Contemporary Egyptian design celebrated by new brand Don Tanani

The Nakhla Brand Store is a retail pavilion situated within the Grand Egyptian Museum, designed by Yasmina Makram. This project represents an expansion for Nakhla, a long-standing family-owned jeweler, establishing a presence in a prominent cultural location. The design for this 55 square meter space, completed in 2023, was undertaken by Yasmina Makram's architectural firm, with key contributions from Mohamed Nour and Samir Aiyad for concept and layout, and Hana Faltas for construction drawings. Nour El Refai provided the photography. The store's design brief focused on creating an inviting atmosphere that blends the brand's heritage with contemporary aesthetics. The material palette includes wood, steel, and stone, contributing to a sophisticated and enduring character. The lighting design, handled by Enlighten, plays a crucial role in highlighting the jewelry and creating a warm, engaging environment for customers. MEP design was managed by Hassan Allam, ensuring functional efficiency within the space. A distinctive element of the store is a headlight piece designed by Omar Chakili and a sculpture by Nathan Doss Artist, adding unique artistic touches. The interior layout was carefully planned to optimize the customer experience and showcase the jewelry effectively. This involved strategic placement of display cases, seating areas, and interaction points. The use of natural materials aims to create a connection to the brand's authentic craftsmanship and the cultural context of its location. The design team also focused on ensuring the retail space is both elegant and practical for daily operations. The project underscores a commitment to detailed interior design, integrating architectural elements with artistic installations to create a cohesive brand environment. The choice of materials and the collaborative effort of various designers and consultants reflect a comprehensive approach to retail space development. The store is located in Kafr Nassar, Egypt, aligning with its presence in a significant national museum. Overall, the Nakhla Brand Store exemplifies a harmonious blend of historical context, brand identity, and modern retail design principles. #RetailDesign #InteriorDesign #JewelryStore #MuseumsAndExhibit #CommercialArchitecture #YasminaMakram #EgyptArchitecture #BrandExperience #ModernDesign

African design is increasingly gaining global recognition for its unique magnetism and rich heritage, shifting from a previously overlooked status on the international stage. This burgeoning movement is championed by a new generation of designers who are skillfully blending traditional African craftsmanship with contemporary aesthetics, bringing a fresh perspective to furniture, textiles, and art. Among these prominent figures is Chrissa Amuah, founder of Amwa Designs, a London-based studio that creates textiles, furniture, and art inspired by Ghanaian sensibilities. Her 'Asanka' table, for instance, incorporates a jesmonite interpretation of a traditional West African grinding bowl under a glass top, with its wooden base drawing from the Ghanaian Adinkra symbol Adinkrahene, representing authority and leadership. Amuah's designs often feature vibrant color combinations and off-center silhouettes, embodying a balance of strength and vulnerability. Another notable presence is Altin Studio, founded by Mehdi Kebaier and Yasmine Sfar in Tunisia. This studio celebrates local design by utilizing native materials like sea rush, clay, and palm wood. They reinterpret age-old techniques through a contemporary lens, evident in pieces like the 'Ganymede' cabinet, which contrasts woven sea-rush panels with earth-red metal, referencing satellite patterns. Their 'Petite Ourse' seat, hand-carved from palm wood, also draws inspiration from celestial themes, alluding to the 'Little Bear' constellation. From Lagos, Nigerian designer Nifemi Marcus-Bello leads Nmbello Studio with an ethos rooted in empathy and respect for people and places. His work, developed over the past decade, has garnered several awards, including the Hublot Design Prize and the Curator’s Choice: Design for Good Award. His 'Oríkì' series, particularly 'Act 1: Friction Ridge', explores materiality and form through bronze sculptural benches, named after the Yoruba practice of praise poetry, and launched with an immersive installation featuring a soundscape of his mother reciting his personalized oríkì. In Johannesburg, Thabisa Mjo, the creative force behind Mash.T Studio, produces furniture, lighting, and homeware that celebrate South Africa's diverse cultural tapestry. Collaborating with artisan communities, she incorporates materials such as colored beadwork and repurposed telecommunication wire, traditionally used by Zulu watchmen, into pieces like her 'Bright Light' pendant and '4Kona Light'. Her recent lighting collections honor Xhosa customs and circular architectural forms found in rural areas, employing vibrant palettes that signify abundance and festivity, thereby promoting local crafts globally. Rich Mnisi, a Johannesburg-born designer, initially made his mark in fashion before venturing into collectible furniture. His work bridges the gap between function and art, drawing inspiration from the women in his life, queerness, and heritage. Pieces like the 'Nwa-Mulamula' chaise, displayed at Southern Guild’s ‘Mother Tongues’ exhibition, reflect the reclining body of his great-grandmother, showcasing a striking fluidity and organic elegance. His new work, ‘Vutlhari (Wisdom)’, a light crafted from bronze and resin, also features sweeping silhouettes. Zimbabwean artist Xanthe Somers draws on her homeland's customs for her hand-built ceramic sculptures, often functional as lighting and vases. Her 'In Bad Taste' collection challenges the political aspects of design, critiquing Western overconsumption and the impact of eco-racist practices on the global South. Her work, displayed in prestigious venues like London’s V&A; Museum, features vivacious colors, exaggerated silhouettes, and thought-provoking narratives. Don Tanani, a contemporary Egyptian brand, aims to redefine Egyptian design and showcase local talent. Collaborating with designers like Lina Alorabi, whose work has been exhibited internationally, the brand focuses on reclaiming Egyptian identity through sophisticated pieces. Alorabi’s 'Moruna' collection features a conversation chair, a curvaceous sun lounger, and coffee tables with tile patterns, reflecting the dynamism of Cairo and collaboration with craft experts. Finally, South African ceramicist Chuma Maweni began his journey crafting vessels using a pit-firing technique intrinsic to the Nguni people, developing a distinctive aesthetic of dark, porous surfaces and hand-formed sculptural outlines. After opening his Cape Town studio in 2016, his work, including the 'Imbizo' dining table and stools, has been exhibited globally and acquired by institutions like the Metropolitan Museum of Art, continually celebrating traditional craft through a fresh, contemporary lens. #AfricanDesign #Craftsmanship #ContemporaryDesign #FurnitureDesign #TextileDesign #CeramicArt #CulturalHeritage #EmergingDesigners #GlobalDesign

Daniel Lalonde, CEO of Design Holding, a prominent luxury multibrand group in the high-end interiors market, outlines his strategic vision for the company's future, focusing on making the experience of purchasing high-end interior products more accessible. Design Holding, established through Investindustrial's acquisitions of Flos (2014), B&B Italia (2015), and Louis Poulsen (2018), has expanded its portfolio to include nine brands, such as Maxalto, Azucena, Arclinea, Fendi Casa, Audo, and Lumens. This consolidation has positioned the group as a significant entity in design-led, luxury interior products, operating in over 130 countries with ten manufacturing facilities. Lalonde, who assumed the CEO role in late 2021, brings extensive experience from luxury multi-brand companies like LVMH, Louis Vuitton, Ralph Lauren, and SMCP. He acknowledges the transition from high fashion to interiors as a "leap of faith" but recognizes commonalities in heritage, craftsmanship, and the use of top designers. The company's brands collectively boast an extensive collection of works from celebrated designers, including modern classics by Achille and Pier Giacomo Castiglioni, Poul Henningsen, Arne Jacobsen, and contemporary pieces by Tobia Scarpa, Antonio Citterio, Philippe Starck, Naoto Fukasawa, Jasper Morrison, and Piero Lissoni, among others. The group also actively seeks emerging design talent. A key aspect of Lalonde's strategy involves shifting the sales model to be more consumer-centric. Historically, over half of Design Holding's business relied on wholesale channels. To address this, the company has opened a 25,000 sq ft retail center at 135 Madison Avenue in New York. Designed in part by Lissoni & Partners, this flagship store provides distinct spaces for each brand, offering a comprehensive multibrand experience. This move aims to engage architects and designers, who significantly influence furniture sales (up to 45% in the US), by providing an immersive environment for both professionals and consumers to make informed decisions. Technological advancements are also integral to the strategy, with new e-commerce platforms and a configurator app being developed for individual brands. However, Lalonde emphasizes the importance of physical interaction with products, which the Madison Avenue store facilitates. The company is also exploring other innovative showcases, such as the West Coast model home at the Mandarin Oriental Residences in Beverly Hills, which features B&B Italia products exclusively. Lalonde's role includes maintaining the distinct identity and character of each brand while fostering collaboration. He highlights the complimentary nature of the brands, noting, for example, the different design DNA between a B&B Italia sofa and a Maxalto sofa. Collaborative efforts among contract teams across brands are encouraged, especially for large projects. The group includes Italian brands (B&B Italia, Maxalto, Azucena, Flos, Arclinea, Fendi Casa), Danish brands (Louis Poulsen, Audo), and the San Francisco-based Lumens. Sustainability and ethical practices are central to Design Holding's environmental, social, and corporate governance (ESG) strategy. The company prioritizes product longevity, quality, ease of maintenance, and repairability. They also focus on sourcing sustainable and ethical supply chains, with benefits extending across all nine brands, such as sourcing wood from certified forests. The preservation of traditional manufacturing techniques and skills is also a priority, with investments in technical schools in Italy to ensure the continuity of craftspeople. The company is also targeting expansion into new markets, particularly Asia, where there is a large luxury market but a relatively nascent high-end design market. Plans are underway to open stores in China, as Design Holding aims to bring the enduring value of design to a global audience. #DesignHolding #LuxuryInteriors #FurnitureBrands #RetailStrategy #DanielLalonde #SustainableDesign #GlobalExpansion #DesignInnovation #Craftsmanship

The interior design landscape in Egypt has undergone significant evolution, embracing modern trends while meticulously preserving the nation’s rich cultural heritage. This transformation is characterized by the integration of global aesthetics with distinct Egyptian colors, textures, and traditional elements, marking a new era in contemporary interior design. Many interior design companies in Egypt are adept at merging functional contemporary design with cultural nuances, effectively blending traditional Egyptian elements with international styles. This approach is further reinforced by collaborations between construction companies and interior designers, resulting in spaces that are both culturally relevant and visually appealing, incorporating both modern and modern classic interior design principles. There is a growing demand in Egypt for spaces that seamlessly integrate modern and cultural elements, driven by increasing urban development. Clients are seeking not only functional structures but also environments that reflect their local heritage while offering the conveniences and aesthetic appeal of contemporary design. Leading construction companies in Egypt are responding to this demand by collaborating closely with interior designers to ensure architectural designs align with the envisioned interior aesthetics. Modern interior design in Egypt is distinguished by clean lines, open spaces, and minimalist details, often enhanced by unique local elements. This harmonious blend of local and global styles is a hallmark of these memorable spaces. Several key trends define modern interior design in Egypt. The fusion of natural materials and textures is prominent, with designers incorporating wood, stone, and metal, alongside materials that evoke the Egyptian landscape, such as stone textures inspired by the desert or the Nile. Egyptian patterns, including geometric designs from Islamic art and Pharaonic motifs, are strategically integrated into decor elements like tile designs and wall murals, adding a sense of cultural continuity. Modern classic interior design, which combines timeless elegance with modern functionality, is also popular. This style often features arches and grand staircases alongside minimalist layouts. The design approach prioritizes open spaces and natural light, utilizing large windows and skylights, particularly in coastal areas, to connect indoor environments with outdoor views. Sustainability is another crucial trend, with Egyptian designers adopting eco-friendly materials and energy-efficient practices, including the use of local resources, energy-efficient lighting, and sustainable furniture. Construction companies are increasingly prioritizing green building practices in alignment with interior designers to ensure project longevity and environmental responsibility. The successful integration of interior design is often achieved through close collaboration with construction companies from the initial stages of a project. This partnership ensures that all elements, from building layout to window placement, align with the intended design aesthetic, a critical factor in high-end residential and commercial developments. Egyptian interior designers adeptly adapt global trends, such as Scandinavian minimalism and industrial design, by infusing them with warmth and personalization to suit local climate and cultural preferences. For instance, industrial design elements like exposed steel and concrete are often softened with warmer tones and textures. Modern interior design in Egypt extends beyond aesthetics, enhancing the quality of life by creating spaces that foster comfort, productivity, and a connection to local culture. By blending global trends with indigenous culture, Egyptian interior design firms are establishing high standards for modern living, catering to the strong demand for contemporary design with an Egyptian flair in both commercial and residential projects. #ModernInteriorDesign #EgyptianCulture #GlobalAesthetics #CulturalHeritage #SustainableDesign #NaturalMaterials #GeometricPatterns #OpenSpaces #ModernClassicInteriorDesign

Kenda Interiors, a company operating under the third generation of the NADIM family business, specializes in customizable furniture and fittings that draw inspiration from Egypt's rich cultural heritage. Established in 2018 as a retail arm of NADIM, which began in 1978 as a workshop focused on traditional crafts, Kenda Interiors aims to bring the same quality and craftsmanship to individual homes. The brand distinguishes itself through its dedication to bespoke design, offering clients the opportunity to customize almost every item to suit their taste, lifestyle, budget, and spatial requirements. This approach ensures that each piece is uniquely tailored, moving beyond standard stock offerings found in most furniture outlets. The company places a strong emphasis on supporting local talent and preserving traditional Egyptian techniques and materials. Their designs integrate accents from historical craftsmanship, with their very name, Kenda, referencing a traditional joinery shape. Collections such as the Pyramidion, Hetepheres, and Vanish are directly inspired by Egypt's history, ancient royalty, and traditional materials like alabaster, incorporating elements like brass inlay and strong triangular angles to evoke a sense of heritage and elegance. The Pyramidion collection, for instance, reflects the gold found at the apex of pyramids and obelisks, while Hetepheres aims to instill royalty and nostalgia, and Vanish uses alabaster to create a warm and elegant atmosphere. Kenda Interiors partners with local artisans to source handmade, locally produced artworks and accessories. The selection criteria for these collaborations include functionality, a connection to Egyptian cultural or natural heritage, impeccable quality, and alignment with Kenda's identity and aesthetic. This includes a diverse range of items from blown glass chandeliers to khayameya cushions, paintings, and intricate tally scarves, all contributing to the authentic Egyptian essence of their products. This commitment to local sourcing and craftsmanship reinforces their mission to celebrate and sustain Egypt's artistic legacy. The design process at Kenda Interiors is highly collaborative, with a dedicated team working closely with clients. Designers assist clients who have specific ideas, helping them bring their visions to life. For those without a clear concept, the designers develop various proposals based on understanding the clients' latent preferences. Customizations are also common for existing collection pieces, allowing for adjustments in size, materials, finishes, colors, and fabrics. This personalized approach extends beyond furniture to include elements like wall claddings, dressing rooms, and ceilings, all of which are customized to fit the client's space and needs. The intricate nature of designing someone's home makes the client-designer relationship very personal, requiring patience and a deep understanding of individual preferences. Looking ahead, Kenda Interiors plans to expand its presence within Egypt and eventually venture into international markets. The company’s unwavering commitment to client collaboration and unique design ensures a thoughtful and distinctive interior design experience. Clients can visit showrooms in Cairo and the North Coast, browse collections online, or book consultations to realize their design aspirations. This strategy positions Kenda Interiors as a purveyor of bespoke, culturally rich, and high-quality interior solutions. #KendaInteriors #EgyptianHeritage #BespokeFurniture #CustomDesign #InteriorDesign #LocalCraftsmanship #EgyptianArtisans #HomeDecor #NADIM

Jomo Tariku, an Ethiopian American designer, has dedicated two decades to introducing African designs into the mainstream furniture market. His work merges sleek, modern aesthetics with deep historical and cultural African influences. Tariku draws inspiration from diverse African cultures, including Dogon masks from Mali, Ashanti stools, Maasai jewelry, and Kente cloth from Ghana. Architectural elements also play a significant role in his design philosophy, with influences ranging from the ancient buildings of Timbuktu to Islamic patterns and interiors found in Morocco. Tariku emphasizes that Africa, with its rich and varied cultures and long history, provides an inexhaustible source of inspiration for his designs. He believes in moving beyond conventional stereotypes through extensive reading and research to uncover these unique resources. In many African contexts, furniture traditionally serves a dual purpose, acting as both a functional item and a decorative art piece, a concept that profoundly influences Tariku's continuous creation of new contemporary African furniture. His latest design, 'The Birth Chair II,' is a contemporary interpretation of traditional African birthing chairs, which have been used for childbirth in parts of Sub-Saharan Africa since ancient Egyptian times, as depicted on temple walls in Luxor. Tariku's modern rendition features a single bent piece of wood, clean lines for the seat, and a sliding backrest adorned with artistic carvings. A key innovative aspect of this chair is its modular backrest, which can be detached and hung on a wall as a decorative element, offering flexibility in room styling and personal expression. 'The Birth Chair II' embodies trendsetting concepts that Tariku intends to use as a platform to bring contemporary African designs into homes globally. This piece, along with others from his collection, was showcased at Dubai Design Week – Downtown Design in Dubai, UAE. Tariku's background includes being born in Kenya to Ethiopian parents, growing up in Ethiopia, and earning an industrial design degree from the University of Kansas in the U.S. His portfolio includes several acclaimed contemporary African furniture lines, such as 'The Axum Series,' a living room set inspired by the architectural styles of the Axum stelae in Ethiopia, and 'The Berchuma,' a series of stools that exemplify unique contemporary African design as functional art. These creations highlight his commitment to showcasing the beauty and functionality of African design to a global audience. #AfricanDesign #JomoTariku #FurnitureDesign #DubaiDesignWeek #ContemporaryAfricanFurniture #FunctionalArt #HomeDecor #CulturalHeritage #ProductDesign

Denoe BCN Design, a Barcelona-based design studio comprising industrial designer Noé and graphic and interior designer Maria José, specializes in creating colorful, simple, and playful products. The duo draws inspiration from everyday objects, reinterpreting their use in innovative ways. This approach is evident in their product line, which transforms common items into functional and aesthetic home furnishings and decor. One featured product is the Fyl chair, a simple and stackable seating solution distinguished by its colorful outline enclosing a bent metal sheet. This design emphasizes minimalism while adding a vibrant touch. Another innovative offering is Pennxero, a modular storage system that reimagines pencils as functional hooks for organizing various items. Denoe BCN Design articulates their philosophy by stating that design encompasses not only the projected object but also the interaction between people and spaces. This perspective guides their creation of pieces that are both practical and engaging. The Gipsy barstool showcases a minimalist and lightweight design with an almost-backless structure, available in a variety of colors, making it a versatile addition to modern spaces. The Zeen rocking chair integrates functionality with leisure, featuring a built-in magazine or book nook within its seat, providing a comfortable and convenient spot for reading. The Nuus collection, inspired by the natural forms of roots and ropes, demonstrates how historical methods of fastening and connection can inform contemporary design. Pyo is an exposed bulb lamp that incorporates a whimsical birdcage-shaped shade, adding a playful and decorative element to lighting. The Maka chair, designed as an indoor lounge, evokes the relaxed aesthetic of a beach chair, allowing users to experience a sense of seaside tranquility within their homes. Each product from Denoe BCN Design reflects a commitment to simplicity, functionality, and a unique, often colorful, interpretation of everyday living. The collection collectively highlights the studio's ability to infuse joy and ingenuity into home furnishings and decor. #DenoeBCNDesign #ProductDesign #ColorfulDesign #HomeFurnishings #InteriorDesign #InnovativeDesign #ModernDesign #BarcelonaDesign

The article delves into the creative journey of Abdallah Alayan, a Tāmaki Makaurau-based architect, and his collaboration with GH Commercial to explore the capabilities of their new Designer Jet technology. Alayan, known for his innovative approach to craft and creativity, was initially recognized for his profound master's thesis project at the University of Auckland School of Architecture and Planning. His thesis, titled 'Faith in Fiordland,' proposed architectural interventions along a pilgrimage route from Te Anau to Milford Sound, aiming to foster spiritual engagement in an increasingly secular society. The project focused on architecture's potential to evoke poetry and heighten spirituality within the natural landscape by spatially abstracting common practices from various faiths, creating inclusive interventions that unified religious and non-religious individuals through a shared connection to nature's spiritual weight. This work earned him the 2019 Te Kāhui Whaihanga New Zealand Institute of Architects Resene Student Design Award for its clarity, sensitivity, inclusivity, and optimism. Five years later, Alayan embarked on a personal pilgrimage through the Middle East and Mediterranean, visiting remote Greek monasteries. During this journey, the Monastery of Varlaam, perched above Kastraki village in Thessaly, particularly captivated him. He was struck by the visual tapestry formed by the lush greenery, terracotta roofs, and muted rock formations. This experience later influenced his design work. Currently, as an associate at Monk Mackenzie, a multidisciplinary architecture practice, Alayan engages in both commercial and residential projects, exercising a high degree of creativity and craftsmanship. His involvement extends to bespoke furniture and product design, broadening his expertise beyond traditional architecture. Additionally, he runs his eponymous practice, founded in 2019, specializing in boutique architectural and spatial concepts. When GH Commercial introduced its Designer Jet technology to the Australasian market, they presented Alayan with an open-ended brief. This custom carpet technology allows for endless color and bespoke design possibilities, enabling the transfer of patterns, drawings, or images onto carpets with precision engineering. Alayan's objective was to showcase the technology's vast potential while honoring the traditions of tapestry and printing. He identified directionality as a common thread between tapestry, which generates complex images through sequential linear knotting, and digital printing, which applies color directionally. This insight led him to develop a design featuring fine horizontal lines, abstracting traditional processes. To inform the color scheme, Alayan chose to manipulate a photograph from his trip, specifically the image captured at the Monastery of Varlaam, which depicted both architectural and natural elements. This choice resonated with the tradition of incorporating natural and architectural motifs in carpet designs across various cultures, adding another layer to his design's inspiration. Through digital manipulation—selectively expanding and contracting image portions and adjusting color saturation—he achieved his desired outcome. The design features a composition of lines that subtly fade inwards, in both color and visibility, towards a central point where the original image is almost discernible, yet remains open to interpretation. This effect then blurs and fades outwards again, referencing how individual threads or lines in tapestry and printing converge to form larger images. The final custom carpet, a six-meter-long piece, was produced using the cut pile option, which Alayan found best demonstrated the Designer Jet technology's capability to print thousands of colors with impressive precision, creating unexpected color bleeds that added depth. The end result was a striking, vibrant, and evocative piece of art, showcasing the technology's advanced capabilities with minimal pixelation, proving how far this technology can push creative boundaries. The Designer Jet Carpets boast several key features: an ACCS Rating 4 Star for Contract Extra Heavy Duty performance; texture options including cut pile (17oz for standard feel, 26oz for superior comfort) and loop pile (22oz and 24oz for distinctive texture); and size options like rolls (1.96m wide), carpet tiles (500mm x 500mm), or planks (250mm x 1000mm) for flexible installation. From a sustainability perspective, the carpets are Declare Red List Free, Green Building Council compliant, hold Environmental Certification Level 4 (maximum level), and are ISO 9001, ISO 14001, and ISO 45001 certified, as well as PVC, BPA, and Phthalate Free. They also offer fast and cost-effective production in an Australian factory, with no design fees, smaller minimum orders, and flexible pricing. #AbdallahAlayan #DesignerJetTechnology #CustomCarpet #ArchitecturalDesign #TextileInnovation #MonasteryOfVarlaam #AbstractArt #SustainableDesign #InteriorProducts

The field of interior design is currently experiencing a shift away from synthetic materials and overly manufactured aesthetics, moving towards more organic designs that feature natural materials. This trend is driven by an interest in sustainability, as well as a desire for products with greater depth and personality. While natural materials such as rattan, antique wood, and various stones are gaining popularity, marble stands out as a material with a long-standing presence in interiors, ranging from historic mansions to contemporary homes. However, a new development involves the increasing use of unique marbles in bold and colorful hues, offering a fresh alternative to the traditional neutral shades like Carrara and Calacatta. These classic neutral marbles are not going out of style, but the vibrant, statement marbles are establishing their own significant place in modern design. Historically, synthetic materials such as engineered quartz, solid surface, and laminate have been favored for their durability, particularly in kitchens. However, designers are observing a growing comfort among clients with natural stone. For instance, Joslyn Taylor of Swoon, The Studio, notes a significant decrease in client hesitation regarding natural stone maintenance over the past five years. This shift suggests that people are becoming more comfortable with natural stone's wear patterns and are embracing it in various applications, sometimes in smaller, more casual doses. Swoon, The Studio, for example, incorporates natural stone into tables, accessories, and even waste bins crafted from leftover marble. Nikki Chu, another designer, points out that marble applications are expanding beyond countertops to include entire backsplashes, shower surrounds, and door frames. While natural stone, including marble, is known to be more susceptible to wear, staining from spills, and etching from acidic substances, designers like Callie Windle view these characteristics as part of marble's inherent charm. She emphasizes that the patina and wear that develop over time contribute to its beauty, warmth, and enjoyment, suggesting that there is no true substitute for natural stone. Among the trending bold marbles, Nero Marquina and Calacatta Viola are particularly popular, both known for their moody, deep tones. Windle utilized honed Nero Marquina in her former home's primary bathroom, pairing it with another marble for a striking black-and-white aesthetic. She chose it for its durability compared to soapstone and for the masculine, worn feel imparted by the honed finish, which adds warmth and depth to an otherwise cold space. Chu centered her Dallas kitchen design around a Calacatta Viola slab, noting that its rich color palette and bold veining transformed the kitchen into a focal point of conversation. She appreciates the marble's bold yet warm appearance, especially in contrast with the room's wood and brass elements. The resurgence of colorful marbles is a broader trend, with Windle observing that deeper, darker, and bolder colors, once popular in the 80s and 90s, are making a comeback. These colorful stones are now more prominently displayed in stone yards, and designers are increasingly integrating them with wallpaper or cabinetry for a tone-on-tone effect. Examples include Windle's use of deep red Rosso Levanto marble in a powder bathroom and the frequent appearance of Empress Green marble. Taylor also expresses a fondness for green and black marbles, especially when honed to give them a modern look. Her firm's renovation of the French Room at the Adolphus Hotel involved refinishing the existing dark green marble floor, which, after honing, achieved a soft, organic, and completely transformed aesthetic, highlighting the modern appeal of this finish. #InteriorDesign #NaturalMaterials #MarbleTrends #HomeDecor #ColorfulMarble #ArchitecturalMaterials #DallasDesign #KitchenDesign #BathroomDesign

The Design Show, an architecture, interior design, and fit-out exhibition, is scheduled to take place at the Cairo International Convention Center from May 23rd to May 25th. This event aims to showcase a comprehensive array of design innovations and connect professionals and enthusiasts within the industry. The exhibition is positioned as a significant gathering for the design sector in Egypt and the wider Middle East, offering a platform for exploring current trends and future directions in design. The event will host numerous exhibitors, including architects, interior designers, lighting specialists, furniture manufacturers, landscape designers, and workspace solution providers. Notable participants include Shira Group, Smart Wood, Novi Design & Furnishing, Herman Miller, Smart Furniture, and Duravit. The inclusive nature of the exhibition allows any relevant company to register and participate, fostering a broad representation of the industry. Support for The Design Show comes from prominent industry sponsors such as Asfour Crystal, Mohamed Talaat Architects, Nadim Industries, and Villeroy and Boch. Their involvement underscores the event's importance and its potential to contribute significantly to the enrichment and advancement of the Egyptian design sector. The presence of these key players helps solidify the exhibition's reputation as a vital industry occasion. In addition to the traditional trade fair components, The Design Show will feature "live design talks" accessible to all visitors throughout the exhibition dates. These sessions are designed to provide insights and foster discussions on various design topics. Furthermore, "panel discussions" will be held specifically for professionals from June 1st to June 3rd. These specialized sessions offer valuable networking opportunities and a forum for in-depth exchanges among industry experts. Attendees, whether seasoned professionals or design enthusiasts, can anticipate discovering groundbreaking products, gaining new perspectives, and staying informed about the latest design trends and developments. #TheDesignShow #DesignExhibition #EgyptianDesigners #InteriorDesign #Architecture #FurnitureDesign #CairoEvents #DesignTrends #Networking

This monthly series, "In Our Carts," highlights a curated selection of new product launches and collaborations in the home and lifestyle sphere. The June 2024 edition features a range of items, from bedding and rugs to furniture, lighting, and kitchenware, all chosen for their design and functionality. One of the notable collaborations is between Danish home brand Tekla and Artek, which resulted in a new line of bedding. This collection includes duvets and shams in three colors, adorned with Finnish architect Aino Aalto’s Kirsikankukka pattern, inspired by a Japanese scarf. The collaboration also marks Tekla's first venture into kids' bedding. Cold Picnic, known for its printed rugs, has expanded its offerings with a new collection of richly hued, solid-color rugs. These nature-inspired designs, such as Grass Green, Roasted Tomato, Sky Blue, and Pear, are crafted from 100% New Zealand wool, providing a luxurious feel underfoot. Dusen Dusen has introduced three new vibrant and graphic throw pillow designs: Daisy, Hourglass, and Ricrac. These pillows come in bold colors like sunflower yellow, denim blue, and Kelly green, adding a playful touch to home decor. CB2 has launched new alabaster sconces designed by Australian studio VUUE. These hand-carved alabaster globes are available in two sizes, 6 and 10 inches, and offer a blend of old-world glamour with a modern sensibility, suitable for various interior and exterior settings. Fashion designer Carly Cushnie has collaborated with Lulu and Georgia on her first furniture collection. This 11-piece line showcases a mix of materials, including cane, wood, bouclé, fringe, and velvet. Standout pieces include the warm-toned Yucca sofa and the burl-wood Sabal console table, offering extensive mix-and-match possibilities. Opinel has released a cleverly designed grilling set that emphasizes simplicity and utility. The stainless steel tongs are extra-long with notched tips and a curved edge for effective gripping. A unique feature is the folding knife that ingeniously transforms into a spatula handle, complete with a Virobloc locking ring. The knife handle also integrates a bottle opener, enhancing its functionality for outdoor cooking. R+D Lab has partnered with Mexican chef Elena Reygadas and Fenn Apartamento to create the Rosetta collection of glassware. This collection features three new glass shapes—Acqua, Sour, and Martini—inspired by ancient vessels discovered in Pompeii. While named for specific drinks, these versatile glasses are suggested for various beverages, such as white wine in the water cups and cordials in the stemmed glasses. Finally, Belgian architect Vincent Van Duysen continues to expand his collection with Zara Home. The latest additions emphasize natural materials like wood, concrete, and solid brass, featuring pieces such as a daybed, a library system, and organically shaped concrete side tables. Dark brown is a prominent color throughout this new iteration of the collection, reflecting a sophisticated aesthetic. Baggu has also collaborated with Collina Strada on a line of limited-edition prints for its reusable bags, picnic blankets, and towels. A new highlight from this collaboration is the Horse Bag, a mini zippered pony-shaped bag, and the Boxer Plaid print on the Small Cloud carry-on, combining playful design with practical application. #ProductLaunches #HomeDecor #InteriorDesign #TextileDesign #Furniture #Lighting #Kitchenware #DesignCollaborations #NewArrivals

Daniel Lalonde, CEO of Design Holding, discusses the company's vision and strategic plans, emphasizing its mission to be a global leader in high-end design by focusing on innovation, accessibility, and sustainability. Lalonde, who joined Design Holding in 2021, brings extensive experience from luxury brands like Nespresso and Louis Vuitton. His strategy aims to build a solid business plan and achieve global leadership in high-end design through a portfolio of complementary brands, reaching both designers/architects and end consumers via a multi-channel approach. The core of Design Holding's strategy is to allow its brands, such as Flos, B&B Italia, and Louis Poulsen, to maintain their individual heritage and DNA while fostering collaboration to leverage natural synergies. This approach has proven successful in expanding their contract business across retail, hospitality, corporate, and residential sectors. The company is committed to promoting organic growth within its existing brands while also exploring opportunities to integrate new brands that align with its high-end positioning and values. Accessibility to customers is a key pillar of Design Holding's growth strategy. Lalonde aims to make the high-end design experience less intimidating and more accessible by investing in an omnichannel approach that bridges online and offline interactions. This includes opening directly operated stores (DOS) and mono-brand stores in key global destinations like Miami, New York, Washington, Boston, Shanghai, and Tokyo. These physical spaces provide curated environments that inspire both customers and the architecture & design (A&D) community. For example, a new retail hub is planned for Manhattan’s Madison Avenue, and a B&B Italia Design Studio in Miami will showcase multiple brands. Over the next five years, Design Holding plans to pursue a four-point strategy: enhancing brand desirability through innovative products, pursuing a direct-to-consumer journey with more store openings and e-commerce investments, expanding geographical reach into North America, Greater China, and the Middle East, and strengthening its leadership in the high-end contract business. Illustrious examples of their contract work include projects for Bulgari Hotels and Rolex Stores. Sustainability is deeply ingrained in Design Holding's ethos. Lalonde emphasizes that crafting beauty must be done sustainably, viewing durability as a true embodiment of sustainability. The company challenges its brands to design long-lasting pieces with minimal environmental footprints, focusing on a circular economy model. This involves transforming frameworks and systems across the entire value chain, from sourcing and production to consumer use and end-of-life recyclability. Examples include the B&B Italia ‘Bambole’ collection and Flos ‘Almendra’ by Patricia Urquiola, which utilize recycled materials and facilitate recyclability. Additionally, Louis Poulsen’s 'PH 5' take-back scheme demonstrates a commitment to upcycling and reusing existing materials. Looking ahead to Salone del Mobile 2023 and Milan Design Week, Design Holding plans to showcase numerous new designs, with a particular focus on Maxalto. Flos will present new decorative and architectural designs at Euroluce, while B&B Italia and Fendi Casa will display their latest collections at their respective showrooms in Milan. The company's participation highlights its ongoing commitment to innovation and engagement within the global design community. #DesignHolding #DanielLalonde #LuxuryDesign #SaloneDelMobile #MilanDesignWeek #BrandStrategy #Sustainability #RetailExpansion #InteriorDesign

The article explores the collaboration between designers Stephen Burks and Malika Leiper of Stephen Burks Man Made, and the Italian wood veneer company Alpi, to translate the intricate patterns of Kuba cloth into a contemporary design product. Kuba cloth, a raffia textile handcrafted by the Kuba people of the Democratic Republic of Congo, originated in the 17th century and served as a significant status symbol among the ruling class. While it was once thought that the tradition of Kuba cloth declined after the kingdom's fall due to internal rebellions and colonization, Burks and Leiper discovered during a visit to Kinshasa that this ancient art form is, in fact, thriving among a new generation of artists and makers in villages. Burks clarifies that the perception of Kuba cloth as a 'dying artform' is a Western misconception, often influenced by the commodification of 'prestige cloths.' His and Leiper's practice, Stephen Burks Man Made, is dedicated to demonstrating the current vitality of Kuba art, emphasizing that for Kuba to have a future, it must have a present. Their efforts include producing a documentary, curating an exhibition in Japan, and designing the scenography for an upcoming show at the Mint Museum in Charlotte, North Carolina, all centered on their research into Kuba cloth. A pivotal project in their endeavor is the collaboration with Alpi, a company established in 1919 and renowned for its designer collaborations with figures such as Ettore Sottsass, Alessandro Mendini, Konstantin Grcic, Patricia Urquiola, and Ron Arad. Alpi's president, Vittorio Alpi, expresses a passion for experimentation and invites designers to create unique pieces that push the boundaries of industrial production, granting three-dimensionality to Alpi surfaces. At Design Miami 2025, Burks and Leiper unveiled their collection of sculptural furnishings, titled 'Lost Cloth Object,' which translates the geometric patterns of traditional Kuba textiles. This collection, presented as part of the fair’s 2.0 section curated by Glenn Adamson, serves as a conceptual starting point for a commercial veneer that will be developed with Alpi. Burks highlights that their practice consistently investigates the intersection of craft, community, and industry. The design process involved creating a Kuba-inspired motif using thousands of laser-thin sheets of FSC-certified poplar veneer, a technique that embodies both repetition and variation, mirroring the inherent qualities of Kuba cloth. Leiper explains that each motif in Kuba cloth carries social meaning, indicating the maker or wearer, and often mimics natural shapes, acting as a language in itself. The use of variegated veneers from Alpi’s Legacy Collection adds another layer of significance, as these veneers replicate the appearance of endangered wood species like ebony, teak, rosewood, and zebrawood, without contributing to deforestation. Vittorio Alpi notes that this collection allows for the reproduction of rare woods sustainably. The 'Lost Cloth Object' collection features a curved platform, round stools, and a circular partition with integrated shelving, designed to evoke both Alpi’s postmodern collaborative tradition and the sacred, ceremonial contexts in which Kuba cloth is traditionally used. While the specific sculptural objects will not be mass-produced, the 'Lost Cloth Object' pattern is intended for further development as a commercial veneer. Burks concludes that the project honors the traditions of the Kuba Kingdom by combining African patterns with natural wood in a sculptural, modern application, connecting to Alpi's legacy of surface design. #AfricanTextile #KubaCloth #StephenBurksManMade #Alpi #DesignCollaboration #VeneerDesign #Craftsmanship #DesignMiami #CulturalPreservation

House of Two, an interior design studio founded by Mai Elagizy and Sara Soliman, aims to challenge stereotypes and deliver high-quality design services. Both founders are interior designers and entrepreneurs who were friends since their university days where they studied interior design. They accumulated a decade of experience working together in two different companies in Dubai, handling projects across various international locations including the Gulf, the United Kingdom, and Azerbaijan. Identifying a market gap and significant growth potential within Egypt's real estate sector, Mai and Sara decided to bring their expertise back to their home country. They observed an issue with consistency in the Egyptian interior design market, noting that many companies initially perform well but eventually lose their quality. To address this, they established House of Two with a strong focus on maintaining quality and meticulous attention to detail. A common misconception the founders seek to dispel is that high-quality interior design is an unaffordable luxury. Through House of Two, they strive to offer excellent quality services at reasonable prices. While their work encompasses retail, hospitality, and food & beverage sectors across the region, their primary focus in Egypt is residential projects. They believe in the limitless potential of creativity to realize a client's vision, viewing creativity as a fundamental aspect of their approach. The designers also firmly believe that the aesthetic quality of one's surroundings significantly impacts mood and overall quality of life, particularly within the home. This perspective leads them to view their role as akin to therapists, guiding clients towards spaces that enhance their well-being. Despite their success, they have faced challenges, particularly being undermined due to their age and gender. They observe that, contrary to popular belief, the interior design industry is not exclusively female-dominated. They have learned to be assertive, demonstrating that youth does not equate to a lack of experience, and being a woman does not diminish their professional credibility; their extensive portfolio serves as proof. Mai and Sara's ambition is to expand House of Two into a comprehensive one-stop shop for all aspects of space development. This vision includes offering not just design services but also encompassing lighting, artwork, branding, and other client needs, eliminating the necessity for clients to consult multiple specialists. Their commitment is to cater to clients' specific requirements across various project types, whether residential, commercial, or hospitality, prioritizing client needs above all else, which they consider a hallmark of effective entrepreneurship. #InteriorDesign #EgyptianDesigners #Entrepreneurs #CreativeDesign #QualityDesign #ResidentialProjects #FemaleEntrepreneurs #DesignStudio #CairoDesign

Dezeen Showroom has unveiled 14 new products this week, featuring a diverse range of furniture, lighting, and finishes for both commercial and residential projects. Among the highlights is the "Technicolour" textile collection by graphic designer Peter Saville for Danish brand Kvadrat. This collection draws inspiration from the colorful sprays used by farmers to mark sheep, translating this rustic aesthetic into a series of vibrant handwoven and robot-tufted rugs with color spots, iridescent curtains, and upholstery made from British sheep's wool. Saville describes the collection as bringing "the industry of the land, in raw form, into the living environment," likening it to "rural graffiti." Other notable product additions include the "Mouro" lamp, designed by Patricia Perez for Case Furniture. This portable and rechargeable table lamp, suitable for indoor and outdoor use, features a disc-shaped LED light that rotates 360 degrees, enclosed within a rectangular frame that doubles as a handle. Rainlight's "Phlox" collection for Okamura offers a comprehensive range of seating and tables, including conference chairs, lounge chairs, high stools, and five table shapes. The collection, characterized by its gently undulating silhouettes, is inspired by the petals of the night-blooming phlox flower. For storage solutions, Bruno Rainaldi's "Ptolomeo" bookshelf for Opinion Ciatti is designed to emulate the appearance of books stacked in high piles while providing structural stability. Named after the founder of the Library of Alexandria, this stainless steel shelf is available in black, white, or Corten effect lacquered finishes. Dedar introduces two new textile collections: "The Art of Jacquard" and a "Textile wall covering collection." The Jacquard collection features ultra-thin yarns woven directly into the fabric to create rich patterns, including tropical bird motifs, nature-inspired designs, bold graphics, and abstract floral landscapes. The wall covering collection, inspired by grand tapestries, includes four patterns, such as screen-printed illustrations on linen and classic weaves of jute and linen, aimed at creating a cozy atmosphere. The "Hymn" lamp by Hiroto Yoshizoe for Ambientec is another portable and durable lighting option for indoor and outdoor settings. It employs two magnets to create constant oscillations, producing a flickering effect reminiscent of a candle flame. GamFratesi's "Beetle Chair," available through Suite NY, has been re-released with four new upholstery options in neutral shades, alongside black or brass leg finishes. John Pawson's "Frame" dining table for Nikari, originally designed for his own farmhouse, is a minimalist piece made from responsibly sourced ash or oak wood with a natural oil finish, boasting a lifespan of over 100 years. Alegre Design's "Talent" desk for Actiu is a versatile, mobile, and height-adjustable workstation designed for educational and training environments, featuring a dry-erase worktop that functions as a whiteboard when folded. Finishes also see new additions with CDUK's expanded "Corian Solid Surface" range, now available in a broader spectrum of neutral and warm colors. This material is lauded for its hygienic, durable, abrasion-resistant, and fade-proof qualities, making it suitable for both commercial and residential applications. Forbo Flooring Systems introduces "Marmoleum Linear," a carbon-neutral, plant-based linoleum flooring made from linseed oil, waste wood flour, and jute, designed to mimic wood with irregular grey and neutral stripes. ADEX presents the "Habitat" tile collection, a sustainable ceramic option for interior walls made with 55 percent white-body ceramics for enhanced durability. Lastly, Decocer's "Crag" tiles offer a family of porcelain tiles that replicate the look of stone and weathered steel, suitable for indoor and outdoor walls and floors, characterized by an industrial aesthetic and textured matte finish. #ProductLaunch #InteriorDesign #FurnitureDesign #TextileDesign #LightingDesign #SustainableMaterials #DesignInnovation #HomeDecor #WorkplaceSolutions

Dunya Home Design, based in Huntingdon Valley, is revolutionizing the surface material industry with its focus on unique luxury products. The company's name, 'Dunya,' which means 'world' in Arabic, reflects its broad vision for innovative design solutions. Chief operating officer Mike Sobolewski highlights that Dunya's product offerings significantly distinguish them from competitors, aiming to establish the brand as the leading U.S.-based company for distinctive surface solutions, driven by an essence of exclusivity. A key product in Dunya's portfolio is FLEXMARBLE, a groundbreaking surface technology crafted from 100% real crushed marble. This material maintains the authentic texture and visual richness of natural stone but introduces an unprecedented level of flexibility. This characteristic allows architects and designers to apply marble to curved walls, columns, and other unconventional architectural elements, thereby expanding the creative possibilities for incorporating marble's classic aesthetic into modern design. Sobolewski emphasizes that FLEXMARBLE is currently exclusive to Dunya in the U.S., making it a unique, customizable, and flexible stone technology. Once installed and sealed, it is designed to offer lasting beauty coupled with easy installation and adaptability. Beyond FLEXMARBLE, Dunya Home Design continues its commitment to innovation across its product range. The company has recently launched Stone Polymer panels, which are waterproof, UV-resistant, and highly durable. These panels are suitable for diverse applications, from high-humidity environments like spa bathrooms to exterior facades. Dunya is also in the process of introducing a real brick veneer alternative and is actively developing new lines, including stairs, railings, contemporary doors, and aluminum siding. Sobolewski states that every product from Dunya is developed with the intention of disrupting the design world, addressing a perceived stagnation in surface material innovation. The company's showroom is designed to be an immersive experience, functioning more as a creative studio than a retail space. It features full-scale wall installations and carefully arranged vignettes, inviting clients to interact directly with the materials. This setup allows customers to physically touch, view, and envision how these surfaces can transform their spaces, moving beyond simple samples to a more comprehensive understanding of the products. This experiential approach fosters a deeper connection with the design possibilities Dunya offers. Client support is a core component of Dunya's service model, extending well beyond the showroom. The company provides extensive support, including design consultations, digital mockups, installation guidance, and training programs. This ensures that architects, interior designers, and homeowners receive comprehensive assistance throughout their projects, fostering a sense of partnership and commitment. Sobolewski notes that Dunya considers its clients and supporters as an extended family, aiming for this sentiment to be evident in every interaction. The company's future objectives are ambitious, with a stated goal to not merely meet industry standards but to completely redefine them. Through products like FLEXMARBLE and its expanding range, Dunya is actively shaping new ways of experiencing surface materials in interior and exterior design. #DunyaHomeDesign #InteriorDesign #SurfaceMaterials #FLEXMARBLE #StonePolymerPanels #ArchitecturalInnovation #LuxuryDesign #HomeRenovation #DesignTrends

Banana Republic has launched a new homewares line, BR Home, aiming to bring the brand's classic and effortless style into living spaces. The collection is characterized by clean silhouettes, thoughtful craftsmanship, high-quality materials, and global design inspiration, mirroring the aesthetic of their apparel. The homewares are designed as foundational pieces that can be layered with personal style, offering both understated elegance and bold statements without being overly trendy. The line includes a range of furniture and decor, from modernist sofas to sculptural floor lamps, each selected for its ability to enhance a home with a "classic-cool" vibe. Key pieces highlighted from the BR Home collection include the Savannah Round Coffee Table, an artful black oak table described as rustic yet refined, suitable for displaying art books or serving as bedside tables. The Ourika Rug, a hand-knotted, honey-hued carpet made by artisans in the Middle Atlas Mountains of Morocco, offers warmth and a subtle pattern that doesn't overwhelm a room, made from soft, undyed wool. The minimalist Pierre Daybed provides extra seating and can function as a low-profile room divider, encouraging relaxation with its plush design. Lighting is represented by the Aurora Chandelier, a textured pendant light crafted from hundreds of clay beads by The Handmade Story, a South African collective. This piece offers a unique glow and supports a social cause. Storage solutions include the Lisbon Bookcase, an oak piece handmade in Indonesia, featuring a mid-century modern design with fluid shapes and ample space for books and objects. For seating, the London Sofa is a cubelike design with modern lines and broad, sloping arms, intended as a versatile base for various textures and patterns. The collection also features the Portia Floor Lamp, a polished travertine piece that doubles as sculpture, cut from a single block of stone to showcase its natural variations and topped with an iron shade. Finally, the Vail Chair, an accent chair covered in faux sheepskin, offers a playful yet comfortable design, blending postmodern twists with a Scandi-meets-ski lodge aesthetic. Overall, BR Home aims to provide a curated selection of home furnishings that embody a timeless, elevated, and adaptable style, allowing individuals to create spaces that feel as effortlessly put-together as a classic outfit. #BRHome #Homewares #InteriorDesign #ClassicCoolStyle #HomeDecor #FurnitureDesign #TimelessDesign #BananaRepublic #ProductLaunch

Cities Boutique, a prominent art and design concept store, has broadened its product range by introducing Etqaan, a brand specializing in high-end, handcrafted heritage furniture. This initiative aims to rejuvenate a traditional Arabian craftsmanship that combines intricate, authentic techniques with a contemporary perspective. Cities, located in Galleria Mall on Al Wasl Road, now showcases a selection of pieces from Etqaan's latest collection. Hazem Aljesr, owner of Cities, emphasizes the brand's commitment to supporting the revival of fading crafts and providing customers with unique, deeply rooted furniture that merges original methods with modern design sensibilities while preserving authenticity. The objective is to ensure a memorable and distinctive experience for customers, with these pieces serving as a valuable enhancement to any home. Etqaan’s craftsmanship revives historic Egyptian carpentry, characterized by the meticulous engraving of Arabic calligraphy on various surfaces including tables, doors, mirrors, and banquettes. The brand also undertakes larger projects involving wood paneling and ceiling work for hotels and mansions. The creation process involves the integration of diverse materials such as mother of pearl, brass, camel bones, and natural leather, which are inlaid into genuine massive wood. Each Etqaan art piece is inherently unique due to its handcrafted nature, exhibiting variations, the artist’s individual touch and vision, and a distinct, exquisite unevenness. The aesthetic style of Etqaan products draws inspiration from Egypt's rich history, incorporating influences from Coptic, Islamic, and European traditions, which are beautifully manifested in the furniture designs. Every piece is inspired by a different historical era. For example, a 16th-century Persian bridal box, crafted over 800 hours, features genuine walnut wood inlaid with mother of pearl. Another example is a 19th-century Egyptian Banquette, inspired by the Gayer Anderson Museum in Cairo, which required 350 hours of carving genuine walnut wood into striking floral patterns. Etqaan is a collaborative venture between the holding company Iwan Crafts and the distinguished craftsmanship of Hossama, a legacy extending back to the early 1900s. Hossama brings a remarkable portfolio of historic restoration projects across Egypt, including significant sites such as the Hanging Church in Old Cairo, Amr Ibn Alas Mosque, Al Ghoury Market, and iconic hotels like the Mena House Cairo and the Cairo Marriott, which were once royal palaces. Together, Iwan Crafts and Hossama aim to establish Etqaan as a leading name in trendsetting Arabian habitat art, ensuring that these meticulously crafted pieces continue to offer both historical depth and contemporary appeal. #HandcraftedFurniture #ArabianCraftsmanship #HomeDecor #InteriorDesign #EgyptianCarpentry #LuxuryFurniture #HeritageDesign #ArtisanFurniture