JamesPlumb uses burnished indigo fabric to create limited-edition bench

Armourcoat, a surfaces brand, has introduced a new collection of textured and eco-friendly paints called Limewash, designed for both residential and commercial interiors. This range aims to replicate the distinctive aesthetic and tactile qualities of traditional limewash while offering enhanced durability and a less chalky finish. The collection features 45 shades, each crafted from a blend of slaked lime, kaolinite clay mineral, water, mineral pigments, and natural plant additives. This specific composition ensures that the paints are free from solvents and Volatile Organic Compounds (VOCs), aligning with stringent environmental and health standards within the architectural industry. Armourcoat asserts that its Limewash collection is unique in possessing both Environmental Product Declaration (EPD) and Health Product Declaration (HPD) documentation. This makes the product particularly suitable for construction projects seeking to achieve sustainability certifications such as BREEAM and LEED. Duncan MacKellar, Armourcoat's creative director, emphasized the company's commitment to material transparency, viewing it as crucial for designing aesthetically pleasing interiors that also minimize ecological impact. He stated that the brand's objective as manufacturers is to decrease both embodied carbon and environmental toxins, thereby fostering sustainable innovation in the built environment. MacKellar reassured architects and designers that all Armourcoat finishes, including the new Limewash range, support the creation of environmentally responsible and healthy indoor spaces, backed by their EPD and HPD documentation. A key benefit of the Limewash collection is its naturally high alkalinity, derived from its slaked lime content. This inherent property provides resistance against bacteria and mould growth, contributing to healthier indoor environments. Additionally, the paint is non-combustible, adding a safety dimension to its list of advantages. The introduction of Limewash represents the latest expansion of Armourcoat's portfolio of surface finishes. The brand consistently aims to deliver sustainable luxury finishes to the global community of architects and designers. This product launch underscores Armourcoat's dedication to providing innovative solutions that cater to the increasing demand for sustainable and high-performance interior materials. #Armourcoat #LimewashPaint #EcoFriendlyInteriors #SustainableDesign #InteriorFinishes #GreenBuilding #MaterialTransparency #VOCFreePaint

In 2017, Snarkitecture and Gufram collaborated on the 'Broken' series, which featured mirrors and a bench with frames that appeared stone-like but were actually made of polyurethane and coated in concrete-looking Guflac paint. This innovative use of materials created an ambiguous mix of hard appearance and unexpected softness in their initial collection. Now, the Italian radical design brand Gufram and the experimental New York architecture and design studio Snarkitecture have revisited this collection, introducing a new edition of furniture in a pastel pink shade. The inspiration for this new color came from classic bubblegum, chosen to add a fresh layer of playfulness to the 'Broken' series. This specific shade of pink was meticulously developed over the last year in close collaboration with the Gufram team. The newly colored 'Broken' bench by Snarkitecture for Gufram and the 'Broken' mirror are central to this updated collection. This pink furniture collection was specifically created for a special display at K11 Musea in Hong Kong. K11 Musea, inaugurated in 2019 by Adrian Cheng, serves as both a retail and art venue. For its annual 'Art Karnival' event, Gufram exclusively presented an immersive, all-pink showcase to debut this new color palette for their collaboration with Snarkitecture. The event provided a unique platform to highlight the playful and innovative nature of the revisited collection. Accompanying the full-sized pink furniture pieces, a collection of 'Guframini' was also launched in the same bubblegum pink shade. These 'Guframini' are miniature versions of some of Gufram’s most iconic radical design classics, including the 'Bocca' sofa and the 'Cactus' coat stand. These miniature versions were exclusively created for the K11 Musea event, further expanding the pink theme across their product range. Charley Vezza, Gufram’s global creative orchestrator, explained the choice of pink. He noted that Gufram had never previously released a product in this color. For the 'Broken' series, pink was a significant departure from Snarkitecture's usual black and white palette, signifying a deliberate and well-considered color choice. The decision to use pink was a simple yet bold one, encapsulated by the question, 'Pink… why not?' The collaboration highlights Gufram's legacy of radical design and Snarkitecture's experimental approach, demonstrating how a change in color can recontextualize and inject new life into an established collection. #Snarkitecture #Gufram #FurnitureDesign #PinkFurniture #RadicalDesign #ProductCollaboration #DesignExhibition #K11Musea #InteriorDesign

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

This article highlights the design process and final product of the Kai entryway bench, a project by Industrial Design student Damian Byland from the Basel Academy of Art and Design. Byland, a former bike mechanic, focused on creating an attractive, easily manufacturable, and minimal-waste piece of furniture. The Kai bench is described as a simple cloakroom bench crafted from birch plywood, featuring a clear design language and a sloping seat for comfort, with integrated storage space for shoes in its lower section. A key aspect of the Kai bench's design is its emphasis on efficient production, primarily utilizing a Striebig panel saw. The design allows for nearly all manufacturing steps to be completed using this saw, including the precise kerf cuts necessary to bend the seat to its intended angle. This manufacturing approach aims to streamline the production process while minimizing material consumption. Material efficiency is a core principle behind the Kai bench, as it is designed to use the entire length of a standard 2500 mm birch plywood panel. This strategic use of material significantly reduces waste during manufacturing, aligning with sustainable design practices. The bench's aesthetic and functional qualities are complemented by its thoughtful production methodology. However, the design also attracted critical commentary. One commenter raised concerns about the long-term usability and maintenance of the bench, particularly regarding the accumulation of dust, dirt, and debris in its central area over time. This feedback underscored the importance of considering real-world usage and potential misuse when designing furniture. Another comment suggested an alternative construction method, proposing that the same aesthetic could be achieved by joining two pieces and routing a radius, potentially simplifying production and addressing cleaning challenges, while questioning if the designer had explored such alternatives. A further critique pointed out that "minimal waste" in this context only meant using a full board, not necessarily an efficient use of wood overall, suggesting a similar bench could be made with less material. Additionally, a minor correction was made regarding the location of the Basel Academy of Art and Design, clarifying that it is in Switzerland, not Germany. These discussions reflect the rigorous evaluation inherent in design education and professional practice, where both aesthetic appeal and practical considerations, including manufacturing efficiency, material sustainability, and user experience, are critically assessed. #IndustrialDesign #FurnitureDesign #MinimalWaste #EntrywayBench #PlywoodFurniture #SustainableDesign #ProductDesign #StudentWork

Nicole Crowder, a renowned upholstery professional, has recently returned to her hometown of Minneapolis, bringing her distinct and vibrant design aesthetic to the Twin Cities. Her work is characterized by bold colors, intricate patterns, and unexpected details, distinguishing her from a local design scene that she describes as generally more subdued. Crowder's creative approach is evident in her custom-designed chairs, loveseats, stools, and other furniture pieces, which are highly sought after by designers and homeowners nationwide. Crowder's journey into upholstery began in 2013 as a side pursuit while working as a photo editor. By 2017, her passion for the craft led her to dedicate herself fully to upholstery. Her self-taught expertise largely stems from extensive research on YouTube, where she meticulously studied various techniques like topstitching and different blind stitches. She honed her skills through practical, hands-on experience, often acquiring inexpensive practice chairs from Craigslist, thrift stores, antique markets, and even roadside finds. This period of trial and error in her living room formed the foundation of her current mastery. Fashion serves as a significant source of inspiration for Crowder, influencing her preference for incorporating unique details, buttons, zippers, and unconventional fabrics into her furniture designs. She enjoys projects that allow for experimentation, enabling her to infuse pieces with narrative elements, such as feathers, paper flowers, or fringe, to enhance texture and layering. Despite her vibrant professional and home aesthetics, Crowder admits her personal wardrobe leans towards neutrals, considering her furniture as an "alter ego" where her love for color and patterns truly shines. Since her return to Minneapolis in February, Crowder has embraced a phase of rediscovery, actively exploring the city's design, culinary, music, and arts scenes. She expresses excitement about connecting with other local creatives, who, in turn, introduce her to hidden gems across the city, including shops, parks, and architectural styles. This exploration is crucial for her to understand how people utilize and maximize their home spaces and daily activities, which informs her contribution to the local design landscape. Crowder's ambition is to infuse more energy and boldness into the Twin Cities' design scene. While appreciating the existing "chill energy" of Minnesota, she aims to elevate it with her signature style, characterized by bright colors, dynamic patterns, and an overall sense of vibrancy. She envisions her pieces, such as a Moroccan blue chair with an orange stripe, becoming iconic representations of her unique "stamp" on the community. Her personal favorite shopping spots for furniture and fabric include MidModMen+friends, Loft Antiques, Marva’s Place, and SR Harris Fabric, valuing their diverse and curated selections. She also enjoys the city's culinary offerings, frequently visiting establishments like Rosalia, Martina, and Barbette, and finds inspiration in the outdoor spaces and cultural institutions like the lakes and the Minneapolis Institute of Art. #Upholstery #FurnitureDesign #InteriorDesign #NicoleCrowder #MinneapolisDesign #HomeDecor #CreativeEntrepreneur #Artisan

Michael Raymond, a UK-based product designer and winner of the Charles McCaskie Royal Academy of Engineering Prize, has reimagined the traditional four-poster bed with his Glint Bed. This contemporary design is part of a collection named 'Glint,' a reference to the polished geometric chamfer edge that runs around the design, specifically crafted to reflect light. The article features an interview with Raymond, delving into his design philosophy, inspirations, and the unique aspects of the Glint collection. Raymond's journey in design began after studying Industrial Product Design at Coventry University, graduating in 2007. His inspiration is drawn from both organic and geometric forms found in nature, aiming to incorporate these ideals into each of his creations. A core principle for Raymond is to design products that are not only aesthetically pleasing but also functional and purposeful. His vision centers on creating flawlessly beautiful and comfortable products that enhance everyday living through the use of premium materials, advanced design technologies, and skilled handcraftsmanship. The target audience for Raymond's products comprises customers who seek unexpected and unique designs. These individuals are typically active online researchers, valuing exclusivity and personality in their purchases. To ensure a truly distinctive product experience, each piece designed by Raymond is personally signed and numbered. Currently, the mirror-polished steel version of his Glint Table, the inaugural piece from his collection, is available for pre-order online. The Glint Bed, Glint Table, and Glint Pendants are scheduled for exhibition at ICFF in NYC in May 2020 and at DesignJunction in London in September 2020. The Glint Bed and Glint Table will be made to order, with customers able to inquire and place pre-orders through his website before the exhibitions. The Glint Table is priced at £3750 for the mirror-polished steel variant, while pricing for the Glint Bed and Glint Pendants is yet to be announced. Raymond is collaborating with Inomo Design in Greece for the fabrication of the Glint Pendants, which are expected to be exhibited and available for purchase by late 2019. His long-term ambition is to establish a physical studio to prototype new pieces, showcase his existing collection, and interact with clients directly. The genesis of the Glint Bed stemmed from Raymond's desire to innovate the conventional four-poster bed, which he perceived as bulky and outdated. He envisioned an elegant, monochromatic, low-slung version upholstered in leather, giving the impression of floating. Recognizing the fundamental role of sleep in well-being, he aimed to elevate the bed from a mere piece of furniture to a primary element that envelops the user in comfort through textures, details, and the soothing aroma of leather. The choice of a monochromatic palette for the Glint Bed reflects Raymond's preference for simplicity, a timeless combination that exudes elegance and luxury. The bed's form emphasizes symmetry and minimalism; its legs and posts are designed to be as slender as structurally possible, mirroring each other. The low-slung design offers a modern contrast to traditional high-reaching four-poster beds, allowing the details and materials to be appreciated at eye level. The defining 'Glint' detail, a polished geometrically chamfered edge, encircles the design, catching light. This feature is also present on the Glint Table and Glint Pendants, while the rest of the bed frame is painted in a super matte finish to enhance contrast. Regarding materials and production techniques, the Glint Bed's frame is crafted from timber with a steel-reinforced sub-frame, hand-constructed in London. The upholstered sections are also handmade in London, ensuring meticulous quality control. Raymond is actively exploring vegan leather alternatives to minimize environmental impact, demonstrating his commitment to sustainability. He strongly supports British manufacturing and utilizes recycled materials; for instance, the Glint Table incorporates 95% recycled steel, and its brass version is made entirely from recycled brass. #FurnitureDesign #ProductDesign #MichaelRaymond #GlintBed #InteriorDesign #SustainableDesign #LuxuryFurniture #MonochromaticDesign #Handcrafted

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

Benches are highly versatile furniture items that can significantly enhance interior design by filling spaces efficiently and offering diverse functionalities. These pieces are not merely for entryways, where they serve as convenient spots for putting on shoes, but also prove useful at the foot of beds, as alternatives to dining chairs at dinner tables, and even as substitutes for coffee and side tables. Their adaptability has made them a staple in modern homes globally, from coastal retreats in Massachusetts to urban apartments in Paris and row houses in Sweden. Designers have utilized benches to create low shelf-style seating along walls and to form eclectic conversation pits, showcasing their potential to optimize and stylize various living areas. Among the top selections is the Herman Miller Nelson Platform Bench, a classic piece originally designed for office settings. This bench features a slatted top and sturdy legs, with an optional cushion for enhanced comfort. It is praised for its streamlined platform design, which can be given more visual interest with a colored cushion, making it suitable for both professional and residential use. Its generous size allows for comfortable seating for two people and doubles as a coffee or side table. The Nelson bench is also available with metal wire legs, offering a sleeker aesthetic. Another notable option is the Serena & Lily Shore Bench, which embodies a cool, coastal aesthetic. This bench's airy wicker design makes it suitable for both indoor and outdoor placement. Its mid-level back support accommodates throw pillows, providing comfort during extended use. The design combines a rough-textured seat with softly lacquered arms and legs, creating a natural yet refined look. It is versatile enough to be used as a plant stand, further illustrating its multifaceted utility in home decoration. The McGee & Co. Scaletta Bench offers a striped, slipcover design that brings a cozy yet chic element to a room. Its ample length allows for comfortable lounging, and its durable perennial performance fabric is resistant to stains and fading, albeit with a noticeable texture initially. This bench is envisioned as a flexible piece that can transition from a bedroom perch to a dining bench, demonstrating its long-term adaptability within a home. The Four Hands Celeste Bench presents a sultry, sculptural silhouette with a slightly squiggly shape. Its design is characterized by a striking contrast between a stark wood base and velvet upholstery, creating a funky yet minimalist piece that adds personality without overwhelming the space. The ash veneer and mushroom-colored cover brighten predominantly dark entryways while maintaining a moody ambiance. Described as solidly built, this three-to-four-seater bench is comfortable and versatile for any room, with a modern, playful edge. For practical storage solutions, the Burrow Totem Bench is a standout choice. Initially used under an art wall, this bench proved most effective as a storage coffee table. Its interior compartment can conceal items such as candles, throw blankets, or even seasonal clothing. Available in dark and light wood tones, its minimalist, boxy design is modern yet classic, fitting seamlessly into various decor schemes when accessorized appropriately. The Rodin Bench by Athena Calderone highlights designer collaborations, featuring sculptural iron legs inspired by the French artist Rodin. Luxurious velvet upholstery combined with a rustic metal frame creates a textural dichotomy, transforming bare hallways or the foot of a bed into engaging focal points. Other AD-approved benches include the June Bench by Eny Lee Parker, known for its curvaceous charm and cloud-like upholstery, ideal for contrasting angular furniture or serving as an unconventional coffee table. The Artice Nederin Bench from Article offers a broad storage compartment with a sliding wood panel, suitable for displaying or concealing items, and can function as a media console. The Kazbah Bench by AllModern, with its intricately woven cowhide strips, provides an airy and artisanal touch, perfect for narrow spaces. The West Elm Pierce & Ward Iron Bench, designed by AD100 honorees, features an art deco-inspired metal base and is part of a cohesive capsule collection. The Häti Home Bench #2 blends midcentury and Scandi influences with a cottagecore appeal, complementing white oak furniture. Finally, the Interior Define Ines Bench offers extensive customization with 128 upholstery options, allowing homeowners to tailor the piece to their specific tastes. #HomeDecor #Furniture #BenchDesign #InteriorDesign #VersatileSeating #ModernHomes #StorageSolutions #CustomizableFurniture #DesignerCollaborations

The article discusses various methods interior designers use to create a cozy and inviting atmosphere in a room, emphasizing comfort and warmth. Designers Shawn Henderson and David Jimenez explain that the essence of a cozy space is to make occupants feel like they can relax and put their feet up. Key strategies include manipulating wall treatments, flooring, lighting, material choices, furniture selection, and decorative accessories. Regarding wall treatments, designers suggest techniques that make a room feel enclosed and secure, rather than expansive. Painting walls in rich, dark colors or using textured wallpaper can achieve this effect. Jenna Chused, for instance, used scenic wallpaper with gray tones in her sitting room to create a surrounded feeling. Wood paneling, such as V-groove paneling, is another recommended option for adding visual interest and reducing the perceived scale of a space, making it feel more intimate. For ultimate softness and acoustic benefits, wall upholstery is mentioned, with Henderson using it in bedrooms of his country house. Softening the floor is another crucial element for coziness. Area rugs, especially thick or shaggy ones, can add significant warmth and comfort. The practice of layering multiple rugs is also highlighted as a way to enhance softness and expand coverage. Tamara Honey, a designer, effectively used layered vintage rugs and repurposed rug pieces into throw pillows and floor cushions in a lounge area, promoting floor lounging. In another instance, she utilized a shaggy circular rug to define a seating area, creating a "conversation pit" ambiance. Atmospheric lighting plays a vital role in setting a cozy mood. Designers recommend focusing on table lamps and floor lamps that provide soft, shaded light, strategically placed to offer functional illumination without overwhelming the room. Ceiling fixtures are generally less preferred for their broad light distribution; however, if used, they should incorporate diffusers and warm-toned LED bulbs (around 2,700 Kelvin), along with dimmers, to allow for adjustable and warm lighting. Ms. Chused's choice of a fabric-wrapped pendant lamp exemplifies this approach. The article also emphasizes incorporating natural materials, particularly various types of wood and natural grasses, to enhance warmth. Shawn Henderson's design of his living room, which combines painted wall paneling with unfinished rough-hewn wood posts and beams, illustrates the appeal of mixing wood textures. Similarly, Sherwood Kypreos often blends different woods and uses natural grass window coverings and lampshades to contribute to a warmer visual environment. Furniture selection is presented as critical for creating spaces that invite relaxation. Comfortable pieces are characterized by lower seat heights, deep cushions, and plush fillings. Examples include oversized leather club chairs with sheepskin drapes, backless settees or daybeds positioned by fireplaces for dual viewing and conversation, and wing chairs for their embracing quality. The use of soft accessories, such as numerous pillows and throws made from materials like velvet, mohair, and alpaca, is encouraged to boost comfort and allow for personalized coziness. Finally, layering a space with art and personal decorative items is essential for making a room feel homey and reflective of an individual's passions and collected memories, ultimately fostering a deeply comforting environment. #InteriorDesign #HomeDecor #CozySpaces #Furniture #LightingDesign #Textiles #WallTreatments #AreaRugs #NaturalMaterials

Sandy Chilewich, a renowned placemat designer, began her career as an artist, identifying her work as distinctly commercial, a revelation that initially crushed her but eventually led to her success. Today, she produces over 40,000 placemats weekly, always encouraging others to view the table as a canvas, starting with the placemat as a less intimidating 'mini canvas.' Her entrepreneurial journey includes co-founding HUE hosiery in 1978, revolutionizing women's legwear, and later venturing into textile design. After exploring various structured textile products, she focused on placemats, seeking a flat yet distinctive design. She collaborated with a patio furniture factory in Alabama to create unique weaves in colors and patterns previously unheard of in the industry. Chilewich designs are characterized by their extruded yarn, which features a core with a vinyl outer casing, making them exceptionally durable, easy to clean, and elegant with a textile quality. Chilewich's approach to table settings is defined by unfussy minimalism, a departure from traditional bulky layers. Her significant breakthrough came in 2000 when chef Tom Colicchio commissioned her placemats for his new Flatiron restaurant, Craft, which embraced a redefinition of fine dining away from white tablecloths. This exposure led to widespread recognition and demand for her designs from other Michelin-star restaurants and even the Museum of Modern Art, which began selling her products. A career highlight was in May 2016 when her glossy off-white table runners were chosen for the Obamas' Nordic State Dinner, an experience she described as breathtaking. Chilewich advocates for a personalized approach to everyday table setting, emphasizing that it can be a fun and creative process. She suggests incorporating everyday objects, such as perfume bottles or eclectic containers from a jewelry box, to serve as unique vases or salt cellars, transforming the ordinary into bespoke decorative elements. She observes the emotional connection people have with her products, attributing it to the thought and creativity invested in what might seem like a humble item. Her placemats, though made from vinyl, are designed for longevity and practicality, eliminating the need for ironing or dry cleaning, yet they possess the ability to elevate an ordinary weeknight dinner into a special occasion. This blend of durability, elegance, and ease of use underpins the enduring appeal of her designs. #tableSetting #placematDesign #textileInnovation #sandyChilewich #minimalistDesign #homeDecoration #designEntrepreneur #food52 #vinylProducts

In Pelham, New York, designer Joan Enger of J. Patryce Design embarked on a project to transform a client's home into a soft-hued, textured environment that harmonized with the stately character of the neighborhood. The client, who had already undertaken significant renovations including updating bathrooms, replacing wood flooring, and upgrading the heating system, doors, and moldings, found the decorating aspect of her home daunting. Her introduction to Enger through a mutual acquaintance led to an immediate connection and the initiation of a comprehensive design overhaul. Enger's approach centered on meticulously furnishing the home with luxurious wallcoverings and a diverse array of chic, personalized pieces tailored to the client's preferences. A significant portion of the furnishings and rugs were custom-designed, allowing for considerable creative freedom in achieving a unique aesthetic. The entryway, for instance, features a striking wallcovering from Alt for Living, providing a vibrant and welcoming first impression for guests. The living room was conceived as a comfortable lounge space, anchored by a custom chaise lounge upholstered in a subtly striped fabric from Rogers & Goffigon, perfect for relaxation and reading, illuminated by a tent lamp from Visual Comfort. In the dining room, a blush-colored wallcovering from Kneedler|Fauchère sets a warm and inviting tone. Custom mirrors introduce geometric elements, complemented by an orb lighting fixture from Bourgeis Boheme, while Rogers & Goffigon fabric elegantly frames the windows. Contrasting elements are strategically employed throughout the home, as seen with sleek, lacquered custom consoles paired with Christen Maxwell stools that introduce a metallic shimmer. The family room is a study in layered textures and soft, warm neutrals, featuring two custom sofas upholstered in Schumacher chenille and custom club chairs in Holly Hunt fabric. A custom bronze and cerused oak cocktail table serves as a central piece, and Jim Thompson Fabrics window shades add a subtle pattern. A raffia console from Made Goods contributes an unexpected texture, and the mantle surround, built-ins, and a wool-and-silk area rug are all custom-designed. Custom millwork is a hallmark of the design, with Enger and her team crafting built-ins throughout the home, including practical solutions in the mudroom. The sunroom is designed to maximize natural light, creating a bright and comfortable space. Almost all its furnishings are custom, from the Holly Hunt fabric lounge chair and the wool flat weave area rug to the hexagonal lacquered linen coffee tables. Even the guest bedroom incorporates subtle patterns, with a Cisco Brothers daybed upholstered in Holland & Sherry fabric. The master bedroom exudes tranquility with a textured Wolf-Gordon wallcovering. The custom bed is upholstered in Holly Hunt fabric, and the bedding is from Signoria Firenze. A dark, vintage sunburst mirror above the bed creates a striking contrast against the room's lighter colors, flanked by two Visual Comfort lamps on custom nightstands. A plush lounge chair at the foot of the bed offers additional comfortable seating. The home also includes custom-designed cabinetry by J. Patryce Design for an office nook, showcasing the comprehensive and personalized nature of the project. #InteriorDesign #HomeDecor #LuxuryHomes #CustomFurnishings #TexturedInteriors #Wallcoverings #PelhamNewYork #JoanEnger #JPatryceDesign

This article from T Magazine highlights a range of cultural and lifestyle recommendations, featuring a former N.F.L. player turned furniture designer, a new art gallery in TriBeCa, a botanical-inspired wallpaper collection, an Athens restaurant showcasing contemporary Greek art, a homey Seattle hotel, and a hand-painted apparel line. Each section provides details about the featured subject, including their background, inspiration, notable works, and practical information for visitors or consumers. Michael Bennett, a former N.F.L. player, founded Studio Kër after retiring from football in 2020. His furniture designs are deeply inspired by his activism work for racial justice, his upbringing in Louisiana and Texas, and his ancestral roots in Senegal. Bennett’s inaugural exhibition, “We Gotta Get Back to the Crib,” features an 11-piece collection of sculptural furniture that reinterprets objects found in communal Black spaces. Key pieces include the Gumbo lounge chair, a sophisticated take on the monobloc chair, and the Pew couch, inspired by church benches, crafted from leather and ekki wood. The exhibition debuted at Theaster Gates’s Rebuild Foundation in Chicago and is scheduled to travel to Houston. In TriBeCa, New York, gallerist Jack Shainman opened a new 20,000-square-foot gallery called The Hall in the historic Clock Tower Building. This Beaux-Arts space, built around 1898 and formerly home to the New York Life Insurance Company, has been renovated and restored. The gallery serves as a new cultural center offering free exhibits, allowing visitors to appreciate both contemporary art and the historic Manhattan architecture, including its preserved bank vault and 29-foot-high coffered wood ceilings. The Hall plans to officially open in September with a 16-foot-tall bronze sculpture by artist Nick Cave. Currently, it features Richard Mosse’s immersive 74-minute multi-spectral video installation, “Broken Spectre,” which addresses the destruction of the Amazon rainforest. Mosse emphasizes the historical connection between the building’s past, built on wealth from enslaved people, and ongoing global issues like environmental destruction. Marian McEvoy, a former fashion and design editor, launched a new wallpaper and fabric collection with Schumacher, inspired by her botanical collages and illustrations. After nearly 30 years in Paris and Manhattan, McEvoy moved to a cottage on the Hudson River, where she creates her art. Her collaboration with Schumacher features six wallcoverings and four fabrics, including prints like Thistle Vine, Polka-Dot Jungle, and Bow-Wow-Wow, all reflecting her signature use of strong colors and lines. McEvoy has incorporated these designs into her own home, showcasing her personal approval of the collection. In Athens, entrepreneur and art collector Philippos Tsangrides opened Gallina, a restaurant designed by Objects of Common Interest. The interiors blend diverse materials such as red marble, pink leather, terrazzo, and wood, creating an unexpected aesthetic. Gallina also displays pieces from Tsangrides’s private art collection, including a silk tapestry by Jannis Varelas and a neon sign by Olga Migliaressi-Phoca. A notable design element is a sinuous white light tube by the architects. The menu, curated by chef Pavlos Kiriakis, features dishes with no specific provenance, such as chicken with miso beurre blanc and truffle, and wild mushrooms with white chocolate béarnaise. Tsangrides intends to open a wine bar nearby. Julian Hagood and Jake Santelli opened Harry’s Guest House, a two-room hotel in Seattle’s Capitol Hill, inspired by their neighbor Winnie. The Dutch Colonial home was purchased from Winnie, whose drawings and wooden writing desk are now integrated into the hotel’s design. One suite is named after Winnie, and the other after the couple’s dog, Lucy. The interiors combine vintage and contemporary furniture and textiles, featuring a 1940s hand-carved wardrobe and Zak+Fox fabrics. Guests can also enjoy in-room dining from Harry’s Fine Foods, Hagood’s adjacent restaurant. Artists Julia Dault and Hannah Whitaker launched Signs Point to Yes, a line of hand-painted apparel. Their sweatshirts and pants feature designs like metallic tulips, sherbet-hued confetti, and smiley (and sad) faces, often painted using ketchup bottles to achieve a gestural, imperfect style. The brand name, inspired by a Magic 8 Ball, conveys a sense of optimistic humor. The artists selected comfortable cotton garments as their canvases, recognizing their popularity during the pandemic and their continued appeal beyond loungewear. #SculpturalFurniture #ArtExhibition #Design #ArtGallery #InteriorDesign #HomeDecor #Restaurants #Hotels #Fashion

The article explores the evolving landscape of mattress ticking, highlighting key trends and innovations showcased by suppliers at ISPA EXPO. A prominent theme is the influence of boxed bedding on product design, leading to a demand for clean, contemporary aesthetics in fabrics suitable for online sales. Suppliers are focused on creating inexpensive, wrinkle-free ticking for borders that can withstand compression and roll packing, often utilizing stretchy knits or wovens with elastic yarns. While knits are popular for mattress panels, woven collections are also being updated with minimalist designs and traditional motifs, appealing to the higher end of the market. The article notes that the design of three-dimensional knits has shifted from super puffy styles to intricate patterns like dots, dimples, and complex geometric shapes, often accented with vibrant colors. The rapid dissemination of information through social media is accelerating trend cycles, exposing consumers to a broader range of design inspirations. Despite this, white mattress panels remain dominant, but there is a growing acceptance of accent colors, particularly blues and grays. Some suppliers report increased interest in brilliant hues for panels, tapes, and trim, with examples such as soft silver, gray heather tones, chambray, indigo, mustard yellow, and bright red gaining traction. BekaertDeslee USA, for instance, featured bronze as its 2018 Color of the Year. Manufacturers and consumers are becoming more receptive to bolder accent colors when used sparingly. The shift in consumer taste extends to a desire for mattresses to appear more like furniture that integrates seamlessly into home environments, leading to an increased interest in high-end wovens, especially those incorporating heather yarns. This trend also encourages producers to extend ticking designs to matching upholstered headboards and bases. Some suppliers are offering flat knits that emulate the smooth appearance of wovens at a more competitive price point, suitable for a wider range of retail prices. For boxed beds, online brands favor clean, crisp, modern, and contemporary looks that photograph well and feature visual interest through texture and pattern rather than bold colors, often adhering to a palette of whites and quiet neutrals. Wrinkle-resistant wovens with stretch and good recovery are crucial for these products. The market for boxed beds also shows a preference for contemporary and transitional geometric patterns over traditional ones. The article also delves into innovations in mattress borders, with suppliers offering diverse options in structure, design, and color, combining various fabric types like knits, wovens, 3D spacer fabric, and prints. Engineered border fabrics, like CT Nassau's Fascia line, are designed to mimic cut-and-sewn textiles while coming off the loom as a single piece. The concept of “technical fabrics” is gaining prominence, encompassing a wide array of finishes, treatments, yarns, and fiber contents that offer performance benefits beyond aesthetics and comfort. These include anti-microbial and stain-resistant finishes, as well as features like cooling, wicking, breathability, and temperature regulation, often achieved through phase-change materials or specialized yarns like Celliant. The article concludes by emphasizing that modern beds are expected to fulfill multiple functions beyond just sleep, including relaxation, regeneration, protection, and aesthetic appeal, driven by continuous innovation in raw materials and construction solutions. #MattressTicking #BeddingIndustry #ISPAEXPO #FabricDesign #BoxedBedding #TextileInnovation #ColorTrends #TechnicalFabrics #SleepProducts

London-based studio Custhom, founded by RCA graduates Nathan Philpott and Jemma Ooi, has introduced a new collection of digitally embroidered wallpapers that blend traditional embroidery patterns with contemporary digital stitching technology. The studio collaborated with skilled embroiderers in the North of England to adapt their techniques for use with paper, enabling the creation of large-scale designs that introduce both pattern and texture to walls. This innovative approach translates traditional embroidery styles using modern tools and digital techniques, imbuing organic designs with a clean, graphic quality. The collection features two distinct patterns: Berye and Aves. The Berye pattern, whose name is derived from the Middle English word for ‘berry’, draws inspiration from English historical patterns. It is produced by screen printing a base design by hand, which is then meticulously overlaid with digitally embroidered patterns. These embroidered elements are designed to mimic Crewel, a 17th-century embroidery technique, resulting in a multi-layered design featuring branches, leaves, and berries. The Berye design is characterized by flint grey and peach thread on a light grey background, creating a sophisticated and textured visual. The Aves pattern references traditional Mexican Otomi fabrics. This design showcases a variety of creatures, such as birds, stitched in either navy or soft grey threads onto either cream or dark charcoal paper backgrounds. The designers behind Custhom were particularly drawn to the narrative quality of Otomi designs, which traditionally utilize stitch and illustration to convey stories and cultural folklore. The research for these designs was conducted at the British Library, where the studio explored various traditional textiles and embroidery techniques. Custhom emphasized the rigorous development process involved in perfecting their technique, which required significant adaptation of textile craftsmen’s methods to suit paper as a medium. This careful development ensures that the wallpaper can withstand the perforation from embroidery needles without tearing, a crucial aspect given the delicate nature of paper. The wallpapers are manufactured using high-quality, FSC-certified non-woven paper, underscoring the studio’s commitment to sustainable materials. The Berye pattern has recently been launched to the public, while the Aves pattern made its debut earlier in the year at the Maison & Objet fair in Paris, a significant international event for interior design and home decor. Both patterns are produced in the UK, adhering to local manufacturing standards, and each roll measures 55 centimeters by one meter. This collection represents a fusion of historical craftsmanship and modern technology, offering a unique decorative option that adds depth, texture, and a narrative dimension to interior spaces. #Wallpaper #EmbroideredWallpaper #Custhom #DigitalEmbroidery #InteriorDesign #Homeware #DecorativeArts #TextileInnovation

British architect John Pawson has partnered with Danish timber brand Dinesen to introduce a new furniture collection. This collaboration marks Pawson's latest venture into product design, following a long-standing relationship between the architect and the 125-year-old wood company. The collection, characterized by its pared-back aesthetic and minimal design, features a range of tables and seating options crafted primarily from Dinesen's signature ash wood. The launch encompasses a Lounge Series, which includes a stool, a daybed, and an armchair. These upholstered pieces are available with textiles from the renowned brand Kvadrat, adding a touch of softness to the otherwise austere wooden frames. Additionally, the collection introduces a Dining Series, comprising various tables and complementary seating. The design philosophy behind these pieces reflects Pawson's well-known minimalist approach, emphasizing clean lines, functional forms, and the inherent beauty of the natural material. The partnership between Pawson and Dinesen dates back approximately three decades, originating from the architect's need for simple, custom-made furniture for his London residence. Pawson initially crafted these pieces from Dinesen's ash wood planks, effectively laying the groundwork for this official collaboration. Both Pawson and Hans Peter Dinesen, the fifth-generation brand director, share a profound appreciation for wood as a foundational element in design. They view furniture not merely as objects but as stages upon which life unfolds, highlighting its role in shaping personal narratives within the home. Hans Peter Dinesen articulates this sentiment by stating that furniture serves as a medium for shared stories, particularly within domestic settings. Pawson further emphasizes the significance of furniture placement, noting that even minor adjustments can profoundly impact a space's ambiance and functionality. This attention to detail and thoughtful arrangement underscores the collection's alignment with principles of intentional living and design. To formally unveil the collection, Pawson and Dinesen are preparing a special presentation for the upcoming 3 Days of Design festival in Copenhagen. During this event, Dinesen's Copenhagen showroom will be transformed into a model apartment, meticulously furnished with pieces from the new line. This immersive experience will allow visitors to witness the collection in a realistic setting, demonstrating its versatility and integration within a residential environment. The exhibition will also serve as a practical demonstration of Pawson's philosophy on furniture arrangement and its impact on living spaces. #JohnPawson #Dinesen #FurnitureCollection #MinimalistDesign #WoodFurniture #InteriorDesign #DanishDesign #DesignCollaboration #ContemporaryFurniture

The DUNE collectible piece, a collaboration between BUDDE and Nando Studio, redefines the traditional rug by transforming it into a multifunctional design object that serves as both a rug and a sculptural daybed. Currently exhibited at Galleria Rossana Orlandi, this piece introduces a novel category in interior design, blending the characteristics of a chaise lounge with a textile landscape. The design, originating from Cologne-based BUDDE and Nando Studio, is crafted from gun-tufted merino wool and incorporates a removable bent aluminum frame for structural support. This frame allows for flexible configurations within various living spaces. Inspired by the historical practice of floor seating prevalent in nomadic desert cultures, DUNE integrates these ancestral influences with the ergonomic sensibilities and tactile comfort associated with European design. The result is a sculptural form that promotes diverse interactions, whether through communal cross-legged seating or individual reclining on its elevated, undulating surfaces. The name "DUNE" directly references its aesthetic, as the rug's rippling pattern visually evokes wind-sculpted sand dunes. This visual theme is further enhanced by a warm, gradient color palette that mimics the transient colors of desert sunlight. The aluminum frame, cleverly hidden beneath the wool surface, offers adaptability, as it can be detached and repositioned under either side of the rug. This feature enables the daybed to be adjusted to suit different spatial arrangements and user preferences. Measuring 300 x 175 x 42 centimeters, DUNE is designed to function as a focal point within a room, initiating conversations and transforming the floor into an area of enhanced comfort and artistic expression. The project info identifies BUDDE and Nando Studio as the designers, with Saskia Kinast credited for the imagery. This innovative piece exemplifies a fusion of art, functional design, and cultural narrative, offering a contemporary interpretation of traditional lounging elements. #BUDDE #NandoStudio #DuneDaybed #SculpturalFurniture #MerinoWool #InteriorDesign #TextileArt #ChaiseLounge #GalleriaRossanaOrlandi #CustomizableDesign