da mata's fauna collection explores the concept of the side table

The article explores the resurgence of animal-themed furniture, specifically side tables with animal feet, noting a historical precedent in the Victorian Era. During that period, "Animal Furniture" was a popular concept, featuring items made from or designed to resemble real animal parts, such as liquor stands from elephant feet or chairs upholstered with tiger skin and paws. The current trend, however, moves away from the literal and often macabre use of animal parts towards more whimsical and stylized representations. This contemporary revival is attributed, in part, to designers like the Haas Brothers, who have introduced modern interpretations of animal-inspired furnishings. The piece highlights several examples of these modern animal-footed tables, offering a range of styles and price points. One entry is the Birdy Side Table, a copper piece with sweetly ribbed legs and cartoonish, unrealistic bird feet, priced at $79. It is described as an accessible and charming starter piece for those interested in the trend. Another option is the Flamingo End Table by Organic Modernism, which retails for $620 and features a single claw-like leg, offering a more elegant interpretation. For a more distinctive and artisanal touch, the Stray Dog Designs Chicken Leg Inspired End Table is presented. Handcrafted in Mexico from paper-mache, this table is available in 12 vibrant colors and boasts satisfyingly realistic, leathery, and jointed chicken feet with sharp-looking nails, priced at $850. The Matthew Williamson Pink Tray Table offers a luxurious take on the flamingo theme for $4,223, featuring a lacquered, Palm Beach-pink tray supported by three sturdy brass legs and perfectly splayed, webbed feet. Other notable items include the Gallop White Stool from CB2 for $399, which combines aluminum legs, an ivory-fabric-wrapped seat, and elegant equine-shaped legs to deliver "sophisticated whimsy." A more understated option is the Hoof Legged Accent Table from Z Gallerie, priced at $150, featuring a modern white lacquered design with three shiny hooves. For a bold statement, the Pig Table By Front for Moooi, priced at $2,773, is a large, five-foot-wide, three-foot-tall jet-black table complete with a curled tail, upturned snout, and realistic fur and beauty spots. Finally, the article suggests a DIY approach with Small Size Brass Claw Foot Toe Caps, available for $12, allowing individuals to add a touch of animal whimsy to existing furniture. The article concludes by emphasizing that while animal furniture has a historical presence, the modern iteration is characterized by faux and less anatomically literal designs, making it a charming and occasionally off-putting trend for home decor. #TheStrategist #TryTheTrend #HomeDecor #Furniture #SideTables #AnimalFurniture #InteriorDesign #WhimsicalDecor

The Pig Side Table, a creation by designer Mario Tsai for mx object, draws its distinctive concept from an unexpected source: a visit to a metal market. During this visit, Tsai's attention was captured by stacks of thick aluminum tubes. He acquired a 250mm diameter tube, and while using it to carry other purchases, he experienced an epiphany. The act of sliding items into the tube evoked the familiar and simple motion of inserting a coin into a piggy bank. This seemingly mundane observation sparked the conceptual foundation for the Pig Side Table. The design ethos behind the Pig Side Table revolves around this initial inspiration. The core of the table is the very aluminum tube that first captivated Tsai. To transform this industrial component into a functional piece of furniture, four legs were strategically added to the tube, mirroring the familiar structure of a traditional piggy bank. This addition not only provides stability but also reinforces the playful, animal-inspired aesthetic that defines the piece. A circular surface was then placed atop the tube, completing its transformation into a functional side table. The resulting design is both practical and whimsical. The aluminum tube serves as a convenient storage compartment, capable of holding various items such as books, magazines, or small personal belongings, much like a piggy bank holds coins. The circular tabletop offers additional surface area, ideal for placing drinks, decorative objects, or other everyday essentials. Beyond its utilitarian features, the table's overall form is intended to evoke the image of a pig. Tsai himself describes it as “a pig with a hat,” highlighting the lighthearted and imaginative nature of the design. This design approach successfully merges industrial materials with a touch of anthropomorphic charm, creating a piece that is both modern and engaging. The Pig Side Table stands as a testament to how everyday observations and a sense of playfulness can lead to innovative and memorable furniture designs. It recontextualizes a common object, the piggy bank, by abstracting its form and function into a contemporary piece of home furnishings, offering both practical utility and a conversation-starting aesthetic. #MarioTsai #SideTable #FurnitureDesign #HomeFurnishings #IndustrialDesign #PiggyBankInspiration #AluminumFurniture #ModernDesign #InteriorDecor

The "Designated Side Table" collection, created by Milan-based Taiwanese designer YuoNing Chien of 808: Studio, was unveiled at Milan Design Week 2024. This furniture series features a distinctive and integrated design where geometric shapes serve as both aesthetic elements and structural supports. The tabletops of these side tables incorporate cut-outs designed for holding various items, such as vases or mobile phones. A key design innovation is that these distinct geometric shapes, differentiated by their interior colors, extend seamlessly through the solid pine wood surface to form the supporting legs of the tables. This approach transforms negative space into a functional and tangible component of the furniture. Chien's design philosophy emphasizes the unification of elements rather than their separation. The concept of the shapes acting as both voids and supports highlights a thoughtful craftsmanship, moving beyond traditional furniture construction where components are typically designed independently. The designer aimed to create a visual and functional coherence where every part contributes to the overall structure and aesthetic, making the connection between form and function evident and surprising. This integrated design was not accidental but a deliberate effort to create a harmonious piece where every detail is interconnected. Each side table in the collection is meticulously crafted from solid pine wood, a material chosen for its enduring quality and classic appeal. This choice of material underscores the collection's focus on durability and timelessness. The inherent properties of pine wood contribute to the tables' robustness, ensuring they are not only visually appealing but also built to last. The use of a natural material like pine also adds a warmth and organic texture to the contemporary geometric forms. Beyond their aesthetic appeal, the Designated Side Tables are designed with versatility in mind. Their combination of sophisticated design and practical functionality allows them to blend seamlessly into various interior settings within a home. Whether used in a living room, bedroom, or entryway, these tables can serve multiple purposes, from holding everyday essentials to acting as decorative display surfaces. The collection aims to provide a functional piece of furniture that enhances the overall ambiance of a space through its unique design and material integrity. The collection reflects a modern approach to furniture design, where innovation in form is matched by a commitment to functional utility and material quality. #FurnitureDesign #SideTables #YuoNingChien #MilanDesignWeek #GeometricShapes #PineWood #ModernFurniture #InteriorDesign #ProductInnovation

This article, written by Ming Thompson, highlights the often-overlooked importance of side tables in interior design. Initially published on November 4, 2021, the post emphasizes that while major furniture pieces like sofas and dining tables usually dictate a design’s vision, side tables play a crucial supporting role in completing a living space. Side tables can serve as neutral complements to a furniture ensemble or introduce a playful juxtaposition through color or form. Unlike nightstands or bookshelves, their practical function is limited, requiring only a surface large enough for a small item like a book. This simplicity allows for greater design freedom, enabling them to be crafted from unconventional materials such as ceramic and cork, and to function as sculptural objects. The author presents a curated list of 15 side tables, all priced around $500, ranging from subtle and neutral to bold and fun. Each selection is chosen for its ability to hold a book and its height, ensuring it has a noticeable presence next to a sofa. The article details various options, starting with the Mila Scallop Ceramic Stool, praised for its indoor-outdoor versatility, fluted base, matte finish, and candy colors, which are noted to be trendy yet timeless. Another ceramic option, the Fluted Stool, is described as having a more subtle form, hand-molded in Vietnam, and suitable for tone-on-tone bedroom schemes. The Max Beam Side Table, designed by Ludovica + Roberto Palomba for Kartell, is highlighted as a modern classic due to its durable, gem-like plastic construction and vibrant color options, ideal for creating contrast or glowing with natural light. The Yeh Wall Table is noted for its unique, impish personality, using two skinny legs and a bent wafer-like top for support, making it a conversation starter. The Statuette Side Table is admired for its sculptural form, matte-black sandblasted texture, and feminine stacked base, capable of anchoring a room corner. The Arbon Terra Fab Accent Table, part of a Studio McGee collaboration with Target, offers a plaster-like finish that gives it a more expensive appearance and versatility for various decor styles. The Cork Trisse table is celebrated for its sustainable cork material, simple shape, and durability, emphasizing cork's potential beyond traditional uses. The iconic Aalto Stool 60, designed in 1933 by Alvar Aalto, is presented as a timeless classic with its simple three-legged design, available in various colors and upholstered tops, promising a lifetime of use. The Hay Slit Table, a product from the popular Danish brand, is favored in its tall gold version for its modern sensibility and clean lines. The Curved Side Table by Kristina Dam Studio exemplifies contemporary Scandinavian minimalism with its graphic, elegant, and restrained form, featuring practical storage pockets. The Sentrum Side Table from Danish brand Woud balances curves and straight lines in painted steel, offering smart storage pockets and a unique, less common aesthetic. Lastly, the Two-Way Side Table, a MoMA-developed piece, offers quirky color combinations and transparent acrylic, creating unexpected visual effects with light and shadow. The Contrast Table, a flat-packed design by Tortuga, combines a rectangle, triangle, and circle to form a striking piece, which can also serve as an extra seat. The Tenon Table from Akron Street involves the user in its assembly with an oak mallet, celebrating traditional woodcraft. Finally, the Resident Offset Stool, though slightly above the $500 limit, is lauded for its asymmetrical design and versatility, capable of transforming its look by rotating its offset legs. #SideTables #HomeDecoration #InteriorDesign #Furniture #DesignTrends #ModernClassics #AaltoStool #SustainableDesign #SpaceCompleting

Roula Salamoun, a Lebanese designer, drew inspiration from natural organic processes to create her latest furniture collection, which includes Archipelago seats and Strata tables. The designs are influenced by insular landscapes and topographical studies, encouraging users to examine the intricate details of each piece. The collection aims to evoke a sensory response through its tactile qualities and natural forms. The Archipelago seats demonstrate sculpted edges, similar to objects shaped by time and natural elements. Their tapered bases are inspired by coastal erosion, while the backrests are reminiscent of highlands in a seaside landscape. When grouped, the seating units suggest a cluster of islands and peninsulas, maintaining their distinct presence whether arranged together or separately. The cohesive aesthetic is achieved through matching fabrics, available in a variety of colors that reflect different natural environments. Each Archipelago seat is handcrafted, featuring a solid wood structure enveloped in foam, and then meticulously hand-upholstered to ensure quality and comfort. Expanding on Salamoun's previous Strata rug collection, the Strata tables are three-dimensional objects that mimic natural geological formations like cliffs and sea stacks. The sharp stratifications visible in each table appear to be the result of elemental forces over time, alongside human activity. The tables are individually hand-cast using a combination of resin and natural marble, employing an intuitive molding technique. Salamoun's commitment to environmental consciousness is evident in her selection of natural stone remnants from the construction industry. This approach ensures that each Strata table is unique, possessing its own distinct variations in color and texture, making every piece an individual work of art reflective of its natural and recycled components. The collection highlights the beauty and resilience of nature through thoughtful design. The designer's method of incorporating natural processes and materials not only produces aesthetically pleasing furniture but also promotes sustainability by repurposing industrial byproducts. The Archipelago seats and Strata tables together form a cohesive collection that invites contemplation and engagement with the natural world, transforming organic inspirations into functional and artistic home furnishings. #RoulaSalamoun #FurnitureDesign #NatureInspired #ArchipelagoSeats #StrataTables #HomeFurnishings #SustainableDesign #Handcrafted

Deniz Aktay, a Germany-based designer, has created 'Bookgroove,' a multifunctional side table that also functions as a book rack. This piece of furniture is designed to enrich both classic and modern interior spaces with its unique sculptural form. Aktay emphasizes the importance of balancing material, proportion, and functionality in his design process, aiming to create pieces that are both aesthetically pleasing and highly practical. His enthusiasm for crafting furniture and objects stems from a focus on the detailed aspects of creation. Bookgroove features a minimalistic design with a Scandinavian aesthetic, incorporating warm wooden tones. Its cylindrical shape integrates a storage section specifically designed to hold books, making it a compact and versatile piece. Aktay's motivation for developing Bookgroove was his appreciation for furniture that serves multiple purposes, highlighting its space-saving and multi-functional nature. The design's primary characteristic is a long, deep, and beautifully curved groove carved into a solid wood cylinder. This curve is meticulously crafted to complement the overall roundness of the main body, creating an illusion of continuous movement. The innovative design allows the cylindrical form to be visually restored when filled with books, encouraging users not only to store their books but also to integrate them as decorative elements. When fully loaded, the books and wood merge visually, creating a cohesive and integrated appearance. This piece exemplifies Aktay's design philosophy, where functionality and artistic form coalesce to produce innovative home furnishings. The article underscores Aktay's skill in conceptualizing and executing furniture that is both visually engaging and highly practical, fitting seamlessly into various interior styles while addressing the common need for compact, multi-purpose items. #FurnitureDesign #ConceptDesign #InnovationDesign #InteriorDesign #LifestyleDesign #MultifunctionalFurniture #ScandinavianDesign

The Zangbeto Side Table, designed by Salù Iwadi Studio, draws inspiration from the Zangbeto masquerade of the Ogu (Egùn) people in southwestern Nigeria. This wooden furniture piece translates the conical shape of the traditional Zangbeto costumes into a functional and aesthetically engaging side table. The design employs a structured composition of layered wooden fins, arranged radially in a spiraling configuration, which aims to capture the essence of the masquerade's spinning dances while ensuring the table's stability. The intricate arrangement of these fins is crafted to evoke the centrifugal energy and hypnotic motion characteristic of the Zangbeto performances. This creates an illusion of perpetual rotation, imbuing the static object with a dynamic, kinetic energy. The fins are meticulously hand-carved and taper upwards, balancing structural integrity with visual lightness. This tapering design not only mirrors the ascending movement of the Zangbeto dances but also creates an optical effect that suggests the table is levitating. Furthermore, the angular configuration of the fins allows the side table to serve a dual purpose as a bookshelf, providing support for books. The design incorporates negative space between the fins, which further contributes to the floating appearance and allows light to filter through, casting dynamic shadows that mimic the movement of the masquerade. The tabletop features carved spiral ridges that emanate outwards from the center. These concentric patterns symbolize the energy pathways and vibrations generated during the Zangbeto's ceremonial performances, and they also evoke the cosmic flow of energy and life, reinforcing themes of interconnectedness and cyclical renewal. This detail invites tactile interaction, allowing users to experience the narrative through touch as well as sight. The surface of the table exhibits alternating matte and polished finishes, which reflect the interplay of light and shadow observed during Zangbeto ceremonies. This contrast adds a dynamic visual texture, reminiscent of how light interacts with the raffia costumes during the ritual. The natural wood grain is prominently displayed, grounding the piece in its materiality and emphasizing its organic connection to the earth and its cultural roots. Salù Iwadi Studio prioritizes sustainability in the table's construction, utilizing sustainably sourced wood. This choice underscores the material's inherent beauty and aligns with traditional African practices that emphasize environmental harmony. The hand-carved details throughout the fins and tabletop demonstrate meticulous craftsmanship, honoring the intricate artistry and spiritual significance of the Zangbeto costumes. The layering and radial arrangement of the fins represent a modern reinterpretation of traditional construction methods, merging heritage with contemporary innovation. Ultimately, the Zangbeto Side Table serves as more than just a piece of furniture; it is an object that encourages engagement with cultural narratives. It celebrates and honors the Zangbeto as a cultural guardian, while also showcasing design's potential as a medium for storytelling, education, and cultural preservation. Through its thoughtful design and rich symbolism, the table invites an exploration of the interconnectedness of life, culture, and art, providing a contemporary perspective on West African traditions. #ZangbetoSideTable #SaluiwadiStudio #BeninCulture #NigerianArt #FurnitureDesign #WoodenFurniture #CulturalHeritage #SustainableDesign #HandCarved #KineticSculpture

Side tables, often overshadowed by larger furniture pieces, are essential, hardworking elements in home design. They provide a surface for everyday items like drinks and lamps and can elevate a room's aesthetic. This guide explores a curated selection of the best side tables, each chosen for its unique design, material, and functionality, demonstrating that these often-overlooked pieces deserve significant attention. Among the top recommendations is the Hay Don’t Leave Me Side Table, lauded for its sleek, portable design and affordability. Made from powder-coated steel, it features a convenient handle for easy relocation and comes in seven colors, making it versatile for various functions and spaces. While the handle can sometimes interfere with displaying larger items, its high design at a reasonable price point makes it an excellent overall choice. For those seeking value, the Amazon Palm Beach Spindle Table stands out. Priced under $100, this solid hardwood table boasts a charming spindle-leg design and is praised for its surprising sturdiness and elegant appearance. Available in nine colorways, it offers a budget-friendly yet quality option, though its painted finish is more matte than glossy in person. Assembly is required for this model. The CB2 I Beam Pink Marble Side Table is presented as the best marble option, characterized by its artistic quality and unique veining. Crafted from honed pink marble and finished by hand, each table is one-of-a-kind. Its slim and sturdy design allows it to fit into tight spaces, though its weight makes it less portable. The rounded corners enhance safety, and its sculptural beauty transforms it into a focal point. Inside Weather's Latte Hanna Side Table offers excellent customization, inspired by Frank Lloyd Wright's iconic Hanna House. This geometric table, made from Baltic birch plywood and American maple veneer, allows customers to choose from two wood finishes and dozens of colors and 18 Wright-inspired patterns for the tabletop and shelf. With each purchase contributing to tree planting, it combines historical design with modern ecological consciousness, requiring easy assembly. The Blu Dot Note Side Table is highlighted for its minimalist metal design. Constructed from powder-coated steel, it is scratch-resistant and durable, featuring a cantilevered tabletop and base with rubber feet. Its slim profile and availability in eight colors allow it to complement various decor styles subtly. This table is a simple yet striking choice that requires minimal assembly. For a sculptural statement, the West Elm Monti Lava Stone Side Table is recommended. Made from a blend of volcanic ash, stone, fiberglass, and sand resin, it offers a unique texture and soft, curved lines. Suitable for both indoor and outdoor use, its artistic form makes it a showstopper. However, its porous nature means it requires careful maintenance to prevent staining and etching. The Kartell Colonna Green Stool is presented as the best colorful option. This vibrant, near-neon technopolymer stool by Kate Berry doubles as seating, a side table, or a footrest. Its versatility extends to both indoor and outdoor environments, though it comes with a higher price point, making it ideal for color enthusiasts. The Nopo Maho Side Table, handwoven in Mexico from chuspata, represents the best woven option. This fair-trade product supports artisans and preserves traditional craftsmanship. Its spacious top makes it practical for various items, reflecting a beautiful simplicity and cultural heritage. Finally, the Sarah Ellison Freddie side table is praised for its timeless rattan design with brass detailing. Made from natural rattan with a clear lacquer coating, it is durable and easy to clean, suitable for both bedrooms and living rooms. While it has a long lead time and a high price, its quality craftsmanship ensures lasting appeal. When choosing a side table, practical considerations such as design, dimensions, material durability, and assembly requirements are crucial. A side table should be slightly shorter than a sofa arm for comfort and convenience, typically between 18 and 26 inches in diameter. Materials vary widely, from stone to steel, each with its own advantages regarding weight, safety, and maintenance. The article emphasizes balancing aesthetic appeal with practical functionality, ensuring the chosen side table not only looks good but also serves its purpose effectively without excessive maintenance. The article also distinguishes between end tables and side tables, with end tables generally being slimmer and placed at the end of furniture, while side tables are more prominent design features with larger surface areas. Alternative surfaces like stools, stacked books, or bar carts can also function as eclectic substitutes for traditional side tables. Occasional tables are described as small, portable, and versatile pieces used for various purposes as needed. #SideTables #HomeDecor #FurnitureDesign #InteriorDesign #ShoppingGuide #FunctionalDecor #ModernFurniture #SustainableDesign #CustomizableFurniture

The 2022 Joint Annual Meeting of the Entomological Societies of America, Canada, and British Columbia showcased a juried art show centered on the theme "Entomology as Inspiration: Insects through art, science, and culture." This event brought together over 40 entries, creating a platform where science and art intersected. Attendees cast their votes for their favorite pieces, with the top honor, including first place in the three-dimensional art category, being awarded to "Entomological Vase," a creation by independent artist Sarah Ritchie from Alberta, Canada. Sarah Ritchie's "Entomological Vase" stands over 2 feet (63.5 centimeters) tall and is the largest in a series of similar vases she has produced. The vase is adorned with nearly 40 sculpted insect "specimens" around its circumference. This intricate detail serves as an homage to natural history collections and underscores their role in advancing the understanding of biological diversity and taxonomy. Ritchie's artistic focus on insects and arthropods stems from a long-standing interest in under-appreciated taxa. Her background as a wildlife educator involved outreach programs with various animals, including reptiles, bats, and invertebrates, where she observed the positive impact of demystifying these creatures and shifting public perception. She found that art serves as an effective medium to engage people with insects in a more approachable way, transforming potential dislike into appreciation through abstraction. Her experience in archaeology also influences her work, as she integrates her passions for both art and science. Ritchie, largely self-taught in ceramics, transitioned her hobby into a full-time career supported by online communities. She values the ability to combine her interests in the natural world and science communication, reaching a broad audience through her art. The bilateral symmetry and relatively flat profile of arthropods make them ideal subjects for her figural ceramic technique, allowing her to accurately depict a wide range of species inspired by real pinned insects. During her presentation at the 2022 Joint Annual Meeting, titled “Bug mugs: Promoting insect appreciation through ceramics,” Ritchie highlighted art's potential as a powerful tool for communication and education. She emphasized how art can bridge the gap between the scientific community and the public by fostering relational values with insects, which can then support scientific goals such as public awareness, education, and conservation. Ritchie advocated for greater interdisciplinary collaboration between artists and scientists, recognizing that many artists share a profound interest in biological sciences despite lacking formal backgrounds. Such partnerships could create numerous new opportunities for outreach and public engagement. #EntomologicalVase #ArtShow #JointAnnualMeeting #SarahRitchie #InsectArt #ScienceCommunication #CeramicArt #Biodiversity #Entomology

Carpenters Workshop Gallery in London is hosting 'Run & Hide,' the first solo exhibition for Dutch designer Maarten Baas at their new London space. This exhibition offers a preview of the upcoming major retrospective of Baas's work, titled 'Hide and Seek,' at the Groninger Museum in the Netherlands. The London show highlights four significant collections from the designer's career, showcasing his unique approach to furniture design. One of the featured collections is 'Close Parity,' first unveiled during Dutch Design Week 2016. This collection comprises five furniture pieces that originate from what Baas describes as 'naive sketches.' These initial, childlike drawings are then extruded into three-dimensional forms. The design philosophy behind 'Close Parity' intentionally disregards conventional constraints such as gravity and logistical concerns, allowing the whimsical and irregular lines of the original sketches to be faithfully translated into physical objects. The resulting brass pieces retain the eccentricities and intricate details of the sketches, often appearing as almost impossible, off-balanced, and top-heavy sculptures. To achieve structural stability, heavy counterweights are discreetly incorporated within the pieces. The collection exemplifies a blend of childlike form and logic with meticulous craftsmanship and a sophisticated understanding of materials and physics, as the imperfections of the linework are rendered in pure brass. The exhibition also marks the UK debut of Maarten Baas's 'Carapace' collection. This series draws inspiration from the protective, decorative, or camouflaging shells found on animals like beetles and turtles. First presented at Carpenters Workshop Gallery New York in 2016, the 'Carapace' collection includes a desk, a cabinet, an armchair, and a cupboard, each reflecting the thematic influence of organic shells. Additionally, the show features two of Baas's renowned 'Clay Chairs.' While typically available as an open edition, a special bronze version has been created to commemorate the design's 10th anniversary, adding a unique element to the display. A piece from the designer’s celebrated 'Real Time' collection is also on view. This includes a bronze 'Grandfather Clock,' an early example of Baas’s innovative timekeeping designs. These clocks feature a 12-hour video of a man drawing and erasing the minute and hour hands directly onto the clock face. The 'Real Time' series has garnered significant recognition and is now part of numerous museum collections worldwide. Amsterdam's Schiphol Airport recently commissioned a large-scale version of this clock for its main hall, underscoring its iconic status. Finally, a prominent piece from the 'Smoke' series is included in the exhibition. In this series, furniture pieces are entirely carbonized using a blow-torch, a process that intentionally highlights human intervention and transforms perceived flaws into aesthetic qualities. These designs, which were part of Baas’s graduating show at Design Academy Eindhoven in 2002, have since been acquired by prestigious institutions such as the Victoria & Albert Museum and the Groninger Museum. The 'Run & Hide' exhibition thus offers a comprehensive overview of Maarten Baas's distinctive and critically acclaimed design philosophy. #MaartenBaas #FurnitureDesign #CarpentersWorkshopGallery #Exhibition #CloseParity #CarapaceCollection #RealTime #SmokeSeries #DutchDesign

Side tables, while often overlooked, are a fundamental component in home furnishing, providing essential functionality for holding drinks, books, or other personal items. Their compact and portable nature makes them versatile additions to various living spaces, including living rooms and bedrooms. These pieces are not merely functional but also offer significant aesthetic value, with designers emphasizing their form and visual appeal. The article showcases 18 distinct side tables, highlighting a range of materials, shapes, and design philosophies from various designers and brands. One featured design is the 'Mag' side table by Daniel Schofield for The Conran Shop. This piece is characterized by its clean lines and vibrant color-pop finishes, achieved through intensive ceramic firing and glazing techniques that ensure durability and resistance to heat and staining. It comes in multiple colors and a squatter version. Studio Besau-Marguerre's 'Sediment' side tables are crafted from single slabs of stone, creating an illusion of two different marble types through alternating honed and polished finishes, offering a sophisticated visual texture. Antrei Hartikainen's 'Disco' side table for Basta demonstrates clever design, assembling by spinning the top into place. Made from solid oak, its appeal lies in the contrast between the robust pedestal and the impression of perfect balance. Pani Jurek's 'TRN' side table, inspired by painter Jan Tarasin's canvases, features sustainably made furniture pieces that can be combined to form abstract compositions, with each piece being unique. Philippe Starck’s ‘Prince Aha’ side table for Kartell, with its simple hourglass shape and ribbed polypropylene finish, highlights an intuitive sense of form. Luca Nichetto’s ‘Allié’ side table for La Manufacture serves as both a stool and a side table, distinguished by expressive handles that make it easily movable and suitable for both indoor and outdoor use. The 'Tabitha' nightstand from Urban Outfitters offers practicality with a lower shelf and a tray-style top, providing a sense of order and fitting seamlessly into corners or beside beds. Darkroom’s ‘Blok’ series features hand-built ash pieces stained with bold water-based pigments, emphasizing sustainability and a modern aesthetic. Hay’s ‘Bowler’ side table, designed for small spaces, has a compact granite base for stability and a powder-coated steel stem that doubles as a handle for easy rearrangement. Edward Collinson’s ‘Note’ stools, crafted using traditional carpentry, double as side tables with gently curved undersides and flat tops, available in various wood finishes. String Furniture's 'Museum' side table, designed by TAF Architects, is a robust aluminium piece with an adjustable top, reflecting the brand's foray into freestanding furniture. Danielle Siggerud’s ‘Androgyne’ table for Menu features a laser-cut steel base with a clean silhouette, available with various marble tops. Jaime Hayon’s ‘Explorer’ side tables for BD Barcelona are a playful collection inspired by sweets, available in a wide array of colors and finishes. Mette Schelde’s ‘Stub’ side table for Fritz Hansen is inspired by a wooden stump, ingeniously designed with glass and base cut at a 45-degree angle to interlock without visible fixings. Tollgard & Castellani’s ‘Ekero’ side table for Porada offers extensive customization, with options for marble bases and various finishes for the solid canaletta walnut tabletop. Marie Massaud’s ‘Nara’ side table for Poliform, inspired by cabinet-making, is a weighty, sculptural piece crafted from solid wood, available in black elm or gold walnut. Tom Dixon’s ‘Swirl’ low table innovatively uses powdered residue from the marble industry mixed with pigment and resin to create unique, substantial pieces. Lastly, Mia Hamborg’s ‘Shuffle’ side table for &Tradition, inspired by childhood stacking toys, features cheerful, gem-like components that can be arranged in various configurations to create a sculptural effect. #SideTables #FurnitureDesign #HomeDecor #InteriorDesign #ModernFurniture #SustainableDesign #LuxuryFurniture #FunctionalDecor #DesignerFurniture

The "Bolete" table series, a collaboration between Hong Kong-based architect and sculptor Henry D’Ath and design-art duo Batten and Kamp, introduces a family of limited-edition coffee and side tables. These pieces are distinguished by their mushroom-like forms, crafted from hand-carved solid wood and natural stone. The design integrates the sculptural weight typical of permanent furniture with a flexible, modular approach that features configurable, overlapping surfaces. The genesis of the Bolete series traces back to a custom commission where Batten and Kamp recognized a natural synergy between D’Ath’s carved wood creations and their signature raw stone bases. This initial insight led to the formal collaboration and the development of the Bolete collection, emphasizing a harmonious blend of two distinct material elements. Each table in the Bolete series is meticulously carved by Henry D’Ath, who allows the intrinsic patterns of the wood grain and the natural contours of the stone to guide the creation of subtly organic shapes. The wooden tops are available in two finishes: a natural, sealed varnish that highlights the wood's inherent beauty, or a glossy black finish achieved through layers of calligraphy ink. The choice of wood for the tops is Camphor, a variety prevalent in China and Japan, known for its aromatic properties and natural insect-repellent qualities. For the bases, raw Taishan Granite stones are used. These stones are culturally significant, often featured in Zen gardens, and are admired for their grey-white hues, reminiscent of the dramatic Karst Mountains. Each granite base is individually sourced and intentionally left untreated, ensuring that every table possesses a unique character. The collaboration is deeply rooted in the shared heritage and mutual admiration among Alexandra Batten, Daniel Kamp, and Henry D’Ath, all originally from New Zealand but now working together in a Hong Kong studio. This shared background is reflected in the design philosophy, which embraces natural materials, robust forms, and simplicity—elements integral to New Zealand aesthetics—while also incorporating local materials and subtle Zen influences. Alexandra Batten describes the collaboration as effortless, stemming from a lifelong connection and shared artistic vision. Initially launched as a side table in 2023, the Bolete series has expanded to include coffee tables. The modular nature of the design is key, allowing for diverse configurations and sizes through the arrangement of overlapping surfaces, which enhances the collection's adaptability and aesthetic appeal. The tables are produced in limited editions, with eight pieces plus four artist proofs available per configuration, highlighting their exclusivity. Plans are underway to exhibit the series in major art and design hubs, such as New York or Paris, in 2025, further solidifying its presence in the global design landscape. The project was submitted through a DIY submission feature, reflecting a direct engagement with the creative community. #FurnitureDesign #Woodwork #StoneCraft #TableDesign #ModularDesign #LimitedEdition #DesignCollaboration #NaturalMaterials #HandCarved

Domino has launched its latest dinnerware collection, "Gradience," in collaboration with Lenox, exclusively available at Anthropologie. This new line, released just in time for fall entertaining, features a palette of pink, red, and white, drawing inspiration from various florals such as deep crimson dahlias and blush-hued ranunculus. The collection comprises eight essential tabletop pieces, designed with a mix of artful patterns, including simple lines and a circular ombre effect, which gives the items a hand-painted aesthetic. These designs are intended to enhance any dining occasion, from an elaborate Sunday brunch to a casual weeknight dinner. The Gradience collection is one of three distinct lines developed by Domino in partnership with Lenox. Another collection, "Optique," showcases a vibrant design inspired by digital pixelation's grid shape and is available nationwide. The third collection, "Technic," offers a vintage-inspired pattern that incorporates pinks, blues, and neon yellow, paying homage to retro arcade games. This particular line is slated for exclusive release at Bloomingdale's later in the month. A unifying theme across all three collections is the art of ombre, characterized by a gradual blending of colors. According to Domino's style director, Kate Berry, ombre is a universally appealing design element, whether it manifests in natural forms like ombre tomatoes or floral arrangements. Each of the three patterns interprets this color-blending technique in a unique and sophisticated manner. The article highlights several specific items from the Gradience collection available at Anthropologie, providing direct links for purchase. These include a set of four Domino Nut Bowls priced at $50.00, a set of four Domino Canape Plates also for $50.00, and a set of two Domino Serving Utensils available for $45.00. Additionally, a set of four Domino Spreaders is offered at $45.00. Individual pieces are also available, such as the Domino Side Plate for $19.50, the Domino Dinner Plate for $21.50, the Domino Bowl for $19.50, and the Domino Mug for $19.50. This collaboration marks a significant expansion for Domino into the tabletop category, offering consumers elegantly designed dinnerware that combines contemporary aesthetics with functional appeal. The introduction of multiple collections with distinct design inspirations ensures a variety of options for different tastes and home decor styles, all while maintaining a consistent theme of color gradation. #DinnerwareCollection #AnthropologieExclusive #TabletopEssentials #OmbreDesign #FloralInspired #HomeDecor #LenoxCollaboration #GradienceCollection

This article explores the charming appeal of carved wooden animals, highlighting their potential as decorative elements for various home spaces. Designed by a mix of contemporary creatives and historical masters, these small sculptures offer a touch of joy and humor, ideal for enlivening bookcases or home office desks. The piece features a curated selection of these finely crafted companions, suitable for starting a new collection or adding to an existing one. Among the featured creations are the 'Wooden Animals' by Floris Hovers for Ikonic Toys, known for their expressive and minimalist design, available in natural beechwood or a painted set. Sigurjón Pálsson's 'Lundi' wooden puffin for Epal is showcased for its expressive quality and magnetic head, allowing for adjustable orientation. Studiomama's 'Norppa' rocking seal for Vaarnii is presented as a sculptural and joyful piece, crafted from pine and designed to raise awareness for endangered seal species. The article also reintroduces Arne Tjomsland's iconic 'Isbjørn' wooden polar bear, reissued by Eikund, emphasizing its simple yet expressive form from 1955, inspired by Tjomsland's childhood museum experiences. Further examples include Enzo Mari's '16 Animali' puzzle for Danese, a celebrated work from the late 1950s that combines 16 animals into a continuous cut from a single piece of oak, reflecting Mari's interest in Scandinavian children's toys and formal creativity. Torafu Architects' 'Koala Kit' for Ishinomaki Laboratory is highlighted as an assemble-at-home option, offering simple yet expressive wooden figures. Hans Bølling's 'Oscar' dog, alongside other wooden animal figurines like the duck and duckling, produced by Architectmade, represent classic designs initially crafted as personal gifts that have since become iconic. The collection also features Sigurjón Pálsson's 'Shorebirds' for Normann Copenhagen, inspired by Icelandic fauna and characterized by their minimalist and expressive forms in solid oak. Finally, Lars Beller Fjetland's 'Amaranth' ducks for Bottega Ghianda are presented, initially commissioned for a Handmade exhibition. These ducks are inspired by Korean traditions of gifting wooden waterbirds to newlyweds, symbolizing nuptials, and feature a secret compartment for a wooden ring, with the wood color changing over time. Each piece in the collection offers a unique blend of artistic design, craftsmanship, and often, a story or inspiration behind its creation, making them compelling additions to any home decor. #WoodenAnimals #HomeDecor #DesignCollectibles #MinimalistDesign #CraftedFigures #InteriorDesign #SculpturalObjects #DesignerAnimals

The "Ideas for Business" initiative, launched by DesignWanted in May, aimed to reimagine the side table, a typically overlooked domestic object. The call challenged designers to explore new functionalities, materials, and meanings for this common furniture piece, in response to evolving domestic life and contemporary living. This platform connects designers with industry stakeholders to foster the development of innovative, relevant, and thoughtful projects through open calls and competitions. Over 150 proposals were submitted, each demonstrating creativity and effort. A jury comprising Juan Torres, DesignWanted’s Creative Director; Mario Alessiani, product designer; and Denis Aktay, designer and founder of DEZIN, selected three winning projects. The criteria for selection emphasized not only design quality but also the projects' ability to reflect and adapt to a changing understanding of domestic spaces. The modern home's side table is no longer merely a surface for books and lamps; it must accommodate diverse activities, serving as an office, lounge, or personal retreat. The winning designs stood out for their unique interpretations of care, intimacy, and daily life, illustrating how a simple object can become emotionally resonant, sculptural, or intelligently designed. The call revealed that the side table can act as a micro-stage, capable of shifting the narrative of domestic life and reflecting broader themes such as sustainability, technological integration, emotional well-being, and the increasing fluidity of home spaces. The selected projects underscore that effective contemporary design can be subtle, attentive, and purposeful without being overtly radical. Each of the three winning entries embodies distinct aspects of DesignWanted's research focus. "Bable" by industrial designer Abin Rajendran, a side table that subtly integrates ambient lighting, gentle notifications, and a ring light, reimagines the home robot without resorting to typical tech aesthetics. Its strength lies in its poetic restraint and emotional tuning, aiming to blend seamlessly into the domestic environment and provide quiet care. "Ardea" by product designer Giuseppe Campanale, is a sculptural and architectural piece that serves as both a shelf and a light. Its elongated vertical form impressed the jury with its formal coherence and its delicate balance between functionality and artistic expression, offering a calm presence in an interior space. "Bale" from Copenhagen-based Bundle Studio, is a highly functional side table crafted from a bio-composite of flax fiber and PLA. Designed for the living room, it functions as both storage and seating, featuring four thermo-pressed panels joined by visible snap rivets. This design was recognized for its material honesty, emotional clarity, and inherent adaptability, making it approachable, repairable, and ready for practical application. The diversity of the winning projects, which included speculative technologies, handcrafted aesthetics, modular systems, and social rituals, highlights the richness of the submissions received. All entries utilized the side table as a means to observe and re-envision contemporary living. This first edition of the call demonstrated that such initiatives can foster a dynamic dialogue between designers and their innovative approaches, reaffirming that even minor domestic details warrant reconsideration in a design landscape that often prioritizes revolutionary concepts. The three winning designers will receive dedicated editorial features, social media promotion, and newsletter inclusion to amplify their work within the DesignWanted community. DesignWanted encourages designers to participate in future "Ideas for Business" calls to share their visions. #Design #FurnitureDesign #SideTable #ProductDesign #InnovativeMaterials #SustainableDesign #HomeDecor #DesignCompetition #DomesticLife

João Teixeira’s 'Igloo' is a multifunctional design that serves as both a modern coffee table and a cozy cat bed, addressing the common issue of pet accessories cluttering human living spaces. Developed by Teixeira Design Studio, this innovative piece of furniture integrates a comfortable resting spot for cats into a stylish, minimalist table with Scandinavian aesthetics. The design concept acknowledges cats' natural inclination to seek out small, dark, and enclosed spaces for rest, providing them with an ideal retreat discreetly placed within the home environment. The 'Igloo' is characterized by its light, bright, and minimal design, which prioritizes function while maintaining an elegant aesthetic. The design process began with the creation of the cat bed itself, opting for a simple spherical shape. This form is intended to be cozy and accommodates a cat's natural curling sleeping position, offering a sense of security and comfort. This spherical bed is seamlessly integrated beneath a rounded tabletop. Side connectors extend from the sphere to attach to the four table legs, forming a cohesive and stable structure. The choice of materials and color palette contributes to the sophisticated and visually appealing nature of the 'Igloo'. It features smooth white surfaces and light wooden elements, creating a harmonious contrast that aligns with modern design trends. The white wooden finish of the tabletop visually complements the white plastic sphere of the bed, allowing the pet space to blend subtly into the overall design. The table legs, also made of light wood, connect these two main components. A distinctive detail is the smoothly carved cut-outs on the tabletop where the legs intersect, adding a refined touch to the furniture piece. This design aims to offer a practical solution for cat owners who wish to provide their pets with a dedicated resting area without compromising the aesthetic integrity or increasing clutter within their living space. The 'Igloo' transforms a functional piece of pet furniture into an elegant home decor item, embodying a balance between the needs of pets and the design preferences of their owners. By merging a pet bed with a coffee table, João Teixeira creates a dual-purpose item that enhances both pet comfort and home interior design. #PetFurniture #ModernDesign #ScandinavianDesign #CatBed #CoffeeTable #MultifunctionalFurniture #HomeInterior #MinimalistDesign #JoãoTeixeira