How to use plaster to add character to any style of home – 7 designers share their favorite looks

Decorative plasterwork, encompassing cornicing, ceiling roses, wall paneling, and ornamental reliefs, has evolved significantly beyond its traditional, elaborate forms. Contemporary options offer a more streamlined aesthetic, allowing for decorative effects without overwhelming a space, enhancing interiors rather than competing with them. This guide addresses key considerations for incorporating decorative plasterwork in modern homes, drawing on insights from interior designers. The first crucial aspect is determining the appropriate size of plasterwork in relation to the room. Historically, plasterwork became less intricate on higher floors. This principle remains a valuable guideline for modern applications. Proportion is paramount; oversized or undersized elements can disrupt a room's balance and make a space feel smaller. For instance, bold, deep cornices are suitable for high ceilings, while slender profiles work better in smaller rooms. Similarly, ceiling roses must scale with the room and light fitting, ensuring they neither overwhelm nor get lost in the space. Selecting the right decorative plasterwork involves careful consideration of the room's scale and proportions, especially in homes with existing architectural character. In a West London Victorian-style home, designers respected the original architecture by choosing expressive and bold profiles for high ceilings, ensuring they were impactful from the ground level. A significant architectural arch was highlighted with smooth fibrous plaster that seamlessly integrated with surrounding moldings, while bespoke classical dentil molding was used on the ceiling to add historical depth and craftsmanship. When dealing with existing plasterwork, the decision to repair or replace can be challenging. While restoring original cornices can be a rewarding endeavor, it is often time-consuming and costly. In some cases, replacement might be more cost-effective, with molds taken to recast original pieces. For optimal results, pieces being cast should be free from layers of paint that might obscure fine details. Regarding color, plasterwork is no longer limited to white or ivory tones. Its color palette has expanded significantly, with designers embracing a variety of hues. Leaving plaster natural provides a soft, raw elegance, while subtle pigments or limewash paints can add warmth. Painted plaster can be bold and dramatic, transforming the aesthetic of a room. Raw plaster might be more suitable for kitchens or bathrooms, while painted plaster can enhance formal living or dining spaces. When painting, it is essential to ensure the plaster has fully cured. Experimenting with vibrant hues, such as peach paint and color blocking, can create a progressive twist, highlighting features like cornicing and ceiling roses and drawing focus to dado rails, skirting, and moldings. Modern homes are reimagining decorative plasterwork with new and unexpected patterns. It is no longer confined to ceilings but is now incorporated onto walls and other surfaces. In an 1880s-style townhouse, a custom diamond design on the ceiling created a sense of presence and impact, striking a balance between decorative and modern, and feeling timeless. Additionally, plaster relief installations featuring flora and fauna can extend along walls, creating an immersive experience that evokes a hand-painted fresco. Playing with scale, placement, and color ensures that plasterwork feels fresh and contemporary. While transformative, installing plasterwork can be challenging and is not necessarily a simple DIY project due to the material's unforgiving nature and the precision required for measurements and adhesives. Consulting specialist fabricators and installers is recommended if there is any doubt. #DecorativePlasterwork #InteriorDesign #HomeDecor #ArchitecturalMoldings #CeilingDesign #WallPaneling #Renovation #ModernHomes #DesignTrends

The 1893 World’s Columbian Exposition in Chicago, featuring neoclassical buildings crafted from plaster and fiber, marked a pivotal moment for decorative plasterwork in the United States. Despite initial skepticism about using a centuries-old material in a city viewed as a hub of modernity, lead architect Daniel Burnham, a devout Beaux Arts classicist, insisted on plaster, recognizing its timeless, adaptable, and versatile qualities. The project required importing numerous skilled artisans from Europe, many of whom remained in the U.S. due to the subsequent demand for their craft. Adrian Taylor of Hyde Park Mouldings suggests that the exposition ignited the American imagination, demonstrating how art, architecture, and construction could converge through plaster. The historical appreciation for plaster dates back to the Renaissance when artists like Raphael and his apprentices discovered ornamental chambers in Rome’s Baths of Titus, sparking experimentation with piece-modeled gypsum. This led to significant works such as the Vatican’s plaster loggia, adorned with Raphael’s frescoes, and inspired similar decorations in European palaces like Fontainebleau and those of Henry VIII. Elizabeth Graziolo of Yellow House Architects highlights that ornate, decorative plasterwork became a symbol of wealth and power, with intricate designs indicating a family's affluence. Beyond its symbolic value, plaster’s appeal also stemmed from its ease of use and the creative freedom it offered. Stephanie Croce of JP Weaver Co. emphasizes plaster's unique luster and the fineness of its carved reliefs. Her studio maintains a vast collection of over 10,000 historic plaster pieces, drawing inspiration from 18th-century France and grand European palaces to create new designs. The article showcases various classical plaster embellishments that continue to inspire contemporary artisans. These include a French Baroque-inspired acanthus ceiling rosette, Corinthian capitals originating from Greek and Roman designs, scrollwork capitals from the Ionic order, a fretwork frieze reminiscent of Islamic art, a laurel leaf embellishment popular during the Louis XIV and XV periods and in Georgian designs, the masculine Marcellus capital, Victorian-style corner blocks, and a French-inspired corbel with Baroque and Rococo influences. Over the past two to three decades, there has been a resurgence in plasterwork traditions. Graziolo notes that traditional motifs provide a solid foundation that can be adapted to modern designs. Taylor adds that contemporary classicism offers a less embellished interpretation of earlier styles, with designers valuing the human proportions and clever geometries inherent in traditional design. Ultimately, well-executed plasterwork transcends classical or modern labels, achieving a timeless and elegant aesthetic. #Plasterwork #ArchitecturalDesign #InteriorDecor #DesignHistory #DecorativeArts #ClassicalArchitecture #HomeDecor #ArtisanCraftsmanship

This article explores the emerging 'plastered-in decor' trend, which prioritizes homogeneity and integrates furniture and decor elements seamlessly into a home's architecture. Moving away from high-contrast interiors, this approach favors uniform colors and textures, creating a softer, more organic aesthetic that blends modern rustic decor with architectural features. Interior designers are embracing this concept, noting its ability to create serene, functional spaces where form and function merge. The trend involves reimagining elements such as kitchen components, lighting, and seating as built-ins, often coated with plaster-style finishes that mirror existing walls. This low-contrast decorating technique subtly highlights the expressive shapes of these designs, contributing to a cohesive and tranquil environment. The article provides five practical applications for incorporating the 'plastered-in' trend into various rooms. One key application is the creation of built-in seating areas. These permanent fixtures, such as plastered sofas, are made comfortable with custom cushions and can include integrated features like plastered-in arms that double as side tables, or storage niches, making them highly functional and space-saving, particularly in smaller living rooms. Designers like Sarah Solis and Bobby Berk have successfully implemented this idea in their projects, demonstrating its versatility and aesthetic appeal. Another significant application is the design of architectural range hoods in kitchens. This micro-trend utilizes plaster finishes to transform functional range hoods into sculptural elements. The plaster allows for a variety of expressive shapes, from tapered squares and curved forms to dramatic domes. This approach enables the range hood to blend into the kitchen's backdrop while simultaneously serving as a focal point, adding an organic layer and a unique artistic statement. Lindye Galloway's kitchen design, for instance, showcases how a plaster-finished range hood can steal the show by providing a subtle yet impactful visual element. The 'plastered-in' concept extends to entire kitchen schemes, as demonstrated by the use of microcement for countertops and cabinetry that merge with the walls. This creates a modern rustic feel, reminiscent of Spanish-style decor, with integrated wooden doors providing a warm contrast to the microcement frame. This method enhances the sense of architectural continuity and thoughtful design within the kitchen space. Furthermore, the trend can be applied to architectural details, such as plastered pelmets in bedrooms. These subtle additions can dramatically alter the perception of a room's architecture, framing windows as arched and using matching finishes and paint colors to create the illusion that these elements are an integral part of the home's structure. This not only elevates the aesthetic but also offers practical benefits, such as concealing curtain tracks for a cleaner, more sophisticated look. Finally, the 'plastered-in' trend isn't limited to built-in features; it also encompasses decor items with plaster-style finishes. The plaster lighting trend exemplifies this, introducing unexpected textures to lighting fixtures typically made from hard materials like glass or metal. Choosing plaster-finish decor allows homeowners to achieve the serene, pared-back aesthetic without extensive millwork. The article highlights an example like the Pierre Augustin Rose Eole pendant light, which is handmade in plaster, showcasing how artisanal processes can create unique, characterful pieces that align with this organic decorating philosophy. #PlasteredInDecor #InteriorDesignTrends #ModernRustic #BuiltInFurniture #ArchitecturalElements #OrganicDecor #SereneInteriors #HomeRenovation #KitchenDesign #LightingTrends

The resurgence of plaster walls in contemporary interior design signals a shift towards warmer, more textural aesthetics, moving away from the starker minimalist trends of the past. This subtle, yet impactful, wall treatment has become a hallmark of what is now often referred to as 'warm modernism,' a style that emphasizes comfort and natural textures. The article highlights that this trend has gained significant traction, appearing in high-profile residences from New York City to Los Angeles, including the homes of celebrities and designs by renowned architects and interior designers. The appeal of plaster walls lies in their inherent warmth, depth, and unique textural quality, which creates a dynamic interplay of light and shadow within a space. Unlike perfectly smooth, painted surfaces, plaster offers an organic, hand-crafted feel that introduces character and a sense of history. This distinct visual and tactile experience is described by some designers as the 'umami of architecture,' capable of transforming an ordinary space into something extraordinary. The natural variations and imperfections in plaster applications ensure that no two moments are exactly alike, providing a living, breathing quality to the walls. The historical context of plaster is also explored, demonstrating its long-standing presence in architectural and design traditions across various cultures and eras. From ancient Egyptian tombs and Roman stucco to 15th-century Italian marmorino and 20th-century movements like 'Mizner Mediterranean' and Tuscan styles, plaster has consistently played a significant role in interior finishes. Its current popularity is attributed, in part, to leading artisans like Kamp Studios, whose work has been featured in numerous high-profile projects and has helped re-establish plaster as a prominent wall treatment in contemporary design. Designers, such as Vanessa Alexandra and Gregory Rockwell, frequently incorporate plaster into their projects, noting its ability to soften modern interiors and create an inviting atmosphere. Rockwell advises applying plaster to all walls and ceilings in a room for a cohesive look and suggests that passageways and areas with abundant natural light are ideal for showcasing its unique qualities. He also emphasizes the importance of creating samples to ensure the desired effect. For those seeking a more accessible approach, brands like Portola Paints offer lime wash and Roman clay paints that replicate the raw, textural appearance of traditional plaster, allowing for DIY applications. The broader implication of this trend suggests a desire among homeowners and designers for interiors that are more tactile, authentic, and connected to craftsmanship. In an increasingly digital world, there is a growing impulse to engage with physical materials and handmade elements. Plaster walls, with their inviting texture and rich history, fulfill this desire, offering a sensory experience that contrasts with mass-produced finishes. This movement towards 'warm modernism' and the embrace of natural, textural materials like plaster reflect a broader appreciation for bespoke details and a more organic, lived-in aesthetic in contemporary home design. #PlasterWalls #InteriorDesign #WarmModernism #HomeDecoration #TexturalFinishes #DesignTrends #Craftsmanship #ArchitecturalFinishes #WallTreatments

The article delves into the intricacies of antique plaster, its historical significance in construction, and modern techniques for its restoration, drawing insights from Foster Reeve, founder of Foster Reeve & Associates, an architectural and ornamental plaster company. Traditionally, plaster was a foundational building material, prevalent in the 19th and early 20th centuries before the widespread adoption of dimensional lumber, joint compound, and sheetrock. Unlike contemporary materials that can be easily removed, traditional plaster, especially a veneer coat, is noted for its stability, durability, and monolithic quality, often described as "practically bulletproof." This inherent strength means that plaster walls and moldings are integrated; removing one often entails damaging the other. The traditional method of installing plaster moldings, known as "running," is a meticulous, multi-step process. This involves applying wire mesh, followed by a brown coat (a primer layer), and then carefully setting tracks to guide the molding's profile. The straightness of these tracks is crucial, sometimes requiring wall adjustments to ensure a perfect alignment. A specialized tool, matching the desired molding profile, is then used to form the plaster, often while working overhead, particularly for crown moldings. The material used, "fat lime," is highly acidic and requires careful handling due to its caustic properties. Running plaster molding typically occurred on-site, a labor-intensive task where only short sections could be created at a time. Meeting molding tracts in corners also demanded distinct tools and expertise, which explains why some older moldings might appear uneven at turns. However, Foster Reeve has innovated this process by relocating the running of moldings to his Brooklyn workshop. Here, moldings are crafted based on precise on-site measurements and specifications taken by his team. After being run, the moldings are left to dry for approximately a day in a controlled environment, referred to as the "sauna." This off-site production and drying process minimizes on-site mess while preserving the traditional monolithic appearance of plaster construction during installation. Reeve's workshop extends beyond simple molding profiles; he also specializes in creating intricate and ornate plaster designs, including wall panels and elaborate ceiling decorations. His work is deeply rooted in historical precedent, reflecting his active involvement with the Institute of Classical Architecture & Art and his stewardship of 19th-century plaster casts from the Metropolitan Museum of Fine Art. Clients seeking restoration often bring in historical references, inspiring Reeve to delve into historical texts for design inspiration. The creation of these complex designs involves a multi-stage process: first, sculpting the design in clay, then creating a mold from the clay prototype, and finally, casting the plaster into the mold before it is dried in the "sauna." For simpler repairs, like the missing molding in the Federal house that sparked the article's inquiry, Reeve explains that a small piece of existing molding can be used to replicate the profile, allowing for a localized repair that, once painted, seamlessly blends with the original structure. #PlasterRestoration #HistoricHomes #InteriorDesign #ArchitecturalPlaster #MoldingRestoration #TraditionalCraftsmanship #HomeRenovation #BuildingMaterials

Plaster walls are gaining significant popularity in interior design due to their aesthetic appeal, tactile quality, versatility across various rooms, and diverse range of styles, colors, and textures. This trend aligns with the broader embrace of raw materials like marble, terrazzo, concrete, and terracotta, providing a raw, industrial edge to spaces. Plaster walls are suitable for multiple interior schemes, offering texture and warmth to modern and minimalist designs, while also introducing a contemporary touch to traditional settings. Beyond their visual and tactile benefits, plaster walls, particularly those made from clay or lime, are recognized for their eco-friendly properties, being free of chemicals and beneficial for both the environment and indoor air quality. Adam Weismann, Founder and Director of Clayworks, highlights the advantages of clay plasters. These naturally pigmented materials do not require painting and are available in various textures, from polished and fine to coarse and rustic. Their color palette encompasses neutrals, earth tones, and vibrant hues like blues, greens, blacks, and whites. The inherent rawness of clay plaster imparts a unique, cloudy, and soft aesthetic with subtle tonal and textural variations. Clay plasters are also VOC, formaldehyde, and synthetic-free, and are compostable. Weismann explains that clay absorbs sound and light, contributing to a calm ambiance. Despite being an ancient building material, its use declined during the industrial revolution, only to be rediscovered for its beauty and versatility. Clay plasters are notably more breathable than lime, effectively absorbing and releasing atmospheric moisture, which helps maintain optimal indoor humidity. This breathability is crucial for controlling dampness, dust mites, viruses, and bacteria. Additionally, clay can absorb formaldehydes emitted by other materials, and its carbon footprint is significantly lower than most other plasters and wall finishes, excluding wood. While ideal for interior walls and ceilings, clay plasters are not recommended for areas with running water, such as showers or splashbacks, as they are breathable but not fully sealed. Another type is Tadelakt, a natural lime-based plaster originating from the Marrakech Plateau in Morocco. Known for its earthy tones and waterproof characteristics, Tadelakt is popular among architects and designers. It is a hydraulic lime plaster sealed with olive soap, valued for its low environmental impact and absence of harsh chemicals in its application. Its smooth, water- and mold-resistant finish makes it suitable for bathrooms, wet rooms, kitchens, and splashbacks, although it can be prone to stains. Unlike clay, Tadelakt is naturally waterproof, making it a viable option for areas where clay plasters cannot be used. Lime plaster, a traditional building material made from burned and slaked limestone, has been used for millennia and becomes extremely durable with age. However, it requires a significant curing period; a general rule is four weeks for every 5mm of thickness. New lime plaster is highly caustic and often requires specialized application. Despite this, it is highly breathable, flexible, and durable, offering an attractive finish, as demonstrated in homes featuring pink plaster walls. Other non-clay plasters include metallic Marmorino, rough-luxe gypsum, and Travertino, a natural lime plaster from the Renaissance tradition. Travertino, with its rough appearance but smooth touch and natural shadows, is ideal for living rooms and bedrooms to introduce an industrial texture. Marmorino Venetian plaster, made with natural lime and ground marble, provides a refined, polished look and is applied in multiple layers for strength and durability, suitable for both interiors and exteriors, and can create faux marble finishes. Gypsum plaster, a common decorator's plaster, is a budget-friendly alternative for achieving a raw finish, though it lacks the eco-credentials and breathability of clay. It can be sealed with decorator's varnish and is often contrasted with clean-lined furniture to create warm, balanced spaces. When comparing plaster walls to drywall, drywall, made of gypsum, is softer, easier to install, and less prone to cracking initially. However, it is susceptible to water damage and mold in moist environments. Plaster, being harder and thicker, offers better sound insulation and is more durable in the long term, often outlasting painted drywall. Its non-solid application also makes it suitable for curved or irregular surfaces. While plastering is more labor-intensive and expensive, properly applied plaster walls can last significantly longer. Potential issues with plaster walls include crumbling of old plaster, necessitating proper application for a smooth finish. While challenging, self-application of clay plasters is possible, though professional application is often recommended for optimal results. #PlasterWalls #InteriorDesignTrends #EcoFriendlyMaterials #ClayPlaster #Tadelakt #LimePlaster #GypsumPlaster #ModernRustic #HomeDecoration

This lookbook presents ten residential interior designs that highlight the versatile aesthetic and practical benefits of exposed plaster walls. Plaster, traditionally a protective coating for walls and ceilings often hidden beneath paint or wallpaper, is showcased here as a prominent design element. The article explores how architects and designers are deliberately leaving plaster exposed to achieve various effects, from cost reduction to creating a rugged or sculptural visual appeal. The featured projects demonstrate a wide range of approaches to utilizing plaster. Radius House in the USA, by Pentagon, features curved plaster walls that form a sculptural backdrop, emphasizing continuity and a handcrafted quality, especially when contrasted with elements like a walnut staircase. Athena Calderone's Long Island home also in the USA, showcases pale plaster by Kamp Studios, which, combined with linen and marble, contributes to a warm, creamy interior, transforming previously crisp white walls. In the UK, VATRAA's Council House Renovation utilizes dusty-pink plaster walls made from British Gypsum Multifinish, a cost-effective choice that provides a warm, textured canvas for art and design objects, earning it a Don't Move, Improve! award. Sans-Arc Studio's Plaster Fun House in Australia extends a cottage with an emphasis on white plaster, playfully arched windows, and terrazzo, drawing inspiration from 1930s cruise liners to create a distinctive aesthetic. Karin Matz's HB6B apartment in Sweden intentionally preserves peeling plaster and crumbling bricks, maintaining the historical layers of the 36-square-meter space. Maricel's House in Argentina, designed by Edgardo Maraveggio, uses thick, textured plaster as a vibrant interior canvas, complemented by bright artworks and furnishings, and features an exposed yellow waffle-slab roof. Jaffa Roofhouse in Israel, by Gitai Architects, incorporates three curved plaster walls that reflect the ancient limestone buildings of the city. These walls soften the apartment's existing structure and change in hue with the shifting daylight. Think Architecture's House in a Park in Switzerland integrates lime-plaster walls to create a minimalist interior, directing attention to the surrounding forest views through rectilinear glass windows. Antonino Cardillo's House of Dust in Italy features a band of craggy, textured plaster on upper walls and ceilings, creating an unusual visual effect in a Rome apartment, with the design informed by geometric ratios and historical architectural elements. Finally, Design Haus Liberty's Skip Stop House in London showcases a low-budget renovation where layers of paint and wallpaper were removed to reveal existing patinated plaster. This approach, combined with off-the-shelf materials, resulted in industrial yet affordable interiors, demonstrating how existing elements can be uncovered and paired with appropriate materials to achieve a desired aesthetic. These examples collectively illustrate the versatility of exposed plaster as a design choice in contemporary residential architecture, offering visual inspiration from Dezeen's archive. #ExposedPlasterWalls #ResidentialInteriors #InteriorDesign #TexturedWalls #ArchitecturalRenovation #ModernHomes #HomeDecor #Lookbook

This comprehensive guide explains the process of plastering a wall, a task often left to professionals but achievable for DIY enthusiasts with proper preparation and technique. The article begins by acknowledging that while plastering can seem daunting, a smooth, paint- or wallpaper-ready surface is attainable by following a detailed method. It emphasizes the importance of selecting suitable tools, detailing a list of essential items such as a plastering trowel, a plasterer's hawk board (available in lighter plastic or more durable wood), a bucket trowel for scooping plaster, a power mixer for efficient mixing (especially for larger jobs), and a quality paintbrush for clean edges and water application. A critical note is provided regarding tool cleanliness, stressing that all plaster residue must be removed from previous uses to prevent contamination. Preparation of the work area is highlighted as a crucial first step. Plastering is inherently messy, necessitating a clear, unobstructed environment. Readers are advised to remove furniture, curtain rails, dado rails, and even radiators if necessary, and to tape up electrical sockets to protect them from plaster. Heavy-duty protective sheets should be laid on the floor, with a recommendation for two sets if old plaster is being removed to avoid contaminating new plaster with dust. The wall must be thoroughly cleaned, removing any wallpaper, loose plaster, grease, or dust, as these can hinder plaster adhesion. For new plasterboard, applying plaster tape over all joints and trimming it neatly with a sharp knife is recommended. The next preparatory step involves applying diluted PVA glue (typically a 1:4 glue-to-water ratio) to the wall using a roller or brush. The plaster application should commence when the PVA becomes tacky, not fully dry. Instructions for mixing plaster are provided, stressing adherence to manufacturer guidelines. The process involves filling a clean bucket with clean tap water, then gradually adding plaster to ensure a smooth, lump-free consistency. A bucket trowel should be used to incorporate any dry plaster from the bucket's edges. Mixing can be done manually or with a power mixer, with the latter being more efficient for larger quantities. The mixture should achieve a consistency similar to "thick custard," and the power stirrer should be cleaned immediately after use to prevent plaster from setting on the blades. The guide then details the application of plaster. For larger areas, plaster should be poured onto a spot board, spreading but not running. A small amount of plaster is transferred to a hawk board using a bucket trowel. The plaster is then applied to the wall with a plastering trowel, using firm, upward strokes with the trowel angled slightly away from the wall. Each stroke should end by flattening the trowel to smooth the plaster. The process starts from the bottom left corner, working upwards and outwards with small amounts of plaster, gradually transitioning to longer sweeps for smoothness. Electrical sockets should be disconnected and taped for safety during this stage. After allowing the first coat to dry for approximately 20 minutes, any bumps are smoothed out with the trowel, using a spray bottle to dampen stubborn sections if needed. Corners and edges are refined with a wet brush. A second, thinner coat of plaster is then applied, repeating the smoothing process. The article concludes with the finishing steps, which involve lightly polishing the slightly damp, but firm, plaster surface with a clean trowel and spray bottle, angling the blade to smooth the plaster. Edges and corners are meticulously finished with a small damp brush. Once fully dry, the plastered wall is ready for painting or wallpapering. Instructions for storing unused plaster, noting its limited shelf life of a couple of weeks, are also included. #PlasteringWalls #HomeImprovement #DIYDecorating #WallPreparation #PlasteringTools #HomeRenovation #InteriorFinishing #DecoratingTips

The article explores various wall finishes that introduce texture and visual interest into interior spaces, moving beyond traditional flat paint. It highlights how textured walls can add drama, depth, and luxury, while also reflecting a homeowner's personal style. Expert designers emphasize the versatility of these finishes, noting their applicability in diverse rooms and their ability to create unique environments. The piece details nine distinct textured wall options, offering insights into their characteristics, application, and suitability for different areas of a home. Limewash paint is presented as a finish with both historical roots and contemporary appeal, known for its breathable qualities and soft, nuanced color effect. The article advises professional application for optimal results due to its layered nature. Grasscloth wallpaper is re-introduced as a modern option for subtle texture, offering depth and natural beauty, and is recommended for creating interest without overwhelming a space. It also points out the practical benefits of strength and durability. Plaster, including gypsum, lime, and clay plaster, is discussed for its raw, contemporary, and versatile nature. Clay plaster is particularly highlighted for its environmental benefits, humidity regulation, and unique soft texture and natural pigmentation, making it suitable for low-toxin homes and older properties. Limitations, such as unsuitability for areas with standing water or high abrasion, are also mentioned. Venetian plaster and Tadelakt are introduced as more luxurious and durable plaster options for specific applications like bathrooms and kitchens. High-gloss paint is featured as a way to introduce texture through reflective qualities, capable of bouncing light and adding a sense of glamour. The article emphasizes the need for perfectly smooth walls for this finish and suggests professional spray application for best results. Wood paneling is discussed as a classic trend experiencing a resurgence with richer woods, offering warmth and character. Practical considerations for wood, such as movement over time and fire treatment requirements, are also outlined. Tiles are presented as a method to add texture, color, and pattern to unexpected areas beyond kitchens and bathrooms, suggesting their use in living or dining rooms to create focal points or link spaces. The article also mentions upholstered walls, particularly in velvet, as an opulent way to add texture, though noting practical considerations for households with children or pets. Exposed brick is explored for its industrial charm and visual draw, with advice on keeping it natural or lime washing it to maintain its breathable properties. Finally, metallic paint is introduced as a way to add subtle pizzazz and a luxurious sheen, with a focus on gold and brass-effects for their warmth and versatility, noting that modern formulations are also eco-friendly. The article concludes by offering guidance on selecting the best textured finishes for high-traffic areas and wet environments like kitchens and bathrooms, prioritizing durability and ease of maintenance, and suggesting specific products and techniques for these challenging spaces. #TexturedWalls #InteriorDesign #WallFinishes #HomeDecor #LimewashPaint #GrassclothWallpaper #PlasterWalls #HighGlossPaint #WoodPaneling #DecorativeTiles #MetallicPaint #UpholsteredWalls #ExposedBrick

The ancient art of decorative plasterwork, known as stucco, is experiencing a resurgence, moving beyond its historical association with the affluent to become a contemporary design element. Originating with the Egyptians and refined by the Romans, stucco reached its peak during the Italian Renaissance and later found prominence in 18th-century Ireland, where stuccodores like Michael Stapleton adorned Georgian homes with intricate plasterwork. Examples of this historical craftsmanship, resembling delicate wedding cake piping, can still be observed in places like the Powerscourt Shopping Centre in Dublin. Historically, plaster finishes often served to imitate more expensive materials, such as marble. Scagliola, a Florentine plaster technique developed around the Medici era, perfectly mimicked the appearance of marble columns often seen in Irish Georgian houses. However, contemporary stuccodores, such as Paul Marlow from Belfast, emphasize that modern decorative plasterwork aims to celebrate its own inherent qualities rather than feigning other materials. Marlow differentiates his craft from standard plastering, likening the distinction to that between a joiner and a cabinet-maker. He views stuccodores as artisans who work with color and texture, not just smooth surfaces. Marlow creates his products from scratch using traditional ingredients like lime, marble flour, and earth pigments, which he claims yields superior results at a comparable cost to pre-mixed products. Despite its artisan nature, decorative plasterwork remains relatively expensive. For instance, Marmarino, a type of stucco resembling 'little marble', costs approximately €96 per square metre. However, this cost can be offset by eliminating the need for painting, as the color is embedded within the material, offering indefinite durability with proper care. Marlow notes that his own home, featuring various stucco finishes, will likely never require redecoration. His personal residence showcases different applications of stucco. The children's bedroom features a matt green Marmarino with a suede-like texture, priced around €108 per square metre. In the master bedroom, he utilized a Moroccan Tadalakt, a soft-looking finish with minimal color variation, in black oxide with a hint of cobalt blue, costing €156 per square metre. The living room boasts a shiny black ceiling panel made from stucco lucido, a fine grade of marble powder and lime polished with a hot iron. Marlow advises clients against choosing currently fashionable colors for these permanent installations, suggesting that trendy shades can quickly become tiresome. For those seeking a less permanent and more economical wall finish, the article introduces whitewash. Also lime-based, whitewash offers a distinct alternative to chemically-based paints. Edward Byrne of the Traditional Lime Company in Co. Carlow explains that whitewash possesses a "double-refractive index," causing light to bounce off it in two directions, contributing to the luminous and sparkling appearance of traditional Irish cottages. While historically applied annually for hygiene and mite control due to lime's antiseptic properties, modern application does not require such frequent re-coating. Whitewash is significantly more affordable, costing around €1 per square metre, although more sophisticated lime-based paints can reach €5 per metre. A crucial consideration for using pure limewash is the porosity of the wall; it will only adhere properly to a porous surface, a characteristic easily tested by observing water absorption. Traditionally, whitewash was not exclusively white, with colors varying across Ireland based on local mineral pigments, such as yellow in Adare and Limerick, pink in east Cork, and red in Wicklow from Avoca mine pigments. While some contemporary lime-based interior products still derive colors from earth pigments, others may incorporate non-organic ingredients, making expert consultation advisable before purchase. The article concludes by listing websites for Paul Marlow and the Traditional Lime Company for further information. #Stucco #DecorativePlasterwork #InteriorDesign #HomeRenovation #ArtisanCraftsmanship #LimeWash #TraditionalBuildingMaterials #PaulMarlow #EdwardByrne

This interview features Polly Doolittle, a decorative plaster painter who specializes in veneer plaster finishes. Doolittle brings organic textures and vibrant, earthy feels to residential home environments, operating her business out of Charlotte, N.C. Her craft involves using plaster as a fine coating for multilayered decorative finishes, distinct from its traditional use as a substrate or for drywall. She highlights the artistic nature of plaster work, distinguishing her approach to Venetian plaster by incorporating wax for a simpler process. Doolittle's journey to becoming a decorative plaster painter began with her background in ceramics. After working as an artist's assistant building props for Pride floats in the Bay Area, she sought to continue working with an artist upon moving to New York in 2018. She found a mentor, Ben Lai, through a Craigslist ad, who introduced her to plaster. Lai recognized her natural aptitude for the material, and she worked with him for a year, acquiring essential skills and techniques before moving to Charlotte. Her current work primarily involves range hoods and fireplaces, which she describes as her "bread and butter," making up about 75% of her projects. These commissions often come from clients who discover her work on Instagram. She also undertakes powder rooms, bedrooms, and accent walls. Doolittle expresses a preference for commercial accent wall projects due to clients' greater willingness to experiment with more distinctive finishes, such as gold mica or rustic textures, compared to residential clients who generally favor more subtle designs that offer a clean, organic feel. Doolittle details the materials she uses, primarily ground limestone, water, and sand particles of varying aggregate sizes. A fine topcoat finish results in a smooth, buttery texture, while a base coat contains larger sand aggregates. She exclusively uses products from Master of Plaster, a family-owned, woman-run business in South Carolina, for their organic composition and vibrant pigments, devoid of acrylic additives. She sometimes assists Lauren Dillon of Master of Plaster with installations. Her client engagement process includes an initial consultation and a site visit to assess the location and substrate. She ensures the surface is prepared to a "level 4" standard—taped, mudded, primed, and sanded—ready for painting. She presents a box of samples to clients to illustrate different textures, such as visible movement versus tactile texture or micro-texture (small holes or pores), helping them visualize the final outcome. For instance, Venetian plaster with pigment offers significant movement without a discernible physical texture. Once the design is finalized, color selection follows. While she operates as the sole decorative plaster artist in her immediate area, Doolittle maintains connections within a global network of specialty painters through Instagram, including a friend in Australia. She also emphasizes the importance of mentorship, citing Eric from Mudwerk in Charlotte, who has 30 years of plaster experience. Eric taught her the specialized craft of crown-molding mitering, involving patching, sculpting, and placing ornamental elements, a skill that benefits from her ceramics background. Additionally, Doolittle occasionally takes on decor projects, including portraits and other paintings. #DecorativePlaster #VeneerPlaster #PollyDoolittle #HomeDecor #InteriorDesign #ArtisticFinishes #PlasterApplication #OrganicMaterials #Craftsmanship

The article delves into the world of professional prop stylists, revealing their secrets to making any room appear "camera-ready," similar to the aesthetically pleasing spaces often featured in magazines. These stylists, distinct from designers, excel at rearranging existing household items to enhance visual appeal. Their expertise focuses on refining a room's presentation, ensuring it looks its best for photographs or simply for everyday enjoyment. The techniques shared are practical and often involve small, strategic adjustments that can significantly impact a space's overall look and feel. One fundamental tip is to "embrace the tray." Los Angeles-based stylist Liz Strong highlights how trays effectively organize clutter, transforming disparate items like coffee makers and mugs into a cohesive coffee station. This strategy is also useful for stovetop essentials or bathroom vanities, creating order and visual unity. Another common homeowner error, according to New York stylist Matthew Gleason, is hanging art too high. He suggests that artwork should be centered at eye level, approximately 57 inches from the ground, to achieve optimal visual balance. For soft furnishings, the article recommends "sizing up on pillow inserts." Using an insert that is two inches larger than the pillow cover ensures a plumper, more luxurious look. Texas stylist Becki Griffin further suggests adding Poly-fil to saggy pillow corners for an inexpensive yet effective fluff. Additionally, for perfectly straight draperies, stylists advise raiding the tackle box for fishing weights. Inserting these weights into the bottom hem of curtains helps them hang evenly and can even compensate if the drapes are slightly too short. Stylists also encourage "embracing art in unlikely spots." California-based stylist Heather Bullard suggests placing artwork in unexpected areas, such as inside a curio cabinet, propped on a dresser, or layered on bookshelves, to add personality and visual interest. To address unsightly cord bumps under rugs, the article recommends using flat extension cords, which maintain a smooth floor surface. When it comes to bookshelves, the advice is to "loosen them up." Books should not be pushed flush against the back of the shelf; instead, their spines should be closer to the front edge. Incorporating horizontal stacks of larger books, interspersed with vertically arranged ones of varying heights, along with non-book items like pottery or artwork, creates a dynamic and appealing display. Removing dust jackets can also contribute to a more refined look. Antique bread boards are a staple in stylists' kits, valued for their ability to add warmth to kitchens and, as Mississippi-based stylist Page Mullins notes, to discreetly hide electrical outlets when propped against a backsplash. "Showing off your groceries" involves arranging fresh produce, particularly lemons or artichokes, in large wooden bowls on kitchen islands or counters to introduce vibrant color and life. When styling open kitchen shelves, Heather Bullard emphasizes varying heights, for example, placing a bowl next to a tall pitcher rather than another similarly sized item, to create visual interest. A good steamer is also considered an essential tool for quickly removing wrinkles from fabrics like sink skirts, table linens, and draperies. "Bringing on the baskets" serves a dual purpose: hiding clutter and adding texture to a space with their utilitarian yet decorative appeal. "Going big with branches" involves using large, cut branches in vases, especially foraged ones, to create dramatic height and natural elegance. Finally, the article encourages "getting quirky" by incorporating imperfect or whimsical items that tell a story, such as studio pottery, a found feather, or family heirlooms. The "rule of threes" is also highlighted, where grouping items in threes is considered more aesthetically pleasing. This can be applied by combining bowls, boxes, and large books, often topped with a brass object for a polished finish. #HomeStyling #DecoratingTips #InteriorDesign #PropStyling #HomeDecor #DesignTricks #KitchenDesign #BedroomDesign #BookshelfStyling

The article explores various wall patterning techniques and styles to refresh interior spaces, focusing on options suitable for different tastes and home types, including period homes. It presents 12 distinct ideas for transforming walls using paint, wallpaper, and other decorative elements. One approach involves embracing a sophisticated, feminine aesthetic with moody floral wallpapers in dark, midnight shades, drawing inspiration from historical block-printed designs. An example cited is Cole & Son's Midsummer Bloom in Purple and Teal on Ink. Another idea is to introduce Mediterranean-inspired wall patterns, utilizing vibrant motifs like those found in Cole & Son’s Seville collection, which features Spanish-inspired designs such as the Alfaro, suitable for dining rooms or cloakrooms. The article suggests incorporating botanical wallpapers to capture nature's beauty, showcasing designs like Cole & Son’s Orange Blossom pattern from the Seville collection. This design, inspired by royal tapestries, uses vintage-inspired palettes to bring a fresh, zesty feel to interiors. For bathrooms, Morris print wallpapers are recommended, such as Morris & Co’s new Wilhelmina wallpaper in Indigo. This design, influenced by May Morris’s embroideries, evokes oceanic colors and celebrates British design history, making it suitable for period homes. For a subtle touch of texture and color, plaster-effect wallpapers are highlighted as an alternative to traditional patterns. Examples include the Cement Pink mural from Murals Wallpaper or a paint shade like Farrow & Ball’s Setting Plaster, which can be paired with terracotta accents for warmth. Country-inspired wall patterns are suggested for creating welcoming dining room schemes, exemplified by Vanessa Arbuthnott’s Fruit Garden Detail. This design, inspired by garden trellises, balances pattern with a color-blocked open-plan kitchen and can be updated with industrial-style chairs and mixed fabrics. A statement feature wall with an animal motif, such as those from Clarke & Clarke’s Wilderie collection, can introduce a whimsical and imaginative element by blending mythical creatures with natural themes. Color blocking in blue and white can create sea-inspired wall patterns, using shades like Little Greene’s Mazarine and Cool Arbour to achieve a graphic seascape effect, complemented by natural, textured furniture. Maximalism is encouraged for living rooms, with flamboyant floral wallpapers like Cole & Son’s Aurora design, which can be tempered with soft pastel hues and contemporary furniture. For a tranquil home office, a botanical, leafy theme, such as Sanderson’s Caspian collection, is presented. This collection, inspired by Silk Road textiles, fuses country house charm with exotic styles. Bright block colors are also suggested to create bold statements, using characterful wallpapers by Fornasetti for Cole & Son, which feature whimsical and fantastical motifs. Finally, playful animal wall patterns, such as the Kingdom Lion wallpaper from Graham & Brown, are recommended for livening up small, functional spaces like downstairs toilets or cupboards. #WallPatterns #InteriorDesign #Wallpaper #HomeDecor #PeriodHomes #FloralPrints #BotanicalDesigns #Maximalism #ColorBlocking #HomeStyling

The article details a DIY project by Danielle and Ely Franko, creators of the Hunter Houses, on how to discreetly integrate a television into a living space using plaster-coated built-in niches. This approach offers a novel solution to camouflaging a TV, distinguishing itself from other methods that involve external coverings or lifts. The couple developed this technique while renovating one of their vacation rentals in the Catskills, aiming to achieve visual balance and incorporate diverse textures and tones into their design. The process begins with meticulous planning, specifically measuring the television and other items intended for the shelves to ensure a seamless, built-in appearance. The Frankos prioritized selecting the TV, opting for Samsung's Frame TV, before constructing the wall unit. They also designed specific alcoves for a speaker, planters, and vases, arranging temporary wooden shelves to achieve an organic yet symmetrical layout. This initial step is crucial for the integrated look, allowing the niches to complement the items they house rather than merely containing them. Following the measurement phase, the structural framework of the bookcase is constructed using plywood backing and 2-by-6 studs. To provide a suitable surface for the plaster, the wood is then covered with drywall. This step is highlighted as labor-intensive, particularly when cutting drywall for the numerous niches, but it is deemed essential to prevent plaster from cracking or peeling. Mesh tape is applied to all corners, followed by two coats of all-purpose joint compound, smoothed with a putty knife, to prepare the surfaces for plaster application. The next stage involves preparing a solid base for the plaster. Danielle mixed one pound of American Clay's sand additive with one gallon of Kilz primer, creating a slightly gritty texture. This mixture was thoroughly stirred and then applied to the built-ins using a 6-inch short roller, ensuring an even and adherent base for the subsequent plaster layers. Plastering commences once the primer is fully dry. Danielle prepared the base coat by gradually adding water to American Clay's Loma finish in Snow Canyon until it reached a soft-serve ice cream consistency, mixed using a heavy-duty drill attachment. After an hour of resting, she applied the plaster to the bookcase using a hawk and metal trowel, aiming for a credit card-thickness layer. The goal was a natural, suede-like finish, embracing slight imperfections. The complexity of plastering numerous nooks and crannies in a built-in bookcase, as opposed to a flat wall, was noted as the most challenging aspect. A finishing coat, slightly lighter in color—Lomalina in Snow Canyon combined with Sugarloaf White pigment—is then applied. Danielle misted the work area with water to extend drying time, allowing for better manipulation of the material. This second coat focused on achieving an even texture and correcting any inconsistencies from the base layer. Once dry, the plaster was lightly sponged with a damp tile sponge in circular motions to achieve a matte, covetable appearance. To ensure design continuity, Danielle extended this plastering technique to other areas of the home, such as a small niche in the adjacent open-layout kitchen. This repetition of elements helps create visual cohesiveness throughout the living spaces, effectively tying different rooms together with a consistent design language. The overall project transforms a functional item like a TV into an integrated design feature, enhancing the aesthetic appeal of the interior. #DIYHomeDecor #PlasterFinishing #BuiltInFurniture #TVCamouflage #HomeRenovation #InteriorDesign #HunterHouses #DesignContinuity

This article showcases a curated selection of residential interiors featuring walls treated with a variety of earthy-hued plasters, renders, and paints. These wall coatings, traditionally used for external weather protection, are increasingly employed indoors to add decorative texture and a calming aesthetic. The collection highlights eight such examples from residences located in different parts of the world, including India and the UK. The first example is Datum House in the UK, designed by architecture studio DHaus. This Victorian maisonette in north London features an extension bathed in natural light from a full-width skylight. The interior design emphasizes a minimalist material palette, where earthy plaster walls are thoughtfully combined with concrete and oak elements that form a distinct datum around the base of the living space. Next, the Arch House in the UK, by Polysmiths, incorporates a Mediterranean influence through its structural arches and a mottled lime plaster finish. Polysmiths reconfigured the previously dark and outdated interiors of this London home, creating bright, interconnected living and work areas with numerous openings and light-colored walls. The Plaster House, also in the UK, by Sonn, extensively uses plaster finishes both inside and out. Located in Hackney, London, this home extension predominantly features neutral-toned plaster, with a contrasting pale green plaster used in the bedroom to add a subtle variation. Taper House, a London extension designed by Merrett Houmøller Architects and All & Nxthing, draws inspiration from Moroccan riads. This angular, skylit extension is characterized by clay-plaster walls, exposed brickwork, and tile floors, all utilizing "natural earth-based materials" to evoke a Mediterranean feel. Casa da Encosta in Portugal, by SIA Arquitectura, utilizes lime render to coat the various volumes comprising the house. The studio aimed to reflect the sandy coastal landscape of Grândola, Portugal, by employing a material palette of wood and lime render throughout both the exterior and interior of the home. In India, Stone House by Sketch Design Studio features recycled stone walls rendered in mud and lime plaster. This rural farmhouse in Rajasthan combines clay-painted walls with exposed stone and a distinctive filler-slab ceiling, creating a harmonious and natural interior. Mayalogili, another Indian residence refurbished by Nowhere, showcases plaster made from brick and marble dust. The exterior is coated in a rough red-brown plaster, while the interior is similarly finished with various plasters derived from on-site materials, maintaining a consistent aesthetic. Finally, Putney Riverside in the UK, renovated and extended by VATRAA, features an extension built with terracotta-coloured concrete. The interior of this London home preserves original details, including existing plasterwork, which was meticulously repaired using a "distinguishable but complementary" lime plaster, blending old and new elements seamlessly. #HomeInteriors #EarthyFinishes #PlasterWalls #LimeRender #ClayPaint #ResidentialDesign #MaterialPalette #SustainableMaterials