Flip sequins are the weird, glitzy fabric that kids can’t get enough of

Artist Liz Collins, known for her textile-focused visual expressions, has unveiled her latest project, "Dynamic Expansion," at the Ligne Roset flagship in Manhattan's Flatiron District. This installation is a collaboration that merges art, craft, and design, showcasing Collins's new spring 2021 capsule fabric collection developed in partnership with Pollack and Sunbrella Contract. Collins, a former fashion designer and professor at the Rhode Island School of Design, has a history of exploring textiles through performance and installation, notably with her "Knitting Nation" series. Her connection to the design world solidified in 2013 when Pollack first invited her to contribute to their Makers Collection. Subsequently, Sunbrella commissioned a large-scale drapery project for its headquarters, designed by Tsao & McKown. Last year, Collins created an installation for Rosanna Orlandi’s design showroom in Milan to feature Sunbrella’s high-performance fabrics, where she incorporated Ligne Roset furniture, including Christian Werner’s Prado sofa. When Ligne Roset extended an invitation to collaborate again in New York, Collins enthusiastically accepted, aiming to design a complete fabric collection. She engaged Pollack and Sunbrella Contract for this endeavor. The project, initially scheduled for New York Design Week in May, experienced delays due to the pandemic but ultimately opened at the Ligne Roset New York flagship in November. The exhibition, "Dynamic Expansion," runs through the end of November. The installation features new artworks alongside designs that highlight her fabric collection. Graphic patterns from her textiles extend from the walls onto the showroom floor, where they are used to upholster five Ligne Roset sofas. A central component of the installation comprises seven 3D works, dubbed _Shape Shifters_, crafted from Collins's fabrics. These pieces are stretched on canvas, adorned with "showers of yarn," and suspended above a display of Prado sofas, cushions, and ottomans. Collins intended for the kinetic space to evoke a sense of wonder and visual stimulation, likening the experience to being in a cave, a galaxy, underwater, and on the ground simultaneously. The new fabric collection includes three graphic patterns: Drawers, a small-scale grid inspired by an Ettore Sottsass cabinet and available in four colorways; Gingham Maze; and an oversized stripe titled Dynamic Expansion. All the art pieces and upholstered furniture displayed in the exhibition are available for purchase. The exhibition, "Dynamic Expansion," is located at the Ligne Roset showroom, 250 Park Ave. South, New York. #LizCollins #FabricCollection #LigneRoset #ArtInstallation #TextileDesign #HomeDecor #InteriorDesign #PollackFabrics #SunbrellaContract

Donald Brothers, a Scottish furnishing-fabric company established in the early nineteenth century, is the subject of a collection of over 300 fabric design images now freely available on JSTOR, courtesy of Heriot-Watt University. The company, based in Dundee, has a rich history in textile design, though much of its business records, including details on specific designers for many pieces, have not survived. Despite this, the collection offers a significant glimpse into the company's aesthetic and its contribution to fabric design. The collection highlights various designers, including those who worked as freelancers and staff. One notable designer featured is Ernst Aufseeser, who created the 'Crossways' design in 1933. Aufseeser was a German emigrant who designed for multiple firms in Britain before returning to Germany where he died in 1940. His children also pursued careers in design, suggesting a lasting legacy within the family. His work for Donald Brothers showcases a geometric and modern aesthetic that was prevalent in the early 20th century. Mary Oliver, another prominent designer, is credited with 'London Square' from 1948. This design was inspired by views from her London flat, reflecting a personal connection to her work. Oliver's career began with practical design, as she was involved in designing models of landing beaches during World War II. Her ability to transition from such critical tasks to creating intricate fabric patterns while still a student demonstrates her versatile talent. Marjorie Young contributed multiple designs, including 'Cactus' (1950) and 'Berne' (1951). Young designed for both Wemyss Fabrics and Donald Brothers. Her career trajectory later shifted to local drawing and design after she started a family, indicating the evolving priorities and constraints faced by designers during that era. Her designs often featured natural motifs, capturing the organic forms of plants and landscapes. The collection also includes designs where the specific creators are unknown or not explicitly mentioned, such as 'Wildflowers' (1955), 'Beaumont' (1937), 'Carron' (1939), 'Medina' (1944), 'Persian Tree' (1930), and 'Windows' (1951). These pieces collectively represent the diverse artistic styles and influences that shaped Donald Brothers' output over several decades. For instance, 'Wildflowers' might evoke a pastoral English garden, while 'Persian Tree' suggests exotic and intricate patterns, showcasing a global influence on design. Other attributed works include 'Pisces' (1955) by George Zissimedes, a design likely featuring aquatic or celestial themes given its name. Cecil Judge's 'Bamboo' (1936) is particularly notable as it was supplied to significant clients like Harland and Wolff shipbuilders in Belfast and the General Dental Council in London, illustrating the broad application of Donald Brothers' fabrics in various commercial and institutional settings. These designs underscore the functional and decorative aspects of the fabrics, used not only in homes but also in public and commercial spaces. The availability of these samples provides valuable insight into the history of textile design, the evolution of interior aesthetics, and the careers of individual designers during the 20th century. Researchers and enthusiasts can explore the collection to understand artistic trends, material culture, and the industrial production of textiles in Scotland. #FabricSamples #TextileDesign #ScottishTextiles #DonaldBrothers #HeriotWattUniversity #InteriorDesignHistory #FurnishingFabrics #MidCenturyDesign #DesignHistory

Bouclé, a textured fabric characterized by looped or curled fibers, is experiencing a resurgence in popularity across various design sectors. The material's origins trace back to the late 1940s when Eero Saarinen designed the Womb Chair, upholstered in Knoll's Classic Bouclé, at the request of Florence Knoll. Historically, bouclé referred to either the yarn, crafted from a series of looped fibers, or the resulting fabric. While wool is the most common fiber used in this technique, cotton, linen, and silk also lend themselves to creating bouclé’s distinctive textured feel. Following its mid-century debut, bouclé gained traction in fashion couture, with Chanel notably incorporating it, and became a staple in furniture design. The appeal of bouclé lies in its versatile properties. It is substantial enough to provide acoustic absorption, making it suitable for applications like window treatments, yet sufficiently soft for use in pillows. Designer Tina Ramchandani attributes the material's current popularity to a broader societal need for comfort and security. In an era marked by environmental concerns and political turbulence, individuals seek to create safe and cozy home environments that promote well-being. This sentiment aligns with bouclé’s inherent comfort and inviting texture. Bouclé particularly complements curvilinear furniture forms, as evidenced by its application in iconic midcentury designs by Saarinen and Vladimir Kagan, and more contemporary pieces such as Pierre Yovanovitch’s Papa and Baby Bear Armchairs. At Salone del Mobile, Sé showcased an arced Ini Archibong-designed Oshun sofa upholstered in an eggshell-hued bouclé from Perennials, further illustrating this synergy. As consumer demand increasingly favors fabrics that offer both rich texture and breathability, textile manufacturers are expanding their bouclé collections. Several textile houses are responding to this trend by introducing new bouclé offerings. De Le Cuona's Flint bouclé collection, for instance, features a blend of wool and linen, suitable for both drapery and upholstery, and is available in six colorways. Sella Concepts launched the Ladies Pond collection, its first commercially available furniture, featuring hand-turned tulipwood pieces finished with stone composite and coordinating bouclé upholstered cushions. Frank Ponterio’s inaugural collection for Clarence House includes bouclé fabrics in four distinct colorways, blending linen, cotton, and alpaca. Perennials x Sé Collections highlight performance bouclé on modern organic sofa forms, as seen at Milan’s Rosana Orlandi. Stella TriBeCa offers bouclé throws woven from Stansborough wool and New Zealand mohair, providing warmth and softness. Lastly, Christophe Delcourt’s EKO Meridienne chair, upholstered in bouclé, draws inspiration from Le Corbusier’s Ronchamp chapel, incorporating sweeping planes and geometric forms. These diverse offerings demonstrate the material's adaptability and its continued relevance in contemporary design. #BoucleFabric #TextileTrends #InteriorDesign #FurnitureUpholstery #MidcenturyDesign #HomeComfort #FabricInnovation #ModernInteriors

This article introduces Fluff Stuff, an innovative sustainable textile filling developed by Master's degree students Lukas Schuck and Tea Auramo at Helsinki's Aalto University. Fluff Stuff offers a natural alternative to traditional, often unsustainable, textile filling materials such as down feathers and polyester fibers. The core of this innovation lies in utilizing fibers from the broadleaf cattail plant (_Typha latifolia_), which is cultivated on rewetted peatlands in Finland. This approach not only provides a sustainable filling material but also promotes regenerative agricultural practices by addressing the significant carbon emissions associated with drained peatlands. Drained peatlands in Finland contribute approximately 60% of the country's agricultural carbon emissions, and rewetting them by restoring natural water flow effectively halts these CO2 releases. The Fluff Stuff project's primary goal is to contribute to the restoration of these vital peatlands while simultaneously offering an eco-friendly solution for the textile industry. Auramo highlights that Fluff Stuff aims to rethink Finnish peatland management and the textile industry by integrating bio-based material innovation with regenerative farming. The ultimate vision is to eliminate the global reliance on polyester and down for textile fillings. The team has already designed prototype products, including pillows, cushions, duvets, and clothing, all filled with these plant fibers. The chosen plant, _Typha latifolia_, is indigenous to Finnish peatlands and thrives in similar climatic conditions worldwide. A key characteristic of _Typha latifolia_ fibers is their natural hydrophobic wax coating. This inherent property makes the fibers highly water-resistant, as demonstrated by their ability to absorb 66% less water than down and dry twice as fast. These attributes make Fluff Stuff a practical and superior alternative for products requiring warmth and moisture resistance. The current harvesting method involves extracting cattails from rewetted peatlands in Finland using a prototype handheld machine that employs suction. This innovative project represents a significant step towards more sustainable textile production and environmental rehabilitation, offering a promising future for eco-conscious textile fillings and land management. #SustainableTextiles #BioBasedMaterials #PeatlandRestoration #AaltoUniversity #TextileInnovation #CattailFibers #Finland #EcoFriendlyFilling #RegenerativeAgriculture

The article discusses the new Bedford Park collection from Morris & Co., a textile brand named after the influential British textile artist William Morris. The collection, spearheaded by lead designer Jessica Clayworth, aims to honor Morris's iconic Arts & Crafts designs while introducing a modern and unexpected twist through bold and supercharged color palettes. Clayworth's vision was to disrupt the market by reimagining classic patterns with punchy hues and dramatic color combinations, drawing inspiration from the psychedelic tones of the 1960s and '70s. The development process involved delving into the company's archives to select both well-known Morris bestsellers and lesser-known works by other significant Arts & Crafts designers. The goal was to bring attention to designs that had previously received less recognition and to highlight the contributions of artists like C.F.A. Voysey, Allan Francis Vigers, and J. H. Dearle, who were also impactful during the Arts & Crafts period. The Bedford Park collection features 15 wallpaper designs and 14 fabrics. Clayworth provides insights into several key patterns within the collection. For instance, the popular 'Pimpernel' pattern, originally characterized by soft, muted colors, has been reinterpreted with brighter, stronger colors such as Shamrock and Watermelon. This reinterpretation caters to customers seeking a more vibrant and audacious aesthetic. Another pattern, 'Spring Thicket,' which was Morris's last wallpaper design, has been updated from its original subtle peachy ground to striking bright blues, incorporating a lilac punch to modernize the colorway and enhance the floral and leaf motifs. The collection also introduces designs by C.F.A. Voysey, including 'The Savaric,' which features his signature bird motif. While Morris's designs are often described as structural, Voysey's style is noted for its naivete. The updated 'Savaric' maintains a gentle color palette, such as Garden Green, to align with Voysey's original vision while introducing his work to a broader audience. Voysey's 'Glade' and 'Laceflower' patterns are also part of the collection. 'Glade' stands out with its structural, stylized botanical design and Art Nouveau influence, offering a departure from some of the more elaborate patterns. 'Laceflower' reintroduces Voysey's characteristic birds, integrated within floral stems for a more dimensional effect compared to 'The Savaric.' Allan Francis Vigers' 'Campanula' design, with its dense field of vibrant flowers, is presented in a Sunburst colorway that closely honors the creator's initial vision, with colors slightly enhanced for impact. The wallpaper print for 'Campanula' also pays homage to the wooden printing blocks used during the Arts & Crafts era, reinforcing the collection's authentic origins. Many patterns in the Bedford Park collection are available in both fabric and wallpaper, allowing for maximalist decorating schemes. The collection is designed to evoke a sense of rebellion and statement-making, aiming to impress and inspire awe in observers. #MorrisAndCo #TextileDesign #ArtsAndCrafts #InteriorDesign #Wallpaper #Fabric #WilliamMorris #BedfordParkCollection #ColorCombinations

Space dye motifs, characterized by yarns dyed in multiple colors to create a mottled appearance, are gaining prominence in interior design. These graphic patterns offer visual interest and introduce a rhythmic element to a room, ranging from houndstooth jacquard velvet to embroidered styles. The following eight fabric designs aim to energize interiors with their unique textures and color variations. Pollack's Spindrift Fabric in Cedar features yarns printed with random streaks, creating a variegated look. This design provides a dynamic aesthetic suitable for various settings. Another offering from Pollack, the Claude Fabric, is a heavyweight textile adorned with a distinctly dappled pattern, intended to evoke the artistic qualities of an impressionist painting. Both fabrics showcase Pollack's commitment to visually rich and textured designs. James Dunlop Textiles introduces the Impastare Fabric in Bronze by Mokum, a three-dimensional fabric that can transform an understated sofa into a characterful, color-blocked scene. Its unique texture adds depth and visual intrigue to upholstery. Coraggio's Burano Fabric is a striated design available in six versatile hues, making a significant statement in any space it occupies. Its varied color and texture contribute to a bold interior presence. Kravet presents the Clinton Weave Fabric in Lake by Lee Jofa, a heavy-duty fabric available in five earth-toned colorways, including blue-green Lake and brown-gray Alabaster. This fabric is designed for durability and aesthetic versatility, suitable for high-traffic areas or sophisticated accents. Stout Textiles features the Hummel Fabric in Baltic by Marcus William, an intricately embroidered upholstery made by artisans in India. This fabric mimics eyelash fringe trims, offering an undulating texture and handmade quality. Romo's Ladbroke Fabric in Beryl by Zinc Textile is a houndstooth jacquard velvet characterized by metallic threads and a two-tone weave, resulting in a slightly shimmery finish. This fabric combines traditional patterns with modern elements for a luxurious feel. Lastly, Weitzner's Intrigue Fabric in Sunset is a gradient-hued beauty cast on a voided velvet ground. This fabric is designed to be both tactile and visually appealing, with its soft texture and rich color transitions. These featured products are sourced from Business of Home's Collections vertical, which highlights the latest introductions from prominent brands in the industry. The selection demonstrates a trend toward fabrics that provide complex visual and tactile experiences, offering designers a range of options to create impactful and personalized interiors. #SpaceDyeFabrics #InteriorDesign #TextileTrends #FabricCollections #HomeDecor #UpholsteryFabrics #DesignInspiration #PatternedFabrics

The year 2023 heralds a significant evolution in interior textiles, moving beyond previous trends like bouclé to introduce a diverse array of fabrics and trims. This shift is evident from recent industry showcases such as Paris Déco Off and upcoming collection previews. A prominent trend involves the reinterpretation of archival designs, with many fabric houses drawing inspiration from their historical collections. Texture is also a key focus, transitioning from coarse options to more refined materials like sleek-piled velvets and intricately woven tapestries. In terms of color, vibrant, saturated jewel tones maintain their popularity, with a particular emphasis on peacock blue due to its captivating and adaptable nature. Additionally, a notable development is the experimentation with monochromatic fabrics and trims, which aims to create depth and visual interest through inspiring neutral palettes. Several specific trends are highlighted for the upcoming year. "Making the Cut" signifies the emergence of cut velvet as a dominant textile. This material offers a tactile experience and comes in various colorways, providing a fresh alternative to traditional velvets. "Peacock Blue Is the New Neutral" underscores the versatility of this specific jewel tone, presenting it in a wide range of fabrics and patterns. This color is positioned as a sophisticated yet bold choice for interiors. "Fresh Takes on Tapestry" revives ancient craftsmanship, focusing on tapestry and crewelwork. Brands are either offering literal interpretations of historical verdure tapestries or whimsical reimaginings of nature scenes. Heritage houses like Morris & Co. are reproducing historical fabrics with original production quality, while Braquenié celebrates its bicentennial by reissuing over 50 fabrics, 30 wallpapers, and 10 rugs inspired by their archives and those of renowned cultural institutions. This approach merges historical elegance with contemporary design, as demonstrated by the layered display of Braquenié fabrics at Château de Louye during Paris Déco Off. "All That Glitters" introduces metallic threadwork and cording, adding a shimmering effect to fabrics. These metallic accents appear in themes ranging from underwater scenes to forest motifs, as well as abstract patterns, indicating a readiness among designers to incorporate sparkle. "Wanderlusting Prints" features Toile de Jouy and painterly scenic prints that evoke distant locales, creating a sense of travel and escapism within interior spaces. Finally, "White on White" addresses the resurgence of monochrome interiors by exploring innovative ways to add texture and depth to minimalist white palettes through techniques like tone-on-tone embroideries, fil coupé, and variations in fabric weight and sheerness. "Playful Passementerie" emphasizes the renewed interest in maximalism and historical details, making trimmings like ombré tassels and Art Deco fringe prominent design elements. Clarence House, for instance, is launching an extensive collection of solid-color trimmings to complement residential interiors, signaling a detailed and ornate approach to finishing touches. #FabricTrends #InteriorDesign #HomeDecor #TextileInnovations #Velvet #Tapestry #JewelTones #MetallicFabrics #Passementerie

Flamestitch fabrics, known for their elaborate and enthralling zig-zagging patterns, have a rich history spanning hundreds of years and are experiencing a resurgence in popularity within interior design. Often referred to as 'bargello' or 'point d'hongrie,' the origins of flamestitch can be traced back to the 17th century, potentially linked to the marriage of a Medici to a Hungarian princess who introduced her decorative traditions to Italy. This historical craft is so significant in Italian decorating that an entire museum in Florence is dedicated to bargello. Historically, flamestitch patterns featured varying hues of a single color or tone, showcasing delicate gradations. Today, however, a wider array of color-clashing options is available, allowing for more contemporary interpretations. Integrating flamestitch into modern interiors requires a nuanced approach due to the fabric's diverse range of expressions. From bold and graphic designs to softer, more languid interpretations, there is a flamestitch suitable for various aesthetic preferences. The primary guidance for incorporating this pattern is to trust personal taste: if a flamestitch design appeals, it should be used. For those intimidated by a large-scale commitment, flamestitch can be introduced in smaller, more deliberate ways. Cushions offer an accessible entry point; they can be scattered among plain cushions in a complementary color palette on a sofa or used as prominent accents on an otherwise unadorned piece of furniture. For bolder statements, an entire sofa or ottoman can be upholstered in flamestitch fabric. Specific fabric recommendations highlight the versatility of flamestitch. A cut velvet flamestitch, like one from Clarence House, is suggested for a large ottoman in a living room, where the pattern can be striking yet subtly integrated beneath a tray and coffee table books. Alternatively, for a lighter touch, a pillbox stool in a boudoir upholstered in this fabric could be effective. Patrick Gallagher's 'Tessuti Festoni' flamestitch in 'Pompei' is another recommendation for boudoir stools or even for an opulent headboard. Gallagher also offers 'Vetta,' a smaller-scale flamestitch that leans into stripe territory, making it a more approachable option for those new to the pattern, with the added benefit of being 'flip-able' for a diluted effect. Marvic Textiles' 'Fiamma' presents a softer, old Hollywood glamour, and can be paperbacked for wallcoverings, such as in a hidden loo. Watts 1874 features 'Florentine Bargello,' a marbled flamestitch based on historical pieces from the Bargello Palace, suitable for significant upholstery projects. Their 'Watermelon Bargello' offers a punchy, ideal weight for revitalizing favorite chairs or sofas. Archival examples demonstrate practical applications of flamestitch in various home settings. In a country house, a flamestitch cushion provides a sharp linear contrast to floral patterns on a sofa, breaking up bucolic, rounded shapes. In a Georgian home, flamestitch fabrics contribute to a curated mix of bold patterns, including leopard print and Kente cloth, within a study, maintaining a sense of calm despite the visual diversity. Lastly, in a New England house, decorative flamestitch cushions were added to an antique bench, illustrating how the fabric can enhance traditional furniture. These examples underscore the adaptability of flamestitch, whether used as a focal point or a subtle accent, to enrich interior spaces. #FlamestitchFabric #HomeDecoration #InteriorDesignTrends #TextileHistory #Upholstery #CushionDesign #DecorativeFabrics #Bargello

Verosol SilverScreen roller blind fabrics are presented as an advanced solution for solar control and energy efficiency in both residential and commercial settings. The core technology behind these fabrics involves a unique metallised backing, which significantly enhances their reflective properties. This metallisation is designed to block a substantial amount of solar radiation, including visible light, UV rays, and infrared heat, before it enters a building. This preemptive blocking of solar energy is crucial for maintaining comfortable indoor temperatures without heavy reliance on air conditioning systems, thereby leading to reduced energy consumption and lower utility costs. The fabrics are engineered to offer high solar reflectance and effective glare control. The high reflectance means that a large portion of the sun's energy is sent back outside, preventing heat build-up inside. Simultaneously, the glare control feature manages the amount of bright light entering a space, improving visual comfort and reducing the need for artificial lighting during the day. This balance of light and heat management contributes to a more productive and pleasant indoor environment. A key benefit highlighted is the environmental advantage of using SilverScreen fabrics. By minimizing heat gain and reducing the demand for cooling, these blinds play a role in lowering a building's carbon footprint. Their contribution to energy savings can be substantial, aligning with contemporary sustainability goals and green building practices. The materials and manufacturing processes are also considered, with an emphasis on durability and longevity, further contributing to their environmental profile by reducing waste and replacement frequency. Despite their high performance in blocking solar radiation, Verosol SilverScreen fabrics are designed to maintain excellent outward visibility. This is achieved through a precise weave and the metallised layer, which allows occupants to retain a clear view of the exterior while still benefiting from solar protection. This aspect is particularly valuable in settings where natural light and an connection to the outside environment are desired, such as in offices, homes, and public buildings. The product range includes several specifications tailored to different performance requirements, such as "SilverScreen Earth," "SilverScreen Performance," "SilverScreen Performance Vision," "SilverScreen Enviro," and "SilverScreen ClearView." Each of these variations likely offers a distinct balance of light transmission, heat reflection, and environmental attributes, allowing architects and designers to select the most appropriate fabric for specific project needs. Accompanying brochures provide detailed performance data and technical specifications for each variant. Verosol Australia, the supplier of these fabrics, also provides resources and insights into related topics, such as window covering considerations for healthcare spaces and the role of automated shading systems in architecture. This suggests a broader expertise in integrated shading solutions and their impact on building design and occupant well-being. The company offers multiple contact points and office locations for inquiries and support, indicating a commitment to customer service and accessibility. #Verosol #SilverScreen #RollerBlinds #SolarControl #EnergyEfficiency #GlareControl #SustainableDesign #WindowCoverings #BuildingMaterials

The article delves into the ancient Japanese dyeing technique of shibori, focusing on artist Jennifer Falkowski's passion and expertise in this craft, particularly with indigo dye. Falkowski describes indigo as "magical," highlighting the unique chemical transformation where a yellow-green liquid turns blue upon oxidation when fabric is exposed to air. This fascinating process distinguishes indigo dyeing from conventional fabric dyeing methods. Shibori, one of Japan's oldest dyeing techniques, involves manipulating fabric through folding, clamping, stitching, or blocking sections to create intricate patterns by preventing dye from reaching certain areas. While similar in principle to tie-dye, shibori offers a broader range of complex patterns and textures. The historical significance of indigo in Japanese culture is also touched upon, noting its use for thousands of years and its reputed antibacterial properties, which led samurai to wear indigo-dyed fabrics under their armor for protection against infection from battle wounds. Although other dyes can be used for shibori, indigo remains the traditional choice due to its rich history and distinctive color. Falkowski initially explored regular fabric dyes but found them uninspiring due to their straightforward color-changing nature. Her discovery of shibori provided a creative outlet that offered more depth and unpredictability. Recognizing the messy nature of indigo dyeing, which typically necessitates an outdoor workspace, Falkowski collaborates with local businesses such as Blue Bar Quilts in Middleton, The Electric Needle in Madison, and Mill House Quilts in Waunakee. These partnerships enable her to host classes for individuals across various experience levels, fostering a communal learning environment for this intricate art form. She emphasizes that shibori encourages participants to embrace imperfection and relinquish the need for precise control over the outcome, making it a liberating artistic experience. Falkowski not only teaches shibori but also markets her indigo-dyed creations in the Madison area. Her product line includes infinity scarves sold at The Regal Find in Middleton, along with unique baby onesies featuring one-of-a-kind patterns. At Blue Bar Quilts, customers can purchase her indigo fabrics pre-cut for quilt makers, as well as upcycled tunics. The artist's dedication to the craft extends to more immersive experiences, as evidenced by her sold-out weekend-long "Deep Into Indigo Retreat" in Westby, Wisconsin. Her upcoming local class at The Electric Needle on March 24 will cover the history and chemistry of indigo, demonstrate various shibori pattern-making techniques, and culminate in the exciting reveal of the dyed fabrics. The article concludes by providing details for those interested in attending her Shibori Experience Class, including the date, time, cost, and location. #Shibori #IndigoDyeing #JapaneseCraft #FabricArt #TextileDesign #DIYCrafts #JenniferFalkowski #MadisonWisconsin

The Scraplights lighting collection by Graypants, a modern design team, showcases a commitment to storytelling through design, with an emphasis on the process and craftsmanship behind their products. The company, humorously named after its founders' initial meeting while wearing identical gray pants, focuses on creating designs that resonate with individuals and extend beyond their physical form. This ethos is particularly evident in their flagship Scraplights collection. The Scraplights are meticulously handcrafted from recycled cardboard, highlighting a dedication to sustainability and unique material utilization. The inherent qualities of the recycled cardboard impart a classic dark edge to the fixtures, which beautifully accentuates the warm light emitted through the corrugated layers. In addition to the natural cardboard finish, the collection also features an option made from custom-produced entirely white corrugated cardboard, offering an elevated and distinct aesthetic while retaining the signature layered design. Each Scraplight fixture is engineered to provide warm, intimate, and functional lighting suitable for various applications and spaces. The production process involves precision laser-cutting of the cardboard components, followed by careful hand-assembly using non-toxic adhesive. This combination of advanced technology and artisanal skill ensures the durability and quality of each piece. As a crucial safety and environmental measure, all Scraplights are treated with a non-toxic fire retardant, making them both robust and elegant additions to any interior. The collection includes a diverse range of lighting options, such as the Tilt Natural Floor Lamp, which offers a striking visual presence, and the Tilt White Table Lamp, providing a more compact yet equally sophisticated option. Pendant lights are a significant part of the Scraplights range, with models like the Drum24 Natural Pendant Light and Ohio24 Natural Pendant Light presenting unique spherical and elongated forms. Larger pendant options include the Dome36 Natural Pendant Light, designed for a more pronounced statement, and the Ausi8 Natural Pendant Light, offering a distinct geometric shape. Further expanding the variety, the collection features the Bell10 and Bell16 Natural Pendant Lights, characterized by their elegant bell-like silhouettes, and the Drop18 and Drop26 Natural Pendant Lights, which provide a flowing, elongated design. The Hive12 Natural Pendant Light offers a unique, intricate structure, while the Nest24 Pendant Light presents a more organic and encompassing form. Complementary table lamps like the Ausi Natural Table Lamp and Ebey White Table Lamp offer smaller, versatile lighting solutions. Additional pendant styles, such as the Allyn White Pendant Light and Alki White Pendant Light, introduce further variations in form and size, demonstrating the versatility of cardboard as a design material. Graypants’ Scraplights collection, available through the Design Milk Shop, represents a harmonious blend of innovative design, sustainable practices, and meticulous craftsmanship, transforming everyday recycled material into sophisticated and functional lighting fixtures for contemporary living spaces. #Graypants #Scraplights #CardboardLighting #RecycledDesign #SustainableDesign #HomeFurnishings #InteriorLighting #ModernDesign #Handcrafted

This article explores a selection of new fabric launches designed to enhance home interior schemes. The right fabric, whether patterned or plain, can significantly influence the aesthetic of a room. The piece highlights eight distinct collections and designers, each bringing a unique approach to textile design. First, Haines, an online platform for salvaged fabrics, has collaborated with Gabby Deeming of Daydress to create a limited-edition collection. This collection features surplus textiles repurposed into fabrics and soft furnishings, characterized by pretty, ditsy floral patterns in fresh colorways, emphasizing sustainability and unique design. Next, London-based textile designer Beki Bright presents a range of hand screen-printed fabrics, cushions, lampshades, and wallpapers. Her designs draw inspiration from the English countryside of Suffolk, utilizing a signature palette of muted blues, pinks, soft peaches, and mustard yellows, reflecting a natural and serene aesthetic. Beata Heuman introduces a 'Jumbo Gingham' print, which pays tribute to traditional 18th-century Swedish checked textiles. This fabric offers a modest yet playful element, aiming to impart a homey feel to any interior without overwhelming the space. Sophia Frances showcases fabrics that blend traditional British textile heritage with contemporary twists. Her collection includes bold zigzags, painterly florals, large-scale stripes, subtle flowers, and delicate geometrical repeats, providing a versatile range for various design preferences. Zoe Glencross expands her style with the 'Aventura Collection,' inspired by her travels to Mallorca, Seville, Lisbon, and Porto. This collection incorporates Moorish mudejar and Portuguese azulejo patterning, with an earthy color palette of warm terracotta, pinky-beige tones, rich ochres, vibrant apple greens, and coastal blues, bringing a worldly and colorful dimension to interiors. Blithfield, known for its color-driven designs, launches the 'Bancroft Collection.' This collection combines historical references with a contemporary feel, featuring striking printed designs in signature colors. It includes new versions of Ikat Check, a printed stripe named Lambert, and two woven designs: the antique-inspired Jasper and the classic Bailey. Henry Prideaux, in collaboration with Christopher Farr, has re-imagined iconic designs from the Christopher Farr archives, including works by Michael Szell, Raoul Dufy, and Kit Kemp. The recolored fabrics are curated within a palette of terracotta and blue, aiming to infuse renewed sophistication and a modern quality into these classic prints. Finally, Susie Watson introduces 'Natasha,' an Uzbek-style fabric hand-printed on rustic linen. Inspired by the founder's travels, this heavyweight material is stonewashed to achieve a subtle, vintage effect. Available in 'Catkin,' 'Dusty Pink,' and 'Smokey Blue,' it is suitable for curtains and blinds, and can be accented with a pom-pom trim. The article also mentions Fermoie’s 'Circus' design, which features a repeating geometric pattern inspired by the movement of acrobats and jugglers. Fermoie emphasizes traditional printing methods on linen and cotton, using only natural pigments and colors. These launches collectively offer a wide array of choices for interior decorators, ranging from sustainable salvaged textiles and countryside-inspired prints to traditional patterns with contemporary twists and culturally rich designs, all aimed at enhancing the aesthetic and feel of a home. #FabricLaunches #InteriorDesign #HomeDecor #TextileDesign #PatternedFabrics #SustainableFabrics #DesignerFabrics #HomeTextiles #DecoratingTrends

The article by Katrina Burroughs celebrates the arrival of "fancy blanket season," highlighting a selection of luxurious throws designed to provide comfort and aesthetic appeal during colder months. It emphasizes that these blankets are more than just functional items; they are crafted from high-quality materials such as cashmere, merino, and lambswool, offering a blend of warmth and sophisticated design. The author expresses a personal appreciation for premium blankets, envisioning them as essential elements of comfort alongside a fine beverage. The article showcases a range of blankets from various high-end brands, each with unique characteristics and design philosophies. For instance, Holland Cooper, known for its equestrian-inspired tailoring, extends its expertise to a wool blanket with blanket-stitched trims and a jacquard logo, presented in a green box with a hand-tied ribbon, making it a suitable gift. Dior Maison introduces a limited-edition wool and cashmere throw by Cordelia de Castellane, featuring the CD Entrelacé logo in vibrant hues, reflecting Christian Dior’s artistic background. Louis Vuitton offers a versatile wool textile, designed by Pharrell Williams, which can function as both a scarf and an opulent blanket with a distinct checkered pattern. de Le Cuona's Life collection includes a Shepherd’s Wool Blanket, woven in Bulgaria from traceable wool, emphasizing ethical sourcing and natural fibers. Oyuna, a London-based Mongolian cashmere brand, presents the Stone throw in moss and slate, recognized for its softness and subtle colors, a result of its collaboration with John Pawson. Connolly features a Drove checkered wool blanket, while Granite + Smoke offers the double-sided Dash blanket, woven in lambswool and cashmere, designed to serve as both a cozy throw and a wall hanging, blurring the lines between functional item and art piece. The collection also includes unique and artistically inspired blankets. Diane Kordas, a jewelry designer, extends her animal-themed designs to blankets, with the Tiger blanket being highlighted for its distinctive aesthetic. Yinka Ilori’s Orun throw, named after the Yoruba word for sunshine, is a vibrant plaid throw made from 100 percent cotton, aiming to uplift spirits with its bright colors. Hollie Ward's handwoven blankets are crafted from British deadstock wool, cashmere, and mohair, featuring tartan patterns inspired by punk music, offering a blend of sustainability and personal expression. Jermaine Gallacher collaborates with Cushendale, a sixth-generation mill, to produce the JG Bed Blanket using wool from Ireland’s indigenous Galway flock. Additional featured brands include Johnstons of Elgin, presenting a Block Jacquard Blanket Stitched Throw made from merino and cashmere, and a 100 percent cashmere throw in Bronze. Feldspar’s limited edition Moor blanket, inspired by Dartmoor landscapes, is woven from superfine Geelong lambswool. Bentley Home offers the Shaded Diamond wool throw, which draws inspiration from Bentley car interiors. The British Blanket Co collaborates with Grace Gillespie on the Cloud Cotton Pink Flowers blanket, made from recycled cotton. Lastly, Toast provides a tasselled blanket with a striped pattern, made from traceable New Zealand lambswool. The article concludes by inviting readers to embrace the season with these luxurious and comforting textiles. #LuxuryBlankets #HomeDecor #WinterComfort #CashmereThrows #WoolBlankets #InteriorDesign #FashionBrands #TextileArt

The article discusses an emerging interior design trend where jewel-toned velvet fabrics are gaining prominence, potentially replacing the popular boucle furniture. For several years, boucle, known for its distinctive texture, has been a dominant fabric in interior design, particularly in white and cream shades. However, designers like Kati Curtis and Marie Flanigan indicate a shift in preferences, with a growing inclination towards alluring jewel-toned velvets. While boucle remains popular, performance velvet is increasingly becoming a preferred choice for soft finishes. Velvet, often perceived as an intimidating fabric, especially in living spaces, now offers a practical alternative in the form of performance velvet. This variant is notably more durable, featuring water and stain-resistant properties, making it a viable option for everyday use. Despite its advantages, prospective buyers should be aware of certain considerations before acquiring velvet furniture, such as its tendency to accumulate dust and its susceptibility to sagging and fading if not properly maintained. The inherent luster and depth of velvet make it an ideal medium for showcasing deeper jewel tones, marking a clear departure from the lighter, often eggshell or cream, shades characteristic of boucle furniture. Integrating jewel-toned velvet into home decor offers a range of possibilities, from subtle additions to more pronounced statements. While traditional velvet and deep hues might evoke a formal or regal aesthetic, the article emphasizes their versatility across different home styles and rooms. A low-risk and budget-friendly approach to embracing this trend involves incorporating velvet through smaller elements, such as throw pillow covers in shades like deep burgundy or rust orange. These accessories can instantly introduce additional texture and dimension to a space without requiring a complete overhaul. For example, a pack of two rust decorative velvet throw pillow covers can be an affordable way to experiment with the trend. For those ready to make a bolder statement, jewel-toned velvet sofas are highlighted as an excellent way to transform a living room into a luxurious sanctuary. Alternatively, if one wishes to update an existing boucle sofa without replacing it entirely, a velvet sofa cover can provide a fresh look. Beyond seating, other avenues for incorporating this opulent fabric include dramatic velvet drapes or jewel-toned rugs, which can further enhance the luxurious ambiance of any room. This trend offers homeowners an opportunity to infuse their spaces with richness and sophistication, moving towards a more vibrant and tactile aesthetic in home furnishings. #JewelTonedFabric #VelvetFurniture #BoucleReplacement #InteriorDesignTrends #HomeDecor #PerformanceVelvet #FabricTrends #LuxuryHomeDecor

This report details observations from the Interwoven fabric show, held from May 7-9 in High Point. The event showcased upcoming trends and designs in fabrics and leathers that are expected to influence the marketplace in the latter half of the year and early next year. Fabric manufacturers and importers presented their latest collections, offering insights into the business and fashion trends poised to appear on upholstery frames and drive retail traffic. Culp introduced new designs featuring a mix of textures, colors, and patterns, aiming to provide unique narratives for retail presentation. Sunbrella also presented a wide array of new offerings, catering to diverse style preferences among consumers with its broad design palette. Richloom's booth attracted visitors like Aamir Thobhani of Innnotex Solutions USA, who explored the new fabric selections. Key industry figures were present, including Bob Meloy of Big House Fabrics, who met with Bob Gorman, vice president of sales and merchandising at PMT Fabrics. R. Sackett Wood, CEO of Moore & Giles, showcased the company's new leather collections. J. Allen Fabric highlighted its Revive performance fabric line, with Miron Yaghoubi, partner and CEO, discussing new additions with Mike Willoughby, senior vice president of sales and marketing. Nice Link unveiled eight new collections, including Waters Edge, totaling 60 patterns and 600 SKUs, demonstrating a wide range of colorways. RM Coco displayed its comprehensive line, encompassing multipurpose solids, prints, wovens, embroideries, silks, performance and outdoor fabrics, sheers, decorative trimmings, and hardware, located in the fifth-floor Pavilion area of Market Square. Nassimi LLC, represented by Executive Vice President Iwan Nassimi, presented new vegan leathers, featuring commercial-grade fabrics designed for both style and durability in residential applications. Z-Wovens showcased a diverse mix of indoor and outdoor fabrics from its core Z-Wovens and Sunbelievable lines, engaging customers with its extensive offerings. Valiant Fabrics also exhibited in the fifth-floor Pavilions of Market Square, where attendees gathered information on their latest fabric introductions. The show provided a platform for participants to observe and understand the evolving landscape of textile design and material innovation within the home furnishings industry. #InterwovenShow #FabricTrends #TextileInnovation #HomeFurnishings #UpholsteryFabrics #LeatherCollections #PerformanceFabrics #RetailTrends #HighPointMarket

The article explores the growing trend of incorporating soft textures and textiles into home interiors to create more comfortable, cosy, and tactile spaces. This movement is seen as a response to the dominance of digital technology, the anxieties of modern life, and a desire to make homes feel like sanctuaries. The shift towards soft textures builds upon earlier interior design trends, such as the resurgence of wallpaper two decades ago and the preference for moodier paint colours, both aimed at creating cosier environments. Today, designers are increasingly utilizing textiles for walls, floors, and furniture, moving beyond mere decorative elements to provide cushioning and a sense of luxury. These contemporary textile designs often feature natural, plant-based fibres like bamboo, jute, coconut waste, and even vegetable waste, emphasizing warmth and sustainability. Designers employ a mix of traditional techniques like embroidery and modern digital technology to achieve diverse textures, from matt to glossy finishes. The use of sustainable materials and dyeing methods also reflects a growing environmental consciousness within the design community. A key advantage of textiles is their adaptability; unlike rigid fixtures, they can be easily repositioned and layered for enhanced comfort. The Covid-19 pandemic significantly boosted sales of throws, cushions, and rugs, as people sought to make their homes more comfortable during lockdown. Charlotte Bastholm Skjold of Kvadrat highlights that textiles counterbalance the pervasive influence of technology by engaging the sense of touch, providing a human quality to spaces dominated by screens. Historically, textiles have played a similar role, with tapestries in medieval times offering portability and insulation, much like modern textiles provide warmth and softness. Textile artist Alan Oliver notes that wall-hangings and rugs evoke feelings of comfort and safety, fulfilling a deep-seated desire to 'nest.' He also points out the perceived impermanence of textiles, which encourages bolder design choices compared to permanent artworks or furniture. Prominent designers like Sarah Campbell, known for her hand-painted fabrics, emphasize how textiles enliven spaces by reflecting light and showcasing human artistry. Her work, along with that of other textile artists, is currently being exhibited, indicating a vibrant market for craft-based textiles. A younger generation of textile designers is also contributing to this trend, with events like London Craft Week highlighting the renewed interest in this craft, particularly for wall-hangings. Artists such as Singaporean weaver Tiffany Loy explore sculptural and three-dimensional textiles that offer translucency, sound absorption, and flexible space division. Ekta Kaul creates bespoke, hand-embroidered maps, drawing inspiration from historical and personal narratives. The appreciation for large-scale textiles has been influenced by exhibitions featuring artists like Anni Albers and the quilts of Gee's Bend. Claire Coles's silk wallpapers, incorporating appliquéd floral motifs, exemplify the demand for textured, non-repeating wall coverings. The trend also includes a preference for rugged, raw-looking textures, as seen in the large-scale tapestries by Crossing Threads, which use unconventional materials like coconut husk and discarded denim. Aiveen Daly's monumental upholstered panels, with their soothing monochrome colours and layered suede, are designed to evoke peace and tranquility, underscoring the role of textiles in making homes feel like sanctuaries in an anxious world. #SoftTextures #HomeDecor #InteriorDesign #TextileArt #CosySpaces #SustainableMaterials #Craftsmanship #TactileAesthetics #ComfortZone

This comprehensive guide explores the most enjoyable and rewarding fiber-arts craft kits designed specifically for adults, addressing the common challenge of feeling overwhelmed by supply choices when starting a new craft. After over 150 hours of research and testing across various fiber arts like cross-stitch, embroidery, knitting, and crochet, the article highlights top picks that offer all-in-one solutions for learning new skills, gifting, or simply engaging in a relaxing hobby. The selection process involved extensive online and in-store scouting, polling fellow hobbyists, and practical testing of each kit while engaging in everyday activities. The article features several categories of kits, beginning with a "start-from-zero" crochet kit, The Woobles Learn to Crochet Kit – Pierre the Penguin. This kit is lauded for its exhaustive step-by-step video tutorials and a pre-started project, making it accessible even for those with no prior crochet experience. While it doesn't include printed patterns, downloadable versions are available. For knitting enthusiasts, two kits are recommended: the Purl Soho Learn To Knit Kit, a premium option featuring high-end yarn and detailed, visually rich instructions, and The Spinning Hand Learn to Knit Scarf Kit, a more budget-friendly alternative with self-striping yarn and various instructional formats. The Purl Soho kit, despite its price, offers a luxurious experience with a wide array of color choices and comprehensive guidance for creating a scarf, including different stitch patterns. The Spinning Hand kit provides an accessible entry point to knitting with machine-washable yarn and a progressive learning series. For those interested in needlepoint, the Craft Club Co. Fruit Market Needlepoint Pouch Kit is presented as a portable and useful project. This kit creatively integrates a preprinted fabric design into a velvet-backed pouch, solving the common dilemma of what to do with finished stitched pieces. Its fine, precut yarn and simple half-stitch technique make it suitable for beginners, and the portable design allows for crafting on the go. The Craft Club Co. Sweetie Pie Craft Taster Bundle offers a diverse collection of projects—crochet, latch-hook, weaving, and pom-pom techniques—for the "omnicraftivore" who wants to try multiple crafts. Each project is individually packaged, and the bundle provides a cost advantage, although individual kits are also available. The instructions for these kits combine printed guides with detailed video tutorials. The Hello Bargello OK Bye Coaster Set introduces a retro needlepoint technique with a modern twist, utilizing a rigid plastic grid and a simple diagonal stitch pattern to create contemporary coasters. While rated intermediate, the technique is described as easy to learn for beginners. The Jessica Long Embroidery “This Took Forever” Kit is recommended for its comprehensive instructions and preprinted pattern, making a seemingly complex floral and text design approachable for all skill levels. The Dropcloth Sampler Embroidery Kit Drawing Stitches offers an alternative embroidery experience, serving as a "sketchbook-style" starting point for practicing various textures and filling techniques, encouraging the use of scrap threads. Finally, the Hook, Line & Tinker Sardines Complete Embroidery Kit offers a design-focused project with a modern aesthetic, appealing to those seeking a chic art piece for their home. The Wool and the Gang Wanderer Bag provides a contemporary crochet project that deviates from traditional, more kitschy designs, making a stylish raffia purse. The Subversive Cross Stitch Can You Not Square Pillow Case Deluxe Kit offers a snarky, conversational cross-stitch project suitable for intermediate stitchers looking for a functional, rather than purely decorative, outcome. Lastly, the Sincerely Louise Giant Moose Head Knitting Kit presents a witty take on taxidermy, allowing intermediate knitters to create a unique decorative piece, while The Stranded Stitch Bread Head DIY Cross Stitch Kit provides a charming, beginner-friendly cross-stitch project featuring a bread-themed design. The article also suggests supplemental accessories like thread snips, neck lights, project bags, thread conditioner, Q-Snap frames, stitch almanacs, and row counters to enhance the crafting experience. The competitive landscape includes kits from We Are Knitters, which fell short due to design issues and pattern errors, and Wattle&Loop;’s "slow stitching" kits, deemed expensive and lacking essential beginner guidance. Knit Picks offered good tutorials but limited kit options and unresponsive customer service. International suppliers faced tariff uncertainties, leading to increased costs. Many appealing kits from Etsy and similar sites were excluded from testing due to concerns about consistent availability, although the article encourages supporting small businesses and independent artists. #FiberCraftKits #AdultCrafts #CrochetKits #KnittingKits #EmbroideryKits #CrossStitch #Needlepoint #DIYProjects #HobbyIdeas #CraftingForBeginners