In Athena Calderone’s New Crate & Barrel Collab, a Bowl Is Also a Candleholder

Athena Calderone's latest collaboration with Crate & Barrel is an autobiographical reflection of her current design journey, heavily influenced by her new Tribeca apartment and a deep dive into Art Deco aesthetics. While her first collection in 2022 drew inspiration from her Brooklyn townhouse, featuring a low, curvy couch and nesting coffee tables reminiscent of her personal pieces, this new line anticipates the style she plans to implement in her recently acquired Tribeca residence. The building, constructed in 1908, boasts many details added in the 1920s, steering Calderone's personal and professional style towards a more restrained and sophisticated Art Deco sensibility. She notes that this stylistic evolution is also a personal metamorphosis. Crate & Barrel's decision to shoot the collection's campaign at the Saarinen House in Bloomfield Hills, Michigan, a period-appropriate setting, allowed Calderone to envision how her new furniture and decor would appear within a late 1920s context. Key pieces from the collection include the Raffiné sofa, characterized by a boxy, angular silhouette with a slanted chamfered edge and tonal piping. This design was inspired by Jean-Michel Frank chairs Calderone acquired at auction and is available in 92-inch and 105-inch versions, complemented by bolster pillows. She emphasizes the importance of contrasting angular forms with softer elements. At the Saarinen House, two Raffiné sofas were arranged symmetrically, highlighting the formal and conversational aspects of Art Deco design. The Reposer daybed, another prominent piece, is designed not only for comfort but also as a functional room divider, offering a subtle way to define different zones in an open living space without the need for physical barriers like half walls or screens. The collection also features nostalgic lighting, particularly the Onirique table lamp and pendant light, which are Calderone's contemporary interpretations of old-school alabaster lampshades. Her research into 1920s and 1930s design revealed the warm glow emitted by alabaster, akin to her favored Noguchi lanterns. She anticipates these alabaster lighting fixtures will be among the collection's most popular items. Accent chairs, a personal obsession for Calderone due to their versatility, are well-represented with the Rodin and Coquette chairs. These sculptural pieces are designed to be adaptable, serving as dining chairs, desk chairs, or decorative elements in an entryway. The collection also reintroduces popular items from her previous collaboration, such as the Ceremonie dining chair, now available in new finishes like chocolate brown mohair and a white bouclé armchair version. The Tuco chair has been rereleased in a supersized version based on customer feedback. Furthermore, the Honore cabinet series expands with new additions like a bar, media console, and tall storage unit, all reflecting the refined Art Deco influence that defines Calderone's current creative direction. #AthenaCalderone #CrateAndBarrel #ArtDeco #HomeDecor #FurnitureDesign #InteriorDesign #DesignCollaboration #ModernClassics #ProductLaunch

The French-based design firm AD-3D, led by Bulgarian designer and artist Aleksandar Dimitrov, has introduced an innovative 3D-printed accessory called 'clip on glass.' This creation transforms an ordinary drinking glass, specifically the IKEA Pokal glass, into a functional vase for flowers. The design aims to add a secondary purpose to everyday items through a simple yet effective modification. The 'clip on glass' is engineered to be minimalistic while maintaining full functionality. Measuring 9 x 9 x 6 centimeters, the object is optimized for material efficiency, utilizing a minimal amount of polyamide. Polyamide was selected for its strength and flexibility, critical properties for the 'clip' mechanism. The material's fine surface texture allows for the necessary expansion and contraction during the clipping process, ensuring a secure fit without compromising the integrity of either the accessory or the glass. The design ethos behind 'clip on glass' centers on enhancing existing household items rather than replacing them, promoting a sustainable approach to home decor. By leveraging 3D printing technology, AD-3D offers a customizable and accessible solution for users to repurpose their drinking glasses. The ease of attaching the accessory means that users can effortlessly switch between the glass's original function and its new role as a vase, providing versatility in home styling. This project highlights the potential of additive manufacturing in creating practical and aesthetically pleasing objects for daily use. The ability to produce complex geometries with minimal material waste makes 3D printing an ideal method for such small-scale, high-utility designs. The product serves as an example of how thoughtful design can integrate new functions into common objects, extending their lifespan and utility. Aleksandar Dimitrov's work with AD-3D demonstrates a forward-thinking approach to product design, focusing on user-centric solutions and the innovative application of modern manufacturing techniques. The 'clip on glass' accessory is not only a decorative item but also a statement on adaptable design, encouraging creative uses of everyday objects and showcasing the transformative power of 3D printing in the realm of home accessories and functional art. #3DPrinting #HomeDecor #ProductDesign #IKEAHack #SustainableDesign #FunctionalArt #AleksandarDimitrov #AD3D #Polyamide

Drag And Drop, a Romanian design and manufacturing studio co-founded by Madalin Gheorghe and Dragos Sabareanu in 2019, is known for its innovative approach to design, merging advanced technology with artisanal techniques. The studio's ceramic collection showcases this philosophy by reimagining the function and aesthetics of everyday objects, specifically vases. The creation process leverages a large 3D-ceramic printer to produce intricate patterns, which are developed using sophisticated algorithmic modeling software. Throughout the design and manufacturing process, a strong emphasis is placed on sustainability, aesthetic appeal, and overall quality. The collection features five distinct vase designs, each drawing inspiration from natural patterns and traditional craftsmanship. The 'Intertwined' vase, for instance, is characterized by its organic, interwoven geometric pattern, reminiscent of growth structures found in tree bark and root systems. This unique design is achieved through 3D printing using 100% natural clay. While the interior of the Intertwined vase is hand-glazed, its exterior maintains a matte finish, a consistent characteristic across the entire ceramic collection. This contrast highlights the intricate textures created by the 3D printing process. Another design, 'Bulky,' is offered in three different sizes. This vase features a textile-like pattern that interacts with light throughout the day, creating varying visual effects. The design encourages tactile engagement, inviting individuals to explore its geometric forms and textures through touch. This interactive element adds another dimension to the appreciation of the piece, allowing for a more intimate connection with its design and material. The 'Ripple' vase demonstrates the studio's ability to translate complex mathematical formulae into aesthetically pleasing natural patterns. Its design mimics the visual effect of rippling liquid, such as the concentric circles formed when a stone is dropped into water. This piece exemplifies how technology can be used to replicate and enhance natural phenomena, creating objects that are both visually striking and conceptually rich. The wave-like pattern provides a sense of movement and fluidity, despite the static nature of the ceramic material. The 'Kilim' vase pays homage to the traditional tapestry-weaving methods employed in regions historically part of the Persian Empire. This design represents a contemporary reinterpretation of an ancient craft, demonstrating a harmonious blend of traditional artistry and modern industrial design. By translating the intricate patterns of kilim carpets into a 3D-printed ceramic form, the studio bridges the gap between historical techniques and cutting-edge manufacturing, creating a piece that is culturally resonant and technologically advanced. Finally, the 'Melting' vase directly incorporates its manufacturing process into its aesthetic. The design plays on the suppleness of wet clay during the layering process of 3D printing, creating the illusion of a soft object that appears to be melting. This visual effect is achieved despite the hard, finished ceramic product, creating an intriguing juxtaposition. The Melting vase challenges perceptions of material properties, making a rigid object appear fluid and malleable, highlighting the transformative potential of 3D printing in ceramic art. #3DPrinting #CeramicVases #NatureInspiredDesign #AlgorithmicModeling #SustainableDesign #HomeDecor #ModernCraftsmanship #DragAndDropDesign #InteriorDesign

Milan-based designer Libero Rutilo of DesignLibero has developed an innovative method to upcycle PET plastic bottles into aesthetically pleasing vases using 3D printing technology. The collection, which consists of external shells, is designed to transform ordinary half-liter bottles into functional and decorative pieces. This approach not only provides a second life for discarded plastic bottles but also merges sustainable practices with contemporary design. The process involves inserting an empty PET bottle into one of Rutilo's 3D-printed shells. The bottle is then securely screwed into the shell, much like a cap, creating a stable and cohesive unit. The external shell, rather than being a standalone vase, acts as a decorative cover and structural support for the bottle, which holds the water for flowers. This clever integration means that the primary function of holding liquid remains with the original bottle, while the 3D-printed component adds artistic value and a new purpose. The collection features four distinct designs, each characterized by intricate, mesh-like patterns. The 'iSinuous' design showcases a fluid, wavy pattern composed of graceful curves, offering a sense of organic movement. The 'iKnitted' design, as its name suggests, mimics the texture and appearance of knitted fabric, bringing a cozy and handcrafted feel to the piece. The 'iLace' vase features a delicate, crochet-like pattern, evoking a classic and elegant aesthetic. Finally, the 'iSpider' design stands out with its biomorphic pattern, which draws inspiration from natural forms, giving it a unique and organic presence. Libero Rutilo's project highlights the potential of 3D printing in product design and its role in promoting sustainability through upcycling. By focusing on creating external shells, the designer minimizes the amount of new material required for each vase, making the production process more environmentally friendly. The versatility of 3D printing allows for complex and diverse patterns, demonstrating how technology can be used to elevate simple, everyday objects into works of art. This initiative encourages consumers to reconsider the lifecycle of plastic waste and offers a practical and stylish solution for repurposing plastic bottles into home decor items. #3DPrinting #Upcycling #ProductDesign #SustainableDesign #VaseDesign #HomeDecor #LiberoRutilo #PETBottles #DesignLibero

Athena Calderone, the founder of EyeSwoon, is selling 14 unique furniture pieces from her former Brooklyn townhouse. This comes two years after she and her family relocated to a Tribeca apartment. The collection includes items that were prominently featured in her previous Instagram-worthy home, notably her iconic Camaleonda sofa. The sale offers enthusiasts and collectors an opportunity to acquire high-end, one-of-a-kind design elements that previously graced her acclaimed residence. Among the items available is a Jacques Adnet credenza, crafted from solid oak around 1946, which Calderone acquired at an estate sale in France, priced at $26,000. Its intricate detailing on the doors suggests minimal additional styling is needed. Another significant offering is a set of F815 lounge chairs by Theo Ruth, reupholstered in a cream nubby fabric, priced at $10,000. These chairs are presented as suitable companions for a marble coffee table and a neutral sofa. A more contemporary piece, a plaster-coated chandelier by Atelier Demiurge, is also for sale at $2,200, designed to create an illusion of timelessness when paired with elaborate ceiling molding. For bedroom accents, a 1950s velvet bench, priced at $3,500, is part of the collection, reflecting Calderone's appreciation for chic seating at the foot of a bed. The sale also includes a Murano glass bathroom light fixture, a 1930s glass and gold leaf chandelier available for $7,500, intended to elevate a freestanding tub into a spa-like setting. An entryway accent piece, a Giulia Guglielmo Veronesi Perla Chair, reupholstered in green mohair and priced at $5,500, is offered as a welcoming element for guests. Additionally, four mid-century wall lamps, previously mounted above a long marble shelf in Calderone's kitchen, are being sold as a set for $6,500. These sconces contributed to the breezy aesthetic of her highly photographed kitchen, known for its lack of upper cabinets. The full list of items is available on EyeSwoon's blog, and interested buyers are directed to contact [email protected]. The article specifies that these are collectible pieces, and only serious inquiries are welcomed, with buyers responsible for local NYC pickup or shipping. In addition to these exclusive pieces, Calderone plans to host a studio sale on June 4 from 4 p.m. to 7 p.m. at 291 Broadway, Unit 1105, New York City, featuring archive props, decorative items, and pre-loved objects at more accessible price points. #AthenaCalderone #BrooklynTownhouse #FurnitureSale #HomeDecor #LuxuryDesign #VintageFurniture #InteriorDesign #CollectiblePieces

Anthropologie has launched its highly anticipated Halloween 2025 collection, allowing customers to begin incorporating autumnal flourishes into their homes despite current warm weather conditions. The collection features a diverse range of seasonal decor and kitchenware, with prices starting at $18. These items are known for selling out quickly, even months before Halloween, underscoring their popularity. The collection includes a variety of products designed to create a cozy and festive atmosphere. For home decor, shoppers can find items such as faux oak acorn garland, perfect for adding a touch of nature-inspired elegance, and a regal faux oak and acorn garland that makes a statement wherever it is styled. Other decorative pieces include the Anthropologie Halloween Glass Lamp Candle Holder, which caters to gothic design preferences, and colorful rustic glass votive holders that are versatile enough for mantels, dining tables, or nightstands. For outdoor decoration, the Anthropologie Twinkling Illuminated Vine Broom promises to be a neighborhood talking point when styled in a front yard. Additionally, a Florence Balducci Black Cat Bats Halloween Wreath offers a spooky alternative to traditional seasonal wreaths. Kitchen and dining items are also a significant part of the new collection. The TikTok-viral 3D Halloween Icon Juice Glasses are available in new spooky designs, including pumpkin and ghost motifs, providing a fun and themed way to serve beverages. A marble pumpkin serving board allows for stylish presentation of fall treats, while The Bistro Tile Stoneware Candy Bowl offers a dedicated spot for Halloween candies. For baking, The Faye Icon Stoneware Square Baking Dish, a fall edition, makes cooking autumn dishes festive. To complete the ambiance, the Mise en Place Gourmand Golden Maple Pumpkin Ceramic Candle infuses spaces with a cozy maple and pumpkin scent, offering hours of burn time. Practical yet decorative items like the Krissy Mast Happy Pawtumn Cotton Hand Towel, available in multiple designs, celebrate both canine companions and the fall season. Beyond traditional decor, Anthropologie's collection also features unique items like the Concrete Pinecone Planter, which serves as a distinctive alternative to standard planters and is available for under $40. For a unique aromatic experience, the Terrain Pumpkin Harvest Felted Soaps, made with an olive oil base, provide a spicy pumpkin scent. The collection emphasizes both aesthetic appeal and functionality, catering to a wide range of tastes within the fall and Halloween theme. Given the history of quick sell-outs, prospective buyers are encouraged to explore the collection promptly. #Anthropologie #HalloweenDecor #FallDecor #HomeDecor #SeasonalDecor #Kitchenware #JuiceGlasses #Candles

Dana Harel, a San Francisco-based Israeli designer, has launched her inaugural lighting collection under her studio, White Dirt. Harel's career trajectory showcases a diverse artistic exploration, starting with architecture and extending into ceramics and line art before her current venture into luminaires. The new collection, dubbed "Ora," comprises three tented table lamps—Ora I, II, and III—and a suspended, trapeze-like floor lamp, Ora IV. These pieces draw inspiration from Harel’s existing body of work, particularly her vases and vessels, which inform their hand-carved sculptural aesthetic. The lamps are crafted using a combination of gypsum cement, muslin, and brass, materials that contribute to their unique visual and tactile qualities. The design intentionally evokes the imagery of draped wedding gowns, suggesting moments of concealed intimacy and exploring the delicate balance between revealing and hiding forms. This interplay of materials and forms allows the collection to convey a sense of fluidity and softness, a departure from more rigid sculptural traditions. Harel describes the process of working with fabric—folding, pleating, and draping—as a refreshing experience, contrasting with her previous work that often involved tools like chisels and hammers. This shift towards softer, more pliable materials allowed her to experiment with light in a new way, focusing on how textiles interact with illumination to create ambiance and shape. The collection's design ethos embraces a certain spontaneity, reflecting Harel’s approach to her creative process. Each piece in the Ora collection stands as a testament to her evolving artistic language and her ability to translate diverse inspirations into functional art. A notable and unconventional source of inspiration for Harel was a scene from the HBO series *Succession*, where characters Tom Wambsgans and Cousin Greg consume a rare delicacy with napkins tented over their heads. This seemingly obscure reference underscores Harel's willingness to draw from unexpected cultural moments, transforming them into artistic concepts. The designer interprets this act of "masking shame" or "heightening pleasure" as a metaphor for the lamps' ability to create intimate, almost cloistered, environments through their draped forms. The sculptural swagger of the lamps is deeply rooted in these varied influences, bridging architectural precision with textile softness and cultural anecdotes. The collection as a whole is an exploration of form, light, and material, reflecting Harel's multidisciplinary background and her continuous quest for new creative expressions. #DanaHarel #LightingCollection #SculpturalLighting #InteriorDesign #WhiteDirtStudio #ProductDesign #TextileArt #ContemporaryDesign

The 2022 Joint Annual Meeting of the Entomological Societies of America, Canada, and British Columbia showcased a juried art show centered on the theme "Entomology as Inspiration: Insects through art, science, and culture." This event brought together over 40 entries, creating a platform where science and art intersected. Attendees cast their votes for their favorite pieces, with the top honor, including first place in the three-dimensional art category, being awarded to "Entomological Vase," a creation by independent artist Sarah Ritchie from Alberta, Canada. Sarah Ritchie's "Entomological Vase" stands over 2 feet (63.5 centimeters) tall and is the largest in a series of similar vases she has produced. The vase is adorned with nearly 40 sculpted insect "specimens" around its circumference. This intricate detail serves as an homage to natural history collections and underscores their role in advancing the understanding of biological diversity and taxonomy. Ritchie's artistic focus on insects and arthropods stems from a long-standing interest in under-appreciated taxa. Her background as a wildlife educator involved outreach programs with various animals, including reptiles, bats, and invertebrates, where she observed the positive impact of demystifying these creatures and shifting public perception. She found that art serves as an effective medium to engage people with insects in a more approachable way, transforming potential dislike into appreciation through abstraction. Her experience in archaeology also influences her work, as she integrates her passions for both art and science. Ritchie, largely self-taught in ceramics, transitioned her hobby into a full-time career supported by online communities. She values the ability to combine her interests in the natural world and science communication, reaching a broad audience through her art. The bilateral symmetry and relatively flat profile of arthropods make them ideal subjects for her figural ceramic technique, allowing her to accurately depict a wide range of species inspired by real pinned insects. During her presentation at the 2022 Joint Annual Meeting, titled “Bug mugs: Promoting insect appreciation through ceramics,” Ritchie highlighted art's potential as a powerful tool for communication and education. She emphasized how art can bridge the gap between the scientific community and the public by fostering relational values with insects, which can then support scientific goals such as public awareness, education, and conservation. Ritchie advocated for greater interdisciplinary collaboration between artists and scientists, recognizing that many artists share a profound interest in biological sciences despite lacking formal backgrounds. Such partnerships could create numerous new opportunities for outreach and public engagement. #EntomologicalVase #ArtShow #JointAnnualMeeting #SarahRitchie #InsectArt #ScienceCommunication #CeramicArt #Biodiversity #Entomology

Bell jar lanterns, also known as "hall lamps with glass shades," are historic light fixtures characterized by their glass shades that magnify light. These lanterns were originally introduced to America from England, though Bohemian glass examples were also available in the late eighteenth and early nineteenth centuries. They were a common feature in Virginia's historic estates, such as Eyre Hall, Gunston Hall, and Prestwould, often found in entryways and passages. Historically, the glass piece at the top of the lantern was referred to as a "smoke shade," designed to prevent soot from staining ceilings. While serving a practical purpose, the aesthetic appeal of these lanterns, with their distinctive silhouettes, remains relevant and charming in contemporary homes. The article highlights the enduring beauty of bell jar lanterns, irrespective of their historical function, and suggests their suitability for modern interiors. Interest in these classic fixtures has led to a search for both antique and contemporary versions. Nineteenth-century Belgian bell jar lanterns, often found in colored glass varieties like cranberry, cobalt, and emerald, are particularly sought after on platforms like 1st Dibs and at auctions. These antique pieces showcase intricate craftsmanship and a rich history, adding a unique character to any space. The article provides examples of such antique lanterns, illustrating their diverse forms and colors, such as a cranberry Belgian lantern, a cobalt blue English example, and a green "pumpkin" bell jar pendant. Beyond antiques, there are modern reproductions and contemporary interpretations that capture the essence of the bell jar lantern while adapting them to modern design sensibilities. These newer designs incorporate modern materials and aesthetics while retaining the classic shape and light-magnifying qualities. Notable examples include a mercury glass design by E.F. Chapman for Visual Comfort, which offers a sophisticated, reflective surface, and an etched star motif from Caroline Brackett, providing a decorative and whimsical touch. These contemporary options demonstrate how the timeless design of the bell jar lantern can be successfully integrated into current home decor trends, offering both historical charm and modern elegance. The author, Haskell Harris, a style director, expresses a personal interest in both antique and modern variations of these fixtures, underscoring their appeal in home decoration. #BellJarLanterns #HistoricLighting #HomeDecor #InteriorDesign #SouthernHomes #AntiqueLighting #Glassware #LightingFixtures #DesignTrends

Home décor can often be expensive, prompting a search for affordable alternatives that replicate high-end designs. Dollar Tree offers an excellent solution with its range of inexpensive items suitable for repurposing, crafting, and transforming into elegant dupes. This approach is particularly effective with glassware, allowing for the creation of sophisticated home accents without significant cost. A prime example is the construction of hurricane glass candle holders, which can serve as an elegant centerpiece or a stylish room accent. Utilizing this Dollar Tree hack, individuals can craft a pair of these candle holders for as little as $4.50, plus the cost of adhesive, offering substantial savings compared to purchasing similar items elsewhere. Hurricane glass candle holders are typically characterized by a cylindrical shade that encases a candle, designed to protect the flame from drafts. Alternatively, they can be footed containers that cradle the candle. These versatile pieces can function as standalone decorative elements or be customized with seasonal embellishments for holidays, making them a focal point of this DIY project. The initial step involves sourcing materials from Dollar Tree’s floral section, which is a rich source of glassware suitable for repurposing into unique candle holders. Key items include a couple of clear glass cylinder vases, ideally at least 3¼ inches in diameter to accommodate pillar candles. To construct the footed base, a pair of smaller candle holders is required. While specific votive holders mentioned in a YouTube tutorial may no longer be universally available, alternative options such as a 4-pack of clear glass tea light holders or 4-inch glass taper candlesticks can be effectively substituted. For assembling the tea light holders as the base, they are inverted, and a generous amount of E-6000 glue, suitable for glass, is applied to their base. This assembly is then affixed to the center of the vase’s base and left to cure for 24 hours. If taper candlesticks are used, the bottom of the vase is attached to the top of the taper chamber, as its narrower design precludes inversion. This simple project, requiring minimal active time and a day for the glue to set, yields a visually impressive result. Beyond the specific cylindrical hurricane candle holders, the hack encourages creative variations. Dollar Tree provides a diverse selection of glassware vases and candle options, allowing for customization. The footed base can be altered by incorporating long-stemmed glass or metal candle holders to add height and introduce an industrial aesthetic. For a shabby chic look, a painted porcelain pillar holder can serve as the base, while colored glass options can introduce a contemporary flair. Similarly, the vases themselves can be chosen to match almost any design aesthetic, provided they are made of glass to prevent melting or fire hazards. Options range from short, round globes to textured designs that enhance the sparkle of candlelight. Even traditional curved hurricane glass designs are available and can be paired with an iron pedestal for a vintage appeal. For a touch of whimsy, colored glass milk bottle vases can shade a room in various hues. Ultimately, the creative possibilities are extensive, limited only by personal imagination and the inventory of a local Dollar Tree store, enabling the creation of beautiful glass candle holder displays for any room. #DIYHomeDecor #DollarTreeHack #CandleHolders #GlasswareCrafts #AffordableDecor #HomeImprovement #InteriorDesign #BudgetDecor

Beau & Bien, a design studio founded in 2005 by Sylvie Maréchal, has introduced its new bespoke chandelier collection, 'Aqua'. This collection pays homage to nature and the rich history of Limoges Porcelain, featuring delicate, warmly glowing, handmade porcelain bubbles that cascade poetically from the ceiling. The Aqua chandeliers are designed to be tailored in size and number for specific interiors, offering a unique lighting installation for various domestic and retail spaces. Each piece is crafted with meticulous attention to detail, embodying a blend of modern LED technology and traditional French artisan savoir-faire. Beau & Bien's design philosophy emphasizes a 100% made-in-France approach, utilizing locally-sourced materials such as Limoges Porcelain, mouth-blown glass, resin, and bronze. This commitment not only supports traditional craftsmanship but also minimizes the brand's carbon footprint. The use of energy-efficient LEDs further reinforces their dedication to sustainability. The Aqua chandelier's concept is inspired by water, reflecting its preciousness and fundamental role in existence. Maréchal's design captures this essence through a delicate cloud of bubbles and water droplets, each softly illuminated from within, creating a mesmerizing visual effect. The production of the Aqua chandeliers takes place in Beau & Bien's workshops located in the Limoges region of France, the historical heartland of Limoges Porcelain. Here, age-old craft methods, dating back to the 18th century, are modernized and integrated with contemporary design. This process ensures that each porcelain element is carefully shaped and finished, resulting in a perfect fusion of the designer's artistic vision and the artisan's skillful hand. The bespoke nature of the Aqua collection allows for extensive customization, including the overall size, quantity, dimensions of the individual pieces, composition, arrangement, finishes, and cable lengths. This adaptability means that each chandelier can be uniquely configured to suit the specific aesthetic and functional requirements of any client or architectural context. The Aqua chandelier transforms a lighting fixture into a focal point, merging artistic expression with functional illumination. Its design evokes a sense of tranquility and natural beauty, making it suitable for enhancing the ambiance of a wide range of interiors, from private residences to commercial establishments. The combination of sustainable practices, traditional craftsmanship, and innovative design positions the Aqua collection as a significant contribution to contemporary lighting design. It underscores Beau & Bien's expertise in creating luminaries that are both visually stunning and environmentally conscious, celebrating the enduring legacy of French artistry while embracing modern technological advancements. #Chandelier #PorcelainLighting #BespokeDesign #LimogesPorcelain #LEDLighting #FrenchCraftsmanship #HomeDecoration #InteriorDesign #SustainableDesign

Sandra Apperloo, a Dutch ceramic artist operating under the name The Pottery Parade, creates distinctive ceramic pieces from her studio in Utrecht, the Netherlands. Her work is characterized by its playful and endearing nature, incorporating quirky faces and various patterns. Apperloo's ceramics are crafted entirely by hand, making each piece unique and imbued with its own personality. The artist has a particular fondness for colors and patterns, with a notable preference for pastel shades. She integrates tiny sculpted eyes and unique painted freckles into her designs. A key aspect of Apperloo's creative process involves continuous experimentation and trying out new techniques, which she views as vital for the evolution of her artistic expression. Apperloo's approach to creation is largely spontaneous, as she typically begins working on a piece without a preconceived plan or design. The shape of the ceramic object is often determined during the making process, as she allows her intuition to guide her in shaping, sculpting, selecting colors, and applying patterns. This method helps her maintain an open-minded perspective and encourages her to explore new artistic possibilities. Her creations are designed to evoke positive emotions in viewers, aiming to bring laughter and inspire daydreaming. Apperloo hopes her work provides a pleasant distraction from daily routines, leaving observers with warm feelings and stimulating their imagination. She finds immense satisfaction in the outcome of her work, particularly when unloading her ceramics from the kiln and observing how each character develops. Currently, Apperloo's product range includes various items such as pots, bud vases, bowls, and dishes, with ongoing exploration into new ideas and forms. She emphasizes that handmade ceramics inherently possess imperfections, which she considers an integral part of their character. This perspective is communicated to potential buyers, advising them to carefully review product descriptions due to the unique nature of each handcrafted item. Her work can be further explored and purchased via her website and Instagram presence. #Ceramics #FloralArt #CeramicArtist #HandmadeDecor #DutchArt #HomeDecor #ArtisanCrafts #UniqueVases #ThePotteryParade

Rebecca Atwood, known for her dreamy designs, hand-sketched patterns, and muted watercolor motifs, has launched a new collaboration with Pottery Barn. This partnership makes her signature aesthetic more accessible, moving her designs from high-end boutiques to a broader market at a more affordable price point. Atwood's work is characterized by its calming influence, offering a contrast to color-saturated maximalism, and aligning with the current trend of creating zen-like home environments. The collection, which launched today, features a range of home decor items, including framed artwork, quilted duvets, removable wallpaper, and table linens, with prices starting from $24.50. The collaboration addresses a significant challenge for smaller brands like Atwood's, allowing them to explore product categories that would typically be cost-prohibitive. This accessibility means consumers can incorporate Atwood's distinctive painterly prints into various parts of their homes without a substantial financial investment. The collection includes items such as rainbow-striped dining room runners and ombré shower curtains, designed to integrate seamlessly with existing decor while still adding a special, curated touch. The subtlety of the prints ensures they can blend with different styles, offering a versatile approach to home decoration. This partnership highlights a growing trend of collaborations between established retailers and independent designers, bridging the gap between bespoke artistry and mass-market availability. It enables designers to reach a wider audience and provides consumers with unique, design-forward products at a fraction of the cost typically associated with designer goods. The collection allows for easy incorporation of designer aesthetics into everyday living spaces, transforming ordinary areas into more personalized and stylish environments. The range of products caters to various needs, from statement pieces like framed prints to functional items like pillow covers and napkins, all imbued with Atwood's characteristic artistic flair. #PotteryBarn #RebeccaAtwood #TextileDesigner #HomeDecor #DesignCollaboration #AffordableDesign #WatercolorMotifs #InteriorDesign #ProductLaunch

Alison Owen, a Brooklyn-based artist, creates ceramics that are characterized by their delicate yet unfussy aesthetic, relaxed yet engaging nature, and colorful yet understated appeal. Her pieces are designed to be displayed as works of art, even when not serving their primary function. Owen's artistic influences are diverse, drawing inspiration from antique art books, ancient Greek vases found at the Met, domestic interior paintings by artists like Morandi and Bonnard, and even the architectural surroundings of her own neighborhood. She also repurposes materials, referring to it as 'cannibalizing' cutups and leftovers from previous projects, demonstrating a sustainable and resourceful approach to her craft. A notable instance of this was her discovery of 1970s home-decorating books, which she later incorporated into her collages. Beyond ceramics, Owen engages in various artistic endeavors, including installations and curatorial projects. She is known for soliciting submissions and collecting fragments from other artists' work, such as studio drop cloths, leftover fabrics, and scraps from student projects, giving these discarded materials a new artistic life. Much of her practice is community-oriented, as evidenced by her 30-day challenges. In these challenges, she sends out prompts, often drawing from oblique strategies or simple phrases, and then catalogues the artistic responses on her blog, effectively creating a digital art exhibition. This approach highlights her belief in the fluid interrelationship between different artistic mediums and how they inform her diverse practices. Recently, Owen embarked on a personal project to create at least one vase a day for an entire year. The rules for this commitment are flexible, allowing her to explore various mediums beyond traditional 3D clay vessels. She creates 2D painted vases, fabric cutouts in the shape of vases, and collages that resemble vases. The core requirement remains that the creation must be a vase. Owen explains that this daily practice serves as a reminder that she does have time for art in her life, despite potential feelings of busyness. She also finds that the imposed constraints often lead to more interesting artistic outcomes. Her vases from the first half of this year-long project are currently being exhibited and are available for purchase at Greenpoint Hill in Brooklyn. Owen plans to continue this daily vase-making project until December 31, and her progress can be followed on her Instagram account. The article highlights Owen's multifaceted approach to art, blending traditional craftsmanship with contemporary, community-focused and mixed-media practices, all while demonstrating a consistent commitment to her artistic vision. #AlisonOwen #CeramicVases #BrooklynArtist #ArtisticInspiration #CommunityArt #DailyArtProject #MixedMedia #HomeDecor #ArtExhibition

Athena Calderone, founder of EyeSwoon and designer, has unveiled a new atelier in Tribeca, featuring a distinct kitchen design. This space marks a significant evolution for Calderone, whose brand previously centered on her home as both a personal and professional hub. Recognizing the need for a dedicated physical space to accommodate her expanding ventures in product design and interior projects, she established Studio Athena Calderone. The atelier serves as an office for her growing staff and a showcase for her design philosophy, where food and design seamlessly intertwine. The decision to create an external studio was driven by the practical challenge of finding suitable venues for culinary and design events, which became apparent during her earlier career stages when she hosted fashion-retailer-sponsored culinary gatherings. The centerpiece of The Atelier is its kitchen, a departure from the marble-centric aesthetic of her previous Brooklyn townhouse, which gained widespread popularity on platforms like Pinterest. For this new kitchen, Calderone opted for a bold combination of onyx and cherry, aiming for a fresh and innovative look. The industrial-style loft space, which she acquired near her new residential renovation project in Tribeca, posed a unique design challenge due to its inherent structural elements. Instead of concealing the existing columns, Calderone ingeniously integrated them into the design, creating a central cube-like structure that houses the kitchen and other office functionalities. Key design elements in the new kitchen include an island inspired by a Paul Dupré-Lafon table. Above the cherry paneling, glass blocks sourced from Eco Outdoor are incorporated, paying homage to Pierre Chareau’s iconic Maison de Verre in Paris. The backsplash features vertical panels of honey onyx from ABC Stone, installed with intentionally visible seams to emphasize the material's texture and differentiate it from her previous kitchen's striking marble-wrapped appearance. A practical innovation in the kitchen is the JennAir downdraft induction cooktop, installed directly into the island. This choice allowed Calderone to forgo a traditional hood, maintaining the studio's open and airy feel while complying with landlord requirements. Beyond the kitchen, the living areas within The Atelier are designed to evoke a residential ambiance, adorned with artwork by Spanish painter Miguel Macaya and a curated selection of vintage furnishings from various sources, including Somerset House, Seventh House, and Maison Gerard. Notable pieces include a Milo Baughman dining table and Louise Roe glassware, contributing to the space's eclectic yet refined character. The Atelier also signifies Calderone's foray into gallery-level lighting and furniture design. She is currently developing four signature pieces—counter stools, a pedestal, and parchment lighting prototypes—which are presently installed in the space as working prototypes. This new venture underscores her ambition to manufacture her own lighting and use The Atelier as a dynamic platform to illustrate the breadth of her ongoing creative projects and design ethos. #AthenaCalderone #KitchenDesign #InteriorDesign #EyeSwoon #HomeDecor #Atelier #Tribeca #OnyxAndCherry #ProductDesign

Brooklyn-based designer Lauren Manoogian, known for her slow fashion approach, has partnered with Paris-based maker Lætitia Jacquetton to create a distinctive series of vases. These unique vessels are crafted from glass blown directly around carefully selected rocks. The collaboration is currently featured in Manoogian's Manhattan showroom and is also available for viewing and purchase online. Manoogian's decision to showcase Jacquetton's work aligns with her broader intention to provide a platform for other artists and craftspeople whose work she admires and finds inspiring. This initiative, dubbed 'Object,' began organically through Manoogian's travels to Peru, where she discovered compelling ceramic traditions. She emphasizes the importance of fostering a sense of wonder and emotional connection to physical objects, especially in an increasingly digital world. Lætitia Jacquetton's artistic practice seamlessly blends traditional glass-blowing expertise with a profound respect for the natural environment. She acquired her glass-blowing skills in Murano, Italy, and Nancy, France. Each of her sculptural pieces is created by blowing glass around rocks that she personally forages from nature, taking care not to disrupt the surrounding ecosystem. This process imbues her works with a sense of both rarity and reverence, effectively capturing a moment in time within a solid, poetic form. When discussing the parallels between their artistic approaches, Manoogian notes the seemingly simple yet transformative use of materials in both their works. She highlights that both their creations are sculptural and feature well-defined proportions, yet possess a mutable quality that arises from an intuitive process. This makes the pieces approachable and capable of enhancing daily life. Manoogian further elaborates that both their works are deeply intimate, both in their final use and in their creation process, emphasizing a shared tactility and an experimental drive to discover the ideal tension point within materials, which ultimately shapes the final form. The deliberate connection to nature embedded within Jacquetton's vessels is a central element that captivates the imagination. Manoogian expresses her appreciation for the artist's intention and the inherent uncontrollable elements within the creation process. She acknowledges the element of risk involved in making each piece, as Jacquetton works quickly, harnessing gravity and fire. The resulting forms are highly gestural, encapsulating the precise moment when all elements converge. This dynamic process is what imbues each vase with its unique aliveness and individuality, making every piece a singular creation. #Glassware #ArtCollaboration #HomeDecor #SustainableDesign #Craftsmanship #LaurenManoogian #LaetitiaJacquetton #InteriorDesign #NaturalMaterials