From cutting boards to coasters, maker brings signature swirl to handmade work

Robert Greene, known as Bob and affectionately called Hugger by his Bonacker friends, is a renowned decoy carver residing in Springs. His exceptional skill elevates decoy carving to a museum-worthy art form, as recognized in Harvey J. Lewis's book, “Artistry of Louisiana Decoy Carvers: Old and Contemporary.” Greene's masterpiece, a life-size red-tailed hawk, demonstrates his meticulous attention to detail, having taken him 550 to 600 hours to carve. This piece, complete with a chipmunk emerging from a stump and intricately carved oak leaves and acorns, showcases his ability to transform a block of wood into a lifelike sculpture. His home is a testament to his artistic passion, featuring taxidermied animals, his own vibrant landscape and animal paintings, and display cases filled with carved ducks like red-breasted mergansers, green-winged teal hens, and mandarins. Greene's creative process begins in his shed, where he carves the wooden forms, and continues in his basement workshop, where he applies paint. Both spaces are filled with a mix of taxidermied birds he has hunted and his own carved creations, covering nearly every surface. His tools range from band saws for rough cuts to fine-pointed wood burners and Gesswein devices with tiny diamond drill bits for intricate feather detailing. He employs gesso for priming and an airbrush for blending colors, often adding bright dashes of color to secondary feathers, such as the green in a green-winged teal. Greene also crafts “smoothies,” decoys that achieve texture through painting rather than carving. His current project, a group of six lesser yellowlegs, exemplifies his progression toward photorealistic detail, a stark contrast to his earlier, blockier sanderling carvings. He studies books to accurately capture bird outlines, colors, and textures, creating practice pieces like individual duck heads. Decoy carving, an art form originating over 2,500 years ago with Native Americans, now encompasses two main categories: hunting decoys and decorative decoys. Greene specializes in decorative decoys, which demand lifelike detail. He emphasizes that being a successful decoy carver requires knowledge of wood, carving proficiency, painting skills, and an artistic eye. Greene's journey into carving began during his time as a heavy equipment operator, inspired by a fellow worker. Starting with basic tools like a jackknife and coping saw, he refined his craft over five decades, becoming one of the last carvers from his local group. He participated in national duck carving shows, earning ribbons and advancing through classes, and even competed in the prestigious Ward World Championship, though he eventually withdrew due to perceived political biases in judging. Despite his achievements and the museum-quality of his work, Greene views carving primarily as a hobby. He does accept commissions, with his reputation spread through word-of-mouth, as evidenced by a recent request for a $1,500 black duck. His passion for the outdoors extends beyond carving; he started duck-hunting with his father as a teenager and, at nearly 85, continues to fish and hunt with his son and grandson. His yard contains a fishing boat, lobster traps, and a camouflage duck blind trailer, highlighting his deep connection to nature and traditional outdoor pursuits. #DecoyCarving #WoodSculpture #WildlifeArt #RobertGreene #ArtisticProcess #TraditionalCraft #HomeDecor #NatureInspiredArt

Erik Wyckoff, a professional woodcarver operating out of Minneapolis for 28 years, specializes in creating bespoke wooden elements that add unique character and timelessness to homes. His interest in wood carving began in childhood, inspired by the intricate details of historic homes like the James J. Hill House. Wyckoff's parents encouraged his passion for traditional craftsmanship, leading him to pursue formal training. He honed his skills under the tutelage of master carver Konstantinos Papadakis, who passed down artistic, historical, and practical knowledge, including tool handling, carving efficiency, and the fundamental decorative styles. Papadakis's instruction covered various motifs such as birds, flowers, grapes, and the scrolling acanthus leaf, which forms the basis for numerous historical carving styles. This comprehensive training has enabled Wyckoff to undertake a diverse range of projects, from Italian-style wine cellar doors and French mantels to Black Forest-style mantels for rustic cabins. Wyckoff's portfolio includes notable projects such as a Renaissance-Revival-style carved paneled study featuring hidden loons, deer, and beavers, inspired by the Minnesota State Capitol. He also replicated missing wood carvings for the restoration of the Donaldson Mansion in Minneapolis and created a French-style relief carving over a door in Medina, incorporating the owner’s industrial symbols. Wyckoff places significant emphasis on research, drawing inspiration from historic decorative arts ranging from medieval churches to French tapestries, ensuring historical accuracy and a sense of permanence in his creations. Among his favorite projects are the doors and panels for a Maplewood home's wine cellar, which were inspired by France's Château de Chambord, designed to immerse the owner in a French aesthetic. This project also included a unique bar top under glass, carved with mythical beasts and foliage, conceived as a conversation-starting "cabinet of curiosities." Another deeply sentimental piece involved a carved panel with vines and a pair of cardinals for an older couple, symbolizing their lifelong partnership. Wyckoff collaborates frequently with design professionals, integrating his custom carvings, which often feature Old World decorative art motifs like animals, flowers, and scrollwork, seamlessly into the overall architecture and interior design. He ensures historical accuracy and tasteful integration, often being part of a larger design team to achieve the client's vision. Clients like Steve and Susan Rudolph of Orono attest to Wyckoff's ability to create custom pieces that perfectly match existing architectural details, as demonstrated by the eight unique willow corbels he carved for their Spanish Revival home's entry gallery. These corbels not only highlighted the groin vault ceiling but also subtly incorporated the initials of each family member, adding a personal touch while maintaining historical consistency. Wyckoff expresses profound satisfaction in knowing his work brings joy and lasting beauty to clients' homes. #Woodcarving #BespokeDesign #InteriorDesign #CustomCraftsmanship #HomeDecor #ArtisticWoodwork #HistoricalAccuracy #Renovation #ArchitecturalDetails

This article presents a diverse array of innovative products spanning home decor, personal accessories, and lifestyle items, each chosen for its unique design, functionality, or social impact. In the realm of home decoration, the Studio Cubbe Mini Floating Shelf from Lyon offers whimsical storage solutions with customizable colors and grout options, despite its miniature size. Similarly, Ugly Rugly's Amoeba Coaster Set brings playful, water-resistant designs to dining spaces, while &KLevering;'s Coupe Twirl Mint Set reimagines classic champagne glasses with colorful, retro forms. Lighting solutions include Zanwen Li's Heng Balance Lamp, a minimalist and interactive piece that illuminates through magnetic connection, and Siup Studio's handmade Minty Bubble Lamp, known for its experimental, bulbous ceramic form. For larger home accents, HAY's Flat Works Rug, designed by Ethan Cook, provides a blend of bold and subdued colors inspired by woven wall art, suitable for various decor styles. Storage and organization are addressed with DOIY's 'Mystic' ceramic boxes, which offer playful, magic-inspired vessels for trinkets and jewelry. Beyond home decor, the collection features personal accessories and apparel. The article showcases Piatnik's Takenobu Igarashi Playing Cards, originally commissioned by MoMA, which stand out for their timeless graphic design and use of negative space. For footwear, the FEIT + Oliver Jeffers Indoor Slippers, crafted from single-piece vegetable-tanned calfskin, feature illustrations from Jeffers' art book. Apparel items include the MAAP + The Arrivals Alt_Road Haelo Packable Jacket, a stylish and functional cycling jacket made from water-repellant and recycled materials, and The Fillmore Hoodie in Sunflower Embroidery by Taylor Stitch + Ron Finley, an organic cotton hoodie that supports the Ron Finley Project's guerrilla gardening initiatives. Accessories also include American Trench's Retro Stripes Socks, offering a nostalgic nod to the 1950s with durable, colorful designs, and the Q Timex 1972 Reissue watch, celebrating Timex’s iconic collection with a retro gold-tone stainless steel case and red face. The curated selection also highlights items with social or artistic significance. Heart n Soul Greeting Cards, featuring artwork by co-designers with learning disabilities, contribute 100% of profits to the Heart n Soul non-profit, promoting talent and inclusivity. The Galison “The Sunflower Quilting Bee at Arles” Puzzle transforms Faith Ringgold's powerful artwork, celebrating iconic Black American women, into an interactive piece. For pet owners, Dog Ear's Frankenball offers unique, handmade pet toys made from 100% recycled fabrics, emphasizing sustainability and outdoor enjoyment. Unique food and drink items include the Zojirushi PAC-MAN Stainless Mug, a limited-edition collaboration that combines classic gaming nostalgia with functional insulation, and Asha's Hello Kitty Cup Noodles, providing vegan noodles in playful, low-sodium packaging. Fine jewelry is represented by Lightbox Lab-Grown Diamond Cushion Cut Studs, showcasing technologically replicated diamonds in various colors and settings. Finally, the Rock Plan ChungKing Mansion Keychain pays homage to Hong Kong's ChungKing Mansion and Wong Kar-wai's film 'ChungKing Express', blending cultural reference with functional design. This collection emphasizes craftsmanship, unique aesthetics, and sometimes, a commitment to social responsibility or environmental consciousness, providing a comprehensive overview of products that aim to enhance daily life through design and thoughtful creation. #HomeDecor #InteriorDesign #LifestyleProducts #HandmadeCrafts #SustainableDesign #ArtisticCollaboration #GiftIdeas #UniqueDesigns

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

The DIY movement is experiencing a resurgence, with craft tutorials gaining viral attention on platforms like TikTok and YouTube. Engaging in crafting provides benefits such as boosting creativity, reducing stress, and offering a break from screen-intensive work. For many, a creative hobby can evolve into a profitable craft business. This guide identifies trending handmade products suitable for sale, ranging from beginner-friendly projects to more advanced creations, and offers advice on converting a passion into an income source. The article categorizes 30 crafts to make and sell in 2025 across five main areas: home décor crafts, jewelry and accessories, floral and textile crafts, fragrance and wellness products, and unique art and crafts. These suggestions are based on popular products sold by online retailers, predictions from crafting resources, and trending topics on social media. Additionally, browsing craft fairs, flea markets, and social media for DIY crafts can provide further inspiration. The ease of selling crafts online is highlighted once a suitable idea is identified. Home décor crafts include tufted rugs and mats, woven home décor, macramé wall hangings, vintage upcycling, hand-painted signs, upcycled furniture, decorative pillows, and seasonal wreaths. Tufted rugs and mats, particularly using hooking or tufting methods, are noted for their potential to generate significant income, with top creators earning hundreds of dollars for custom designs. Woven textile art aligns with a rising interest in midcentury home décor, utilizing various loom types and fibers to create tapestries, wall hangings, towels, and blankets. Macramé, a knotted technique, requires minimal tools and can produce decorative wall hangings, hanging planters, ornaments, and table placemats, offering versatility in design and size. Vintage upcycling promotes sustainability by repurposing old clothing and materials into new products like tote bags, re-dyed apparel, or baby hats. Hand-painted signs cater to the demand for personalized home décor, requiring only reclaimed wood, paint, and a steady hand. Upcycled furniture involves refurbishing vintage pieces with sanding, fresh paint, and creative upgrades to create valuable statement items. Decorative pillows are presented as high-margin items that can refresh a space, with options for custom fabrics, patterns, and personalization. Seasonal wreaths are consistently in demand, allowing for customization across different seasons with various base materials and faux florals. Jewelry and accessories cover tote bags, resin and polymer clay jewelry, beaded accessories, handmade beauty products, pet accessories, customized t-shirts, sublimation tumblers, and eco-friendly upcycled accessories. Tote bags offer versatility for personalization through silkscreening, beading, hand painting, textile dyeing, or embroidery, or advanced crafters can sew them from scratch. Resin and polymer clay jewelry enable the creation of small, detailed pieces like earrings and pendants without expensive metals, allowing for embedded elements or colorful designs. Beaded accessories, including bracelets, anklets, and necklaces, provide endless design possibilities and can be niche-specific, such as custom name bracelets. Handmade beauty products like soaps, bath bombs, and body scrubs cater to consumers seeking natural ingredients and offer repeat purchase potential. Pet accessories, including bandanas, collars, and pet beds, are popular items that can be customized for individual pets. Customized t-shirts, produced with heat presses, screen printing, or vinyl cutters, are profitable when targeting specific niches. Sublimation tumblers, made by transferring designs onto metal or ceramic surfaces using heat, allow for personalized drinkware. Eco-friendly upcycled accessories, such as jewelry or scarves made from recycled materials, appeal to climate-conscious consumers and offer unique, creative items. Floral and textile crafts include paper flowers, textile dyeing, quilted items, and embroidered items. Paper flowers are simple to make and sell, particularly for weddings and events, with low upfront costs. Textile dyeing, exemplified by tie-dye and shibori, requires minimal materials and skills, allowing for customization of blank apparel or fabrics. Quilted items, from blankets and pillows to wall hangings and jackets, offer nostalgic and high-quality options, with smaller items like coasters being easier to produce. Embroidered items add a handmade touch to everyday goods, with personalized options like names or dates being in high demand, and embroidery machines can increase production efficiency. Fragrance and wellness products feature home fragrance products, handmade candles, and natural skin care products. Home fragrance items, such as reed diffusers, wax melts, and room sprays, provide long-lasting scents without an open flame, catering to preferences for safe, low-maintenance options. Handmade candles are in high demand within the growing home fragrance market, allowing for creative designs, unique containers, and unusual scent combinations. Natural skin care products, including body butter and facial oils, appeal to consumers focused on simple, high-quality ingredients, with transparency in ingredient lists being crucial. Unique art and crafts comprise needle felted goods, disco ball art, plant pots and other ceramics, handcrafted greeting cards, laser-engraved products, 3D printed items, and epoxy resin crafts. Needle felting allows for sculptural wool creations such as dryer balls, ornaments, and felted animals. Disco ball art, or mirrored mosaic art, is a trendy craft applied to home décor and other goods. Plant pots and ceramics, including pottery or items made from air clay or cement, cater to the growing plant-parent population. Handcrafted greeting cards offer a special touch in a digital world, with endless design options and personalization. Laser-engraved products, such as keychains, luggage tags, and cutting boards, allow for customization at a higher price point. 3D printed items, while requiring an initial investment in equipment, enable the creation of custom products like toys, accessories, and organizers. Epoxy resin crafts, using a two-part resin and hardener system, can produce items ranging from keychains to jewelry, especially when combined with 3D-printed molds for customization. The article concludes by emphasizing the importance of market research to identify trending crafts early, providing a competitive edge. It suggests utilizing social media (TikTok, Pinterest, Instagram), analyzing craft marketplaces (Etsy, Shopify), using Google Trends to track demand, browsing craft supply stores for clues, and checking niche online communities for insights into popular items and materials. The ultimate goal is to transition from a hobby to a profitable business, emphasizing the need to build a solid brand, create a business plan, and identify target customers, while also considering seasonality and diversifying sales channels through online stores, marketplaces, craft fairs, and retail outlets. #CraftsToSell #HandmadeProducts #DIYBusiness #HomeDecorCrafts #JewelryMaking #TextileCrafts #FragranceProducts #ArtAndCrafts #SmallBusiness

Anthropologie's latest collaboration with London designer Bethan Gray is poised to introduce scallops and zigzags as the next prominent design motifs. The 14-piece collection, launching tonight, features these two distinct patterns across various home furnishings and accessories. The article highlights several items from the collection, including upholstered dining chairs with zigzag patterns, sculptural side tables with carved zigzag bases, velvet accent chairs with scalloped backs, and a teal rug with scalloped edges. These designs are presented as sophisticated and inviting additions to home decor. The inspiration for these geometric forms, according to Bethan Gray, comes from natural landscapes observed during her travels. The scallop shape is an abstraction of the feather motif, which she notes is significant in various cultures globally, from Pakistan and Polynesia to European heraldry. The zigzag design, conversely, is derived from the natural veins and markings found in marble and stone. This organic origin ensures that the geometric patterns feel neither cold nor uninviting. The collection showcases the versatility of these shapes. For instance, zigzag patterns appear subtly on a pink file holder, and more boldly as gold lightning bolt-like designs on a white storage cabinet. The designer expresses confidence in the growing popularity of graphic patterns in design, stating that they are effective for storytelling within craft and design, suggesting a trend towards more expressive and narrative-driven decor. The article includes specific product examples with pricing and direct shopping links, such as the Strike dining chair, the Sculptural side table, the Feather velvet dining chair, and the Feather rug, offering readers immediate access to the featured items. It also briefly mentions other appealing items from the collection, like marbleized desk sets, which, while not featuring the main motifs, complement the overall aesthetic. The collaboration aims to bring fresh, nature-inspired geometric designs into contemporary home interiors, making a statement with their unique and meaningful origins. #Anthropologie #BethanGray #HomeDecor #InteriorDesign #ScallopPattern #ZigzagPattern #GeometricShapes #DesignTrends #FurnitureDesign

The article introduces Inner Child, a home decor brand founded by Michelle Pham, which specializes in colorful, handmade, maximalist decor. The author, Tori Polizzotto Jones, shares her personal journey from a minimalist aesthetic to an appreciation for maximalism, influenced by sentimental family heirlooms. This shift in personal style led her to discover Inner Child, a brand that resonates with her newfound love for vibrant and expressive home furnishings. Michelle Pham, the founder of Inner Child, explains her inspiration for starting the brand. She observed a gap in the U.S. market for accessible, handmade textiles and crafts, which are often found only through extensive travel. Her aim was to bring these unique, artisanal items to a broader audience. Inner Child's products are distinguished by their 100% handmade nature, encompassing fabrics, patterns, and textures. The brand offers a variety of home linens, including blockprint tablecloths, napkins, placemats, and table runners. Additionally, Inner Child has developed a sustainable practice by creating recycled paper goods from leftover cotton textile production. The brand's name, 'Inner Child,' reflects Pham's philosophy that joyful and whimsical decor should not be outgrown. She notes that while adult tastes often lean towards muted, minimalist palettes, children instinctively gravitate towards color and experimentation. Inner Child seeks to reintroduce this playful approach into adult homes, encouraging consumers to embrace delightful and colorful items. The brand continuously innovates, transforming new design ideas into stitched realities quickly to meet consumer desires for vibrant home aesthetics. Among Inner Child's bestsellers are the Ocean Wave Waste Bin, made from hand-marbled and block-printed recycled cotton papers. This collapsible, sustainably made bin serves both as a waste receptacle and a chic storage solution. Another popular item is the Araminta Toiletry Bag, available individually or in sets of three. These bags are designed for functionality, featuring four inner pockets and a wipeable plastic liner, with fabric hand-block printed by an eighth-generation artisan team. The Purple & Blue Checkered Reversible Sujani Quilt is another standout, crafted by one of only two remaining families globally practicing the Sujani weaving technique. These cotton-filled quilts take over 16 hours to handloom and offer a unique 'puff pillow' effect. Pham's inspiration stems from her childhood experiences, including reading extensively about crafts and textiles, and traveling widely in her twenties, which exposed her to diverse crafts and ways of living. Her mother, a talented seamstress, also instilled in her a deep appreciation for colors, patterns, and fabrics from an early age. Living in New York City further provides daily inspiration from fashion and people's choices. Pham also sheds light on the realities of running a small business with handmade products. She single-handedly manages all aspects of Inner Child, from design and production to warehousing, shipping, and marketing. This hands-on approach has given her comprehensive mastery over her business operations, from recognizing ideal shipping boxes to understanding fabric compositions and maintaining daily communication with artisans. Despite the immense workload, she finds the work highly rewarding, emphasizing that it is a constant, demanding endeavor rather than a typical nine-to-five job. The brand's core message is to promote the accessibility of handmade items and to encourage adults to embrace joyful and whimsical home decor that allows for self-expression and happiness, regardless of age. #HomeDecor #MaximalistStyle #HandmadeProducts #SmallBusiness #MichellePham #InnerChild #TextileArt #SustainableDesign #Entrepreneurship

This article highlights the enduring appeal of hardwood furniture amidst the emergence of new materials in design. While acknowledging innovations like bioplastics and vegan leathers, the piece emphasizes that skilled and creative woodworkers can transform traditional materials like teak, walnut, and oak into long-lasting, heirloom-quality pieces using only their tools and workshops. The focus then shifts to showcase several custom wood furniture makers in Toronto and the Greater Toronto Area (GTA) who excel in crafting these enduring designs. Five distinct pieces of furniture are presented, each demonstrating different styles, materials, and price points. The first featured item is Daniel Gruetter’s bar stool, crafted from red oak. When treated with iron oxide, the red oak develops a unique ruddy, patinated complexion. Gruetter combines this material with mortise, tenon, and an upholstered seat to create a bar stool designed to be an heirloom, priced at $2500. Next is Nicholas Hamilton Holmes’ Captain’s dining table, which features a rounded design and pin and tenon joints that playfully extend through a marble tabletop. Made from white oak, this table, starting from $3700, offers a commanding presence while maintaining a lighthearted aesthetic. Heidi Earnshaw’s Half Hathaway is the third item, a made-to-order piece distinguished by its minimalist appearance, bevelled legs, turned knobs, and straight-lined design. Despite its seemingly simple form, the piece incorporates complex joinery, showcasing the hidden craftsmanship. It is priced from $5400. Atelier Arking’s Lami dining chair is highlighted for its contrast between a rigid white ash frame and soft, pillowy leather upholstery. This chair, starting from $620, is designed to serve both as a functional everyday seating option and a striking statement piece. Finally, the article features Kate Duncan’s Ribbed Bed. Inspired by brutalist architecture, this bed, however, uses textured hardwood instead of cold concrete. It can also include optional details such as brass pulls and leather-veneered fronts, and is available from $18,000. Each piece underscores the timelessness and quality achievable through traditional woodworking techniques. #CustomFurniture #Woodworking #TorontoDesign #HeirloomQuality #ProductDesign #HardwoodFurniture #LocalMakers

The article explores the resurgence and innovative applications of lacquer in interior design, moving beyond traditional uses like trays and dressers to encompass a broader range of furniture, walls, and decorative elements. Lacquer, a finish with ancient origins in China dating back to the Neolithic period, is gaining renewed interest, particularly as Hollywood Regency and Art Deco styles, where it was prominent, experience a revival. This trend is characterized by moodier interiors, darker color palettes, and a greater emphasis on patterned and textural surfaces, with high-gloss lacquer adding significant visual drama. Several contemporary examples illustrate this expanded use of lacquer. High-gloss walls, such as those found in the back salon of the Trove jewelry store designed by Tali Roth, demonstrate how a butter yellow or even a seductive red-brown lacquer can create a luxurious and enveloping atmosphere. These walls echo the brand's handcrafted jewelry boxes, which feature multiple coats of clear lacquer and paint. Another innovation comes from Campbell Rey’s collaboration with The Lacquer Company, which showcases a sophisticated use of color on side, console, and coffee tables, employing rich hues like bordeaux red, sienna yellow, chocolate brown, and tonal greens. For those seeking an easier application, Schumacher offers a faux lacquer wall covering in performance vinyl, allowing for a glamorous look in various shades without the complexity of traditional lacquering. Furniture pieces are also being reimagined with lacquer. Ransom & Dunn’s hidden bar, cleverly concealed within a lacquered Roman column, exemplifies neoclassic design principles and functionality, offering bespoke color options. Goop's collection with CB2 integrates black lacquered dining chairs, such as the Genevieve model, and a coffee table with a lacquered top and marble base, nodding to 1930s Hollywood Regency elegance. Tatjana von Stein’s Mise en Scène furniture collection features richly hued lacquer on bar cabinets and tables, combining it with materials like stainless steel, leather, and burr wood for intriguing mixed-material designs. Known Work Studio, founded by Danu Kennedy and Jeremy Levitt, applies lacquer to angular cubes, ottomans, and plinths, lending a contemporary feel to their furniture line which also incorporates aluminum, handblown glass, burl wood, and chenille. Even unexpected colors are being explored, as seen in West Haddon Hall’s Chatsworth pedestal table, where terracotta-colored lacquer is applied to sculptural North American oak legs. The Millwood table from the same brand utilizes ivory lacquer on its dowel-like supports. These examples collectively highlight a significant trend towards embracing lacquer in diverse and innovative ways, emphasizing fresh shapes, bold colors, and dramatic finishes to elevate interior spaces in 2025. #LacquerDesign #InteriorDesignTrends #HighGlossFinish #HollywoodRegency #ArtDecoRevival #HomeDecor #FurnitureDesign #WallCoverings #LuxuryInteriors

Sophie Stone, a textile artist based in Long Island City, Queens, is known for her intricate textile works that blend classic crafts with contemporary narratives. Her studio is a treasure trove of fabrics, ranging from 19th-century crazy quilts to vintage napkins and even stretchy strings, all serving as material for her creations. Stone's artistic journey began at the Rhode Island School of Design, where she studied painting but gravitated towards unconventional surfaces. She collected various found objects and materials, pondering how to integrate them into her art. The turning point came with a dream about crafting large rugs from bedsheets. This vision materialized when artist Jessi Reaves invited Stone to participate in a 2016 two-person exhibition at Del Vaz Projects in Los Angeles. For this show, Stone created unique, mesmerizing composites for floors and walls by cutting and weaving plastic mats, industrial carpeting, and everyday fabrics. Her process is largely intuitive; she describes entering a trance-like state as she selects materials and begins to work. Stone’s versatility is evident in her diverse commissions and projects. She has created bespoke rag rugs from salvaged and new materials for a Brooklyn project with AD100 designer Adam Charlap Hyman, who also commissioned a slipcover for a Hudson Valley fireplace. For a recent group show, "The Loving Cup," at Manhattan’s Jacqueline Sullivan Gallery, Stone reimagined antique doilies, traditionally used to cover open glasses, by decorating them with sparkly fishing lures, adding a modern and whimsical touch. Her studio reflects her creative ethos, filled with textiles sourced from eBay and estate sales, alongside beads, dried flowers, charms, and other decorative elements. This eclectic mix consciously or subconsciously links womanhood and traditional crafts, reminiscent of quilting circles and slumber party bracelet-making. Stone values the slow, manual nature of her work, which she finds grounding. She notes that the time-consuming process of using her hands, away from digital distractions, keeps her engaged in the present moment. Stone’s work, which combines historical textiles with contemporary artistic expression, has garnered attention, with her creations being featured in AD’s June issue. Her ability to transform disparate materials into cohesive and compelling art pieces highlights her unique approach to textile art, giving new life to old threads and infusing them with personal and contemporary narratives. #SophieStone #TextileArt #ContemporaryCrafts #TextileArtist #QueensStudio #RagRugs #FoundObjects #ArtisticProcess #HomeDecor #HandmadeArt

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

The article details the Harlequin x Henry Holland collaboration, which translates ceramic designs into a luxury line of fabrics and wallcoverings. Henry Holland, formerly a fashion designer, discovered ceramics during the pandemic and has since reinterpreted his three-dimensional pottery into two-dimensional textile and wallpaper designs. The collection is notable for its ability to retain the texture, tactility, and rich color characteristic of his original ceramic work, despite the shift in medium. The collaboration features over 50 different papers and textiles, each drawing inspiration from Holland's unique artistic vision. Several specific designs within the collection are highlighted to illustrate its scope and aesthetic. 'Pot Shop' directly references Holland's ceramic art, featuring stylized stacks of plates, bowls, footed chalices, and lamps rendered in a textural crewel embroidery. This design encapsulates the direct transfer of his pottery motifs to fabrics. Another design, 'Ludaix,' is a reinterpretation of a print from Harlequin's archives, showcasing a ruffly, sinuous botanical pattern that appears hand-painted with feathered edges, reminiscent of the ikat dyeing technique. This piece reflects the collection's integration of natural inspirations. The article also presents 'Fellcroft,' a delicate floral pattern that evokes the traditional method of woodblock printing through its slightly imprecise shapes. The organic feel of 'Fellcroft' is enhanced by its linen-cotton blend fabric. 'Connor' playfully manipulates S-curves and dots, incorporating imperfections that echo the natural formations found in Holland’s ceramic pieces. 'Edenfield,' a wallpaper design seen at the top of the article, mimics a cross-section of a tree trunk. This effect is achieved through paint applied to silk paper, allowing it to seep and soften the lines, creating an organic, undulating wood grain pattern. The sofa shown with 'Edenfield' is upholstered in 'Great Hey' in a Matcha shade, further demonstrating the collection's cohesive design approach. The color palette of the collection is directly influenced by the hues used in Holland's pottery studio, featuring rich browns, soft sage greens, and dusky blues. These colors, along with the variations created by glazing techniques in ceramics, are mirrored in the textiles. 'Southborough' fabric exemplifies this with its ombré colorways and embroidered chevrons, which produce subtle shade variations and a soft-edged yet impactful pattern. The entire collection emphasizes the translation of three-dimensional, tactile ceramic artistry into two-dimensional, luxurious interior design elements, offering a unique blend of craftsmanship and contemporary style for home decoration. #HenryHolland #Harlequin #CeramicsToWallpaper #LuxuryInteriors #TextileDesign #WallpaperDesign #HomeDecor #ArtCollaboration #InteriorTextiles

The "Crafting Topographies" exhibition showcases hand-embroidered wall art created by Brinda Dudhat of Morii Design, celebrating traditional Indian weaving techniques and the significant role of women artisans. Curated by designer Suchi Reddy and hosted at Salon Design, the exhibition highlights the historical and cultural richness embedded in these fiber art pieces, which utilize dyeing, weaving, stitching, and embroidery to create intricate, story-telling topographies. Brinda Dudhat's Morii Design operates on principles of collaboration, sustainability, and community engagement. The studio works with over 80 artisans across India, ensuring ethical practices and fair, living wages for their skilled work. Morii Design is committed to local sourcing and preserving authentic traditional techniques, making each piece respectful of its heritage and the labor involved. The inherent slowness and meditative nature of hand-embroidery infuse each artwork with care, love, and attention, reflecting the energy of its creation. Suchi Reddy, the exhibition's curator, emphasizes Morii Design's transformative approach to Indian craftsmanship. Reddy notes that the studio's dedication to showcasing age-old techniques, particularly those rooted in the wisdom and artistry of Indian women, fosters a powerful dialogue between the past and present. She views the exhibition as more than just textiles; it is a celebration of the stories, skills, and soul embedded within every thread, offering a contemporary lens through which to appreciate Indian craftsmanship. Reddy's own design philosophy, evident in her studio Reddymade, focuses on neuroaesthetics—the study of how environmental design impacts the brain. Her guiding principle, "form follows feeling," underscores the deep connection between human experience and the built environment. This perspective aligns with the ethos of "Crafting Topographies," which seeks to expose the profound, often overlooked, work of women artisans throughout centuries. The continuous, meditative movements of artisans' hands over the fabric imbue the pieces with an inherent energy and history. Salon Design, a contemporary art gallery in New York City's Tribeca, provides an elegant setting for the exhibition. The gallery, founded by designer and art advisor Amanda Pratt, frames the works in salon-style vignettes, allowing viewers to experience the art in an intimate and familiar manner, akin to walking through a brownstone. This presentation elevates the contemporary pieces, making them both accessible and highly collectible. The exhibition thus not only displays beautiful art but also draws attention to the cultural significance and meticulous process behind each creation. #HandEmbroideredArt #IndianCraftsmanship #MoriiDesign #SuchiReddy #SalonDesign #FiberArt #TextileArt #EthicalDesign #CulturalHeritage

Kriskadecor's aluminium chain-link hangings, a design patented by the Spanish brand in 1932, offer diverse applications in interior design, particularly for striking ceiling installations. These versatile chains are available in a broad spectrum of colours, finishes, shapes, densities, and alignments, allowing for extensive customization to suit various aesthetic and functional requirements. Beyond their traditional use as space dividers, wall coverings, and facade cladding, architects and designers increasingly leverage these chains to create visually impactful ceiling features. Several projects exemplify the creative potential of Kriskadecor's chains in ceiling applications. For instance, the 61 Osteria restaurant in Fort Worth, Texas, showcases an opulent geometric gold chain arrangement that crowns the interior. Similarly, the Ecla Paris Villejuif youth co-living residences in France feature vibrant loops of chains suspended from the ceiling, adding a dynamic and colourful element to the shared spaces. In the Barcelona offices of Papernest, a colourful installation of circular chain arrangements defines the ceiling, enhancing the office environment. According to Kriskadecor, the ceiling presents a significant opportunity in interior design to instantly capture attention and inject a sense of surprise and charm into an environment. The brand notes that an increasing number of interior design professionals are focusing on the creative possibilities of ceiling treatments, utilizing these chains to achieve original and striking designs. These installations can dramatically influence the perception of space within an interior. The reflective properties of the aluminium chains contribute to the ambiance by diffusing natural daylight or accentuating the glow of artificial lighting, thereby enhancing the overall brightness and visual depth of a room. The lightweight nature of the aluminium material is a key advantage, enabling the creation of a wide variety of large-scale hanging sculptures and intricate designs. Designers can form soft waves, dense volumes, or even create the illusion of falling rain with the chains. These installations also serve practical purposes, such as altering the perceived height of a ceiling, making large rooms feel more intimate, or clearly delineating different areas within an open-plan space without erecting solid barriers. Kriskadecor offers an extensive colour palette for its chains, including various anodised finishes and the option to match any RAL or Pantone hue. The brand further provides a custom in-house design tool that can reproduce any picture, pattern, or logo by treating each individual chain link as a pixel. This capability allows for highly personalized and detailed artistic expressions. In terms of sustainability, Kriskadecor's aluminium chains are durable and low-maintenance, resistant to corrosion and wear. Furthermore, aluminium is an infinitely recyclable material, and the chain links themselves are composed of 20 per cent recycled content, supporting circular economy principles. Kriskadecor's technical office collaborates closely with clients on each project, ensuring that every installation is custom-designed to meet the specific requirements and aesthetic vision for the space. This tailored approach allows for the maximization of the chains' decorative and functional attributes, ultimately contributing to unique and impactful interior environments. #Kriskadecor #CeilingInstallations #InteriorDesign #AluminiumChains #DecorativeMaterials #SpaceDividers #CustomDesign #SustainableMaterials #ArchitecturalDesign

Rebecca Atwood, a fabric designer, discusses her new book, "Living with Color," which focuses on the challenges and joys of incorporating color into home decor. This book follows her previous work, "Living with Pattern." Atwood emphasizes that color is fundamental to design, influencing mood and reflecting personal style, and she aims to provide practical guidance for its use in homes. She addresses the common reluctance to use bold colors, often stemming from a fear of being stuck with a particular hue or growing tired of it. Atwood suggests that neutrals, while seemingly safe, can lead to a dull space if not approached creatively. Her book offers strategies for making neutrals interesting by exploring their undertones, such as pinker taupes or greener grays, to create a chromatic neutral palette. She advises looking to natural landscapes for inspiration on color palettes and proportions. For those new to integrating color, Atwood recommends starting with easily changeable items like fresh flowers, fruit bowls, pillowcases, napkins, or small decorative objects on a bookshelf. This approach allows for experimentation without a significant commitment. She highlights the significant impact color has on mood, explaining that different values of color—light, mid-tone, and dark—can evoke different feelings, from airy to cozy to moody. She encourages individuals to reflect on how colors personally affect them to tailor their environment accordingly. Atwood shares that her personal color palette is deeply rooted in the landscape of Cape Cod, where she grew up. This origin inspires her use of chromatic neutrals and her appreciation for tonal variations, which she incorporates into her fabric designs. She aims to create collections that are easy for customers to mix and match, both within her line and with other decor elements, fostering a sense of cohesion and harmony. The discussion also touches upon the timelessness of bold colors, citing historical examples such as Thomas Jefferson’s bright yellow dining room at Monticello and George Washington’s Prussian Blue room at Mount Vernon. These examples challenge the misconception that past interiors were always subdued in color, noting that the availability and colorfastness of pigments influenced historical perceptions. Atwood stresses that for bold colors to be timeless, quality is crucial, whether it pertains to paint, rugs, or furniture. Currently, Atwood expresses a particular fondness for various shades of green and gray-lilac, demonstrating her continuous engagement with color trends and personal preferences. #DecoratingWithColor #RebeccaAtwood #InteriorDesign #HomeDecor #ColorPsychology #FabricDesign #TimelessDesign #ChromaticNeutrals #DesignTips