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When it comes to terracotta, we need to think big

Terraformæ, an experimental design and research hub, is dedicated to contemporizing and elevating the role and scope of terracotta. This initiative extends the legacy of Fornace Sant’Anselmo, a company established in 1903 in Padua by the De Checchi family, which pioneered the production of fired bricks and later became a leader in soft mud and facing bricks. Terraformæ, founded by Alberto de Checchi with Sveva Bizzotto as Creative Director and Carlo Zambon as laboratory specialist, aims to push the boundaries of clay-centered design and product ideation by bringing together international experts, designers, architects, and researchers. Clay, known for its temperamental nature, requires extensive study and understanding to effectively merge vision with technique. Even minor adjustments in production parameters, such as kiln temperature or ingredient composition, can yield significantly varied results. Terraformæ's core team has mastered working with clay, adopting a bold, experience-based, and detail-oriented approach mirroring their parent company. The hub continuously develops research, strategies, and methods to address challenges through comprehensive analysis. Terraformæ’s operational philosophy is centered on flexibility and efficiency. The studio has invested in advanced technology and emphasizes versatility in its processes. This includes maintaining multiple production lines with various clay mixes ready for immediate use and fine-tuning firing processes to meet specific temperature requirements. This meticulous approach intensifies terracotta’s inherent charm and aesthetic appeal. One of Terraformæ’s innovative approaches involves embracing the material's imperfections. Sveva Bizzotto’s Potoro collection exemplifies this by offering a fresh interpretation of the traditional Potoro technique. Historically, this technique uses fine inorganic pigments to unify the colors of bricks from different production batches after firing. Bizzotto, however, employs a soothing watercolor effect, highlighting terracotta’s diverse design potential rather than concealing variations. Other concepts developed by Terraformæ challenge conventional perceptions. Pietro Bongiana and Silvia Codato’s Split tiles, for instance, reinterpret the joint—an element typically minimized—by enhancing it. The Bongiana Architetture studio designed terracotta tiles with a groove, either diagonal or straight, that divides the surface. Once installed, this groove is filled with colored grout, forming a rhythmic line motif that integrates the joints into the overall pattern. Multifunctionality is another key aspect of Terraformæ’s work. Swedish-American designer Shane Schneck, inspired by Terraformæ’s kiln, created Radiator. This versatile brick item, suitable for domestic use, draws inspiration from the extruded elements of breezeblocks and sunshades. Its wave-like shape makes it a adaptable object holder for various contexts. Through systematic experimentation and a continuous quest for discovery, Terraformæ and its global collective of creatives are actively exploring new territories for terracotta, demonstrating a commitment to innovative and expansive uses of this ancient material. #TerracottaDesign #MaterialInnovation #ClayCraftsmanship #SustainableDesign #ProductDesign #ArchitecturalMaterials #DesignResearch #ItalianDesign #ModernCraft #TerracottaDesign #MaterialInnovation #ClayCraftsmanship #SustainableDesign #ProductDesign #ArchitecturalMaterials #DesignResearch #ItalianDesign #ModernCraft
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