Explore Restoration Hardware's Glorious RH Modern Gallery on Beverly

Meredith Rothman, a manager at Anonymous Content, initially envisioned a Spanish Revival home but was drawn to a modern, boxy house in Beverly Hills due to its floor-to-ceiling windows, natural light, and canyon location, which evoked childhood memories. She sought the advice of interior designer Lauren Waters, who convinced her of the property's potential as a "wonderful blank canvas for intriguing furniture and great art." This affirmation led Rothman to purchase the 2,500-square-foot spec house and commission Waters to transform it into a personal retreat suitable for entertaining and showcasing her art collection, which includes works by Analia Saban, John Baldessari, and a charcoal drawing by her grandmother, Luddie Waters. Rothman emphasizes the importance of collecting art by artists she connects with. The primary bedroom, located on the top floor, is designed as a serene space, featuring a custom wall-to-wall upholstered headboard and large windows offering views of the lush hillside and a 200-year-old oak tree, creating a treehouse-like ambiance. Waters initially advocated for a neutral palette, a decision Rothman now credits for improved sleep quality, with a rust velvet bench from Lulu and Georgia providing the only prominent color accent. A second bedroom on this floor has been converted into a gym. On the main level, a previously clunky electric fireplace with crystals was replaced by an open bookcase. This new feature serves to divide the dining and living areas while also providing a display space for Rothman's dishes, books, and art objects, such as a sculpture by Lauren Tsai and ceramics by Cody Hoyt. The kitchen underwent updates including brass hardware from Rejuvenation and cabinets painted in Farrow & Ball’s Railings, a soft black with blue undertones, to inspire Rothman's culinary pursuits. The living room is furnished with a custom sofa, inspired by Adrian Pearsall's cloud design, upholstered in cream bouclé and adorned with ball pillows made from vintage silks. Complementary pieces include a vintage French standing lamp and a Charlotte Perriand stool. John Baldessari’s screenprint, _Two Sunsets (One With Square Blue Moon)_, hangs above a vintage woodworking table from Amsterdam Modern, which functions as a credenza. Sliding doors connect the living room to an outdoor area featuring a vintage André Dubreuil wrought iron Spine chair. Notably, Rothman opted against placing a television in the living room, desiring a more meditative space conducive to conversation, while a custom sectional in Erica Shamrock rust velvet in the home's ADU is dedicated to movie and series watching with her husband, Jamie Iovine, co-founder of NTWRK. Vintage Benny Linden teak chairs, reupholstered in Zack & Fox fabric, surround a concrete table from Restoration Hardware, creating an inviting workspace. Rothman, who once preferred Spanish Revival, now finds her modern home perfectly suited to her lifestyle. #HomeDesign #InteriorDesign #HollywoodHomes #SpecHomeRenovation #ModernHome #ArtCollection #LuxuryLifestyle #BeverlyHills

The Edinburgh gallery Bard presents a new exhibition titled 'Bardware,' which aims to reframe the perception of craft from an exclusive, high-art domain to an accessible, everyday practice. Founded by Hugo Macdonald and James Stevens, Bard seeks to bridge the gap between craft as a specialized hobby and as luxury objects, instead focusing on items designed for daily use and sensory engagement within the home. The inspiration for 'Bardware' stems from the founders' appreciation for traditional hardware stores, which they view as symbols of optimism and the human capacity to make, fix, build, and repair. The exhibition features works from 20 Scottish craftspeople, designers, and artists, all commissioned to create objects that enhance daily domestic life. The brief encouraged the artists to produce items that could be touched and used regularly, challenging the conventional hands-off approach often associated with gallery exhibits. The display includes a diverse range of functional and decorative items, such as Primitive Arrangement vases by Nick Ross, two-armed candelabras by David Taylor, and architectural toilet-roll holders crafted by Juli Bolaños-Durman from salvaged materials. Other notable pieces include James Rigler’s bronze-glazed ceramic 'Greek Knobs,' Oliver Spendley’s bowls made from polished mountain rock shards, and All About Willow’s hand-turned cherry porridge spurtles. The collection also showcases Clement Knives’ pocket knives made from whisky-barrel hoops, Eve Eunson’s baskets woven from sea plastic collected from Shetland’s beaches, and Studio Viv Lee’s devotional ceramic characters. Additionally, Jess White contributes leather-wrapped boulder doorstops, while Araminta Campbell offers cozy alpaca hot-water bottle covers. Each piece is presented to encourage interaction, emphasizing the tactile and experiential qualities of craft. This exhibition marks three years since Bard opened its doors in Leith, establishing a unique approach to presenting and selling craft. Macdonald highlights the importance of humor and mild irreverence in making craft more approachable and moving it beyond the confines of a museum setting into everyday life. He acknowledges the cost associated with handcrafted items but underscores their inherent value, contrasting this with the societal issue of cheap, mass-produced goods. Since its inception, Bard has observed a significant increase in public engagement with craft, marked by a greater willingness to purchase, utilize, and inquire about the practitioners, materials, and skills involved. Macdonald believes that craft is a fundamental 'life force' that enriches human experience and fosters connections across cultures and time. He posits that craft is not a regressive or counterbalancing force to design and technology but rather a parallel and powerful element that becomes even more impactful when integrated into modern life, indicating a collective awakening to its enduring relevance and value. #CraftExhibition #ScottishArt #HomeDecor #DesignInteriors #FunctionalArt #BardGallery #EverydayObjects #HardwareShopInspiration #ContemporaryCraft

Visionary Showroom, a home remodeling center with six locations across Western New York and Northern Pennsylvania, is presented as a resource for home renovation projects, especially as fall arrives. The article highlights that the start of a new season is an opportune time to consider upgrading living spaces to create a personal sanctuary. The showroom, previously known as Visionary Baths & More, has undergone a rebrand to reflect its expanded focus beyond just bathrooms to a comprehensive home remodeling space. This change signifies the team's growth and commitment to offering a wider array of high-quality products and services, ensuring a customer-focused experience. The rebranding to Visionary Showroom emphasizes its capacity to handle various home improvement needs, including kitchens, laundry rooms, and utility spaces, in addition to its traditional bathroom offerings. This broader scope allows customers to find solutions for multiple areas of their homes under one roof. The article points out that the expansion means customers can access more product categories while still receiving the high level of service they have come to expect from the company. A key aspect of Visionary Showroom's appeal is its interactive showroom experience. Unlike traditional showrooms that might only display photographs or limited products, Visionary Showroom designs its spaces for hands-on interaction. This approach enables visitors to physically touch, feel, and test products, providing a more accurate understanding of how items will look and function in their own homes. This interactive environment allows customers to explore various design possibilities firsthand, from modern aesthetics to cozy farmhouse styles or bold statement pieces. The showroom offers a diverse range of products to facilitate various renovation visions. Some of the highlighted products include waterfall showers, elegant bathtubs, backlit mirrors, sophisticated faucet fixtures, cabinetry, toilets, and a variety of light fixtures. This extensive selection caters to different tastes and functional requirements, ensuring that customers can find items that align with their specific design preferences and home needs. Furthermore, Visionary Showroom prides itself on its knowledgeable and experienced staff. These professionals are available to provide expert guidance and insider knowledge throughout the renovation process, whether it involves a simple fixture replacement, a complete remodel, or a new build. The staff's expertise ensures that customers receive personalized advice and make informed decisions, helping them achieve their desired outcomes. The article also reassures potential customers that Visionary Showroom partners exclusively with top, trusted brands in the industry, guaranteeing product quality and reliability for any chosen design. The article encourages readers to visit one of the six convenient locations in Orchard Park, Clarence, North Tonawanda, Oneonta, Binghamton, and Erie to begin their home remodeling journey, suggesting that their website and social media pages also offer additional inspiration. #HomeRenovation #InteriorDesign #HomeImprovement #VisionaryShowroom #WesternNewYork #NorthernPennsylvania #RemodelingCenter #KitchenRemodel #BathroomRemodel

This article details the comprehensive restoration of Marcel Breuer’s "House in the Museum Garden," originally designed for a 1949 Museum of Modern Art (MoMA) exhibition. The house, intended as a prototype for a well-designed, moderately-priced modern home for the average American family, was purchased by the Rockefellers in 1950 and reconstructed on their Kykuit estate in Pocantico Hills, New York. In 2007, the property was transferred to the National Trust, initiating its meticulous restoration by a team from the Rockefeller Brothers Fund. The original design by the Bauhaus-trained Breuer aimed to offer an easily replicable blueprint for modern living, contrasting sharply with the post-World War II proliferation of vernacular-style tract housing. Philip Johnson, founder of MoMA’s Department of Architecture and Design, championed Breuer’s design as an ideal suburban home. While the house was initially an exhibition piece, its subsequent use as a residence over six decades led to numerous modifications, including the addition of a garage extension and the extension of a kitchen wall to the ceiling. The original construction also lacked essential plumbing and electrical wiring, which were later integrated. Furthermore, key elements of Breuer's design, such as flagstone flooring and outdoor spaces, were not fully reconstructed during the initial move. The restoration effort, led by Kykuit’s Senior Curator Cynthia Bronson Altman and Staff Architect Kimberly Miller, aims to balance historical accuracy with the practicalities of a functional residence. This involves reinterpreting certain aspects, such as replacing plywood bathroom walls with more durable glass tile. The team relies on MoMA registrar documents, black and white photographs (and a few color ones by Ezra Stoller), and extensive research to guide their work. Their attention to detail extends to paint colors—scientifically analyzed to match Breuer Blue, chili-pepper red, Navajo white, and milkshake—furnishings, and even fabrics, with some drapery fabrics being custom-commissioned. The popularity of mid-century design has facilitated the acquisition of reissued iconic furniture pieces, including Breuer’s nesting bent-ply tables, the Wassily lounge chair, and Saarinen Grasshopper armchairs. Structurally, the house features Breuer's distinctive butterfly roof, a direct counterpoint to traditional high-pitched roofs. This design not only creates a striking visual but also allows for adaptable interior spaces, including a double-height area capable of accommodating an additional story. Breuer's "bi-nuclear" layout was designed to evolve with a growing family, separating the master bedroom suite from the children's bedrooms, bathroom, and playroom. The house’s flow of space and use of materials are highlighted as significant design elements. Finishes on ceilings, floors, and walls extend outwards, enhancing the sense of spaciousness. The interplay of natural materials such as cedar siding, bluestone flagging, steel for the exterior staircase, and large glass expanses define its aesthetic. The restoration team also addresses unique design choices, such as the "delicate railing of tension cables," which serves as a contrasting element to the architecture's perceived weight. Future plans include reconstructing the outdoor spaces and sourcing additional period furnishings, such as a raffia rug for the living room, to further enhance the authentic feel of the space. #ArchitecturalRestoration #MarcelBreuer #MidCenturyModern #MoMAExhibition #RockefellerEstate #BauhausDesign #HomeDesignHistory #InteriorDesign #HistoricalPreservation

This article highlights the second annual Modern Style showhouse by Atlanta Magazine’s HOME, which features a meticulously renovated 1980s contemporary house in Buckhead. The project signals a growing appreciation for the architectural style of the 1980s within the city, opting for renovation over demolition. Originally designed in 1987 by architect Larry Farrow, a cofounder of GreenbergFarrow, the house served as his family's residence until 2003. After a prolonged period of vacancy, the current owners embarked on a mission to revitalize the property. Rodolfo Castro of Castro Design Studio served as the residential designer, aiming to preserve the original architectural integrity while updating it for contemporary living. Castro's redesign involved opening up the floor plan to create more expansive kitchen and dining areas. Additionally, he oversaw the construction of an extension that includes a new bedroom suite and laundry room, alongside the renovation of a study and master suite, which now feature larger bathrooms and abundant storage solutions. Tate Builders & Associates, led by Emily and Steve Tate, managed the construction aspects of the project. Julie Witzel of J. Witzel Interior Design led the interior design efforts, establishing a cohesive modern aesthetic throughout the house with clean lines and warm accents. Her selections for lighting, flooring, and stone were instrumental in maintaining a consistent look across the various spaces, which were decorated by 12 distinct design teams. Witzel herself designed the conjoined living and dining rooms and collaborated with Kingdom Woodworks on the kitchen, breakfast room, bathrooms, and laundry areas. The diverse contributions from different design teams brought unique character to each space. GraysonHarris Interiors + Design crafted an electric blue, high-contrast master bedroom and bath, while Mallori Hamilton from Wakefield Beasley Interiors envisioned a serene and mellow guest suite. Justin Q. Williams of Trademark Design Co. created a cozy yet impactful bedroom, and Beth Kooby Sobbott designed a bohemian-inspired retreat for a teenager. Roche Bobois contributed a vibrant sitting room featuring Kenzo Takada’s iconic Mah Jong sofa. Katja Lauterbach of Duett Design designed a study emphasizing restraint and an adjacent bathroom with a minimalist aesthetic. Additional spaces include powder rooms designed by Kerry Jemison Weinheimer of Jemison Design and Leah Alexander of Beauty Is Abundant. Kolo Collection curated an avant-garde selection of outdoor furniture for the pool deck, complementing the original angular pool. The home's closets and pantries were outfitted by The Container Store with their Avera line, offering customized storage solutions. This collaborative effort transformed the 1980s architectural gem into a modern showhouse that honors its past while embracing contemporary design and functionality. #ModernStyleShowhouse #HomeRenovation #InteriorDesign #BuckheadHomes #LarryFarrow #RodolfoCastro #JulieWitzel #AtlantaDesign

Julia Kramer, a former Bon Appétit editor, and her husband, Zach Kaplan, purchased a Craftsman home in Koreatown, Los Angeles, sight unseen during the early days of the pandemic. The decision was primarily influenced by a stained-glass peacock window in the dining room, which resonated with their family's experience visiting live peacocks at the Cathedral of St. John the Divine in New York City. This personal connection served as a significant sign, making the long-distance purchase feel destined. The couple, still residing in their two-bedroom apartment in New York’s Upper West Side, relied on an L.A.-based friend to view the property shortly after it was listed before making an offer. Following the purchase, and with only six weeks until their move, Kramer and Kaplan enlisted the help of Jamie Haller, an experienced Craftsman restorer and shoe designer. Haller's primary task was to modernize certain aspects of the home while also stripping away inappropriate additions, such as built-in speaker systems in the living room and kitchen, and numerous recessed lights. The goal was to preserve the original character and 'good stuff' of the Craftsman style. Kramer, who was largely put off by the ubiquity of newly remodeled kitchens featuring subway tile and open shelves during her house hunt, found the untouched, wood-heavy kitchen of this home particularly appealing. She expressed a preference for living without common countertop materials like marble and granite and appreciated the kitchen's separation from other rooms, allowing her personal space while cooking. Restoration efforts in the kitchen focused on subtle yet crucial updates. Haller oversaw the replacement of awning window chains with historically accurate hardware, a task that required considerable effort to source and install. She emphasized 'restraint' in the renovation process, focusing on making the space functional without sacrificing its original charm. A carpenter was brought in to repair the track of the old-fashioned bread box's garage door, ensuring its safe operation. While the kitchen lacks modern amenities like soft-close hinges, it retains a distinct 'soul' that appealed to the owners. One of the most challenging projects was the living room, where plaster walls had been covered in blue silk dupioni fabric and secured with an estimated 45,000 staples. Removing these staples was a laborious process, taking a week of manual effort. The focal point of the revitalized living room became Kramer’s vintage coffee table, a 1stdibs acquisition, which uniquely functions as a champagne and shrimp cocktail station, with its inverted center perfectly accommodating her ice bucket. Haller also had to source new lighting fixtures, as the previous owners took the originals. She turned to a salvage shop in Los Angeles known for preserving lights from Old Hollywood celebrity homes, finding an antique sconce for the guest bedroom’s salvaged sink that once belonged to Buster Keaton. Distinguishing this Craftsman from others, the home features dark, purple-hued mahogany wood rather than the typical red-orange Douglas fir. This unique wood tone harmonizes surprisingly well with subtle pink accents, such as the original fireplace grout and the new dining room walls, which were painted a soft dusty lavender-gray. Haller noted that the natural light interacting with these elements creates a warm glow. Due to the tight renovation schedule, restoring the painted wood trim was not feasible. Instead, it was repainted in Farrow & Ball’s dark navy shade, Railings, to achieve a cohesive look. In contrast to the home’s more vibrant areas, the main bedroom adopted a softer palette, transforming its previous purple walls into a serene cream. Kramer, typically drawn to maximalist designs, was swayed by Haller’s vision for a neutral, tranquil space. The bedroom renovation included creating two closets on either side of the bed by reallocating space from an adjacent children’s room, and adding a built-in reading nook with a tufted cushion, which serves as Kramer’s preferred work-from-home spot. For the children’s bedrooms, Kramer and Haller exercised a different form of restraint, opting for allover wallpapers with prints that strike a balance between kid-friendly and adult-approved aesthetics. Kramer expressed her desire to postpone 'ugly child spaces,' choosing whimsical crane designs by House of Hackney for her youngest son's room and a floral print by the same brand for the bathroom. She found that the numerous built-ins in the large bathroom helped to break up the busy floral pattern effectively. The various bird motifs throughout the home, from the initial peacock window to the crane wallpaper, have become a personal symbol of good fortune for Kramer. #HomeTour #CraftsmanHome #LosAngelesRealEstate #InteriorDesign #HomeRenovation #SightUnseenPurchase #HistoricPreservation #VintageDecor #FamilyHome

At the Brooklyn Museum, artist Valerie Hegarty has implemented an exhibition titled "Alternative Histories," which reimagines the traditional, staid period rooms with a dynamic and disruptive intervention. Hegarty's work transforms three of the museum's decorative arts period rooms: the Cane Acres Plantation dining room, and the parlor and hall of the Cupola House. Instead of presenting these historical settings in their typical preserved and orderly state, Hegarty introduces elements of decay, disorder, and natural intrusion, prompting visitors to reconsider established narratives and the pristine portrayal of history. In the Cane Acres Plantation dining room, the expected scene of refined dining is subverted by the presence of crows. These birds are depicted pecking at vibrant, amorphous blobs of fruit scattered across the dinner table, attacking paintings, and leaving a trail of crumbs, creating a chaotic and untamed atmosphere. This installation, specifically featuring works like "Tablecloth with Fruit and Crows" and "Still-Life Paintings with Crows," challenges the serene and idealized representation of antebellum Southern life. The Cupola House's parlor also undergoes a significant transformation. Here, a portrait of George Washington is altered, showing his face grotesquely fallen from the canvas, symbolizing a disruption of historical figures and their iconic status. Below the portrait, a Native American-patterned rug appears to be decaying, a commentary on the often-overlooked or suppressed narratives within American history. Hegarty’s works in this space, including "Native American Chief (Sharitarish) with Branches" and "Native American Rug with Marsh Grass," highlight themes of destruction and the re-evaluation of colonial legacies. Further within the Cupola House, in its hall, a painting and various furniture pieces are marred with holes that resemble bullet wounds, which have since oxidized, suggesting violence and the passage of time. This particular intervention features pieces like "The Pic-Nic with Downy Woodpecker" and "Dishware with Holes," and creates a visual narrative of historical erosion and damage. Hegarty's approach generates an immersive experience that causes visitors to question the authenticity and completeness of historical displays. The exhibition has evoked notable reactions from museum-goers, ranging from amusement and confusion to appreciation for the museum's willingness to host such a provocative display. The installations intentionally disrupt the conventional museum experience, leading to inquiries about the artist's focus on themes of destruction and decay. By actively altering these historical environments, Hegarty prompts a critical examination of how history is curated, presented, and understood, offering an 'alternative history' that is messy, incomplete, and subject to natural and human forces. The exhibition provides a critical lens through which to view decorative arts and their historical contexts, inviting a deeper, more nuanced engagement with the past. #BrooklynMuseum #ValerieHegarty #AlternativeHistories #PeriodRooms #ArtInstallation #HistoricalReimagination #ContemporaryArt #DecorativeArts #MuseumExhibit

This design dispatch highlights several key happenings and product releases in the world of interior design and art, focusing on the transition into a new season. It begins by exploring RH's Fall 2023 Collection, which aims to redefine true luxury in a market often saturated with superficial claims. Gary Friedman, CEO and chairman of RH, emphasizes that true luxury stems from exceptional craftsmanship and the quality of materials, citing their use of premium European and American White Oak, Walnut, Indonesian Teak, and the detailed construction of their American-made sofas with eight-way hand-tied springs or Italian-made pieces with engineered foam and exquisite tailoring designed for longevity. The collection features global designers like Australian duo Harrison and Nicholas Condos, who contribute natural pieces in European White Oak, including sideboards, bed canopies, and day beds. British designer Oliver Oulton incorporates Belgian Flax Linens into elongated sofas, while American designer Julie Lawrence introduces organically shaped sideboards and tables made from American White Oak. The aesthetic of the collection promotes serenity through light woods and organic lines, devoid of harsh angles and vibrant colors, encapsulating the idea that luxury is defined by thought, creativity, and rarity rather than just price. Next, the dispatch turns to the art world, detailing an opportunity for enthusiasts to acquire a piece from the renowned artist Cecily Brown. For over 25 years, Brown has been celebrated for her abstract expressionist style, with her paintings, often featuring motifs of women, skulls, skeletons, and still-lives, fetching high prices at auctions. Currently, The Metropolitan Museum of Art in New York City is hosting "Cecily Brown: Death and The Maid" until December 3, 2023. This exhibition showcases fifty works from her career. For those wishing to own a piece of Brown's art, a new etching inspired by Jan Brueghel the Elder's 17th-century allegorical series, "The Five Senses," will be available at The Met Store. Edition one of twenty-five will join The Met's collection, with others priced at $8,000, with proceeds supporting the museum's initiatives. The article also introduces a new book from Bulgari, "Beyond Time," celebrating over a century of Bulgari horology. This collaboration with Assouline provides a comprehensive retrospective across 300 pages, featuring contributions from notable friends, ambassadors, and experts of the Maison. A dedicated chapter explores the brand's iconic serpent watch design, which watch collector John Goldberger notes was revolutionary for its combination of wraparound Tubas bracelet with a watch dial. Finally, as the fall season approaches, the dispatch offers a suggestion for entertaining: Sophie Lou Jacobsen's new stemware collection. Inspired by Art Nouveau motifs and the Ecole de Nancy, the collection features glasses morphed into floral designs. While playful, the set maintains an air of sophistication, making it suitable for formal gatherings. The collection is set to launch in October, and readers are encouraged to consider complementary table accessories in preparation for upcoming events. #DesignDispatch #HomeDecor #LuxuryDesign #RHCollection #ArtExhibition #CecilyBrown #MetropolitanMuseumOfArt #BulgariHorology #SophieLouJacobsen #TablewareDesign

This comprehensive shopping guide, compiled by the editors of 5280 Home, details recommended showrooms and stores for various home renovation needs, focusing on fixed-in-place finishes such as cabinets, tile, lighting, appliances, and bath and kitchen fixtures. The selection prioritizes locally-owned businesses, with a few notable chains included, all chosen independently without advertising influence. The guide is structured by product category, offering specific store recommendations, addresses, contact information, and often highlights unique offerings or trending products. Under the 'Cabinets' section, the article introduces several distinguished showrooms. Aspen Leaf Kitchens on Tennyson Street is praised for its high-end, Colorado-made cabinets showcased in a renovated bungalow, emphasizing cabinets as a design focal point. Bulthaup, located in the Golden Triangle, is noted as the sole Colorado retailer for its German manufacturer, with a particular mention of its B3 drawer systems and anodized-aluminum finishes. Exquisite Kitchen Design, led by founder Mikal Otten, displays timeless kitchen concepts at the Denver Design District's Collection. Kitchen Distributors, with its 5,000-square-foot showroom in Littleton, is highlighted for its contemporary cabinetry and meticulous record-keeping. Kitchens by Wedgewood, featuring a manufacturing facility in Louisville, offers custom projects and various brands, suggesting options for hidden storage. Luxe Kitchens & Interiors, a Washington Park-based firm, specializes in elegant kitchens and baths using Plato Woodwork's custom cabinetry. Rifugio Modern, known for its flagship Arclinea line, emphasizes the kitchen as an ultimate refuge and plans a new Cherry Creek North location. Solesdi, a newcomer in RiNo, carries sleek cabinet systems from Italian brands Boffi and Dada. Studio Como, a RiNo mainstay, provides European minimalism with brands like Minotti and Poliform kitchens. Thurston Kitchen & Bath, with a 12,000-square-foot Denver showroom, presents a range from super-matte nano-tech finishes to Miele appliances. Vesel Contemporary Kitchens, located in LoHi, creates custom European-inspired cabinetry in Colorado. William Ohs, a 45-year-old Denver-based cabinet-maker, is recognized for its hand-applied finishes, rift-cut oak, and blue color trends. For 'Kitchen & Bath Fixtures,' the guide features the Kohler Signature Store by Facets of Cherry Creek, showcasing innovative products like ombré faucet finishes and the Wall-Mounted Farmstead Sink. Ultra Design Center, a locally owned depot, offers decorative plumbing and architectural hardware, highlighting fixtures for at-home wellness and the Victoria & Albert Barcelona 2 tub. Waterworks in the Denver Design District is noted for its _au naturel_ finishes, such as unlacquered brass, and the Henry Gooseneck Faucet. In 'Lighting,' Circa Lighting, opening in the Denver Design District, is lauded for its timeless offerings, including the Cynara Small Chandelier. Fusion Light and Design, with multiple locations, is described as having boutique-like showrooms. Galleria Lighting & Design, an emporium representing over 200 brands, features favorites like Arteriors and Currey & Company. RH Denver, the Gallery at Cherry Creek, is an essential stop for dazzling fixtures by designers like Jonathan Browning. Room & Board emphasizes American-made modern design wares with features like USB integration, recommending the Fairbanks Pendant. Urban Lights in Overland caters to every lighting need, showcasing fixtures from Kelly Wearstler and Vermont Modern, with a spotlight on the Vermont Modern One Light Mini Pendant. Under 'Appliances,' Builder Appliance Center (BAC) in Englewood provides 14 working kitchens for product demos and boasts experienced staff to answer questions about Alexa-integrated appliances, featuring the Viking Electric Single French Door Oven. Mountain High Appliance, with multiple locations, allows customers to try over 250 hooked-up appliances before buying. Roth Living, with a new showroom designed by Arch 11, presents luxury appliances in stunning kitchen vignettes, highlighting the Wolf Coffee System. Specialty Appliance, with three locations, is popular for its diverse inventory ranging from low-end to luxury brands like Miele and Sub-Zero, and the AGA Elise Range in Matte Black. Finally, for 'Tile,' Ann Sacks on Broadway showcases boundary-pushing tile, including handcrafted ceramic tiles in earthy palettes. Arizona Tile, a sprawling resource off I-70, offers slabs and tile, including marble mosaics and quartz countertops, featuring the Lucia Porcelain Tile in Walnut. Crossville Studios, the largest family-owned tile manufacturer, has multiple Colorado locations with renovated showrooms. Daltile, an international manufacturer, provides design consultants and a Room Visualizer tool online. Decorative Materials in the Denver Design District is the place for conversation-worthy backsplashes, such as the Maison Surface Pemberton Parquet tile. Julep Tile Company, run by a husband-and-wife duo, handcrafts sustainable tiles inspired by vintage wallpaper, recommending the Handmade Subway Tile with Pearl Trim. Materials Marketing, a national brand, is praised for its high-quality stone, glass, and ceramic tile, offering custom architectural stonework. Porcelanosa, moving to Suite A in the Denver Design District, offers a wide range of products from cabinetry to sinks, encouraging meetings with design consultants to reimagine spaces. This comprehensive guide serves as a valuable resource for anyone undertaking a home renovation project in the Denver area, providing curated recommendations for essential materials and fixtures. #HomeRenovation #ShoppingGuide #KitchenDesign #BathFixtures #HomeLighting #HomeAppliances #TileDesign #DenverDesign #LocalBusinesses

The Bell Museum's Curiosity Shop has undergone a significant reinvention, moving beyond traditional museum merchandise to offer a curated selection of quirky and unique items. Emma Allen, the museum's director of operations, spearheaded this transformation with the goal of creating a retail space that stands out from typical museum stores. She aimed for a distinctive aesthetic and product range, ensuring visitors could find items that reflect curiosity and individuality rather than just branded souvenirs. Key to this new approach is the emphasis on items that facilitate personal expression and creativity, such as magnifiers, cloches, moss, miniature plastic animals, and faux bird eggs. These components are specifically chosen to inspire customers to create their own dioramas, a nod to the museum's natural history focus. This interactive and creative aspect differentiates The Curiosity Shop, providing an experience that encourages engagement with the products and their potential for home decor. Beyond the diorama elements, the shop features a variety of unconventional decor pieces. One notable example is a framed insect riding a motorcycle, playfully titled 'Weevil Knievel,' which Emma Allen highlights as a personal favorite. This item exemplifies the blend of natural history with whimsical, artistic flair that defines the shop's inventory, catering to those who appreciate unusual and conversation-starting decorative accents. Inspired by these unique offerings, the article presents several home decor ideas that draw from the Bell Museum's distinct aesthetic. These include Christian Lacroix playing cards, known for their fantastical illustrations, which offer a sophisticated yet playful touch to any living space. Another suggestion is 'Whales: An Illustrated Celebration,' a nature-based book by local author Kelsey Oseid, which combines artistic illustration with scientific themes, perfect for adding an educational yet decorative element. Further decor ideas include a John Derian plate featuring a vintage mushroom print, demonstrating how functional items can also serve as artistic displays. Animal print shoes, such as Ulla Johnson's leopard print mules, are cited as an example of incorporating wild, natural patterns into personal style, which can be extended to home textiles or accents. Sculptural art pieces like blue-gray coral offer an organic, oceanic touch, bringing natural forms indoors. The collection also features a gold honeybee necklace from Gumuchian, with a portion of its proceeds supporting the University of Minnesota’s bee and pollinator program. This item connects directly to environmental consciousness and wildlife preservation, reflecting a broader interest in nature. Finally, a taxidermy Abyssinian roller, with its vibrant blue plumage, represents a more traditional yet striking natural history display, echoing the museum's core exhibits and providing a bold statement piece for home interiors. These curated selections aim to help individuals infuse their living spaces with a sense of wonder and uniqueness, mirroring the spirit of The Curiosity Shop. #HomeDecor #InteriorDesign #BellMuseum #TheCuriosityShop #QuirkyDecor #NaturalHistory #Diorama #ArtisticHome #Stylemaker

The High-Tech Architecture movement, which emerged in 1970s Britain, was characterized by exposed mechanical systems, structural elements in vibrant colors, and adaptable interiors constructed from lightweight, metallic materials. This style, often called “structural expressionism,” was popularized by architects such as Norman Foster, Richard Rogers, and Renzo Piano. It transformed industrial and factory production elements into an ornamental language, where functionality became the primary aesthetic. These designs paradoxically appeared as technology began to shrink, with the advent of microchips, home computers, and global communication networks. These advancements led to computer-aided design, new material technologies, and rapid prototyping, giving rise to sleek and simple technological aesthetics. Currently, a new generation of designers is reevaluating the meaning of a “high-tech” aesthetic in interior and object design. Moving away from post-pandemic trends that favored natural and organic materials, these designers are incorporating digital manufacturing techniques and processes while playfully engaging with past factory-made components. Harry Nuriev of Crosby Studios, known for his chromatic surfaces, pixelated videogame-inspired furnishings, and digital software-referencing wallpapers, views the past high-tech movement as a "cold engineer’s functional aesthetic." For him, contemporary high-tech design should be centered on the "virtual experience." Nuriev recently coined the term “transformism” to describe his design philosophy, which involves combining existing objects and materials to create a transition from one form to another. His Video Game Stool collection exemplifies this, inspired by the aesthetic of low-quality, downsized furniture files in virtual environments. Nuriev’s "transformist" approach, as seen in his Retro Futurism Collection, transforms streamlined machine-like motifs into soft, reflective textiles, mimicking liquid stainless steel settling into sofas or bedsheets. Other designers are using factory aesthetics as a foundation for broader metaphors in commercial spaces. Masquespacio’s MO Bakery and Espresso Bar in Saudi Arabia draws inspiration from the role of water in baking and coffee brewing, employing metallic finishes to evoke flowing water. Sandblasted pipes extend from a mirrored ceiling, forming booths and reminiscent of the pipes and air ducts of the Centre Pompidou. Curvilinear glass and chrome orbs represent gas bubbles, blending industrial shine with organic forms. This curvilinear approach advances the high-tech aesthetic toward a more streamlined language. This style is also evident in spaces where industrial elements were always present, such as Buero Wagner’s office transformation. The Munich-based architectural studio converted its basement into a workspace, using galvanized steel gratings for custom seating and welded furniture that appears to grow organically from the floor. An aluminum foil curtain provides natural light and privacy, allowing industrial elements like exposed gas pipes and X-Beams to remain visible. The versatile space echoes the flexible, open-plan ideals of the High-Tech architectural era. CHYBIK+KRISTOF’s Modular Research Center for KOMA Modular exemplifies flexibility and ecological motivations. This “innovation hub” for modular building prototypes incorporates elements of High-Tech Architecture and digital design, notably omitting right angles and using rotating containers as structural columns. Constructed from three main modules (roof, container, and floor), the center features shiny load-bearing walls and floor-to-ceiling windows that reflect natural light off perforated metal ceilings. The materials are locally produced, aligning with High-Tech Architecture’s original ecological concerns and emphasizing the structure as a dynamic, adaptable module that promotes human activity. The High-Tech architectural style has also influenced furniture and objects. The Korean design group niceworkshop’s Affordance Series, crafted from polished stainless steel, directly references industry and machinery. Chairs feature industrial lifts instead of legs and roll on steel wheels, while a bench, inspired by an assembly line, rests on a precisely engineered sphere. Oversized bolts and screws are exposed, making joinery and construction ornamental. This collection, aimed at “inducing human behavior and psychology,” encourages users to interact with objects as if they were industrial factory workers, pushing them to engage with the furniture’s mechanics. Founder Hyunseog Oh explains that the series uses elements like conveyor belt rollers and industrial lifts to highlight the interaction between furniture and user. This approach, recalling Le Corbusier’s concept of homes as "machines for living," embodies an ultramodernity celebrated by High-Tech architects. Whether in commercial projects or everyday objects, the familiar motifs of the High-Tech Architecture movement, adapted for smaller scales, continue to reflect a fascination with mechanical workings, extending beyond mere function into decorative expression. #HighTechInteriors #ArchitecturalRevival #CrosbyStudios #Masquespacio #BueroWagner #CHYBIKandKRISTOF #niceworkshop #DesignTrends #IndustrialAesthetics

Denver's home decorating scene is experiencing a renaissance, with a diverse array of locally owned boutiques catering to every design preference, from traditional to midcentury modern and beyond. This curated guide spotlights 13 distinct shops, each offering unique items and shopping experiences. Bloom, with locations in Cherry Creek North and Union Station, offers an enchanting, fantasy-like atmosphere. Owner Anuschka Pashel sources unique items globally, such as Balinese stone sculptures, European art, and Brazilian quartz clusters, along with Moroccan wool rugs. The Lark, a long-standing establishment in Denver Country Club since 1970, embodies a classic aesthetic, featuring items like ginger-jar lamps, fox figurines, and Simon Pearce glassware, alongside new offerings like refillable liquid paraffin candles. Eron Johnson Antiques in Athmar Park, founded in 1972, is a treasure trove of salvaged architectural elements and unique antiques. The vast collection, available by appointment, ranges from a 16th-century oak-paneled room to early 20th-century streetlights and pieces by renowned designers like Frank Lloyd Wright and Louis Comfort Tiffany. Lulu’s Furniture & Décor, led by Christy Brant and Caitlin Marsh, relocated to Englewood, where its floor-to-ceiling windows showcase hand-picked items like salvaged copper windows and modular sectionals by Robin Bruce. The shop emphasizes functional and affordable design, introducing lines such as Canadian furniture from Sunpan and Colorado-based Zents toiletries. Homebody in Cherry Creek North, opened in 2017, caters to well-traveled design enthusiasts. Owner Dory Pratt curates finds from around the world, including Parisian abstract paintings and mother-of-pearl caviar spoons, and offers amenities like a complimentary coffee bar and gift wrapping. The store also features Swedish Byredo fragrances and Astier de Villatte ceramics. Watson & Co. on South Broadway, established in 1991 by Chris Watson and Kyle Pastrano, offers an eclectic mix of Victorian-era taxidermy, Milo Baughman furniture, Art Deco lighting, Edwardian objets d’art, and one of the largest cufflink collections in America. Known for its “Old School. New Rules.” motto, the shop provides items across all price points, with new additions including a wholesale catalog and a life-size Adam and Eve topiary form for 2019. Scandinavian Antiques on South Broadway, founded in 1994 by Henrik Follin, features a 25,000-square-foot showroom with nearly 70% of its furniture imported from Scandinavia. The collection includes rare items like 19th-century inlaid mahogany Empire secretaries and whimsical copper baking molds, alongside custom-made maple-wood tables from salvaged boxcar floors. Old Glory, also on South Broadway, appeals to fans of rustic Americana and farmhouse style. The 100-year-old storefront offers a mix of antique and new finds, such as a 1900s French baker’s cabinet and Sugarboo & Co. quote cards. Owner Holly Kuhn, with roots in Texas, brings her passion for Americana to the shop, with a forthcoming decorating book in 2019. Design Wright Studios in RiNo, opened in September 2017 by Mary Wright, is housed in a former refrigeration unit with high ceilings and large windows. The showroom features furnishings from contemporary designers like Kelly Wearstler and classic manufacturers such as Stanley Furniture. It also offers Ralph Lauren Home products, filling a void left by the brand's Cherry Creek location closure. The space is shared with Artisan Rug Gallery. Studio Como Showroom, a 20,000-square-foot space in RiNo, is a destination for Italian-modern design, offering kitchens, closet systems, and high-end furniture like Minotti sectionals and Moooi lamps. Founder Brad Fentress aims to integrate Italian design with the mountain lifestyle, showcasing a modern aesthetic with steel beams and concrete floors, along with lighting from Santa & Cole. Modern Nomad in RiNo, opened by Becky Miller in November 2017, is a home-goods collective housed in a former auto-body shop. It hosts nine tenants, including the namesake boutique, which sells items like cashmere-wrapped pendant lights, vintage Congolese Kuba masks, and an international textile collection. New offerings include vintage rattan furniture and jewelry by Navajo and Zuni artisans from Trade Roots Collection. Mod Livin’ on East Colfax, established in 2001, specializes in midcentury modern design, offering Technicolor furniture and a collection of Knoll pieces. The store features a subterranean Bargain Basement with discounted vintage and new finds. They recently expanded their collection of leather furniture from Blu Dot. 20th Century Interiors on South Broadway, opened by J. Kendel Johnson, is a haven for midcentury modern enthusiasts. It offers expertly restored pieces such as George Nelson for Herman Miller dressers and Ludwig Mies van der Rohe-designed Barcelona chairs. The store also features local artisan-made objets, including Danish-style turned-wood candlesticks from Cream Modern. The Denver Design District, a large complex with 34 showrooms, provides a resource for both professional designers and the public. Visitors can browse without an appointment, and a complimentary designer is available to facilitate purchases at net price plus a 20% fee. The district offers access to over 1,400 manufacturers and is undergoing expansion, with new showrooms like Circa Lighting and Mod Design planned for 2019. The district is also home to Herbert Bayer’s "Articulated Wall," an 85-foot-tall canary-yellow sculpture that is part of the Denver Art Museum’s outdoor collection. #HomeDecor #LocalBusinesses #DenverShopping #InteriorDesign #Antiques #ModernDesign #MidcenturyModern #HomeFurnishings #DesignDistrict

The French Room at the Adolphus Hotel in Downtown Dallas has undergone a significant 16-month renovation, transforming its aesthetic from pastel cherubs and red velvet to brilliant white and expensive gold. This extensive facelift encompassed the restaurant’s three primary areas: the salon, the bar, and the dining room, each now boasting a contemporary and ornate appearance. Historically, The French Room maintained an elegant but somewhat dated charm, characterized by faded colors and pleated window curtains. The renovation aimed to bridge the gap between its traditional elegance and modern appeal, seeking to attract a broader clientele while retaining its prestigious identity. This required a substantial effort from the renovation team to update the decor without entirely discarding its foundational character. In the salon, the space largely retains its original architectural essence, featuring extensive carved dark wood trim and molding. The room is adorned with various artworks, and a single chandelier casts a soft, iridescent glow. Modular seating arrangements provide flexibility for accommodating different party sizes, ensuring comfort and adaptability. The bar area has also been updated, adopting a much dimmer lighting scheme that evokes the ambiance of a high-end speakeasy. It is distinguished by deep blue walls, classical paintings, and a brass ceiling. Silver trays filled with cocktail elixirs are meticulously arranged on a dark stone bar top, enhancing the sophisticated and intimate atmosphere. The dining room, often considered the heart of The French Room, maintains its original architectural framework but features extensive interior design changes. The former crushed red velvet chairs have been replaced with elegant Bergere dining chairs upholstered in pristine white fabric. Thick pleated tablecloths are set with pure white china plates, accompanied by a single glass and a gold candleholder. The previous artwork and wall coverings have been substituted with clean white and gilded flourishes. The heavily ornate molding and trim are now coated in semi-reflective gold paint, featuring classic French-style framing. Additionally, a few booth seats have been incorporated to offer guests more private dining options. Chef Michael Ehlert presides over the culinary offerings, presenting a refined take on French cuisine with dishes that blend traditional flavors with modern plating techniques. The menu, which is seasonal, includes items such as snails with pommes dauphine and watercress, seared foie gras, and consommé chartreuse. To conclude the dining experience, guests can select from The French Room’s traveling dessert cart, providing a sweet finish to their meal in this renowned Dallas establishment. #FrenchRoom #RestaurantRenovation #DallasDining #AdolphusHotel #LuxuryInteriors #FineDining #InteriorDesign #HotelRenovation #DallasRestaurants

Stylist Hilary Robertson, upon moving to Brooklyn nine years ago, faced the challenge of furnishing her new Fort Greene home after leaving most of her furniture in England. Her initial struggle in finding suitable pieces was overcome following a visit to the Brimfield Antiques Flea Market in Massachusetts, which proved to be a pivotal experience. Instead of filling her home with numerous antique items, Robertson opted for a carefully curated selection that integrates seamlessly into her elegant aesthetic, adding character without overwhelming the space. Robertson's Fort Greene residence is a 19th-century Italianate brownstone, featuring classic architectural details such as marble mantels and ornate ceilings. Despite the inherent vintage qualities of both the house and her chosen objects, the overall feeling of her home is light and modern. This contemporary ambiance is largely achieved through a predominantly light and neutral color palette, which creates a sense of openness and sophistication. Furthermore, Robertson employs a strategic balance between decorative elements and empty space, ensuring that the vintage pieces enhance rather than dominate the interior. The refined appearance of her home does not stem from exclusively precious or expensive items. Robertson demonstrates a creative approach by improvising and repurposing various objects. For instance, a white trashcan was ingeniously transformed into a chandelier, showcasing her ability to see potential in unconventional items. Additionally, a pair of French chairs were given a raw, "upholstery sauvage" makeover, as once described by the New York Times, by being roughly reupholstered with plain muslin and a staple gun. This technique highlights a more rustic, unpretentious aspect of her design philosophy. While the main living areas adhere to a light-hued scheme, Robertson introduces a contrasting element in her kitchen, where a dark blue wall color deviates from the overall neutral palette. This choice adds depth and a distinct personality to the kitchen space, demonstrating her willingness to incorporate varied color schemes where appropriate. The interior design of her home reflects a unique blend of British charm and modern sensibility, creating an inviting and visually interesting environment that respects the historical context of the brownstone while embracing contemporary living. #FortGreene #HilaryRobertson #InteriorDesign #Antiques #Brownstone #Brooklyn #HomeDecor #VintageStyle #ModernAntiques

Colleen Healey, founder of her architecture firm in Washington, D.C., undertook the challenge of modernizing an unrenovated 1883 house while preserving its period charm. The project aimed to update bathrooms and kitchens, connect the house to the garden, introduce light in innovative ways, and honor the past by integrating modern elements. The renovation of the 140-year-old structure involved a deliberate give-and-take between old and new. Healey blended historic and contemporary styles by using shared textures and rhythms, creating surfaces that reflected light similarly in both original and new sections. Original raw materials, such as brick and floor joists, were exposed in modernized areas to provide warmth, bridging the gap between the cellular Victorian rooms and the open new spaces. In the living room, instead of concealing the existing wall curves, Healey embraced them, extending these curved surfaces into the rear kitchen area. This design choice allowed soft light to bounce into the space and was replicated upstairs with skylights to draw light from above. The living room features original pine flooring in the front, while the rear uses diagonally laid pine to accommodate irregular wall angles, celebrating the new design while respecting the original material. The walls are painted in Benjamin Moore's Super White over original plaster, contrasting with dark wood shutters and skirting. The fireplace, crafted from layered Carrara marble, incorporates crisp modern edges while aligning with the ornate Victorian details of the room. The dining room, which is open-plan and connected to the living room by a dark wood trim, maintains cohesion through continuous flooring and white walls. The ornate wood fireplace in the dining room provides a counterpoint to the modern stone fireplace in the living area, balancing period elements with contemporary furnishings like dining chairs. For the kitchen, a highly functional modern space, contrast was chosen over an attempt to blend perfectly with the period surroundings. White kitchen cabinets mirror the white walls seen elsewhere. The kitchen's material palette was kept simple to avoid overwhelming the space, given the existing red brick, wood flooring, and exposed ceiling joists. Muted, honed grey and white countertops reduce reflection, and dark cabinets with a rhythmic slat pattern complement the dark metal shelves, door, and black plumbing fixtures. The kitchen island, featuring stained ash doors, was designed to resemble a decorative furniture piece rather than a typical island, with a U-shaped configuration to define zones within the open-plan area. Architectural additions include skylights on the second floor that funnel natural light into the kitchen below, illuminating exposed original brick and wood joists. An arched passageway connects the front and back of the house, extending an existing archway to create a dramatic threshold into the kitchen. This sculpted surface prepares occupants for a more private area and conceals the powder room and cabinetry, reflecting the historical shape in a modern way. The arched aesthetic is also repeated in the sculpted ceiling of the skylights. In the den, despite minimalist design approaches, the space remains warm and inviting due to the original brick wall and pine flooring, which balance the stark white walls and ceilings. Walnut furniture pieces with delicate rope details contribute to a light and airy feel. The bedroom incorporates period features, with a low headboard wall concealing an old fireplace to create a better bed layout and maintain views, while also providing storage. This wall is topped with Carrara marble, echoing the primary bathroom's materials. The modern bathroom blends glass and tile surfaces with an ornate original mantle, a clawfoot tub, and soft wooden shutters. The staircase, largely untouched, was brightened with new lighting and a skylight to emphasize its historic sculptural quality. The second-floor skylights reveal the home's structure and connect upper private levels with public first-floor spaces. #HomeRenovation #PeriodProperty #ModernDesign #InteriorArchitecture #HistoricHome #ColleenHealey #WashingtonDC #DesignRenovation #LuxuryInteriors