Jávri Lodge / Arkkitehtitoimisto Teemu Pirinen

Ghiora Aharoni, principal of Ghiora Aharoni Design Studio, undertook a renovation project on his apartment located in a 1903 tenement building on Leroy Street in the West Village. His approach to combining two separate apartments into a single modern living space involved a process akin to an archaeological excavation. The primary goal was to integrate contemporary living with a reverence for the building's original architectural character and materials. This involved stripping the apartments down to their structural foundations, exposing elements that had been concealed for decades. The renovation began with the removal of walls, leading to the discovery of 1903 newspapers tucked between ceiling beams, which confirmed the building's completion year. The process revealed the original bricks, beams, and wooden studs, which were then preserved and incorporated into the design. Aharoni's intention was to achieve a sense of Quaker-like simplicity in the aesthetic, emphasizing the raw, authentic materials of the building. The project involved the meticulous work of contractors, F&N Solutions, whose contribution Aharoni described as spectacular. A significant design challenge involved integrating the two original kitchens, which were separated by a common wall. Aharoni located the shared chimney that serviced both kitchens and subsequently created a unique connecting fireplace. This fireplace, an EcoSmart Fire model, is open on both sides and uses an alcohol-based flame, eliminating the need for a traditional flue and preventing the emission of fumes or smoke. The design of this central feature was crucial in linking the two previously distinct living spaces, transforming them into a cohesive home. Throughout the apartment, a black-and-white color scheme predominates. Aharoni noted that while this palette currently defines the space, it is not his ultimate vision. He expressed a desire to introduce color, specifically mentioning plans for two blue-and-red chairs, indicating that the current monochromatic design is a temporary stage in the apartment's evolution. Despite the minimalist color scheme, Aharoni emphasizes that the atmosphere is far from cold, attributing the warmth to the abundant natural light. One of the most cherished features of the renovated apartment for Aharoni is the presence of eight windows, which allow natural light to flood the living space, creating a luxurious and expansive feel. He describes the experience of waking up to beams of light across the floor as a significant luxury. The combined apartment now boasts a 50-foot living room, which, despite its origins in a tenement building, presents an unexpected sense of grandeur and luxury in disguise. The renovation also included specific design elements like a wooden statue of the goddess Parvati, placed under a supporting beam for protection, a wood-and-plaster ribbon sculpture by Aharoni himself, and a collaboration with artist Hisao Hanafusa on the dining table design, complemented by George Nakashima dining chairs. The bathroom was updated with a shower replacing a bathtub and a sleek Boffi sink. The kitchen features under-counter appliances and a clever storage solution behind a painting that doubles as a door, accommodating Aharoni's regular dinner parties despite having only two stovetop burners. Window coverings were designed to be graceful, covering two at a time rather than individual shades. #TenementRenovation #GhioraAharoniDesign #WestVillageApartment #ArchitecturalArchaeology #HistoricPreservation #ModernInteriors #OpenConceptLiving #SustainableDesign

The article delves into the interior design of a sprawling apartment located in Herzog & de Meuron’s 56 Leonard Street, colloquially known as the "Jenga tower," in TriBeCa, New York City. Renowned interior designer Richard Mishaan undertook the challenging task of transforming the austere, contemporary space into a family-friendly home that balances sophistication with practical comfort, all while preserving the apartment's panoramic views. From the outset, Mishaan aimed to create a sense of adventure. The entry hall features a vibrant mural by street artist Rostarr, whimsical bunny sconces by Hubert Le Gall, and marble-inset parquet flooring. The master bedroom door is upholstered in purple velvet, leading to a space designed to evoke a sense of discovery. The open-plan living room, characterized by warm reds and browns, jewel tones, and a golden ceiling, is anchored by oversized furniture from Liaigre and Romeo Sozzi to complement the 16-foot ceilings and vast scale. An alabaster sculpture by Manolo Valdés adds an artistic touch. Mishaan ensured the space, while elegant, could also accommodate children, albeit with a humorous warning about touching the art. The apartment's layout, inspired by a Gothic cathedral, allows public spaces like the dining room, entertainment room, and kitchen to radiate seamlessly from the central living area. The client's appreciation for glittering gemstones is reflected throughout the design. The entertainment room, for instance, features a custom-colored malachite rug and a geode-inspired mural by Black Crow Studios, creating a "feeling of stone" without making the space feel cold. The dining room boasts a striking light fixture by artist Johanna Grawunder, comprising two acrylic wings and an LED that projects an intense straight line onto the cerused-oak dining table. The kitchen area is designed with a towering wall of azure cabinetry and custom island, range, and hood by Herzog & de Meuron, providing a vivid, sapphire-like ambiance. The master bedroom continues this theme with a royal-blue Maharam mohair-upholstered California king bed and Theodore Alexander sofa, designed to make occupants feel immersed in the sky. The master bath features a custom tub under a David Weeks chandelier, with walls and floors clad in book-matched Cassiopea marble from ABC Stone. Mishaan acknowledges the project's complexity, likening it to building his own Jenga tower. The design successfully integrates an appreciation for contemporary art and gemstones with the practical needs of a young family, creating a dynamic and visually engaging home that lives up to the architectural distinctiveness of the building it inhabits. #InteriorDesign #LuxuryApartment #Tribeca #HerzogDeMeuron #RichardMishaan #JengaTower #ContemporaryArt #ModernArchitecture #ManhattanLiving

In northern Italy's Piedmont region, a distinctive modernist pavilion stands as a contemporary interpretation of a castle, enveloped by its own body of water and accessible via a drawbridge. This architectural marvel, designed by Duilio Damilano of Damilano Studio, sought to create a secluded oasis, blending Italian luxury with the serene aesthetics of a Japanese Zen garden. The client and architect shared a mutual admiration for Japanese design principles, which significantly influenced the project's interior and exterior elements. The exterior of the pavilion features a large garden, conceptualized by landscape gardener Paolo Roagna. This garden draws inspiration from symmetrical Japanese botany, incorporating sculptural Bonsai trees and water features harmoniously alongside indigenous trees and shrubs. The building's perimeter is defined by sculptural metal grid structures on opposing sides. These grids are not merely aesthetic; they provide essential shade during the summer months and are adorned with geometrically positioned square blocks of Fir wood, adding visual depth. The external walls are also crafted from Fir wood, treated with the traditional Japanese Shou Sugi Ban technique, which involves burning the wood to enhance its durability. The single-floor dwelling utilizes pigmented micro cement throughout. Externally, this material is acid-etched to mimic the appearance of natural stone, while the interior surfaces are left smooth. The internal layout is designed to foster continuous interaction with the surrounding natural environment, largely achieved through expansive sliding glass walls. The interiors showcase a thoughtful curation of design pieces, where luxury meets functionality and artistic expression. In the sitting room, a playful ‘Cactus’ coatrack by Guido Drocco and Franco Mello immediately captures attention, positioned near a painting titled ‘Sardinia’ by Andrea Lo Papa. The room also features an enveloping ‘Pack’ sofa by Edra, illuminated by Ingo Maurer’s ‘Lacrime del Pescatore’ lighting. A hand-crafted rug by Mohebban Milano and a collection of wooden sculptures by Austrian artist Daniel Eggli further enrich the space. The dining room offers a contrasting palette to the building's earthy brown tones. It features a gold leaf table, designed by Dilmos Milano, complemented by ‘Ella’ chairs by Jacopo Foggini for Edra, which are described as having soft, gleaming molten amber hues. The ‘Scrigno’ sideboard, with its mosaic mirror shards, adds a deeper luster, reflecting the jewel-toned scheme. Damilano describes these colors as representing the 'earth and territory, warm and material colors.' The kitchen and bathrooms maintain a practical yet refined aesthetic. The kitchen, hand-built in oak by a local carpenter, is designed for industrial efficiency, a material choice echoed in the bathroom. The bathroom is equipped with ‘Origini’ taps by Gessi, ‘I Ching’ towel warmers by Elisa Ossino for Tubes, and sanitary ware by Cielo Ceramiche. In the main bedroom, a burnished dragon motif, painted by artist Riccardo Brotini, adorns the entire back wall, drawing inspiration from Japanese mythology where dragons symbolize cosmic guardianship and control over natural elements. A foldaway bed is integrated into the ceiling, allowing for flexible use of the space, which also connects to the terrace, pool, and gardens through sliding glass doors. The design team's overarching goal was to create a dynamic yet meditative natural experience, with the metal mesh and interlocking wooden blocks forming an optical illusion that changes as one moves around the pavilion. This integration of Italian luxury with Japanese Zen principles culminates in a home that emphasizes well-being and a harmonious connection with its environment. #ModernistPavilion #ItalianLuxury #JapaneseZenGarden #ArchitectureDesign #PiedmontHome #DuilioDamilano #InteriorDesign #ShouSugiBan #LandscapeDesign

The Fakir Bari House, located in Kachina village within Bangladesh's Bhaluka district of Mymensingh, is a residential project completed in 2023 by Design Works Studio. The architectural design prioritizes a harmonious integration of family heritage, local culture, and natural surroundings, reflecting the client's desire for simplicity, minimal landscaping, and a pleasant living environment. A core principle guiding the project was the avoidance of tree removal; instead, additional trees were planted to enhance the site's ecological and aesthetic value. This approach contributes to a sustainable design philosophy by promoting biodiversity and green spaces within the residential setting. The house covers an area of 156 square meters, making it a moderately sized family dwelling. Key materials used in its construction include concrete and brick, chosen for their durability, local availability, and aesthetic qualities. The project involved a collaborative design team, including Shawon Biswas, Farhatul Jannat, and Tusher Ahmed Noor, with Rokonuzzaman as the lead architect. Technical support was provided by Soyeb Mohammad Shourav and Abid Hasan. This collaborative effort ensured a comprehensive approach to the design and construction, aligning with the client's vision and the project's environmental goals. Manufacturers such as Akij Ceramics, Berger Paints, KSRM, Shah Cement, Swish, and Tradexcel Ceramics supplied the materials, indicating a reliance on both local and regional suppliers to achieve the desired finishes and structural integrity. The design of Fakir Bari House reflects a commitment to creating a comfortable and aesthetically pleasing home that respects its context. The integration of natural elements, such as the deliberate planting of trees, aims to mitigate environmental impact and foster a connection between the inhabitants and their immediate landscape. The emphasis on 'minimal greenery' in the client's brief suggests a preference for a controlled yet natural outdoor space, possibly reflecting an urban or semi-urban context where dense vegetation might be impractical or undesirable. The use of concrete and brick, common in Bangladeshi construction, provides a robust and cost-effective structural framework while also allowing for various architectural expressions. The choice of these materials could also contribute to thermal comfort, a significant consideration in Bangladesh's climate. The project stands as an example of contemporary residential architecture in Bangladesh, balancing traditional values with modern design principles. The architects aimed to create a space that not only accommodates the functional needs of the family but also serves as a sanctuary that is deeply rooted in its location's identity. The inclusion of a project gallery with various photographs, including exterior views, interior shots of bedrooms and windows, and detailed facade images, demonstrates the comprehensive documentation of the completed structure. These visuals highlight the interplay of light and shadow, the texture of the materials, and the overall ambiance of the house. Plans, roof plans, and sections are also provided, offering insights into the spatial organization and structural details of the Fakir Bari House. The project's publication on ArchDaily, a prominent architecture platform, suggests its recognition within the architectural community for its design merits and contextual relevance. The overall design ethos of Fakir Bari House can be characterized by its thoughtful consideration of tradition, nature, and the specific needs of its inhabitants, resulting in a residence that is both functional and culturally sensitive. #ResidentialArchitecture #Houses #Bangladesh #DesignWorksStudio #ConcreteConstruction #BrickArchitecture #SustainableDesign #CulturalHeritage #ArchitecturalPhotography

Harriet's House, an addition to a Georgian cottage in Launceston, Tasmania, is the result of a six-year collaboration between design historian Harriet Edquist and SO: Architecture, led by Liz Walsh and Alex Nielsen. The project involved distilling a complex brief into a single vaulted room with integrated services, creating a surprising and joyful space within a modest heritage-listed cottage. The original cottage, built in the 1830s, features a basalt plinth and a single-story brick structure with a hipped roof. Historically, there's evidence of a kiln on site, suggesting the building materials were locally sourced. Its design, while simple, subtly references Regency architecture through expressed piers and recessed panels. The new addition respects the cottage's original form, reinstating the integrity of its four rooms by decommissioning a later doorway. A rear service wing, previously altered in the 1980s, was removed, preserving only its Victorian-era brick fireplace, which is now integrated into the new design. A new plinth, extending from the cottage's rear, uses local red bricks to form a base for the new light-colored brick shell, mirroring the original light-over-dark masonry pattern. The new form exhibits an austerity consistent with the existing structure, softened by intricate brickwork details such as header courses, corbelled openings, and subtle variations in brick color and tone due to the limited space for brick storage during construction. These variations, a result of having only one pallet of bricks on site at a time, narrate the construction process and the material's origin. The exterior of the addition is characterized by its simple geometry, concealed roof lights, and a single strategically placed window, maintaining privacy. Internally, a deep, timber-lined vault is revealed. The design draws inspiration from Sir John Soane, a Regency-era architect known for his vaults and mastery of natural light. Unlike Soane's shallow saucer domes, Harriet's House features a fully-fledged hemispherical vault, which appears suspended due to natural light washing down from above. This vaulted space provides a sense of openness, contrasting with the more compressed rooms of the original cottage. The multi-layered space beneath the vault serves for both living and working. It incorporates a kitchen along one edge and shelving for personal objects along another. The design allows for flexible furniture arrangement, accommodating favorite pieces around the reclaimed fireplace or in the morning sun. This interior space extends to a small courtyard, enclosed by a steep embankment of endemic Tasmanian plants, designed by landscape architect Miriam Shevland of Playstreet. The project masterfully balances old and new, and inside and outside, reflecting the collaborative discussions between the client and architects. Adolf Loos's modernist principles, known to Harriet through her work on Viennese modernism, also seem to influence the building's making and its interior. The exterior’s spareness complements intimate interiors that modulate volume, light, materials, and crafted fixtures. The project, Harriet’s House, stands as an exceptional accomplishment, showcasing the architects' skill in navigating historical contexts and contemporary design. Key products and materials used include Lysaght Custom Orb roofing, Austral Access and Yarra bricks, Johnson Tiles Spectrum tiles, Artedomus Yohen Border tiles, Knauf plasterboard, Gubi Semi 400-mm pendant lighting, Fisher and Paykel appliances, Streamline tapware, and Devi electric underfloor heating. The project team included Liz Walsh and Alex Nielsen of SO: Architecture, with Anstie Constructions as the builder, Aldanmark Consulting Engineers, Jonathan Hearn Landscape Design and Construction, Playstreet, and Green Building Surveying. The house is built on the land of the Stoney Creek nation. #ResidentialArchitecture #GeorgianCottage #ArchitecturalRenovation #VaultedCeiling #HeritageBuilding #TasmanianDesign #BrickworkDetail #SustainableDesign #InteriorDesign

The Interior Design's Giants of Design Retreat convened nearly 50 designers in Joshua Tree National Park for a three-day event held from March 2-4 at AutoCamp Joshua Tree, California. The retreat focused on restorative experiences and discussions from industry experts. Editor in Chief Cindy Allen initiated the event by encouraging attendees to engage in a playful exercise, challenging them to consider four-letter words in a novel way to foster fresh perspectives. She shared her personal 'four-letter word' as 'edit,' explaining its relevance to both her professional and personal life, highlighting the importance of removing unnecessary elements to make space for new growth. This exercise prompted other attendees to share their own insights on words like 'note,' 'save,' 'talk,' and 'undo,' encouraging a deeper reflection on their meanings and applications. One of the initial sessions featured Michael Luft-Weissberg from Workshop/APD and Meena Krenek from HKS Architects, who discussed the design philosophy behind AutoCamp properties. They detailed how AutoCamp consistently reinvents itself, emphasizing the integration of each location with its natural surroundings. Workshop/APD, which collaborated on AutoCamp sites in Cape Cod and the Catskills, found these projects to be a unique hybrid of residential scale and ground-up construction, blending the intimacy of home with the functionality of a hotel. For the Joshua Tree location, HKS Architects focused on creating a curated collective community while ensuring individual experiences, with bespoke chairs from local manufacturers and locally sourced textiles, reflecting a commitment to sustainability and community engagement. This approach transforms each AutoCamp into an indoor-outdoor oasis, seamlessly merging with the desert landscape. The retreat also included a presentation by Stuart Mangrum, director of the philosophical center at the Burning Man Project and host of the Burning Man Live podcast. Mangrum highlighted the design principles behind Black Rock City, an ephemeral city of 75,000 people that is constructed and dismantled annually without leaving a trace. He underscored four key design ideas: organic and adaptive design, collaboration, iterative design, and alignment with Burning Man's 10 core principles, which include radical inclusion, gifting, and decommodification. These principles encourage participants to challenge conventional thinking and explore alternative ways of doing things, echoing the spirit of innovative design. Musician Allen Stone shared his perspective on success and authenticity, defining it as staying true to oneself. He explained his songwriting process as a form of therapy, aiming for honesty and realness that he can consistently bring to the stage. Stone encouraged attendees to find their unique voice, acknowledging that this journey can be lifelong, drawing inspiration from others while developing an individual message. He also spoke about detaching from his creations, viewing himself as a vessel through which art flows, allowing it to resonate with those who experience it. The final session convened local experts, including Brad Wilson of Atelier Ace, Bernard Leibov of BoxoPROJECTS, and Alison Carroll of Wonder Valley, to discuss the creative community in Joshua Tree. They emphasized the dynamic and demanding nature of the desert environment, highlighting its critical role in carbon capture and the importance of respecting its natural rhythms. The panelists shared how the desert fosters creativity and a sense of community, noting that the harsh conditions necessitate greater mutual dependence. The discussion also touched upon the prevalence of art installations made from reused objects, such as those found at the Noah Purifoy Desert Art Museum of Assemblage Art, indicating that the desert inherently promotes recycling and resourcefulness. The collective sentiment was that while the desert attracts creative individuals, it also tests and refines them, underscoring the resilience and interconnectedness required to thrive in such a unique landscape. #DesignRetreat #JoshuaTree #AutoCamp #HospitalityDesign #SustainableDesign #BurningMan #CommunityBuilding #DesertInspiration #InteriorDesign

This blog post offers a curated overview of significant happenings in the world of interior design, focusing on a major auction event, the expansion of a renowned design firm, the release of a new book on modern architecture, and a luxury home accessories collaboration. The final installment of the Ann and Gordon Getty sale at Christie's, titled '_Wheatland_', is highlighted as a significant event. This auction concludes a series that began a year prior and features items from Ann Getty's childhood home in Northern California, which she transformed into an English country house. The collection showcases a blend of antique furniture, textiles, extensive use of fabric shades, lamps, and Far Eastern accessories. Notable items include an early George III Ebony and Chinese reverse-painted library bookcase, George II Giltwood armchairs, a royal George III Ormolu-mounted white marble mantel clock, and Chinese export mirror paintings, alongside Dutch paintings reflecting Getty's heritage. Christie's Deputy Chairman, Americas, Jonathan Rendell, emphasizes Ann Getty's discerning eye that integrated history, art, and nature into a tapestry of elegance at the Wheatland estate. The auction is scheduled for October 18 and 19 in New York City, with an online sale ending October 20. In parallel, Martin Kemp Design, a London-based firm known for its international luxury projects in Europe and Asia, is expanding its presence into the United States with a new outpost in New York City. The firm, which caters to clients with superyachts and chateaus, is recognized for its ability to merge international luxury with the specific aesthetics and materials of the project's location. Examples provided include a modern English country house-inspired townhouse in London, a Bayview Penthouse in Guangzhou featuring Chinese screen paintings, and a private jet design for a Zurich client that reflects ultra-luxe and streamlined designs. CEO Jemimah Graff will lead the US expansion. The post also introduces architect Celeste Robbins's first book, '_The Meaningful Modern Home: Soulful Architecture and Interiors_,' published by Monacelli Press. Robbins, principal architect of Robbins Architecture, explores modern architecture's relationship with nature, characterized by angular shapes, ample windows, and open spaces that foster a connection to the outdoors. The book, set for release on September 20th, features 175 photographs by Roger Davies showcasing nine of Robbins's projects across the United States. It challenges the perception of modern architecture as cold, advocating for a holistic vision that integrates architecture, interior design, and landscape. Robbins's own childhood in a mid-century modern home with wood paneling, floor-to-ceiling glass, and flat roofs has profoundly influenced her professional work. Finally, Dior Maison's new line of home accessories, created in collaboration with Paris-based interior designer Pierre Yovanovitch, is presented. Yovanovitch, who transitioned from a career with Pierre Cardin, is celebrated for his mastery of volumes, proportions, and light. The collection includes essential items such as trays, candleholders, pencil pots, and trinket dishes, all featuring a darker palette and embossed leather. The line also incorporates playful elements like a deck of cards designed by Roman artist Pietro Ruffo and a set of dominoes, aiming to elevate everyday objects. #InteriorDesign #LuxuryHomeDecor #Auction #ModernArchitecture #DesignFirmExpansion #DiorMaison #PierreYovanovitch #CelesteRobbins #AnnGettyCollection

This article highlights a sprawling 14,000-square-foot, six-bedroom lakeside villa in Wisconsin, designed by Jessica Jubelirer, which serves as a testament to intricate decorative design and global artistry. The homeowners, having spent a decade traveling globally with their daughters, sought to create a family home that echoed the grand estates and ornate palaces they encountered during their time abroad, particularly in Asia. Their vision was to craft a residence unlike any they had seen, pushing the boundaries of conventional design. The project spanned five years and involved extensive international sourcing trips by Jubelirer and her team. This undertaking allowed for a deep exploration into various artistic realms, from hand-painted Portuguese tiles to midcentury Swedish textiles. The collaboration between the designer and the homeowners was driven by a shared appreciation for history, nature, and artisanship, fostering an environment where creative energy could flourish. Each space within the villa is uniquely conceived and meticulously detailed. For instance, the dining room features a hand-painted mural by Gracie, inspired by classic Americana folklore and the surrounding Wisconsin forest. This mural serves as a rich backdrop to other design elements, such as carved ceiling molding based on Swedish tapestries and quilt-like window treatments custom-fabricated by Penn & Fletcher, echoing the delicate pattern of a beloved dress. The billiard room showcases a fortuitous discovery: wood paneling crafted by Féau Boiseries, a Parisian millworks company. The paneling, made of Cerris white oak and inset with hand-loomed French horsehair, was inspired by a reclaimed piece from a 1930s Jean-Michel Frank project, bridging traditional design with modern execution. Other rooms draw inspiration from diverse cultural aesthetics. The laundry room incorporates elements from traditional Scandinavian farmhouses, while a children's guest bedroom features a bespoke Fromental wall covering depicting local flora and fauna, designed to appear as if raining down from a cupola skylight adorned with custom ceramic subway tiles from Waterworks. The great room evokes a rustic mountain cabin with an exposed beam ceiling and a stone fireplace, and the downstairs entertainment area mimics an Ottoman living room with intricate Suzani wall upholstery. The exterior landscaping, designed by renowned AD100 Dutch landscape architect Piet Oudolf, complements the interior's grandeur, integrating the home with its 40-acre forested lakeside property. This comprehensive project allowed the homeowners to fulfill their mission of being patrons of the arts, resulting in a residence where every detail, from furniture to wall coverings, tells a story of global inspiration and artisanal craftsmanship. #HomeDesign #InteriorDesign #LuxuryHomes #ArtisanCraftsmanship #GlobalInspiration #JessicaJubelirer #WisconsinLakesideVilla #DecorativeArts #CustomInteriors

Mjölk architekti has completed its revitalized Cottage Pod Bukovou, beginning with a derelict cabin located within the mountainous Czech forests. The design features a tiny dwelling alongside a sauna, both of which are finished with blackened vertical wood panels. This exterior treatment extends upwards to encompass the A-frame roof, creating the appearance of a single, unified volume. The architectural team aimed to cultivate a warm and intimate atmosphere, particularly given the challenging conditions of the site. They specifically referenced the winter wind that sweeps over Buková Mountain, traveling from the North Sea across German plains and intensifying in the rocky hills above Hejnice, eventually reaching the other side of the mountains to herald the coming winter. The design team at Mjölk architekti sought to create a contemporary yet cozy environment for Cottage Pod Bukovou. They embraced the often-dreary weather conditions of the region, suggesting that such gloom can, in fact, enhance the dwelling's appeal. The interior layout was reconfigured for maximum efficiency and simplicity. The original cabin's living space has been preserved, while the sleeping arrangements have been modified. The house now includes two distinct bedrooms. One is a larger bedroom, accessed via a hidden staircase concealed within a closet. The second, slightly smaller bedroom, is reached by a ladder extending from the kitchen area. An innovative feature called the 'sleeping window' is situated opposite the fireplace; this deep inset provides a comfortable sleeping area for unexpected guests. The project, named 'Buková Mountain,' was completed in 2020 and is located in Jiřetín pod Bukovou, Czech Republic. The photography for the project was provided by Boysplaynice. This architectural endeavor demonstrates a thoughtful approach to rehabilitating existing structures, integrating them seamlessly with their natural surroundings while enhancing their functionality and aesthetic appeal. The choice of blackened timber not only provides a distinctive visual identity but also likely offers durability and blends with the rugged landscape. The emphasis on maximizing interior efficiency within a compact space reflects contemporary trends in cabin and small home design, while the specific mention of the 'sleeping window' highlights a creative solution for accommodating additional occupants. #MjolkArchitekti #CottagePodBukovou #CzechArchitecture #BlackenedTimber #AFrameRoof #CabinDesign #ResidentialArchitecture #SustainableDesign #InteriorRedesign

Tribus Design Studio and Tribus Architecture, founded by custom home builder Tom Dillard, aim to streamline the luxury, legacy-quality home building process. Dillard's vision was to create a personalized experience for clients, ensuring their homes reflect their individual tastes and future memories. The companies prioritize a hands-on, turn-key approach, leveraging the talent, experience, and creativity of their teams. Tribus Design Studio offers comprehensive interior design services for both luxury residential and commercial projects. Their offices are located in Greenville, Lake Keowee, Asheville, and Atlanta, enabling them to serve a wide range of clients. The services provided span from quick color consultations to complete space makeovers. The design team includes Principal Interior Designer Susan Peace-Vernon and Senior Interior Designer Kerry Howard, both ASID-certified graduates of Anderson University. Peace-Vernon emphasizes the importance of communication and actively listening to clients' needs to infuse their personality into each design project, aiming for spaces that truly reflect their desires. As a trusted partner of Dillard-Jones Builders, Tribus Architecture operates as a premier architectural firm in Upstate South Carolina and Western North Carolina. The firm offers a full suite of architectural design services, including site planning, commercial and residential architecture, and advanced 3D modeling/rendering. Their objective is to transform client visions into lasting realities. Collaboration is central to Tribus Architecture's approach, with the team offering expertise for initial home design concepts or managing entire projects from blueprints to the final coat of paint. Principal Architect Jeff Dishner, licensed in North and South Carolina, brings 30 years of experience to Tribus Architecture. He is passionate about creating impactful spaces that resonate emotionally with clients. Dishner highlights the thrill of presenting an idea that immediately connects with a client's aspirations. Both Tribus Design Studio and Tribus Architecture are committed to delivering integrity and excellence in their designs, ensuring that every project is executed to the highest standards. The combined expertise and client-focused approach of these two entities aim to provide an unparalleled experience in luxury design and architecture. #TribusDesignStudio #TribusArchitecture #LuxuryHomeBuilding #InteriorDesign #ArchitecturalServices #CustomHomes #GreenvilleSC #LakeKeowee #AshevilleNC

The article details a new residential project by John Pardey Architects in Leamington Spa, a contemporary home designed to navigate complex site challenges. Located on a flood plain and within a conservation area along the River Leam, the project required a nuanced approach to both planning and architectural design. The architects, in close collaboration with the homeowners and a team of specialists, successfully delivered a lush, modern dwelling set within a walled garden on a quarter-acre plot. A significant challenge was addressing the flood risk. The architects devised an L-shaped home with a mono-pitched roof, elevated on brick piers, a strategy that effectively protects the structure from potential flooding while integrating it discreetly into the landscape. The design ensures the single-storey structure maintains a low profile, harmonizing with the surrounding environment and adhering to the conservation area’s aesthetic guidelines. This careful consideration extended to the material palette, including an off-white timber stain, which contributes to the home’s light-filled interior and its subtle integration into the Regency-style neighborhood. Sustainability was also a key factor in the design, with air source heat pumps installed to efficiently power both the house and its swimming pool. Inside, the house is thoughtfully organized into two distinct wings. These wings house three bedrooms and are connected by an entrance lobby. A steel staircase within this lobby provides access to the main living and sleeping areas, which are distributed across both sections of the house, ensuring a fluid spatial experience. The outdoor spaces were designed with equal precision. The south-facing garden features a new outdoor pool and kitchen area, elements chosen to evoke memories of the owner's childhood in Brisbane. Landscape architect Nick Dexter was instrumental in developing the garden’s planting scheme, which combines wildflowers and productive garden elements, creating a rich and biodiverse environment that complements the home's contemporary aesthetic. The thoughtful integration of indoor and outdoor spaces, coupled with the resolution of significant site constraints, defines this house as a domestic oasis that successfully blends modern living with a respect for its historical and natural context. The project underscores John Pardey Architects' ability to tackle challenging sites, demonstrating expertise in balancing modern architectural principles with environmental and historical sensitivities. The collaboration with various specialists, including landscape architects, was crucial in achieving the desired outcome, resulting in a residence that is not only visually appealing but also highly functional and sustainable. The home represents a successful example of contemporary residential architecture that responds intelligently to its specific site conditions. #ResidentialArchitecture #JohnPardeyArchitects #LeamingtonSpa #FloodPlainDesign #ConservationArea #ContemporaryHome #SustainableDesign #WalledGarden #ArchitecturalInnovation

This article provides an in-depth look into a 1,600-square-foot two-bedroom Tribeca loft with a terrace, redesigned by Andrew Torrey of B.A. Torrey Interiors. Initially, the clients sought to complete a previous designer's vision, but the project evolved into an almost complete redesign of the entire home. The design incorporated the clients' extensive collection of memorabilia from family and travels, creating an eclectic yet cohesive aesthetic. Notable pieces include antique antlers under a steel and limestone coffee table, and an antique Biedermeier cabinet repurposed as a dry bar in the living room, complementing the clients' leather sofa and a Knoll Barcelona Chair. The designer emphasized the inclusion of bars in every public room, aligning with the clients' frequent entertaining habits. A specific design challenge involved the existing Maya Romanoff glass-beaded wallcovering in the powder room, which presented issues with visible seams. To address this, custom unpolished brass strips were installed along each seam and corner. These strips are designed to develop a patina over time but can be polished to maintain their original luster. This design choice, combined with brass bathroom accessories and a bronze and mirrored glass ceiling fixture, created a sophisticated and 'intoxicating' effect in the powder room. The master bedroom features a prized Ferrari racing bicycle mounted on the wall, a solution that required significant structural reinforcement of the wall. Another anecdote shared is the installation of 'articulating' sconces, which, despite being the first pair on the East Coast, malfunctioned and caused a circuit blow-out, leading to their prompt removal and return. The article also details the banquette and bar area, which was designed to accommodate the clients' large circle of friends. The existing banquette, combined with the clients' antique Biedermeier cabinet and a high-end wine refrigerator, led to the creation of a custom-designed bar unit. This custom bar was built to fit around the wine refrigerator and includes an upper mirrored shelving unit for displaying European stemware. The lower section of the bar is on casters, allowing it to be rolled away for access to the air conditioning unit. The Biedermeier cabinet was ingeniously repurposed as a dry bar in the living room with added interior lighting. Local Tribeca businesses were utilized for various aspects of the renovation, including Tribeca Paint for all Benjamin Moore paints, Basics Plus on Church for hardware, bulbs, and tools, and Langdon Florist on Reade for greenery. The article is accompanied by photographs by Tina Gallo and B.A. Torrey, showcasing the finished spaces. #LoftPeeping #TribecaLoft #InteriorDesign #HomeRedesign #CustomFurniture #TribecaRealEstate #AndrewTorrey #BArTorreyInteriors

The RBN House, designed by Kiev-based Workshop Grynevich Dmitriy, is a modern residence that prominently features wood and draws inspiration from the De Stijl movement, particularly with its use of color accents reminiscent of Gerit Rietveld’s designs. The home’s exterior is distinguished by a large wooden pergola that extends down one side, functioning as a privacy screen. This architectural element provides both aesthetic appeal and practical benefits, such as sun protection, integrating seamlessly with the surrounding environment. The property is set within a spacious garden, which is carefully landscaped with wooden walkways, decorative pebbled beds, and lush green grass. A wooden deck on the ground floor offers a semi-sheltered outdoor space, allowing residents to relax and enjoy the garden while being partially protected from the elements. The design emphasizes a connection between indoor and outdoor living, promoting a harmonious relationship with nature. Inside, the RBN House maintains an open-plan layout, particularly in the living room, which is flooded with natural light. The interior design incorporates casual furniture, contributing to a relaxed and inviting atmosphere. Wood remains a dominant material throughout the interior, adding warmth and texture. Custom-designed wooden decorative panels are a key feature, notably one positioned above a modern fireplace and another serving as a media console for the television. These elements enhance the cozy feel of the space while maintaining a contemporary aesthetic. Functionality is also a significant aspect of the RBN House’s design. The architects have incorporated space-saving solutions, such as integrated storage underneath the staircase, to maximize utility within the residence. This thoughtful approach ensures that the home is not only visually appealing but also practical for daily living. The blend of modern design, natural materials, and efficient use of space reflects a holistic approach to contemporary residential architecture. Overall, the RBN House represents a blend of minimalist modernism with natural elements, highlighted by its distinctive wooden pergola and thoughtful interior details. The influence of De Stijl is subtly integrated through color choices and structural forms, contributing to a unique and sophisticated home that stands out in its urban setting. #DeStijl #ModernArchitecture #PergolaDesign #WoodenStructures #KievArchitecture #WorkshopGrynevichDmitriy #OpenPlanLiving #SustainableDesign #PrivacyScreen

The PIR.116 House, located in Lege Cap-Ferret, France, is a renovation project completed in 2023 by Mardi | Maison d' Architecture & Design Intérieur. The project draws inspiration from the Bordeaux school of architecture and post-war seaside architectural styles. The primary goal of the renovation was to enhance the integration of a 1950s house with its natural surroundings in the Arcachon Bay landscape. The design aimed to create a harmonious relationship between the built structure and its environment. The house spans an area of 200 square meters. The lead architects for this project were Maxime Donnat and Yoan Jallerat, with Simon Rey collaborating on the design. The architectural approach focused on maintaining and updating the existing structure while incorporating elements that reflect regional architectural traditions. The selection of materials, primarily wood and concrete, plays a significant role in achieving both aesthetic and functional objectives. Wood is utilized for various components, including exterior elements, interior finishes, shelving, and furniture, contributing to a warm and natural ambiance. Concrete is also incorporated, likely for structural elements or specific aesthetic finishes, adding a contemporary touch while respecting the original character. The design showcases both exterior and interior photography, highlighting various architectural and design features. Exterior views reveal the integration of the house with its site, featuring elements such as wooden facades, stairs, and balconies that likely offer views of the surrounding landscape. Interior photographs illustrate living spaces, a kitchen, bedrooms, and bathrooms. The living room includes wood shelving and tables, suggesting a focus on natural materials and a minimalist aesthetic. The kitchen features wood finishes and countertops, indicating a cohesive design language throughout the home. Bedrooms are furnished with wooden beds and doors, reinforcing the use of wood as a dominant material. Bathrooms also incorporate wood elements, emphasizing continuity in material selection. The renovation maintains the essence of the original 1950s structure while introducing contemporary design interventions. The project is categorized under residential architecture and specifically as a house, reflecting its primary function as a private dwelling. The location in Lege Cap-Ferret, a coastal town, suggests that the design might have considered specific climatic conditions and lifestyle requirements associated with seaside living. The overall design philosophy appears to balance historical reverence with modern functionality and a deep connection to its geographical context. #ResidentialArchitecture #HouseRenovation #FrenchArchitecture #WoodDesign #ConcreteElements #LegeCapFerret #PostWarArchitecture #ArcachonBay

The Jaffa Penthouse, a luxurious residence located at the pinnacle of John Pawson's renowned Jaffa hotel in Israel, has been designed by Tel Aviv architecture firms Pitsou Kedem and Baranowitz & Goldberg. This apartment is one of 30 private residences within The Jaffa hotel complex, all originally conceived by Pawson. The design challenge for Pitsou Kedem and Baranowitz & Goldberg involved working within the external shell established by Pawson, characterized by numerous windows and cream-colored perforated metal screens. Spanning 1,500 square meters, the penthouse offers panoramic views of the historic Arab port city of Jaffa, the Mediterranean Sea, and Tel Aviv. A central design element is a striking spiral staircase that connects the interior to a rooftop patio, which mirrors the expansive size of the internal living space. The staircase is strategically placed near the entrance, at the core of the home's floor plan, which is uniquely composed of three rectangular volumes arranged in a curved configuration. The Jaffa Penthouse features six bedrooms, multiple sitting and dining areas, a kitchen, a gym, and a study. Travertine stone columns are integrated throughout the design, serving both as aesthetic elements and functional partitions that subtly delineate open sitting rooms without completely enclosing them. This approach allows for a sense of connection between spaces while offering visual separation. Sigal Baranowitz and Irene Goldberg, founders of Baranowitz & Goldberg, emphasized that the vastness of the penthouse space prompted them to focus on shape, division, and proportion to achieve a harmonious blend of old and new, culminating in a genuine sense of home. They highlighted the role of stone sculptural partitions in creating divisions that simultaneously connect spaces, allowing framed views of adjacent areas. The master suite occupies nearly an entire section of the penthouse and includes a distinctive sculptural bathroom vanity that appears to float above the floor. The interior aesthetic is characterized by a pared-down design with dominant cream tones, reflecting the traditional Arab-style architecture of Jaffa and the sandy hues of the nearby Mediterranean beachfront. Pitsou Kedem noted the abstract blend of ancient and contemporary influences, aiming for a unified and harmonic design that reflects the contrasts of the location. Local materials such as limestone and wood are extensively used, complemented by pale fabrics and light-colored walls. Subtle accents of blue, yellow, and purple introduce touches of color. Furnishings primarily come from high-end brands like B&B Italia, De Padova, and Carl Hansen. Examples include cream couches from B&B Italia paired with matching rugs and oak coffee tables, as well as a sitting area furnished with curvy sofas by La Cividia, Carl Hansen oak armchairs, and a Baxter white marble table. Chaise lounges are by Divani, and a glass table and armchair are from De Padova. The design maximizes the numerous windows, allowing almost all rooms to transition into indoor-outdoor spaces. The rooftop patio is equipped with travertine stone floors, an outdoor kitchen, and multiple seating arrangements. Residents of The Jaffa Penthouse benefit from the services and amenities of The Jaffa hotel, including access to the outdoor swimming pool, private parking, concierge services, housekeeping, and room service. The Jaffa hotel itself offers 120 rooms, with some showcasing contemporary design and others preserving the site's 19th-century history as a former French hospital. The property also houses the Chapel bar, formerly a cathedral, along with the Italian restaurant Don Camillo and Golda’s Delicatessen. Pitsou Kedem's firm has a history of designing residences in Jaffa, including apartments with white plaster and black iron surfaces and homes within historic stone buildings, contributing to the flourishing design and hospitality scene of the greater Tel Aviv-Yafo area. #PenthouseDesign #LuxuryInteriors #JohnPawson #PitsouKedem #BaranowitzGoldberg #JaffaArchitecture #MediterraneanDesign #TelAvivInteriors

The Chilmark Guest House in Massachusetts, designed by Charles Rose Architects, is a compact guest cabin spanning 800 sq ft. It is situated on a steep slope overlooking a clearing and Vineyard Sound, with its design focused on maximizing views through large windows and balconies, creating an open and light-filled atmosphere. The house features two bedrooms, each with an en-suite bathroom, positioned at opposite ends, and a shared kitchen and dining area. Additional living spaces include a cellar, porch, and roof terrace. The selection of natural materials such as pigmented concrete, stone, copper, cedar, and fir for the exterior, and teak, mahogany, and cork for the interior, enhances the connection to the outdoors and the building's delicate character. The article also showcases several other examples of compact, nature-integrated homes. The Sol Duc Cabin by Olson Kundig Architects in West Washington demonstrates a balance between openness and resilience. Its design allows for expansive views of the wilderness, while robust steel panels can seal the structure, providing a bunker-like defense against severe weather. The cabin is elevated on four steel pillars to prevent flooding, and its interior, warmed by leftover wood, features a simple layout with living and kitchen areas on the lower level and a bedroom on the mezzanine. A covered balcony provides a sheltered space to enjoy the surroundings. Pobble House, designed by Guy Holloway Architects and located in the Dungeness headland, is characterized by three distinct volumes clad in larch, Corten steel, and cement. A glazed sliding door in the open-plan living area connects directly to the outdoors, retracting completely into wall pockets. The interior design emphasizes neutral tones and discreet furnishings, ensuring the focus remains on the sparse natural landscape. The house, capable of accommodating up to ten guests, is constructed with a timber-frame, synthetic waterproofing, and durable exterior cladding, designed to age gracefully and integrate with its natural environment. Fonte Boa House in Portugal features a white rendered façade, reflecting local architectural traditions, with strategically placed windows to optimize internal views. Its concrete pad foundations minimally impact the landscape. The interior employs a simple palette of white walls and timber floors, complemented by integrated furniture to maintain a clutter-free space. Notable design elements include a frameless glass façade in the living room offering dramatic views and a glass lobby at the entrance facilitating a smooth transition from outside to inside. The semi-sunken carpark with concrete retaining walls provides a buffer from the main road, and a hallway on the first floor, with a pitched ceiling, resembles an art gallery. The Houl, a net-zero carbon dwelling in Dumfriesshire, reinterprets the traditional Scottish 'longhouse'. Designed by Simon Winstanley Architects, it sits on a west-facing slope overlooking the River Ken valley. This lightweight steel and timber-frame structure is clad in untreated cedar, allowing it to weather naturally. Its low-slung design, with long monopitched roofs, follows the hillside's contours. The house incorporates PassivHaus standards of insulation and a reflective thermal membrane to achieve net-zero carbon emissions. The main living areas are oriented to capture valley views, while ancillary spaces are recessed at the rear, demonstrating a commitment to both environmental sustainability and aesthetic integration with the landscape. Finally, the Wood Cabin by Atelier St, nestled in the pinewoods of the March of Brandenburg, presents a fairytale-like appearance with its dark wood façade, pitched roof, and small chimney. The exterior is clad in dark brown glazed pinewood, contrasting with a white-painted interior. Large picture windows illuminate the space, and a ladder leads to a gallery level. The cabin includes a custom-built pinewood kitchen, two bedrooms, and one bathroom. #ResidentialArchitecture #GuestHouse #CabinDesign #SustainableArchitecture #ModernLiving #ArchitecturalDesign #InteriorDesign #LandscapeIntegration