The Egyptian Craftsman Who Keeps the Tradition of Hand Mixed Cement Tiles Alive For Future Generations

Across centuries and diverse cultures, the creation of tiles has consistently involved the baking, coloring, and heat-bonding of clay with various coatings. This ancient craft has endured, with artisan studios today diligently preserving the traditional techniques that produce these durable and decorative claddings. The versatility and inherent qualities of tiles are often underestimated. They exhibit remarkable resilience to high temperatures, offer hygienic, wipe-clean surfaces for walls, and possess a robust ability to form protective layers that can withstand centuries of use. Unlike wood, tiles do not rot; unlike metal, they do not corrode; and they will not ignite when exposed to fire. Beyond their practical attributes, tiles serve as significant decorative elements, reflecting rich cultural heritage. Examples include the intricate geometric patterns found in Islamic architecture, the distinctive Art Nouveau murals of the Parisian metro, and the historically significant hand-painted Azulejos on Portuguese houses. While flat tiles are commonly envisioned, embossed patterns, imprints, and convex tiles designed for curved structures are also prevalent, as seen in the roofs of Chinese pagodas or the tiles adorning 18th-century Swedish stoves and Victorian pillars in British institutions. The methods for tile production have evolved since ancient times. Early techniques involved baking earth directly in the sun and in rudimentary firepits, progressing to more sophisticated kiln structures. Historical records indicate that tiles were molded from clay in Ancient Mesopotamia as early as 4000 BC. The Egyptians developed vitreous glass glazes around 2500 BC, and the Romans created intricate mosaics from thousands of small pieces. Islamic artisans, around the 9th century, enhanced glazes with metals like silver or copper to achieve additional luster. Their handmade process for creating Zellige tiles continues to be practiced today in modern Morocco, where artisanal studios use slim metal frames to shape clay tiles. These tiles are sun-dried, hand-dipped in glaze, fired in ground-dug kiln cavities, and then meticulously hand-chiselled into stars, lozenges, and other geometric forms. The subtle irregularities inherent in this artisanal process contribute significantly to the enduring charm of Zellige tiles, with UK suppliers such as Emery & Cie and Mosaic Factory offering authentic handmade ranges. Following the decline of the Roman Empire, tile production in Europe, outside of Moorish Spain, was not widespread until the Middle Ages. In Britain, medieval tile-making was primarily a rural, seasonal occupation, providing supplemental income for peasants. The process involved digging clay in winter, allowing it to weather until spring, cleaning it of debris, and then hand-pressing the reddish-brown material into wooden frame moulds to create tiles up to 3cm thick. As skills advanced and European influences grew, a white clay layer was sometimes applied over the red base and then scratched away using the sgraffito technique to create decorative effects. Patterns were also impressed into wet clay using hand-carved wooden blocks to produce raised motifs. Tube-lined tiles, popular during the Edwardian era, represent a heritage technique that Balineum preserves at its workshop in Stoke-on-Trent, featuring over 70 designs, five core shapes, and 32 glazes. By the 14th century, specialized workers and centers for tile production emerged across Britain, leading to the development of inlaid tiles. This technique involved filling imprinted patterns with a paler-colored clay slip. During firing, glazes altered the clay colors—red turning to brown and white to yellow—to create a two-toned design, a method still employed by Priory Tiles in Kent for medieval-style tiles. The thoughtful use of tile layout, as demonstrated by projects from studios like Studio Duggan, can effectively blend classic and contemporary aesthetics. #TileMaking #ArtisanCraftsmanship #AncientTechniques #ArchitecturalDecor #CeramicArt #InteriorDesign #CulturalHeritage #HomeDecoration

Popham Design, a company specializing in encaustic cement tiles, originated from a sabbatical trip to Morocco taken by founders Caitlin and Samuel Dowe-Sandes. They were captivated by Morocco's vibrant craft culture, leading them to establish a workshop near Marrakech. The company employs skilled tile makers who produce tiles that merge contemporary design aesthetics with traditional Moroccan artistry. The design elements are inspired by ancient Moroccan art, architecture, and the natural environment. These tiles feature motifs and patterns that reflect a deep appreciation for the country's historical and cultural heritage, while also incorporating modern sensibilities in their form and color palettes. The manufacturing process of Popham Design tiles emphasizes sustainability and durability. They are handcrafted in an eco-conscious factory, utilizing locally sourced materials and reclaimed water. The key to their longevity lies in the pigmented face layer of each tile, which is several millimeters thick. This substantial layer ensures that the rich, vibrant colors and intricate patterns remain intact over time, mirroring the enduring quality of centuries-old traditional tiles. This robust construction makes them comparable to porous stone tiles in their need for proper care. To maintain their beauty and integrity, encaustic cement tiles from Popham Design require sealing both before and after installation. This process protects the porous surface from stains and wear, contributing to their long-term preservation. The majority of Popham Design's tile collections are available through special order, primarily via AnnSacks.com, catering to a discerning clientele seeking unique and high-quality finishes. Pricing for these artisanal tiles begins at approximately $25 per square foot, reflecting their handcrafted nature, design complexity, and commitment to sustainable production methods. The company’s website, pophamdesign.com, serves as a central resource for information regarding their products and design philosophy. Popham Design's approach not only offers distinctive interior design options but also plays a role in preserving Morocco's rich tradition of artisanal craftsmanship. By integrating ancient techniques and artistic motifs with modern design, the company ensures that these cultural elements continue to thrive in contemporary contexts. The tiles represent a bridge between the past and present, offering a piece of Moroccan heritage adapted for modern homes and commercial spaces. This fusion of tradition and innovation allows for the perpetuation of skilled handiwork and cultural expression through functional art. #MoroccanTiles #EncausticCementTiles #PophamDesign #ArtisanalCraftsmanship #SustainableDesign #TileInstallation #HomeDecoration #InteriorDesign #CulturalHeritage

Aslan Tiles, situated in downtown Nablus, stands as the solitary remaining producer of traditional Palestinian tiles in the West Bank. The Aslan family has meticulously refined this craft across four generations since the 1930s. Despite receiving attractive proposals to relocate their operations to Israel, the family has steadfastly maintained their heritage in Nablus. Palestinian flagstone tiles enjoyed peak popularity in the 1930s, adorning the floors and walls of numerous urban residences throughout Palestine with intricate floral and geometric patterns. However, the advent of inexpensive, mass-produced tiles in the 1980s and 1990s led to a decline in demand for local tiles, resulting in the closure of many local tile producers across the West Bank. Nevertheless, over the past decade, Anan Aslan has observed a resurgence of interest in their bespoke, handcrafted products. The company, employing a staff of seven, operates from a modest three-building premises where they produce these unique tiles. Anan Aslan notes that there is a growing appreciation for their product, which people now view as a significant tradition and heritage, a tangible link to their past and roots. What was once considered a necessity valued for its durability is now seen as a luxury, with customers seeking to engage with this art form. Inside the Aslan workshop, nearly every surface is adorned with the company’s handiwork, creating a vibrant kaleidoscope of colors on walls and floors. The tile-making process is meticulous and labor-intensive. Luay and Omar, the youngest tile-makers, share a stencil and a tile press, each producing between 120 and 150 tiles daily. The process begins with cleaning the copper base of a mold with oil. Pigment is then carefully poured into segments of a stencil. Once the stencil is filled, it is delicately lifted, leaving a precise, watery impression of the design. Thaer then sifts a fine-ground cement over the design, followed by a denser, chunkier cement that forms the tile’s base. The workshop itself is covered in a fine layer of cement dust, and the tools are caked with years of pigment, a stark contrast to the delicate finished products arranged face-to-face behind the workstations. The workshop's office features a vast wall adorned with stencils, some dating back to the 1930s, offering approximately 750 designs that can be mixed and matched. Anan Aslan, representing the fourth generation, recently took over the management of the company from his father, Jalal, though over 100 family members retain shares in the business. Abu Walid, the oldest staff member, has been crafting tiles for the family since 1947, demonstrating exceptional precision in inspecting each finished tile. German-imported colored pigments line the workshop tables. Interestingly, the premises also house a functional chicken coop within one of the workshop buildings, its inhabitants navigating among the piles of tiles. Aslan Tiles exports 70 percent of its products to Israel, serving both Jewish and Arab Israeli clients. Anan collaborates with an Israeli contact who imports the tiles, often in plain, unmarked boxes, which are then forwarded to sellers who apply their own labels. A box destined for Israel is shown stamped with a Hebrew logo. Additionally, orange and black tiles are bundled in the yard, awaiting shipment. While the company receives inquiries from Jordan and the Gulf region, prohibitive export costs often deter potential customers in these areas. #PalestinianTiles #HandmadeCrafts #TraditionalArt #Nablus #FamilyBusiness #CulturalHeritage #WestBank #TileMakingProcess

The online tile retailer clé has unveiled its new Artist Cement Collection, a series of handmade encaustic cement tiles. This collection is a collaborative effort, featuring designs from eleven artist studios spanning Europe, South America, and the United States. The curated group of artists, architects, designers, and sculptors includes ALT for Living, Boris Aldridge, Coletivo Muda, Deborah Osburn, Erica Tanov, Gachot Studios, John Whitmarsh, Michelle Weinberg, Ruan Hoffmann, Sarah & Ruby, and Smink Things. The Artist Cement Collection showcases a diverse range of aesthetic styles, moving from bold, graphic geometric patterns to motifs inspired by nature, and even incorporating typography. Each tile is available in 8-inch by 8-inch square and hexagonal formats, offering flexibility in design application. A key feature of these tiles is their pre-polished and pre-sealed finish, which enhances their durability and versatility. This treatment makes them suitable for a wide array of applications, both indoors and outdoors, and for installation on either walls or floors, expanding their potential use in various architectural and interior design projects. Among the featured designs, Coletivo Muda contributes the 'Lagoa' tile, which appears multiple times in the illustrations, highlighting its distinct appeal. Michelle Weinberg's contributions include 'Pattern 1' and 'Pattern 2,' demonstrating a varied artistic approach. Smink Things presents several designs that bear its studio name, indicating a unique and recognizable style. Ruan Hoffmann offers a selection of patterns, including 'Amsterdam Express,' 'Arrow Dynamic,' and 'Bio Circuit,' each bringing a different visual narrative to the collection. Deborah Osburn's 'Manuscript Letters' introduces a textual element, adding another dimension to the tile offerings. Boris Aldridge provides 'Pattern 4' and 'Pattern 5,' showcasing his design philosophy. Gachot Studios also features 'Pattern 4,' suggesting a potentially different interpretation or variation from Aldridge's similarly named pattern. Erica Tanov presents 'Baccio' and 'Jacobson,' contributing unique artistic expressions. Finally, Sarah and Ruby's 'Pattern 5' completes the selection of artists and their designs, ensuring a rich and diverse collection for consumers and designers. The collection emphasizes both artistic expression and practical application. The use of cement as a medium for these artistic designs provides a tactile and durable surface, while the handcrafted nature of the tiles ensures uniqueness in each piece. The curated selection of artists from various global locations brings a wide spectrum of cultural and artistic influences to the collection, allowing for a broad appeal across different design preferences and styles. The collection aims to provide distinctive and high-quality options for residential and commercial spaces, allowing for personalization and artistic flair in surface design. #CementTiles #ArtistDesigned #EncausticTiles #HomeDecor #InteriorDesign #TileCollection #ArchitecturalSurfaces #HandmadeTiles #GlobalArtists

In Gardena, California, a family-owned business called B&W Tile Co. has been manufacturing tiles since 1947. The company's vibrant purple building stands out near the freeway, attracting builders, contractors, and DIY enthusiasts. Inside, a team of 15 operates a showroom displaying a wide array of tiles, which are the same colors and styles the company has produced for decades. Beyond the showroom, the manufacturing process unfolds in a clay-filled environment, utilizing kilns and large machinery to create each tile from start to finish. Alex Vassaux, the head of operations, attributes the company's longevity to the passion and dedication of its employees and their commitment to preserving historical craftsmanship. The tile bisque and glazes are made from scratch, with most processes handled by personnel. Despite using machinery, the operations are not automated or computerized, relying on staff for control and operation. B&W Tile has faced significant challenges, including a factory fire last year that destroyed critical equipment, impacting production timelines. The company is actively working to recover from these setbacks, with production currently running six days a week to compensate for the damage. New kilns are expected to arrive within three months, which should help normalize production. The resilience of B&W Tile mirrors the durability of its products. The commitment to traditional tile-making by B&W Tile aligns with a broader resurgence of interest in vintage tiles. Social media platforms, particularly Instagram, have played a crucial role in fostering online communities dedicated to the preservation and appreciation of vintage tiling. An Instagram account, @vintagebathroomlove, curated by an individual without professional ties to the tile industry, exemplifies this passion. The curator's appreciation for vintage tiles began in their mid-20s, sparked by a studio apartment with original hex mosaic floor tile, a pedestal sink, and a tub. They were impressed by the enduring quality of these neglected installations. Vintage Bathroom Love considers tiles to be an accessible form of art, functional, approachable, and relatively affordable. Elaborate tiled bathrooms are viewed as museum-quality art pieces, highlighting the skill of past tile setters. The visual appeal of vintage tiles, especially colorful ones, is well-suited for platforms like Instagram, where bright, eye-catching imagery thrives. This visual emphasis has contributed to a shift in design culture, moving away from monochrome aesthetics towards more vibrant and unique elements. Evidence of this trend can be seen in mainstream advertisements from companies like Geico and Target incorporating vintage bathroom aesthetics. Nostalgia also contributes to the rising popularity of vintage tiles. Vassaux notes that classic designs are always appreciated across generations. Vintage Bathroom Love adds that people often gravitate towards familiar elements from the past during challenging times. Many individuals grew up in homes with colored tiles and retain fond memories of these designs, leading them to incorporate similar elements into their own living spaces. This cultural phenomenon reflects a desire for comfort and familiarity in home design. #VintageTiles #TileManufacturing #HistoricCraftsmanship #DesignCulture #HomeDecoration #InteriorDesignTrends #SocialMediaInfluence #ArchitecturalPreservation

Ceramiche Refin, an Italian tile manufacturer established in 1962, has introduced its latest porcelain tile collection named Craft. This new range draws inspiration from the aesthetic of hand-applied cement surfaces, aiming to replicate the unique marks, strokes, and shadows typically found on architectural finishes created manually. The design philosophy behind Craft is to imbue industrial products with an artisanal feel, moving away from a uniformly manufactured appearance to one that suggests handmade origin. The in-house design team at Ceramiche Refin conducted extensive research into traditional craft techniques and the inherent characteristics of cement materials from various sources. This investigative process informed the development of surface patterns that faithfully reproduce the visual effects of hand-troweled cement. The resulting ceramic tiles exhibit a non-uniform aesthetic, characterized by a range of tonal differences, from light to dark shades, and visible brush strokes and tool marks, all of which are hallmarks of materials applied by hand. Craft tiles are engineered from grés porcelain, a material known for its durability and resilience. The manufacturing process involves vitrification, where clay is compacted under hydraulic pressure and then fired in a kiln. This process significantly reduces the material's porosity, rendering the tiles highly resistant to common issues such as stains, scratches, frost, and chemical damage. These robust properties make the Craft collection suitable for a wide array of applications, including both indoor and outdoor installations. To cater to diverse design requirements and spatial dimensions, the Craft collection is available in several sizes. Larger formats, including 120 by 240 centimeters and 120 by 120 centimeters, are specifically designed for more expansive areas such as public spaces and building facades. For smaller areas and residential projects, the collection offers more compact sizes, including 60 by 120 centimeters, 60 by 60 centimeters, and 30 by 60 centimeters. This variety in sizing provides flexibility for architects and designers to integrate the tiles into different scales of projects. Color options for the Craft range are thoughtfully selected to enhance the cement-inspired aesthetic. The collection offers four distinct colors: Rice, Tan, Cloud, and Fog, which span a spectrum from lighter to darker tones. These color choices, combined with the textured patterns, allow for the creation of various moods and atmospheres, from bright and airy to more subdued and earthy environments. Ceramiche Refin leverages state-of-the-art manufacturing processes that integrate advanced surface texture techniques with digital printing. This technological sophistication enables the company to produce contemporary tile collections that are versatile enough for a broad range of design applications. The Craft collection stands as an example of how modern industrial production can be utilized to mimic and celebrate traditional artisanal craftsmanship. Prior to the Craft collection, Ceramiche Refin has launched other innovative tile series, demonstrating their ongoing commitment to design and material exploration. These include a collection inspired by fabric textures, known as Arte Pura, developed in collaboration with Daniela Dallavalle, and a range called Wide, which features patterns of lines and grids that simulate hand-drawn chalk designs. These previous collections, much like Craft, aim to bring unique visual and tactile experiences to ceramic tile surfaces. The Craft collection is positioned as a sophisticated option for those seeking the raw, authentic look of hand-applied cement with the superior performance and versatility of porcelain tiles. #CeramicheRefin #CraftTiles #PorcelainTiles #CementSurfaces #InteriorDesign #ArchitecturalFinishes #TileDesign #MaterialInnovation #HomeDecoration

Heath Ceramics, a California-based company founded in 1948 by Edith and Brian Heath, is recognized for its handcrafted tiles, dinnerware, and decor. The company distinguishes itself through a commitment to sustainability, powering its factories with renewable energy and obtaining Declare certification for chemical transparency in its tiles. A key differentiator for Heath is its meticulous hand-making process for each tile, which contrasts with mass-produced alternatives. This artisanal approach contributes to longer-lasting products with enhanced attention to detail, and each tile possesses a unique character, adding a distinct aesthetic to a home. This uniqueness is frequently cited by customers, who describe Heath tiles as "simple, exquisite, and timeless," and a "sensory, tactile visual treat." Despite their lauded beauty and quality, Heath tiles come with a higher price point compared to standard ceramic tiles. While typical ceramic tiles range from $12 to $45 per square foot, Heath's budget-friendly options, such as ready-to-ship products, start at $28 per square foot. More affordable options are available at their California overstock shed, where tiles can be purchased for $14 or $22 per square foot, depending on quality. An additional cost factor is the recommendation to order 20% more tile than estimated. This practice accounts for the natural variations in size and shape common with handmade tiles, which necessitate cutting during installation, leading to unusable remnants. The installation process itself can be more time-consuming due to these natural variations, requiring careful layout, the use of tile spacers, and precise measurements, which often means pausing and adjusting pieces as the work progresses. Given the investment, proper maintenance is crucial for Heath tiles. Ceramic tiles generally have a lifespan of 75 to 100 years, and correct care can prevent issues like breakage or significant staining. Glazed ceramic tiles are particularly easy to maintain due to their non-porous and stain-resistant surface, which also makes them water-resistant and suitable for bathrooms. Cleaning can be done with a broom, mop, or vacuum, but abrasive tools like steel wool or scouring pads should be avoided to prevent surface scratches. When cleaning Heath tiles, any tile-safe product is acceptable, though for tiles with non-acid-resistant glazes, cleaners containing acids like vinegar or lemon juice should be avoided. To further extend the lifespan of the tiles and prevent grout haze—a dull film that can appear after grouting—Heath Ceramics recommends using a grout sealer. Applying sealant is a straightforward DIY task, provided the appropriate sealant is chosen and manufacturer instructions are followed. #HeathCeramics #HandmadeTiles #SustainableDesign #CeramicTileInstallation #HomeImprovement #InteriorDesign #TileMaintenance #ArtisanProducts

L'esperance Tile Works, founded by Linda Ellett and co-owned with her husband Don Shore, specializes in tile restoration, custom tile work, and the creation of original and contemporary tile designs. Located outside of Saratoga Springs, the company has been involved in numerous historic restoration projects across the country, including those in state capitols and iconic structures like the Columbia University and Ocean Parkway subway stations for the Metropolitan Transit Authority. Linda Ellett's expertise spans historical accuracy and artistic innovation. A notable example of their restoration skill involved re-creating a missing tile for a century-old fireplace in a California home. Working from a grainy 1902 catalog image of a reclining Roman soldier panel, Linda meticulously crafted the missing head and chest tile. This process required careful consideration of factors such as clay shrinkage and glaze darkening during firing to ensure a perfect match in both line and color with the original two tiles. Beyond restoration, L'esperance Tile also creates unique custom pieces. An instance of this is the New York fossil-themed kitchen backsplash, developed for a retired earth science teacher. Inspired by the New York state earth science Regents study guide, Linda designed various fossil motifs, including trilobites, which were first carved in wax and then used to make plaster molds for the clay tiles. These fossil designs proved popular, with the New York state fossils becoming best-selling holiday ornaments during one Christmas season. The tile-making process at L'esperance Tile begins with carving designs into wax panels, often sourced from melted church candles, with added colorant to enhance detail. These designs are then set in plaster to create molds. Clay blocks are pressed to remove air and form ribbons, which are then sliced into tiles. After initial drying and smoothing, plain field tiles proceed directly to the kiln, while decorative tiles are pressed with Linda's plaster molds before firing. The tiles are subsequently glazed and re-fired. The glazing process requires precision, as glaze colors change significantly during firing. The company demonstrates this precision when tasked with matching 100-year-old tiles for a client in Louisiana, meticulously testing shades of blue under various lighting conditions. L'esperance Tile, which moved from Albany to Rock City Falls 12 years prior, offers both decorative and field tiles. While they do not maintain a showroom at their Rock City Falls location, their products are available locally through Green Conscience in Saratoga Springs, via their Etsy shop for art tiles, and on eBay for seconds and overruns. They also sell directly through their website. The company has a national presence through Waterworks, a high-end bath and kitchen design showroom, for whom L'esperance produces the "Vintage" line. #TileWorks #HistoricRestoration #CustomTile #CeramicArt #HomeDecor #ArtisanCraft #NewYorkFossils #TileMakingProcess #InteriorDesign

Motawi Tileworks, founded by formally-trained ceramicist Nawal Motawi, specializes in handcrafted ceramic art tiles that combine charming surface motifs with traditional craft techniques. The company's tiles draw illustrative inspiration from Mid-Century design, Art Nouveau, and the Japanese block printer Yoshiko Yamamoto, moving beyond conventional single-color creations. Each tile undergoes a meticulous, hands-on production process. It begins with a block of clay, known as a pug, which is pressed into a plaster mold to form a tile sheet. Following this, a Motawi Tileworks artisan carefully trims, smooths, bisque fires, and glazes the tile. The glazed tile is then fired a second time before undergoing a final quality-control check. This process ensures that every tile is treated as an individual work of art, despite being modular pieces that can be mixed and matched to create diverse arrangements. Many installations feature a few statement tiles framed by solid or alternating colors, allowing for a personalized aesthetic. Nawal Motawi’s journey began with a desire to create the kind of tiles she envisioned, leading her to establish her own studio after an unfulfilling experience at another tile company. She started by producing tiles in her garage and selling them at local farmers' markets. As the popularity of her tile art grew, Motawi focused on acquiring essential business knowledge, attending conferences to learn about manufacturing, pricing, and business development. She invested in state-of-the-art equipment and eventually transitioned her team to a lean, Toyota-style production system to optimize efficiency and avoid excessive inventory. This strategic business approach proved successful, leading to significant growth for Motawi Tileworks. The company now generates $2.7 million annually and was recognized as one of Forbes’ 25 Small Giants in 2017. Based in Ann Arbor, Michigan, Motawi Tileworks offers workshops for those interested in learning about tile making and hosts free weekly public tours, allowing visitors to observe their craft firsthand. The company's success highlights the blend of artistic vision and sound business practices in creating a thriving craft enterprise. Motawi Tileworks continues to create distinctive art tiles with surface designs influenced by various art history movements, providing decorative wall solutions that enhance any room. The focus on handcraftsmanship ensures each piece contributes to a unique and artistic interior design element. #ArtTile #CeramicArt #HandcraftedTiles #MotawiTileworks #HomeDecoration #ArtNouveau #MidCenturyDesign #TileMaking #AnnArbor

Bharat Floorings, a Mumbai-based company manufacturing vintage cement tiles, has a rich history dating back to 1922 when it was founded by Pherozeshah Mehta and his nephew Rustom Mehta. Inspired by India's freedom struggle and the call for economic independence, the company initially stamped each tile with a map of undivided India as a symbol of patriotism. Their products quickly gained popularity among Indian maharajas, with examples still found in places like Umaid Bhavan Palace in Jodhpur, and even the ruling British class, who used them in universities and public buildings. The company has consistently adapted to technological advancements throughout its history, from the Art Deco movie theatres of the 1940s to the terrazzo and mosaic tiles of the 1970s, and the heavy-duty Stilan tiles used in India's railway stations. In the new millennium, Bharat Floorings has contributed to significant restoration projects, including the UNESCO award-winning Dr Bhau Daji Lad Mumbai City Museum and The Royal Bombay Yacht Club. Today, Bharat Floorings focuses on design innovation, collaborating with various designers such as Alice Von Baume (textile designer), Sameer Kulavoor (graphic designer), and Tanya and Sandeep Khosla to create diverse collections. Their 'Made in India' collection, developed with Idea Spice Design, features patterns inspired by different Indian states, like the phulkari from Punjab and the jharoka from Rajasthan. The handcrafted heritage tiles, which celebrate the culture of old Bombay, remain their most popular collection, appealing to designers like Isla Van Damme (Loulou), who values traditional craftsmanship over mechanization. The increasing popularity of patterned floors, fueled by social media trends like #ihavethisthingwithfloors, has drawn renewed attention to unique flooring options. Firdaus Variava, vice chairman of Bharat Floorings, notes the growing demand for their products, particularly for vacation homes and resorts in states like Goa. Architects and designers, such as Gurmeet Akali of Studio Momo and Raya Shankhwalker, appreciate the rustic texture and muted tones of cement tiles, which provide an old-world, bohemian character. These tiles offer a durable and permanent flooring solution, lasting decades at a reasonable price, in contrast to mass-produced vitrified tiles. The manufacturing process for cement tiles is labor-intensive, involving about seven manual steps over 25 days, from mixing colors to hand-pressing them into molds, followed by water curing and air drying. This handcrafted approach provides employment to numerous artisans and results in unique, sturdy tiles with variations that machine-made alternatives lack. Designers like Loulou have used Bharat tiles in prominent projects, including the original Bungalow Eight concept store in Mumbai and several luxury homes and boutique hotels in Goa. Gurmeet Akali even recounted an instance where leftover tiles were creatively repurposed to form unique patterns, adhering to a zero-waste policy. Bharat Floorings exemplifies a successful blend of traditional Indian craftsmanship with modern consumer relevance, transforming a historical technique into a cherished design element. #CementTiles #IndianCraftsmanship #ArchitecturalDesign #InteriorDesign #HistoricPreservation #GoaHomes #FlooringSolutions #MadeInIndia #DesignInnovation

Exquisite Surfaces, a company specializing in providing stone, wood, cement, and ceramic tiles, is celebrating its 20th anniversary. Founded by Paula Nataf in 1997, the company has grown from a small showroom in Los Angeles to operate six showrooms across the United States, with a seventh opening soon in Miami. The business is a family affair, with Paula and her sons, Franck and Alexis, at its core. While Paula initially handled everything from shipping to custom mosaic creation, her sons later joined to manage operations and customer service, respectively. The Nataf family attributes their success to strong, personalized customer service and transparent communication with clients. To commemorate two decades in business, Exquisite Surfaces has launched the E/S 20 collection, inviting 20 prominent American designers to create an 8x8-inch cement tile. This eclectic group of designers includes names like Lisa Eisner, Kelly Lamb, Suzanne Tick, Michelle Nussbaumer, and Jamie Bush, reflecting the company's established reputation within the design industry. These commemorative tiles are handcrafted in a factory near Fez, Morocco, where artisans use traditional techniques, including creating metal molds and pouring colored liquid cement. Each tile is made by hand and takes approximately eight minutes to produce. The company's operations in Morocco are overseen by Gilles, a long-term associate who ensures the quality and production of the tiles. The Nataf family emphasizes the importance of strong relationships not only with clients but also with suppliers and artisans, which are crucial for sourcing unique materials and managing complex logistics. Their genuine passion for materials is evident in Paula's intuitive ability to discover new and innovative products, such as aged limestone or blue oak, which significantly influenced American interior design trends and boosted sales. Exquisite Surfaces has collaborated with notable design studios, such as LA-based Commune, which has enhanced the brand's cachet. Beyond commercial success, the company is also committed to sustainability through its Choose to Reuse initiative, launched last year. This program focuses on researching and educating the construction industry on the proper use of salvaged materials, emphasizing that materials are too precious for a single life. Five percent of all sales from the E/S 20 collection will support this initiative, reflecting the company's belief in the inherent honesty and value of quality materials. #InteriorDesign #ExquisiteSurfaces #CementTiles #MoroccanCraftsmanship #DesignAnniversary #TileDesign #SustainableMaterials #PaulaNataf #AmericanInteriors

Ceramic tile has a long history as an artistic medium, with archaeological findings showcasing its durability and aesthetic appeal across millennia. Contemporary architectural and interior designers continue to leverage ceramic tile for its versatility, durability, and artistic potential, as highlighted by trends observed at the Coverings 2022 global tile expo. The event showcased a range of innovative tile designs and applications, providing inspiration for creating visually striking and functional spaces. Key trends emerging from Coverings 2022 include a rich palette of colorful tiles, particularly blues and greens, often combined with oxidized finishes. Nature-inspired motifs, such as leaves, starfish, birds, and monkeys, are prominent, along with geometric patterns, bold stone interpretations, and vintage aesthetics. These diverse offerings allow designers to craft focal point walls, intricate inserts, stylish shower surrounds, and unique countertops. Several designers shared their approaches to incorporating tile as an artistic element. Rachel Viloria Moriarty, a San Diego-based designer, specializes in creating bold statements, designing a 24-foot tall fireplace resembling the Death Star and incorporating mermaid and cloud motifs in other projects. Her colleague, Susan Wintersteen, uses geometrics to add artistic interest, noting how a mix of shapes, textures, and colors can transform a simple tile into something extraordinary. Wintersteen particularly enjoys adding unexpected artistic accents, such as penny dots in her showroom, which consistently spark conversation. Allison Fannin, a designer from Lubbock, Texas, emphasizes the suitability of ceramic tile for artistic expressions in moisture-prone areas like showers and pools, where other materials might be impractical. She advocates for tiling from floor to ceiling in bathrooms to introduce texture, color, and drama, offering a durable alternative to wallpaper or paint. San Antonio designer Shea Pumarejo views spaces as blank canvases, utilizing tile to achieve rhythm and balance in her room planning. Graphic tile designs have received a modern refresh, moving beyond traditional encaustic styles to incorporate contemporary shapes, sizes, patterns, and finishes. These updated graphic looks draw inspiration from Midcentury and Roaring Twenties aesthetics, offering a fresh take on historical design elements. Natural inspirations continue to be a strong trend, with tile production technology now capable of mimicking the appearance of precious natural stones like onyx and marble. These high-fidelity imitations offer the beauty of natural stone without its fragility, high maintenance, or environmental impact associated with excavation. They can be used for slip-resistant floor tiles in wet areas or book-matched wall surfacing, replicating the continuous movement of stone patterns seen in historic installations. Blended looks represent another significant trend, allowing for creative combinations of different materials, shapes, and finishes. The expo featured ceramic series that integrated geometrics with oxidized or plaster finishes, showcasing a fusion of textures. Plaster looks, noted as a trending finish, were often paired with stippled textures. This season’s tile offerings are characterized by a vibrant mix of colors, materials, shapes, and patterns, reflecting a renewed sense of creativity and energy, potentially influenced by the recent global health crisis. The evolution of ceramic tile technology and design ensures its continued relevance as a versatile and enduring medium for architectural and interior design projects. #CeramicTile #InteriorDesign #ArchitecturalDesign #TileTrends #Coverings2022 #ArtisticTile #HomeDecor #SurfaceMaterials #DesignInspiration

Chris Zettel, a master carver at Naples’ Thomas Riley Artisans’ Guild, exemplifies the preservation of traditional woodworking in a world increasingly dominated by mass production and digital design. With 25 years at the guild by 2025, Zettel specializes in adding intricate, hand-carved flourishes to fine wooden interior accents, using tools inherited from his ancestors. His workspace at the guild is a blend of history and artistry, filled with antique tools, personal mementos, and design sketches, reflecting a deeply personal connection to his craft. Zettel, 71, differentiates his work from standard carpentry and cabinetry, focusing on architectural and decorative millwork. His creations range from modern scallops on cabinet fronts to elaborate koi fish bases for mahogany tables, and structural elements like steam-bent archways and intricate corbels. He meticulously transforms raw wood surfaces into eloquent visual narratives, often spending hours to refine just a few inches of carving. This detailed work, he notes, represents the “frosting on the cake” of woodworking, requiring significantly more time than the underlying cabinetry. His process typically involves affixing a paper pattern, often self-sketched, onto the wood and precisely chiseling around it. The guild, serving discerning clients nationwide, values Zettel’s unique skill. He recently embarked on a “once-in-a-lifetime” project in Nokomis, Florida, involving an entire room designed to replicate a 1700s British men’s club, featuring extensive hand-carved moldings, corbels, and four mermaids. In this endeavor, he collaborates with his former apprentice, Sepeideh Azin, ensuring the continuation of the craft. Zettel’s approach to his work is grounded in a practical, hands-on philosophy, influenced by his upbringing in Jamaica where traditional methods were prevalent. He expresses admiration for French Gothic cathedrals and the artisans who built them using only human power. He appreciates the independence that hand tools offer, allowing him to work anywhere without relying on machinery. He acknowledges the scarcity of his particular skill set in contemporary society, emphasizing the guild's role in maintaining these time-tested techniques. While the guild integrates technology, using computer-powered milling machines for initial stages, Zettel highlights that machine-made cuts lack the authenticity and perfection achievable by hand. Even if machines could match the precision, his decades of muscle memory ensure his hands would complete the work much faster. A third-generation craftsman, Zettel's journey into woodworking began at 13, building boats in Jamaica. After moving to Naples in 1976, he transitioned from boatbuilding to fine woodworking, joining the Thomas Riley Artisans’ Guild in 2000 under master carver Jim Boot. His early projects included decorative open books for lecterns, which inspired his creation of 'memory boxes'—carved wooden boxes designed to hold cherished mementos, often personalized with motifs reflecting the recipients' stories. Zettel views these memory boxes as small tokens of artistry and love, demonstrating his profound connection to both his craft and the stories it can tell. He is now passing down his specialized tools, including a prized set from Japanese blacksmith Takahashi Norikazu, to the next generation, ensuring the enduring legacy of this ancient art form. #MasterCarver #WoodworkingGuild #OldWorldCraft #ChrisZettel #ThomasRileyArtisansGuild #TraditionalCraftsmanship #ArchitecturalMillwork #DecorativeCarving #NaplesFlorida #ArtisanSkills

Lél is an artistic collective dedicated to the preservation, reinterpretation, and development of the ancient art of handcrafted stone inlay, known as pietra dura or parchinkari in South Asia. Founded two decades ago by Farhana Asad and now run in collaboration with her daughter, Meherunnisa Asad, who serves as the Creative Director, Lél bridges traditional craft techniques with contemporary design and innovative application. The company employs local craftsmen and refugee artisans displaced by the Afghan conflict to Peshawar, Pakistan, providing them with secure work rooted in their heritage. The art of pietra dura, originating from the ancient Roman opus sectile technique, reached its zenith in 16th-century Florence, where it was described as 'painting in stone' due to the meticulous cutting and fitting of stones into intricate forms. This art spread across Russia, Iran, and into South Asia, including Afghanistan, India, and Pakistan, under the patronage of the Mughals. For the Afghan refugees working with Lél, this craft offers a vital connection to their history, culture, and homeland, providing stability amidst displacement. Lél's production process uniquely blends the old with the new. Their furniture and accessory collections draw diverse influences, from exquisite floral patterns reminiscent of Mughal miniatures and Islamic architecture to the vibrant deep blue of lapis lazuli combined with gold, echoing the Japanese Kintsugi tradition. This approach ensures that pietra dura remains relevant and evolves into a contemporary art form, rather than merely being preserved. Each new piece created by Lél represents a step towards the future of this ancient craft. In September 2019, Lél debuted at the London Design Festival with installations at Mint Gallery and with the Middle-Eastern NGO Irthi Contemporary Crafts Council. Meherunnisa Asad emphasizes that the balance between ancient technique and contemporary taste lies in a collaborative vision where learning flows both ways—between artisans and designers, and between tradition and modern culture. This collaborative space allows for true innovation and adaptation. Looking to the future, Lél continues to expand its collections and collaborations. The Champa tables, for instance, are inspired by the Frangipani tree, featuring naturally shaped marble tabletops sourced from Pakistan, inlaid with serpentine and onyx stones by master craftsmen, including Afghan refugees. These tables integrate nature into the home, with natural irregularities adding uniqueness and angular metal legs providing a modern aesthetic. Lél also collaborated on the Talli x Misbah installation for the London Design Fair, reinterpreting the Islamic rosary-like misbah into sculptural home accessories. These large-scale ornaments, crafted from semi-precious stone and marble beads engraved with geometric patterns, can be arranged in various ways to highlight the poetics of space. Lél has numerous international projects planned for the next 18 months, aiming to bridge East and West through their global vision. Lél is also slated to represent the Pavilion of Pakistan at the London Design Biennale in September 2020. #PietraDura #StoneInlay #AfghanArtisans #ContemporaryCraft #LondonDesignFestival #MughalArt #HeritagePreservation #HomeDecor #FurnitureDesign

Terraformæ, an experimental design and research hub, is dedicated to contemporizing and elevating the role and scope of terracotta. This initiative extends the legacy of Fornace Sant’Anselmo, a company established in 1903 in Padua by the De Checchi family, which pioneered the production of fired bricks and later became a leader in soft mud and facing bricks. Terraformæ, founded by Alberto de Checchi with Sveva Bizzotto as Creative Director and Carlo Zambon as laboratory specialist, aims to push the boundaries of clay-centered design and product ideation by bringing together international experts, designers, architects, and researchers. Clay, known for its temperamental nature, requires extensive study and understanding to effectively merge vision with technique. Even minor adjustments in production parameters, such as kiln temperature or ingredient composition, can yield significantly varied results. Terraformæ's core team has mastered working with clay, adopting a bold, experience-based, and detail-oriented approach mirroring their parent company. The hub continuously develops research, strategies, and methods to address challenges through comprehensive analysis. Terraformæ’s operational philosophy is centered on flexibility and efficiency. The studio has invested in advanced technology and emphasizes versatility in its processes. This includes maintaining multiple production lines with various clay mixes ready for immediate use and fine-tuning firing processes to meet specific temperature requirements. This meticulous approach intensifies terracotta’s inherent charm and aesthetic appeal. One of Terraformæ’s innovative approaches involves embracing the material's imperfections. Sveva Bizzotto’s Potoro collection exemplifies this by offering a fresh interpretation of the traditional Potoro technique. Historically, this technique uses fine inorganic pigments to unify the colors of bricks from different production batches after firing. Bizzotto, however, employs a soothing watercolor effect, highlighting terracotta’s diverse design potential rather than concealing variations. Other concepts developed by Terraformæ challenge conventional perceptions. Pietro Bongiana and Silvia Codato’s Split tiles, for instance, reinterpret the joint—an element typically minimized—by enhancing it. The Bongiana Architetture studio designed terracotta tiles with a groove, either diagonal or straight, that divides the surface. Once installed, this groove is filled with colored grout, forming a rhythmic line motif that integrates the joints into the overall pattern. Multifunctionality is another key aspect of Terraformæ’s work. Swedish-American designer Shane Schneck, inspired by Terraformæ’s kiln, created Radiator. This versatile brick item, suitable for domestic use, draws inspiration from the extruded elements of breezeblocks and sunshades. Its wave-like shape makes it a adaptable object holder for various contexts. Through systematic experimentation and a continuous quest for discovery, Terraformæ and its global collective of creatives are actively exploring new territories for terracotta, demonstrating a commitment to innovative and expansive uses of this ancient material. #TerracottaDesign #MaterialInnovation #ClayCraftsmanship #SustainableDesign #ProductDesign #ArchitecturalMaterials #DesignResearch #ItalianDesign #ModernCraft

The article outlines ten prominent interior design trends for homes in Egypt, drawing inspiration from the country's rich cultural heritage and dedicated craftsmanship. Kenda Interiors by NADIM, an established design company, provides insights into these trends, which range from contemporary geometric patterns to traditional Egyptian artistic techniques. The first trend emphasizes bold geometric patterns, lines, and slices. These can be incorporated in various ways to suit individual tastes, adding sophistication, visual harmony, and rhythm to interiors. Kenda Interiors' "Pyramidion" collection exemplifies this by using geometric shapes inspired by ancient obelisks and the gold-covered uppermost parts of pyramids to evoke opulence and modernity. The company suggests pairing these patterns with bold colors to create focal points within a room. The second trend highlights comfort and functionality, stressing the importance of making a home livable and customized to personal needs. Kenda Interiors prioritizes creating spaces that are both aesthetically pleasing and serve as an escape from daily stresses. An example is their "Tetris" room, which features comfortable seating and convenient amenities like charging stations. The advice given is to select items that are personally appealing and to consider bespoke pieces for a unique touch. Sleek and modern high-gloss finishes represent the third trend, which aims to elevate interiors with a luxurious appearance. This material can be applied to walls, furniture, and surfaces to draw attention. Kenda’s “Illusion” dining table, with its ocean-like high-gloss finish paired with walnut burl wood, is presented as an example of this trend. Elegant gold leaf is the fourth trend, connecting contemporary design to Egypt’s historical association with gold. This allows for the incorporation of a sense of history, rarity, and purity into homes. Kenda demonstrates how to integrate gold elements tastefully by combining them with glossy black materials and paintings that feature gold leaf accents. Traditional carving techniques constitute the fifth trend, promoting the preservation of Egypt’s artistic legacy within modern home designs. Intricate carvings and traditional ornaments can add a refined artistic touch. Kenda Interiors merges ancient crafts with modern designs, such as their replica carving of a Fatimid horse panel on a statement side lamp. The sixth trend focuses on stunning artwork that personalizes a home and reflects the inhabitants' identity and aesthetic. Art is seen as a means to introduce color, life, and narrative into a space. Kenda showrooms collaborate with Samah Art Gallery to offer curated artworks that either complement or become central pieces in any room. Varied lighting, including glass chandeliers, salt lamps, and candles, is the seventh trend. Lighting is crucial for setting the ambiance and mood of a room. Kenda Interiors suggests incorporating Egyptian motifs and creating tailored spaces with thoughtful lighting choices, using custom chandeliers, warm salt lamps from Oasis Salt Lamps, and aromatic candles from Candle Connection. The recommendation is to plan lighting early in the design process, considering the room’s function and desired atmosphere. Handmade ceramics are the eighth trend, celebrating Egypt’s skilled artisans. Historically functional, these pieces now bring cultural heritage into modern homes. Kenda Interiors collaborates with Runk Ceramics to produce unique, handmade tiles, such as those used in their “Luster” dining room set, showcasing the beauty of expressive and iridescent ceramics. Unique handmade textiles and decorations form the ninth trend. Textiles like pillows and throws are used to personalize spaces, adding color, texture, and detail. Kenda Interiors highlights the importance of supporting local artisans, featuring "Nebu" pillows that combine kheyameya applique with eclectic designs. The design tip suggests using an odd number of pillows for an artful arrangement and experimenting with different colors, textures, and shapes. Finally, beautifully crafted kilim and rugs represent the tenth trend. These patterned and colorful rugs, while a trend that emerged some years ago, continue to be popular, complementing minimal furnishings and serving as a simple way to incorporate ancient Egyptian motifs symbolizing fertility and familial protection. These trends are available for viewing at Kenda Interiors showrooms located in Concord Plaza, Mall of Egypt, and Dandy Mall, and further information can be found on their website and social media platforms. #InteriorDesign #EgyptianCraftsmanship #HomeDecor #GeometricPatterns #GoldLeaf #TraditionalCarving #ArtInDesign #LightingDesign #HandmadeCeramics #TextileDesign #KilimRugs #KendaInteriors