14 Buzzworthy Lights From New York Design Week

The biennial Euroluce lighting exhibition, a central component of Milan design week, showcases the latest innovations and designs in lighting. Dezeen editor-at-large Amy Frearson curated a selection of twelve notable lighting launches from Euroluce and other venues across Milan. The Salone del Mobile, a furniture fair, hosts Euroluce, featuring prominent international lighting companies such as Flos, Foscarini, Artemide, A-N-D, and Lambert & Fils. Among the featured designs, Ronan Bouroullec's Luce Sferica for Flos is a modular suspension lamp described as a blend of softness, magic, and technical sophistication. It consists of mouth-blown glass spheres connected by a polished extruded aluminum body, evoking the delicacy of raindrops or a soap bubble. Michael Anastassiades also contributed to Flos's new collection with the Linked lights, which utilize linear glass links forming illuminated ropes. These glass-encased elements hook over each other, creating vertical lines that can extend from the ceiling to the floor, functioning as both lighting and spatial dividers. Herzog & de Meuron's Trois Rois lamps for Artemide, originally designed for a hotel in Basel, are portable, rechargeable, and dimmable table lamps with a curvy shade and animal-like three-legged base. Available in felt or die-cast aluminum, the design aims for a lightweight, creature-like aesthetic. Patrick Jouin's Vera pendant for Lasvit features a unique texture created by pouring molten glass over a tree trunk, inspired by the natural presence of the forest surrounding Lasvit's production facility. Kwangho Lee collaborated with Lambert & Fils on the Bolda pendant, incorporating copper enamelling on polished aluminum sheets, drawing inspiration from traditional Korean chilbo art. Lukas Peet of A-N-D designed Tier, a multi-level linear light system suitable for various surfaces like kitchen counters or desks, utilizing extruded aluminum elements that can be stacked and feature a scalloped form for even light reflection. Francesca Lanzavecchia's asymmetric Allumette chandelier for Foscarini reinterprets traditional chandelier forms with arms of varying lengths connecting a central body to transparent tubes, aiming to soften its formal rigidity through technological elements and irregular balances. Aqua Creations' Metropolitan Collection, including the Miami wall lights, draws inspiration from art deco, placing lights behind translucent materials like silk, handmade paper, and wood veneer to create functional artworks that resemble paintings. Alessandro Zambelli's Dansì wall lights for Luceplan are a family of four geometric designs made from die-cast aluminum, which can be arranged to create the illusion of a thread weaving through a wall, offering a sculptural presence by day and an unexpected brightness by night. Samuel Wilkinson’s Corka pendants for Zero are conical lamps made from granulated cork pressed into a mold, emphasizing a sustainable, single-material design with minimal electrical components. Mathias Hahn's Gambosa lamp for Marset provides a sculptural take on the classic table lamp, featuring a smoothly curved steel base and a matching shade in various color combinations. Lastly, Form Us With Love developed the modular Catena desk lighting system for Blond, a workplace solution allowing for diverse sizes and configurations. This system, debuted at Stockholm Design Week, uses glass tube lights connected by aluminum frames, which can be exposed or encased in aluminum mesh shades, demonstrating versatility in design and application. These diverse lighting solutions highlight innovative uses of materials, sustainable practices, and creative forms presented at Milan Design Week. #MilanDesignWeek #Euroluce #LightingDesign #RonanBouroullec #MichaelAnastassiades #HerzogDeMeuron #PatrickJouin #KwanghoLee #LukasPeet #FrancescaLanzavecchia #AlessandroZambelli #SamuelWilkinson #MathiasHahn #FormUsWithLove #SustainableDesign #InteriorLighting #ProductDesign #DesignInnovation

The article details the 'Destinations' exhibition, a key component of Dubai Design Week, which brought together six international design weeks to showcase emerging brands with a focus on lighting. The event served as a global platform, highlighting diverse design approaches from cities including Mexico City, Beijing, Helsinki, Istanbul, Melbourne, and San Francisco. Each participating design week presented three emerging brands, demonstrating a variety of innovative lighting solutions. From Melbourne International Design Week, Lab De Stu, founded by Andre Hnatojko, featured highly modern and oversized Popper lamps. Ben Tovim contributed pieces that explore geometric structures and material values, while Christopher Boots presented graphical works that combine traditional and contemporary techniques. San Francisco Design Week showcased Lumio lamps, which are designed to open like a book, creating a unique illumination experience. Beijing Design Week's contribution included Eoq lamps, known for their Moiré effect, adding a distinctive visual element to lighting design. Helsinki Design Week featured Saas Instruments, which innovated with Alexander Lervik's crystal glass Sparkle pendant and Sense Light Swing lamps, offering both aesthetic beauty and functional versatility. Mexico City's Abierto Mexicano De Diseño highlighted craft-led and pattern-projected lighting solutions from Ediciones Jalapas, alongside Tributo's materially rich and formally sound designs. The exhibition emphasized how specific materials are utilized to reflect the distinct regional contexts in which these light sources are produced. The 'Destinations' exhibition underscored the global nature of design, where creativity converges from various corners of the world. The diverse range of styles and applications presented at Downtown Design Dubai demonstrated that despite geographical and cultural differences, the sublime qualities of light possess the potential to unify and connect communities worldwide. The showcase allowed for the appreciation of different interpretations of lighting, from clean geometry and ingenious references to intricate weaving techniques and crystal refraction, all contributing to the transformation of an essential resource into an art form. #DowntownDesignDubai #LightingDesign #DubaiDesignWeek #InternationalDesign #EmergingBrands #DesignInnovation #GlobalDesign #ArchitecturalLighting #HomeDecor

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

This week, Paris is hosting a diverse array of art and design events, with the return of Art Basel Paris and Design Miami Paris for their third editions. The French capital's historical venues, including _hotels particuliers_ and landmark apartments, are showcasing collectible design that explores experimental and multidisciplinary approaches, from textile-like treatments of solid surfaces to the integration of music with design. This roundup highlights the most compelling design exhibitions available to explore during this period. India Mahdavi presents a triple bill of collaborative exhibitions. Her Project Room #20 features 'Parenchyma,' a solo exhibition by studio Kauani, displaying cactus-shaped sculptural lights, an intimate study of xerophytic plants, created by Inés Llasera and Inés Quezada. Her Tiny Room gallery hosts an exhibition of anthropomorphic chairs by Serban Ionescu, reflecting his Balkan origins and an improvised approach to wood. Additionally, Mahdavi collaborates with culinary collective We Are Ona for _Rose C'est La Vie_, a flower-clad restaurant pop-up with Mexican chef Jesús Durón, whose interiors evoke Mahdavi's iconic APT club in New York. Perrier Jouët returns to Maxim's for the second year with its 'Parenthèse Belle Époque,' transforming the legendary Art Nouveau venue with stained glass windows, Émile Gallé anemones, and vintage posters. This event includes exclusive gastronomic pairings by Maxim's chef Yann Meinsel and Maison Belle Époque executive chef Sébastien Morellon. Charles Zana unveils his new _In Situ_ furniture collection within a 500-square-metre Directoire apartment, formerly home to the Swedish Circle. The exhibition presents a 'fantasy' interior that mixes Zana's works to create an emotional experience rather than just an aesthetic. The display also features a coffee bar by pastry star Yann Couvreur and a soundtrack by Sébastien Tellier and Ray Mang. The Contributions design festival, curated by Anna Caradeuc and Élise Daunay, hosts its second edition, intertwining design and music through five installations. Highlights include Nifemi Marcus-Bello's M2 Shelf with an integrated speaker, in collaboration with La Boîte Concept, and Italian musician Andrea Laszlo De Simone's audiovisual piece _Una Lunghissima Ombra_, accompanied by a natural wine bar and micro-cinema by Harold Mollet and the design collective Metals. The inaugural Salon des Nouveaux Ensembliers, held at the Galerie des Gobelins under the patronage of France’s manufactures nationales (Sèvres and Mobilier national), brings together a new generation of interior architects. Under the theme ‘L’Ambassade de demain’ (the embassy of tomorrow), ten architect-decorators reinterpret diplomatic spaces, focusing on how design can embody representation, openness, and exchange while addressing ecological and social responsibility. Salon 94 Design showcases Massimiliano Locatelli and Fabio Zambernardi's 'Nullus Locus,' a collection of objects featuring embroidery on timber, transforming wooden vessels and furniture into unexpected canvases for floral designs, realized with the expertise of Graziano Ricami. Additionally, 'Un Souffle De Vent' by Yves Salomon Editions X Dimorestudio presents an immersive installation inspired by Georges Perec’s novel _Les Choses_, emphasizing contemplation of objects through tactile surfaces and a rich material palette. Nilufar and Métaphores present 'In The Mood for Touch,' an immersive installation exploring the tactile and emotional potential of interiors through their respective design and textile works. CØR Studio, Harold Mollet, and Monument present 'Im Zwischen,' a group exhibition exploring the 'in-between' as a bridge between historical and contemporary design, featuring a 10-metre light wall by François Chapuis and iconic designs by Ron Arad and Ingo Maurer. LVH Art showcases Donald Judd's minimalist work within a grand Parisian residence, providing a compelling contrast with ornate French interiors. Finally, Invisible Collection and Féau Boiseries exhibit 'Period Rooms of the Future,' where previously unseen Art Deco elements form the backdrop for contemporary pieces, bridging the cultural continuity between the 1920s and today's collectible design. Galerie Patrick Seguin hosts 'Saint Laurent – Charlotte Perriand,' where Anthony Vaccarello has selected and recreated four of Perriand’s lesser-seen works, produced in limited editions from archival drawings and original models. #ParisDesignExhibitions #ArtBaselParis #DesignMiamiParis #InteriorDesign #CollectibleDesign #IndiaMahdavi #CharlesZana #ContemporaryArt #FrenchDesign

Jamb founders Will Fisher and Charlotte Freemantle, known for their bespoke lighting tailored for leading interior designers, are set to launch their new Deco collection. This collection, which will debut at London Design Week, features five distinct pieces that deliberately eschew current trends, focusing instead on timeless design and exceptional craftsmanship. The duo, operating from their London home and studio, emphasizes traditional skills and meticulous attention to detail, a philosophy that stands in contrast to the rapid-fire launch cycles common in contemporary design. The Deco collection is characterized by a glamorous and somewhat majestic aesthetic, designed to soften the edges of each piece in a romantic fashion. This romantic sensibility extends from their previous work, including their distinctive pink room at the Wow! House at Chelsea Harbour Design Centre. Will Fisher's background in studying antique objects heavily influences their design process. The team initiates new designs by identifying original antique pieces that serve as the foundational inspiration. Their deep immersion in historical objects led to the early twentieth-century themes evident in the Deco collection, drawing from movements and periods such as The Bloomsbury Group, the Roaring Twenties, and the Belle Époque. The collection highlights a focus on rich materiality, combining hand-planished metal, luminous alabaster, and shimmering silk textiles to create compelling juxtapositions. Some designs incorporate hand-carved patterns, which are then cast using the traditional lost wax technique, a method Will Fisher describes as the "noblest form of manufacture." Charlotte Freemantle is particularly interested in integrating decorative fabrics, a concept carried over from the Wow! House show, into their new product lines. She notes that drapery softens and diffuses light in a room, and similarly, the textiles in their collection evoke the gentle glow of candlelight, enhancing the overall ambiance. Often described as the "jewelry of the home," lighting in the Deco collection aims to create unique and inviting atmospheres. The pieces are designed to complete and complement diverse interior aesthetics, whether mid-century modern or traditional, effectively bucking trends and potentially establishing new ones. To illustrate their versatility, the designers have photographed the collection in various in situ settings, demonstrating how these objects can seamlessly integrate into different environments. The article specifically mentions pieces like the Hopper Alabaster wall sconce, the Thelma pendant light with its hand-stippled brass frame and optional linen or silk skirt, a new floor lamp styled with antique furniture, and the Hatton Rod, which embodies the Art Deco aesthetic with its alabaster bowl and brass detailing, offering both down and uplighting. The collection will be available from Jamb at 95-97 Pimlico Road, London, and through their website. #JambLighting #DecoCollection #LondonDesignWeek #BespokeLighting #InteriorDesignTrends #AntiqueInspired #Craftsmanship #AlabasterLighting #LuxuryLighting

Lighting plays a pivotal role in transforming the ambiance of a space, capable of shifting a room's character from warm and inviting during the day to moody and dramatic in the evening. This year has seen a significant influx of innovative and aesthetically diverse illumination options, greatly influenced by the return of the prominent lighting show Euroluce at the Salone del Mobile fair. This curated selection presents 18 new and striking light fixtures, ranging from sconces and pendants to chandeliers, designed to cater to various interior design preferences and lighting needs. Among the featured sconces, the Tri Stars Sconce by David Rockwell, created in collaboration with Lasvit, draws inspiration from the constellations of Grand Central Terminal, offering a starry glow. The Trifoglio Sconce by Achille Salvagni introduces an architectural pop of color, while the Apollo by Studio 0405 embraces the current chrome trend with its elegant design. The Gemma Sconce, a collaboration between In Common With and Sophie Lou Jacobsen, brings a blend of timelessness and whimsy, reflecting Jacobsen's buzzy reputation in glassware. The Oscar Sconce Glass Shade from Roman and Williams provides a classic, versatile option with its swinging arm. For pendant lighting, the "It’s Lit Pendant" by artist Kathy Taslitz features a warm design woven from leather and oak, ideal for living rooms or entryways. The Lure Radiata Sprig 2 from Pelle showcases a seamless blend of biophilic forms and contemporary functionality, echoing organic shapes. The Iriss Suspensions by Maylis et Charles Tassin, available through the Invisible Collection, elevates alabaster lighting with a distinctive and sophisticated design. Mark D. Sikes' Metal No. 2 Pendant offers a straightforward geometric form that effectively unifies a space. The collection also highlights several unique chandeliers. Luca Nichetto’s Afloat collection with Lladro presents a playful, puffy, and balloon-like chandelier. The Ginkgo Blossom Chandelier by Rosie Li is a sculptural bronze piece cast in the form of lilting ginkgo flowers, serving as a striking accent. The Neo-Vanity Pendant Light by Kiki Goti, with its colorful foam-and-aluminum construction, caters to those with adventurous interior tastes. The Astrid Chandelier by Four Hands provides warmth and drama through its dynamic leather-and-brass construction. Additionally, the iconic PH Artichoke lamp by Poul Henningsen receives a contemporary update with a Fendi Casa edition featuring signature Fendi stripes. Rounding out the selections are several other notable sconces. The Banner Sconce by Blue Green Works draws inspiration from 1930s and ’40s military tattoos, available in metallic hues and the featured bright blue. Aerin’s Loire Small Sconce offers a delicate option for those seeking a softer, more subtle glow. Finally, Vincent Pocsik’s Ear Blooms 2 sconces are characterized by humanoid shapes and exceptional woodwork, making a bold statement. This diverse array of lighting fixtures provides ample choices for individuals looking to enhance their home's aesthetic and atmosphere with unique and contemporary designs. #LightFixtures #HomeDecor #InteriorDesign #LightingTrends #Sconces #PendantLights #Chandeliers #Euroluce #SaloneDelMobile

This article highlights ten new lighting designs featured on Dezeen Showroom, a platform for brands to showcase new products and connect with a global audience. The collection includes various lighting types, from floor and pendant lamps to wall lights and outdoor sconces, demonstrating a range of styles and functionalities. These products are developed by a mix of established and emerging designers for international brands, emphasizing both aesthetic appeal and practical innovation in contemporary lighting. Among the featured designs are the Ozz lamps by Paolo Cappello and Simone Sabatti for Italian brand Miniforms. This collection is characterized by its exaggerated curved forms, including a bedside lamp with an ash wood table, a floor lamp anchored by a concrete base, and a wall light with an adjustable lampshade. Another innovative design is Trypta by Stephen Burks for Luceplan, a pendant light engineered to enhance spatial acoustics. It comprises three sound-absorbing panels upholstered in flame-retardant fabric, available in eight colors, affixed to a cylindrical bar with either a matt-black or aluminum finish. Atelier de Troupe from California presents Compas Pendants, a series of handcrafted brass pendant lights. These lights feature an ellipse-shaped single sheet of brass for their shades, offered in perforated brass or a satin-white finish. Karim Rashid designed the Cyborg light for Martinelli Luce, a table lamp with long legs available in indoor and outdoor versions. The outdoor model is made from high-resistance concrete, while the indoor version is constructed from cast and lacquered aluminum. Marset, a Barcelona-based lighting brand, introduces Ginger C outdoor lights, a collection of circular sconces designed for illuminating paths and passageways. The rust-colored aluminum shades diffuse soft light from their centers. Ocrum Studios from New York offers the Dew & Drop pendant light, inspired by the form of dewdrops. This light consists of two hand-blown glass hemispheres encasing an LED light on a single fixture. Astro Lighting, a British brand, presents the Tacoma sconce, a wall-mounted light inspired by Gothic architecture. It features a mouth-blown glass globe shade in various finishes and a metal mount in matt black, antique brass, or polished chrome. Shakúff, a Brooklyn-based studio, created the Tamar Wand pendant lights, made from blown glass. These tubular shades have brushed brass and chrome details, with a drizzled texture created by thinly-blown borosilicate glass. Anglepoise expanded its Type 80 collection with the W2 and W3 wall lights. These lights feature a conical shade and an angular arm with flexible joints, allowing for adjustable light direction. Finally, Mayice Studio designed the Dune light for LZF Lamps, a hand-blown pendant light. An LED rod is housed within a single piece of hand-blown borosilicate glass that forms an organic, ballooning shape in the middle. These selections collectively illustrate contemporary trends in lighting design, focusing on innovative materials, forms, and functionalities. #LightingDesign #InteriorLighting #PendantLights #FloorLamps #WallLights #TableLamps #OutdoorLighting #DesignInnovation #DezeenShowroom

This article highlights ten Brutalist-inspired lighting fixtures that incorporate metal, concrete, and design elements reminiscent of the Brutalist architectural style. The featured pieces showcase a blend of robust materials and functional aesthetics, making a strong statement in interior design. Among the selections is the Cubo light sculpture by Articolo Studios, crafted from brass, bronze, and glass, offering a distinctive geometric form. Lauren Rottet and Visual Comfort & Co. contribute the Entoure 17-inch rotating LED light pendant, designed in bronze, emphasizing a sleek and modern rotating mechanism. Jay Jermyn and Objects For Thought present the Sequence lamp, constructed from aluminum and frosted white glass, which provides a diffused, ambient light. Luca Nichetto, in collaboration with Matter Made, introduces the Legato Double Strings pendant. This fixture combines aluminum, brass, and acrylic with a textured graphite finish, creating a sophisticated multi-light arrangement. Eric Weil Designs offers the Brion lamps, which are made from board-formed concrete, featuring fabric-wrapped cords and patinated-brass touch controllers, highlighting the raw, industrial nature of Brutalism. Studio Italia Design, through Lodes, showcases the A-Tube Nano Swing recessed light. This ultra-light aluminum and transparent methacrylate fixture in chrome demonstrates a minimalist approach to recessed lighting. Sebastian Herkner and Vibia contribute the Class series, including floor and table lamps, as well as sconces, all made from aluminum and borosilicate glass with polycarbonate diffusers, offering a refined yet sturdy presence. Ilmiodesign's Belt floor lamp for Estiluz features a metal body, an optional glass shade, an acrylic lens diffuser, and integrated LED lighting, providing both functionality and a contemporary aesthetic. Zafferano’s Pina XXL cordless desk lamp, made from powder-coated die-cast aluminum, offers portability and a robust build, ideal for various settings. Finally, Ingo Maurer’s Shhh! pendant light presents a more whimsical yet industrial design. Each of these fixtures exemplifies the influence of Brutalism through their material choices, forms, and functional integration, making them suitable for diverse modern interiors seeking a bold and impactful lighting solution. #BrutalistDesign #LightingFixtures #InteriorDesign #ModernLighting #ProductDesign #HomeDecor #ArchitecturalLighting #ContemporaryDesign

The "Islands of Light" event, hosted by Interior Design magazine in collaboration with Louis Poulsen, took place on January 9, 2025, at Design Within Reach in Manhattan. The event convened leading professionals in the field of lighting design to explore the multifaceted role of lighting within the built environment. Rebecca Thienes, Interior Design's market director, moderated the panel discussion, which featured Ulla Reimer, head of education at Louis Poulsen; Elizabeth Roberts, founding principal of Elizabeth Roberts Architects; and Brett Anderson, partner at Focus Lighting. The discussion centered on the intricate relationship between architecture, lighting, and creative expression. Panelists delved into several key themes, including the profound impact of light on design aesthetics and functionality. They examined how both natural and artificial illumination contribute to creating engaging and purposeful spaces. A significant portion of the conversation was dedicated to the evolving dynamic between these two forms of light, highlighting innovative strategies for their integration in contemporary design practices. The experts also shared insights into innovative methodologies for crafting environments that successfully balance practical functionality with visual appeal. The discussion provided attendees with actionable knowledge regarding how lighting can serve as a foundational element in shaping spaces, thereby elevating the overall design narrative. Following the panel, a reception allowed guests to network, share their experiences, and discuss their perspectives on the critical role of lighting in modern design. The event underscored the importance of collaboration and innovation within the design community, inspiring participants to view lighting as an integral component of the design process rather than a mere supplementary element. The event successfully brought together diverse perspectives from the lighting and architectural design fields, fostering a dialogue that aimed to advance understanding and application of lighting principles. #LightingDesign #ArchitecturalLighting #InteriorDesign #DesignPanel #LouisPoulsen #DesignWithinReach #ManhattanEvent #InnovationInDesign #BuiltEnvironment

This year-in-review article from Core77 highlights significant trends and notable designs in furniture and lighting throughout 2011, alongside a retrospective of major international design festivals. The review begins by emphasizing the continuous relevance of furniture and lighting in industrial design, noting that while broader topics like technology emerge, these categories remain fundamental. Key discussions include the versatile use of wood as a material in furniture, featuring pieces ranging from left-field commentary to subtractive designs, crazy curves, and plywood pods, often incorporating nest-like warping. The article also showcases various applications of reclaimed materials, from preserved and polished pieces to de-militarized items and those simply repurposed. Lighting designs are explored in depth, highlighting how many lamps creatively mimic other objects, including the lampshade itself, leading to skeuomorphic designs like the cluster-like 'TamTam' ceiling lamp, the futuristic 'LED Shade Lamp,' and the humble 'Sympathy for the Bulb.' The popular levitating lamps by Light Light are also mentioned. Beyond conventional forms, lamps took on abstract biomorphic shapes, both 3D-printed and otherwise, and imaginative forms such as an open-ocean predator, fly kicks, and a maritime marker. The intersection of indoor lighting and upcycling is noted, with designers transforming plumbing fixtures into steampunk lighting and repurposing recyclable materials into elegant pendant lamps and minimalist desk lamps. The 'Liter of Light' project, developed by MIT students, is recognized for its significant social impact in providing sustainable lighting solutions. Chairs, a staple of furniture design, are presented through their diverse material explorations. These include aluminum wire, cork, laser-cut steel, Twintex, recycled PET bottles, piano keys, circuit boards, salvaged signage, and even the creative use of empty space. The article humorously contrasts a chair made of discarded candy wrappers with one made entirely of candy, both praised for their aesthetic appeal. The vast array of chair designs in terms of shapes and sizes is acknowledged, including those designed for bachelors and by student bachelors, and chairs that resemble other objects. DIY approaches to seating are also covered, ranging from emphatically designed pieces to simpler, deconstructed or remixed versions of classic designs like the Eames Lounge. The enduring popularity of the Mid-Century Modern (MCM) aesthetic is discussed, noting its continued presence in designs both at home and internationally, despite playful attempts to 'retire' it. The MCM movement persists through the resurrection of long-lost designs, limited-edition reinterpretations, and online resources. The review then shifts to an overview of global design weeks and festivals. Dutch Design Week 2011 is highlighted for its conceptually rich work, including Tom Gottelier's wax creations and Dennis Parren's 'CMYK Lamp.' The inaugural Beijing Design Week showcased 'site-specific' designs reflecting mainland Chinese cultural touchstones, such as the 'Chinese Stuff' exhibit and the Water Calligraphy Device Tricycle Hack, with Naihan Li's 'CRATES' collection of mobile pop-up furniture being a notable success. Design Tide Tokyo, part of Tokyo Design Week, featured 'Souvenir' by Design Soil, a series of furniture designed for easy disassembly and travel. Exhibitions in Tokyo offered a comprehensive view of Japanese design, from traditional crafts to contemporary issues and accessories. Vienna Design Week, though smaller, presented significant installations, including Philippe Malouin's collaboration with Lobmeyr and Thomas Feichtner's crafted 'M3' chair. The Salone Milan, recognized as the year's largest design event, featured Studio Formafantasma's 'Botanica,' an exploration of material science roots, and Thomas Lommée's forward-thinking OpenStructures project. The Open Source movement's impact on furniture design, seen in DIY projects and design-build firms, is also emphasized. Milan's diverse offerings included craft mashups, photoluminescent lamps, and unique material explorations. New York Design Week, including ICFF and the Noho Design District, showcased American innovation and craftsmanship, with notable works from Uhuru and Lindsey Adelman, and a tribute exhibition for Tobias Wong. London Design Week featured diverse European designs, such as the 'Argonaut' collection by Greek designers and Kyuhyung Cho's experimental typography, alongside student projects from the RCA and eco-minded cardboard furniture startups, concluding the review with a look at cardboard's versatile applications. #FurnitureDesign #LightingDesign #DesignFestivals #MaterialInnovation #Upcycling #MidCenturyModern #DutchDesignWeek #BeijingDesignWeek #TokyoDesignWeek #ViennaDesignWeek #SaloneMilan #NewYorkDesignWeek #LondonDesignFestival #OpenSourceDesign #SustainableDesign

The "Bulb Fiction" show, held in the Hernals neighborhood of Vienna at the Klaus Engelhorn Depot, showcased a diverse collection of lighting objects, spanning from the late 1960s and early 1970s to contemporary designs. Curated by Michael Turkiewicz of designandart.at and Gabriele Ruff, the exhibition explored the future of lamp design in anticipation of the phasing out of incandescent bulbs and the transition to energy-saving alternatives. The show featured newly commissioned pieces alongside historical lighting, creating a dialogue between past and present design philosophies concerning illumination. A central theme of the exhibition revolved around the question: "What will happen to lamp designs when incandescent bulbs run out?" This query prompted Vienna-based designers to conceptualize and create light sources that address the evolving landscape of lighting technology. The curated collection highlighted innovative approaches to this challenge, emphasizing both aesthetic considerations and practical solutions for energy efficiency. Among the notable exhibits was mischer'traxler's "Relumine" lamp, which ingeniously integrated two lamp typologies that share or contend for the light source of a single fluorescent bulb. This design demonstrated a creative use of existing energy-efficient technology within a novel form factor. POLKA presented their "Perlenlicht" lamp, an oversized, pearl necklace-like prototype designed as a wall-mounted light object. Monica Singer of POLKA described the piece as playing with the alteration of dimension and context, transforming an everyday object like a pearl necklace while also referencing traditional Viennese staircase lighting, often characterized by simple glass globes. Another innovative piece featured was claassen & partner's "Van Zipper" light, a design that allows users to adjust the light's intensity by opening or closing zippers. This interactive element provided a tangible connection between user action and light output. PRINZGAU/podgorschek contributed the "Kreis -Kugell - Zufall" chandelier, a sophisticated design produced by the renowned glass manufacturers J&L Lobmeyer, blending artistic expression with traditional craftsmanship. The exhibition also included works from a wide array of other designers, such as Michael Anastassiades' "Kinetic -2 Pendulum Lamp," Charlotte Dumoncel d'Argence's "Vanitas Lamp," NEXT architects & Aura Luz Melis' "Slow Glow Lamp," and Tejo Remy's "Milk Bottle." Other participating designers included Florence Doleac, Joel Degermark, Lonneke Gordijn/Drift, Rody Graumans, Stuart Haygarth, Tomas Hoke, Chris Kabel, and Marcus Tremonto, all of whom contributed to the diverse exploration of contemporary lighting design and its future. The show underscored the ongoing evolution of lighting solutions in response to technological advancements and environmental considerations. #ViennaDesignWeek #LightingDesign #BulbFiction #EnergyEfficientLighting #ContemporaryDesign #ProductDesign #Exhibition #MischerTraxler #POLKA

Milan Design Week transforms the city into a global design hub, attracting attendees to both Salone del Mobile and Fuorisalone. This year's event showcases a diverse range of installations, highlighting innovative approaches to design, lighting, and materiality. Atelier Biagetti, a recurring favorite at Fuorisalone, presents "The King," an exploration of obsessions inspired by Elvis Presley. Their installation reimagines a fantastical living room featuring "The King Sofa," a modular piece accompanied by guitar cases cleverly reinterpreted as tables with intricate Ravenna mosaics. This piece exemplifies their propensity for the impossible and their unique artistic vision. Ross Gardam, an Australian lighting designer, offers "Transcendence," an exhibit focused on the allure of illuminated glass. Gardam, known for creating meditative moods with his fixtures, demonstrates his broad talents and deep fascination with glass's ability to transcend physical boundaries. The installation promises a dynamic curation of luminaires, showcasing the material's unparalleled qualities. Giopato & Coombes, Treviso-based lighting masters, unveil "18 Pockets" after six years of dedicated research. This exhibit provides a glimpse into their creative process, highlighting the magical qualities of the immaterial. Their previous fixtures are transformed into 18 unique luminaires through a complex system of weight and balance, creating charming and poetic combinations. Galerie Philia's "Desacralized" exhibition takes place in a deconsecrated 11th-century Milanese church, fittingly exploring the theme of desacralization. Over 20 artists from the gallery's roster contribute to this unique setting. Notable pieces include Studiopepe's octagonal marble side table, inspired by Italian baptisteries, Kar Studio’s chair, drawing inspiration from ancient Chinese Shang Dynasty script, and a monumental chandelier by Morghen Studio, designed to offer a transformative experience of light within the historic space. SolidNature returns with "Beyond the Surface," an OMA-designed installation that metaphorically connects quarrying stone with the act of dreaming across seven distinct rooms. A highlight is Sabine Marcelis’s lustrous table, an ombré glass coffee table anchored by impressive stone blocks, demonstrating her experimental approach to materials. Objects of Common Interest, composed of Eleni Petaloti and Leonidas Trampoukis, presents "Poikilos." Inspired by ancient Greek references to iridescence and insights from Romanian artisan Ovidiu Colea, their ethereal objects and tables with opalescent finishes and sinuous curves inject energy into the Nilufar Depot. Loewe Chairs, under Jonathan Anderson's direction, reinterprets chairs into distinctive totems through an emphasis on texture, personality, color, and weaving. The display integrates materials close to Loewe’s brand identity, such as leather and raffia, with unexpected techniques like incorporating thermal blankets, elevating the humble stick chair into a canvas for elaborate woven decoration. Suchi Reddy, founder of Reddymade Architecture and Design, collaborates with Lexus on "Shaped by Air," an installation focused on carbon neutrality. Visitors navigate a forest of Matisse-like forms to discover a life-sized interpretation of the Lexus Electrified Sport, designed to evoke the sensation of being shaped by air. Lastly, "Bar Flora" is a collaboration between Sophie Lou Jacobsen, Nick Ozemba, and Felicia Hung of In Common With. Building on their Flora Collection, which employs Venetian glassmaking techniques to mimic natural forms, this installation transforms Palinurobar into a floral oasis. It introduces two new additions, including a sandblasted amber colorway, further enhancing their partnership. Byredo, known for its unconventional approach to fragrance, showcases "Bal D’Afrique by Dozie Kanu." Founder Ben Gorham teamed with Portugal-based artist Dozie Kanu to capture the essence of the beloved fragrance through a showcase that merges Kanu's unique objects with photographic negatives from Adjoa Armah’s _saman archive_, creating a multi-sensory experience that extends beyond traditional perfumery. #MilanDesignWeek #DesignInstallations #Fuorisalone #LightingDesign #FurnitureDesign #MaterialInnovation #CollectibleDesign #ArtAndDesign

Milan Design Week 2022 showcased a variety of temporary installations designed to captivate the design community. These installations frequently leveraged unique settings, ranging from abandoned nunneries and military hospitals to former sports venues and historic villas, to create impactful experiences. The event featured nine notable installations that demonstrated innovative approaches to design and material use. One featured installation was “A Statement of Form” by Gaggenau, a kitchen manufacturer, which was located in the Villa Necchi Campiglio, a historic Italian villa known from the film “House of Gucci.” This installation, a collaboration with architecture firm 1zu33, marble expert Salvatori, and ceramic specialist Kaufmann, presented a sleek kitchen design within a luxurious setting. Another highlight was "Monumental Wonders" by SolidNature, exhibited at Alcova’s Lavanderia building. This installation showcased the versatility of natural and semi-precious stones, featuring nine types of onyx in a dramatic entry portal. OMA designed a stone-wrapped doorway and marble-and-onyx furniture pieces, including a rotating cabinet and a bed with hidden storage. Sabine Marcelis contributed a pink onyx bathroom sculpture, demonstrating the material’s aesthetic and functional potential. “Silentscape” by Isabella Del Grandi for Slalom, also at Alcova, focused on acoustics. This colorful sound studio installation integrated soft surfacing materials and suspended upholstered spheres to create a calming, sound-absorbing environment, highlighting acoustic system solutions. Hermès presented "Houses" by Charlotte Macaux Perelman, a luminous installation of ash wood and translucent colored paper structures at La Palota. Inspired by water towers, these glowing geometric forms displayed new cashmere fabric designs for the home. Flos’s “See the Stars Again” exhibition, curated by Calvi Brambilla at the Fabbrica Orobia, introduced 14 new lighting products. A key feature was the anniversary edition of the Arco lamp, Arco K, which showcased its lead-free crystal base. The exhibition also included sculptural displays and indoor gardens. Lee Broom’s “Divine Inspiration” presented six new lighting collections and 30 products in a gallery setting. Drawing inspiration from religious architecture, the exhibition featured unique moods in each room and included limited-edition hand-sculpted pieces, such as a broken pendant light in the Requiem collection. Amine El Gotaibi’s 300-pound ceiling-mounted weaving for Beni Rugs, titled Spoken Lines, was unveiled at Alcova. This site-specific artwork, made from 80 feet of natural wool, set the stage for a collection of 10 rugs and was crafted by a cooperative of female weavers in Morocco. Caffè Populaire, a collaboration between Lambert & Fils and DWA Design Studio, offered an _aperitivo_ garden at Alcova. The installation combined sculptural lighting from Lambert & Fils with flowered wallpaper by Superflower and various plantings. It featured an elevated interior garden and a water sculpture, contrasting Brutalist lighting forms with hyperrealistic floral imagery. Finally, "Holotype" by Refractory, a newly launched furniture brand, was presented at Alcova’s E/Space building. The installation created a unique sensory experience with the scent and visual presence of turmeric, used to tint concrete walls and piled on the ground. This backdrop framed Refractory’s artisanal furniture and lighting pieces, crafted from materials like cast bronze and solid black walnut, and incorporated paleontological specimens and imagery of America’s West. #MilanDesignWeek #InstallationArt #ProductDesign #InteriorDecor #FurnitureDesign #LightingDesign #TextileArt #MaterialInnovation #ExperientialDesign

Clerkenwell Design Week 2025, held from May 20-22 in London, showcased a vibrant array of design innovations, installations, and product launches. The event, known for transforming commercial design into an engaging exhibition, utilized iconic venues such as the 14th-century Charterhouse, a new space in Smithfield Market, and the medieval St Bartholomew’s Church, dubbed ‘Church of Design’ for the occasion. The atmosphere was notably lively, attracting significant crowds across various showrooms and venues. Among the standout installations was 'A Week at the Knees' by artist Alex Chinneck, a surrealist sculpture crafted from 7,000 bricks. This piece mimicked the Georgian façades of Charterhouse Square but dramatically bent across a path, inviting visitors to experience its distorted form. Although Clerkenwell Design Week concluded on May 22, Chinneck’s installation remained accessible until early July. Another notable public artwork was 'Harmonic Tides' by Arthur Mamou-Mani, which featured two sweeping 3D-printed walls with integrated bench seating. Designed to evoke the natural movement of water, the undulating walls were constructed from a sugar-based bioplastic (PLA) and incorporated LED lighting and a calming soundtrack, creating an immersive and tranquil environment. Additionally, 'Brick from a Stone: Arch Revival,' a collaboration between Hawkins\Brown and Webb Yates for Albion Stone and Hutton Stone, was unveiled on Clerkenwell Green. This double-arched pavilion, made from British stone bricks, demonstrated the inherent strength of stone through incredibly thin, load-bearing arches, merging ancient techniques with modern engineering. The event also featured unique interactive experiences, such as 'Beasley’s Biscuit Bar' by Sons of Beasley, located at Hawkins\Brown’s Clerkenwell Road studio. This installation revived a local historical anecdote about London’s first 'biscuit bar,' offering visitors Yorkshire Tea and homemade biscuits within a retrofitted servery. The space also showcased colorful furniture made from Plykea offcuts and provided a live-making demonstration, blending historical homage with contemporary design. In terms of product design, Hand & Eye presented a tactile range of slip-cast terracotta, stoneware, and porcelain wall lights, all handmade in their Devon workshop, as part of the British Collection. David Irwin introduced the 'Caston' chair for Origin Furniture, notable for its elegant form and circular design principles, featuring a tubular steel frame and zero-waste 3D-knitted upholstery that is fully recyclable. SCP debuted the 'Archer' chair by Magnus Long, a cantilever design with a tubular metal frame and plywood seat, displayed in the Church of Design. Mirage, in collaboration with AMDL Circle, launched ‘Terrae,’ a ceramic surface collection exploring the emotional connection between ceramics, light, and space, presented at Charterhouse. Curiousa introduced 'Carnival,' a sculptural lighting collection displayed in the underground space of the House of Detention. This collection combined hand-blown glass, porcelain, and wood in playful, Harlequin-inspired forms. NaughtOne launched 'Fin,' a new lounge chair by Daniel Schofield, inspired by 1960s space-age design and constructed with a simple plywood frame, minimizing its embodied carbon. Italian brand Bolzan showcased the 'Milo' bed, a cocooning design with a soft, foldable headboard, at Old Sessions House. Bolzan also exhibited headboards from their 'Woven Dreams' collection, including 'Fiocco' by Martino Gamper and 'Rosary' by India Mahdavi, both previously admired in Milan. The event successfully combined large-scale installations, product launches, and interactive elements, solidifying its reputation as a significant event in the design calendar. #ClerkenwellDesignWeek #LondonDesign #ArtInstallation #FurnitureDesign #LightingDesign #SustainableDesign #ArchitecturalInnovation #ProductLaunch #InteriorDesign

The Gala chandelier, designed by American lighting designers Rich Brilliant Willing (RBW), features glowing glass bulbs suspended from aluminum rods. The design draws inspiration from nature, with RBW describing it as resembling "full, ripe fruit hanging on a branch." These chandeliers were showcased at New York Design Week. The Gala chandelier is characterized by its curvaceous, organic forms that are arranged along a robust linear aluminum arm. The hand-blown glass bulbs, crafted by a local glassblower, are connected to the aluminum rods using fixings that resemble basket handles. This handcrafted element emphasizes artisan skills and craft, which RBW aimed to further explore in their 2013 collection. The glassblowing technique, a method dating back to the middle of the last century BC, involves using a blowpipe and significant lung strength to shape molten glass into the desired form. The aluminum rods are available in three different lengths: 42 inches, 72 inches, and 114 inches. These rods can be paired with a selection of small, large, or long glass bulbs, allowing for versatile configuration. Designers can arrange the bulbs in either symmetrical or asymmetrical patterns along the rod, providing flexibility in design and aesthetic appeal. The sleek aluminum beam supports these hand-blown glass elements, intending to introduce warmth and subtle character to contemporary interior spaces. The name "Gala" also evokes a sense of festive celebration, and the warm glow emitted by the orbs of light is intended to contribute to this spirited atmosphere. Discreet powered cables connect the aluminum beam to the ceiling, ensuring a clean and uncluttered installation. All RBW products, including the Gala chandelier, are hand-assembled in their studio, underscoring the brand's commitment to craftsmanship and quality. In addition to the Gala chandelier, RBW also launched a wall-mounted bedside lamp at New York Design Week. This lamp, known as the Monocle lamp, is designed to swivel, allowing users to direct light precisely where needed. This reflects RBW's broader focus on innovative and functional lighting solutions. Other recent lighting innovations from the design community include pendant lamps with raised collars that direct light both upward and downward, and floor lamps featuring shades that mirror the design of their bases, showcasing a diverse range of approaches to lighting design. #ProductNews #Lighting #Chandeliers #RichBrilliantWilling #Design #Glassblowing #InteriorDesign #NewYorkDesignWeek #Lamps

This article highlights seven prominent lighting stores and showrooms in the Boston area, offering a comprehensive guide for individuals seeking to enhance their living spaces with new light fixtures. Each establishment provides distinct services and product ranges, catering to diverse aesthetic preferences and functional requirements. Wolfers, established in 1931, offers a contemporary approach to lighting design. They provide free one-hour consultations, focusing on a space's architecture, lighting needs, and sustainability. Their Waltham showroom features 'lighting labs' categorized by style, including a 'Green Zone' dedicated to energy-efficient fixtures. Patti Bros, a third-generation lighting business, specializes in a wide array of interior and exterior fixtures, from brass bell jars for kitchen islands to chandeliers for living rooms. They also provide restoration, repair, and refinishing services, addressing various lighting challenges for their clientele. Genuine Antique Lighting caters to those desiring vintage aesthetics, boasting over 500 fixtures from 1850 to 1950. Operating by appointment only from their South End showroom and workshop, they acquire antique chandeliers, pendants, and flush mounts, meticulously restoring them with modern electrical standards while preserving their original detailing and patina. Neena’s Lighting, a decades-old company, maintains three Boston-area showrooms showcasing designs from approximately 100 high-end designers like Arteriors and Zaneen. Their knowledgeable staff assists both customers and interior designers in selecting modern and transitional styles. A new Brookline location is anticipated following the closure of their Coolidge Corner store due to a fire. Lucía Lighting & Design emphasizes personalized service within its 8,000-square-foot showroom. Customers can schedule one-on-one appointments with consultants for guidance on lighting plans, product selection, and delivery coordination. The showroom also features handcrafted, locally-made furniture, decor, and accessories. Chimera, situated in a Fort Point loft, presents a collection of modern, transitional, and traditional lighting brands such as Artemide and Flos. Beyond decorative pieces, they offer specialized lighting solutions including track lighting, under-cabinet lighting, recessed lighting, exterior fixtures, and ceiling fans. Yale Appliance + Lighting, with a history dating back to 1923, prides itself on its experienced sales team, whose members average seven years of service. They guide customers through a selection of over 3,000 fixtures, ensuring a match for every need. The company guarantees two-hour delivery windows and offers repair assistance from service technicians within 24 hours, ensuring comprehensive support for their customers' lighting investments. #LightFixtures #HomeLighting #BostonHomeDesign #LightingShowrooms #InteriorDesign #AntiqueLighting #EnergyEfficientLighting