight and a wall of windows designed by Overmyer Architects, including a modern pivot door. The room is grounded by a washed Oushak rug from Afghanistan, and a custom Vanguard sofa was built to fit the space, providing comfort without overwhelming it. This addition exemplifies how modern functionality and aesthetic preferences were integrated into the historic structure. The kitchen, also an addition, was conceived as a clean-lined galley space. It showcases a stylish combination of white, slab-front cabinets with warm walnut sections, blending contemporary design with a nod to the home's original era. High-end Gaggenau appliances contribute to the streamlined aesthetic. This design choice reflects a commitment to both modern utility and visual harmony within the renovated property. The first-floor living room serves as a more formal area, embodying the balance between elegance and comfort the clients desired. Tracy Morris describes it as her favorite room, combining old and new elements effectively. A. Rudin sofas with clean lines are balanced by classical column fluting, creating a transitional aesthetic. The homeowner's artwork was used as a color base, and a washed Oushak rug tied the color scheme together. Custom console tables from Ferrel Mittman, Vaughn Lamps, and bespoke framed mirrors complete the sophisticated yet approachable ambiance. The bedroom offers a blend of traditional style and modern comforts. The calm decor is highlighted by smart features, such as a painting over the fireplace that conceals a wall-mounted TV and a remote-controlled fireplace. Benjamin Moore’s Winter Solstice paint color was chosen for the walls to create an enveloping atmosphere that makes cream accents stand out. In the primary bathroom, generous proportions allowed for luxurious design elements. A stone fireplace was created using book-matched slabs, serving as a focal point. A gently curved Kallista tub and single faucet mirror the tub's shape, offering a soft contrast to the hard stone. The exterior of the 200-year-old Federal-style home was meticulously preserved, with windows refurbished by hand and millwork given a new paint job using Benjamin Moore’s Lafayette Green in a high gloss for the shutters and front door. The overall renovation successfully combined traditional period details and original features with contemporary design elements, resulting in a beautiful and comfortable modern home. #HistoricHome #HomeRenovation #InteriorDesign #GeorgetownDC #FederalStyle #ModernTraditionalMix #LuxuryInteriors #ArchitecturalRenovation

This article highlights the design philosophy and personal home of Katie Kath, an interior designer and partner at Jkath Design Build + Reinvent. Kath embarked on building her dream home with her husband, Jesse, on a double-wide lot along Minnehaha Creek, aiming to create a space that prioritizes timeless interiors, exceptional quality, and impeccable craftsmanship, moving away from a standard builder-grade aesthetic. The vision for their 4,000-square-foot home was to incorporate customized features tailored to their family of five, ensuring every detail was intentional and thoughtfully chosen. The construction of the home, which commenced during the pandemic, was completed in a swift eight months. Despite the rapid timeline, design decisions were meticulously made, with Katie acting as both the manager and client. This dual role necessitated careful attention to both major and minor details to ensure the home's enduring appeal. Key design elements on the main floor include reclaimed wood beams from Manomin Resawn Timbers and alder accents in the cabinetry, island, and built-in banquette, which together create a warm and inviting atmosphere. The cast stone fireplace surround, matching the kitchen cabinetry, serves as a contemporary focal point in the living room, with white oak flooring extending up to its base for a seamless look. The home's modern design is enhanced by black-frame windows, which are balanced with gold tones to maintain a comfortable and clean feel. The baseboards and millwork are intentionally taller than standard, adding a traditional touch. Unlacquered brass cabinet hardware from Armac Martin in London provides a desired contrast in the kitchen. Beyond the physical design, the article emphasizes that the true essence of Kath's home lies in the traditions she shares with her family, especially during the holiday season. These traditions transform the house into a cozy, safe, warm, and inviting home, fulfilling her original vision of a timeless, traditional abode with festive flair. Kath also shares practical tips for incorporating seasonal spirit into home decor without overwhelming the space or compromising on timelessness. She advises decorating for the season rather than specific holidays to allow decor to remain relevant for longer periods. Sticking to neutral earth tones for the main color scheme, with bright accents, is another recommendation. Kath suggests focusing decorating efforts on main entertaining areas, like the ground floor, and involving family in the decorating process to make it an enjoyable event. Finally, she advocates for investing in high-quality, reusable decor pieces, such as garland, and taking advantage of end-of-season sales to build a collection of timeless decorations that can be cherished year after year. #HomeDesign #InteriorDesign #TimelessInteriors #HolidayDecor #CustomHome #JkathDesignBuild #Renovation #FamilyHome #SeasonalDecor

SHED Architecture & Design undertook a comprehensive restoration of a 1959 ranch house in Seattle, aiming to resurrect its original mid-century charm while integrating modern functionality. The property, upon acquisition by the homeowners, had undergone multiple remodels that had largely erased its historical character. SHED's approach involved stripping the house back to its foundational elements to meticulously revitalize its inherent aesthetic. The project, known as the Madison Park Ranch House, focused on creating a cohesive and timeless design. This was achieved through the careful selection of materials that resonate with the era of the home's origin, coupled with a contemporary open-plan layout. The chosen color palette was also instrumental in honoring the house's history, facilitating a seamless blend between its past and future iterations. This thoughtful combination of elements ensures that the renovated home functions efficiently for modern living without sacrificing its historical integrity. Externally, significant changes were made to the backyard. Previously existing structures were removed to clear space for a new landscaped area. This outdoor living space now features a fire pit, providing a focal point for gatherings, and a lower patio designed for relaxation. An elevated deck, accessible via a set of stairs, extends directly from the kitchen, blurring the lines between indoor and outdoor living. Large sliding glass doors were incorporated to further enhance this connection, allowing for easy access and an abundance of natural light to penetrate the interior. The interior renovation saw the kitchen undergo a substantial transformation. A prominent, generously sized island was installed, serving multiple purposes from food preparation and cooking to dining and socializing. To compensate for any potential lack of natural light, a series of skylights were integrated into the kitchen ceiling, effectively illuminating the space. The flooring throughout much of the interior was updated with expressed aggregate concrete tiles, which were deliberately chosen to match the pavers used in the outdoor areas, thereby promoting a visual continuity between the indoor and outdoor environments. Bathroom renovations prioritized a minimalist design philosophy, which not only modernized their appearance but also significantly improved their functional utility. Each aspect of the renovation, from the removal of old structures to the selection of new materials and the strategic placement of design elements, contributed to the overall goal of transforming the 1959 ranch house into a functional, aesthetically pleasing, and historically respectful contemporary home. The project successfully reinstated the home's original character while adapting it to meet the demands of a modern lifestyle. #Architecture #HomeRestoration #MidCenturyModern #RanchHouse #SeattleDesign #InteriorDesign #LandscapeDesign #ModernLiving

Lisa and Gary Mieran, owners of Akyrah Kitchens, designed and largely built their two-storey, industrial-style home with modernist influences in Gympie, Queensland. The house, completed in December 2019 after a two-stage construction, is situated on land historically owned by Lisa's family. The design draws inspiration from Heide II, a modernist icon in Melbourne, celebrating concrete, timber, abundant light, and earthy tones. Lisa envisioned a home that would rise organically from the earth, becoming an integral part of the landscape and improving with age. The structure features off-form concrete, walls of glass, and tactile timbers, with the lower storey clad in cedar and the upper storey in recycled hardwood. Steel balustrading, handcrafted by Gary, complements the exterior, which also includes a swimming pool with Andorra limestone pavers. The interior features a breezeway offering spectacular views and airflow, with ceilings made of Henley Oak Grove engineered timber. The foyer includes a BassamFellows 'Geometric' day bed and artworks by Steve Waller. Given their expertise with Akyrah Kitchens, the kitchen in their home is a highlight, featuring blackbutt veneer doors, Basaltina benchtops, Circa taps from Brodware, and Inax 'Ceravio G' tiles. The living areas include a guest sitting area with a B&B Italia 'Le Bambole' sofa and a living room with a Cheminées Philippe fireplace and Jardan furnishings. The home was built in two stages to accommodate their grown children, Taren and Kirra. The first stage was a self-contained flat, which served as their temporary residence during the main build and now functions as a guest wing. The main house and another guest wing are connected by glassed walkways, with the main bedroom suite located upstairs. This design allows for three self-contained bedrooms with ensuites, providing private quarters for everyone while centralizing communal living spaces. Practicality and functionality are key design principles, evident in the integrated laundry within the bathroom behind a blackbutt joinery feature wall, and the kitchen's two large islands designed for simplicity and ample storage. The materials used throughout the home emphasize natural elements. Recycled timber is used for the upper storey and blackbutt joinery adds warmth, while the seamless flow of concrete from exterior to interior reinforces the architectural aesthetic. The home is designed for climate control, with generous light for winter warmth and cross-breezes for summer cooling. Lisa also undertook the landscaping, incorporating native plants like Xanthorrhoea, pandanus, native grasses, and succulents. The furniture, much of it Australian-made from brands like Jardan, is chosen for its timeless appeal and durability, reflecting the couple's preference for classic design over fleeting trends. The house stands as a testament to the couple's comprehensive involvement and shared vision, combining their professional skills with personal passions to create a harmonious and functional living space. #ModernistArchitecture #IndustrialStyle #ConcreteDesign #TimberAccents #SustainableMaterials #HomeDesign #OwnerBuilt #QueenslandHome #InteriorDesign

This article highlights twelve Seattle homes that exemplify a successful blend of midcentury design preservation and modern renovation. These properties demonstrate a nuanced approach to updating historical architecture for contemporary living while honoring their original character. The first featured renovation is a 1957 midcentury home, originally designed by Hawley Adelbert Dudley, that maintained its good bones through a striking makeover. Another project by SHED Architecture & Design focuses on a 1950s midcentury gem, where the goal was to enhance its inherent charm with modern elements rather than a complete overhaul, salvaging original features and updating the layout, finishes, and furnishings. A 1959 Northwest contemporary ranch home in Seattle’s Madison Park underwent a significant transformation, with SHED Architecture & Design peeling back years of random remodels. The renovation skillfully juxtaposes light and dark materials, such as Douglas fir against dark bricks and concrete floor tiling, aligning with the home's original palette while introducing a modern aesthetic. The Lake Forest Park Midcentury Renovation involved a complete re-working of a 1950s Northwest Contemporary house, altering the floor plan to create enlarged spaces for the kitchen, master bedroom, master bath, and study. This renovation also integrated large glass light monitors for natural light and utilized a rich material palette including steel, cherry, natural grass, terrazzo, and Douglas Fir. For a kitchen in Seattle’s Magnolia neighborhood, the renovation prioritized combining midcentury modern style with enhanced functionality. A wall was removed to connect the kitchen and dining area, improving flow and natural light, while ensuring the new design respected the home's 1950s architecture. Another project tackled a 1961 midcentury home by George Lucker in Seattle’s Seward Park, aiming to restore its midcentury character and adapt it for modern life by making minimal yet impactful changes. The article also features a 1958 midcentury property where the owners updated the landscaping, deck, and exterior, including painting the exterior in Tricon Black and installing oversized house numbers. A spectacular Pacific Northwest home, originally built in 1977 and remodeled by Tom Kundig in 2000, connects its spacious interiors with the outdoors through immense pivot doors and floor-to-ceiling windows, incorporating materials like mahogany from Benaroya Hall. An ADA accessible 1954 home in Seattle's Magnolia neighborhood was modified by architect Karen Braitmayer and Carol Sundstrom of Röm Architecture Studio to better accommodate Braitmayer's and her daughter's wheelchair use, focusing on universal access space planning. A midcentury home nestled in a Pacific Northwest forest, designed in 1962 by Ralph D. Anderson, maintained its original character through updates. Elements like a double-height glass wall, sunken living room, circular staircase, and wood paneling were preserved, alongside a renovated kitchen that kept original salvaged teak. The Art Deco Meets Midcentury renovation combined nostalgic 1950s architecture with elegant interiors and Art Deco influences, reconfiguring living spaces and adding bedrooms. Finally, the 'Zema Redux' project on Bainbridge Island revitalized a 1974 house by Gene Zema, known for his blend of modernism and Japanese architecture, which included rebuilding the central living space, reorganizing the kitchen, and adding an outdoor deck after years of decay. #SeattleHomes #MidcenturyModern #HomeRenovation #ArchitectureDesign #InteriorDesign #PacificNorthwest #HistoricalPreservation #ModernUpdates #SustainableDesign

The double doors connecting Mount Vernon’s piazza to the Mansion’s central passage, essential for visitor access and structural integrity, are being replaced after over 60 years of heavy use and exposure to elements. Built in 1954 from young, fast-grown pine, these doors lacked the strength-giving resin of old-growth timber, leading to a shortened lifespan. In 2018, carpenter Amy Harrington McAuley was commissioned to construct new doors using traditional 18th-century hand tools and methods, aiming for an authentic reconstruction of the doors as they would have appeared in George Washington’s era. The project commenced with extensive research into the original doors, which are no longer extant. Architectural Historian Caroline Spurry reviewed archival records, while Preservation Specialist Eric Litchford examined Mount Vernon’s architectural study collection, comprising retired structural fragments. Although the original door pieces were not found, fragments of an 18th-century door from an unknown estate location and the predecessors to the 1954 doors were discovered. Paint analysis on these doors helped approximate their age and provided insights into Mount Vernon's architecture after Washington’s time. It was determined that the 1954 doors and earlier 19th-century doors were bi-leaf (two doors in one opening). This was corroborated by an 1796 watercolor painting by Benjamin Latrobe, depicting the Washington family on the piazza with bi-leaf doors in the background, confirming the form of the original doors. McAuley and the architectural team meticulously measured the existing doorway and doors to understand the construction materials and techniques employed by Washington’s carpenters. The doors utilize a frame-and-panel construction, featuring vertical stiles and horizontal rails joined by mortise and tenon joints. This design allows panels to “float,” accommodating wood expansion and contraction due to temperature and humidity changes without the need for nails. For the new doors, Mount Vernon’s carpenters, John O’Rourke and Dave Weir, sourced old-growth yellow pine beams salvaged from a demolished mill. This type of pine, from ancient, slow-growing trees, possesses exceptional hardness and strength due to its high resin content, making it more durable than hardwoods like oak when seasoned, and was commonly used in 18th-century construction. McAuley began by surfacing the lumber with a scrub plane, followed by smoothing with the grain. A tool mark study conducted by McAuley and Architectural Conservator Steve Stuckey on other Mansion doors revealed subtle grooves, informing McAuley’s choice of planes to match 18th-century techniques. After shaping and smoothing, the lumber was cut to the frame's dimensions, and edges were evened with a jointer plane. The frame assembly involved 24 mortise and tenon joints, requiring precise chiseling of rectangular openings (mortises) through the stiles and cutting slightly smaller edges (tenons) on the rails. Grooves were also cut along the pieces to accommodate the floating panels. Unlike modern doors where moldings are often separate, the Mansion’s doors are self-molded, with decorative profiles carved directly into the frame. The architectural preservation team selected an S-shaped molding, or ogee, prevalent in the Mansion. Lacking a matching plane, McAuley meticulously stenciled the profile, cut grooves, leveled them into steps, and established the curve using round and hollow planes. The joinery of the moldings at the corners presented another challenge. Instead of modern miter joints, the original doors used scribe joints, an older technique where rail moldings are undercut to fit over stile moldings at a 90-degree angle. McAuley, despite her extensive experience, had not previously made a scribe joint. She reverse-engineered the joint by studying existing Mansion doors and an 18th-century door fragment. After consulting an expert, she mastered the complex technique, which involved cutting a precise angle through the molding, thinning it, and gouging out space for a snug fit. This process was repeated 60 times, honing her skill. Once the frame was assembled, McAuley focused on the panels, which required gluing several boards together to prevent warping. She used planes to create the raised field and beveled edges of each panel, working meticulously with and across the grain. The physical effort of running planes across the tough pine yielded beautiful results. The frame was then fastened, with tenons wedged tightly and joints secured with wooden pegs. After approximately 450 hours of work over 36 days, the Mansion doors were completed. These doors, crafted with traditional methods, are expected to last another century, providing future generations access to George Washington’s home. The choice to use 18th-century techniques not only ensured an authentic product but also helped preserve a fading craft, demonstrating a commitment to historical accuracy and traditional craftsmanship. #MountVernon #HistoricPreservation #18thCenturyArchitecture #TraditionalCraftsmanship #DoorConstruction #GeorgeWashington #ArchitecturalRestoration #WoodworkingTechniques

The Summit Estate is a project located in Park City, Utah, combining modern architecture with a fun, eclectic aesthetic to create an elevated yet relaxed living experience. The design approach focuses on integrating the clients' bold preferences while maintaining the signature Studio McGee style. The entryway of the home establishes this unique aesthetic immediately. To counteract a potentially cold initial impression, large sections of drywall are covered with textural stone and raw timber, creating visual interest. A round table centrally located in the space promotes flow, complemented by additional seating along the room's edges. The art selections within the entryway serve as an initial introduction to the clients' distinctive and playful taste, highlighting the creative freedom given to the design team. The home features multiple bars, reflecting its design for hosting and entertaining. The first bar, situated near the entrance, showcases a color-blocked design using a velvety brown and a teal-tinged blue/black, seamlessly connecting to the main living area to facilitate social gatherings. The living room presented a design challenge, requiring a layout that maximizes views, provides comfortable seating around the fireplace, and encourages conversation, all while ensuring easy access to the kitchen and dining room. The design team curated a mood board featuring sophisticated pieces with an edgy appeal, such as a plaid-covered curved sofa, armchairs with sloped arms, and a coffee table with organic, chunky legs, to meet these requirements. In the kitchen and pantry area, a dark green Lacanche range serves as a central design element, blending with the cabinetry to create a statement. A plaster range hood directs attention upward, while a wood band connects exposed shelves. To balance an off-center range, the pantry door is designed to integrate discreetly into the cabinetry. The kitchen island features dramatic soapstone counters, providing ample seating with six barstools. The dining room is anchored by a custom-sized Orville Dining Table from McGee & Co., accommodating 12 guests. Upholstered benches are used on one side, offering a break in height and softening the space. A wooden hutch at the table's foot displays kitchen and dining accessories. The primary suite exemplifies the blend of modern design with classic elements. The walls are covered in dark charcoal grasscloth, complemented by wood beams on the ceiling and a sophisticated marble fireplace. A dark wood four-poster bed is the room's focal point, surrounded by an assortment of furniture chosen for its unique details. The en-suite bathroom features a green-stained vanity that highlights the wood grain, fitting the mountain home aesthetic, and unlacquered brass fixtures that are designed to develop a natural patina over time. Guest Bedroom One is noted for its ample natural light from floor-to-ceiling windows and walls painted in Coriander Seed by Benjamin Moore, a sophisticated brown that acts as a neutral yet references the mountain landscape. The office is designed with a moody mountain aesthetic, featuring dark-stained wood wrapping the entire space, including herringbone flooring and vertical paneling on walls and ceiling. This wood paneling extends beyond the steel-frame windows to the exterior. The office also displays eclectic items like a plaid settee, vintage golf clubs, and a worn football. The mudroom and laundry room are designed with rich, wheat-toned walls (Rattan by Benjamin Moore) and rough-hewn wood tones consistent with the home’s overall design, emphasizing their utilitarian function within a luxury mountain home. Bar No. Two and the Wine Room are situated behind steel doors. The wine room is dedicated to bottle storage, while the second bar features blue-toned Zellige tiles, color-matched wood shelves, and a brass rail. The game room and lounge area, located in the basement, are designed to defy typical basement appearances. They include a shuffleboard table, a pool table, and a living space ideal for casual gatherings, reflecting a modern mountain home aesthetic. The powder bathroom features bold, small-scale patterned wallpaper that creates a significant visual impact against wood paneling. The bunk room utilizes a bold patterned wallpaper, with bunk beds painted in Dark Pewter by Benjamin Moore. The design maximizes space by positioning bottom bunks perpendicular to the top ones, allowing for nightstands and increased livability. The accompanying bunk bathroom features a long trough sink and subdued colors to highlight its luxurious materials. #SummitEstate #ModernArchitecture #InteriorDesign #LuxuryHomes #MountainLiving #EclecticDesign #HomeDecor #UtahDesign #StudioMcGee

This blog post explores the transformation of a historic colonial revival home dating back to 1895 in Newton Center, Massachusetts. The owners sought to update their property with a glamorous, sexy, and elegant aesthetic, while simultaneously restoring and enhancing its original architectural features. The project aimed to integrate sympathetic interior décor with a contemporary flair from the 2020s. Before addressing the design details, the primary challenge involved removing uncomplimentary architectural additions from the 1940s, 80s, and 90s, particularly a deteriorating 1980s kitchen. Designer Cecilia Casagrande was commissioned to address these challenges, focusing on enhancing the home's original architecture while adapting it for modern living. Her approach successfully blended original period details with quirky and glamorous contemporary touches. The kitchen redesign, for instance, drew inspiration from the client’s Turkish Iznik pottery collection and antique rugs, transforming a drab 1980s space into a bright, open area. The design incorporated a mix of midcentury, antique, and modern elements, evident in pairings like a midcentury side table with a modern bed frame, or a curved sofa with modern lamps. The breakfast nook features an antique pedestal table and vintage dining chairs, harmonizing with the updated kitchen. The cabinet colors, specifically Farrow & Ball’s Paean Black and Benjamin Moore’s Yorktowne Green, were inspired by the blue hues of the Turkish plate collection. The kitchen also boasts vintage rugs from Afghanistan, brass taps by Barber Wilson, and handmade tiles from Winchester Tile in England, along with green stone accents, contributing to a worldly and earthy feel. The living room, characterized by intricate wood detailing and an impressive bay window, features walls, trim, and ceiling painted in Farrow & Ball’s Hague Blue. This bold color choice maintains the modernity of the ornate trim while creating a cozy Victorian parlor ambiance. Natural walnut elements on doors and trim are highlighted with a clear poly finish. The room includes a midcentury vintage sofa upholstered in mohair blue velvet, complemented by a rounded Jonathan Adler Danner sofa and Kelly Wearstler lamps to create a “sexy vibe.” Midcentury furnishings, such as a reupholstered Thayer Coggin swivel chair and a new Thayer Coggin Roxy chair, along with a round midcentury pi-coffee table and Moroccan inlaid side tables, contribute to a global aesthetic through eclectic accessories sourced internationally. A vibrant artwork by Hunt Slonem in a gilt frame and a vintage carved sideboard add glamour to a corner of the living room. The dining room reflects the clients' vision with quirky contemporary elements like Cole & Son Leopard Walk wallpaper and a stag chandelier sourced from Germany. Iconic midcentury Saarinen chairs and a stunning Suzani tablecloth complete the eclectic and joyful space, which is described as Victorian modern. The upstairs landing serves as an inviting seating area, utilizing natural light from an original gothic-detailed 1895 window and featuring French-style armchairs and a chess set. The primary bedroom showcases pastel pinks, blending antique, vintage, and modern furnishings. Brass elements, such as Sarreid chests, an antique mirror, and an Alexa Hampton ceiling light, add character. Walls are painted in Farrow & Ball's Middleton Pink with trim in Dove Tail, while House of Hackney and Timorous Beasties pillows, a modern champagne velvet bed, and a faux sheepskin swivel chair balance the vintage pieces. The bathroom features a Penhaglion cast iron tub in unlacquered brass, a striking choice for the historic home, complemented by classic marble tiles, Timorous Beasties curtains, and brass accents, offering a modern twist on traditional design. The homeowners expressed satisfaction with the transformation, noting that each room was thoughtfully designed and inspired by their existing collections, making the renovation a collaborative effort from architectural restoration to fabric selection. The project successfully honored the home's original features while introducing contemporary humor and subtle updates. #HistoricHomeRenovation #ColonialRevival #InteriorDesign #BoldColorSchemes #VictorianModern #KitchenDesign #LivingRoomDecor #BedroomIdeas #BathroomDesign

The article details the creation of Whimsy Valley, the Western North Carolina mountain retreat of photographer and historic preservationist Perry Vaile. Vaile and her husband embarked on a long journey to find and build their dream mountain home, ultimately settling on a property near Burnsville after a previous attempt in Chimney Rock was thwarted by a landslide specialist's warning, which proved prescient when the property was destroyed by Hurricane Helene. This experience highlighted the importance of thorough environmental assessments before purchasing land for construction. With the new property, Vaile collaborated with local contractor Chris Jarrett over two years to construct a home that harmonizes with its natural surroundings. Her background in historic preservation influenced the architectural choices, such as incorporating bark siding as a nod to late 1800s architect Henry Bacon, who popularized this style in Linville, North Carolina. This design decision aimed to give the new build vernacular sensitivity and integrate it respectfully into the region's architectural history. The interior design reflects Vaile's photography career, lending her an eye for creating visually compelling spaces. She combined antique pieces, diverse patterns, and a carefully curated color palette to achieve a timeless yet whimsical atmosphere. The living room features vaulted ceilings, providing a sense of grandeur and allowing for the inclusion of a stained-glass window sourced from a decommissioned church, which casts magical light when illuminated by the south-facing sun. The kitchen is designed to evoke warmth and character, channeling an "eccentric grandma" aesthetic. A William Morris patterned backsplash complements soft blue cupboards, adding texture and personality to the space. The master bedroom is built around a blue patterned wallpaper, inspired by an inn Vaile photographed, and features antique doors from an architectural salvage center in New Orleans. For her daughters' bedroom, Vaile aimed for a playful yet chic English bed and breakfast feel, incorporating gingham curtains and wallpaper from House of Hackney, with wood paneling completed by Vaile and her husband. Outdoor elements were also carefully considered. Vaile, who always desired to live near water, created an artificial stream that mimics natural rock formations and winds through the yard, providing a soothing soundscape and a scenic place to relax. The master bathroom features a copper tub as a focal point and an antique dresser with a marble countertop and stone sink, a resourceful find from Facebook Marketplace. The home also includes a wraparound deck equipped with rocking chairs, designed to offer expansive views of the surrounding mountains. The property is further enlivened by six miniature ponies, which roam the grounds, adding to the idyllic, storybook ambiance of Whimsy Valley, where Vaile's mother also resides in a nearby cabin, fostering a nostalgic, close-knit family environment. #MountainRetreat #HomeDesign #InteriorDesign #HistoricPreservation #WesternNorthCarolina #WhimsyValley #ArchitecturalDesign #CustomHome #OutdoorLiving

Colleen Healey, founder of her architecture firm in Washington, D.C., undertook the challenge of modernizing an unrenovated 1883 house while preserving its period charm. The project aimed to update bathrooms and kitchens, connect the house to the garden, introduce light in innovative ways, and honor the past by integrating modern elements. The renovation of the 140-year-old structure involved a deliberate give-and-take between old and new. Healey blended historic and contemporary styles by using shared textures and rhythms, creating surfaces that reflected light similarly in both original and new sections. Original raw materials, such as brick and floor joists, were exposed in modernized areas to provide warmth, bridging the gap between the cellular Victorian rooms and the open new spaces. In the living room, instead of concealing the existing wall curves, Healey embraced them, extending these curved surfaces into the rear kitchen area. This design choice allowed soft light to bounce into the space and was replicated upstairs with skylights to draw light from above. The living room features original pine flooring in the front, while the rear uses diagonally laid pine to accommodate irregular wall angles, celebrating the new design while respecting the original material. The walls are painted in Benjamin Moore's Super White over original plaster, contrasting with dark wood shutters and skirting. The fireplace, crafted from layered Carrara marble, incorporates crisp modern edges while aligning with the ornate Victorian details of the room. The dining room, which is open-plan and connected to the living room by a dark wood trim, maintains cohesion through continuous flooring and white walls. The ornate wood fireplace in the dining room provides a counterpoint to the modern stone fireplace in the living area, balancing period elements with contemporary furnishings like dining chairs. For the kitchen, a highly functional modern space, contrast was chosen over an attempt to blend perfectly with the period surroundings. White kitchen cabinets mirror the white walls seen elsewhere. The kitchen's material palette was kept simple to avoid overwhelming the space, given the existing red brick, wood flooring, and exposed ceiling joists. Muted, honed grey and white countertops reduce reflection, and dark cabinets with a rhythmic slat pattern complement the dark metal shelves, door, and black plumbing fixtures. The kitchen island, featuring stained ash doors, was designed to resemble a decorative furniture piece rather than a typical island, with a U-shaped configuration to define zones within the open-plan area. Architectural additions include skylights on the second floor that funnel natural light into the kitchen below, illuminating exposed original brick and wood joists. An arched passageway connects the front and back of the house, extending an existing archway to create a dramatic threshold into the kitchen. This sculpted surface prepares occupants for a more private area and conceals the powder room and cabinetry, reflecting the historical shape in a modern way. The arched aesthetic is also repeated in the sculpted ceiling of the skylights. In the den, despite minimalist design approaches, the space remains warm and inviting due to the original brick wall and pine flooring, which balance the stark white walls and ceilings. Walnut furniture pieces with delicate rope details contribute to a light and airy feel. The bedroom incorporates period features, with a low headboard wall concealing an old fireplace to create a better bed layout and maintain views, while also providing storage. This wall is topped with Carrara marble, echoing the primary bathroom's materials. The modern bathroom blends glass and tile surfaces with an ornate original mantle, a clawfoot tub, and soft wooden shutters. The staircase, largely untouched, was brightened with new lighting and a skylight to emphasize its historic sculptural quality. The second-floor skylights reveal the home's structure and connect upper private levels with public first-floor spaces. #HomeRenovation #PeriodProperty #ModernDesign #InteriorArchitecture #HistoricHome #ColleenHealey #WashingtonDC #DesignRenovation #LuxuryInteriors

Marie Turner Carson of M. Elle Design and architect Bob White of Forest Studio collaborated to create a unique family getaway at Victory Ranch, near Deer Valley, Utah. The clients desired a "family camp" atmosphere, which was interpreted not as a rustic, traditional lodge, but as a luxurious yet comfortable design focusing on community, activities, and nature. The home's unconventional layout diverges from a typical lodge, featuring guest rooms designed as individual "cabins" to accommodate a multi-generational family and their guests. White's design emphasizes breaking down the traditional "big box" lodge into a compound of structures that integrate with the rolling landscape and are arranged around connecting courtyards. This innovative approach optimizes views while ensuring privacy and a continuous sense of discovery throughout the property. White conducted space planning on-site to frame views perfectly and envisioned the new build as a historic home that evolved over generations, bringing an authentic feel to the design. The collaboration with local builder Ivan Broman resulted in a structure that serves as an ideal backdrop for family gatherings, allowing everyone to feel at home with their own space, while also incorporating inventive and thoughtful details. The main entry of the house offers an intimate feel with a lower ceiling, providing a glimpse into a central courtyard rather than a dramatic, expansive entrance. This design choice encourages exploration and a gradual appreciation of the home's features. The living room, a central and open area, is anchored by a monumental plaster fireplace, which provides a visual anchor amidst painted boards. Steel elements like a sculptural wood wall and door casings balance the room. From the living room, residents can enjoy views of the river and a courtyard with a fire pit, creating a sense of connection to the outdoors. To enhance coziness, the living room features layered wool rugs and various textures in its furnishings, arranged in two sections for versatile seating. The dining room, notably dark and dramatic, is positioned on a cantilevered hallway that acts as a bridge connecting different areas of the house. This unique placement offers a slightly disorienting yet engaging experience, constantly relating to the exterior landscape. An outdoor dining area complements the interior, featuring a custom-made table large enough to seat at least 16 guests, mirroring the indoor dining capacity with flexible seating options. The kitchen is strategically located at the furthest point of the house to maximize views, offering a 180-degree panorama. Inspired by Edwin Lutyens' designs, it includes a round island and cabinetry that reinterpret Alpine style. Beyond the primary living spaces, the home includes a bar with reclaimed wine barrels and walnut panels for guests to carve their names, and a basement speakeasy, embracing a cozy, wood-clad Alpine aesthetic. The main bedroom offers serenity with a muted palette and stone walls that seamlessly blend the interior with the surrounding environment. For younger guests, there are tastefully designed bunkrooms, one with rush beds for girls and another with cot-like beds and canvas curtains for boys, evoking a summer camp feel. The design team meticulously sourced items like vintage trunks to complete the authentic, yet refined, camp aesthetic, ensuring every detail contributes to the overall theme of a luxurious and comfortable family retreat. #FamilyGetaway #LuxuryDesign #MountainHome #UtahArchitecture #MElleDesign #ForestStudio #CustomHome #InteriorDesign #AlpineStyle

A two-decade-old Hilltop property, despite its spacious floor plan and proximity to local parks, presented an aesthetic challenge for its new owners. The house, initially characterized by traditional design elements such as sweeping staircases with turned-wood balusters, red-oak-paneled libraries, shimmering chandeliers, arched windows, ornately beaded and beveled cabinetry, and extensive crown molding, was deemed to have a "cupcake-style detailing" that did not align with the family's desire for a softer, calmer, and more welcoming style. To address this, the owners enlisted the expertise of Robin Bryant, lead designer at Factor Design Build, and interior designer Beth Armijo, to undertake a comprehensive aesthetic overhaul. Bryant meticulously preserved the home's structural integrity, retaining architectural features like the arched picture windows, paneled walls, and coffered ceilings. However, she introduced contemporary elements to modernize the space. This included installing sleek new fireplaces and twin sets of steel-framed sliding glass doors in the family room to enhance indoor-outdoor connectivity. The powder room received a bold update with hexagonal tiles on floors and walls, transitioning into a vibrant botanical-print wall covering. The main staircase was transformed by replacing traditional spindles and newel posts with modern metal balusters. _The kitchen, in particular, underwent a significant transformation from its early-aughts appearance. Bryant replaced stainless-steel appliances, a glass mosaic backsplash, and abundant golden oak cabinetry with whitewashed white-oak slab cabinet doors and a backsplash of taupe, ribbed glass tile. A streamlined plaster hood and a modern, folding-panel window were added to one wall, opening to the outdoor dining area. An adjacent wall featured floor-to-ceiling cabinetry with bronze-tinted glass cupboards in aluminum frames, providing an industrial yet sophisticated touch. Matte-white quartz perimeter countertops completed the kitchen's refined backdrop. The centerpiece of the kitchen became a massive slab of Blue Marine quartzite for the island, which introduced a dynamic color palette of robin’s egg blue and gold. These colors were then strategically incorporated throughout the house by Armijo. For instance, a newly created intimate sitting room adjacent to the main bedroom was adorned with a botanical-print wall covering in pale blue and green hues, which extended into the main bedroom's textiles and art. The dining room saw chairs upholstered in smoky blue and vibrant chartreuse, contrasting with warm white walls and trim. The study was dramatically updated with a coat of blackened-teal paint on its paneled walls and coffered ceiling, and the French doors were painted a fresh citron color. Armijo’s intention was to merge traditional structural elements with modern finishes and furniture to achieve a timeless European aesthetic. The selection of new furnishings reflected the homeowners' adventurous spirit, featuring sculptural side tables and playful chandeliers. A curved living room sofa and rounded swivel chairs were chosen to soften the home's rigid formality. Armijo also emphasized the use of diverse textures, incorporating hearty wool rugs, soft sheer and linen draperies, chunky chenilles, wool bouclés, and plush velvets. The design focused on texture and color rather than excessive pattern, drawing visual interest from the architecture's geometries and the furniture's curves. This collaborative effort between Bryant and Armijo successfully transformed the Hilltop home into a vibrant, modern, and welcoming space that reflects the owners' personality and willingness to embrace innovative design. #HomeDesign #InteriorDesign #ColorPalette #ModernRenovation #HilltopHome #CustomFurniture #LuxuryInteriors #ArchitecturalPreservation #TexturalElements

The ranch-style house, a prominent feature of the suburban American landscape post-World War II, is characterized primarily by its functionality, as articulated by architect Holden Spaht. These homes are typically single-story with low-lying roof lines and exhibit a zoned interior layout. This zoning typically separates public 'front-of-house' areas, including formal gathering spaces connected to the front door and backyard, from private 'back-of-house' areas like bedrooms. Key architectural characteristics include bathrooms with small windows or glass blocks, and living rooms featuring expansive, large windows. Spaht highlights the practical design elements, such as strategically placed kitchens that offer views of the family room and yard, enabling parents to supervise children while preparing meals. Additionally, built-in features like bookshelves are designed with purpose, either solid or porous, depending on whether they are separating connected or disconnected spaces. The historical context of ranch-style houses is deeply intertwined with post-World War II America. The period saw a boom in the middle class, and the introduction of 30-year federally backed mortgages made homeownership accessible to many families. This cultural shift, combined with the idealization of a spacious, bucolic domestic environment away from urban centers, fueled the widespread adoption of ranch homes. By the 1950s, nine out of ten newly constructed houses were ranch-style. The availability of building materials, such as industrial plastics and engineered wood products, which emerged from wartime efforts, also facilitated their rapid construction. These homes commonly featured brick or wood siding exteriors and interiors incorporating innovative, high-tech materials for the mid-century period. The Federal Aid Highway Act of 1956 further contributed to the proliferation of ranch homes by opening up affordable land outside city centers, making it easier to develop entire neighborhoods quickly. While distinct, ranch-style houses share significant architectural similarities with mid-century modern homes. Both styles embody the modernist ethos of leveraging technology and industrial production to enhance the quality of life for a broad demographic, not just the elite. They often incorporate influences from architects like Frank Lloyd Wright, seen in deep overhanging eaves and celebrated hearths. Common design principles include a deliberate blurring of interior and exterior spaces, integrated built-in millwork, and a preference for simple architecture that allows nature to be a focal point. Spaht notes that ranch houses are rarely pretentious, making them significant architectural and historical artifacts. There is a growing movement to restore these homes, indicating an appreciation for their rich social and architectural content. #RanchStyleHouse #MidCenturyModern #ArchitecturalHistory #HomeDesign #PostWarArchitecture #SuburbanHomes #FunctionalDesign #AmericanHousing

This article highlights the renovation of a home at 1909 Baymiller Street in Cincinnati's West End, undertaken by Rosie Kovacs and Hayes Shanesy, the husband-and-wife team behind Brush Factory. The West End is presented as a vibrant neighborhood with a rich history, known for its unique homes and ongoing revitalization efforts, exemplified by previous renovations like a church-turned-home. The current owners' dedication to restoring historically significant buildings contributes to the area's distinct character. The renovation of the three-bedroom, three-bath home focused on maximizing square footage and enhancing the existing south-facing window exposure. A significant aspect of the project involved the complete rehabilitation of the staircase. Hayes Shanesy, with the assistance of his father, a retired master cabinetmaker, meticulously disassembled the curved cherry handrail and balusters. Each piece was stripped and refinished before being painstakingly reassembled, a process described as a labor of love due to the staircase's intricate design, wrapping around three flights. Custom woodwork is a prominent feature throughout the residence, reflecting the owners' craftsmanship. In the living room, built-in cabinets span the entire length of the space, offering both aesthetic appeal and practical storage. The kitchen showcases light wood cabinets paired with black hardware, creating a striking contrast against the tile backsplash. These custom elements contribute to the home's unique and refined interior design. The primary bathroom is another highlight, featuring a claw-foot tub, a walk-in shower, and a custom vanity. Adjacent to the bathroom, a door leads to a private deck, accessible from the owner's suite, providing an exclusive outdoor retreat. These details underscore the thoughtful design and high-quality finishes incorporated into the renovation. Shanesy reflects on the transformation of the property and the neighborhood, noting that when he purchased the house in 2016, it was a vacant, abandoned building in disrepair, a common sight on Baymiller Street at the time. He observes that most homes on the street have since been renovated, contributing to a beautiful streetscape. The owners appreciate the historical significance of the homes in the West End, particularly along Dayton Street's "Millionaire's Row," enjoying walks with their dog and daughter. The article concludes by emphasizing the neighborhood's romantic charm and its immense potential. #RosieKovacs #HayesShanesy #BrushFactory #Baymiller #WestEnd #HomeRenovation #CustomWoodwork #InteriorDesign #CincinnatiRealEstate

This article showcases four distinct Colorado home design projects, highlighting the collaborative efforts of talented architects and interior designers in bringing homeowners' visions to life. Each project emphasizes unique design philosophies, material selections, and functional considerations tailored to individual needs and the Colorado landscape. First, the 'Longshot Ranch' in Eagle County is presented as a modern rustic barn designed by Forum Phi for a couple with contrasting aesthetic preferences. The husband desired a contemporary, modern aesthetic and a working ranch, while the wife preferred a rustic style and connection to civilization. The resulting 3,763-square-foot, two-bedroom barn, completed in 2021, successfully integrates residential living with agricultural space on a 35-acre plot. It features reclaimed white oak floors, oil-rubbed bronze, natural stone, and stainless steel in its interiors. The exterior utilizes reclaimed barnwood siding and wire-brushed Douglas Fir trim, complemented by a rusted metal roof. Emphasizing sustainability, the design incorporates passive solar gain through southeast orientation and steel solar shades, along with a 12 kW photovoltaic system. This project demonstrates a minimalistic approach to a rustic modern ranch, designed for environmental engagement and longevity. Next, 'Funk It Up' describes a whole-home remodel in Littleton’s Bowmar neighborhood, undertaken by Kimberly Timmons Interiors, Gruber Construction, and Red Pencil Architecture. The homeowners, Julia and Sam Wilder, sought a fun, functional, colorful, and sophisticated space for their three children, reflecting their personality. The original 1970s midcentury-modern ranch, characterized by a choppy floor plan and dated decor, underwent a complete transformation. The main living space was opened up, ceilings were vaulted, and the staircase was reconfigured to create an open and airy feel. The design maintained the home’s midcentury-modern architecture while incorporating bold color pairings like brushed gold accents, moody matte black wall coverings and cabinets, and pops of burnt orange and cool blue. Unique functional built-ins were integrated throughout the 4,000-square-foot, five-bedroom residence. The third project, 'Mountain Modern,' features a 7,500-square-foot Aspen home designed by Chicago-based architect Celeste Robbins of Robbins Architecture. This home is highlighted in her monograph, _The Meaningful Modern Home: Soulful Architecture and Interiors_. The design goal was to create a home that possessed scale, strength, and permanence to harmonize with the mountainous terrain, while also reflecting the quiet elegance of the valley's natural elements. Robbins drew inspiration from the Clyfford Still Museum for the facade, utilizing vertical board-formed concrete to create a textured pattern that complements the snowy peaks. This material is juxtaposed with expansive glass walls, including a 32-foot-wide motorized glass wall in the great room, which blurs the lines between indoor and outdoor spaces. Shawn Henderson curated the interiors, combining custom, vintage, and contemporary pieces to achieve sophisticated yet comfortable living spaces. Finally, 'Buckhorn Ranch' showcases a luxurious, modern-meets-rustic home in Crested Butte, designed by Susie Ver Alvino of Blank Slate & Co. for the Hunter family. Completed in 2022, the 4,000-square-foot, five-bedroom, 5.5-bath home by architect Daniel J. Murphy and builder Ian Mason blends contemporary furnishings with comfortable accents. The interiors feature Sherwin-Williams’ Snowbound paint, Bianco Montcarte marble countertops, and a custom steel hood in the kitchen. Thick wooden beams of locally handcut, raw-knifed, and burned Douglas fir adorn the kitchen and living room. Custom rugs, upholstery, and furniture are used throughout, with matte black painted window interiors to enhance visual impact. Design details include handcrafted marble mosaic bathroom tiles, plush Overland sheepskin rugs, and a 550-pound concrete bathtub in the primary suite. Phillip Jeffries wallcoverings and natural stone elements integrate the home with its Colorado surroundings. The home also incorporates practical amenities like a soaring refrigerated wine wall and features unique artistic touches such as a vintage chairlift seat from Crested Butte’s Teocalli lift on the front porch. #ColoradoHomes #ArchitecturalDesign #InteriorDesign #ModernRustic #SustainableDesign #MidcenturyModernRemodel #LuxuryInteriors #MountainModernArchitecture #ResidentialDesign

Michelle Workman, a prominent interior designer known for her work with Hollywood celebrities like John Travolta and Kirstie Alley, made a significant life change in 2013, moving from Los Angeles to a 13-acre farm on Lookout Mountain, Georgia. This move was driven by a desire for a small-town lifestyle for her family, including her husband, Justin, and their two sons, Brody and Hartley, allowing them to grow up surrounded by animals and open space. The family chose Lookout Mountain due to its proximity to a larger city, Atlanta, and the cosmopolitan feel of nearby Chattanooga. Despite the rural setting, Workman brought her signature Hollywood glam style to their 1990s-era home. Over time, the Workmans renovated parts of the house to reflect Michelle's distinctive aesthetic, which she describes as a blend of 'old Hollywood' with mid-century modern and traditional elements. Her design approach incorporates saturated colors, brass bar carts, Italian lamps, and velvet fabrics, alongside more rustic elements like baskets to suit the farmhouse context. The living room, for instance, features a gold-painted ceiling, a vintage 1960s blue sofa reupholstered in Clarke and Clarke herringbone velvet, and Selig-style mid-modern chairs covered in Robert Allen embroidered fabric, complemented by a 1960s French coffee table and a camel stool from Morocco. The foyer showcases a stenciled floor and elegant Murano lamps sourced from Italy. A former three-car garage on the terrace level was transformed into a guest suite and office, featuring built-ins and glossy blue paint, with a high-backed sofa in metallic linen from Schumacher. The home also displays a collection of vintage art and chaises from an old Hollywood estate, reupholstered in a Robert Allen cheetah pattern. The kitchen and bathrooms were remodeled, with the kitchen featuring glass tiles by Crossville Tile and a large black granite slab, contrasting with glossy black painted doors throughout the house. The master bedroom incorporates a wall covered in wallpaper from Workman’s own collection with Dynasty Home, a headboard designed in L.A. with gray Kravet velvet, and a vintage lace and embroidery coverlet from a flea market in Seville, Spain. A vintage 1960s chest was repurposed as a jewelry container. The dining room includes a traditional table from a local estate sale, complemented by custom built-ins for china and hollowware, and a mid-modern chinoiserie wave front chest. Workman’s design influence extends to a funky guest bedroom, which features a custom quilt, Thibaut coral wallpaper, an antique headboard upholstered in Schumacher “Glimmer” fabric, and a barrel-backed chair in Schumacher silk velvet, with mid-century modern lamps on vintage Biedermeier-style bedside tables. The guest bathroom boasts glass mosaic tiles installed in a stripe pattern and a former console table converted into a marble-topped vanity with Brizo fixtures. Her home has also served as a testing ground for her furniture and wallpaper lines, launched with French Heritage and Dynasty Home, respectively. Despite her past as a celebrity designer and features in publications like *Veranda*, Workman now embraces the practicalities of farm life, humorously noting her current role involves choosing colors for the henhouse rather than decorating for celebrities. The article concludes with a list of resources for the products and brands used in the home's interior design. #InteriorDesign #CelebrityDesigner #FarmhouseLiving #HollywoodGlam #LookoutMountain #HomeRenovation #MichelleWorkman #MidCenturyModern #TraditionalDecor