Designer Obsession — The Importance of The Decorative Arts in Interior Design At Texas Design Week Houston

The article outlines ten essential traits that contribute to a successful career in interior design, emphasizing that it takes more than just good taste or an innate flair for aesthetics. According to Neal Beckstedt, founder of Neal Beckstedt Studio, successful designers often possess a blend of seemingly opposing characteristics, such as being creative yet practical, free-thinking yet organized, and a good listener yet opinionated. One crucial trait is an appreciation for everyday beauty. Cheryl Luckett, founder of Dwell by Cheryl, highlights that recognizing potential in every space and noticing small details can elevate a room from good to truly special. This deep sense of beauty guides designers in creating functional, inspiring, and joyful spaces. Natural curiosity is another key characteristic. Linda Hayslett of LH.Designs notes that successful designers are often inquisitive about their surroundings, possessing a heightened awareness of how spaces feel and function, and noticing details others might overlook. Developing a discerning eye is also vital. Michelle Gage of Michelle Gage Interiors advises actively seeking opportunities that expand one's visual experience, such as visiting museums, home shops, and traveling, rather than solely relying on social media for inspiration. A defined sense of personal style provides clarity and confidence, enabling designers to create cohesive spaces that clients can trust. However, this style should not be rigid, allowing flexibility to blend expertise with client needs. Strong gut instinct is another trait mentioned, with Amy Studebaker of Amy Studebaker Design explaining that trusting one's intuition in decisions like fabric selection, client interaction, and team building often leads to the right direction. Problem-solving skills and adaptability are critical, as no design project is entirely smooth. Hayslett points out that skilled designers embrace obstacles as creative challenges. Sarah Lederman of Sarah Lederman Interiors adds that a client-centric approach requires openness and willingness to try different methods to achieve diverse client outcomes. A love of learning ensures designers stay current and informed. Lederman shares her continuous effort to educate herself about vintage items, antiques, and new showrooms. Empathy is highlighted by Phil Norman of Norman Design Group as a trait that helps designers understand clients' unspoken needs, distinguishing good designers from others. Furthermore, understanding how elements come together is paramount. Luckett explains that it involves comprehending how colors, textures, and layouts create harmony and emotion, along with a strong grasp of scale, proportion, and flow. Taniya Nayak of Taniya Nayak Design emphasizes the ability to accurately judge scale and size visually. Finally, the ability to communicate a vision is essential. Designers must be able to visualize a room's potential and effectively convey that vision to clients. Sarah Fleischer of SRF Interiors states that confidence in communicating one's design sense and opinions is crucial for project success. Cheri Etchelecu Martin of Cheri Etchelecu Interior Design underscores that strong communication skills are necessary to sometimes push clients beyond their comfort zones and ensure project success. Attention to detail, including small elements like screw finishes or light bulb placement, is also a common trait among skilled designers, often associated with Type A personalities who value precision and control. #InteriorDesign #DesignSkills #CreativeProfessions #HomeDecor #ProblemSolving #ClientRelations #AestheticAppreciation #LifelongLearning #AttentionToDetail

Interior designers regularly travel to industry events, antique markets, and design shows outside their local area to gather inspiration, discover new resources, and ensure their work remains fresh and dynamic. This practice is considered essential for keeping up with evolving product libraries and design trends. For instance, Lauren Thorpe of Bonboni Interior Design traveled to Les Puces de Saint-Ouen in Paris to immerse herself in history and diverse cultures, finding inspiration for her projects. Similarly, Kelly Johnson of Kelly Johnson Design emphasizes that exposure to new products and resources is vital for maintaining a dynamic portfolio. Traveling to these events necessitates meticulous planning, especially regarding accommodations, which can book up quickly, sometimes a year in advance, particularly for popular gatherings like High Point Market in North Carolina, as noted by interior designer Marci Marsh. David Deatherage, another interior designer, frequently attends Modernism Week in Palm Springs, California, drawn by its focus on mid-century art and architecture and the opportunity to continuously learn new things. He advises booking tickets for lectures and tours at least a month or two in advance due to high demand. Deatherage particularly appreciates tours of iconic architectural sites, such as the Albert Frey house, which incorporates natural elements like a boulder within its design. These excursions provide designers with fresh perspectives and ideas that might not be available in their immediate geographic area, fostering creativity and innovative approaches to their projects. Logistical considerations are paramount, especially when purchasing items from these events. April Jensen of ADJ Interiors, who frequently visits the Round Top Texas Antique Market, highlights the challenge of transporting large purchases. Dealers at such markets often do not offer shipping services, requiring attendees to arrange for their own transportation, such as renting a box truck or U-Haul. Thorpe faced similar challenges in Paris, initially limiting her purchases to small, portable items that fit in her luggage. However, she discovered that dedicated services exist in Paris's vintage markets to collect tagged furniture and arrange international shipping, a service she plans to utilize for future, larger acquisitions. Designers generally recommend traveling at least once a year, or even quarterly if feasible, to remain abreast of industry developments and broaden their creative horizons. While St. Louis offers a variety of resources, the consensus among these designers is that exploring different cities provides invaluable exposure to diverse histories, architectural styles, and design influences. Deatherage points out the distinct “California vibe” of Palm Springs, with its strong mid-century and Hollywood Regency influences, as an example of how regional differences can spark new ideas not found in the Midwest. Laurie LeBoeuf of Castle Design, reflecting on her experience at Deco-Off in Paris, notes that inspiration comes not only from organized events like lectures and product presentations but also from the city itself—its hotels, restaurants, gardens, and even simple streetscapes. This continuous engagement with external design environments ensures that designers can offer their clients unique and cutting-edge solutions, incorporating elements and trends sourced from a broader, global context. The investment in travel is seen not merely as an expense but as a crucial component of professional development, enriching their design perspectives and capabilities. By actively seeking out diverse experiences and resources, these interior designers ensure their work remains innovative and deeply informed by a wide array of cultural and historical influences, ultimately enhancing the quality and distinctiveness of their projects. #InteriorDesign #DesignInspiration #IndustryEvents #Travel #DesignTrends #ProfessionalDevelopment #MarketResearch #GlobalDesign #CreativeProcess

The article explores various interior design styles and introduces several Dallas-Fort Worth (D-FW) designers who specialize in each. It emphasizes the importance of identifying one's personal style as the initial step in finding the right interior design professional, given the diverse talent available in North Texas. The article segments popular interior styles into Traditional, Eclectic, Modern, and Transitional, providing insights into each aesthetic and highlighting local experts. Traditional design is characterized by 18th and 19th-century influences from England, France, and Italy, often incorporating elements from Asia like chinoiserie. Key features include darker woods, ornate trim, and layered textiles. Contemporary interpretations of traditional design focus on comfort and inspiration, as seen in the work of Lisa Henderson of Lisa Henderson Interiors, who mixes styles and travel finds for a fresh approach. Emily Larkin of EJ Interiors prefers antique pieces with clean lines and incorporates botanical art and floral fabrics. Lindley Arthur of Lindley Arthur Interiors, who also owns a space at Antique Row, emphasizes personalized design through unique antique finds and avoids repetitive aesthetics, often using French and Italian antiques, hand-blocked textiles, and textured wallcoverings. Laura Lee Clark Falconer of Laura Lee Clark Interior Design combines classical architectural proportions with modern art or furnishings, sometimes adding Asian influences. Eclectic interior design is defined by layered interiors, vibrant colors, unexpected fabric combinations, and global influences. It is a challenging style to master due to its lack of a fixed formula, aiming to reflect a client's unique personality. Shauna Glenn of Shauna Glenn Design is a maximalist who champions bold color use, frequently mixing patterns and incorporating black-and-white accents. Javier Burkle of Burkle Creative blends old and new elements through layering techniques, resulting in cozy, masculine spaces that often feature windowpane checks, pinstripes, and significant personal mementos. Kim Armstrong of Kim Armstrong Interior Design integrates clients' personal collections and heirlooms, advocating for designs based on individual preferences rather than trends, and uses Lucite, vintage textiles, and vibrant patterns. Modern interior design prioritizes simplicity and functionality, with clean lines, natural materials, and open floor plans, encompassing midcentury modern and Scandinavian influences. Designers like Mil Bodron of Bodron/Fruit draw inspiration from design masters like Eames and Le Corbusier, focusing on scale, composition, and proportion while eschewing fleeting trends. Joshua Rice of Joshua Rice Design developed his style through exposure to sophisticated modern architecture, believing every item in a space should serve a functional, intriguing, or aesthetic purpose. Ginger Curtis of Urbanology Designs adopts a relaxed modern approach, blending organic, biophilic elements and juxtaposing vintage pieces with modern artwork to create dynamic, layered environments. Transitional interior design offers a balance between traditional and modern aesthetics, featuring clean lines, soft curves, warm colors, curated accessories, and architectural lighting. This style is adaptable and ever-evolving, often incorporating vintage or antique accents. Shannon McGough of Poppy McGough Design House, drawing from her hospitality design background, simplifies spaces using neutral palettes, natural materials like iron, wood, and stone, and incorporates distinctive lighting. Philip Vanderford of Studio Thomas James favors a restrained, contemporary approach, using bold colors and unique furniture silhouettes, with art serving as a narrative element. Christina Garcia Lysaught of Layered Dimensions Interior Design notes the evolving nature of transitional styles, combining modern warmth with tailored traditional elements to create streamlined, up-to-date looks. #InteriorDesign #DallasDesigners #HomeStyle #TraditionalDesign #EclecticDesign #ModernDesign #TransitionalDesign #NorthTexas

Art Deco interior design, drawing inspiration from the bold geometry and opulent style of the 1920s and 1930s, continues to captivate with its glamorous and sophisticated appeal. This design aesthetic is characterized by sleek lines, intricate patterns, and rich materials, offering a modern twist on a classic style. Several projects exemplify this blend, showcasing how historic buildings and contemporary spaces can be reimagined with Art Deco influences. One such example is the headquarters of venture capital firm Greylock Partners in San Francisco, located in a 26-story Art Deco tower originally built in 1925. Rapt Studio transformed the top floor into a modern office, incorporating a custom green banquette and matte-black laminate closets with fluted detailing that reference the building's original Art Deco architecture. This design honors the historical context while providing a functional contemporary workspace. Another notable project is the renovation of The Boca Raton hotel by Rockwell Group. This historic hotel, originally the 1926 Ritz-Carlton Cloister Inn, underwent extensive renovation to cohere its design, emphasizing luxury and site consideration while retaining its early 20th-century grandeur. Brooklyn’s King Tai bar, designed and refreshed by Palmer Thompson-Moss and Isobel Herbold of Salle, also features significant Art Deco accents. The updated interiors include a restored Art Deco bar, serving as a central focal point. The design of the South Beach lifeguard towers in Miami, created by William Lane Architect, also reflects Art Deco influences with their colorful and geometric forms, a modern reinterpretation of the style following Hurricane Andrew. Photographer Tommy Kwak documented these 38 towers, highlighting their unique aesthetic. Residential projects also embrace Art Deco. An Aspen, Colorado home belonging to an art collector and tech executive features vintage Art Deco furnishings, including tubular steel rocking chairs, incorporated into interiors masterminded by designer Ghislaine Viñas. The Neues Schloss Privat Hotel Zurich, built in 1935, combines Art Deco and Modernism. Its recent redesign by Carbone Interior Design incorporates a jewel-tone palette and velvety textures, maintaining the building’s original motto of bringing disparate elements together. Similarly, a Grand Rapids downtown office, redesigned by Eastlake Studio in collaboration with AMDG Architects, features custom walnut wood veneer walls with brass strips and fir wood feature walls, subtly referencing the area’s Art Deco history. In Melbourne, Australia, Hindley & Co. renovated an elegant 1930s Art Deco house, preserving its graceful arches and original terrazzo while updating the interiors to suit a modern family. The design includes Gubi pendants and contemporary furniture that nod to the Art Deco aesthetic. Lastly, the Georgian Hotel in Santa Monica, originally opened in 1933, underwent a revival by BLVD Hospitality and designer Tom Parker of Fettle. The hotel, known for its ocean-front turquoise facade and original Art Deco design, had its original luster restored, showcasing luxe curtains and blue sofas in spaces like the Sunset Bar. These projects collectively demonstrate the enduring appeal and adaptability of Art Deco interior design across various types of spaces, from offices and hotels to bars and private residences. #ArtDeco #InteriorDesign #ArchitecturalRenovation #HistoricPreservation #ModernAesthetics #HospitalityDesign #OfficeDesign #ResidentialDesign #DesignTrends

Krysti Lyn, a whole home designer, discusses her career journey, design philosophy, and personal experiences. She reveals that her career in design began at the young age of seven, identifying it as an innate gift for "seeing in scale." This ability allows her to visualize how objects fit within a room beyond their aesthetic contribution, a skill she considers a designer's superpower. Despite not actively choosing this path, she expresses gratitude for the opportunity to fulfill her purpose daily, serving clients who benefit from her unique perspective. Lyn specializes in a transitional design aesthetic, which involves blending and merging various design styles and periods. She emphasizes her versatility and ability to select appropriate materials for her clients, attributing her success to this client-centric approach. Her professional journey, however, has not been without challenges. She openly shares that her personal and work life was significantly impacted by domestic violence. This experience, while difficult, ultimately strengthened her resolve, teaching her the importance of self-advocacy and re-focusing on her future. She highlights that this period of adversity made her more determined and taught her to establish boundaries, including learning to say "no." Her professional goals include maintaining her status as an authority on design options, continuously integrating new products, tools, and styles into her practice. She prides herself on creating timeless designs for her clients, understanding that her work involves a significant degree of responsibility and trust. These two elements, she notes, are fundamental to her profession. She considers the ability to build and maintain trust with clients as paramount to her success. When asked about her recommendations for a friend visiting Los Angeles, Lyn outlines a personalized itinerary. This includes a casual meal at In-N-Out Burger, followed by a three-day staycation at her home in Palm Desert, complete with a hot tub, private massages, charcuterie, and Malbec red wine. The trip would also feature a short visit to Las Vegas for a show and a stay at a luxury hotel, interspersed with visits to quaint local spots for improv or murder mystery dinners. A morning drive to Malibu for breakfast to enjoy the scenic views is also on the list. For those interested in Hollywood, she mentions a visit to a famous celebrity cemetery. Significantly, she emphasizes introducing her friend, Kathy, to as many clients as possible, revealing Kathy's integral role as a faithful assistant, confidante, and source of support throughout her career. This acknowledgment underscores the importance of personal relationships in her professional life. Lyn also touches upon the role of mentorship in her career, stating that she did not have a traditional mentor. Instead, she navigated her early career through prayer and faith. She acknowledges one instructor from Harrington design college who authored a notable Modern Furniture Resource Book, and expresses that being recognized by Harpo Studios for her participation in "The Ugliest Room Contest" was a pivotal moment, making her feel understood and appreciated early in her career. This recognition served as a validation of her unique talent and approach to design. #InteriorDesign #HomeDecor #TransitionalDesign #DesignPhilosophy #Entrepreneurship #PersonalJourney #CreativeProfession #ClientRelationships #LosAngeles

The article presents a curated list of the top ten design stories of 2022, as selected by Wallpaper*'s design editor, Rosa Bertoli. The year marked a significant return of design weeks and events to the global stage, fostering an environment rich with innovation and creativity. The selection encompasses a diverse range of design narratives, from exclusive interviews with prominent figures in the design world to groundbreaking projects and new conceptual spaces. One highlight includes the 2023 horoscopes by Studiopepe, which explored the zodiac signs of renowned 19th and 20th-century designers. Chiara di Pinto and Arianna Lelli Mami of Studiopepe discussed the fascinating connection between astrological traits and the design philosophies of figures like Ludwig Mies van der Rohe (Aries, 'less is more'), Verner Panton (Aquarius, visionary), and Charlotte Perriand (Sagittarius, adventurous). They also noted Ettore Sottsass, a Virgo, whose need for order in everyday life contrasted with the chaos he contained internally, offering a fresh perspective on the geometry in his work. Another significant feature was Kelly Wearstler, a prominent American designer and Wallpaper*'s guest editor for the October 2022 issue. The article delves into her Beverly Hills home, exploring her insights on technology, craft, and her extensive portfolio of interior projects. Wearstler's influence, almost 13 years after being dubbed 'the presiding grande dame of West Coast interior design,' continues to grow, marked by her bold interiors, furniture design ventures, and a substantial social media following. The Tígín Tiny Homes project by Irish social enterprise Common Knowledge presented an alternative to conventional renting solutions. These mobile small homes, whose name means 'small house or cottage' in Gaelic, are designed with thoughtful considerations and eco-conscious materials, making their building information freely accessible. This initiative aims to inspire self-build projects and offer sustainable living options without being a universal housing solution. The article also features an interview with British-Nigerian designer Yinka Ilori, held in his new London studio ahead of his first solo exhibition at the Design Museum. Ilori discussed how traditional Nigerian parables and African fabrics deeply influence his work, emphasizing the power of storytelling as a core element of his creative process. Studio Formafantasma's new Milan studio, located in Assab One, is showcased as a testament to designers Andrea Trimarchi and Simone Farresin's ability to create holistic and aesthetically pleasing designs. The studio, which doubles as an office and home, features bespoke furniture designed to adapt to the post-COVID workspace, reflecting the blurring lines between professional and domestic environments. Collaborations in design are also highlighted, such as the all-season tent developed by Icelandic outerwear brand 66 North and German innovator Heimplanet. This tent, inspired by Icelandic shelters, boasts a geodesic dome structure, inflatable framework, and robust weatherproof materials, designed for extreme conditions and accommodating up to four people. An exclusive interview with Danish designer Bodil Kjær, celebrating her 90th anniversary, sheds light on her philosophy. Kjær, who defines herself not as a furniture designer but as an 'environment designer,' emphasizes solving defined problems with creations that serve as 'elements of architecture,' rigorously considering structure, functionality, and aesthetics. Molteni & C's new pavilion complex in Giussano, designed by creative director Vincent Van Duysen, integrates hospitality into the brand's architectural history. Inspired by Luca Meda and Aldo Rossi’s original showroom, the pavilion serves as a reception, restaurant, and hospitality space, surrounded by gardens, embodying the synergy between architecture and furniture. The Terra Carta Design Lab, founded by King Charles III and Sir Jony Ive, is recognized for its commitment to regenerative design. This initiative champions young designers developing high-impact, low-cost solutions to the climate crisis, emphasizing a shift from merely sustainable practices to restorative ones. Finally, the article explores the growing movement of regenerative design, with architect Michael Pawlyn advocating for a paradigm shift from sustainable practices to actively restoring ecosystems. This approach, which aims for humans to co-evolve with nature, involves nurturing biodiversity and reducing carbon footprints in the production of homes, infrastructure, furniture, and food, emphasizing integration with the web of life rather than separation. #DesignTrends #InteriorDesign #Architecture #DesignInnovation #SustainableDesign #DesignerInterviews #HomeDesign #RegenerativeDesign #LuxuryInteriors

The Interior Design Show (IDS) Toronto returns to the Metro Toronto Convention Centre (North Building), offering a comprehensive experience for enthusiasts of interiors, home decor, architecture, technology, and art. The event, held in January 2026, features immersive environments, insights from celebrity designers, presentations by local and international brands, and innovative installations. It commences with an Opening Night party, transforming the show floor into a stylish lounge with live performances and DJ sets, marking the official start of Toronto Design Week. One of the main attractions is the "How We Work" feature, which explores the future of productivity through narrative-driven, cinematic environments. Collaborative design teams, including Ste. Marie x Moooi and 3H + Syllable Design, present installations that investigate the impact of workspaces on creativity, focus, and wellbeing. A notable exhibit within this section is the "Pomodoro" installation by BDP Quadrangle, which provides a physical interpretation of productivity cycles using light and texture. The Central Bar at IDS, named "Field of Interaction," serves as an interactive art installation created by Yury Goncharov and Alina Tacmelova. This space combines cocktail service with artistic engagement, featuring floating threads symbolizing human connection and a large "social rock" bar that allows guests to experience art from within. The show also highlights "Colour Drenching," a major trend emphasizing bold, saturated hues. Benjamin Moore showcases its 2026 Colour of the Year, Silhouette AF-655, a charcoal-plum shade, demonstrating how confident, monochromatic aesthetics can be integrated into home environments through brands like Hollis + Morris. The event features a distinguished lineup of speakers, including Canadian design figures such as Tommy Smythe, Brian Gluckstein, and Colette van den Thillart. International design icons, including Yves Béhar of Uber's founding team, Eames Demetrios, and architect Tatiana Bilbao, also contribute to the program. A keynote address titled “Rethinking AI’s Impact on the Business of Design” explores how artificial intelligence is transforming the design industry. IKEA Canada returns to IDS with a 600 sq ft immersive kitchen experience. This exhibit demonstrates practical and affordable world-class design solutions, showcasing a main kitchen, a hidden prep kitchen, a dining area, and a walk-in pantry. Another highlight is ILLUMINATE, a new feature curated by ThinkL Lighting Studio. This immersive "tunnel of light" combines art, technology, and design, presenting innovative lighting solutions from brands such as Anony and Delta Light. IDS also introduces the Furniture Forecast, a debut gallery-style showcase curated by Azure Magazine. This feature highlights the year's most exciting design innovations, including the Canadian premiere of works from international brands like Moooi, HAY, and SEM Milano. It provides an exclusive look at groundbreaking products such as Yves Béhar’s modular Peaks Sofa and Nicholas Baker’s Haybale Lounge Chair, emphasizing sustainable materials and contemporary silhouettes. Additionally, Atriani presents its evolving artistic direction, featuring rich, moody hues like terracotta and burgundy with deeply textured fabrics. Their booth showcases the debut of the Ottagono Coffee Table set and the Tuscano Chair, alongside updated versions of their core collection, like the Cielo Arm Chair, coinciding with the opening of their second Toronto showroom. #IDSToronto #InteriorDesignShow #DesignTrends #HomeDecor #Architecture #InteractiveArt #DesignInnovation #TorontoEvents #DesignWeek

Atlanta-based designer Dawn Heuer, nationally recognized for her work on television shows like Netflix, Bravo, and HGTV, offers insights into her home design philosophy and essential items. As the founder and CEO of Heuer Design Collective, specializing in new construction and full-home renovations, and The Design House, her firm's retail establishment, Heuer advocates for creating spaces that foster joy and connection. Her design aesthetic is characterized by an approachable yet refined quality, emphasizing natural materials, muted earth tones, and quiet sophistication. This article highlights several key pieces that embody her signature style, each chosen for its ability to contribute to a comfortable and elegant living environment. Heuer begins with the Malta Chair from The Design House by HDC, describing it as an essential piece with creamy or oatmeal-toned linen, deep seating, and relaxed cushions. She notes that this chair sets a tone of soft, grounded comfort, which is central to her design theme. Following this, she introduces two coffee table options: the Sercy Coffee Table and the Winchester Coffee Table, both from The Design House by HDC. These tables are distinguished by their low-profile design, featuring a live edge or minimalist slab top. Available in medium oak or walnut finishes, they are selected to introduce an earthy contrast into a space. For wall treatments, Heuer suggests using grasscloth or a subtle clay-wash finish wallpaper for an accent wall. This choice, she explains, is meant to add depth and texture to a room, enhancing the overall sensory experience of the space. To further enrich the textile elements, she recommends Maxson Bolster Pillows from The Design House by HDC. These pillows, crafted from handwoven or boucle fabrics in rust, sand, or clay tones, are ideal for layering and introducing variations in comfort and color. The Aliza End Table, also from The Design House by HDC, is highlighted for its elegantly soft, hourglass-inspired silhouette and deep wood tones, which contribute an organic modernism to any room. Finally, Heuer discusses lighting with the Water Pot with Handles Table Lamp from The Design House by HDC. She suggests a sculptural lamp in a matte ivory or taupe glaze, valuing its ability to add artisan character and provide ambient light. Collectively, these selections illustrate Dawn Heuer's cohesive design approach, which prioritizes natural elements, soothing color palettes, and functional yet aesthetically pleasing pieces to create harmonious and inviting interiors. #InteriorDesign #HomeDecor #DesignEssentials #AtlantaDesign #HeuerDesignCollective #TheDesignHouse #NaturalMaterials #MutedTones #LuxuryInteriors

ELLE Decor's 10th anniversary A-List compiles 125 of the most influential and innovative interior designers globally, showcasing their unique styles and notable projects. This extensive list has grown significantly from its initial 25 members in 2010, highlighting a diverse range of talent that consistently inspires with their creations worldwide. The featured designers are recognized for their distinct aesthetics, collaborations, and client portfolios, reflecting the broad spectrum of contemporary interior design. Among the distinguished firms is Aero Studios, founded by Thomas O’Brien, known for its warm modernism and collaborative approach, spanning residential lofts, apartments, and commercial projects like the Sixty Thompson hotel. Alberto Pinto Interior Design, led by Linda Pinto, upholds a legacy of lavish elegance, blending traditional and modern cultural influences in projects for private residences, offices, and luxury transport. Alessandra Branca, with her Italian upbringing, integrates classical beauty with vibrant energy and practicality, evident in her eclectic, colorful work and her book, 'New Classic Interiors.' Alex Papachristidis is recognized for his bold patterns, jewel tones, and exotic accents, having recently curated a Christie’s auction and designed numerous residences. Alyssa Kapito brings a fresh perspective to classic design, appreciating antiques and art in her minimalist projects across Manhattan, the Hamptons, and Beverly Hills. Aman & Meeks, comprising James Aman and John Meeks, leverage their backgrounds in store design and fashion to create elegant, tailored luxury rooms for high-profile clients. Amy Lau Design, established in 2001, is celebrated for warm, expressive interiors with meticulous attention to detail, frequently incorporating natural materials. Apartment 48, founded by color wizard Rayman Boozer, offers energetic and original designs for professionals and startups, known for its boho layers. Ashe Leandro, the New York City firm by Ariel Ashe and Reinaldo Leandro, combines contemporary luxury with natural materials to craft open and timeless spaces for celebrity clients. Axel Vervoordt, the Antwerp-based designer and antiquarian, is revered for his wabi-sabi style, mixing antiquities with modern furnishings for an influential aesthetic. Beata Heuman, a London-based designer, is noted for her whimsical, unexpected approach to interiors, characterized by a Scandinavian attention to detail and longevity. Jeffrey Bilhuber of Bilhuber & Associates offers an all-American take on classic decorating, appealing to clients like David Bowie and Anna Wintour. Brad Ford ID, based in New York, is known for his modern yet warm, elegant, and functional residential interiors, also organizing the biannual Field + Supply makers’ fair. Brian J. McCarthy, drawing inspiration from European culture, creates eclectic spaces rooted in history with a focus on functionality and sumptuous materials. Brockschmidt & Coleman, based in New York City, excel at merging historical references with modern sensibilities for their literati and collector clients. Bunny Williams Interior Design emphasizes classic comfort, combining European antiques with mirrored walls and bold artwork, showcasing her signature patinated luxury. Carrier and Company, the husband-and-wife duo Jesse Carrier and Mara Miller, create chic rooms that blend timeless and contemporary design. Champalimaud Design, led by Alexandra Champalimaud, specializes in luxury hospitality design, crafting spaces with individual character globally. Charlotte Moss, with a background in finance, balances classic decorating principles with modern household needs, inspired by pioneering women. Lastly, Commune, with partners Roman Alonso and Steven Johanknecht, are masters of the new California cool, focusing on handcrafted, holistic designs for homes, hotels, and products. #InteriorDesign #ELLEDecor #Designers #LuxuryInteriors #HomeDecor #ArchitecturalDesign #DesignTrends #GlobalDesign #CreativeSpaces

The November 'Zeitgeist Edit' highlights a shift in the interior design industry, emphasizing the growing desire for immersive, experiential design over purely digital interactions. This month has seen a surge in brick-and-mortar offerings, designer apartments, and unique sources for home decor, reflecting a collective craving for tangible experiences in design exploration. A significant trend observed is the rise of 'Suite Living,' characterized by designer show apartments and hotel suites that offer immersive style showcases. London, a city not traditionally known for this concept due to its architectural stock, has recently unveiled two notable collaborations. Uchronia, in partnership with Pantone, designed a hotel suite at the Oriental Hyde Park during Frieze Week, infusing a traditional setting with fantastical designs inspired by the color celadon. Simultaneously, Róisín Lafferty collaborated with Artemest to transform a minimalist new-build apartment in the Ambassador Building at Embassy Gardens, injecting vibrant color and playful forms to redefine its character. Another emergent concept is that of 'Third Spaces,' which extends beyond traditional home and work environments to include places where people linger and engage. This month, the discussion around third spaces has gained traction, informing the design of independent concept stores and coffee shops in London. Even major retailers like John Lewis have introduced 'Lounge' concepts, providing members with spaces to relax amidst bustling shopping environments. A specific example is BOYS! BOYS! BOYS! on Warren Street, a wine bar and bookshop that also serves as a community hub for events, offering a physical space for connection and cultural engagement. The article also points to 'Dinner and a Show' as a burgeoning theatrical interior trend, particularly evident in the recently re-opened Wild Cherry restaurant in New York. This establishment, part of the restoration of the Cherry Lane Theatre and spearheaded by A24, offers moody, Art Deco-inspired interiors alongside live performances. The restaurant's design creates a dramatic and immersive dining experience, reinforcing the idea that interiors are becoming increasingly theatrical and integrated with performance art. Conversely, the trend of 'Traveling on Hand Luggage' is noted as being on the decline. The previous allure of minimalist, spontaneous travel is giving way to a preference for a more luxurious 'golden age of travel' aesthetic. This is reflected in the design world's embrace of travel trunks as functional home furniture, exemplified by La Erre's installations at the London Design Festival, and luxury accessories like RIMOWA's cocktail sets within its suitcases, suggesting a return to more elaborate and comfortable travel experiences. Finally, the 'Online Only' shopping model is experiencing a downturn, as consumers increasingly seek out physical retail experiences for interior design purchases. The opening of Bert & May's 'The Mix' in East London, a concept store housing various interiors brands like Farrow & Ball and Pluck, signifies a demand for tangible shopping environments where customers can touch and feel products. Similarly, Matilda Goad's MG&CO; on Ebury Road, a hardware and lighting store with charming, retro interiors, illustrates the appeal of brick-and-mortar shops that offer an enjoyable and immersive browsing experience, contrasting with the impersonal nature of online transactions. The article also highlights the growing acceptance and quality of artificial plants, with brands like Fake It now making high-end faux foliage accessible to the public, previously only available to designers. #DesignTrends #InteriorDesign #HomeDecor #ExperientialDesign #RetailSpaces #LuxuryTravel #ThirdSpaces #TheatricalInteriors #BrickAndMortar

The article explores the growing trend of homeowners replicating successful interior design schemes from their previous residences into new ones, arguing that this practice is not a sign of laziness but rather a clever and confident approach to creating a comfortable and personal living space. The author, Nicky Rampley-Clarke, shares her own experience of moving to a Grade II-listed property in the Cotswolds and consciously choosing to duplicate design elements she loved from her previous home. This includes installing the same textural sisal carpet, selecting Cole & Son wallpaper in similar styles (albeit different shades), and even considering reordering the same Soho Home lighting. Her rationale stems from the extensive time and effort previously invested in curating a look that felt warm, timeless, and uniquely ‘them,’ and she sees no reason to abandon a proven formula. This sentiment is echoed by others, including Jodie Hazlewood of @thehouseupstairs, who, while planning her new home in Bristol, identified ‘nine things’ she would definitely repeat. These range from practical luxuries like a hot water tap and ample electrical sockets to larger design choices such as an upstairs sitting room for unwinding and a preference for non-fitted, vintage kitchen furniture over standard units. Hazlewood emphasizes that these repeated elements contribute to comfort and ease, defining what a ‘home’ truly means to her. Similarly, Steph Nicholson of @houseonthecorner_16, moving to Northamptonshire, found herself gravitating towards the same green and red colour scheme she used in her old Cambridgeshire home. She attributes this to her established love for these colours, regardless of trends, and the sustainability aspect of reusing existing furniture and furnishings. Nicholson also highlights the emotional comfort derived from recreating a familiar environment, particularly after a significant life event. Interiors stylist Sam Grigg provides psychological insight into this phenomenon, suggesting that repetition often stems from the sheer exhaustion of decision-making in the face of numerous decorative choices. Once a successful formula is found, people are reluctant to deviate. Grigg also points out that experience over time helps individuals discern what truly ‘feels right.’ Beyond mere practicality, she notes a sentimental attachment to specific colours, fabrics, or patterns that become integral to one's personal story. This creates a visual thread and a sense of continuity that accelerates the process of making a new house feel like home. Ultimately, the article concludes that repeating successful interior designs is not a lack of imagination but a confident act of self-awareness and intentional design, prioritizing comfort, joy, and a deep understanding of one’s personal aesthetic over constantly chasing new trends. #InteriorDesign #HomeDecor #DesignTrends #PersonalStyle #HomeComfort #Renovation #DecoratingTips #SustainableDesign #PsychologyOfDesign

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

This article explores various perspectives from 11 designers on what they believe to be the most underused design elements in residential and commercial spaces. The insights collectively highlight a shift from purely aesthetic considerations to a more holistic approach that emphasizes authenticity, sensory engagement, and emotional connection within designed environments. Sandy Baisley of Re-Find advocates for the integration of vintage, antique, and previously loved pieces. She notes that repurposing existing furniture not only contributes to environmental sustainability but also enriches a space with a sense of history, character, and uniqueness that new items cannot replicate. This approach celebrates the imperfect beauty of aged items, fostering an authentic and lived-in feel. Corinne Ekle from c2Design points to sheer drapery and living finishes, such as unlacquered metals and natural wood, as overlooked elements. She emphasizes their ability to subtly transform light and add depth through natural patination over time. For Ekle, these sensory details introduce a dynamic element to design, reminding occupants that beauty can be found in evolution rather than just initial perfection. Lidia Valdivia of Moonstone Design & Build champions the incorporation of cultural, global, and personal influences. As an immigrant, Valdivia views design as deeply intertwined with memory and meaning. She encourages clients to reflect on their upbringing and cultural experiences to create spaces that are emotionally resonant. Her designs often blend global living concepts, such as low-to-the-ground seating or indoor-outdoor flow, to foster a sense of calm and connection, suggesting that a home should reflect personal narratives and cultural heritage rather than mere decoration. Jennifer Worts of Jennifer Worts Design identifies texture as a critically underused element, often overshadowed by the pursuit of visual minimalism and clean lines. She argues that while a minimalist aesthetic can be visually sparse, a lack of varied textures strips a space of depth and character. Worts advocates for deliberate layering of different finishes, such as sueded plaster, natural stone, plush mohair, and natural woods, to engage both sight and touch, thereby creating a rich, welcoming, and complete sensory experience without sacrificing a sleek or neutral look. Cyndy Cantley of Cantley & Company highlights the importance of warmth and authenticity, particularly in kitchens. She appreciates elements like aged hardware, patinated marble, soft lighting, and inherited pieces, believing these contribute to a home's character and make it feel truly lived-in and comfortable. Cantley suggests that character endures long after initial perfection fades. Libby Baker of Baker Design Co. emphasizes the value of negative space, asserting that many spaces are often overloaded with furniture, art, and accessories. She argues that leaving intentional blank areas allows a room to breathe, providing visual relief and a more pleasing aesthetic. This concept challenges the maximalist tendency by promoting a sense of spaciousness and tranquility. Marcela Restrepo of Lamarc Studio focuses on the often-neglected functional aspects of bathroom design, specifically ventilation and storage. She contends that when these elements are considered architecturally from the outset, they enhance the overall experience, leading to more refined and calming spaces. Examples include concealed ventilation and integrated vertical storage, which maintain aesthetic integrity while improving practicality. Lisa Erdmann of Lisa Erdmann Interiors points to the ceiling as the most underused design element. She highlights its potential as a large, often-ignored surface that can significantly enhance a room’s character. Erdmann suggests various treatments such as molding patterns, beams, wallpaper, or plaster to add visual interest and personality, tailored to the home’s style. Sara Alexander of The Scale Collective advocates for task lighting, noting its power to create mood and a luxurious atmosphere in a way that overhead lighting alone cannot. She recommends using floor lamps, table lamps, and sconces at a warm color temperature (2700 Kelvin or below) to transform a space from day to night, emphasizing that effective lighting is accessible at various price points. Sarah Magness of Studio Magness sees glass blocks as an element poised for a comeback. She believes contemporary applications of glass blocks offer elevated and creative solutions for privacy and natural light, moving beyond their traditional uses. Magness views them as a practical, light-enhancing feature that can add a modern yet nostalgic touch to interiors. Mindy Kelson O’Connor of Melinda Kelson O’Connor Architecture and Interiors reinforces the importance of layered lighting. She argues that poor lighting significantly detracts from the enjoyment of any space, whether due to insufficient illumination or a sterile arrangement of recessed lights. O’Connor stresses the need for a harmonious combination of overhead decorative, recessed, ambient, and task lighting, strategically placed in conjunction with seating areas, to create a beautiful, functional, and inviting environment. #DesignElements #InteriorDesign #HomeDecor #SustainableDesign #AuthenticityInDesign #TexturalDesign #LightingDesign #CulturalInfluence #NegativeSpace

A statement piece is essential for creating a beautiful and personalized living space. It functions as a focal point, setting the overall tone for a room's interior design and reflecting the homeowner's unique personality and style. Such a piece immediately captures attention and distinguishes itself from other decor elements within the room. According to Tanya Ali, founder and creative director at Tali + Roche Designs, a statement piece can manifest in various forms, including furniture, artwork, or decorative objects, and can even involve the strategic arrangement of existing furniture. The key characteristic of a statement piece is its ability to introduce an unexpected or thoughtfully integrated element into the space. Art is frequently chosen to fulfill the role of a statement piece. Ali highlights artists like Lisa Ochowycz as examples of those whose work can provide significant visual impact. She suggests that in a monochromatic setting, art or decorative pillows can introduce color and texture, serving as the room's central highlight. While custom and expensive items can serve as statement pieces, Ali emphasizes that there are also cost-effective methods for incorporating a focal point. Exploring local or emerging artists through events, considering art rental, or discovering unique items in thrift stores and second-hand shops are viable options. DIY projects can also yield distinctive statement pieces. The overarching principle is that the chosen item should resonate with the homeowner's personality and style, rather than merely adhering to current trends. Interior designer Stephanie Hilton, owner of Stephanie Hilton Design, stresses the importance of a statement piece complementing the existing design of a room. It should not create conflict but rather enhance the overall aesthetic through elements such as scale, color, and materials, creating an impactful yet cohesive look. A poorly chosen piece, such as a farmhouse-style item in a transitional home, can make the space appear disconnected and puzzling instead of unique or interesting. Scale is a critical consideration, particularly in smaller spaces like condos. Hilton advises against selecting pieces that are too large, which can overwhelm a room, but also warns against pieces that are too small, as they may appear as an afterthought and leave the room feeling unfinished. When evaluating scale, it's important to consider not only the room's dimensions but also the size of the furniture within it, ensuring the statement piece doesn't overpower other elements. Color can be a powerful tool for creating a statement. Hilton recounts a project where a custom yellow velvet couch and burnt orange ottomans served as bold focal points in a client's home. In more neutral environments, a furniture item like a mid-century sideboard or a distinctive light fixture can effectively draw attention. Vintage and statement lighting pieces, especially mid-century designs, are considered classic and versatile enough to integrate into various design styles. Hilton also notes the rising popularity of feature wall plaster and natural finishes, which can function as standalone art. Examples include Venetian plaster fireplaces with custom lighting or lime wash in bedrooms, eliminating the need for additional wall decor. Nicole Begrand-Fast, principal at Begrand Fast Design Inc., frequently works with properties that feature prominent lake views, where the view itself becomes the primary statement. In such cases, the interior design is crafted to complement the view, not compete with it. For spaces with significant views, Begrand-Fast suggests incorporating swivel chairs to allow for both appreciation of the outdoor scenery and engagement with indoor focal points like televisions or fireplaces. Elements from the surrounding environment—be it a lake, mountain, or forest—can inspire the colors and tones of statement pieces, creating a sense of flow and consistency. She advises selecting toned-down versions of these natural colors, rather than literal interpretations, to achieve a sophisticated effect. Texture also plays a crucial role in creating a statement. Begrand-Fast utilized ribbed natural oak on an interior wall in a bedroom to add textural interest. Ali also highlights how textures, such as velvet or other unique fabrics, can become the star of a room, especially when combined with rich, earthy tones. Ultimately, a statement piece can be an heirloom, a purchased artwork, or even a coffee table with an unusual finish, its essence lying in its ability to be a bit unexpected and truly reflect the homeowner's distinctive taste. #HomeDecor #InteriorDesign #StatementPieces #FocalPoint #DesignTrends #HomeStyling #DecoratingTips #ArtInDesign #TexturalElements

Cuff Studio, based in Los Angeles, has unveiled its Common Ground collection of furniture and lighting as part of the Virtual Design Festival (VDF) x Sight Unseen collaboration. This collection is featured in Offsite Online, a virtual exhibition curated by Sight Unseen, a digital magazine focused on contemporary design. The Common Ground series includes two tables, a bench, an armchair, and a light, all designed to showcase the studio's distinctive design philosophy that merges angular, architectural forms with playful, feminine elements. The studio's co-founder, Kristi Bender, explains that Cuff Studio consistently integrates curves and edges, formality with casualness, and femininity with a sense of 'testosterone' into their designs. This approach is evident in the Arc bench, chair, and console table, which incorporate the classic architectural arch. For the seating designs, this typically masculine architectural element is softened by luxurious leather or pink velvet upholstery. The Arc console table, while possessing a solid volume, features brass-filled channels that allow light to pass through and hand-chiselled grooves on its exterior, providing an organic counterpoint to its geometric shape. Another piece, the Paddle table, modernizes a traditional material, solid oak. The oak is bleached to achieve a clean white tone, and its thick edges are rounded, giving it a playful, substantial silhouette. The Five Track Surface Light, conversely, utilizes a flexible material—rope—which is meticulously wrapped around a rigid, tubular frame. This light fixture can be installed on walls or ceilings and is available in natural white cotton, as well as a variety of other colors. Wendy Schwartz, the other half of Cuff Studio, emphasizes that the collection aims to demonstrate how contrasting design elements can coexist harmoniously, reflecting a broader message of unity. The studio believes that the creative process can bring people together, particularly in a world marked by political polarization. The Common Ground collection was initially launched in early 2020 at the duo's new studio in Hollywood. This launch was intended not just for press or buyers but as a celebration with fellow makers and artisans, fostering in-person connections within the design community in Los Angeles. This initial gathering highlighted the value of direct interaction and shared passion among creatives. #FurnitureDesign #LightingDesign #CuffStudio #VirtualDesignFestival #SightUnseen #InteriorDesign #ContemporaryDesign #ProductLaunch #DesignPhilosophy