A restored 1929 New Orleans home makes the perfect canvas for two passionate preservationists

David and Emma Engerer, a young couple, have embarked on a significant endeavor to revitalize the historic Stuart Neighborhood in Kalamazoo through the renovation and rental of its aging houses. David, 28, from metro Detroit, and Emma, 22, from Austin, Texas, met at a skateboarding contest in Houston and later married in October 2019. Their venture into real estate began after David's graduation from Western Michigan University, encouraged by his father to purchase and renovate older homes to generate rental income. The couple's commitment to the neighborhood is evident in their hands-on approach to renovations, with David performing most of the restoration work alongside Emma. Their efforts have been lauded by local residents, including Gary Wark, president of the Stuart Area Restoration Association, who notes the positive contrast with absentee landlords. The Engerers are part of a growing trend of younger individuals investing in the historic area, which boasts many houses dating back to the 1870s when it was a thriving community for businessmen and professionals. David emphasizes the importance of maintaining a vision for the properties' potential, despite the inherent challenges of home fix-ups. Their first acquisition was an American Foursquare stucco house at 821 Kalamazoo Ave., built in 1910. Originally a single-family residence, it had been converted into a duplex in the 1920s and suffered from neglect, including foundation, roof, plumbing, and electrical issues. Emma humorously compared it to the 'Money Pit' movie. Despite its condition, the house had existing tenants, and its structural integrity was surprisingly sound. This initial project served as a significant learning experience for the couple. Following this, the Engerers purchased two more 19th-century homes in the neighborhood, with plans for additional acquisitions. One of these is their personal residence, a 4,000-square-foot Queen Anne Victorian at 418 Stuart Ave., known as the French/Allen House, built in 1895. This house, rich in history with four bedrooms, 3.5 bathrooms, stained-glass windows, and a sweeping veranda, was originally appointed by Marshall Field. It was once owned by Dorr French, a justice of the peace and city attorney, and later by Harold Allen, vice president of First National Bank and corporate secretary for The Upjohn Co. They acquired this house in May 2020 at a reduced price, undertaking interior upgrades such as replacing old galvanized steel pipes and plumbing, replicating door moldings, and re-doing bathrooms, all while meticulously preserving the historic integrity. David expresses strong disapproval of renovations that strip old homes of their original charming features. Local historian Sharon Carlson, a resident of the Stuart Neighborhood, commends the Engerers' dedication, noting that landlords who live in the neighborhood tend to be the most effective. In July 2020, they bought another rental property at 500 Stuart Ave., a four-unit dwelling built by George Rickman in the late 1880s, one of three brick Queen Anne-style houses on the street. They are currently performing exterior and limited interior renovations, with more extensive work planned as tenant leases expire. This house, along with its neighbors, is distinctive for its brick construction, unusual for Victorian homes of that era. Emma, who initially had no plans to leave Texas, credits her move to Michigan to her relationship with David and a strong sense of divine guidance. She discovered Michigan's distinct seasons, a new experience compared to Texas. David's background includes a past as an aspiring professional skateboarder and snowskater, sponsored by Ambition Snowskates. He graduated from Western Michigan University with a degree in exercise science, initially intending to become a physical therapist, but discovered a passion for home renovation after summer jobs involving repairs. David's father, a successful physical therapist and experienced home renovator, has been a significant mentor, guiding them with insights into making properties profitable and managing renovations. The Engerers emphasize that while financial viability is crucial for such projects, passion and vision are paramount. They plan to remain in the Stuart Neighborhood long-term, expressing their love for the community and its historical homes. #HistoricHomeRenovations #StuartNeighborhood #KalamazooRealEstate #PropertyInvestment #CommunityRevitalization #QueenAnneVictorian #OldHouseRestoration #RentalProperties #NeighborhoodDevelopment

The article details the renovation journey of Christine Bayles Kortsch and her husband, Daniel Kortsch, as they transformed their 1924 Craftsman bungalow in Denver's Congress Park neighborhood. The initial challenge with their 1,800-square-foot home was its traditional bungalow floorplan, characterized by a cramped, narrow kitchen at the back of the house. This layout presented several issues, including a significant lack of natural light, which was crucial for Christine's food photography, and a highly inconvenient back door placement that opened onto an L-shaped staircase, making grocery carrying difficult. A single-width door between the kitchen and dining room also created a constant point of congestion for their family of four, who frequently entertained guests. After years of attempting minor cosmetic fixes like painting dark cabinets white and updating living room furnishings, the couple realized these superficial changes were insufficient to address the fundamental problems of the dysfunctional layout. This realization prompted them to undertake a comprehensive kitchen remodel during the pandemic. For this significant project, they enlisted the expertise of Christine’s sister-in-law, Vivian Bayles, a Manhattan-based interior designer and architect, and local builder Jim Copeland of Copeland Craftworks. The core of the renovation involved a strategic overhaul of the floorplan. Instead of simply modifying the partition wall at the back of the kitchen, they removed it entirely. The small, unusable nook was transformed by replacing its window with a 10-light glass door leading to a new exterior deck. The area previously occupied by the nook now serves as a spacious landing for a new, straight staircase to the basement, significantly improving accessibility and flow. Furthermore, the narrow doorway connecting the dining room and kitchen was dramatically widened, creating a more open and integrated living space. Another key improvement was the removal of a hard-to-access, recessed pantry located behind the old kitchen, above the back stairs. This change allowed for the installation of a full-depth refrigerator, a high priority for Christine, aligning seamlessly with the new cabinetry and appliances. Storage capacity was also enhanced by extending the new cabinets to the ceiling, maximizing vertical space. Rick Lutz, a kitchen designer from Home Depot, assisted with the cabinet configuration, emphasizing efficiency within the existing footprint. To maintain the home's historic character while integrating modern functionality, crown molding was added throughout the kitchen, dining, and living room, sourced from Austin Hardwoods to match the period. For finishes, Christine prioritized texture and a sense of aged patina, moving beyond standard modern choices. She selected durable Super White dolomite for the countertops, which offered a neutral surface ideal for photography while adding a distinctive natural stone element. The backsplash features Liberty thin-brick Clé tile, inspired by early 20th-century New York City, chosen for its uneven, rough texture that introduces character. A notable design decision was to conceal the microwave in a custom cabinet beneath the countertop, avoiding its traditional placement above the range, and Daniel designed and built a custom plaster-and-white-oak hood. The dining area received an unobtrusive chandelier by the Light Factory, a refurbished wooden table, a custom-built bench by Daniel, and vintage 1960s Danish chairs, fostering a rustic, communal atmosphere. The renovation also integrated the kitchen's new aesthetic with the rest of the main floor by updating the living room's fireplace hearth with leftover dolomite and white-oak trim, tying it to the new white-oak floors and complementing the home's existing bold wallpaper. Christine emphasized that the project, constrained by footprint and budget, fostered creativity, resulting in a bright, efficient, and cohesive space that respects the home's history while meeting contemporary needs. #HomeRenovation #CraftsmanBungalow #KitchenRemodel #InteriorDesign #DenverHomes #HistoricPreservation #FloorplanTransformation #CustomCabinetry #ArchitecturalRenovation

Julia Kramer, a former Bon Appétit editor, and her husband, Zach Kaplan, purchased a Craftsman home in Koreatown, Los Angeles, sight unseen during the early days of the pandemic. The decision was primarily influenced by a stained-glass peacock window in the dining room, which resonated with their family's experience visiting live peacocks at the Cathedral of St. John the Divine in New York City. This personal connection served as a significant sign, making the long-distance purchase feel destined. The couple, still residing in their two-bedroom apartment in New York’s Upper West Side, relied on an L.A.-based friend to view the property shortly after it was listed before making an offer. Following the purchase, and with only six weeks until their move, Kramer and Kaplan enlisted the help of Jamie Haller, an experienced Craftsman restorer and shoe designer. Haller's primary task was to modernize certain aspects of the home while also stripping away inappropriate additions, such as built-in speaker systems in the living room and kitchen, and numerous recessed lights. The goal was to preserve the original character and 'good stuff' of the Craftsman style. Kramer, who was largely put off by the ubiquity of newly remodeled kitchens featuring subway tile and open shelves during her house hunt, found the untouched, wood-heavy kitchen of this home particularly appealing. She expressed a preference for living without common countertop materials like marble and granite and appreciated the kitchen's separation from other rooms, allowing her personal space while cooking. Restoration efforts in the kitchen focused on subtle yet crucial updates. Haller oversaw the replacement of awning window chains with historically accurate hardware, a task that required considerable effort to source and install. She emphasized 'restraint' in the renovation process, focusing on making the space functional without sacrificing its original charm. A carpenter was brought in to repair the track of the old-fashioned bread box's garage door, ensuring its safe operation. While the kitchen lacks modern amenities like soft-close hinges, it retains a distinct 'soul' that appealed to the owners. One of the most challenging projects was the living room, where plaster walls had been covered in blue silk dupioni fabric and secured with an estimated 45,000 staples. Removing these staples was a laborious process, taking a week of manual effort. The focal point of the revitalized living room became Kramer’s vintage coffee table, a 1stdibs acquisition, which uniquely functions as a champagne and shrimp cocktail station, with its inverted center perfectly accommodating her ice bucket. Haller also had to source new lighting fixtures, as the previous owners took the originals. She turned to a salvage shop in Los Angeles known for preserving lights from Old Hollywood celebrity homes, finding an antique sconce for the guest bedroom’s salvaged sink that once belonged to Buster Keaton. Distinguishing this Craftsman from others, the home features dark, purple-hued mahogany wood rather than the typical red-orange Douglas fir. This unique wood tone harmonizes surprisingly well with subtle pink accents, such as the original fireplace grout and the new dining room walls, which were painted a soft dusty lavender-gray. Haller noted that the natural light interacting with these elements creates a warm glow. Due to the tight renovation schedule, restoring the painted wood trim was not feasible. Instead, it was repainted in Farrow & Ball’s dark navy shade, Railings, to achieve a cohesive look. In contrast to the home’s more vibrant areas, the main bedroom adopted a softer palette, transforming its previous purple walls into a serene cream. Kramer, typically drawn to maximalist designs, was swayed by Haller’s vision for a neutral, tranquil space. The bedroom renovation included creating two closets on either side of the bed by reallocating space from an adjacent children’s room, and adding a built-in reading nook with a tufted cushion, which serves as Kramer’s preferred work-from-home spot. For the children’s bedrooms, Kramer and Haller exercised a different form of restraint, opting for allover wallpapers with prints that strike a balance between kid-friendly and adult-approved aesthetics. Kramer expressed her desire to postpone 'ugly child spaces,' choosing whimsical crane designs by House of Hackney for her youngest son's room and a floral print by the same brand for the bathroom. She found that the numerous built-ins in the large bathroom helped to break up the busy floral pattern effectively. The various bird motifs throughout the home, from the initial peacock window to the crane wallpaper, have become a personal symbol of good fortune for Kramer. #HomeTour #CraftsmanHome #LosAngelesRealEstate #InteriorDesign #HomeRenovation #SightUnseenPurchase #HistoricPreservation #VintageDecor #FamilyHome

Ayni Raimondi Vienna and Sean Vienna, a couple from San Francisco's Outer Sunset neighborhood, sought a new home that offered more privacy, natural surroundings, and proximity to the beach, eventually finding their "magic house" in San Anselmo, California. Their initial move to San Anselmo was accidental, driven by an opportune Craigslist rental, leading them to sell their San Francisco home and embark on a dedicated house hunt in the new town. The criteria for their dream home included being within 30 minutes of the beach in California and allowing Sean to bike to work, which he, an ocean photographer, enthusiastically pursued. During their search, they encountered a 1921 home previously owned by a Sausalito seafood restaurateur, featuring unique sea-inspired elements such as abalone shells on doors and a spiral staircase. Despite initial reservations from their real estate agents, the couple immediately recognized the property as their ideal, "magic house," drawing parallels to their shared passion for the ocean, exemplified by their second date involving free diving in a kelp forest. Upon purchasing the home, they engaged designer Shelbie Cox and contractor Abel Maldonado for extensive renovations. Ayni had been in contact with Cox throughout the search, securing her interest in the project. The renovation process involved meticulously preserving original architectural details, such as the Douglas fir window casings, which were carefully removed, new energy-efficient windows installed, and the original casings reassembled. This commitment to preservation set their project apart from the common modern farmhouse aesthetic prevalent in Marin County, which often favored new, black and white designs. The couple was actively involved in material selection, with Ayni even meeting a cabinetmaker in a gas station parking lot to approve teak board options for their primary bathroom. For the flooring, Ayni consulted her friend Emily Christensen of Good Wood, a company specializing in reclaimed lumber, ultimately choosing a soft redwood that, despite its susceptibility to nicks, offered a luxurious feel underfoot. The design choices throughout the home reflected their personal stories and practical needs. Sean, known for his ocean photography, contributed to the home's aesthetic with his artwork, and his dedication to plant care extended to watering plants on the balcony during the renovation. The couple's extensive art book collection, a tradition from their early courtship, became a central feature during dinner parties, encouraging guests to explore them. The home also evolved to accommodate their growing family, transforming a sunroom into a nursery for their newborn son, Woods, and an adjacent sitting area into a family hangout. Sean’s DIY skills were put to use refurbishing a dresser for the nursery, a piece they found on Facebook Marketplace. The nursery itself was designed with thoughtful details, including specific paint colors and custom curtains made from a rare Josef Frank fabric, which Ayni went to significant lengths to acquire from Stockholm. The guest bathroom was designed with a unique "makeup colors" palette, a concept inspired by soft, blush-like shades, resulting in a two-tone pink concrete tile arrangement. Despite its feminine aesthetic, Sean frequently used this bathroom after his long bike commutes. The primary bathroom featured a large Americh tub, a conscious choice reflecting their shared love for bathing and hot springs, with Sean, being tall, having the final say on the tub size. The couple's daily routine in their renovated home involves starting their Sundays with coffee and music, tending to their garden, and occasionally venturing to Shell Beach for a swim, highlighting their connection to nature and a relaxed lifestyle. The renovation successfully blended the home's historic charm with contemporary comfort, creating a space that reflected their personalities and evolving family needs. #HomeTour #SanAnselmo #CaliforniaLiving #RenovationProject #InteriorDesign #OceanPhotography #NurseryDesign #HistoricHome #SustainableMaterials

This article explores a historic 1920s double-wide townhouse on the Upper East Side of New York City, which served as the 47th Annual Kips Bay Decorator Show House. The clients purchased the entire building after attending the show house, initiating a gut renovation led by Francis Nicdao, principal designer and chief creative officer of Pembrooke & Ives, and Stephanie Sarkies-Schabot, the firm's managing director of decorating. The renovation, which began during the COVID-19 pandemic, aimed to create a family home capable of displaying a vast, museum-quality art and antique collection without feeling overly formal. The design achieved a balance between contemporary cleanliness and traditional detailing, respecting the building's historical character. The entryway features checkerboard marble flooring and a spectacular spiral staircase connecting five of the six levels, designed to facilitate a smooth transition to vertical living. The living room, expansive due to the home's double-wide layout, is furnished with collectible design pieces and art, creating a grand and impactful atmosphere. Gold accents add a glamorous edge to a soft color palette. The combined breakfast and family room functions as the home's hub, with a custom back-to-back sofa dividing dining and lounge areas. This space, which opens into the kitchen, incorporates rich textures and blue hues, overlooked by Ralph Goings's artwork, _Tom’s Diner_. The kitchen, located on the entry floor, was designed for high functionality and ease of maintenance, with easily cleanable surfaces and ample counter space. Its blue island and barstools create a cohesive connection with the adjacent breakfast room. The wine cellar and wet bar, located in the basement and dining room respectively, demonstrate that even lower-level spaces can be glamorous, featuring specialty lighting for the wine display and a high-gloss blue paint with a mirrored backsplash in the wet bar. The primary suite, one of seven bedrooms, offers a dreamy ambiance with pink details and natural light enhancing its glow. The unique layout connects the bedroom to a walk-in closet and bathroom through a windowed corridor along the back facade. A guest bedroom provides a relaxing retreat with a neutral color palette, plush carpeting, embroidered drapery, a custom upholstered headboard, and a high-gloss wall finish. The primary bathroom integrates decorative lighting as a focal point, with a stunning chandelier and sconces, alongside symmetrical design and stone detailing for a luxurious and modern feel. Finally, the backyard patio, designed by landscape architect Luciano Guibbilei, serves as a “zen-like enclave” in the city, covering approximately 1,500 square feet and featuring a mural by artist Annie Morris, providing a serene outdoor escape. #NewYorkCity #TownhouseRenovation #InteriorDesign #LuxuryHomes #HistoricPreservation #ArtCollection #PembrookeAndIves #KipsBayShowHouse #HomeDecor

The preservation of historic homes in Dallas is a topic of growing concern, particularly as many owners face the dilemma of maintaining or demolishing older properties. This article addresses common misconceptions and offers guidance on how to approach historic home preservation, drawing on insights from leading experts in the field. It highlights that builders and conventional architects often prioritize new construction, which can lead them to advise against saving historic structures, even if they are salvageable. This perspective often stems from a lack of specialized knowledge about historic building techniques and materials, rather than insurmountable structural issues. For homeowners committed to preserving their historic properties, the initial step involves consulting with preservation architects or specialists. These professionals possess unique expertise in working with older buildings, understanding their distinct characteristics, and identifying appropriate methods for restoration and renovation. Unlike architects focused on new designs, preservation architects aim to maintain the original integrity of a structure while discreetly integrating any necessary modern interventions. They are trained to assess historic materials, understand their performance, and implement repairs that respect the building's historical context. Prominent Dallas preservation architect Marcel Quimby emphasizes that preservation work requires a different skill set than new construction. Her experience on projects like the Hall of State at Fair Park underscores the complexity and specialized knowledge needed. Similarly, Norman Alston, an industry leader in historic preservation, points out that the industry's general unfamiliarity with renovating existing historic buildings often leads to their demolition. He asserts that preservation is not inherently harder, but merely different, requiring professionals who are comfortable adapting and working with existing structures rather than starting anew. Alston highlights that a key issue is the reluctance of many professionals to admit a lack of knowledge, which can result in uninformed advice advocating demolition. Jay Firsching, a preservation specialist with HRTC Services, elaborates on the philosophical difference between conventional and preservation architecture. He notes that conventional architects showcase their designs, while preservation architects work to preserve the original creator's vision, often making their own contributions invisible. This requires a unique approach where ego is set aside to prioritize the historical fabric of the building. Beyond architectural considerations, the article also explores the sustainability aspect of historic preservation. Alicia Quintans, principal of JQAQ Atelier, LLC, champions adaptive reuse, arguing that demolishing old buildings is environmentally wasteful. She points out that historic structures contain valuable materials that are often irreplaceable. Quintans observes a growing trend among younger generations of business owners who appreciate and leverage the character of historic buildings as part of their brand. Ron Siebler, President of Preservation Dallas, reinforces this, stating that educating the public about the energy and green benefits of older buildings is crucial, especially for environmental reasons. He believes that younger generations are more attuned to the environmental imperative of working with existing resources. In conclusion, the article stresses that preservation architects and specialists are essential resources for historic homeowners. These professionals are equipped with the training, knowledge, and resources to ensure the longevity of historic properties. For those seeking such expertise, the article suggests looking online, consulting neighborhood resources, and seeking recommendations, noting that Preservation Dallas is actively working to compile a list of qualified professionals to assist homeowners in their preservation efforts. Tax incentives for historic homes in Dallas are also available, providing financial support for these endeavors, as highlighted in the comments section. #HistoricPreservation #DallasRealEstate #PreservationArchitecture #HomeRestoration #SustainableBuilding #ArchitecturalSalvage #HistoricHomes #AdaptiveReuse #PropertyValue

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

In the vibrant Greenpoint section of Brooklyn, a creative couple, Jill Magid, a conceptual artist, and Jonny Bauer, an advertising executive, embarked on a significant remodel of their row house. This property, originally a workman’s cottage, underwent a head-to-toe transformation completed in mid-2013, blending its historical essence with modern design sensibilities. The exterior of the home immediately signals its updated character through subtle yet impactful design choices. For instance, the house numbers, a sleek neon '175' rendered in a sans serif font, serve as a modern beacon on a street otherwise characterized by more traditional architecture. This miniature, functional art piece, created by Magid herself, hints at the artistic and thoughtful approach taken throughout the renovation. The project focused on preserving the historic 'bones' of the structure while introducing contemporary interior updates to suit the couple's lifestyle and aesthetic preferences. This careful balance ensures that the home respects its past as a workman's cottage but simultaneously functions as a modern family residence. The renovation involved a comprehensive overhaul, from structural adjustments to the selection of finishes and fixtures, all designed to enhance both the functionality and visual appeal of the space. The integration of modern elements, such as the distinctive neon house numbers and potentially other interior design features, contrasts with the traditional brick siding, creating a unique visual identity for the property. The article highlights how the couple approached the renovation, suggesting a collaborative effort that infused their individual creative and professional backgrounds into the home's design. The choice of materials, color palettes, and spatial arrangements would have been meticulously considered to achieve a harmonious blend of old and new. This thoughtful renovation process aims to create a living space that is not only aesthetically pleasing but also highly functional for a contemporary family. The remodel transforms the historic dwelling into a personalized sanctuary that reflects the artistic inclinations of its owners while maintaining a connection to its architectural heritage. Ultimately, the project in Greenpoint serves as an example of how historic properties can be revitalized through careful and creative renovation. By updating the interior while honoring the original structure, Magid and Bauer have created a home that stands out with its unique blend of artistic expression and historical charm. The narrative implicitly suggests that the renovation involved strategic decisions to modernize living spaces, improve natural light, and optimize the layout, all contributing to a more comfortable and visually engaging environment. The home becomes a testament to how art and design can elevate everyday living within an urban historical context. #BrooklynHome #HomeRenovation #HistoricPreservation #ModernInteriorDesign #Greenpoint #ArtisticHome #RowHouseRenovation #CreativeCouple #UrbanDesign

Architectural and interior design duo Arya and Michael Martin, founders of Studio OSKLO, have spent three years meticulously crafting their biophilic home in the Hollywood Hills. Their design philosophy focuses on integrating nature and minimalist aesthetics, blurring the lines between indoor and outdoor living. The property, located in the exclusive Doheny Estates, features an earthy color palette and natural materials, harmonizing with the surrounding granite hillside. The home incorporates elements typical of 1960s and 1970s Los Angeles architecture, such as architectural columns that conceal a series of interconnecting terraces accessible from every living space. A central atrium with a second-floor overlook brings greenery into the heart of the home, complemented by walls of rift oak and matte plaster detailing. Large retracting glass panels and expansive corridors create an open atmosphere, offering views of black olive trees, grasses, and aged stepping stones. The exterior uses white and cream tones to soften the columns, which are exposed to direct sunlight. Hinoki-inspired wooden paneling wraps the second-floor terraces to provide privacy. A limestone promenade leads to a zero-edge pool, a private dining garden with a fireplace, and a granite rock formation inspired by the luxury hotel Amangiri in Utah. Inside, the plasterwork is predominantly white, with exceptions in the taupe cloakroom and the oak-paneled TV room. The sitting room features a fireplace carved from a two-ton block of Paloma limestone, assembled on-site by 16 men. The kitchen boasts Calacatta Paonazzo marble, lending a vintage feel to the contemporary space, while a Calacatta gold marble bar adds warmth. Each bedroom is designed with a unique palette to enhance personality. The interiors are furnished with a rich mix of textures, including boucle, velvet, mohair, and linen. Irani carpets, inherited from Arya’s family, blend seamlessly with pieces by notable designers like Vladimir Kagan, Gio Ponti, and Rick Owens. The couple also incorporated collectibles from their travels to Madrid, São Paulo, and Marrakech, creating a curated global aesthetic. Many furniture pieces were custom-made by Studio OSKLO, characterized by gentle abstract shapes and textures. Accessories from Tokyo, sourced during their trips to Japan in 2021 and 2022, contribute an Eastern influence to the Los Angeles views. Pottery, 19th-century bronzes, and clay objects are artfully displayed on built-ins, shelving, and tabletops. The dining room features a Tamara de Lempicka artwork, and a 1960s-era bronze bust adorns the second-floor hallway, reflecting the Martins’ personal tastes and careful attention to every detail in their home. #BiophilicDesign #HollywoodHills #StudioOSKLO #MinimalistInteriors #NaturalMaterials #EarthyPalette #LuxuryHomes #CustomFurniture #ArchitecturalDesign #InteriorDesigners

Updating a historic home while preserving its original character presents a common design challenge. This article details the process of reinventing a mansion-scaled limestone townhouse in Brooklyn, NYC, built in 1898, which featured wood-paneled walls, ornate ceiling moldings, and polished parquet floors. Jason Saft, founder of Staged to Sell Home, undertook this renovation, introducing contemporary, high-end furnishings to appeal to potential buyers while honoring the special historic details of the property. The renovation focused on several key principles. First, respecting the property's history was paramount. The neo-Italian Renaissance townhouse, designed by architect Montrose Morris, holds significant historical presence overlooking Prospect Park. Saft's approach was to enhance, not diminish, this heritage. Second, the project emphasized preserving original features. In areas like the hallway with mirrored closets and stained glass windows, architectural integrity was maintained, with modern art serving as the sole contemporary addition. This strategy allowed the inherent character of the home to shine through, complemented by modern elements. Achieving balance in the color palette and styles was another crucial aspect. Drawing inspiration from Prospect Park, varying shades of green were incorporated. To counteract the visual weight of the dark wood paneling, a palette of creams, beige, and white was introduced to lighten the space. Saft strategically mirrored existing architectural details, such as ceiling moldings, with furniture choices like curved ivory couches, creating visual symmetry and connectivity throughout the rooms. Light-colored upholstery was extensively used to modernize the space, addressing concerns that dark woodwork could make the home feel dated or museum-like. By integrating lighter case goods and upholstered pieces, the living areas were brightened, and the woodwork appeared less heavy. The shape of new furniture, such as contemporary couches, was also considered to introduce modern lines. To foster a collected atmosphere, lighter profiled pieces were chosen for areas like the staircase, contrasting with the grand original features. This approach aimed to make the home feel welcoming rather than overwhelming, blending grandeur with comfort. Curating views within the home was also important, as exemplified in the dining room, where a custom dowel table and Rodin dining chairs brought a contemporary flair, harmonizing with traditional elements like ceiling beams and dark wood paneling. The design philosophy advocated for a mix of antique and modern pieces, recognizing that successful integration often requires trial and error. Dressing the space with well-chosen pieces provided an instant uplift. In the home office, a period-style fireplace and paneling were complemented by a comfortable mix of midcentury furniture, antiques, and found objects. Saft underscored the importance of researching historical design styles to inform the integration of traditional and modern elements. Finally, selecting timeless, transitional pieces for major furnishings, such as beds and couches, ensured longevity in design. Art played a significant role in every room, with contemporary artworks often placed in traditional frames to bridge design styles. Midcentury-style furniture was combined with custom contemporary pieces to create a cohesive and updated aesthetic. The transformation of this historic home, executed with speed and precision, demonstrates how a thoughtful blend of styles, colors, art, and furnishings can update a property while preserving its inherent charm and maximizing its appeal. #HistoricHomeRenovation #TransitionalDesign #NYCRealEstate #InteriorStyling #HomeStaging #VintageCharm #ModernInteriors #DesignBalance #ArchitecturalPreservation

This article details the home renovation and interior design process for actor Ian Harding and artist Sophia Hart's Laurel Canyon residence. The 1948-built home in Los Angeles had undergone multiple disjointed renovations, resulting in a mix of architectural styles. Interior designer Shannon Ggem was tasked with restoring the house's intended character and creating a cohesive, vintage-authentic space tailored to the couple's preferences. Harding and Hart, who are fans of nature and wildlife, sought a home that reflected their personalities and love for eclectic, found objects rather than a "straight-off-the-showroom-floor look." The design process involved extensive collaboration between the couple and Ggem. They spent significant time sourcing unique furniture and accessories, often through platforms like Craigslist, to achieve a true vintage feel. Ggem's approach focused on understanding the couple's existing style and enhancing it with her expertise. In the great room, for instance, Ggem established a sense of entry, incorporated ample book storage, and utilized black linen sheers to frame the views of the surrounding landscape, creating a "tree house-y" ambiance. The couple's existing overdyed rug and tree stump tables were integrated, adding color and rustic charm to the masculine-leaning space. A significant element of their home's decor is a gallery wall featuring collected frames and natural finds from their walks, such as an ostrich egg displayed in a 1940s toothbrush cup. This reflects their appreciation for wildlife and found objects. Ggem also designed a functional entry area near the front door with custom console tables and crates for dog toys, along with carefully chosen resin antler lamps and hand-carved Italian deco chairs, all contributing to the vintage and nature-inspired aesthetic. The designer also successfully convinced Harding of the aesthetic value of a lamp placed in front of a view, which effectively sections off the area and defines the space. For the couple's extensive book collection, Ggem designed 15-foot-long built-in bookshelves painted in deep teal with periwinkle backing. These shelves also serve to house the TV, media equipment, and board games, with decorative elements like painted blocks created by Hart. Lighting choices, such as an Edison chandelier and a deco star, subtly define the living and dining areas, bridging the gap between the home's 1940s origins and contemporary design. The master bedroom was designed with a whimsical, woodsy theme, featuring reclaimed wood furniture, a rope-textured blanket, vintage Swiss backpacks, and small deer silkscreens. A vintage photographer's hand-painted backdrop, repurposed as drapes, is a favorite feature, allowing in just the right amount of light. The downstairs area was transformed into a full studio, serving as separate guest quarters and a workspace for Hart. Inspired by Hart's collection of Kay Nielsen's illustrations, the studio adopted an "Alice in Wonderland eclectic, creative boho" aesthetic. This included pink walls, a black and white harlequin pattern painted on the concrete floor, and large paper flowers. Ggem incorporated a taupe sofa that converts into a full bed, chosen for its "Frenchy-poo-with-an-edge look." The decor in this space incorporates eclectic accessories that nod to Laurel Canyon's bohemian history. Outdoor living was a priority for the couple. They expanded their usable outdoor space by acquiring an adjacent lot, resulting in three distinct outdoor rooms. These include a patio off the kitchen for morning coffee, a lounge area with enhanced nighttime ambiance from commercial-grade shaded lights and a unique fire pit, and an al fresco dining space. The dining area features a custom-made square redwood table and benches, capable of seating eight, and is adorned with a patterned umbrella and Moroccan lanterns for an eclectic and warm atmosphere. This comprehensive design approach successfully transformed the Laurel Canyon home into a personalized, vintage-authentic sanctuary that reflects the couple's unique tastes and the bohemian spirit of the neighborhood. #HomeDesign #LaurelCanyon #VintageDecor #EclecticStyle #InteriorDesign #HollywoodHome #ShannonGgem #IanHarding #SophiaHart

Lauren and Jason Muir embarked on a significant renovation of their 1900-built Parkside home after returning to Adelaide from London and Sydney. The couple purchased the property in its original condition in late 2020, with renovation plans beginning almost immediately. However, due to pandemic-related delays and council approvals, construction didn't commence until two years later. Lauren, a strategy executive at Westpac, expressed the importance of honoring the home's 1900 heritage while integrating a modern aesthetic, a design philosophy inspired by Victorian homes in London's southwest. A key design objective was to create a seamless transition between the original structure and the new extension. This was achieved by extending the original timber floors throughout the house and meticulously matching architectural details like architraves. The couple also focused on cohesive styling, using art to introduce color and enhance flow between the old and new sections of the home. The front of the house retained its original character, while the rear extension was designed to complement it with a contemporary feel. The renovation project involved collaboration with The Building Company and Mavtect Designs, successfully navigating council requirements that mandated the extension not be visible from the street. Specific features desired by the couple included a wine cellar, which Jason envisioned as a space where one could walk down and be enveloped by wine. Lauren's primary desire for the living space was an abundance of natural light. While the front of the house, with its older structure and tree coverage, remained darker, the extension was designed to maximize light, leading to the creation of a seven-meter raked ceiling and a large wall of glass. This architectural choice not only floods the living area with light but also provides a view of the century-old hedge in the backyard, which offers significant privacy and a natural green wall effect. Outdoor spaces were also a crucial component of the renovation. With the help of Husk Projects and Evoke Outdoors for landscaping, Lauren and Jason created dedicated outdoor entertaining areas and a sauna area. The sauna was specifically inspired by Sequoia Lodge, aiming to replicate its serene garden setting where one could relax after using the sauna, creating a retreat-like atmosphere. The Parkside home became a labor of love, offering a convenient urban lifestyle, with easy access to parklands and local amenities. Despite their affection for the renovated Parkside home, the Muir family is now moving to Stirling in pursuit of more space for their young children. Their new 1920s home also requires renovation, signaling Lauren's continued preference for restoring older properties over new builds. The sale of the Parkside property, located at 9 Douglas Street, is being managed by Georgie Todd and Alexandra Green of Harris Real Estate, marking the end of one project and the beginning of another for the family. #HeritageHome #ParksideRenovation #ModernExtension #ArchitecturalDesign #LuxuryLiving #HomeRenovation #AdelaideRealEstate #InteriorDesign #OutdoorLiving

Carole and Don Watanabe have transformed an ordinary 1963 California ranch-style house in Sebastopol into a unique and vibrant living art piece called Chez La Vie. Carole, a multi-talented artist, and Don, an architect, collaborate to create a home that is an ongoing project of artistic expression and precision. The property encompasses multiple structures, including their main residence, an attached apartment for Don's father, an appealing guesthouse known as the Art Chapel, and various utilitarian sheds that are integrated into the artistic landscape. The main house immediately catches the eye with its vibrant ultramarine blue exterior, trimmed with deep turquoise and brick red. A wide berm in front of the property features Carole's "drive-by gallery," where steel frames crowned with corrugated aluminum roofs will display sheet metal paintings by local children, sold to support school art programs. The entrance to their home and Don Sr.'s apartment are adorned with enormous antique Indonesian facades made of intricately carved teak. Tall columns flanking the Watanabe entrance are covered in colorful spirals, created by Carole using abandoned mirrors and broken ceramics, giving them a jewel-box appearance. This use of found and repurposed materials is a hallmark of Carole's work, with a significant portion of the home's materials sourced from salvaged items, often acquired for minimal cost from places like a Santa Rosa Goodwill store. The backyard features a stream circulating water through the Paradiso Pond, which Carole considers her most significant work. The pond, a 4-foot-deep, rubber-lined creation, is landscaped with truckloads of rock and adorned with lilies and other water plants, evoking a Monet painting. On the western edge of the property, an outdoor fireplace, a table under a large tree, painted chairs, tiled tables, carved benches, tiny sculptures, clever mobiles, and painted fences contribute to the whimsical atmosphere. A curving dragon made of random ceramics weaves through the garden, intersected by brick pathways leading to a double-doored gateway to the neighbor's property. Inside, the whimsical aesthetic continues with furniture crafted from discarded wood and an assortment of found objects. Walls are accented with Carole's cursive writing and display her paintings, drawings, and sculptures. Recessed altars and mirrors decorated with colorful tiles are present throughout the interior. The flooring varies from room to room, incorporating area rugs and even a floor covered with squares of fabric and old photographs sealed with Varathane. The master bedroom features a custom-made headboard and Carole's handwriting on the walls, while her studio serves as her creative sanctuary. The Watanabes envision Chez La Vie as an "elder compound" where they can age gracefully amidst their beloved creations. They plan to host art openings in their spacious backyard, with a pizza oven available for guests. Banners of art, much of it created by children, will adorn patios and fences, transforming the home into an interactive gallery open to the public. #HomeTransformation #ArtisticHome #RanchHouseRenovation #SebastopolHomes #CreativeCouple #FoundObjectsArt #GardenDesign #SustainableDesign #SonomaHomes

Christina Roughan of Roughan Interiors embarked on an exciting redesign of a historic New York country house, built in 1900 by Charles Wetmore, a prominent NYC architect. This grand English-style manor, set on 20 acres with original horse stables converted into a barn, presented a rewarding project. The clients, knowledgeable in design, art, and furniture, sought a warm, inviting, and child-friendly home that honored its elegance and history, reflecting their family's lifestyle. The entry was designed to make a strong first impression. Christina incorporated the clients’ favorite color, blue, through a focal point artwork, a patterned rug, and antique blue and white jars. Warmth was introduced with a walnut table and camel leather stools, exemplifying happiness within a blue environment. The living room, described as a ballroom, features a custom Venetian plaster ceiling that adds emotional significance and grandeur. With a semi-domed 22-foot-high ceiling and four sets of French doors overlooking the gardens, it evokes a relaxed yet opulent atmosphere. Design details include a custom bookcase with spine colors incorporating the blue, soft gray, and ivory palette, and a year-in-the-making carpet echoing these tones with hints of silver. A flexible seating arrangement around the fireplace, comprising a sofa, armchairs, and a chaise, ensures elegance and comfort. The kitchen's design prioritized timelessness, featuring a classic country style with Carrera marble countertops and a large stainless steel range cooker for a modern twist. A dining area was integrated into the kitchen, serving as a central space for family gatherings, with mid-century Laverne T Chairs in whisky leather and walnut Michael Smith head chairs adding texture against the marble and pale walls. For the dining room, the goal was to create a light-filled space. The room underwent a full renovation, including new millwork, a fireplace surround, and gloss paint. Modern traditional furnishings introduced color with lavender and moss green accents complementing off-white and soft gray schemes. The family room, originally the dining room, was strategically relocated near the kitchen for convenience with young children. It combines oak bookcases with pops of color, fun art, and modern lighting, maintaining an elevated feel suitable for entertaining. The main bedroom balances masculine and feminine elements with a palette of camel, sage, and brown tones, wool sateen drapery, and rattan chairs for added texture. Guest bedrooms were designed to be distinct and inviting; one twin bed guestroom features rose rattan walnut burl headboards, which maximize space while adding texture and depth. The white bathroom offers a light and fresh scheme with a practical, elegant period-style double basin vanity. The extensive project, which included a guest house and pool house, took approximately two years. The pool house renovation was designed to complement the main house and guest house, ensuring a seamless flow throughout the property. The overall interior design, executed by Roughan Interiors and photographed by Jane Beiles, successfully transformed the historic New York country house into a refined yet comfortable family home. #HistoricHome #CountryHouse #InteriorDesign #NewYorkRealEstate #RoughanInteriors #TimelessDesign #LuxuryHomes #HomeRenovation #FamilyLiving

Hyphen House, a historic Hudson Valley farmhouse dating back to the 1700s, has undergone a significant transformation from a flower farm into a live-work artist's retreat. Originally built for the Dutch Van Messler family, the property once functioned as three separate apartments, now reconfigured into a single, cohesive residence. The name "Hyphen House" signifies this reunification of fragmented spaces, emphasizing the delicate balance required to merge its historical integrity with modern functionality. The renovation was spearheaded by artist Michele Lobo, the owner of Hyphen House, who commissioned her daughter’s design practice, NoNo Studio, co-founded by Susannah Stopford and Alejandra Murillo. The core challenge for NoNo Studio was to modernize the centuries-old structure without sacrificing its inherent historical soul. The designers described the process as a "high-stakes game of chess," navigating thick stone walls and inherent structural quirks to create a flowing layout while preserving the imprint of its past. Upon Lobo's initial acquisition, the house was a 'time capsule' filled with floral motifs, from wallpaper to light switches and lampshades, a legacy of its flower farm origins. While some original elements, such as specific wallpaper in the southern living room and powder room, were retained, others were reimagined. Notably, a quirky wax melter for candle making, hidden behind a fireplace, was preserved, as was the original wood of a mantle stripped back after extensive paint removal. Other enduring features include silk-screen wallpaper, a stone wall in the kitchen, a powder room under the stairs, and a built-in bookcase filled with art books. The aesthetic choices, including color palettes and material selections, were heavily influenced by the home's history and Lobo's extensive collection of art and objects. The designers aimed to create a dialogue between heritage and contemporary freshness, integrating 18th-century antiques with Lobo's globally sourced pieces. The guiding principle was to identify and amplify the distinctive character of the house. A primary goal of the renovation was to establish a home that could support Lobo’s artistic endeavors. After decades abroad, she sought a space near family that could accommodate her work across various mediums and scales. The property now thrives as a creative compound, featuring a sculpture studio in the former flower shop and a barn converted into an art gallery and entertaining area. NoNo Studio embraced the building's peculiarities, such as parallel staircases and duplicate living areas, transforming them into unique design opportunities. The project stands as a testament to the idea that preserving the spirit of an old building is as valuable as constructing something new, resulting in a warm, 'unbuttoned,' and inspiring "incubator of creativity." #HistoricRenovation #ArtistRetreat #HudsonValleyHome #NoNoStudio #InteriorDesign #AdaptiveReuse #ArchitecturalPreservation #LiveWorkSpace #FarmhouseRenovation