SLAMP Debuts Crystal-Inspired Light Fixtures by Adriano Rachele

Allied Maker, a New York-based design and manufacturing studio founded in 2012, recently introduced four new lighting fixtures at the Architectural Digest Design Show. The studio is known for its minimalist designs that emphasize the inherent beauty of materials such as brass, glass, and hardwoods. The newly unveiled collection continues this aesthetic, incorporating both angular, structural lines, specifically triangles, and soft, curving circular forms into their latest creations. One of the new additions is the Tri Cone Pendant, a fixture that features a cone-shaped shade designed to direct a focused beam of light. This focused illumination is achieved with a glass disc, all contained within a tetrahedron-inspired structural frame. The design seamlessly blends geometric precision with functional lighting, creating a visually compelling piece that is both modern and elegant. Another significant launch is the Grand Aperture 4, an expanded version of Allied Maker's existing Aperture 4 chandelier. This larger chandelier is specifically engineered to make a substantial visual impact in spacious environments. It comprises four glass domes strategically placed to encircle four distinct light sources. This arrangement ensures a broad and even diffusion of light, making it suitable for grand living areas or commercial spaces where significant ambient lighting is desired, all while maintaining a sophisticated aesthetic. The collection also includes the Contour Wall Lamp 22”. This wall-mounted fixture is characterized by its graceful, hand-bent arc, which extends to connect with a glass sphere. The design's functionality is enhanced by its ability to swivel against the wall, allowing for adjustable lighting direction and adaptability to various room configurations. The elegant curve and spherical element offer a blend of art and utility, providing both illumination and a sculptural presence. Completing the quartet of new fixtures is the Concentric 15”, a versatile piece designed for either wall or ceiling installation. This fixture stands out due to its handcrafted wooden dome, which features a series of concentric circles. These circles create a topographic effect, giving the fixture a unique textural and visual depth. The pleasing arrangement of the concentric rings adds a subtle yet striking decorative element to any space, reinforcing Allied Maker's commitment to thoughtful design and meticulous craftsmanship. These new offerings from Allied Maker reinforce their dedication to creating lighting solutions that are not only functional but also serve as artistic statements within a space. The combination of high-quality materials, expert craftsmanship, and a keen eye for minimalist design ensures that these fixtures enhance the ambiance and aesthetic of contemporary interiors. #AlliedMaker #LightingFixtures #ArchitecturalDigestDesignShow #MinimalistDesign #BrassLighting #GlassDesign #Chandeliers #WallLamps #HomeFurnishings

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

This article highlights the new 48-piece lighting collection from Arteriors, a collaboration with architecture and design firm Workshop/APD. This partnership marks a significant first for Arteriors, as it is their initial venture with an external design firm, aiming to infuse a distinctly contemporary aesthetic into their typically more traditional offerings. The collection is designed to serve as the “jewelry of a room,” emphasizing the transformative power of lighting in interior design. A central feature of this collection is the “Glaze” assortment, which draws inspiration from the ceramic artistry of Workshop/APD principal Andrew Kotchen’s wife. Each piece within this line incorporates a handmade ceramic shade or backplate, notable for its delicate crackled ivory glaze. This ceramic component is thoughtfully contrasted with blackened steel elements, creating a sophisticated and modern look. The versatility of these fixtures is a key selling point, as they are suitable for various settings, whether installed individually as a focal point or in multiples to create a cohesive design statement. The article showcases several specific pieces from the Glaze collection, providing descriptions and potential applications. The Glaze Large Sconce, priced at $715, is praised for its sleek shape and subtle hue, making it an ideal choice for bathrooms or bedside areas due to its effortless integration into diverse decors. The Glaze Linear Pendant, available for $1,040, is highlighted for its ability to stand out as a singular piece while also creating a striking impact when hung in a series. This suggests its adaptability for different spatial requirements and design ambitions. Another featured item is the Glaze Large Flushmount, costing $965, which distinguishes itself with a trio of frosted opal glass globes that add visual intrigue to a classic bowl-shaped flush-mount design. For larger spaces, the Glaze Floor Lamp, priced at $1,395, is presented as an ultramodern silhouette that casts a warm, inviting glow, enhancing the ambiance of its surroundings. Finally, the Glaze Sculptural Sconce, at $1,365, is noted for its geometric form and rotating armature, offering the unique capability to create a personalized focal point on any wall. This adjustability allows users to customize the lighting effect and direct light as needed. Overall, the collaboration between Arteriors and Workshop/APD introduces a collection that blends artistic inspiration with functional design, providing contemporary lighting solutions that can refresh and brighten any home interior. The pieces emphasize unique craftsmanship through ceramic details and modern silhouettes, offering versatile options for various design preferences and spatial requirements. #Arteriors #WorkshopAPD #LightingDesign #HomeDecor #InteriorDesign #ContemporaryLighting #CeramicLighting #DesignCollaboration

Architects Serene Kim and Elliot Meier, recognizing a common challenge in the design world, have launched Equal Equal, a new lighting studio dedicated to creating functional yet aesthetically pleasing light fixtures. The ongoing joke among architects and interior designers highlights the common issue where a visually striking light fixture often fails to adequately illuminate a room. Kim and Meier, having consistently encountered this problem on various projects, began custom-designing fixtures to bridge this gap between form and function. Their accumulated experience over a decade in crafting bespoke lighting solutions for projects ultimately led to the official launch of Equal Equal in May. The studio's name, Equal Equal, draws inspiration from the architectural symbol for equidistant length, 'EQ', reflecting their commitment to precise and balanced design. The company offers made-to-order pieces directly to consumers, encapsulating the architects' meticulous approach to design. Equal Equal's initial offerings include two distinct collections: the Frankie and the Vianne. The Frankie collection features classic ceramic lights, meticulously pressed and glazed in their New York City studio. These lights are highly customizable, available in an extensive palette of 18 color and glaze combinations. Expanding on the Frankie collection, the Sena light incorporates a hand-blown glass shade atop a Frankie light base, allowing for playful and unique color pairings that enhance the visual appeal. The Vianne collection introduces the Jessica pendant, a design that pays homage to the vibrant glasswork prevalent in 1920s French collectives, known for their bold colors and distinctive shapes. The glass components for the Jessica pendant are custom-produced at Brooklyn's KEEP studio, ensuring unique craftsmanship. Kim and Meier then personally assemble these pieces, integrating them with warm, contemporary hardware to create a harmonious blend of vintage inspiration and modern sensibility. The Jessica pendant is designed for versatility, capable of enhancing diverse spaces, from a dining area with a wooden table to a bathroom featuring tiled walls. Meier humorously likens the fixture's role to an award-winning supporting actor in a film, emphasizing its crucial yet complementary function. Despite the potentially bold color combinations, such as a pink-and-yellow sconce in a white-walled hallway, Kim and Meier encourage clients to embrace an open-minded approach to design. Kim articulates their philosophy, stating their goal is to demonstrate that color accents do not need to be overtly loud to create a significant impact. They believe that often, the most unexpected color combinations can result in the most harmonious and visually appealing outcomes, challenging traditional notions of color application in interior lighting. #LightingDesign #ArchitecturalLighting #CeramicLighting #GlassArt #HomeDecor #CustomLighting #InteriorDesign #ProductLaunch

Jamb founders Will Fisher and Charlotte Freemantle, known for their bespoke lighting tailored for leading interior designers, are set to launch their new Deco collection. This collection, which will debut at London Design Week, features five distinct pieces that deliberately eschew current trends, focusing instead on timeless design and exceptional craftsmanship. The duo, operating from their London home and studio, emphasizes traditional skills and meticulous attention to detail, a philosophy that stands in contrast to the rapid-fire launch cycles common in contemporary design. The Deco collection is characterized by a glamorous and somewhat majestic aesthetic, designed to soften the edges of each piece in a romantic fashion. This romantic sensibility extends from their previous work, including their distinctive pink room at the Wow! House at Chelsea Harbour Design Centre. Will Fisher's background in studying antique objects heavily influences their design process. The team initiates new designs by identifying original antique pieces that serve as the foundational inspiration. Their deep immersion in historical objects led to the early twentieth-century themes evident in the Deco collection, drawing from movements and periods such as The Bloomsbury Group, the Roaring Twenties, and the Belle Époque. The collection highlights a focus on rich materiality, combining hand-planished metal, luminous alabaster, and shimmering silk textiles to create compelling juxtapositions. Some designs incorporate hand-carved patterns, which are then cast using the traditional lost wax technique, a method Will Fisher describes as the "noblest form of manufacture." Charlotte Freemantle is particularly interested in integrating decorative fabrics, a concept carried over from the Wow! House show, into their new product lines. She notes that drapery softens and diffuses light in a room, and similarly, the textiles in their collection evoke the gentle glow of candlelight, enhancing the overall ambiance. Often described as the "jewelry of the home," lighting in the Deco collection aims to create unique and inviting atmospheres. The pieces are designed to complete and complement diverse interior aesthetics, whether mid-century modern or traditional, effectively bucking trends and potentially establishing new ones. To illustrate their versatility, the designers have photographed the collection in various in situ settings, demonstrating how these objects can seamlessly integrate into different environments. The article specifically mentions pieces like the Hopper Alabaster wall sconce, the Thelma pendant light with its hand-stippled brass frame and optional linen or silk skirt, a new floor lamp styled with antique furniture, and the Hatton Rod, which embodies the Art Deco aesthetic with its alabaster bowl and brass detailing, offering both down and uplighting. The collection will be available from Jamb at 95-97 Pimlico Road, London, and through their website. #JambLighting #DecoCollection #LondonDesignWeek #BespokeLighting #InteriorDesignTrends #AntiqueInspired #Craftsmanship #AlabasterLighting #LuxuryLighting

Dana Harel, a San Francisco-based Israeli designer, has launched her inaugural lighting collection under her studio, White Dirt. Harel's career trajectory showcases a diverse artistic exploration, starting with architecture and extending into ceramics and line art before her current venture into luminaires. The new collection, dubbed "Ora," comprises three tented table lamps—Ora I, II, and III—and a suspended, trapeze-like floor lamp, Ora IV. These pieces draw inspiration from Harel’s existing body of work, particularly her vases and vessels, which inform their hand-carved sculptural aesthetic. The lamps are crafted using a combination of gypsum cement, muslin, and brass, materials that contribute to their unique visual and tactile qualities. The design intentionally evokes the imagery of draped wedding gowns, suggesting moments of concealed intimacy and exploring the delicate balance between revealing and hiding forms. This interplay of materials and forms allows the collection to convey a sense of fluidity and softness, a departure from more rigid sculptural traditions. Harel describes the process of working with fabric—folding, pleating, and draping—as a refreshing experience, contrasting with her previous work that often involved tools like chisels and hammers. This shift towards softer, more pliable materials allowed her to experiment with light in a new way, focusing on how textiles interact with illumination to create ambiance and shape. The collection's design ethos embraces a certain spontaneity, reflecting Harel’s approach to her creative process. Each piece in the Ora collection stands as a testament to her evolving artistic language and her ability to translate diverse inspirations into functional art. A notable and unconventional source of inspiration for Harel was a scene from the HBO series *Succession*, where characters Tom Wambsgans and Cousin Greg consume a rare delicacy with napkins tented over their heads. This seemingly obscure reference underscores Harel's willingness to draw from unexpected cultural moments, transforming them into artistic concepts. The designer interprets this act of "masking shame" or "heightening pleasure" as a metaphor for the lamps' ability to create intimate, almost cloistered, environments through their draped forms. The sculptural swagger of the lamps is deeply rooted in these varied influences, bridging architectural precision with textile softness and cultural anecdotes. The collection as a whole is an exploration of form, light, and material, reflecting Harel's multidisciplinary background and her continuous quest for new creative expressions. #DanaHarel #LightingCollection #SculpturalLighting #InteriorDesign #WhiteDirtStudio #ProductDesign #TextileArt #ContemporaryDesign

The mushroom lamp, a popular design from the 1970s, has been a dominant trend in interior design for several years. While some designers, such as Victoria Adesanmi of Aesthetics Studios, believe its popularity may continue, others anticipate new lighting trends to emerge. These upcoming styles, much like the mushroom lamp, often draw inspiration from historical periods, but the range of influential eras is expanding beyond mid-century modern to include the 1920s and 1980s. One significant trend expected to gain traction is Art Deco-inspired lamps. This style, which experienced a resurgence in interiors in 2021, is characterized by geometric shapes. Caron Woolsey, founder of CW Interiors, notes that modern Art Deco lamps blend the glamour of the past with contemporary technology and austerity. She advises seeking lamps with fluted glass shades or opaline globes that offer unique silhouettes. Examples include a piece by French artisan Marine Breynaert and Saint-Lazare's Octagonal Lamp, inspired by a vintage vase. Sculptural, pottery-style, and ceramic lamps are also on the rise. Maggie Griffin, founder of Maggie Griffin Design, observes an increased client demand for handmade pottery lamps, attributing this to a post-pandemic desire for craftsmanship. Adesanmi concurs, predicting a surge in sculptural lamp designs. Fanny Abbes, creative director of The New Design Project, highlights Eny Lee Parker's ceramic 'Oo lamp' as a notable example, praised for its curvaceous shape and texture. Finally, postmodern and Memphis-style lamps are expected to take over the lighting space. These styles are known for their distinctive squiggly lines and vibrant, often garish, colors. Adesanmi anticipates lamps inspired by the postmodernism and Memphis movement, pioneered by Ettore Sottsass. While new reproductions are available, unique and expressive pieces from these movements can often be found on online marketplaces like Chairish, 1stDibs, and Etsy, aligning with the statement-making nature of these design philosophies. #LampTrends #InteriorDesign #ArtDeco #SculpturalLamps #CeramicLamps #PostmodernDesign #MemphisStyle #HomeDecor #Lighting

Lumibright has introduced an innovative Integrated LED Handrail Lighting System, designed with a focus on both aesthetic appeal and practical functionality. This system is engineered to provide unique lighting solutions with exceptional uniformity and photometric performance. A key aspect of its design is the elimination of the need to illuminate entire areas, thereby contributing to increased safety and security while maintaining minimal energy consumption. The LED Railing Module is a versatile system that integrates lighting directly into handrails. Constructed with a durable stainless steel body and boasting an IP67 waterproof rating, this lighting system is suitable for a wide array of interior and exterior applications. These include staircases, atrium surrounds, balconies, viewing galleries, ramp ways, pedestrian bridges, and walkways. Its robust build quality ensures reliability and longevity in various environmental conditions. A primary function of these handrail lights, particularly in public spaces, is to enhance safety and provide resistance against vandalism. The integrated lighting significantly improves visibility, which is crucial in dimly lit areas or during nighttime. Beyond its safety features, the illuminated handrail system also serves as a decorative element, capable of being incorporated into street furniture and urban art installations. This dual functionality allows for both practical illumination and an enhancement of urban aesthetics. Each CREE LED module within the system is designed to be powerful yet unobtrusive. These modules produce an oval-shaped beam with a sharp cut-off, a design choice intended to deliver non-overbearing illumination. The system prioritizes a high degree of uniformity in light distribution, minimizing glare, light spill, and wasted light. This precise light control ensures that illumination is directed where it is most needed without causing discomfort or unnecessary light pollution. Flexibility in installation is another notable feature of the Lumibright LED Handrail Lighting System. It can be integrated into newly constructed handrails or retrofitted into existing ones, offering a practical upgrade solution for various settings. This adaptability makes it a suitable choice for a broad range of projects, from new developments to renovations, allowing for enhanced safety and aesthetic improvement across different architectural contexts. #LEDLighting #HandrailSystem #ArchitecturalLighting #SafetyLighting #UrbanDesign #OutdoorLighting #EnergyEfficiency #CREELED #Lumibright

Masiero, an Italian lighting company established in 1981, has grown from a small workshop in Northern Italy to a global leader in lighting. The company’s success is attributed to its dedication to merging traditional Italian craftsmanship with contemporary aesthetics, as well as its collaborative approach with internationally renowned designers. Masiero works closely with designers and its in-house R&D department to produce distinctive lighting fixtures that shape its product portfolio. The collaborative process typically begins with Masiero providing designers with a brief outlining mood, product type, price range, and materials. However, Masiero also welcomes proposals from designers inspired by their own concepts. This fosters a unique relationship between designers and Masiero’s internal team, focusing on achieving optimal shapes and finishes. Masiero emphasizes the challenge of industrializing a designer's vision while maintaining economic sustainability, leveraging its expertise in metal processing and technological innovation in light management and flexibility. This flexibility, especially concerning color and size, is crucial for designers managing diverse projects. Masiero further supports these collaborations with a commercial network spanning 80 countries and robust marketing efforts, both online and offline. Alessia D’Alesio, Masiero's Global Marketing Manager, highlights the Horo collection by Pierre Gonalons as a particularly successful collaboration, having won the Good Design Award 2021. Gonalons' creative concept for Horo, featuring a sandwich construction of two prismatic glass circles within an outer frame, was faithfully translated into the final product. Masiero's internal team meticulously worked on optimizing illumination, refining the frame's finish, and selecting a decorative yet delicate glass. Gonalons describes Horo as a disk of light that simultaneously offers a light show, emphasizing his passion for handcrafted materials that narrate a story. He appreciates Masiero’s expertise in material and finish selection, which facilitated a natural development of the collaboration. The prototyping phase involved significant modification and improvement, demonstrating a strong collaborative spirit. Gonalons also praises the unique quality of Masiero’s hand-finished metalwork, achieved in their workshop, especially considering its competitive price point. Giovanni Battista Gianola's Sound collection was inspired by the artisans' ability to create perfect curves from shiny tubes, evoking musical instruments. This inspiration translated into lighting fixtures where material and shape are integral to the lamp’s aesthetic, much like they are to an instrument’s sound. The collection features gracefully shaped arms supporting glass diffusers encased by wide metal shades, resulting in layered sconces, floor lamps, chandeliers, and pendant lights. Gianola emphasizes that creating a new lamp involves a deep understanding of the brand's DNA, selecting materials that reflect its heritage, such as Masiero’s crystals, shining metals, and warm light. He views Masiero as having an eclectic spirit rooted in Venetian heritage, pursuing a distinctive path driven by a love for materials rather than fleeting trends. Marco Zito's Nappe collection, developed in 2018, showcases Masiero's material processing capabilities and the potential for a contemporary yet timeless language that integrates design technology with an artisanal approach. Zito's vision for Nappe drew inspiration from Venetian 'nappine' (tassels), reinterpreting this classical ornament into 10 modern pendant designs that can be combined for various installations. He believes such collaborative work generates virtuous processes and knowledge exchange, leading to innovative forms. Oriano Favaretto, who created the Honicé collection in 2018, commends Masiero's extensive experience and ability to balance contemporary designs with its foundational values of quality craftsmanship, noble materials, and ongoing research. He values the company's family-oriented approach to projects and shared perspectives. The Honicé collection, consisting of suspension lamps and wall lights, features a striking blend of opaque gold or brass finishes with natural onyx diffusers, paying homage to Masiero's history. Successful collaborations, according to Gonalons, involve a thorough assessment of the strengths of both the company and the designer. Masiero has honed this skill over the years, understanding his creative identity while he grasped their history and production capabilities. Masiero's D’Alesio notes that designers serve as a rich source of ideas, providing essential creative input from external perspectives. The brand encourages designers to express their creativity while considering the potential client's needs, offering 40 years of experience to produce beautiful, functional, well-finished, and recognizable items. #LightingDesign #ItalianCraftsmanship #DesignCollaboration #MasieroLighting #InteriorDesign #ProductDesign #ContemporaryAesthetics #DesignInnovation #LuxuryLighting

Swarovski has revealed the second installment of its Designers of the Future initiative at Design Miami/Basel, showcasing three innovative crystal-related projects. This year's award recipients are Anjali Srinivasan, Studio Brynjar & Veronika, and Yuri Suzuki, who have spent the past six months developing new crystal-based works, following their announcement as winners earlier this year in Paris. Each designer or studio had the opportunity to immerse themselves in Swarovski's crystal world at the company's headquarters in Wattens, Austria, leveraging Swarovski's expertise and materials to bring their visions to life. Glass artist Anjali Srinivasan's project is an installation inspired by human gestures. She seamlessly integrated her glass artistry with Swarovski’s crystal craftsmanship, specifically utilizing the company’s 'Touch Crystal' technology. This innovative feature allows the crystal to respond to human touch with light, blurring the lines between a solid object and interactive visual effects. Srinivasan's installation is a monumental crystal wave, standing six meters tall and supported by a mesh structure. It incorporates 3,000 Swarovski crystals and 5,000 pieces of glass, which she produced at her studio in Dubai. This project aims to explore the intersection of optical and physical phenomena, pushing the boundaries of human-centric design. Studio Brynjar & Veronika, an Icelandic duo, contributed a dynamic interpretation of crystal with their installation titled 'Currents.' This piece explores the interaction between light and crystal, bringing the material into a domestic setting through three distinct elements. They re-envision common household items, such as a standard window blind, by incorporating prisms that project rainbow-colored light when illuminated. Additionally, their crystal tiles are designed to diffuse a liquid reflection of their surroundings when they come into contact with water. The third component of their installation features a collection of crystal sticks, designed to highlight the transparency and light-refracting qualities of the gems, showcasing new uses and applications for crystal in everyday environments. Japanese sound artist Yuri Suzuki approached crystal from an acoustic perspective, blending his sonic practice with Swarovski's signature material. His research delved into how crystal vibrations can be translated into sound. The result is a mechanical, interactive 'crystallophone' comprising 16 brass mechanical ‘notes,’ each fitted with a handmade crystal form that represents tones ranging from C1 to D3. Suzuki collaborated closely with engineers at Swarovski’s Wattens facility to execute this complex project, which stands as a testament to the fusion of art and technology. Nadja Swarovski highlighted the excitement of seeing a diverse group of emerging talents from around the globe explore their visions of future living through these beautiful and thought-provoking crystal works. The collective installations demonstrate Swarovski’s ongoing commitment to innovation and its remarkable capacity for experimentation with its unique material. The company's continued engagement with initiatives like Designers of the Future, alongside its ventures into fashion, home collections, large-scale installations, and micro-crystal creations, underscores its dedication to research and development, constantly challenging perceived limitations of crystal as a medium. #Swarovski #DesignersOfTheFuture #CrystalArt #DesignMiamiBasel #AnjaliSrinivasan #StudioBrynjarVeronika #YuriSuzuki #InteractiveDesign #MaterialInnovation

The 2025 Salone del Mobile in Milan showcased a variety of furniture and lighting innovations, with Moooi's collection of sculptural lighting fixtures standing out among the exhibitors. Moooi, a Dutch design company, presented pieces that merge artistic expression with practical functionality, embodying the exhibition's theme of "A Life Extraordinary." Their display featured designs from both emerging talents and renowned international designers, emphasizing dynamic movement and aesthetic appeal in lighting solutions. Among the notable contributions was Umut Yamac's 'Perch' series, characterized by lamps resembling paper origami birds. These fixtures offer an elegant design that diffuses soft light, while also functioning as kinetic sculptures. The birds are designed to gently sway, adding a subtle, dynamic element to interior spaces. The 'Perch' series is versatile, suitable for individual sconces or as part of larger, tree-like light installations, demonstrating how lighting can contribute to a home's artistic ambiance. Another compelling collection was Moooi's 'Raimond II' series, originally conceived by Raimond Putts in 2009. These spherical lights, punctuated by numerous LED bulbs, create captivating shadow patterns as they twist and turn. The series was presented in various models at Salone del Mobile, illustrating its capacity to transform a room into an engaging visual experience, reminiscent of a contemporary disco ball. The interplay of light and shadow highlights the theatrical potential of well-designed illumination. Adding to Moooi's innovative offerings is the 'Serpentine' suspension lamp, a new fixture designed by the Swedish studio Front. This lamp features interconnected elements that resemble a series of interlocking paper fans. Its design allows for diffuse lighting, and its serpentine form suggests continuous movement, contributing to a sense of fluidity and dynamism within a space. The 'Serpentine' exemplifies Moooi's commitment to exploring novel forms and functionalities in lighting design. Moooi's approach involves collaborating with individual designers, ensuring a continuous stream of fresh and inventive products. This strategy allows the brand to maintain its position at the forefront of design innovation, showcasing that design can seamlessly integrate artistic vision with everyday utility. The company's presentation at Salone del Mobile underscored its philosophy that lighting fixtures can transcend their primary function to become significant art pieces within a living environment. For those interested in acquiring these lighting solutions, Moooi provides a store locator on its website, detailing both physical retail locations and online purchasing options. #SaloneDelMobile #Moooi #SculpturalLighting #UmutYamac #RaimondPutts #FrontDesign #InteriorDesign #ModernLighting #DesignInnovation

The "Vegas" lighting collection, a collaboration between Italian artisanal manufacturer MASIERO and industrial designer Marc Sadler, reinterprets iconic glass and metal Art Deco lights. This collection aims for a luxurious and high-end aesthetic, blending contemporary design with a timeless quality, inspired by the bold and flamboyant energy of Las Vegas. The partnership brings together MASIERO's in-house artisanal manufacturing capabilities in northern Italy and Marc Sadler's extensive experience and technical design prowess, recognized by multiple international design awards including the Compasso d’Oro ADI. Sadler, known for pioneering innovative uses of materials, has a diverse background, having worked across Europe, Asia, and North America, with his designs featured in permanent collections at the MOMA in New York and the Beaubourg in Paris. The Vegas collection is characterized by its meticulous combination of glass and metal. Transparent glass strips are precisely positioned around a metal structure, held in place by invisible eyelets and an ultraviolet gluing process, eliminating the need for visible screws or drilling. The bases, stems, and internal structures are crafted from metal, beautifully gilded in champagne gold leaf, though other metal finishes are available to meet customer preferences. Illumination is provided by dimmable LED strip lights, integrated along the frame and protected by plexiglass for easy cleaning. The aesthetic of the Vegas collection is opulent and refined, achieving a classical feel through the use of soft gold and clear, textured glass. The glass strips evoke both ice and precious jewels when illuminated, contributing to a sculptural quality where they appear delicately suspended. The inner metal structure provides a clean geometric form, and when viewed through the glass, it creates a rippled gold effect, adding depth, particularly striking in the curved vertical wall lights. Each glass strip is unique, featuring a ‘rock’ effect created by a special heat process that deliberately deforms thick glass pieces, incorporating trapped air bubbles. This technique imparts an "emotional allure" reminiscent of the work of master glass artisans. The collection offers an extensive range of individual pieces, unified by consistent materiality and the repeated use of curved glass strips nestled over a gold band. Pendant styles include single lights from 12cm to 60cm in diameter, as well as circular clusters of three or five lights, with the largest cluster measuring 80cm. Rectangular alignments of pendant lights are available with three, five, or seven drops, and variations with multiple vertical tiers exist, including a tall piece at 175cm in height with a 27cm diameter. For larger surfaces like dining tables or billiard rooms, there are sweeping oval shapes with vertical glass strips and long tubular forms that run horizontally, echoing the tiered drops. The collection also comprises curved vertical wall lights and ceiling variations, along with an oval table lamp. This broad array of refined shapes, resulting from dedicated experimentation and adherence to the design concept, makes the Vegas collection highly versatile for both commercial and residential applications. Its dramatic and sculptural presence is designed to be a focal point in any space, offering a refined flair. #LightingDesign #LuxuryLighting #ArtDecoInfluence #GlassAndMetal #ArtisanalCraftsmanship #ContemporaryClassic #MarcSadler #Masiero #InteriorDesign

Plumen, a recognized lighting brand, has introduced a new self-assembly kit that enables individuals to construct their own modular chandeliers without the need for ceiling hooks. This innovative product, named the Plumen Chandelier, utilizes a series of spacer rods to establish a foundational triangular or square framework. These rods are designed to secure the electrical cords and integrate with a central ceiling rose, accommodating either three or four pendant lights. The modular nature of the design allows for significant customization. Users can position the spacer rods at various angles, facilitating the arrangement of pendants at differing heights, which introduces an architectural dimension to the lighting fixture. The ceiling rose component is versatile, compatible with any of Plumen's existing bulbs and shades, providing further options for personalization. The chandelier kits are offered in several configurations: as a complete package, or as separate sets of roses and spacers. Additionally, individual spacers can be purchased, either singly or in packs of three or four, catering to specific design requirements and allowing for incremental expansion or modification. Since its inception in 2010 with the launch of its pioneering low-energy light bulb, which notably received a Brit Insurance Design of the Year Award in 2011, Plumen has systematically expanded its product portfolio. The brand now features a diverse array of bulbs, including an LED model characterized by a gold-colored shade integrated within the bulb itself, and an Edison-style bulb reputed for an impressive 25-year lifespan. Nicolas Roope, co-founder of Plumen, emphasized that the new chandelier spacers are intended to transform individual pendant lights into more elaborate, coordinated, and architectural compositions, leveraging the brand's extensive range of compatible bulbs, shades, and accessories. The development of this customisable chandelier kit aligns with Plumen's ongoing commitment to offering versatile and aesthetically pleasing lighting solutions. Recent additions to their product line underscore this commitment, such as pendants adorned with miniature bunting, specifically designed for children's spaces, and a distinctive hat-brim shaped shade available in various metallic finishes. These expansions demonstrate Plumen's strategy to cater to a broader spectrum of design preferences and functional needs, solidifying its position in the design and lighting market. The self-assembly kit empowers consumers with creative control over their lighting installations, fostering a personalized approach to interior design. #Plumen #Chandelier #ModularDesign #LightingDesign #SelfAssembly #InteriorDesign #LightBulbs #CustomisableLighting

Designer Lee Broom launched his new 'Optical' lighting collection by transforming his studio's delivery van into a mobile exhibition space. This innovative concept, named 'Salone del Automobile,' involved meticulously designing the van's interior to resemble a traditional Italian palazzo. The transformation included painting the van's interior in Broom's signature grey, and adding ornate Corinthian columns, architraves, and stuccoed details, complemented by an illuminated floor. This elaborately decorated van served as a dramatic backdrop for the new monochromatic lighting fixtures. The 'Salone del Automobile' embarked on a journey from Broom's London headquarters to Milan, where it was showcased at various prominent locations during Salone del Mobile, including Brera Design District, Spazio Rossana Orlandi, ZonaTortona, San Gregorio Docet, and Ventura Lambrate. This unconventional exhibition strategy allowed the collection to reach a wider audience and provided a unique viewing experience, highlighting the pieces within an unexpected, yet grand, setting. The 'Optical' lighting collection itself features illuminated globes adorned with graphic, linear patterns. These designs are asymmetrical, creating a dynamic visual effect where their appearance shifts depending on the viewer's angle. Broom drew inspiration for this collection from his own experiences in the early 1990s, specifically recalling his use of monochrome graphics when decorating his bedroom. This personal connection to the design imbues the collection with a sense of nostalgia while maintaining a contemporary aesthetic. The collection is characterized by its stark black and white palette, which further emphasizes the graphic quality of the patterns. Each piece is designed to create an interplay of light and shadow, enhancing the 'optical' illusion and making the fixtures captivating from all perspectives. The installation within the van was carefully orchestrated to maximize this effect, presenting the lights as functional art pieces within a curated, mobile environment. This method of presentation not only served as a launch for the 'Optical' collection but also demonstrated a creative approach to exhibition design in the competitive world of furniture and lighting. By bringing the showroom directly to the audience in an artistic and memorable way, Lee Broom successfully generated significant attention and discussion around his new works, solidifying his reputation for innovative design and marketing. #LeeBroom #LightingDesign #SaloneDelMobile #ProductLaunch #ExhibitionDesign #OpticalLighting #MilanDesignWeek #InteriorDesign

Czech glassmaker Lasvit showcased a series of new lighting designs at Euroluce 2025, taking inspiration from various natural elements and textures to create pieces that explore the relationship between light, material, and well-being. The exhibition, titled 'Soaked in Light,' featured several highly textured designs that blended innovative glassmaking techniques with natural aesthetics. One of the standout creations was 'Vera,' a sculptural glass pendant designed by renowned French designer Patrick Jouin. The concept for 'Vera' originated from Jouin's observation of a twig, leading to experiments with torn paper and eventually a glass piece that mimics the appearance of bark. This design incorporates two types of handmade glass: delicate borosilicate for the light source and fused glass, where molten glass is poured over raw wood to capture its intricate grain and texture. This process allows the glass to take shape influenced by gravity and nature, resulting in a unique interplay of surface, shadow, and light that evokes a primal connection to forests and trees. Another highlight was 'Splash,' an extravagant glass installation by Lasvit designer Martin Gallo. This piece was designed to emulate the calming effect of water, featuring fused glass forms suspended in a dramatic arrangement. Visitors could walk among these forms, which resembled water in motion, reflecting light like ripples and creating an immersive experience that promotes tranquility and well-being. At the entrance of the exhibition, Lasvit artistic director Maxim Velčovský introduced 'Loomo,' a new lighting system inspired by woven textiles. Despite its smooth-to-the-touch surface, the glass in 'Loomo' is imprinted with a structured weave, effectively capturing the softness of fabric within a rigid form. Designed for compact spaces like corridors or bedside areas, 'Loomo' is available in two wall sconce sizes, both finished in a warm, golden hue that enhances their sculptural glow. Velčovský emphasized the playful approach to light in its development, aiming to optimize every centimeter to transform the atmosphere of a space. Rounding out the showcase was 'Niveo,' a collection by Czech designer Jan Plecháč. Named after the Italian word for 'snow-white,' 'Niveo' captures the fleeting beauty of hailstones in hand-blown glass. The collection includes linear pendants, clusters, and an inverted spherical table lamp, all featuring an irregular texture that produces an alluring, soft glow. Additionally, the exhibition featured the 'Herbarium Radiant,' an immersive, color-shifting lighting installation that incorporates a new type of glass made from repurposed waste. This piece, first launched at Design Miami 2024, allows users to adjust the light color for a dynamic and mesmerizing visual experience. Lasvit's installation at Euroluce 2025 served as a contemplative contrast to the bustling Milan Design Week. It offered a moment for visitors to pause and appreciate the subtleties of design, emphasizing nature-inspired aesthetics and innovative glass craftsmanship in lighting. #Lasvit #Euroluce2025 #LightingDesign #GlassArt #MilanDesignWeek #NatureInspiredDesign #InteriorLighting #CzechDesign #DesignInnovation

Dezeen Showroom has unveiled 14 new products this week, featuring a diverse range of furniture, lighting, and finishes for both commercial and residential projects. Among the highlights is the "Technicolour" textile collection by graphic designer Peter Saville for Danish brand Kvadrat. This collection draws inspiration from the colorful sprays used by farmers to mark sheep, translating this rustic aesthetic into a series of vibrant handwoven and robot-tufted rugs with color spots, iridescent curtains, and upholstery made from British sheep's wool. Saville describes the collection as bringing "the industry of the land, in raw form, into the living environment," likening it to "rural graffiti." Other notable product additions include the "Mouro" lamp, designed by Patricia Perez for Case Furniture. This portable and rechargeable table lamp, suitable for indoor and outdoor use, features a disc-shaped LED light that rotates 360 degrees, enclosed within a rectangular frame that doubles as a handle. Rainlight's "Phlox" collection for Okamura offers a comprehensive range of seating and tables, including conference chairs, lounge chairs, high stools, and five table shapes. The collection, characterized by its gently undulating silhouettes, is inspired by the petals of the night-blooming phlox flower. For storage solutions, Bruno Rainaldi's "Ptolomeo" bookshelf for Opinion Ciatti is designed to emulate the appearance of books stacked in high piles while providing structural stability. Named after the founder of the Library of Alexandria, this stainless steel shelf is available in black, white, or Corten effect lacquered finishes. Dedar introduces two new textile collections: "The Art of Jacquard" and a "Textile wall covering collection." The Jacquard collection features ultra-thin yarns woven directly into the fabric to create rich patterns, including tropical bird motifs, nature-inspired designs, bold graphics, and abstract floral landscapes. The wall covering collection, inspired by grand tapestries, includes four patterns, such as screen-printed illustrations on linen and classic weaves of jute and linen, aimed at creating a cozy atmosphere. The "Hymn" lamp by Hiroto Yoshizoe for Ambientec is another portable and durable lighting option for indoor and outdoor settings. It employs two magnets to create constant oscillations, producing a flickering effect reminiscent of a candle flame. GamFratesi's "Beetle Chair," available through Suite NY, has been re-released with four new upholstery options in neutral shades, alongside black or brass leg finishes. John Pawson's "Frame" dining table for Nikari, originally designed for his own farmhouse, is a minimalist piece made from responsibly sourced ash or oak wood with a natural oil finish, boasting a lifespan of over 100 years. Alegre Design's "Talent" desk for Actiu is a versatile, mobile, and height-adjustable workstation designed for educational and training environments, featuring a dry-erase worktop that functions as a whiteboard when folded. Finishes also see new additions with CDUK's expanded "Corian Solid Surface" range, now available in a broader spectrum of neutral and warm colors. This material is lauded for its hygienic, durable, abrasion-resistant, and fade-proof qualities, making it suitable for both commercial and residential applications. Forbo Flooring Systems introduces "Marmoleum Linear," a carbon-neutral, plant-based linoleum flooring made from linseed oil, waste wood flour, and jute, designed to mimic wood with irregular grey and neutral stripes. ADEX presents the "Habitat" tile collection, a sustainable ceramic option for interior walls made with 55 percent white-body ceramics for enhanced durability. Lastly, Decocer's "Crag" tiles offer a family of porcelain tiles that replicate the look of stone and weathered steel, suitable for indoor and outdoor walls and floors, characterized by an industrial aesthetic and textured matte finish. #ProductLaunch #InteriorDesign #FurnitureDesign #TextileDesign #LightingDesign #SustainableMaterials #DesignInnovation #HomeDecor #WorkplaceSolutions