Multitude of Sins founder revamps own apartment with "interplay of artistry and function"

The article details a design project undertaken by Emma Beryl Kemper of Emma Beryl, a New York City design studio, to transform a two-bedroom Greenpoint duplex. The condo, originally created from a storefront in a vintage row house approximately a decade prior, was characterized by a cold, "cookie-cutter" aesthetic and lacked personalized touches for the young family residing there. The primary objective of the renovation was to infuse warmth and character into the space, making it feel more like a home, and to significantly enhance its functionality. One of the initial challenges involved the original kitchen, which featured only a single wall of cabinetry and an island. Beryl reconfigured this area, adding a wine bar with a glass cabinet to create a smoother transition between the functional kitchen space and the open living room, integrating it more effectively with the adjacent dining area. Beyond the kitchen, the project focused on maximizing storage throughout the duplex. This included reconfiguring the upstairs bathroom and adding a shower to the downstairs powder room, thereby converting it into a full bath. Custom built-ins were designed for an awkward downstairs room, which served the dual purpose of concealing plumbing pipes and creating a cozy nursery for the family. To achieve the desired warmth and character, the design incorporated vintage pieces, hand-painted tiles, and a selection of specific furnishings and materials. Manhattan-based Jan Renovations carried out all the new construction work, including custom millwork. In the open living room, a vintage rug from ABC Carpet, a grasscloth-covered media unit, and a new sofa from Restoration Hardware were combined with the clients' existing coffee table and chairs. The floor-to-ceiling storefront windows, which made the living room feel exposed, were addressed by adding a built-in window seat with integrated storage, creating a barrier and softening the space with curtains. A custom-built narrow bookcase in the corner was installed to hide wires. The dining area features a built-in banquette that conceals a steel rail for the downstairs staircase, also providing additional storage. Rejuvenation chairs accompany a wooden farmhouse-style table, complemented by a West Elm chandelier. A wooden desk from Restoration Hardware is positioned alongside the dining area. The kitchen was enlarged while maintaining its general location, featuring a contrast of white upper cabinets and open shelves with dark navy lower cabinetry. Carrara marble countertops and handmade tiles on the backsplash were significant upgrades. The master bedroom, being small, was designed to maximize openness, with custom floating nightstands and walls painted in a moody dark hue. Lutron shades were installed for privacy on the frosted storefront windows. The door to the upstairs bathroom was relocated to the front entry, necessitating a complete change in the room's footprint. The bathroom's color scheme aligns with the kitchen and master bedroom, incorporating patterned floor tiles from Tabarka Studio and custom-made wall tiles to match the blue in the flooring. A Restoration Hardware vanity and Cedar & Moss sconce completed the new bathroom. On the lower level, a custom-built angled closet provides linen and coat storage. The downstairs nursery features a bi-level window seat, a long wall of storage, and a floor-to-ceiling closet, all custom-built from lacquered wood to conceal mechanicals while allowing access. Distinctive wallpaper from Hygge & West and Dwell Studio baby furnishings enhance the space. A shower was added to the downstairs bathroom by utilizing space beneath the staircase, with a sink from Restoration Hardware and floor tile from Wayfair. The article also mentions the availability of before-and-after photos to illustrate the transformation. #InteriorDesign #Greenpoint #CondoRenovation #EmmaBeryl #CustomMillwork #BrooklynDesign #HomeTransformation

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Arne Jensen, an Emmy Award-winning art director from WBZ-TV, and his wife transitioned from a multi-story loft in Lowell to a 1,900-square-foot midcentury-style home in Walpole, specifically chosen for its architectural bones and convenient location. While Jensen's professional background was in set design, where aesthetics often supersede comfort, he applied his predilection for midcentury modern aesthetics to the redesign of his family's new home. This personal project ultimately led him to launch his own interior design and graphics firm. The exterior of the home was subtly updated to enhance its curb appeal and integrate it with the natural surroundings. Jensen painted the front door a spicy red and replaced the walkway with crisply cut granite pavers. He cultivated the front garden with a Japanese maple, azaleas, and a dwarf white pine, adding lush personality. The house features large, floor-to-ceiling glass expanses that foster an indoor-outdoor connection, a key attraction for the couple. To further emphasize this connection and integrate the interior with the exterior, Jensen stained the interior window frames dark brown, making them recede visually and allowing the eye to focus on the outside scenery. The interior walls, previously covered in dated, sharp stucco, were grounded, sanded, and repainted. The upper section of the highest wall, which separates the public spaces from the bedrooms, was painted a comforting mochaccino shade. This darker color choice was strategic, helping to visually knit the wood ceiling to the walls and reduce the vastness of the room, making it feel more intimate. The living space features a revitalized fireplace, which was originally clad in the same material as the home's front facade but deemed unsightly. Jensen transformed it by applying a Portola Paints’ lime wash to create a nuanced patina on the now-smooth stucco surface. He removed the raised hearth, installing a blackened steel plate flush with the floor, and incorporated a Stûv insert with a blackened steel surround, known for its heating efficiency. A pine mantel was added to link the fireplace with the existing wood ceiling, resulting in a streamlined yet cozy focal point. The fireplace is centered by a coffee table, flanked by leather sofas that exude a relaxed, midcentury sensibility. A reading nook was created in the remaining space, furnished with Barcelona-style chairs and adorned with black and white photography, along with Jensen's Emmy statuettes. The kitchen and dining areas underwent significant renovation to achieve a more open floor plan. Jensen removed the wall between the dining room and kitchen, replacing it with a breakfast bar. Upper cabinetry was eliminated in favor of maple base cabinets with deep drawers, valued for their practicality. Black granite countertops provide a grounding contrast to the light wood. The kitchen's focal point is a backsplash made of skinny, stacked olive tiles from Heath Ceramics, which Jensen chose due to his Bay Area roots. The varied green tones of these tiles harmonize with the outdoor view, drawing attention outwards. The deck, spanning the length of the house, was refurbished to include an outdoor kitchen with a gas grill and smoker, a Solo pellet stove for warmth, and a pergola with a louvered top for al fresco dining. Grapevines, replanted from an existing arbor, now trail over modern rails. Motivated by the desire for soothing sounds, Jensen also created a pond with lily pads and frogs. Additional outdoor features include an existing bocce court, which effectively separates the house from the lawn, and a vegetable enclosure built by Jensen, where he tends to raised beds of various produce. This multiyear renovation project, largely executed by Jensen himself, marked a significant career shift, leading him from television production to establishing Arne Jensen Design, an interior design and graphics firm, reflecting his enjoyment of the transformative process. #HomeRenovation #MidcenturyModern #InteriorDesign #LandscapeDesign #ArneJensenDesign #WalpoleHome #IndoorOutdoorLiving

After residing in their 1892 Minneapolis home for over two decades, designer Martha Dayton and her husband, Tom Nelson, considered moving to seek a change of scenery. However, they ultimately decided to renovate their existing 3,500-square-foot house, rediscovering its charm and falling in love with it anew. The initial impetus for the renovation was their small, dark, and cramped primary bedroom closet, which lacked adequate space and lighting. Given the limited expansion options within the house, the couple contemplated a move, but their attachment to the location and the house itself led them to pursue an extensive update instead. To address the closet issue, Martha enlisted architects Mark Larson and Anders Matney. Their design solution involved connecting the closet to the primary bedroom with pocket doors, installing an island with deep drawers, and replacing much of the perimeter cabinetry. The renovation also included the strategic relocation and reuse of existing built-ins, such as a vanity by St. Paul cabinetmaker Jon Frost, a piece that Martha uses daily and wished to preserve. A key challenge was integrating sufficient storage while retaining two original windows within the closet, which was creatively resolved by placing shelves in front of the windows. This initial closet overhaul became the catalyst for a series of broader renovations. Martha adopted a "well, if I'm going to do that, I might as well do this" approach, leading to a more comprehensive transformation of their home. Significant changes included a complete revamp of the laundry room and the replacement of an earlier family room addition. Both these spaces were redesigned to maximize natural light, and the former family room was converted into a casual dining area, creating a more seamless connection with the backyard living spaces. A deliberate effort was made to ensure that the updates blended seamlessly with the house's original character, making it difficult for first-time visitors to discern the renovations from the existing structure. Mark Larson noted that the house now gives the impression of always having been in its current state, rather than being a modified or added-on structure. Other updates focused on refreshing light fixtures, finishes, and furnishings, moving towards a more transitional and contemporary aesthetic while respecting the home's solid architectural foundation. One of the most impactful aspects of the renovation for Martha was the integration of art throughout the home. Approximately 80 percent of the art displayed is by Twin Cities artists, reflecting Martha's commitment to supporting local talent. She expressed pride in her team's efforts to champion local artists and sell their work, highlighting the abundance of artistic talent in the region. This focus on local art significantly contributed to her renewed affection for the house. Additional details of the home's refreshed spaces include the family room, painted in Benjamin Moore White Dove, featuring a sofa by A. Rudin, a rug from Tapis Decor, and a large photorealistic landscape painting by Teo Nguyen. The dining room saw minimal architectural changes, with corner built-ins by Maureen Rudd retained, but a new Yves flush mount light fixture from The Urban Electric Co. was installed. Martha emphasized that honoring the house's bones allows for changes in furniture, art, lighting, and wall coverings while maintaining a cohesive feel. The kitchen, previously redone by Dovetail Renovation, received a facelift, including painting the island blue, demonstrating how even small refreshes can rekindle appreciation for one's home. The living room features striped velvet midcentury modern chairs, a contemporary coffee table, and a diverse art collection ranging from David Rathman's sepia-toned painting to inexpensive works from local art events. A mirror from Made Goods in the refreshed stairway reflects the space, with styling by Paula Bjerketvedt enhancing the overall aesthetic. The primary closet's renovation, with its relocated vanity and shelves in front of windows, transformed it into an elegant and luxurious space. The sunroom combines a CB2 console table with photography by Alec Soth, illustrating Martha's approach to mixing price points in her designs. The home office received a fresh coat of paint, while the laundry room underwent a more significant "architecture of inches" transformation, including a new window and a tip-out hanging rack to maximize functionality and light. Beyond the home, Martha Dayton maintains a close friendship with Twin Cities artist Teo Nguyen, whose works are prominently featured in her home and office. She accompanied Nguyen on a trip to Vietnam in 2020, and their mutual admiration is evident. Nguyen credits Martha with encouraging him to showcase his art. His upcoming solo exhibition at Mia will feature monumental landscapes inspired by Vietnam War news photos, serving as a memorial to the countless Vietnamese lives lost during the conflict. The renovation project involved Martha Dayton Design for interior design, Rehkamp Larson Architects for architecture (Mark Larson, AIA, and Anders Matney, AIA), and Dovetail Renovation for construction. This extensive home renovation allowed Martha Dayton and Tom Nelson to fall in love with their house again, demonstrating that significant updates can reinvigorate a living space without sacrificing its inherent character. The project highlights the importance of thoughtful design, strategic space planning, and the integration of personal touches like local art to create a home that feels both refreshed and timeless. #HomeRenovation #InteriorDesign #HomeDecor #ArchitecturalRedesign #MinneapolisHomes #ArtIntegration #SustainableDesign #ClosetRenovation #LaundryRoomUpgrade

Colton Dixon Winger, cofounder and owner of the styling agency Cuniform, has expanded his expertise from personal wardrobe curation to sustainable home design. Winger’s approach, rooted in the philosophy of repurposing existing items and sourcing vintage or pre-owned goods, mirrors his successful strategy in fashion. His venture into interior design began with "rearranging services," where he would reorganize a client's current furniture and decorative items to create more cohesive and intentional spaces. This hands-on method stems from his lifelong interest in architecture and interior arrangement, a passion he cultivated since childhood by constantly reconfiguring his own room. Now, Cuniform Interiors operates with a dedicated head of design, Bethanie Jones, and offers comprehensive services, including 3D renderings, structural modifications, and full kitchen remodels. A significant challenge in this expansion has been adapting the sustainable ethos from clothing to home furnishings, as the logistics of transporting and sourcing larger items differ considerably. However, the core principle remains consistent: prioritize what a client already possesses and, when new items are necessary, seek out sustainable and second-hand options. One notable project involved Mia Malave, a long-standing styling client of Cuniform, who sought Winger’s help when moving into a midcentury modern home in West Seattle. Malave desired an open, interconnected living space where conversations could easily flow between the living room, dining room, and kitchen. Her existing kitchen, however, was enclosed by walls and low-hanging cabinets, obstructing the desired open-plan feel. Winger collaborated with Casual Surveying Co., a local design-build firm, to dismantle these barriers, creating an open-concept kitchen furnished with midcentury-appropriate walnut cabinets and a central oak island. For Malave's guest room, Winger skillfully repurposed her existing rug, table, and other decor, augmenting them with unique finds like a vintage metal ladder from Epic Antique to serve as a blanket holder. The furniture for the ground floor was meticulously sourced, with nearly every piece being vintage or recycled. This commitment to intentional, sustainable sourcing often requires patience, as clients may need to wait longer for the perfect, ethically acquired item rather than settling for readily available new products. For instance, a Parisian desk was acquired from local antique dealer Kassie Keith, and a large bamboo dining table was found on Craigslist for a mere $100, complemented by refurbished German chairs. After several attempts to find a suitable sofa, Bethanie Jones located an investment-quality 1970s Milo Baughman piece from her warehouse, which became a central element in Malave’s living room. Malave, still searching for a coffee table, has embraced the deliberate pace and vintage aesthetic, acknowledging that her preference for timeless, well-preserved older items aligns perfectly with the midcentury character of her home. The process highlights Cuniform's dedication to functional design and conscious consumption, demonstrating that beautiful, meaningful spaces can be created through thoughtful selection and repurposing rather than relying solely on new purchases. #HomeDesign #InteriorDesign #SustainableDesign #VintageFurniture #MidcenturyModern #Repurposing #ConsciousConsumption #WardrobeCurator #SeattleInteriors

Alma-nac, a London-based architecture firm, undertook the renovation of Basing Street Rooms, a four-storey Victorian end-terrace house, transforming it into a long-stay hotel comprising guest suites for a record label. The design drew inspiration from the history of the recording studio across the street, abstracting elements from four specific record labels: Island Records, Stiff Records, ZTT, and Sarm. Instead of creating a direct archive, the architects aimed to distill the identity of each label into an abstract visual language, reinterpreting it within the context of the building's history and the functional requirements of the apartments. This approach resulted in a series of unique spaces, each associated with a particular label, while maintaining a common design thread throughout the hotel. Each of the four apartments, situated on separate floors, features a distinct colour theme influenced by record sleeve designs from the nearby studio's archive. All apartments share a similar layout, incorporating a combined living room and kitchen, a spacious bedroom, and a compact bathroom. Extensive rebuilding was necessitated by damage sustained during the Second World War, including the installation of a central plywood staircase, assembled off-site, on the ground floor. The lower-ground floor apartment is adorned with a navy, pale blue, and orange theme. The apartment on the floor above showcases herringbone patterns in shades of yellow, orange, and red in the hallway, extending through the front door. The kitchen in this unit features white cabinetry with red accents, and the wooden cupboards in the bedroom have bright orange-painted interiors. The orange and red herringbone pattern from the floor continues up the wall, encompassing the window seat. A red painted staircase leads to the first floor, with white lettering on each riser gradually spelling out song lyrics from top to bottom. A lighting installation consisting of clear glass bulbs suspended on red electrical cords hangs above this staircase. The first-floor apartment is characterized by shades of pink and red, featuring a glossy black kitchen unit, a dark chandelier, and a pink neon lighting installation on the living room wall. The top floor is decorated with a vibrant palette of bright yellow, white, blue, green, and pink. This apartment includes a yellow kitchen unit in the living space and a yellow lightning bolt tiled into the bathroom's shower wall. Externally, the building's brick frontage is painted blue with a red door and coloured window frames. A large mural on the external side wall depicts various artists who have recorded at the adjacent studio. The project utilized engineered parquet flooring, stained and arranged in detailed plans to define key activity areas within each apartment. Identifiable symbols and words from the record labels were abstracted and integrated into the design; for instance, the Stiff 'S' was reinterpreted as a pixelated lightning bolt, and the multiple misspellings of 'zang tumb tumb' formed a scrabble-board-like tile pattern in a bathroom. Alma-nac collaborated closely with the client and artists, incorporating a mural on the building's side and artwork directly onto internal walls, further embedding the studio's spirit into the hotel. The project successfully combined the building's historical context with a vibrant, music-inspired aesthetic, creating a unique and functional living space for visiting musicians. #ApartmentRenovation #LondonInteriors #HerringbonePatterns #ColourfulDesign #VictorianArchitecture #MusicInspiredDesign #BoutiqueHotel #InteriorDesign #AlmaNac

Dana Esser, an interior designer and creative, discusses her business, Dana Michele Design, and its profound impact on the daily lives of occupants in the spaces she designs. Esser highlights the significance of her work in creating therapeutic environments, such as offices for therapists and psychiatrists. These projects involved extensive research into layout, audio and visual privacy, color, texture, and furniture selections to ensure patients feel welcome, calm, comfortable, and safe. The insights gained from designing these therapeutic spaces are now applied to all her projects, ensuring they enhance the well-being of occupants and meet functional needs. Dana Michele Design distinguishes itself through an unwavering commitment to clients, with Esser acting as a 'client advocate.' With eight years of corporate interior design experience, she is now directly involved in every project, ensuring personalized attention and expertise for each client. The design process at Dana Michele Design integrates spatial intelligence with creative intuition, focusing on solving complex puzzles and understanding human needs to create spaces that resonate deeply. This process begins with in-depth client engagement to understand their aspirations and challenges, leading to designs that are not only aesthetically pleasing but also supportive of their present and future needs. Esser emphasizes the importance of professional integrity and personal well-being, stating a rule to only accept projects where her team is respected and valued, especially as a female entrepreneur in a male-dominated industry. Looking ahead, Esser plans to launch a non-profit arm of Dana Michele Design. This initiative will focus on community engagement by partnering with organizations that provide housing and support to vulnerable communities, aiming to create nurturing environments that empower individuals to thrive. The success of Dana Michele Design is attributed to human connection and the transformative power of thoughtful design, driven by a commitment to clients and the wider community. Outside of her professional life, Esser shares recommendations for enjoying Los Angeles with a visiting friend. Her ideal week would include coffee from Primo on Montana Street, brunch at Courtyard Kitchen in Santa Monica, leisurely strolls along the boardwalk, and beach volleyball. Nature excursions would involve hiking the Los Leones trail in Pacific Palisades for panoramic ocean views. Cultural experiences would include visiting the Broad or Hammer museum exhibits. Evenings would feature live entertainment at venues like the Hollywood Bowl or Aviator Nation’s Dreamland in Malibu, or attending a comedy show. Dining options range from Fia in Santa Monica to Osteria Mozza, followed by a night out in West Hollywood or Hollywood. Esser acknowledges several individuals who have significantly influenced her journey. She credits her family for providing essential physical and financial security and unwavering love. Her high school art teacher is recognized for channeling her creativity and introducing her to interior design at 16, a pivotal moment in discovering her passion. Lastly, she highlights the continuous inspiration, encouragement, and love from her closest friends, whom she considers her chosen family, calling them her backbone and biggest cheerleaders, especially when she experiences imposter syndrome. #InteriorDesign #CreativeEntrepreneur #TherapeuticSpaces #ClientAdvocacy #CommunityImpact #FemaleEntrepreneur #NonProfitInitiative #LosAngelesLifestyle #PersonalDevelopment

Lauren Lemkowitz, an event planner and interior designer, founded Rental Re/Do to help renters transform their anonymous apartments into chic and homey spaces. Her venture was inspired by her own experiences living in various New York City apartments with often subpar finishes, hardware, and lighting. Lemkowitz consistently found ways to enhance these rental properties, leading her to create a business that empowers other renters to do the same. Rental Re/Do's mission is to offer products and guidance that enable renters to upgrade their living environments and cultivate a sense of belonging. The company provides a range of items, including lighting fixtures, kitchen and cabinet hardware, planters, and wall plates, all designed to fundamentally improve the aesthetics and functionality of a rental apartment. Lauren emphasizes making each property feel custom, moving beyond the generic rental aesthetic. Lemkowitz offers several practical tips for renters looking to personalize their spaces. She advises against trying to tackle all changes at once, suggesting that individuals focus first on the areas they use most frequently and the high-touch objects within their homes. Lighting is highlighted as a crucial element for setting the mood; installing dimmers and using soft white light bulbs are recommended to create a calm atmosphere, as opposed to the harshness of daylight or bright white bulbs often found in rentals. She also recommends using rugs with rug pads to define different zones in a room, even small ones, and to protect flooring. Clutter management is another key piece of advice. Lemkowitz advocates for a conscious approach to purchasing items for the home, which not only helps in maintaining organization but also promotes sustainability and saves money. For renters, a critical tip is to meticulously save all original fixtures and hardware that are replaced during a makeover. This allows for easy reinstallation when moving out, preventing potential issues with landlords. What sets Rental Re/Do apart, according to Lemkowitz, is the curated selection of affordable products achieved through exclusive partnerships with international designers. Her inspiration largely comes from housewares that blend simple, beautiful, and utilitarian design, drawing particularly from Dutch and Nordic brands. Her goals for the company include expanding the product offerings on the website and launching a marketplace to feature homewares specifically tailored for both renters and homeowners. A typical day for Lauren involves managing all aspects of her business, from logistics and PR to marketing and customer relationship building. She views starting Rental Re/Do as a career highlight, as it integrates her diverse professional experiences and entrepreneurial drive. Her advice for aspiring business owners is to dream big but also to acknowledge that success takes time. She encourages celebrating small victories and appreciating the journey, rather than solely focusing on rapid progress. Lauren has a deep appreciation for the community atmosphere of Jersey City, its proximity to NYC, and enjoys local spots like Prato, Plntd, Low Fidelity, and Riverside Park. #HomeDesign #RentalMakeover #InteriorDesign #JerseyCity #RentalReDo #HomeImprovement #DecorTips #Entrepreneurship

The article details the renovation of Unit 622, an apartment located within Montreal's historic Habitat 67 housing complex. Designed by the interior and industrial design firm Rainville Sangaré, the project transformed the space into a bright, open, and modern home. The renovation focused on simple lines, material integrity, and a minimalist aesthetic, drawing inspiration from the Brutalist architectural style of Habitat 67 itself. The original complex, conceived by Israeli-Canadian architect Moshe Safdie in the 1960s, aimed to provide affordable urban living through 158 stacked, prefabricated concrete units. Unit 622 features a unique T-shaped layout formed by two prefab blocks. A key aspect of the renovation involved preserving the concrete junction where these two volumes meet, leaving it exposed as an homage to the apartment's history, complete with original construction markings. The design choices were also influenced by Habitat 67's location on the Saint-Laurence River, particularly the challenging winter conditions. Rainville Sangaré opted for a minimal material and color palette, incorporating raw finishes like steel and concrete throughout the space to enhance the natural light and reflect the building's robust character. The living room features built-in shelves framing the window, and custom-made ventilation grids were installed, reflecting the owners' interest in local craft and design. A notable artistic element is a commissioned piece by local artist James Kennedy, mounted on a sliding door that conceals the television. The apartment is entirely outfitted with Sangaré’s UNITÉ lighting, a collection inspired by Habitat 67's rectangular prefab blocks. The kitchen, designed for efficiency, was crafted by local brand À Hauteur d’homme. The guest room is designed for versatility, featuring a hideaway bed that allows the space to function as an office, also lit by Sangaré’s UNITÉ lighting. The main bedroom is predominantly oak, with a custom-designed bed and nightstand, and also features lighting by Sangaré. Streamlined oak panels are used for the wardrobe. In contrast to the minimalist living areas, the bathrooms introduce color and intriguing finishes, including a dichroic glass shower divider that changes color under different lighting conditions. Concrete tiles in the bathrooms further reference the building's Brutalist origins. The renovation successfully marries contemporary design with the historical and architectural integrity of Habitat 67, creating a sophisticated and functional living space. #Habitat67 #MontrealRenovation #ModernApartment #BrutalistArchitecture #MinimalistDesign #InteriorDesign #PrefabHomes #RainvilleSangaré

The Edinburgh gallery Bard presents a new exhibition titled 'Bardware,' which aims to reframe the perception of craft from an exclusive, high-art domain to an accessible, everyday practice. Founded by Hugo Macdonald and James Stevens, Bard seeks to bridge the gap between craft as a specialized hobby and as luxury objects, instead focusing on items designed for daily use and sensory engagement within the home. The inspiration for 'Bardware' stems from the founders' appreciation for traditional hardware stores, which they view as symbols of optimism and the human capacity to make, fix, build, and repair. The exhibition features works from 20 Scottish craftspeople, designers, and artists, all commissioned to create objects that enhance daily domestic life. The brief encouraged the artists to produce items that could be touched and used regularly, challenging the conventional hands-off approach often associated with gallery exhibits. The display includes a diverse range of functional and decorative items, such as Primitive Arrangement vases by Nick Ross, two-armed candelabras by David Taylor, and architectural toilet-roll holders crafted by Juli Bolaños-Durman from salvaged materials. Other notable pieces include James Rigler’s bronze-glazed ceramic 'Greek Knobs,' Oliver Spendley’s bowls made from polished mountain rock shards, and All About Willow’s hand-turned cherry porridge spurtles. The collection also showcases Clement Knives’ pocket knives made from whisky-barrel hoops, Eve Eunson’s baskets woven from sea plastic collected from Shetland’s beaches, and Studio Viv Lee’s devotional ceramic characters. Additionally, Jess White contributes leather-wrapped boulder doorstops, while Araminta Campbell offers cozy alpaca hot-water bottle covers. Each piece is presented to encourage interaction, emphasizing the tactile and experiential qualities of craft. This exhibition marks three years since Bard opened its doors in Leith, establishing a unique approach to presenting and selling craft. Macdonald highlights the importance of humor and mild irreverence in making craft more approachable and moving it beyond the confines of a museum setting into everyday life. He acknowledges the cost associated with handcrafted items but underscores their inherent value, contrasting this with the societal issue of cheap, mass-produced goods. Since its inception, Bard has observed a significant increase in public engagement with craft, marked by a greater willingness to purchase, utilize, and inquire about the practitioners, materials, and skills involved. Macdonald believes that craft is a fundamental 'life force' that enriches human experience and fosters connections across cultures and time. He posits that craft is not a regressive or counterbalancing force to design and technology but rather a parallel and powerful element that becomes even more impactful when integrated into modern life, indicating a collective awakening to its enduring relevance and value. #CraftExhibition #ScottishArt #HomeDecor #DesignInteriors #FunctionalArt #BardGallery #EverydayObjects #HardwareShopInspiration #ContemporaryCraft

The Brooklyn town house belonging to actor David Harbour and singer-actor Lily Allen is a vibrant and unconventional space, designed in collaboration with AD100 designer Billy Cotton and architect Ben Bischoff of MADE. The home, described as a "familial fantasyland of daring beauty and individual connoisseurial vision," stands in stark contrast to the prevailing trend of minimalist, neutral aesthetics. Its interiors feature a dynamic mix of chintz balloon shades, crystal chandeliers, pink silk, tiger-patterned textiles, and Mylar wallpaper, reflecting Allen's bold, eclectic, and fun personal taste, as noted by both Cotton and Harbour. The project began with the renovation of a late-19th-century Italianate brownstone in Brooklyn’s Carroll Gardens neighborhood. Architect Ben Bischoff recalls the house's initial deteriorated state and the subsequent discovery of original moldings and doors beneath layers of past renovations. The couple sought to preserve the historical character while creating a casual, family-friendly environment, rejecting overt formality. Billy Cotton presented three design directions: traditional English, modern Brooklyn town house, and a layered Italian style, which the couple embraced due to the neighborhood's Italian-American history and Allen's desire for something "weird and wonderful." The layout of the house also deviates from typical conventions. The second level features a primary bath-cum-sitting room, adorned with wall-to-wall floral carpet, Zuber wallpaper, and sink stands fashioned from Louis XVI–style commodes. This eclectic design prioritizes the owners' preferences over traditional resale value concerns, as highlighted by Allen. The primary bedroom, uniquely situated as a windowless chamber between the main bath and dressing rooms, further exemplifies the personalized approach to the home's design. On the piano nobile, the kitchen and dining area are positioned at the front of the house, immediately accessible from the street, signifying its role as the home's central gathering space. Conversely, the living/garden room, featuring a double-sided sofa in emerald velvet, is located at the rear. The lower-level media room, devoid of original 19th-century details, adopts a crisp, contemporary interior with a glamorous, Madeleine Castaing-inspired aesthetic, showcasing matching tiger-patterned carpet and sofa against high-gloss, creamy-white walls. This design choice, according to Cotton, is a reflection of Allen’s captivating presence and her aversion to conventional living spaces. David Harbour, a self-proclaimed "suburban boy" accustomed to a more conventional aesthetic, expresses admiration for his wife's distinctive vision and willingness to take design risks. Despite the unconventional style, which their children playfully refer to as the "clown house," the home embodies a deeply personal and creatively executed living environment that perfectly suits the family's unique preferences. The collaboration between the homeowners, designer, and architect resulted in a unique and character-filled Brooklyn residence. #HomeDesign #InteriorDesign #CelebrityHomes #BrooklynRealEstate #EclecticDecor #RenovationProject #ArchitecturalStyle #LuxuryInteriors

Shanti Crawford of Indigo & Ochre Design transformed a 2,600-square-foot, four-bedroom penthouse in Brooklyn from a "modern white box" into a vibrant, functional family home. The clients, a family with three daughters and a dog, sought to add warmth, color, character, and personality to the new build, which initially felt cold and barren. Crawford's approach emphasizes socially responsible and sustainable design, reflected in her use of colorful, thoughtfully collected, and layered decor. The primary goal was to create distinct and intimate areas within the open-plan layout, allowing each family member to engage in various activities simultaneously, such as working, studying, socializing, dining, and playing music. This was achieved through strategic furniture arrangements, custom built-ins, and the transformative power of color. AThe design process began with the clients' desire for a fresh start, especially as their children were growing older. Crawford provided guidance from the pre-closure phase, focusing on integrating character into the developer's clean, modern aesthetic. Key to her design was the incorporation of beloved pre-existing items, including a massive patchwork kilim from Morocco and a rustic sideboard. She aimed to ensure these pieces felt intentionally integrated and harmonized with the new, streamlined elements of the apartment. Crawford used color as a declarative element to define spaces. For example, the entryway was painted in a pale pink hue, Benjamin Moore Wheatberry, which subtly appears in other areas of the home, creating a cohesive visual flow. The entry also features practical storage solutions like hooks, baskets, and cubbies from Room & Board to accommodate the active family's needs. Texture was added through a ceramic disc wall hanging and a woven Tuareg mat. In the living room, the vibrant patchwork Moroccan kilim served as the primary inspiration for the color palette, influencing the selection of seating, artwork, and accessories. Crawford also introduced a gentle antique Oushak rug to complement the kilim without competing with its intricate patterns. The dining room features the clients' cherished kilim, anchored by a sleek Artisan Latus table and Gubi Beetle chairs, with brass legs that echo other metallic accents in the adjacent sitting area. This intentional mix of rustic and modern elements ensures balance and visual interest. The family room, referred to as a 'snug,' was designed to be a cozy, intimate space. It was painted in a warm, deep gray, including the ceilings, to embrace the lack of natural light. Deep jewel tones and lush textures, such as velvet upholstery, were incorporated, along with a vintage Heriz carpet to add personality. Custom walnut shelving units were built to span an entire wall, providing depth and delineation, and housing a Samsung TV and Noguchi Akari floor lamp. The master bedroom was conceived as a serene retreat, adhering to principles of "soothing neutral colors, simple and clean lines, texture over pattern." The primary colors are neutral, with subtle pops of deep color from peacock sconces and a luminous mouth-blown carafe and glass. The bed frame is custom, and the bedding and throw are from Wolves Within. The study, designed for multiple functions including a home office, occasional guest bedroom, and storage, features a custom-designed built-in bookshelf that frames a Kalon Studios daybed. A vintage Paul McCobb desk and a vintage Swedish Kilim rug complete the space, demonstrating how distinct areas were created while maintaining an open flow within the larger apartment. The collaboration with landscape designer Laura Harmon of LFH Studio for plants further enhanced the natural integration of the design. #InteriorDesign #ApartmentDecor #FamilyHome #ColorPalette #CustomBuiltIns #StrategicFurniture #BrooklynDesign #VintageDecor #SustainableDesign

This article details the home renovation project undertaken by Victoria and Marcus Ford, focusing on the transformation of their bedroom, bathroom, and laundry room. The couple's approach to home decor is described as "intentional," selecting items that reflect their personalities and bring soul to their living spaces. The bedroom makeover centered on creating a tranquil retreat using a light blue paint color for the walls, complemented by darker blue tones in a patchwork quilt and a Kazak-style rug. Personal touches such as souvenir pennants, vintage tennis rackets, and an old state fair sign were integrated to add meaning. A gallery wall above the bed features reproduced "Black ABCs" flash cards, reflecting Victoria's appreciation for African American culture. For functionality, a multipurpose desk replaced traditional nightstands, accommodating work-from-home needs and paired with a repurposed barrel chair. The bedroom also incorporated a pillow-top mattress from the Country Living Welcome Home collection to enhance comfort. Nautical elements, including a flag with Captain James Lawrence's famous order and wooden African American sea captains, were introduced on a dresser, which was painted in Sherwin-Williams' Courtyard, to align with Marcus's interests. The bathroom underwent a significant reconfiguration, moving from an off-center vanity layout to a symmetrical design featuring two wooden vanities. This transformation incorporated a mix of ribbed hardware, brass sconces, chrome faucets, and brass-framed mirrors to create a layered, evolved aesthetic. A large-scale, four-inch hexagon tile flower motif on the floor provided a fresh yet nostalgic feel. A key design element was the sixty-inch-tall blue beadboard wainscoting, adding both height and texture to the space. The shower area was also expanded by removing a glass door, and its walls and ceiling were covered with handmade dusty blue subway tiles, designed to seamlessly integrate with the bathroom's blue theme. For the laundry room, an unused bedroom and an extra hall closet were combined to create a dedicated and spacious area. The new layout features a space-saving laundry tower, built-in cabinets with folding space, and a small work sink. The couple chose a navy and white striped shirt motif wallpaper, which Victoria found appealing and appropriate for the room's function. A large checkerboard tile floor, laid diagonally, was selected to visually expand the space and complement the wallpaper and navy high-gloss paint on the millwork. A vintage sink, reminiscent of Victoria's childhood, was installed, accompanied by a print from artist Elizabeth Mayville. The article highlights the detailed choices and personal touches that defined each room's renovation, resulting in spaces that are both functional and deeply personal to the homeowners. #HomeRenovation #InteriorDesign #DIYProjects #BedroomMakeover #BathroomRemodel #LaundryRoom #DecoratingIdeas #CountryLiving #HouseTour

The Sonoma-based interior design firm Hommeboys, led by Alex Mutter-Rottmayer and Austin Carrier, has opened a new studio and launched three new capsule collections for their furniture line, Haus of Hommeboys. The firm is known for its thoughtful design approach and hands-on craftsmanship, blending classic Wine Country aesthetics with a modern, refreshing twist. Mutter-Rottmayer and Carrier, who have been married since 2019, have previously garnered acclaim for their designs in projects such as Healdsburg’s Marine Layer tasting room and Sonoma’s Valley Bar + Bottle restaurant. The new studio, which also houses a woodshop and cabinetry studio, is situated just off the plaza in downtown Sonoma. This expansion represents a significant step for the Hommeboys, fulfilling a long-held ambition to establish their own showroom. Mutter-Rottmayer expressed a mix of excitement and apprehension about the venture, acknowledging the risk involved in showcasing their unique design vision to a wider audience, but emphasizing their consistent desire for a dedicated space. The Hommeboys’ design philosophy is characterized by an emphasis on mixing materials and incorporating organic and natural elements. They experiment with various shapes in plaster, stone, and wood, aiming for a look that is both earthy and deeply connected to the Californian landscape. This approach is reflected in their furniture line, which features organic and natural materials. One of their new capsule collections for Haus of Hommeboys draws inspiration from rustic themes. This collection includes dark, ebony-stained, hand-notched cedar furniture, designed to evoke a raw, rustic, and edgy feel. The shapes within this collection are described as anthropomorphized, influenced by the golden hills of California. The design process at Hommeboys is driven by creativity and a desire to have fun. Alex Mutter-Rottmayer highlighted an instance where green velvet from a photo shoot was spontaneously used to cover a bedroom’s walls, illustrating their adaptive and playful approach to design. This method emphasizes utilizing available resources and embracing unexpected inspirations to shape their distinctive interiors. #InteriorDesign #Sonoma #DesignStudio #FurnitureDesign #HausOfHommeboys #WineCountryDesign #OrganicDesign #Craftsmanship

Designer Sarah Weichel of studio Swike successfully transformed her Los Angeles office’s builder-grade bathroom, converting a cold, uninviting space into a serene retreat for under $5,000. This renovation project focused on upcycling and strategic budgeting, moving away from the existing cobalt blue four-by-four porcelain tiles that previously dominated the bathroom's aesthetic. Weichel's inspiration for the new design, particularly the warm wood paneling, came from Eltham Palace in the U.K., aiming to infuse a traditional British feel into the powder room. The initial phase of the renovation involved removing the old tiles and painting the room a creamy white, establishing a neutral base for the subsequent additions. Key elements introduced into the refreshed space include salvaged wood paneling from a previous Swike project, a vintage mirror sourced from Counter Space, and a tansu cabinet acquired from Nickey Kehoe, all contributing to the budget-conscious yet sophisticated outcome. To maintain the project within the stipulated budget, Weichel made a deliberate decision to retain the existing sink and toilet, avoiding the significant costs associated with relocating or replacing these fixtures. The sink was given a fresh look with a pleated skirt, a design choice that not only added a traditional touch but also ingeniously concealed storage for items like extra toilet paper, costing approximately $700 for the fabric and fabrication. The most prominent feature, the wood paneling, was repurposed from leftover materials, precisely measured and cut to fit the bathroom walls before being nailed into place. Weichel noted that for a powder room, moisture is less of a concern, but advised the installation of an industrial exhaust fan for similar applications in a full bathroom to mitigate moisture-related issues. The process of staining the wood paneling initially presented a moment of doubt for Weichel, as the first application appeared too dark compared to her rich mahogany reference photos. Drawing parallels to painting, Weichel emphasized the importance of a 24-hour processing period to form an objective opinion on the stain's appearance. She explained the common "jump scare" moment when applying stain to wood that already looks good unfinished, questioning if the application is too heavy-handed or excessive. However, after allowing a day for the stain to settle and for her perception to adjust, she concluded that the final result was indeed satisfactory and aligned with her vision. This anecdote highlights the psychological aspect of design decisions and the need for patience during the creative process. The renovation demonstrates how thoughtful design choices, strategic material sourcing, and a clear vision can lead to a significant transformation of a space, even under stringent budget constraints. The project effectively showcases the potential of upcycling and careful planning in achieving a high-end aesthetic without incurring prohibitive costs, turning an ordinary builder-grade bathroom into a unique, British-inspired sanctuary. #BathroomRenovation #DIY #BudgetDesign #Upcycling #InteriorDesign #WoodPaneling #BritishInspired #HomeMakeover