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Inside Dana Gibson Wallpaper and Home Design
The article explores the home of artist Dana Gibson, known for her vibrant and large-scale designs in her eponymous collection of fabrics, wallpaper, lighting, home accessories, and furniture. Surprisingly, Gibson's personal West End home is characterized by a more subdued aesthetic, where color is used as an accent rather than a dominant feature. She emphasizes restraint with color, aiming for a relaxing home environment after spending her days in a studio filled with vivid hues. Gibson's design philosophy centers on creating approachable elegance, with updated classic motifs that feel both fresh and familiar.
The narrative highlights Gibson's significant presence in the national design scene. Her collection, launched with Stroheim, a prominent American wallpaper and fabric company, features bold, graphic designs from her archives in a variety of color combinations, including bright and neutral palettes. Gibson expresses surprise at the collection's widespread success, attributing it to its affordability, constant availability, and colorful nature. She has incorporated her own designs into her home, such as the 'Peregrine' bird print wallpaper in her entry and the damask-like 'Nouveau Palazzo' in her dining room, complemented by chairs upholstered in coordinating fabrics from her collection. Additionally, Gibson debuted a furniture collection for The MT Company at the High Point Furniture Market, featuring her Stroheim fabrics alongside brightly colored leathers and solids, which she describes as a 'pop of color' that still demonstrates restraint.
The article delves into Gibson's artistic background, noting her lineage from Charles Dana Gibson, creator of the Gibson Girl, and her mother, Casa Bacot, also an artist. Growing up in a creatively rich household, she developed an early appreciation for the arts. Initially, Gibson gravitated towards applied arts rather than fine art, focusing on creating functional items people could live with. Her career began in the early 1990s with porcelain pieces, including soup tureens, vases, and platters, which were sold in upscale retailers like Henri Bendel, Saks Fifth Avenue, and Neiman Marcus. As the economy shifted, she adapted her business model by designing a line of tole wastebaskets and having them manufactured in China, allowing her to reduce prices and broaden accessibility to her designs.
Gibson's home, shared with her husband Mark Longenderfer and two sons, is a 1957 split-level that has undergone significant improvements over eight years. Facing challenges such as limited natural light and architectural detail, they have made additions and remodels, including the living room, kitchen, and master suite. Gibson's goal is to create an airy, open, serene, and interesting space with charming details. She strategically uses pattern, texture, and color to add interest without overwhelming the senses. Art, particularly works by her great-grandfather and mother, is central to the home's decor. The living room features paneled walls and a citron-painted band, while the master bedroom is described as serene yet engaging, with beautiful textiles and painted furniture. Gibson embraces mixing old with new, and rustic with refined, believing that contrasts add intrigue and drama. She acknowledges that her home, much like her design career, has evolved, and she continues to seek opportunities to expand her scope and impact the design world.
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