Look Inside Salt & Sundry’s New Event Space in a Former Eckington Warehouse

Fifth Group Restaurants, known for establishments like La Tavola and Ecco, is set to transform its Midtown seafood restaurant, Lure, into Lure Saltwater Kitchen and Bar. The original Lure will close on September 2nd, with the new concept opening just a week later. The renovation reflects changes in the dining scene and habits within Midtown, aiming to inject new excitement and energy into the space that has been operational for 13 years. Lure Saltwater Kitchen and Bar will maintain its focus on sustainable seafood, but with a revamped approach centered around small plates prepared on a newly installed wood-fire grill. The interior will undergo a refresh, and a new patio bar is being added to enhance the dining experience. The beverage program is also being updated to complement the new culinary direction. To lead this transformation, the team has brought in chef de cuisine Olivier Reedholm, formerly of The Grey in Savannah and the Michelin-starred Under in Norway. Reedholm will collaborate with Fifth Group's vice president of culinary, Mark Jeffers, and director of culinary, Brandon Chavannes, who was involved in the initial opening of Lure. This culinary trio is partnering with Farmers & Fisherman Purveyors to ensure that all seafood items adhere to the Monterey Bay Aquarium’s Seafood Watch List, promoting sustainability. A key feature of the new menu will be the daily-to-weekly changing “Fleeting Moments” selection, offering fresh oysters, aguachile, crudo, ceviche, and tartare. This ensures a dynamic menu, encouraging repeat visits. A unique shared plate option, the “Tackle Box-Chef Assortment,” will present raw bar items in a vintage tackle box. The small plates section will feature imaginative dishes such as mussels in Thai coconut broth, blue crab tamale with pumpkin mole, and crispy shrimp with Chinese chili garlic crunch, peanuts, and seaweed. For diners preferring more traditional entrees, five options will be available, including pork shank, wood-grilled chicken, wagyu steak frites, and a filet of fish in brown butter sauce. These dishes aim to provide a classic yet approachable dining experience, distinct from a formal chop house. The wood-fire grill is expected to impart unique and dynamic flavors to these offerings. To cater to health-conscious guests, Lure Saltwater Kitchen will offer “Breadless Service” with house-made kimchi, pickles, and spicy condiments, alongside gluten-free anchovy garlic bread. Salads and vegetables will be available from the “From the Soil” section of the menu. A notable dessert item will be wood-fired, slow-roasted pineapple in rum caramel, served with house-made ice cream. The beverage program, curated by Fifth Group head of beverage innovation Ian Mendelsohn, will feature cocktails designed to complement the kitchen’s bright and exotic flavors. Options will include a frozen “creamsicle” cocktail and drinks incorporating shochu, yuzu, lemongrass, and chili. The wine list will expand to about 50 sustainable, biodynamic, or organic varieties, and eight beers will also be on offer. The aesthetic changes, guided by design team ai3 (who also designed the original Lure), will introduce new pops of color, including red and green, throughout both the indoor and outdoor spaces. New patio furniture and murals by a local artist will contribute to the refreshed ambiance. The new patio bar will host a happy hour from 4 p.m. to 6 p.m. daily, featuring half-price oysters. Beyond culinary and design enhancements, Lure Saltwater Kitchen emphasizes environmental sustainability. The restaurant will collect rainwater for toilet flushing and plant watering. It has also partnered with Shell to Shore, a nonprofit organization that repurposes oyster shells to rebuild reefs, thus contributing to marine ecosystem restoration. The new Lure will soft-open on September 10th, with its official grand opening slated for September 16th. #FifthGroupRestaurants #LureSaltwaterKitchenAndBar #MidtownAtlanta #SustainableSeafood #RestaurantRedevelopment #WoodFireGrill #SmallPlates #EnvironmentalSustainability

The article announces the progress of the Spring Street Salt Shed project, located at the intersection of Canal Street and West Street in New York City. The author notes the demolition of a one-story brick building that previously occupied the site, making way for the new 6,300-square-foot salt storage facility. The facility, also referred to as the Canal Street Salt Shed due to its proximity to Canal Street, is under construction. The article highlights that despite potential concerns about the location for this facility and the adjacent NYC Department of Sanitation Garage, both structures are anticipated to be aesthetically pleasing. The design for the Spring Street Salt Shed is provided by Dattner Architects. Their website describes the structure as nearly 70 feet tall, situated along the Hudson River. It is designed to house 4,000 tons of salt. The architectural rendering depicts a crystalline structure with faceted planes that are intended to visually enhance its reinforced concrete enclosure. A notable design feature is the structure's taper towards the bottom, which aims to increase pedestrian space, and its rise from a 'glazed moat' that will be illuminated at night. The Salt Shed's solid, crystalline form is intended to contrast with the more diaphanous, scrim-like facade of the Manhattan 1/2/5 Garage located directly across Spring Street to the north. The project's completion was projected for 2014. A point of inquiry raised by the author concerns the entry and exit points for trucks accessing the facility. An attempt to contact the Department of Sanitation for clarification was made, but no response was received at the time of publication, humorously attributed to the department's busy schedule during the winter. The article includes several renderings from Dattner Architects that illustrate the proposed appearance of the Spring Street Salt Shed from various angles. The comment section reflects diverse public opinions on the project. One commenter, 'Rohin,' sarcastically questions the cost of such an architecturally elaborate facility for salt storage, likening it to a 'miniature Sydney Opera house for salt storage.' Another commenter, 'Downtowner,' raises concerns about the location's vulnerability to flooding, recalling Superstorm Sandy, and questions why the design was not revised after the storm. This commenter also points out that the 4,000-ton salt pile will be open to the elements from the street, raising fears of a 'catastrophe.' 'Jim Smithers' notes the shed's location above Canal Street, suggesting it's not strictly within Tribeca, and humorously proposes adding commercial establishments like a Shake Shack or Soul Cycle on its roof. A final commenter, 'mike,' disputes the 'Downtowner's' concerns, questioning how a concrete structure full of salt could suffer a catastrophe from a superstorm, implying the commenter is not a civil engineer. #SpringStreetSaltShed #DattnerArchitects #NewYorkCityConstruction #UrbanPlanning #ArchitecturalDesign #InfrastructureDevelopment #PublicWorks #NYC DepartmentOfSanitation

The Clapton Warehouse project, undertaken by Sadie Snelson Architects for photographer Dean Rogers, involved the transformation of a previously dilapidated and dark warehouse loft in Clapton, London. The client sought to revitalize the space into a bright, spacious, and open-plan interior suitable for both living and working, while respecting the building's industrial heritage. The architects faced the significant challenge of reconfiguring an existing renovation that was fragmented with small rooms and double-height spaces at the perimeter, lacking a cohesive open area and suffering from issues such as poor natural light penetration and dampness. To address these problems, the design team opted for a radical approach, removing most of the internal walls to maximize natural light and ensure it reached the full depth of the property. A central requirement for the renovation was the creation of a flexible working space, given the client's home-based profession, alongside more private areas for sleeping and a home office. The architectural strategy focused on highlighting the building’s inherent industrial character through a carefully selected material palette. New additions were chosen to complement and preserve the existing industrial elements. This included pairing unpainted plastered walls with natural oak flooring finished with oil, and contrasting the original dark iron beams with newly incorporated acid-washed metal elements. A key feature of the renovated space is a striking folded steel staircase, custom-fabricated in collaboration with Diapo. This staircase provides access to a newly constructed mezzanine level, which is notably suspended from a rod in the ceiling and cantilevered from an existing beam, creating a sense of lightness and openness. The client, Dean Rogers, played an active role in the project, not only as the homeowner but also as the contractor. His direct involvement extended to hands-on tasks, such as casting the impressive concrete kitchen island on-site, which contributed to the project's unique character and a strong collaborative outcome. The Clapton Warehouse, as a result of this renovation, offers a seamless blend of contemporary living and industrial aesthetics. The integration of internal glazing and transparent partitions further aids in distributing light throughout the loft, enhancing the bright and airy atmosphere. The shower area, for instance, features tadelakt, a waterproof plaster, which mimics the appearance of polished concrete, maintaining the industrial theme. Partitions throughout the property are constructed from full-height solid steel paneled infills and Crittall-style windows, reinforcing the industrial language. The mezzanine floor is designed as a relaxed living area, capitalizing on its elevated position and connection to the main living space. The project's success in achieving a balance between functionality, aesthetics, and respect for the building's past garnered attention, with the Clapton Warehouse being featured in Wallpaper* magazine's 'Raw Inspiring' fashion story in its April 2016 issue, showcasing the space as an industrial backdrop for a fashion shoot. The renovation stands as an example of sensitive architectural intervention that transforms a challenging historical structure into a modern, light-filled, and adaptable living and working environment. #warehouseConversion #loftRenovation #industrialDesign #sadieSnelsonArchitects #claptonWarehouse #openPlanLiving #materialPalette #steelStaircase #londonArchitecture

The article details the newly opened CDK Stone Selection Centre in Hindmarsh, Adelaide, which aims to enhance the natural stone selection experience for homeowners and designers. This showroom, the latest addition from CDK Stone, addresses the growing demand for natural stone, celebrated for its unique veining, color variations, and durability. Natural stone, including marble, limestone, granite, and quartzite, offers a distinctive aesthetic, allowing for personalized design projects that convey prestige and individuality. The Adelaide showroom's launch featured a special preview event attended by local design professionals and Belle editor-in-chief Tanya Buchanan. Guests had the opportunity to explore the expansive collection of monolithic stone slabs, sourced globally. The setup enables visitors to examine the intricate details and textures of each slab firsthand, providing a comprehensive understanding of the material's potential in various applications. The facility is designed to showcase the beauty and versatility of natural stone in a compelling manner. A notable feature of the showroom is its sample library, which presents hand-sized stone tiles arranged systematically, offering a detailed preview of CDK Stone's extensive range. In collaboration with Melbourne designer Josephine Ivanoff of By Jive, the display zones within the showroom highlight stone's diverse applications. These zones include a raised reception desk crafted from creamy stone, a dining table with a speckled finish, and a coffee table in a rich burgundy hue, demonstrating how natural stone can be integrated into different interior elements. Adelaide-based interior designer Georgie Shepherd, a long-standing advocate for natural stone, attended the opening and emphasized the material's role in her studio's projects. She highlights that natural stone enriches a project by adding depth and character, ensuring that each selection is unique to the client. Shepherd particularly appreciates the adaptability of natural stone, noting that it can be used to create dramatic focal points or more subdued, calming areas within a design. For instance, a striking, loud stone can be balanced with a tranquil limestone in other parts of a space. The showroom offers a personalized service where visitors can book appointments to explore the collection. Shepherd looks forward to bringing her Adelaide clients to the center, underscoring that direct interaction with large-format slabs is crucial for clients to fully appreciate and connect with the material, an experience that small samples cannot replicate. This hands-on approach allows clients to visualize the stone in its full scale, facilitating a deeper appreciation and enabling informed design decisions. #CDKStone #NaturalStone #ShowroomDesign #InteriorDesign #AdelaideDesign #MaterialSelection #LuxuryMaterials #HomeDecor

Widad and Ara Tachdjian, along with their two young children, relocated from France to North London, bringing with them a cherished collection of furniture and artwork. This collection, consisting of a dozen paintings, two sofas, a dining table and chairs, and other smaller items, became the foundation for their vision of a warm and vibrant home. Widad expressed a desire for a home filled with energy and color, incorporating various styles that reflect their travels and African heritage. Before realizing this vision, several structural changes were necessary. The Edwardian house, despite its high ceilings and solid structure, required a layout redesign to enhance flow and maximize its potential. Additionally, period features such as fireplaces, ceiling mouldings, and skirting boards, which had been removed previously, needed to be reinstated. The unique construction of the semi-detached house, connected at the back to another property, meant the only garden was at the front and there were no windows at the rear. This resulted in abundant light at the front but a dark back portion of the house. Specifically, the kitchen, situated behind a reception room, only received light from a small side window, and the stairwell lacked natural light entirely. To address these challenges, Widad and Ara enlisted the help of Zulufish, a London-based interior design and architectural practice. Caroline Milns from Zulufish spearheaded the creation of a large, light-filled family space on one half of the ground floor. This involved removing the wall between the former kitchen and front reception room to allow light from the front bay window to permeate the entire area. A glazed door was also added to the side window, providing garden access. Within this open-plan family space, distinct zones were created. The kitchen, featuring denim blue cabinetry built by Hux London (Zulufish's sister company), was visually separated by blue graphic floor tiles. Caroline noted the clients' adventurous spirit regarding color and pattern, which influenced the lively interiors. The dining and lounging areas, in contrast, featured honey-colored herringbone oak flooring, chosen for its classic appeal, and were softened with rugs and tactile upholstery. Modern globe lamps were a recurring lighting theme throughout the home, blending contemporary aesthetics with the period setting. A significant innovation was the removal of a corner section of the second reception room, replaced with an L-shaped Crittall-style glass panel and double doors. This transformation dramatically improved natural light in the previously dark hallway and stairs. Widad highlighted this change as having the most significant impact on the home's sense of openness while maintaining room separation and privacy. The Crittall-style panels were echoed in kitchen shelving and an expansive L-shaped ebony veneer bookcase in the second reception room, custom-made by Hux London. The second reception room also housed two velvet Roche Bobois sofas from France, one in midnight blue and the other with a graphic print, alongside colorful artworks by Ara’s uncle. The design process centered on integrating these personal items, ensuring they complemented the layout and that the color schemes, flooring, joinery, and furnishings harmonized with them. The overall palette of the house was directly influenced by the artworks, creating a cohesive and vibrant environment that breathed new life into the home. Widad’s vision for an eclectic, vibrant home filled with beloved family pieces was successfully realized. #EdwardianRenovation #HomeMakeover #InteriorDesign #ColorfulInteriors #OpenPlanLiving #KitchenDesign #LightingDesign #Zulufish #NorthLondonHome

The article explores innovative showcase strategies employed by jewelry retailers to enhance the customer experience. Jewelers and interior designers are embracing stand-alone showcases that facilitate a more personal and interactive sales approach, allowing customers to view jewelry from various angles and sales associates to engage shoulder-to-shoulder with them. This shift breaks down traditional barriers, fostering a friendlier and more personal interaction. Additionally, this approach optimizes space, as stand-alone cases require significantly less clearance from walls compared to conventional setups. The article highlights the importance of showcase height, recommending 42 inches for optimal viewing in most cases, and 36 inches for sit-down consultations. Several examples illustrate these strategies. Hyde Park Jewelers in Scottsdale, AZ, uses a design that maximizes display density while maintaining a light, airy feel by eliminating case bases and metal glass frames, creating a glass-on-glass aesthetic. Their curved and squared case configurations add visual interest, and perimeter displays allow for brand customization within a cohesive design. Marks Jewelers in Montgomeryville, PA, features completely mobile, four-sided glass showcases, enabling over two dozen floorplan changes within 18 months, complemented by unique permanent features like a Diamond Diner and a bar. Mitchum Jewelers in Ozark, MO, incorporated a transition area housing a Shinola boutique. Their showcases are designed for "front-sale" interaction and are illuminated by recessed white LED lights. The expansion also created more space for sales, storage, a vault, and private meeting rooms. S. Lennon & Company Jewelers in New Hartford, NY, transformed a narrow building into a bright showroom with quartz desks for consultations and custom, open-leg showcases to avoid overwhelming the space. Custom white shelves allow clients to touch select pieces. B.C. Clark’s Oklahoma City location features a circular centerpiece case near the entrance, showcasing new arrivals and changed monthly to maintain freshness. Kelley Jewelers in Weatherford, OK, created a boutique shopping environment with open shelves and a built-in mirror, encouraging independent browsing. Day’s Jewelers in Nashua, NH, utilizes a circular design for its exterior glass wall, casework, and ceiling, guiding customers through the space and maximizing linear display, also creating a central lounge area. Erik Runyan Jewelers in Vancouver, WA, emphasizes airy traffic flow and side-by-side selling with distinctive, hand-built Old World-style cases. Falls Jewelers in Kannapolis, NC, employs sit-down cases for bridal consultations and front-opening, walk-around cases for general displays. Storey Jewelers in Gonzalez, TX, integrates large, custom-designed walk-around islands, front-opening displays, and bridal sit-down cases, alongside traditional center island cases. JC Jewelers in Jackson Hole, WY, utilizes modern wood cases in their log-cabin store to create a natural synergy and an open center for side-by-side selling, achieving a "Manhattan in a cabin" aesthetic. M Robinson Fine Jewelry in Bee Cave, TX, features four gracefully curved islands that guide clients, with linear cases along walls for branded collections. The curved cases and drop-down ceilings create a balanced, luxurious feel, fostering an open yet intimate showroom experience. Provident Jewelry in Wellington, FL, eliminates traditional counters to remove barriers between staff and clients, encouraging exploration. Park Place Jewelers in Ocean City, MD, makes a grand first impression with a curved island near the entrance, complemented by curved glass showcases, chandeliers, and vaulted ceilings, directing customers towards the point of sale in the back to ensure full store engagement. #JewelryRetail #ShowcaseDesign #RetailExperience #StoreLayout #InteriorDesign #CustomerEngagement #JewelryStore #VisualMerchandising #InnovativeDesign

Danielle Kalish, a 37-year-old entrepreneur with a background in fashion merchandising and marketing communications, has fulfilled her lifelong dream of opening a retail store. Her new home decor and accessories shop, Abode by Parklyn Interiors, recently opened in the DeMun neighborhood of Clayton. The store aims to introduce new brands to customers and provide a physical space where they can interact with products before purchasing. Kalish's vision for Abode is clear, though her journey to establishing the venture was indirect. She graduated from Southeast Missouri State in 2010 and has since worked at Caleres (formerly Brown Shoe), where she holds the position of senior design director. Beyond her career in fashion, Kalish has a deep passion for interior design. Her husband, Powell Kalish, a 39-year-old commercial real estate broker, frequently purchases, renovates, and sells houses. Over the years, the couple has lived in five such homes, with Danielle taking the lead on their decor and design. This personal experience led to friends and family seeking her help with their own design projects. The pivotal moment arrived in 2020 during the COVID-19 pandemic, when reduced work travel provided her with the time and clarity to focus on her interior design interests. This period led to the official launch of Parklyn Interiors in the fall of 2020, with her first client being a friend who needed assistance remodeling her inherited, decades-old grandmother's house. Kalish describes her design philosophy as classic and timeless, always incorporating a unique or 'funky' element to personalize a space. This aesthetic is directly reflected in Abode's diverse inventory, which blends modern pieces with antique finds, and features a mix of vibrant colors and neutral palettes. Examples of the shop's offerings include a splatter vase by Sharland England, antique bookends depicting President Abraham Lincoln, block-print pillows, blankets from Australia-based Raine & Humble, vintage Ethan Allen table lamps, coaster sets, and a selection of vintage art. Kalish has ensured that the shop maintains accessible price points, with items like pillows at $75, blankets at $70, lamps at $120, and art starting at $200. The atmosphere is intentionally welcoming, designed to be less intimidating than a traditional designer showroom. The 800-square-foot shop itself is meticulously designed to create a homey feel. It features a botanical mural by Rebel Walls on the back wall, while the other walls are painted in Farrow and Ball's Shaded White. An Old English-style wood table serves as both a display area and a checkout counter. Vintage furniture, such as a dresser, and a large brass mirror further enhance the inviting ambiance. The lighting has been upgraded with a classic sconce from Ralph Lauren Home and a rattan pendant from Crate and Barrel. The selection of these elements contributes to a cohesive and appealing retail environment. Kalish was drawn to the storefront's charming appearance and its prime location in the DeMun District, which is conveniently close to her University City home, allowing her to walk to work. This area holds sentimental value for her; she lived on Alamo in DeMun after college, and her first date with her husband was at Jimmy's on the Park, a place they still visit for celebrations. The discovery of the vacant space happened serendipitously when the couple was celebrating their new retail vendor's license at Sasha's and noticed a sign indicating the previous tenant, Dot Dot Dash, had moved. Powell Kalish promptly contacted the building's broker, and within a month, they secured the lease for 736 DeMun. Currently, Kalish is balancing the demands of her new small business with her full-time role at Caleres. Her hope for Abode by Parklyn Interiors is that it becomes a destination for both designers and general shoppers, encouraging them to linger and enjoy the retail experience rather than feeling rushed. The establishment of Abode by Parklyn Interiors adds a unique home decor shopping option to the Clayton area, reflecting Kalish's personal style and dedication to creating an accessible and inspiring space for customers. #HomeDecor #Retail #InteriorDesign #ClaytonMissouri #SmallBusiness #Entrepreneurship #DeMunNeighborhood #FashionBackground

Uncle Wolfie's Breakfast Tavern, a new restaurant and bar located at 234 E. Vine St. in Brewers Hill, is set to open its doors on Monday, Dec. 17. The establishment is the culmination of a decade-long dream for husband and wife team Wolfgang and Whitney Schaefer, who envisioned a casual dining spot where a love for food and communal meals could flourish. The restaurant will offer a menu of creative breakfast and lunch dishes, complemented by a selection of cocktails. The journey to opening Uncle Wolfie's began in 2015 when the Schaefers acquired the historic Miller Brewing Company tied house. Their initial focus was transforming the building's second floor into their family residence. Following this, they launched Orange and Blue Co., a home decor boutique featuring a curated blend of vintage and modern goods. The breakfast tavern represents the third and final phase of the property's revitalization, which brings an end to its nearly 40-year vacancy. For the restaurant's design, the Schaefers collaborated with 360 Degrees, a design and build firm known for its work with several city restaurants. Whitney Schaefer highlighted their desire to source many design elements themselves while relying on 360 Degrees for structurally sound components like the bar and tables, and for ensuring functionality and compliance with city regulations. Ryan Foat, project manager at 360 Degrees, described the project as a "from scratch" endeavor, noting the extensive work required to transform the space from a mere root cellar and implement modern hospitality elements, including HVAC systems. The design strategy honored the building's historical identity as a tied house, with the bar serving as the central focal point, designed to appear as if it had always been there. The current bar's footprint mirrors the original. Historical nods are evident throughout, from the light fixtures to a penny tile rug surrounding the bar. Repurposed elements include original hardwood flooring, wainscoting, and tin ceiling tiles meticulously restored by Wolfgang and installed above the bar. Foat emphasized the restaurant's intention to embody the hospitable and comforting atmosphere of old neighborhood establishments. The quartz-topped bar, seating 14, anchors the 40-seat restaurant, which also features banquette-style seating for 26 guests along the east and south walls. The interior boasts an eclectic bohemian aesthetic, with warm yellows and cool grays that complement the Cream City brick walls. A strong connection exists between the restaurant and the adjacent Orange and Blue Co. through decor items from local Milwaukee female artisans. Examples include custom cushions behind the banquettes, fabricated by Vanessa Andrew of Madam Chino using custom fabric and Loom House antique rugs, and hung with leather straps by Jess Goehner of Directive. Espresso mugs by Kim Eckroth of Covet & Ginger and ginger-colored wallpaper from Chasing Paper are also locally sourced, adding texture and a blend of masculine and soft elements to the space. Local artist Whitney Anderson of Wit & Co. contributed various art pieces, including a graphic illustration of Wolfgang's father. The menu at Uncle Wolfie's also blends classic and contemporary. Traditional offerings like Johnny cakes, steak and eggs, and classic eggs Benedict are available alongside innovative creations such as peanut butter and jelly stuffed French toast and a sweet potato chorizo omelet, with prices ranging from $7 to $12. Lunch options include salads, such as a hearty steak salad, and sandwiches. Highlights include a chicken salad, grilled cheese, the "BCSS" with house beet-cured salmon, and the Breaky Burger, an American cheese-stuffed burger topped with Weber’s mustard, raspberry balsamic pickled onions, bacon, and an egg. Lunch items are priced between $9 and $14. The bar will offer bottled and canned beer, a short wine list, and a variety of creative cocktails, from bloody marys to jasmine tea toddies, in addition to full coffee service. The tavern will be open Monday through Friday from 7 a.m. to 3 p.m. and Saturday and Sunday from 8 a.m. to 3 p.m. #restaurantOpening #brewersHill #localBusiness #homeDecor #interiorDesign #historicRenovation #breakfast #lunch #cocktailBar

The newly opened 1.3.5_c store, located in Amsterdam's Canal District, offers a unique retail experience focused on olfactive treasures. Situated in a listed 1930s red brick building designed by architect Henk van Kempen, the ground floor has been transformed by Amsterdam-based interior design practice Carbon Studio. The building previously housed a tobacco firm's offices and later a boutique for renowned jewelry designer Hans Appenzeller. The store is divided into two distinct spaces. The first, dubbed 'The Lobby,' is a lofty, light-filled area dedicated to the ZENOLOGY collection, a brand co-founded by seasoned fragrance professional Jeroen Oude Sogtoen. This space pays homage to ZENOLOGY's roots in hospitality, featuring understated yet inviting interiors with lacquered oak surfaces, whitewashed walls, and terrazzo tiles. A prominent square cushioned bench with a circular backrest, flanked by recessed and stainless steel shelving units, anchors the space. The material palette and immersive ambiance of 'The Lobby' aim to balance nature and science, reflecting ZENOLOGY’s brand philosophy. Here, customers can explore ZENOLOGY's full range of home, skin, and hair care products, along with body skincare and home fragrances. Beyond ZENOLOGY products, 'The Lobby' also curates a selection of lifestyle offerings. These include exclusive teas from Mariage Frères, handcrafted suitcases by FPM, and various accessories. Additionally, the space features immersive travel stories from the iconic Holiday Magazine, appealing to a discerning demographic seeking more than traditional retail. The second space, 'Backstage,' is semi-concealed behind a draped velvet curtain and is dedicated to PANTOMIME fragrances, also co-founded by Jeroen Oude Sogtoen. This boudoir-inspired room is characterized by full pleated splendor, theatrically presented, and is overlaid on one side by a sizable minimalist display unit. A Brutalist oak display table firmly anchors the setting, its robust form balanced by more delicate objects such as glass and ceramic artworks. The use of similar terrazzo tile flooring in both 'The Lobby' and 'Backstage' subtly connects the two distinctly designed areas. 1.3.5_c aims to provide an elevated shopping experience through its design-led premises and tightly curated merchandise. The store plans to feature a rotating selection of artworks, vintage objects, design pieces, rare books, photography, and exclusive lifestyle products. This approach is intended to resonate with a savvy clientele, offering them not just products but also an enriching cultural and aesthetic experience. The store is located at Grimburgwal 1-3-5C in the Canal District of Amsterdam and is open from Wednesday to Saturday. #Amsterdam #StoreOpening #InteriorDesign #CarbonStudio #ZENOLOGY #PANTOMIME #Fragrance #RetailExperience #LifestyleProducts

British brand ON&ON has expanded its modular shelving system, originally launched in 2013, with a series of new made-to-measure components. The core shelving system offers an adjustable and modular storage solution designed for wall mounting in both domestic and commercial environments. The latest additions include desk units, cabinet units, and clothes hangers, all crafted from powder-coated aluminium. These new modules are specifically designed to seamlessly integrate with the existing system, maintaining the same snap-in-place functionality as the original range. The brand emphasizes a combination of modular design with made-to-measure parts, resulting in a streamlined architectural system that allows for long, uninterrupted shelves, desks, and cabinets. The newly introduced components are intended to broaden the system's utility and complement its established design aesthetic. Customization is a key feature, particularly for the cabinet units, which can be configured with either drawers for enclosed storage or fold-down doors for easy access. The desk units are deliberately minimalist, aiming to offer a clean, uncluttered workspace that functions much like a simple, elegant shelf. For clothing storage, the new modules include clothes hangers available in chrome, black, or white powder-coated finishes. These hangers are designed to be adaptable, offering various length and depth options to suit different storage needs. A significant aspect of ON&ON's design philosophy is its commitment to sustainability and longevity. The entire shelving system, including its new components, is conceived as a circular product and service. This approach is underpinned by a lifetime guarantee on all structural elements, indicating the brand's confidence in the durability and enduring relevance of its design. ON&ON positions its shelving system as more than just a product; it represents a long-term service and a particular way of thinking about furniture. The brand assures customers that the system components will remain consistent over time, ensuring compatibility and expandability even after several decades. This commitment to enduring design and customer service highlights ON&ON's focus on creating high-quality, adaptable, and sustainable storage solutions for a variety of spaces. #ModularDesign #ShelvingSystem #HomeStorage #FurnitureDesign #ProductLaunch #InteriorDesign #CustomizableFurniture #SustainableDesign

Architect Wakako Tokunaga adapted her professional workspace in 2020 by designing and building a 350-square-foot studio addition at the back of her Tacoma Park, Maryland property, near Washington, D.C. This decision allowed her to avoid a costly commercial lease and provided a flexible environment for her firm, WAK TOK architects, founded in 2007. The studio’s design was meticulously planned to prevent obstruction of sunlight for neighbors and to maintain the view, while also considering its proportion to her native plant garden. The primary objective was to balance collaborative work areas with ample green space and seclusion. The studio’s design centers on functionality, simplicity, and a strong connection to nature. Two of its four walls feature sliding doors that open completely to the garden, effectively transforming the space into an “extended outdoor room.” This indoor/outdoor living concept was particularly beneficial during the pandemic, allowing Wakako to remain close to her children while working. The other two walls are fixed: one is the original exterior brick wall of her home, painted dark gray with milk paint to visually extend the outdoors inward, and the other is a solid plywood-clad wall adjacent to the neighbor's property. The interior materials are kept simple and functional, including polished concrete floors, plywood-clad walls and ceilings, and non-toxic milk paint on the existing home wall. A key element is the custom, floor-to-ceiling modular shelving system integrated into the plywood wall. This system was designed around a four-foot module, which also governed the studio's overall construction to optimize stock plywood panels and multi-slide door dimensions, thereby maximizing efficiency and minimizing material waste. The shelving features a track system with moveable brackets, allowing Wakako to easily adjust and rearrange shelves to accommodate books, material samples, and art. A deeper, hip-height shelf functions as a versatile workspace, suitable for her team or her children. Sustainability was a guiding principle, with the use of natural and non-toxic materials. Sustainably sourced pine siding, plywood, concrete, and finishes like natural pine tar, hemp oil, and milk paint were employed. The exterior features locally sourced, fast-growing black locust decking, known for its natural resistance to rot and insects. The outer shell of the studio is insulated beyond code requirements to enhance thermal comfort and reduce energy consumption. The design also emphasizes minimalism, with elements like light switches, outlets, and mechanical grills concealed to maintain a clean aesthetic, requiring precise planning and construction. Today, the studio serves multiple purposes, functioning as an architectural office for meetings and team collaboration, and occasionally hosting community and social gatherings, with potential future use as an art space. Wakako particularly values the studio's ability to create a sense of being outdoors, in close proximity to the garden, especially when the multi-slide doors are fully open. This addition exemplifies thoughtful architectural adaptation to changing needs, demonstrating a successful blend of professional utility, family integration, and environmental consciousness. #StudioExtension #ModularShelving #PlywoodDesign #IndoorOutdoorLiving #SustainableDesign #ArchitecturalInnovation #FlexibleWorkspace #NativeGarden #SmallSpaceDesign

The Commons, a SoHo test kitchen and event space for Tasting Table, was designed by Float Studio with a primary focus on versatility and adaptability. Designer Barbara Giacoman aimed to create a space that could seamlessly transition between various functions, including a test kitchen, a video set, and an event venue, while still offering a sense of comfort and refuge. The design ethos centers on maximizing functionality without compromising aesthetic appeal. The core of the design revolves around a flexible layout featuring moveable islands. This allows the space to be reconfigured quickly and efficiently to suit different needs and accommodate a range of chefs and activities. The islands serve as dynamic elements, enabling multiple work zones or a more open plan for events. This adaptability is crucial for a multi-purpose space like The Commons, which hosts diverse culinary and media activities. Beyond functionality, the aesthetic elements contribute to the warm and inviting atmosphere. The kitchen is defined by oxblood cabinets, which add a rich, distinctive color and a touch of sophistication. These cabinets are complemented by matte-finished hardware, providing a subtle yet elegant detail that enhances the overall contemporary feel of the space. The material palette and finishes were carefully selected to be both durable and visually appealing, suitable for a high-traffic professional kitchen and event space. Natural light plays a significant role in the design. Sunlight floods the space through large windows and a skylight, creating a bright and airy environment. This abundance of natural light not only enhances the visual appeal but also contributes to a more pleasant and productive working atmosphere, which is particularly beneficial for a test kitchen where precision and visual presentation are important. Potted plants are strategically integrated throughout the space, adding elements of greenery and nature, which further contribute to the feeling of comfort and well-being. The design also capitalizes on the architectural features of the building, specifically the 12-foot-high ceilings. These high ceilings contribute to an expansive and open feel, preventing the space from feeling cramped despite its multi-functional nature. They also allow for better air circulation and provide an impressive backdrop for events and video shoots. The kitchen area seamlessly opens into an adjacent lounge area, further extending the functional and social possibilities of The Commons. This integration allows guests to move freely between cooking demonstrations, dining, and relaxation, making the space highly suitable for various social gatherings and corporate events. Overall, Float Studio's design for The Commons successfully balances practical requirements with aesthetic considerations. The innovative use of moveable elements, combined with thoughtful material choices, natural lighting, and a connection to a lounge area, creates a highly functional and inviting environment that can effortlessly transform to meet the diverse demands of a modern culinary and event space. #TestKitchenDesign #EventSpace #SoHoDesign #FlexibleLayout #InteriorDesign #CommercialKitchen #FloatStudio #OxbloodCabinets #NaturalLight

This article highlights the transformation of a Lake Claire duplex in Atlanta, a rare intown home nestled within a wooded ravine. The property, initially purchased by young film industry professionals as a second home, presented designer Jessica Davis with the challenge of revitalizing a unique midcentury-meets-industrial structure. The duplex was originally divided into two separate units with no internal connection and featured awkward open-concept layouts that blurred the lines between living and dining areas, along with dated bathrooms. Jessica Davis, discovered by the homeowners on Instagram, was tasked with infusing the home with her signature vibrant style while optimizing its layout for both livability and renter-friendliness. A key intervention was the installation of a new interior spiral staircase, which connected the upper and lower levels, allowing the clients to utilize the property as a single cohesive residence or to rent out the lower unit independently. This dual-purpose design was critical to meeting the clients' needs. On the upper level, which houses the primary bedroom, a daughter’s bedroom, and an open-concept living space, Davis implemented strategic design choices to define areas without obstructing the natural views. A stylish banquette was introduced to create a clear separation between the sofa and kitchen areas, ensuring a more functional and aesthetically pleasing flow. Low-profile furniture and retractable window shades were deliberately chosen to maintain an unobstructed vista of the surrounding woods. Although the kitchen and bathrooms had functional layouts and acceptable tile work, Davis performed light renovations, focusing on impactful yet economical swaps such as new hardware and updated base cabinets to refresh these spaces. The lower level was conceived as a self-contained apartment, catering to its potential as a rental unit or an in-law suite. Davis embraced the existing industrial aesthetic of this section. The kitchenette features happy blue cabinetry complemented by a utilitarian stainless-steel backsplash and a compact dining table that can also serve as an island. To maximize storage and better delineate spaces, the kitchen cabinets were extended along the wall behind the sofa, with a color variation that made them function as a credenza, effectively defining the living area. The office on this level was designed to be versatile, doubling as a guest room. Further design details across the home include a vibrant family room where a low-slung teal sofa and rainbow rug draw the eye while preserving the view of the ravine. A secondary seating area in the family room features rattan lounge chairs that swivel, offering flexibility to enjoy the view or engage with the main living space. The sunroom off the main living area, furnished with Couture Jardin sofas and a lime green-and-blue rug, creates a serene space immersed in nature. The daughter’s bedroom was transformed into a playful, treehouse-like environment with a Blu Dot desk and chair, a sculptural pendant, and a trundle bed, designed to adapt as she grows. In the primary bedroom, walls and ceiling were painted a peaceful blue to enhance the sense of space, and a built-in headboard serves as both storage and a focal point, accented by a wood knot sculpture. The primary bath received a refresh with a new floating vanity, knotted pulls, and bubble sconces, while the daughter’s bath was updated with new drawers, coral hardware, and a modern sconce. The downstairs guest bath creatively repurposed the old powder room sink, custom-fitted into a vanity with half-moon pulls and red hairpin legs, alongside a petite red sconce, giving it a contemporary vintage appeal. The overarching design philosophy centered on enhancing existing elements with colorful, modern touches to create a vibrant home that harmoniously integrates with its unique natural setting. #HomeDesign #InteriorDesign #LakeClaire #DuplexRenovation #MidcenturyModern #IndustrialStyle #JessicaDavis #AtlantaHomes #ColorfulInteriors

The article details the recent renovation of the Delish test kitchen and studio kitchens, highlighting design choices and functional features aimed at maximizing efficiency for recipe development and video production. The project was executed with the expertise of interior designer Betsy Wentz and supported by sponsors GE Profile, GoodCook, and The Bar. The design prioritizes a modern, clean, and durable aesthetic, featuring custom cabinetry that ingeniously conceals outlets for appliances, alongside vibrant tile, paint, and colorful light fixtures to enhance visual appeal. The main commercial test kitchen is designed with two islands to facilitate cooking, prep work, and storage. These neutral-toned islands are accented by shelf back panels painted in Benjamin Moore's Old Glory, adding a vibrant touch. Caesarstone was chosen for the countertops, and Fireclay Tile was used for tiling. The Delish team incorporates technology into their workflow, utilizing an iPad Air for recipe notes. The sink areas in the kitchen feature kite-shaped tiles with dark grout and coral light fixtures from The Urban Electric Co., contributing texture and color to the space. A notable feature in the kitchen islands is a hidden cutout specifically designed to stash gear, such as a half-height cooling rack that fits perfectly underneath the counter. This emphasizes smart storage solutions within the design. One of the studio kitchens spans 342 square feet and is meticulously arranged to ensure that wall ovens, the range, and the sink are all easily accessible, promoting an efficient workflow. GE Profile appliances are prominently used throughout the kitchen, along with Staub pots. Further demonstrating thoughtful organization, the kitchen includes divider inserts to keep utensils tidy. A dedicated coffee station shelf complements the blue accents of the kitchen islands, equipped with a GE Profile Semi-Automatic Espresso Machine. The kitchen also features a GE Profile Smart Slide-In Gas Range, noted for its fingerprint-resistant surface. A custom-built pullout spice rack provides convenient access from both sides, showcasing an innovative storage solution. The article also showcases a built-in bar area, designed for versatility from breakfast to happy hour. This space is adorned with teal tiles and features coral stools from Andreu World. Interior designer Betsy Wentz emphasizes the use of performance fabric on the counter stools, noting its durability and ease of cleaning, addressing common concerns about using fabric in a kitchen environment. The bar is stocked with spirits from The Bar, and the walls are covered with custom wallcovering from The Detroit Wallpaper Co., rounding out the kitchen's comprehensive and stylish overhaul. #KitchenRemodel #TestKitchen #InteriorDesign #SmartStorage #GEProfile #KitchenAppliances #TileDesign #HomeBar #ColorfulKitchen #EfficiencyInDesign

The Sonoma-based interior design firm Hommeboys, led by Alex Mutter-Rottmayer and Austin Carrier, has opened a new studio and launched three new capsule collections for their furniture line, Haus of Hommeboys. The firm is known for its thoughtful design approach and hands-on craftsmanship, blending classic Wine Country aesthetics with a modern, refreshing twist. Mutter-Rottmayer and Carrier, who have been married since 2019, have previously garnered acclaim for their designs in projects such as Healdsburg’s Marine Layer tasting room and Sonoma’s Valley Bar + Bottle restaurant. The new studio, which also houses a woodshop and cabinetry studio, is situated just off the plaza in downtown Sonoma. This expansion represents a significant step for the Hommeboys, fulfilling a long-held ambition to establish their own showroom. Mutter-Rottmayer expressed a mix of excitement and apprehension about the venture, acknowledging the risk involved in showcasing their unique design vision to a wider audience, but emphasizing their consistent desire for a dedicated space. The Hommeboys’ design philosophy is characterized by an emphasis on mixing materials and incorporating organic and natural elements. They experiment with various shapes in plaster, stone, and wood, aiming for a look that is both earthy and deeply connected to the Californian landscape. This approach is reflected in their furniture line, which features organic and natural materials. One of their new capsule collections for Haus of Hommeboys draws inspiration from rustic themes. This collection includes dark, ebony-stained, hand-notched cedar furniture, designed to evoke a raw, rustic, and edgy feel. The shapes within this collection are described as anthropomorphized, influenced by the golden hills of California. The design process at Hommeboys is driven by creativity and a desire to have fun. Alex Mutter-Rottmayer highlighted an instance where green velvet from a photo shoot was spontaneously used to cover a bedroom’s walls, illustrating their adaptive and playful approach to design. This method emphasizes utilizing available resources and embracing unexpected inspirations to shape their distinctive interiors. #InteriorDesign #Sonoma #DesignStudio #FurnitureDesign #HausOfHommeboys #WineCountryDesign #OrganicDesign #Craftsmanship

In 2017, Amy Hughes established Maplewood Mercantile at 145 Dunnell Road in Maplewood, envisioning it as a collaborative space for women business owners and a community hub. The location, a renovated 1920s auto garage, serves as a center for design and social gathering. The Montclair Girl interviewed Amy Hughes in 2022 to discuss the Mercantile's evolution and her entrepreneurial journey in Maplewood. Amy Hughes and her husband relocated from New York City to Maplewood. Previously a journalist and editor for *This Old House* magazine, Amy developed expertise in DIY, antiques, and vintage furniture while writing her book, *This Old House: Salvage Style Projects*. This led her to launch Salvage Style, a vintage furniture resale business, initially as a side venture in 2013, which later became her full-time occupation. Her business started in a 300-square-foot storefront on Baker Street, expanding to require multiple storage units across town to manage inventory. By 2017, the logistical challenges of managing scattered inventory prompted a search for a larger space. Amy identified a large warehouse in Maplewood, previously used by an interior designer primarily for storage with occasional sales. After a five-month process to finalize the lease and permits, Amy moved Salvage Style into the 3,000-square-foot former auto garage. The Mercantile's initial tenants included two other women-owned businesses, highlighting its foundational commitment to supporting female entrepreneurs. The transformation of the raw garage space into a retail environment required significant effort. The Mercantile's location is a key asset, situated near the Maplewood train station, Memorial Park, and local schools, which attracts both New York City commuters and local teenagers. A notable benefit is the dedicated parking, a rare commodity in downtown Maplewood. The 1920s auto garage featured concrete floors, 25-foot ceilings, exposed brick, and large windows. The landlord collaborated with Clawson Architects to replace the original windows with historically accurate and energy-efficient alternatives. The renovation involved pressure washing the interior and applying over 40 gallons of white paint, preserving the concrete floors with their original paint splatters and one exposed brick wall, creating a distinctive aesthetic. Upon entering the Merc through a 12-foot carriage door, visitors are greeted by a large acrylic 'Moonlamp,' an architectural salvage piece from Austin, Texas. The interior's airy and rugged design, coupled with its high ceilings and abundant windows, provides excellent natural ventilation, which proved beneficial during the COVID-19 pandemic. The space became a refuge for the community, encouraging browsing and cultural engagement. Amy Hughes oversees the merchandising, while partner businesses curate their sections to create a cohesive yet diverse aesthetic. The current retailers at the Merc include Anna Herbst Photography, which operates a studio benefiting from the natural light and high ceilings, specializing in product, lifestyle, fine art, and portrait photography for women-owned businesses, realtors, and interior designers. The Collector, founded by Emma O’Shea, offers new and vintage clothing, focusing on sustainable practices and ethical sourcing from small NYC-area designers. Piper’s Talisman, led by Piper Jon, creates unique jewelry by upcycling antique pieces like watch chains, vintage coins, and keys, and has gained recognition from figures such as actress Melissa Gilbert. Salvage Style, Amy Hughes's original business, offers styling consultations and sells vintage and reclaimed furniture, including Mid-Century Modern pieces and antique rugs. Community engagement is central to the Mercantile's operation, with regular pop-ups and cultural events featuring live music to support young local musicians. Amy Hughes expresses pride in the Merc's role as an incubator for small, women-owned businesses, noting that several businesses have successfully launched from the space. An example is deVINE Plantery, which started online during the pandemic, joined the Merc as a pop-up, became a permanent tenant, and eventually opened its own dedicated store in Montclair. Amy credits the success of these businesses to the entrepreneurs' hard work and innovative ideas, viewing her role as providing a supportive environment. #MaplewoodMercantile #CommunitySpace #WomenOwnedBusinesses #VintageFurniture #SalvageStyle #RetailIncubator #AdaptiveReuse #LocalGems #InteriorDesign