bakoko: onjuku beach house

Furuya Design has meticulously transformed an existing wooden bungalow on Amami Ōshima into a SANU Second Home, deeply integrating it with the island's subtropical environment. Situated in Tatsugo Town, near Amami Airport and overlooking Akaogi Bay, the project is part of SANU's membership-based vacation home network. The site is characterized by its tranquil inland sea, coral stone foundations, and resilient akagi trees, which have adapted to the strong ocean winds. The design philosophy behind this renovation focused on blurring the lines between the built structure and the surrounding natural landscape, emphasizing framing, texture, and creating an immersive atmosphere. The architects addressed the compact footprint of the original bungalow by introducing robust, expressive exterior walls, creating a double-skin facade. This innovative approach integrates existing elements like storm shutters and aluminum sashes while enhancing the home's performance and aesthetic appeal. The outer layer, clad in wood, is designed to mimic the textured, layered appearance of local fan palms, creating dynamic shadow play throughout the day. A crucial design intervention involved elevating a new attic-level viewpoint. This addition provides occupants with a unique vantage point to observe the coastline, framed by palm fronds, and to experience the sensory input of shifting leaves and distant surf, establishing a profound connection to the natural soundscape. Internally, Furuya Design implemented a significant vertical expansion by removing the original ceiling. This created a double-height atrium, linking the newly added attic viewpoint with the main living areas below. This central space functions as an indoor balcony, serving as a transition zone between the comfort of the interior and the expansive outdoors. The floor plan radiates from this atrium, incorporating distinct zones for living, dining, sleeping, and utility, ensuring a flexible layout suitable for both private contemplation and communal activities. The interior design prioritizes permeable boundaries, with carefully positioned openings that frame specific views of the landscape, drawing inspiration from the art of Isson Tanaka, known for his depictions of Amami's natural beauty. The renovation also paid close attention to Amami's unique botanical character, where tropical plants like hibiscus, plumeria, and bougainvillea flourish outdoors year-round, unlike their indoor cultivation in colder climates. Furuya Design collaborated with a local botanical garden to augment the site's existing vegetation, selecting species native to the island to enhance the ecological richness of the grounds. This botanical focus extended to a broader ecological consideration, particularly in light of the pest damage affecting sago palms, a symbolic species on Amami. The project became an opportunity to reflect on the role of architecture not only in preserving natural aesthetics but also in fostering a deeper engagement with and responsiveness to natural ecosystems facing environmental challenges. This partnership with SANU underscored a commitment to addressing the declining natural systems and promoting environmental awareness through architectural design and landscaping choices. #FuruyaDesign #SANUHome #AmamiOshima #JapaneseArchitecture #BungalowRenovation #NatureImmersedDesign #WoodArchitecture #SubtropicalEnvironment #ArchitecturalRenovation

This article highlights seven distinctive Airbnb properties across Japan, offering travelers unique accommodation experiences beyond conventional hotels. The selection ranges from tranquil Zen temple retreats to tropical treehouses and modern, themed apartments, each providing a memorable stay with a blend of traditional Japanese aesthetics and contemporary comforts. The first featured property is Temple Stay Zenso in Gunma, a renovated extension of the 700-year-old Horinji Temple. This retreat offers an immersive Zen experience with activities like Zazen meditation and Sutra scripture writing, while also providing modern amenities such as an outdoor dining area for barbecues and a lounge with a TV, balancing spiritual practice with relaxation. Next, in Kyoto, a Zen-inspired Machiya offers a blend of traditional and modern Japanese design within a refurbished 100-year-old townhouse. It features tatami flooring, sliding washi doors, a private garden, and a luxurious bathtub overlooking the garden, all while being conveniently located near a train station and popular tourist spots like Gion district and Heian Shrine. Moving south to Okinawa, Bansho no Ie is a bungalow surrounded by banana fields and lush jungle, offering easy access to the beach. This two-bedroom abode is also near various pottery studios, providing guests with opportunities to engage in local crafts. In Hokkaido, Tida House presents a quaint country cottage experience, designed with straw and concrete walls to ensure warmth during snowy winters. This humble two-bedroom home, reminiscent of a Ghibli film, offers a projector with Netflix for cozy indoor entertainment amidst a peaceful setting of neighboring homes and potato fields. Another Okinawan gem, Mori no Subako, is a dream treehouse getaway complete with a hammock, stunning ocean views, and a barbecue-equipped balcony. Despite its natural setting, a nearby café ensures creature comforts, and its location is a short drive from the historic Nakijin Castle ruins, a Unesco World Heritage Site. Yanaka Sow in Tokyo offers a hip guesthouse experience in Nippori, blending old and new with shared spaces like a kitchen, laundry room, and library. This property aims to foster a sense of community among travelers, offering guest rooms for four and six people with unmanned check-in and check-out, providing a local living experience. Finally, the Moshi Moshi Rooms in Tokyo’s Harajuku district provide three distinctively themed apartments. The third floor, Dosokoi, is inspired by traditional sento (public bathhouses) with a hinoki wood tub and a mural by a public bath painter. The floor above draws inspiration from origami, while the fifth-floor Sakura Room offers a modern, all-pink aesthetic, showcasing Harajuku's kawaii culture. These Airbnbs collectively provide a diverse range of accommodations, catering to different preferences and ensuring a unique and memorable stay in Japan. #JapanTravel #Airbnb #UniqueStays #TempleStay #Machiya #Okinawa #Hokkaido #TokyoAccommodation #Harajuku

New York-based architect Toshihiro Oki has designed the Bellport House, a 4,800-square-foot holiday home in Bellport, Long Island, intended to host friends and family year-round. The house, situated overlooking Bellport Bay, features low-slung architecture comprising interconnected brick volumes, each serving a distinct function within the property. The exterior of the house is constructed from clay bricks, chosen for their resilience against the harsh coastal environment, including salty ocean air and the freezing and thawing cycles prevalent during Long Island's winters. These earthen slabs possess subtle variations in tone, creating a dynamic facade when stacked in a random pattern, which Oki describes as breaking the material's rigidity and imparting a more fluid aesthetic. This approach ensures durability while offering visual interest through nuanced color changes. The design of Bellport House emphasizes the client's desire for extensive entertaining space. The property includes five bedrooms, with four situated on the ground floor and an additional bedroom located on the upper level. Each ground-floor bedroom features direct exterior access, allowing guests to step outside without needing to re-enter the main living areas. The upstairs suite offers a private terrace with elevated views of the surrounding landscape and the waterfront. A separate volume houses the owner's master suite, connected to the primary residence by a glazed breezeway, ensuring privacy while maintaining a sense of integration. Upon entering the residence, visitors are greeted by a foyer with floor-to-ceiling glass walls, providing immediate and expansive views of the ocean. This design philosophy extends throughout the home, with numerous large sliding glass doors and expansive glass walls maximizing natural light and offering continuous vistas of the landscaped property and the bay. This connectivity blurs the lines between indoor and outdoor spaces, allowing occupants to observe the dynamic environment, from passing boats to changing tides. The interior layout includes an open-plan living and dining area, where a sunken lounge overlooking the water is demarcated from the dining room by a two-sided fireplace. Adjacent to the dining room is a more secluded library, designed for quiet study. The kitchen, located in a separate room, also provides direct access to the backyard and swimming pool, featuring a large stainless steel counter suitable for hosting gatherings. Interior finishes primarily consist of light materials such as natural wood and white plaster, complemented by skylights that further brighten the spaces. Heated travertine floors are installed throughout the house, offering thermal comfort during cold winters. Bellport House exemplifies a contemporary approach to holiday home design, balancing functionality for frequent entertaining with a strong connection to its natural, coastal setting. The choice of materials, architectural massing, and strategic placement of openings all contribute to a residence that is both robust and visually integrated with its environment, providing a comfortable and engaging retreat year-round. #BellportHouse #ToshihiroOki #LongIslandArchitecture #ClayBrickHouse #CoastalHome #ModernResidentialDesign #WeekendRetreat #NewYorkHouses #HolidayHomes

A townhome in Lewes has been transformed into a mindfulness retreat, drawing inspiration from Japanese architecture and aesthetics. The project, designed by Scott Edmonston, principal of Millville-based SEA Studio Architects, in collaboration with Camenisch Company Inc., sought to create a serene escape for a bachelor who desired a quiet space for writing, away from his primary residence in Manhattan, while also accommodating occasional family visits. The design implicitly embraces several Japanese principles, including *wabi-sabi*, which celebrates the beauty of transience and imperfection; *shibui*, emphasizing simplicity, subtlety, and economy of line; and *miyabi*, denoting refinement and polish. These concepts were expertly integrated by the project’s contractor, Milton’s Camenisch Company. The homeowner's desire for a mindful retreat, coupled with the structural limitations—an HOA mandate against external or window configuration changes—led to a design that maximized internal flexibility and aesthetic coherence. The two-story home, an award winner at the 2022 AIA Delaware, functions to promote mental clarity and a healthy lifestyle, encouraging occupants to slow down and immerse themselves in their surroundings. This is achieved through thoughtful architectural choices that foster a sense of calm and remove daily stressors. Key design elements include custom built-in furniture, such as a sofa in the living room and cabinetry in the kitchen and primary bedroom, fabricated by Alleghany Woodworks. The kitchen features vertical-grain white oak cabinetry with concealed hardware and Pental Quartz countertops and backsplash, designed to seamlessly integrate into the living space and even disappear when not in use. Throughout the home, the flooring is white oak with a custom finish. Light plays a pivotal role in the design, with natural illumination flooding the spaces. The existing clerestory windows are augmented by a system of Japanese *shoji* screens, built by Brian Holcombe Woodworker. These screens not only enhance the aesthetic but also provide flexibility in partitioning space, allowing small areas to feel larger and offering privacy when needed, particularly in the 130-square-foot “bunk room” which can adapt to host varying numbers of guests. The primary bathroom is a standout feature, designed as an open-style wet room with built-in seating, multiple shower fixtures, and a deep soaking tub from Signature Hardware. This space evokes the tranquility of Japanese *onsens*. The materials used, such as Riad Tile in Zellige natural white for walls and Tilebar’s Bronx Collection for flooring, contribute to the serene ambiance. The interior is further curated with select furniture and art, including a Japanese banner that translates to “clear skies for 1,000 miles,” symbolizing both the views of the nearby bay and the clarity of mind the home aims to inspire. #JapaneseDesign #TownhomeLiving #MindfulnessRetreat #CoastalHome #InteriorArchitecture #CustomBuiltIns #ShojiScreens #WabiSabi #Shibui

Ambika Hinduja Macker undertook the design of her brother Shom's suburban Mumbai home, transforming an octagonal guest cottage into a modern sanctuary. The original structure, over 30 years old and designed by architect Phiroze Pantaki with interiors by the late Parmeshwar Godrej, served as the foundation for Ambika's vision. Shom's desire for a space of relaxation and reflection led him to Ambika, a polymath with diverse experience in film, interior and product design, and art curation. The design ethos for the home was a blend of old and new, incorporating the original octagonal form with contemporary rectilinear elements. Key influences included the natural world, particularly flora and fauna, the Japanese aesthetic of wabi-sabi which embraces imperfection, and the minimalist styles of Scandinavian and Japanese design. To achieve Shom's vision, Ambika retained only parts of the original octagonal structure and its sloping roofs, which were converted into green roofs to promote sustainability—a principle both Shom and Ambika, as a conscious designer, strongly support. The rest of the structure underwent significant reinforcement, restructuring, and redesign. A central aspect of the renovation involved opening up the living spaces. Exposed beams and columns were removed to create a more expansive and free-flowing interior with larger rooms and cleaner lines. Ambika collaborated with landscape designer Kunal Maniar to enhance the surrounding lush gardens, ensuring that the interiors and exteriors harmonized. Each room was imbued with a distinct personality, designed to be deeply calming, sensual, and evocative, benefiting from uninterrupted views of the garden and the Arabian Sea. The dining area, a part of the original design, maintained its sloping ceiling structure, which Ambika clad in naturally oiled Burma teak, creating an engaging contrast in design language. This area features vintage 1952 tan leather dining chairs by William Katavolos, Ross Littell, and Douglas Kelley, and a 1960s ceramic screen by the Cloutier Brothers. Artwork plays a significant role, with Bruce Munro's 'Whizz Pop' fibre-optic light installation adding a fantastical element, and Alex Turco’s aluminum composite triptych of painted branches serving as a ceiling installation to conceal trapdoors. Janaina Mello’s 'Ciclotrama', a site-specific installation of unwoven strands, evokes natural forms like plant roots and circulatory systems. Shom's passion for cooking and hosting influenced the inclusion of two kitchens. The guest powder room features customized metallic wallpaper from De Gournay. In the den, Fred Eerdekens’s copper-wire sculpture creates a calming shadow. The focal point of the home's art collection is Joseph Walsh’s 'Magnus', a three-dimensional wooden sculpture that hangs gracefully in the living room ceiling, designed specifically for the space. Ambika, who represents Walsh as an artist, designed the entire living area around this piece. The overall design results in a home that feels like a luxurious yacht journey, particularly at dusk when the glazed living room offers panoramic views of the sea. #HomeDesign #InteriorDesign #BeachHouse #MumbaiArchitecture #AmbikaHindujaMacker #JosephWalshArt #LuxuryHomes #SustainableDesign #ArtInstallation

This article details the construction and design of a new three-bedroom modern Japanese-style house located in Lennox Head on the NSW north coast, built by video editor Raquel Banks and builder Jack Nyboer of Nobo Build. The project, which took approximately two years from design to completion, features a single-story layout with two courtyards and a self-contained studio, thoughtfully integrated into its natural surroundings overlooking a nature reserve. The house's design centers around maximizing daylight and connecting indoor and outdoor living spaces through dual north-facing courtyard gardens. The central courtyard serves as a communal outdoor space ideal for entertaining, while a more private rear courtyard, adjoining the main bedroom, includes a plunge pool and outdoor shower, creating an adult retreat. This innovative layout ensures that every area of the home enjoys a view of the garden, fulfilling Jack's initial vision for the property. The exterior of the home features charred jarrah-clad walls, utilizing the Japanese shou sugi ban technique for timber preservation, which also provides a raw, maintenance-free aesthetic that contrasts with the brighter interior. The interior palette, selected by Raquel, emphasizes warmth and coziness through materials such as spotted-gum veneer kitchen cabinetry, travertine benchtops and bathroom tiles, and polished concrete flooring. This neutral base allows for personalization through soft furnishings and contemporary artworks by local artists, which introduce summery and playful colors. Collaboration was a key aspect of the project, with long-time friends architect Hayley Pryor and landscape designer/carpenter Rhys Heggie contributing their expertise. Hayley Pryor was instrumental in proposing the two separate courtyards and the detached studio. The construction itself was largely a hands-on effort by Jack and Rhys, involving long days but ultimately resulting in a home that surpassed expectations. Material choices throughout the house were inspired by the landscape, featuring organic and simple finishes selected for their textural and tonal qualities. The kitchen combines spotted gum cabinetry with overhead MDF cabinets in Moss Grey, complemented by a travertine benchtop. In the bathrooms, travertine flooring and custom-made spotted-gum mirrors reflect the natural theme. The landscape design incorporates Australian native plantings such as coastal pigface, kangaroo paw, and banksia and blueberry ash trees, thriving in the local climate. The living zone boasts a soaring raked ceiling and louvered windows that facilitate cooling breezes and cross-ventilation, especially during warmer seasons. Expansive glazing throughout the home frames views of the lush courtyards. Though the couple has since sold the house, they express immense pride in their first joint project, emphasizing the journey from an initial idea to a tangible home and the value of teamwork. #JapaneseStyleHome #CoastalLiving #CourtyardDesign #SustainableDesign #IndoorOutdoorLiving #ArchitecturalInnovation #MaterialPalette #LennoxHead

Nineteen years ago, CK and Morgan Smith acquired their first large boat, which significantly altered their lifestyle. For nearly two decades, they consistently utilized their free time, primarily summer weekends, to engage in activities on Pickwick Lake. Their four children grew up considering Pickwick Lake a secondary home. Initially, the family docked their three-stateroom boat at Aqua Yacht Harbor, spending weekends living on the water. As the children matured, their desire for more friends and less time anchored on the boat led the Smiths to purchase a ski boat, increasing their active participation in lake activities. Approximately two years prior to this account, the Smiths decided to formalize Pickwick's status as a second home. They collaborated with architect Carson Looney of LRK and interior designer Cindy McCord of Cindy McCord Interior Design, Inc., to construct a dream house at Pickwick Lake, enabling them to enjoy lake life year-round. This residence was intended to offer a complete transition from their everyday lives, providing a sense of calmness immediately upon entering. Morgan expressed a desire for a "beach house" ambiance, contrasting with their Germantown home's French country style, which Cindy had designed 14 years earlier. Cindy drew inspiration from the sun-washed, laid-back, clean-lined residences of Florida’s Rosemary Beach community, a place the Smith family also frequented, effectively creating a "beach house at the lake." Their Germantown residence featured a warm color palette of yellows, corals, and browns. For the new lake house, they opted for a cooler scheme of grays, blues, and whites, resulting in a transitional aesthetic that blends clean lines with coziness and comfort. Morgan envisioned a space where the family and guests could relax comfortably. A weathered wood pedestal table seating eight was a must for Morgan, facilitating entertaining. Doors open fully from the dining space to a screened porch, which accommodates a long farmhouse table with casual cane-seat chairs, collectively seating 20 people. The spacious screened porch, which includes an L-shaped wicker sofa, two side chairs, a stone fireplace, and a mounted flat-screen TV, is a primary gathering spot for the family, usable even in winter thanks to heaters and the fireplace. Cindy McCord and Morgan Smith collaborated closely on the project, including several buying trips to Atlanta for antique and vintage pieces, such as a weathered workbench that adds texture and patina. The designer expressed satisfaction with every room, particularly noting the architectural features of the stairwell. The open living area seamlessly connects to the dining room and kitchen through wide openings framed by reclaimed wood beams, sourced from a Mississippi-based supplier. The kitchen features white cabinetry, white shiplap walls, pale countertops, and a rustic custom wood vent hood, complemented by oversized pendant lights above the island. The living room's stone fireplace extends to a whitewashed peaked wood ceiling, contributing to an airy and ethereal atmosphere. This soft, neutral color palette and inviting ambiance extend into the bedrooms. The master suite includes an upholstered headboard with a subtle pattern, white bedding, and neutral draperies, fostering a restful environment. A guest room showcases a nautical blue-and-white palette with patterned elements, while a large bunk room accommodates ten people with built-in beds and loft-like sleeping arrangements. The house can sleep 18 individuals in beds alone. A spacious entertainment area on the lower level provides extra seating, a bar, and a billiards room, serving as another gathering place for the family. The lake house represents a compromise, fulfilling CK's desire for a lake retreat and Morgan's wish for a beach house, creating a beloved space for family relaxation and entertainment. #BeachHouse #LakeHouse #InteriorDesign #FamilyHome #RusticElegance #TransitionalStyle #PickwickLake #CindyMcCord #HomeFeatures

Aman Kyoto, the latest addition to the Aman group and the final project designed by the late Australian architect Kerry Hill, offers a unique luxury experience nestled within a 24,000 sqm forested estate in Kyoto. Unlike typical luxury resorts that aim to impress with opulent displays, Aman Kyoto emphasizes integration with its natural surroundings, making its architectural design almost invisible. Hill's deep appreciation for the garden, which he discovered 20 years prior and advocated for as the sole location for Aman Kyoto, guided this design philosophy. The resort's structures, including the restaurant, spa, and guest rooms, are uniformly clad in dark wood strips, enabling them to blend seamlessly with the dense foliage and shifting patterns of light and shadow. Upon entering the expansive rooms, which are approximately 60 sqm, guests find no overt decorative elements. Instead, floor-to-ceiling panels direct attention to the natural beauty outside, fostering a connection with the surrounding environment of cedar, cypress, camellia, and Japanese maple trees that change with the seasons. The understated approach extends to the amenities; while prices begin at around S$2,500 per night (excluding breakfast), the luxury is found in meticulously curated details such as marshmallow-soft chenille bathrobes by Ploh and Hinoki wood bathtubs that diffuse a calming fragrance when filled with warm water. This form of luxury is characterized by exclusivity and a deeply immersive cultural experience. The resort prides itself on bringing the essence of Kyoto to its guests, eliminating the need to venture outside. The spa features traditional onsen bathing facilities and treatments utilizing local ingredients like Kyoto green tea, tamba kuromame, local sake, and cold-pressed tsubaki oil. The signature 90-minute Aman Kyoto treatment begins with a hot spring soak, followed by a foot soak with ceremonial sake and 24k gold leaves, a sea-salt scrub blended with detoxifying matcha powder, and a breathing exercise with seasonal essential oils. A relaxing shiatsu massage concludes with freshly brewed green tea, selected by a local tea master, and Japanese-inspired sweets such as warabi mochi or fresh persimmon with vegan chocolate. The culinary experience at the Living Pavilion, led by executive chef Kentaro Torii, is a tribute to regional ingredients. Chef Torii, who meticulously sourced local produce for months, presents a wide repertoire that blends contemporary European degustation with Japanese nuances. Dishes might include jackfish carpaccio with mountain herbs, yuzu, and bottarga, or caramelised Ohmi wagyu from Shiga prefecture. The resort also offers rare heritage produce, such as hyotan pickles, intensely umami soy sauce from a local family brewer, and sansho berries harvested from the resort's own hills. Beyond the tangible, Aman Kyoto offers a profound sense of peace and a return to nature. Situated in a historic neighborhood known for its artistic community, the garden provides a Zen-like calm. Uneven stone paths invite barefoot exploration of the mossy grounds, and trails through the hills offer opportunities for quiet contemplation amidst birdsong and butterflies. The resort fosters a deep, restorative sleep, with guests falling asleep to forest views bathed in moonlight and the sounds of cicadas. In a world of increasing sensory overload, Aman Kyoto provides a sanctuary that offers what is truly needed: tranquility and an immersive connection to nature and culture, leaving guests thoroughly impressed by its subtle yet profound impact. #AmanKyoto #LuxuryResort #OnsenRyokan #KerryHillArchitects #JapaneseDesign #KyotoTravel #ZenExperience #UnderstatedLuxury #ArchitecturalIntegration

This blog post details the transformation of a shingle-style home located just outside of Nantucket, Massachusetts, from a mountain lodge aesthetic to a classic, light, bright, and breathtakingly pretty beach house retreat. Originally built in the early 2000s, the home's interiors were characterized by natural and dark stained wood paneling and heavy iron fixtures. The new owner envisioned a seaside haven, and Boston-based interior designer Gary McBournie undertook the significant task of redesigning the interiors without major structural changes, completing the project in just six months. McBournie's approach focused on incorporating a traditional coastal palette of blues and whites, combined with contemporary freshness. The designer's primary strategy was to use extensive white paint to lighten the formerly dark spaces and to infuse the decor with soothing ocean-inspired colors and textures. The goal was to reflect the rich history of Nantucket while maintaining a comfortable, non-museum-like atmosphere. The transformation began with the patio, where ample seating from Janus et Cie was introduced, complemented by side tables for enjoying the ocean views, emphasizing the importance of outdoor spaces in beach house decor. The sunroom, previously a large mudroom and storage area, was reimagined as a cozy, sheltered space for appreciating the seascape. Sunroom ideas included basket and rattan furniture with ocean blue upholstery and scatter pillows. Drapery treatments were added to doorways to create a sense of balance and nook-like intimacy. A locally-produced woven rag rug by Hillary Anepole provided charm and a nod to the island’s weaving history, with the sofa sourced from Todd Hase Furniture. The kitchen underwent a significant overhaul to align with the new coastal theme. Dark wood paneling on the vaulted ceiling was painted white, instantly brightening the space. The existing commercial-feeling island was rebuilt with 'feet' to give it a residential appearance and painted in Benjamin Moore's 'Blue Jean.' Sparking white quartz counters, reminiscent of sand and ocean foam, replaced the old ones. Sconces from Soane Britain and a pendant from Guinevere were installed, along with Roman shades in blue and white cotton from Peter Fasano, adding softness. Counter stools from Serena & Lily completed the look. A key challenge in the living room was the imposing stone fireplace, which strongly evoked a 'mountain house' feel. McBournie addressed this by hanging a pair of Scabetti fish chandeliers in glazed and unglazed bone china in front of the fireplace, accompanied by a large round mirror to reflect the shimmering fish and light. The open-plan living area was subtly separated from the kitchen and dining space by an antique English oak sideboard, which was topped with a glass cylinder filled with native grasses and a whale vertebra to enhance the sense of place. The furnishings were chosen to be substantial yet light in spirit, featuring a large sofa in light blue tweed and smaller sofas in deep blue, with Bielecky Brothers lounge chairs upholstered in the same fabric as the window treatments to reinforce the summer house ambiance. The dining room explicitly embraced coastal style with jaunty chair cushions, a large custom white dining table, and blue and white upholstered bamboo chairs. Mid-century consoles with hand-painted shell and wave motifs by local artist Diedre Mannix and Anglo-Indian lanterns grouped at staggered heights further enhanced the nautical theme. The primary bedroom, with its harbor views, adopted a light and breezy scheme, incorporating Lockhart wallpaper from Peter Fasano and pale blue linen window treatments. Checked fabric from Schumacher was used for a chair, accent pillows, and a window seat, with additional furnishings from Oomph Home, Nantucket Looms, and Norbar. The second guest bedroom introduced a change of mood, drawing inspiration from pastoral views and incorporating various shades of green. An antique campaign chest and nautical engravings in white frames contributed to an English feel, with walls painted in Benjamin Moore's 'Fresh Dew' and Soane Britain’s 'Scrolling Fern Frond' fabric custom-colored for the headboard and window treatments. The third bedroom blended harbor and pastoral views with a vintage floral theme, inspired by an impressionist beach scene painting. A pink strie wallpaper from Farrow & Ball and a vintage Brunschwig & Fils floral fabric created a soft background, complemented by crisp white Leontine Linens with pink embroidery and a pink gourd lamp from Christopher Spitzmiller with a Blanche Field lampshade. Finally, the outdoor terrace and porch lawn, with basket chairs from Janus et Cie's Arbor collection featuring ocean blue cushion fabrics, completed the transformation. Gary McBournie successfully eradicated the mountain-lodge aesthetic, replacing it with fresh, calm, and uplifting coastal interiors that offer a stunning new lease of life to the home. The design skillfully references traditional old island hotels while incorporating sensitive touches of contemporary seaside themes, creating a harmonious blend of familiarity and refreshing new design. #NantucketHome #BeachHouseStyle #CoastalInteriors #HomeTransformation #InteriorDesign #GaryMcBournie #SeasideRetreat #BlueAndWhiteDecor #TraditionalCoastal

A family from Virginia sought a coastal retreat that would offer a dramatic departure from their traditional primary residence in the D.C. area. They chose Marco Island, commissioning HLevel Architecture for the design, BUILD for construction, and David Fruscione of Republic of Decor for the interiors. The 6,600-square-foot, five-bedroom home, initially conceived as a spec house, was transformed into a personalized sanctuary reflecting the clients' desire for a casual, coastal, and transitional feel while maintaining sophistication. The design ethos is characterized by a palette of blues and neutrals, echoing the surrounding water. The exterior features a blue metal roof, and the two-story glass entry is accentuated by an 11.5-foot-long blown-glass chandelier from Hammerton. The main living spaces are grounded by wide-plank oak floors, complemented by floating shelves and reclaimed beams that add warmth against 11.5-foot ceilings and expansive glass walls. The study exemplifies an elevated coastal design with a navy built-in, grasscloth wallpaper, and brass sconces, framed in black metal to create a sophisticated and textured environment. The kitchen stands as a central feature, showcasing a custom blue and brass hood above a Wolf range. This is balanced by a porcelain tile backsplash and a 10.5-foot island, painted in a blue-black finish and topped with quartz featuring subtle gray veining. Antiqued mirrored glass conceals Sub-Zero refrigeration units, while brass accents on Arteriors pendant lighting and other fixtures contribute to a cohesive warm aesthetic throughout the space. Illumination was a key priority, with a comprehensive lighting plan incorporating various fixtures, from brass pendants to sculptural sconces, to create a layered glow. In the primary suite, subtle textures ensure the focus remains on the Bay view. Phillip Jeffries wallcovering adorns the headboard wall, and the ensuite bathroom features porcelain tile and quartzite countertops. Penny tile shower flooring in soft putty and mushroom tones maintains the home’s neutral foundation, illuminated by alabaster sconces from Chapman & Myers. Upstairs, the bedrooms introduce more individualized expressions, including a particularly feminine suite for the couple's teenage daughter, adorned with Laura Park wallpaper in pinks and corals and a bubble-glass fixture. Personal touches are evident throughout the home, from the curated mix of art and accessories in the great room to a distinct family photo wall between the entry and kitchen, which was a surprise commissioned by the owner for her husband, celebrating decades of memories. Outdoors, a raised pool and spa complement a Turkish limestone-clad loggia, which houses an open-air kitchen, dining, and living area, extending the waterfront living experience. The pool bath provides a dramatic element with vibrant Stroheim wallpaper, complemented by a Stone Forest vanity featuring a solid marble top over knurled brass and wood shelves. This home successfully blends bold design elements with coastal ease, offering a distinct departure from formal living for the family. #HomeTour #CoastalDesign #InteriorDesign #LuxuryHome #MarcoIsland #RepublicOfDecor #ArchitecturalDesign #CustomInteriors #WaterfrontLiving

Architect Andrew Lister designed a distinctive home for actor Yuri Kinugawa and film producer Owen Hughes in the Auckland suburb of Waterview. The residence, characterized by its tall silhouette, narrow upper window, and a blank cedar-clad facade, adheres to the principles of the Direct Compass, a Japanese discipline akin to feng shui. The home's exterior, covered in cedar weatherboards, initially appears utilitarian, yet conceals a thoughtfully designed interior. The house's structure is composed of two primary boxes connected by a passageway and an adjoining bathroom. Despite its compact footprint, the design creates an illusion of greater spaciousness, as noted by Hughes. A prominent feature of the living room is a two-story bookcase spanning the entire northern wall, housing Hughes’ extensive book collection. This vertical storage solution ingeniously maximizes space, drawing the eye upwards and adding visual texture without encroaching on floor area. The central area of the home is laid out efficiently, with the kitchen to the left and the bedroom to the right. Above these spaces, two offices are stacked, accessible via a stairway at the rear of the room. The interior is enriched by family antiques and Japanese textiles, which introduce complementary textures, transforming the angular space into a welcoming environment. Following Direct Compass principles, the bedroom, considered vital for family relationships, overlooks a small zen garden on the south side of the house. This placement is believed to promote mental clarity due to cooler temperatures. A six-foot-long passageway clearly delineates the transition from the public kitchen and dining areas to the private bedroom. The traditional Japanese bathroom, situated off the central passageway, serves as a space for washing before bathing in a wood-lined onsen (tub). While the north side of the house offers views of an estuary, the street-facing facade maintains a minimalist, private appearance. In stark contrast, the west-facing side features a double-height glass wall that can be fully opened, merging the living space with a veranda. This outdoor area overlooks the garden, estuary, and harbor, providing a setting for observing sunsets and occasional dolphin sightings. The home's exterior features low-maintenance Canadian cedar cladding and aluminum joinery, designed to age gracefully and harmonize with the surrounding garden's sculptural desert plants. The durability of these materials is crucial, given the home's exposure to south-westerly winds laden with salt from the estuary, a condition the chosen plants tolerate well. #JapaneseDesign #BoxHome #TwoStoryBookcase #SmallSpaceLiving #DirectCompass #AucklandArchitecture #CedarCladding #ZenGarden #OpenPlanLiving

This blog post showcases a modern, three-level, three-bedroom beach house located on the Victorian coast in Point Lonsdale, Australia. Designed by builder David McDonald for his brother Peter, Peter's wife Lis, and their children Johanna (15) and Charlie (11), the home serves as a family retreat built to withstand the test of time while offering flexible holiday living. The design emphasizes natural materials, clean lines, and high-quality, durable finishes. The house incorporates several distinctive architectural elements, notably a central lap pool with a 12-person spa and a striking curved rammed earth wall. This eight-meter-high rammed earth wall was a deliberate choice to break away from traditional straight lines, adding a sophisticated, earthy touch to the seaside sanctuary. The construction of this feature required careful planning and heavy machinery, especially considering the pool was already in place. The builder aimed for a strong, contemporary design that would blend seamlessly with the surrounding established vegetation, ensuring longevity and timeless appeal. Inside, the home features an open-plan layout bathed in natural light. The kitchen and living area form the central hub, designed for family interaction and direct access to the northern deck and pool. The kitchen boasts European oak for the island benchtop and flooring, complemented by black facades and stainless-steel kickboards, adding a touch of luxury. The dining area continues this aesthetic with a round dining table and sculptural chairs that echo the kitchen island's curves. The entryway is designed to make a bold first impression with its dark and moody aesthetic. Other notable areas include a flexible study space offering stunning views over Point Lonsdale Lighthouse and Port Phillip Heads. Hallways feature timber flooring and railings, which, combined with the rammed earth walls, add warmth to the interior. Bathrooms incorporate natural textures with limestone tiles and European oak vanities, while playful lighting fixtures contribute an industrial, modern touch. Bedrooms, such as Charlie's room and the master bedroom, are enlivened with bright elements like Kip & Co bedlinen and an Ikea rug, providing a fun and contemporary feel. The master bedroom also includes a dark dividing wall to separate the sleeping area from the wardrobe. The exterior of the home features Australian hardwood timber cladding, chosen for its sustainability and ability to age gracefully, further contributing to the architectural integrity. Another favourite design detail of the builder is the cantilevered timber staircase that elegantly follows the curve of the rammed earth wall. The project was completed in 11 months, adhering to a pre-Christmas deadline for the family's holiday celebrations, showcasing the efficiency and dedication of the builder and his team in overcoming construction challenges to deliver a uniquely designed, durable, and aesthetically pleasing beach house. #RammedEarth #BeachHouse #CoastalLiving #ArchitecturalDesign #SustainableMaterials #FamilyHome #ModernElegance #IndoorOutdoorLiving #PointLonsdale #InteriorDesign

This article revisits the McCoy + Heine Architects-designed Flexman house located on Hahei Beach in the Coromandel Peninsula, New Zealand. The house, first published in 2013, stands on one of the few beachfront sites, continuing a long-held family tradition with the Coromandel coast. The original bach (holiday home) on the site was no longer suitable for the expanding family, which included six adults and nine children, necessitating a new design that could accommodate large groups while preserving a legacy for future generations. The primary challenge for architect Tim McCoy was to create a flexible living space that could cater to a large, extended family or a single family, all while maximizing the magnificent ocean views. The design also had to balance communal living with private retreats, minimize the visual impact on the public and neighbors, and ensure privacy despite the house's exposed beachfront location. The site is bordered by neighbors on three sides and faces the public domain of the ocean. McCoy addressed these challenges by designing the building as three distinct volumes of varying heights. This architectural strategy helps to balance the need for communal areas with private spaces, and reduces the house's visual footprint from the beach. The design incorporates a visual rhythm of depths and recesses around decks, creating a proscenium or stoa-like effect. This design element frames views of the landscape, minimizes any potential 'fishbowl effect' (where occupants might feel exposed), softens the building's facades, and provides shade. Given the Coromandel coast's warm summer weather, the house features a natural progression of indoor and outdoor spaces. These spaces are strategically designed to follow the sun and views throughout the day, while also offering shelter from the afternoon sea breeze. The house employs passive climate control to maintain optimal comfort. A central ventilation core allows breezes to circulate from the center of the house to the upper levels. This system works in conjunction with restricted opening floor-level windows in the bedrooms, providing 24-hour temperature control. The material palette for the house is characterized by neutral, natural, and low-maintenance materials, which contribute to a light and airy environment suitable for a coastal holiday home. The architectural style blends High Modernist aesthetic sensibilities with what is described as "fey PoMo trappings," resulting in a Mid-Century Modern feel adapted for 21st-century Pacific living. The design is intended to be an "effortless classic" that will retain its style and appeal for many generations. #HaheiBeachHouse #CoastalArchitecture #FamilyHome #ArchitecturalDesign #NewZealand #FlexibleLiving #PassiveClimateControl #ModernistDesign #Coromandel

This article highlights the design philosophy and execution of a beach house in Pulpos, Peru, owned by Bettina Lolas and designed in collaboration with Venezuelan-born designer Carlos Mota. The home is characterized by its open-air structure and a relaxed, bohemian aesthetic, eschewing traditional beach house tropes. Lolas, a creative consultant based in Lima, acquired the house in 2008, drawn to the laid-back atmosphere of the surfer town and the architecture of the 1980s Juvenal Baracco-designed property. Mota's design approach focused on creating a comfortable and unfussy environment where furniture and decor would gain character and patina over time from the coastal elements. For instance, the outdoor dining table is crafted from butcher's block wood, complemented by folding bamboo chairs that Mota painted black for added drama. The living spaces are kept minimal, emphasizing comfort over extensive furnishings, with a custom sofa banquette topped with pillows from John Derian serving as a key seating area. A notable design choice is the use of museum posters for wall art instead of expensive paintings, contributing to the home's carefree vibe. The primary bedroom features an Indian screen, painted white by Mota, which functions as a headboard, adding texture to the concrete walls, and is adorned with a vintage Turkish suzani bedcover. The bedroom also provides direct access to the pool area, where Mota extended a bamboo wall to enhance privacy from neighboring properties and incorporated a sculptural cactus garden around the pool's edge, chosen for its resilience to direct sun and heat. The collaboration between Lolas and Mota proved highly successful, leading to plans for a second beach house project in Máncora, northwestern Peru. The Pulpos beach house is described as a place where Lolas feels happy, free, and relaxed, particularly when enjoying the terrace overlooking the Pacific Ocean. The article underscores Mota's unique vision of a beach house that blends seamlessly with its natural surroundings while offering a distinctive and relaxed living experience. #CarlosMota #BeachHouse #PeruvianDesign #OpenAirLiving #BohemianStyle #CoastalDecor #InteriorDesign #ArchitecturalRenovation #OutdoorLiving

The One-Legged House, designed by Japanese studio IGArchitects, is situated on a small hill overlooking the coast of Okinawa. The client's desire for an unobstructed ocean view and constant airflow informed the design, which centers around a single, robust concrete column. This central column acts as the primary structural element, supporting both the roof and walls of the dwelling. This innovative structural approach allows the building's perimeter to be almost entirely composed of wood-framed, sliding glass doors, creating a sense of openness and integration with the natural surroundings. The design philosophy behind the One-Legged House emphasizes a flexible interior space, capable of adapting to various functions beyond its initial residential purpose. The central column, despite being a singular point of support, effectively divides the interior into distinct zones without rigid walls, fostering a sense of continuous space while offering the potential for future reconfiguration. The layout strategically separates a kitchen area from the bedroom and living spaces. For privacy, the bathroom is enclosed by simple white curtains, maintaining the overall open aesthetic while addressing practical needs. The home’s roof features a wall of board-marked concrete that extends both upward to form a parapet for a rooftop terrace and downward to mitigate direct sunlight within the interior spaces. This design detail serves a dual purpose: providing an outdoor leisure area and offering passive solar control, reducing the need for air conditioning. The architects note that this feature, combined with the ability to open the windows, facilitates natural ventilation, allowing the ocean breeze to flow freely throughout the house during warmer months. The side of the One-Legged House that faces neighboring residential properties to the south incorporates wooden panels and clerestory windows. This design choice ensures privacy in the sleeping area while still allowing natural light to enter. The architects describe the central column as resembling a large wall, contributing to a perception of 'further space' within the open-plan interior. The project was conceived with durability and adaptability in mind, aiming for a structure that could withstand the elements and accommodate different uses over time, reflecting a forward-thinking approach to residential architecture. The surrounding exterior features a rock-covered patio with areas of planting and an external concrete staircase providing access to the rooftop terrace, further enhancing the connection between the indoor and outdoor environments. The One-Legged House demonstrates a unique architectural solution that combines structural innovation with a deep consideration for its natural setting and future adaptability. #ResidentialArchitecture #JapaneseHouses #ConcreteDesign #OpenPlanLiving #SustainableDesign #CoastalArchitecture #IGArchitects