New furniture (with a family past) from master craftsman Jon Goulder

West Haddon Hall, a Los Angeles-based furniture company, is introducing its new Collection II, which focuses on creating future heirlooms through well-considered and thoughtfully designed furniture. Founder and interior designer Kate Driver emphasizes that good design ages better, underscoring the brand's commitment to longevity and timelessness. The collection, comprising seven distinct pieces, draws inspiration from classicism and organic forms, integrating centuries-old artisanal techniques such as straw marquetry and caning, alongside sensitive upholstery detailing. Key pieces include the Brooks armchair, featuring a geometric wooden frame with caning and a gently curved upholstered top rail, and the Mulberry armchair, as well as the Wyngate Marquetry cocktail table. The philosophy behind West Haddon Hall's new collection is rooted in creating pieces that are not only aesthetically pleasing but also functional and enduring. Driver believes that decorators, given their understanding of client needs and daily living, are uniquely positioned to design furniture that integrates seamlessly into homes and is cherished for generations. This approach contrasts with the trend of fast furniture, offering an edited and usable collection where functionality and the end-user's experience are paramount. Driver often references her own treasured family heirloom, an old Welsh dresser, as an inspiration for preserving the memory and value of old objects in new designs. To showcase Collection II, Kate Driver meticulously staged each piece within an architecturally significant 1921 home designed by Francis Pierpoint Davis. This backdrop, chosen for its historical significance and recent renovation that preserved original details, allowed the new furniture to be presented alongside vintage pieces and antiques. This contextualization highlights how West Haddon Hall's designs can integrate into diverse environments, illustrating the potential for new items like the Elliston daybed and Ivy side table (from Collection I, now available in a new Champagne color) to coexist harmoniously with cherished older items, fostering a personal and unique living space. True craftsmanship is a cornerstone of West Haddon Hall's collection. Driver actively seeks collaborations with artisans and craftspeople to ensure the revival and continuation of traditional techniques. She expresses a particular interest in marquetry and caning, emphasizing the importance of preserving these rare arts from fading into obscurity. The new floating credenza, for instance, prominently features natural caning and honeyed oak, showcasing the brand's dedication to these intricate skills. The company also offers customization options, allowing clients and trade professionals to specify different sizes or materials, thereby providing original, bespoke, and timeless quality furniture. #FurnitureDesign #HeirloomFurniture #InteriorDesign #ArtisanalCrafts #SustainableDesign #TimelessDesign #WestHaddonHall #KateDriver #LuxuryFurniture

The luxury brand The Row, founded by Mary-Kate and Ashley Olsen, has discreetly launched a curated vintage furniture line. This collection, found under a new 'Galerie' sub-page on The Row's website, expands on the brand's earlier foray into homeware. In early April, The Row introduced its first homeware collection during Milan Design Week, which included handwoven cashmere blankets and quilted bedding sets, presented in an intimate and minimalist style. The newly released vintage furniture line reflects The Row's signature aesthetic, characterized by understated luxury and meticulous attention to detail. This design philosophy was notably evident in the interiors of their flagship store in Paris, where furniture played a crucial role in shaping the twins' vision. Examples from the Paris store include two 1940 wooden Traineau chairs by Victor Courtray and a 1955 black Georges Jouve coffee table, alongside custom-built seating that subtly references Californian design, such as a 1930 coffee table by Michel Dufet. The online curated selection features a range of significant 20th-century pieces from renowned designers. Highlights include a Charlotte Perriand Cansado Table from 1958, a pair of armchairs by Guillerme et Chambron from 1960, a round wood and metal side table by Louis Sognot dating back to 1930, and a foldable chair by Pierre Dariel from 1934. These selections underscore The Row's commitment to timeless design and high-quality craftsmanship, extending their brand identity beyond fashion into the realm of home furnishings. The quiet launch of this collection is consistent with The Row's typically private and understated approach to their business, opting for a subtle online release rather than a high-profile announcement. This method allows the pieces to speak for themselves and resonates with an audience that appreciates refined aesthetics and exclusive offerings. The integration of vintage furniture into their existing homeware offerings suggests a natural evolution for the brand, reinforcing its holistic vision for a well-curated lifestyle. #TheRow #VintageFurniture #LuxuryDesign #Homeware #InteriorDesign #CharlottePerriand #LouisSognot #GuillermeEtChambron

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

Investing in luxury furniture ensures lasting quality and timeless design for your home decor. While furniture undergoes significant wear and tear over the years, selecting pieces from premium brands guarantees durability and enduring style. Kara Smith, principal of KES Studio, highlights that luxury furniture transcends mere aesthetics by combining sophistication with innovation, emphasizing superior materials and exceptional craftsmanship. She further notes that the unique artistic expression and distinguishable style infused by a designer elevate a piece from functional object to a remarkable investment. For those venturing into luxury furniture, Smith advises starting with an accent chair, such as bouclé seating. Accent chairs offer versatility, seamlessly integrating into various floor plans and adapting to evolving decor styles. Another recommended investment is a well-designed console or dresser, which adds character to a space while serving practical purposes. When evaluating luxury, Smith cautions against solely relying on price, instead stressing the importance of examining craftsmanship. She explains that the construction, material selection, and fastening methods are crucial indicators of quality. Genuine wood features, authentic metal, and premium-grade leather are elements that contribute significantly to a piece's overall quality and luxurious feel. Navigating the home design market can be challenging, so a curated list of 20 luxury furniture brands is provided, spanning a range from significant investments to more budget-friendly options. Each brand is presented with its price range and known specialties. For example, 1st Dibs is celebrated for its vintage and pre-owned, one-of-a-kind furniture and decor, offering pieces like the iconic Egg Chair and Victorian dining tables. Anthropologie stands out for its maximalist furniture, incorporating bold colors, patterns, and ornate designs. Sundays Company is recognized for its durable, solution-oriented pieces that withstand both time and trends, often featuring hidden functionalities like extra storage or fold-out beds. ABC Carpet & Home, a New York City landmark, offers modern design and luxurious rugs, leaning towards an English country aesthetic rather than minimalism. Blu Dot specializes in contemporary, modern furniture focused on usability and durability, with all designs developed in-house. Audo, a Danish brand, embraces minimalist Scandinavian design with a focus on quality materials like sheepskin. Tom Dixon, a British brand, incorporates Victorian designs, offering angular tables, chairs, lighting, and home accessories. Soho Home, an offshoot of Soho House, provides intricate and opulent retro-inspired designs. For secondhand luxury furniture, Chairish allows shopping for pieces from renowned designers like George Nakashima and Eames, often at significant discounts. Rove Concepts is noted for its sustainable, trendy designs, encompassing mid-century modern to bulbous sofas. Casterly focuses on high-quality, contemporary pieces that transcend fleeting trends. TOV offers budget-friendly luxury furniture with a wide range of contemporary styles. Eternity Modern curates iconic and sought-after designs from history, such as Mario Bellini sofas. Knoll is celebrated for its timeless Bauhaus designs, including the Saarinen Dining Table and Barcelona Chair. Maiden Home emphasizes craft-focused furniture made from hand-chosen, durable materials, supporting heritage and artisan work. Design Within Reach makes iconic designs accessible online, collaborating on pieces like the Eames chair. Roche Bobois, with showrooms worldwide, provides made-to-order furniture and interior design consultations. Modani offers art deco and mid-century modern pieces characterized by angular shapes. Kartell, based in Milan, focuses on minimal luxury furniture created with environmentally friendly, innovative materials like recycled upholstery and coffee waste. Lastly, CB2, the luxury counterpart to Crate & Barrel, delivers trendy yet timeless design pieces without exorbitant price tags, maintaining quality and style for a calm and cool home environment. #LuxuryFurniture #HomeDecor #InteriorDesign #FurnitureBrands #TimelessDesign #Craftsmanship #SustainableDesign #ModernFurniture #VintageFurniture

Vintage furniture offers a unique opportunity to infuse character and a sense of history into a home, distinguishing it from mass-produced items. The appeal lies in elements such as well-worn leather, artisanal details, and an inherent historic feel, all of which contribute to a personalized and soulful interior. While traditional hunting grounds like flea markets and sprawling antique stores offer a thrill, many consumers prefer a more curated shopping experience. This article highlights eight top vintage furniture stores, accessible both in-person and online, that specialize in hand-picking antique and vintage pieces. Chairish stands out as a well-established online marketplace with over a decade of operation, offering more than a million listings. It caters to a wide range of tastes, enabling users to search for specific styles like Louis XV dining chairs or chinoiserie desks and filter by preferred decor aesthetics. Litt Concept House, a Los Angeles institution since 1973 (originally Mitchell Litt Home), provides international antiques. After a change in ownership in 2021, it continues to offer a brick-and-mortar experience alongside its online presence, featuring items from the 19th and early 20th centuries, including tables, dressers, wardrobes, and settees. Everything but the House (EBTH), established in 2008, reimagines the estate sale experience as an online auction. Starting bids at just $1 allow for the potential acquisition of significant pieces, such as Biedermeier-style armoires or Hollywood Regency brass side tables, though buyers are advised to review shipping and pickup details carefully. Jayson Home, based in Chicago, serves as a hub for Midwestern designers and travelers. Its Clybourn Avenue store is complemented by a comprehensive website, showcasing unique finds like antique toile fabric folding screens, distinct light fixtures, and oak armoires with rich patinas. One Kings Lane is recognized for its sophisticated collection of antique and vintage furniture. Its online platform features a diverse range of rare and luxurious items, often with a global influence, including mother-of-pearl inlay benches, Moroccan poufs, and hand-carved cabinets from the early 1800s. High Style Deco, located in New York City, specializes in Art Deco furnishings. The store offers velvet dining chairs and sculptural cocktail tables in person, with an expanded selection available online, catering to those looking to integrate vintage glamor or timeless pieces like neoclassical vitrines and leather-wrapped club chairs into their decor. Authentic Provence, situated in West Palm Beach, Florida, presents a mix of pieces spanning various eras. Known for its garden statues and home furnishings, its online shop features 18th to 19th-century items, including Rococo and Baroque styles, alongside other beautiful vintage selections. Finally, Lolo French Antiques, located in Birmingham, Alabama, focuses specifically on French antiques that are at least 100 years old, while also offering a selection of vintage furniture and objets d'art. Their website provides access to pieces suitable for a French chateau, such as bleached walnut coffee tables and Bergère Marquise armchairs, with shipping services available nationwide. #VintageFurniture #AntiqueShopping #HomeDecor #InteriorDesign #OnlineShopping #CuratedCollectibles #FurnitureStores #DesignTrends

The Gee’s Bend textile artists, including Loretta Pettway, Delia Bennett, Annie E. Pettway, Magdalene Wilson, and Mary Lee Bendolph, have inspired a new furniture collection. Their renowned kaleidoscopic quilt patterns are being translated into a vibrant home furnishing line by the Philadelphia Museum of Art and Cloth & Company, a Chicago-based firm. This collaboration marks a fresh approach to bringing the celebrated artwork of these Alabama artists into people’s homes, following various other reproductions like puzzles, notecards, and scarves. The Gee’s Bend quilts gained international recognition through an exhibition at the Museum of Fine Arts, Houston, in 2002. The current furniture collection is a direct outgrowth of the "Souls Grown Deep: Artists of the African American South" exhibition, which was hosted by the Philadelphia Museum of Art in 2019. Christine Kostyrka, the director of retail at the Philadelphia museum, was deeply inspired by the quilts during this exhibition and recognized their potential for furniture reproductions. Kostyrka initiated the collaboration by contacting Meganne Wecker, founder of Cloth & Company. Wecker embraced the concept, leading to engagement with the artists and their estates. The project also involved Dilys Blum, senior curator of costume and textiles at the museum, to ensure the quilters' narratives and the integrity of their handiwork were respected and accurately represented. The goal was to tell the quilters' stories and honor their traditional craft through this new medium. The collection comprises sixteen upholstered furniture and décor items, such as chairs, headboards, pillows, and ottomans. Each piece is adorned with reproductions of five specific quilts from the Philadelphia Museum of Art’s permanent collection. The nature of the quilt patterns lends itself particularly well to furniture upholstery, with the reproductions meticulously capturing the visual texture, including wrinkles and patinas, that characterize the original hand-stitched works. This attention to detail makes the furniture appear as if it is upholstered with the actual quilts. These exclusive pieces are retailed solely through the Philadelphia Museum of Art’s retail store. The store provides comprehensive biographies of the featured artists and historical context for each quilt design, enriching the consumer's understanding and appreciation of the art. Each furniture item is made to order by Cloth & Company in Chicago and typically delivered within three weeks of purchase. A significant aspect of this initiative is that every sale generates royalties for the artists, providing a direct benefit to the Gee's Bend community and acknowledging their invaluable artistic contributions. This collaboration not only celebrates the work of these talented women but also offers a unique way for individuals to incorporate these iconic designs and their rich cultural legacy into their living spaces. #GeeBendQuilts #FurnitureCollection #TextileArt #HomeDecor #PhiladelphiaMuseumOfArt #ClothAndCompany #AfricanAmericanArt #CulturalHeritage #HandcraftedDesign

Nidhi Kapur founded Maiden Home, an online furniture company, out of frustration with the limited and often low-quality options available when furnishing her first adult home. She observed that existing large chain stores either lacked elegant designs, appeared cheap, or leaned heavily into a mid-century modern aesthetic, none of which met her desire for quality and value within her price range. Leveraging her background in e-commerce, Kapur embarked on a mission to create a direct-to-consumer model that would revolutionize the furniture shopping experience. The company name, Maiden Home, symbolizes the significant life changes that often prompt furniture purchases, such as marriage, moving to the suburbs, or buying a first home. Kapur's vision for Maiden Home centered on handcrafted, high-quality furniture made in North Carolina, drawing inspiration from her parents' long-lasting furniture purchases from the region. She traveled extensively across North Carolina to identify family-owned businesses specializing in custom upholstery that could meet her stringent requirements for affordable, handcrafted pieces. This extensive search culminated in establishing partnerships with skilled artisans capable of producing the desired products. Maiden Home distinguishes itself by cutting out traditional intermediaries, adopting a direct-to-consumer approach that has proven successful in other industries. This model eliminates the markups associated with selling through boutique furniture stores or outsourcing manufacturing to international factories. Consequently, a custom-made couch that might cost $6,000 through a traditional retailer can be purchased for $2,000 directly from Maiden Home, without compromising on quality, comfort, or elegance. The development of Maiden Home took two years, during which Kapur meticulously addressed the complexities of delivering custom American-made furniture nationwide. Her customer service philosophy prioritizes keeping promises and avoiding the common pitfalls of mistreating customers, a stark contrast to her perception of the furniture industry's historical practices. Maiden Home offers a streamlined customization process starting with four core sofa and four chair designs. Customers can personalize their selections based on size, fabric, and color through the company's website, which provides complimentary swatch kits and access to design advisors. These advisors offer guidance throughout the purchase journey, ensuring that selections align with a customer's aesthetic and home environment. After an order is placed, Maiden Home provides weekly updates on the manufacturing process, covering stages from cushion creation to final inspections. The company also guarantees a six-week white glove delivery service across most of the United States. An exceptionally customer-friendly policy allows for a 30-day full refund return, a rare offering in the custom furniture market. Although primarily an e-commerce platform, Maiden Home maintains an appointment-only showroom in Kapur’s Tribeca apartment for customers who prefer to view products in person. The brand officially launched on March 7, with pre-launch beta users already expressing satisfaction with the designs, comfort, and transparency regarding product origins. Maiden Home's top-selling Minetta Chair exemplifies its commitment to detailed craftsmanship, featuring 16 rows of stitch detailing and available in a wide range of fabrics and leathers. All sofas are designed for longevity, preventing flattening and cushion slippage. Kapur plans to expand the product line beyond couches and chairs, prioritizing customer feedback to introduce new furniture types based on demand, always with the customer experience at the forefront. #HomeDesign #FurnitureDesign #CustomFurniture #DirectToConsumer #MaidenHome #ECommerce #InteriorDesign #LuxuryFurniture #HandcraftedFurniture

The article highlights the growing popularity of heirloom-style furniture and introduces a collection from The Pioneer Woman line at Walmart that offers this aesthetic at an affordable price, with all featured pieces under $500. The author, an interior design enthusiast from a young age, explains their personal connection to furniture with a sense of history and praises how Ree Drummond's collection captures the essence of classic, well-loved pieces. The collection incorporates design elements such as scalloped aprons, visible wood grain, and turned spindles, reminiscent of items found at estate sales or passed down through generations. Eight specific furniture items from the collection are reviewed in detail. The Harper Spindle Accent Chair, described as an 'old-soul' piece, features a solid wood frame with hand-turned-feeling spindle arms and legs. It boasts thick, reversible cushions in a durable fabric, available in Antique White or Jade, and is noted for its comfort and charming aesthetic at a fraction of the cost of designer alternatives. The Helen Coffee Table is presented as a low-slung, generously scaled piece for a sitting room, crafted from solid wood with a hand-applied heirloom brown stain and a scalloped apron, and includes an anti-scratch touch-up pen. The Harper Counter Wood Stools, sold as a set of two, offer a ladder-back silhouette in crisp white or Homestead Brown. They are constructed from solid wood with arched seat edges for comfort and a cross-brace footrest for stability. The Harper Spindle Bed, a 'Jenny Lind' homage, features 19th-century lathe-turned spindles in a solid wood frame with ample proportions. It is designed to be sturdy enough to forgo a box spring and is celebrated for its timeless appeal. The Harper Bench combines ranch-house and parlor aesthetics with a faux cowhide-patterned cushion and a solid wood frame with turned legs. Its padded seat is covered in a soft, cleanable fabric, and the bench includes a slatted lower shelf for storage. The Harper Spindle Nightstand is a single-drawer piece made of solid wood with slim spindle legs and a smooth painted finish. It includes hidden USB charging ports, making it both functional and discreet. The Helen Bookcase, a six-foot-tall unit with a narrow 15-inch depth, is built from solid wood with a scalloped crown detail and visible grain, offering five open shelves and a deep bottom cubby. Lastly, the Harper Wood Trim Office Chair blends farmhouse warmth with a vibrant turquoise faux leather upholstery. It features a solid wood frame, padded seat, adjustable height and tilt, and a smooth-gliding caster base, designed for comfort and style in a home office setting. Each piece is highlighted for its quality, design, and budget-friendly price point. #HeirloomFurniture #PioneerWomanCollection #WalmartHome #AffordableDecor #HomeFurnishings #InteriorDesign #SpindleFurniture #ScallopedDetails

Nicole Crowder, a renowned upholstery professional, has recently returned to her hometown of Minneapolis, bringing her distinct and vibrant design aesthetic to the Twin Cities. Her work is characterized by bold colors, intricate patterns, and unexpected details, distinguishing her from a local design scene that she describes as generally more subdued. Crowder's creative approach is evident in her custom-designed chairs, loveseats, stools, and other furniture pieces, which are highly sought after by designers and homeowners nationwide. Crowder's journey into upholstery began in 2013 as a side pursuit while working as a photo editor. By 2017, her passion for the craft led her to dedicate herself fully to upholstery. Her self-taught expertise largely stems from extensive research on YouTube, where she meticulously studied various techniques like topstitching and different blind stitches. She honed her skills through practical, hands-on experience, often acquiring inexpensive practice chairs from Craigslist, thrift stores, antique markets, and even roadside finds. This period of trial and error in her living room formed the foundation of her current mastery. Fashion serves as a significant source of inspiration for Crowder, influencing her preference for incorporating unique details, buttons, zippers, and unconventional fabrics into her furniture designs. She enjoys projects that allow for experimentation, enabling her to infuse pieces with narrative elements, such as feathers, paper flowers, or fringe, to enhance texture and layering. Despite her vibrant professional and home aesthetics, Crowder admits her personal wardrobe leans towards neutrals, considering her furniture as an "alter ego" where her love for color and patterns truly shines. Since her return to Minneapolis in February, Crowder has embraced a phase of rediscovery, actively exploring the city's design, culinary, music, and arts scenes. She expresses excitement about connecting with other local creatives, who, in turn, introduce her to hidden gems across the city, including shops, parks, and architectural styles. This exploration is crucial for her to understand how people utilize and maximize their home spaces and daily activities, which informs her contribution to the local design landscape. Crowder's ambition is to infuse more energy and boldness into the Twin Cities' design scene. While appreciating the existing "chill energy" of Minnesota, she aims to elevate it with her signature style, characterized by bright colors, dynamic patterns, and an overall sense of vibrancy. She envisions her pieces, such as a Moroccan blue chair with an orange stripe, becoming iconic representations of her unique "stamp" on the community. Her personal favorite shopping spots for furniture and fabric include MidModMen+friends, Loft Antiques, Marva’s Place, and SR Harris Fabric, valuing their diverse and curated selections. She also enjoys the city's culinary offerings, frequently visiting establishments like Rosalia, Martina, and Barbette, and finds inspiration in the outdoor spaces and cultural institutions like the lakes and the Minneapolis Institute of Art. #Upholstery #FurnitureDesign #InteriorDesign #NicoleCrowder #MinneapolisDesign #HomeDecor #CreativeEntrepreneur #Artisan

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

This article explores the concept of iconic furniture, delving into pieces that have transcended mere functionality to become cultural touchstones and influential designs. It highlights how certain furniture items shape our interaction with spaces and daily lives, drawing a parallel with impactful artwork but emphasizing the crucial role of function in design. The piece features insights from 22 interior designers and professionals, who identify and discuss what they consider the most iconic furniture designs throughout history. Among the selections is Yves Klein’s Table IKB, notable for its use of the artist’s self-invented International Klein Blue pigment, demonstrating how a simple form can be elevated to art while retaining its practical purpose. Vladimir Kagan's Serpentine Sofa is praised for its mid-century modern curves that add warmth and personality to contemporary spaces, affirming its timeless appeal. Frank Gehry’s Wiggle Chair is celebrated for its experimental use of cardboard, showcasing durability and playfulness while pioneering environmentally friendly materials. George Nakashima’s New Lounge Chair exemplifies American-Japanese design, highlighting natural wood characteristics and traditional American craftsmanship, such as the Windsor chair-inspired spindles. The article also features Gaetano Pesce’s Up Armchair, recognized for its innovative all-foam construction and unique flat-pack delivery that allows the chair to expand upon unboxing. Charles and Ray Eames’s Lounge for Herman Miller is acknowledged for its strong presence and enduring quality, leaving a lasting impression even on young observers. Charlotte Perriand’s tables and stools are admired for their minimalist approach, utilizing humble materials to create elegant and functional pieces that resonate particularly in large-scale projects. Angelo Mangiarotti’s Eros side tables are noted for their primitive yet whimsical design, using friction to join two stone pieces without fasteners. Isamu Noguchi’s Akari Lanterns are highlighted for their traditional Japanese craft, providing a beautiful glow and maintaining iconicity through modesty, low cost, and simplicity, making them versatile for any project. The Klismos Chair, with its origins in ancient Greece, is presented as a design that has been repeatedly reintroduced into interiors over centuries, with T.H. Robsjohn Gibbings' 1960 revival being particularly influential. Oscar Niemeyer’s Rio Lounge Chair is celebrated as a perfect blend of sculpture and design, born from his modernist architecture background and featuring high-quality materials and avant-garde techniques. Guillerme et Chambron’s Grand Repos Armchair is lauded for combining natural materials and classic techniques with a sense of formality, influencing many contemporary designers. Maya Lin’s Longitude Chaise for Knoll is described as a decompression sanctuary that gives the illusion of levitating, praised for its sleek lines, comfort, and simple elegance. George Nelson’s office furniture for Herman Miller marks a pivotal moment in office design, transitioning from freestanding pieces to reconfigurable, ergonomic panel workstations. Vico Magistretti’s Atollo Table Lamp is recognized as a modern Italian masterpiece from 1977, admired for its clean geometric form and ambient lighting. Josef Hoffmann’s Club 1910 Chair is noted for its ahead-of-its-time design and deep tufted leather, maintaining a fresh look over a century later. Ludwig Mies van der Rohe’s Barcelona Chair is praised for its streamlined form, durable materials, and versatility, aging beautifully with a rich patina. The Louis XV Daybed is cherished for its adaptability across various rooms, serving as extra seating or an additional bed. The Peacock Chair, originating in the Philippines, is celebrated for its regal appearance despite being made from humble natural materials, with a rich history in portrait photography. Lastly, the simple Farm Table is recognized as a humble essential that embodies timeless grace and organic materiality, telling stories through its wear and patina, and holding new significance in the context of the climate crisis. #FurnitureDesign #IconicFurniture #InteriorDesign #HomeDecor #DesignHistory #ModernDesign #ClassicFurniture #ArchitecturalDesign #DesignInnovation

The article explores the financial and practical considerations of reupholstering antique furniture versus purchasing new items, drawing on insights from interior design experts. While there isn't a single definitive answer regarding cost-effectiveness, designers generally suggest that reupholstering often comes at a slightly higher price point than buying new, primarily due to the cost of high-quality fabric and the need for skilled craftsmanship, especially for intricate pieces or traditional methods. The expense can range from a few hundred dollars to thousands, depending on the size of the furniture and the chosen upholstery material, with performance fabrics adding to the cost. However, the decision extends beyond mere cost. Designers emphasize the intrinsic value and sustainability aspects of reupholstering antique furniture. They highlight that antique pieces often possess superior craftsmanship and a unique character that cannot be replicated by modern furniture. Preserving these items contributes to environmental sustainability by diverting them from landfills and fosters a culture of valuing enduring quality over disposable trends. Many designers, like Rebekah Zaveloff of Imparfait Design Studio, advocate for reupholstering due to the benefits of customization, the ability to select specific fabrics and cushion fills, and the satisfaction of maintaining a well-made piece with historical significance. A crucial factor in deciding whether to reupholster is assessing the antique's condition. While most structural damages, such as wobbly frames or worn springs, can be repaired by skilled upholsterers, severe issues like termite damage, extensive water or fire damage, or irreparable hand-carved details might render a piece beyond economical repair. Aesthetic flaws, however, can often be cleverly disguised through reupholstery techniques, such as adding a skirt to hide damaged legs, as demonstrated by Shani Core Interiors. The sentimental and investment value of the furniture also plays a significant role. Heirloom pieces or items from renowned makers like Howard, Gillows, James Shoolbred, or George Smith are considered worthy investments for refurbishment, as their inherent value justifies the cost. For those without such prestigious provenance, the decision often hinges on personal attachment and appreciation for the item's history. The article provides practical advice on how to find a reputable upholsterer, including checking portfolios, asking detailed questions about repair methods (e.g., hand-tied coil springs for antique pieces), seeking multiple quotes, and utilizing social media for recommendations and vetting. It also clarifies the distinction between 'recovering' (simply replacing fabric) and 'reupholstering' (which involves structural repairs and re-springing, in addition to fabric replacement), advising that true reupholstery is essential for preserving the integrity and value of an antique. #AntiqueFurniture #FurnitureRestoration #Upholstery #InteriorDesign #HomeDecor #SustainableLiving #CostComparison #Craftsmanship #HeirloomPieces

This article, part of a weekly series spotlighting the latest product debuts in the marketplace, presents a curated selection of new launches in home furnishings and materials. The featured introductions span various categories, from furniture and wallcoverings to surfaces, lighting, and textiles, offering a comprehensive overview of recent innovations in interior design. RH's fall 2025 “RH Interiors” sourcebook is highlighted for its reinterpretation of classic designs with a modern sensibility. Key pieces include the 1970s brutalist Adilon tables, the Modena sofa featuring a sleek slipcover, the Calamette chandelier by Jonathan Browning with onyx paneling, and the Toulouse canopy bed, a Julie Lawrence creation crafted from sand-cast solid iron. These pieces collectively showcase a blend of historical inspiration and contemporary execution, emphasizing sophisticated aesthetics and materiality. Fromental's "Phantasm" wallcovering, designed by Amy Lau, is another notable debut. This wet-dyed silk mural, originally a custom piece for Lau's home, draws inspiration from iridescent Loetz glass. It features a painterly polychromatic pattern and metallic accents reminiscent of Gustav Klimt's work. A portion of the proceeds from its sale supports causes selected by Lau’s family, adding a philanthropic dimension to the product. Cambria introduces four new quartz surfaces, expanding its collection of American-made materials. These include "Traymore Bay," a misty neutral; "Claremont," characterized by chocolate and taupe veining; "Kenwood," a marbled ivory design; and "St. Isley," a bold blue-gray with dark wavy lines and white crackles. These surfaces provide diverse options for countertops and other applications, catering to various aesthetic preferences. To commemorate a decade of collaboration, Brooklyn-based Remains Lighting and Los Angeles design studio Commune launched an anniversary collection. The collection features eight new lighting designs, such as blown-glass Cylinder lanterns and brass-mesh Linear sconces. Additionally, it includes the curvaceous Halo mirrors and a range of storage accessories with faceted edges and perforated detailing, blending functionality with distinct design elements. Nurture by Nature, a collectible design gallery in Burlington, Vermont, is set to launch with its inaugural exhibition, “Unknown Friends.” This exhibit will feature 34 handcrafted works by 15 makers, available for public viewing and purchase. Featured pieces include Yuxuan Huang’s Lamp I, made from bamboo and hand-painted mashi paper; Luke Malaney’s reclaimed-wood Gambler cabinet; and Anna Gukov’s ceramic Tassel Il sculpture, showcasing a commitment to artisanal craftsmanship and unique design. Chaddock unveiled its first collaboration with Palm Beach County designer Allison Paladino. This made-to-order, 14-piece collection, produced in North Carolina, includes the French deco-inspired Kuester ottoman, the architectural Randee chair, and the Sir Martin mitered sectional. The sectional is distinguished by its clean lines, canted front, and column-like ends, reflecting a focus on tailored design and quality. OuterClé, a division of Clé Tile, introduced the "Lido Splash" collection of graphic pool tile mosaics. Designed to evoke a Mediterranean aesthetic, the collection features 18 distinct mosaics in various multitonal hues, such as "Pavone" (cool blue) and "Meraviglia" (warm neutral). These tiles can be combined to create customized focal points in outdoor spaces. Pindler’s "Mini Prints" collection showcases small-scale patterns printed on a cotton-linen ground. Available in seven colors, the collection includes designs such as the striped "Tilly," the floral "Fearne," the ikat-esque "Imogen," the dotted "Evienne," and the quatrefoil "Gemma." These textiles offer versatile options for adding subtle pattern and color to interiors. Studio Abrash, an India-based rug manufacturer, launched a new line inspired by William Morris and the Arts & Crafts movement. This collection features 10 hand-knotted rugs made from pure wool and silk, incorporating art nouveau botanical designs. Examples include the acanthus-clad "Eden," the marigold-covered "Mary," and the iris-filled "Luna," reflecting a revival of historical textile motifs. Finally, WallPops collaborated with Bangladeshi American designer Nabela Noor on a line of peel-and-stick wallpapers. The collection features four South Asian block print–style patterns: the sari-inspired "Aliviya," the banded "Zareen," the paisley-accented "Faiza," and "Safia," which features a traditional buta motif. This collaboration brings culturally inspired designs to accessible home decor solutions. #ProductPreview #HomeFurnishings #InteriorDesign #NewArrivals #LuxuryDecor #TextileDesign #SurfaceMaterials #LightingDesign #FurnitureDesign

This article explores the historical marketing of modern furniture, contrasting its contemporary perception as a design statement with its original promotion as a practical, time-saving solution for housework. It highlights a 1940s promotional booklet by Herman Miller, titled "A History of Modern Furniture from Prehistoric Times to the Post War Era." Written by design director Gilbert Rohde and illustrated by his wife, Peggy Ann, the booklet directly addressed women, who were typically the primary decision-makers for household purchases. The core argument of the Rohdes' campaign was the practicality of modern furniture compared to the ornate Chippendale style, which was highly popular at the time. Chippendale furniture, characterized by intricate carvings, cabriole legs, and ball-and-claw feet, was presented as requiring extensive dusting and maintenance. The booklet humorously questioned whether households had "oodles of dust-uppers" to manage such pieces. In contrast, modern furniture was advertised as having "no dust-catching gee-gaws," implying ease of cleaning due to its smooth, practical surfaces. The 16-page publication emphasized several advantages of modern furniture beyond just ease of cleaning. It was scaled to fit smaller apartments, a growing necessity in an evolving society, and was designed to be sturdy and customizable. The Rohdes' message was particularly relevant during World War II, a period when American women were increasingly entering the workforce in professions traditionally held by men. This shift meant many wives were away from home for the entire workday, making time for household chores a significant challenge. The 1940s also saw a decline in the availability of live-in domestic helpers in middle-class homes, further exacerbating the need for more manageable household items. The article quotes Rohde's polemic against the impracticality and perceived extravagance of older styles, suggesting that Chippendale designs were for those who could easily replace broken or fragile items without financial concern, a luxury not afforded to the average American during wartime. Modern furniture was thus positioned as a practical "weapon against the ceaseless battle with dust" for these time-strapped women. Despite the innovative marketing, the article acknowledges that furniture design, no matter how modern, cannot entirely eliminate household chores. It cites a 2015 US Bureau of Labor study, which indicates that women in the US still spend an average of 29 minutes daily on home cleaning, making it the second most time-consuming household task after food preparation. This historical perspective reveals how a focus on utility and efficiency once underpinned the marketing of what is now largely appreciated for its aesthetic and design principles. An update notes that a previous version of the article incorrectly attributed the writing of the catalogue solely to Peggy Ann Rohde. #ModernFurniture #FurnitureDesign #HermanMiller #GilbertRohde #PeggyAnnRohde #Housework #MidCenturyDesign #WartimeAmerica #HomeDecorHistory

The article explores the philosophy and curated offerings of Olive Ateliers, a Los Angeles-based furniture and home decor store, emphasizing their approach to sourcing "objects with old souls" to bring a sense of global travel and history into contemporary living spaces. Co-founders Kendall Knox and Laura Sotelo discuss their unique sourcing strategy, which involves importing homeware gems from various countries like France and Indonesia. They highlight how these pieces, often vintage or antique, possess a rich history and craftsmanship that contribute to their unique character and depth. Olive Ateliers has garnered a significant following, including celebrities and design professionals, for its distinctive "drop" approach to releasing new collections. Laura Sotelo explains that their passion lies in finding objects that tell a story, citing an example of hand-woven baskets from a French artisan who has dedicated his life to the craft. This focus on the provenance and the stories behind each item is central to the brand's identity. The concept of an object's "soul" is further elaborated, noting that it is derived from both its historical journey and the skill of its creators. Even minor imperfections are viewed as adding value and wisdom, contributing to the item's charm and authenticity. The aesthetic of Olive Ateliers is characterized by natural, airy materials such as linen and chanvre, complemented by pieces that exude a lived-in nostalgia, aiming to create tranquil and inspiring environments that highlight charismatic objects. The founders advocate for "curious living," encouraging individuals to develop a curator's eye by understanding the special qualities and histories of objects. This practice is believed to foster a stronger connection to pieces and evoke a sense of nostalgia. The article then presents a selection of 12 items from Olive Ateliers' collection that evoke a "worldly summer vibe." These include an antique waxed marble bowl from India, an onyx bag from Indonesia designed to resemble a vintage handbag, and escargot pots that add a French touch. Other highlighted items include an organic onyx mortar candle with a signature scent, vintage Turkish bread boards, and metal face bar stools from Mexico, inspired by designer John Risley. The collection also features a vintage limestone trough from Indonesia, suggested for use as a fountain, and a cast stone bench reminiscent of French park seating. Vintage elm wood stools from China, once used by workers, are presented as versatile pieces, while vintage Turkish olive jars, originally for olive oil, are re-imagined as sculptural vessels. Finally, vintage bleached wood risers from India, used for chapati dough, are offered as rustic pedestals, and assorted vintage clay vessels, once holding Indian culinary staples, are showcased as essential decorative pieces. Each item is described with its historical context and potential uses, reinforcing Olive Ateliers' mission to bring unique, story-rich pieces into the home. #HomeDecor #VintageFurniture #GlobalHomeware #InteriorDesign #CuratedCollection #Sourcing #DesignPhilosophy #AntiqueFinds #DecorInspiration

Michael Graves Design, in collaboration with Pottery Barn, has launched a new collection of home furnishings that prioritizes accessibility without compromising on style or aesthetic appeal. This partnership builds upon both brands' commitment to subvert the often clinical or uninspired aesthetic associated with accessible design, instead offering dignified solutions for a broader range of users. The term "accessible" in this context refers to products designed to be independently usable by individuals with varying abilities, a concept distinct from, yet complementary to, universal design. The collection specifically addresses the needs of differently-abled persons through thoughtful consideration in its design process. The new range includes three bedroom collections and two complementary armchairs, all designed with functionality and safety as primary concerns. The collection integrates innovative enhancements with elegant design details to facilitate effortless living, a standard often taken for granted. A highlight of the collection is the Cayman Collection, which exemplifies Michael Graves' iconic modernist approach. This collection features a bed with a built-in storage bench, a nightstand, a six-drawer dresser, and an upholstered dresser seat. Each piece is crafted from solid mango wood with a warm finish, exhibiting simple geometry, an engaging interplay of solid and void elements, and clear edge articulation. These design choices subtly reveal how form directly follows function within the collection. Several pragmatic features are incorporated into the Cayman Collection. For instance, seemingly inset surfaces create front grab rails and raised edges, preventing items from rolling off the dresser or nightstand. The nightstand is equipped with an integrated power strip and drawer cutouts to discreetly conceal medical devices and their associated cords. The bed frame includes subtle armrests with pull and roll side grips, aiding in repositioning and contributing to human balance, while also visually harmonizing the headboard with the built-in bench. Tubular inset feet on the bed frame are designed to minimize the risk of tripping and stubbed toes. The dresser's elevated base and raised bottom drawer are specifically designed to accommodate wheelchair clearance, providing up to 9 inches of space. Additionally, large voids within the furniture offer open storage, easily accessible when seated or positioned nearby. The Bradford Armchair, a corresponding piece to the Cayman style, features minimal tubular legs, flat arms, and oversized cushions. This design experiments with scale and incorporates touchpoints within the room, with moments of contrast serving as cues for mobility and balance. The chair also includes a taller seat, adjustable foot heights, and a rear handrail, further enhancing support for users. Ben Wintner, CEO of Michael Graves Design, notes the increasing focus on accessibility within the design community, comparing it to the earlier emphasis on sustainability. This mainstream collaboration with Pottery Barn is seen as a positive development, making aspirational and exemplary design more widely available and potentially inspiring future designers to further democratize beauty and functional design. #AccessibleDesign #HomeFurnishings #PotteryBarn #MichaelGravesDesign #BedroomFurniture #InclusiveDesign #ModernDesign #FunctionalDesign

The Castlefield Design District in Toronto serves as a comprehensive hub for home decorators, offering a wide array of furniture options that cater to diverse tastes, from contemporary styles to salvaged and reclaimed pieces. The district's significant concentration and large scale of shops make it possible to fulfill all design needs within a single area. This article highlights ten prominent furniture stores in the district, each with its unique offerings and price points. Elte Mkt specializes in contemporary furniture, particularly appealing to condo and loft residents. It provides a varied selection, including sofas, sectionals, coffee tables, and beds, alongside an extensive inventory of over 2,000 rugs, all at competitive prices compared to other stores in the vicinity. The Door Store, despite its name, is a haven for upcyclers, featuring a rich collection of architectural salvage items such as mantels, fixtures, antique hardware, and unique finds like marble tables and vintage Singer chairs. Shelter is a large store known for its frequent sales and a broad range of modern-inspired furniture. Its offerings are generally in the mid-price range, with dining room tables typically costing between $1500 and $2000. The store prominently features beds, sofas, coffee tables, and chairs. Metropolis Living, previously located in the Junction, offers a curated selection of quirky vintage finds, presenting a stark contrast to the district's more sleek establishments. Owned by siblings Phil Freire and Maggie Gattesco, it's described as a kitschy museum of salvaged goods. Modani, a Miami-based company, provides modern and contemporary furniture across various price points, including affordable options. It is also noted for its selection of reasonably priced patio furniture, frequently offering discounts and sometimes free delivery. Kantelberg and Co. showcases an eclectic mix of furniture and accessories within its 4,500 square foot showroom. This includes traditional antiques, 19th-century pieces, and rustic items, with an ever-changing inventory that encourages repeated visits. Elte stands as one of the long-standing anchor stores in the district, occupying a vast warehouse. While it offers high-end items, such as rugs that can cost up to $10,000, it also provides more affordable selections and furniture for every room, featuring designers like Calvin Klein. Sharon O'Dowd, similar to Kantelberg and Co., is a primary source for traditional antiques, predominantly from Europe and Quebec. The store also excels in custom furniture design using reclaimed and salvaged materials, and provides restoration services for antique pieces. The Art Shoppe, in its second location on Kincourt after relocating from Yonge and Eglinton, offers a large selection of furnishings ranging from modern to country/casual styles. Its collection caters more to traditional tastes than to contemporary design enthusiasts. Barrymore Furniture, a well-established Toronto business, is renowned for its high-quality, custom-built sofas, which, while not inexpensive, are designed for durability. In addition to sofas and chairs, the store provides a comprehensive range of contemporary home furnishings. #FurnitureStores #CastlefieldDesignDistrict #TorontoDesign #HomeDecor #InteriorDesign #ContemporaryFurniture #VintageFurniture #AntiqueFurniture #CustomFurniture