I am obsessed with the The Moorish-inspired courtyard at WOW!house - here's how to get the look

The annual WOW!house interiors showcase, now in its third year, is hosted at London's Design Centre, Chelsea Harbour. This event highlights the work of contemporary designers, with the 2024 edition featuring 19 distinct rooms and outdoor spaces, spanning over 500 square meters. Designers like Ken Fulk, Alidad, and Tolù Adèkó meticulously craft each space, focusing on every detail from soft furnishings to atmospheric scents. Claire German, CEO of the Design Centre, emphasizes the event's aim to astonish and inspire by demonstrating the exceptional achievements possible through collaborative efforts within the design industry. The showcase runs until July 4, 2024. Among the featured rooms is the Schumacher Courtyard Bedroom by Veere Grenney Associates. Grenney, a prominent figure in interior design, conceived the space as a tranquil 'one' room, ideal for writing or sitting, and envisioned it with an open fire, stating that only a dog is missing. This room pays tribute to the late American designer Billy Baldwin, known for his clean-cut and minimalist aesthetic, notably applied in John F. Kennedy's White House. Grenney also used this platform to introduce his latest fabric collection for Schumacher, a company with a long history of supplying high-quality materials to esteemed clients. The walls of the bedroom are adorned with a subtle 'Woodman Check' pattern, while a four-poster bed, favored by Grenney, features 'Suffolk Damask' pelmets and swags in a rich brown. Personal touches such as framed photographs, a vase of peonies, and coffee-table books contribute to the inviting atmosphere. Visitors frequently praise the room for its blend of cleanliness, contemporary style, order, precision, and comfort. Benedict Foley’s Zoffany Entrance Hall draws inspiration from Luchino Visconti’s 1963 film, _Il Gattopardo_ (_The Leopard_), infusing the space with a theatrical blend of Italian flair and English elegance. Foley describes the room as an invitation to imagine oneself in a Sicilian palazzo. Zoffany, a manufacturer renowned for its historical research and dedication to preserving traditional crafts, provided the fabrics and wall coverings. The room features luxurious silks in ruby and caramel, along with 'Wool Satin' and 'Long Gallery' brocades, whose designs originated from the Tudor estate Temple Newsam in West Yorkshire. A distinctive earth-toned, checkerboard carpet crafted from British wool by one of England's last skilled weavers completes the flooring. Foley highlights Zoffany's contributions to UK manufacturing and the artistry of fabric mills, describing his design approach as weaving together diverse visual references with a touch of humor, resulting in a vibrant mix of patterns, colors, and textures. The Colefax and Fowler Morning Room, designed by Lucy Hammond Giles, was created by the 2023 House & Garden 'Interior Designer of the Year.' Giles, an associate director at Sibyl Colefax & John Fowler, Britain’s oldest interior decorating firm, aimed to create a cozy, practical daytime room. The design incorporates blue-and-white ceramics, ivory scalloped lanterns, and walls covered in mustard-yellow Larsen linen. The linen curtains are embellished with Colefax and Fowler’s signature block-printed 'Gothic Stripe' silk in a custom chocolate color, meticulously hand-cut and stitched. Giles explains that the morning room is a less formal space than a drawing-room, intended for relaxed activities like enjoying coffee and a newspaper. She also delved into the Colefax and Fowler archives to find a sofa design, ultimately selecting an elegantly curved model initially made for the apartment of former designer Tom Parr and his partner, Fulco di Verdura. This sofa, re-created in a cream fabric with orange ribbon trim, offers a modern yet comfortable aesthetic, providing a perfect and elegant retreat. Jamb London Primary Bedroom, conceived by Charlotte Freemantle and Will Fisher, showcases the evolution of Jamb, a prominent purveyor of antique and reproduction 18th- and 19th-century furniture, lighting, and fireplaces. What began as a south London stall over 20 years ago has transformed into a successful business with a flagship store on Pimlico Road and multiple showrooms in the USA. For WOW!house, Fisher and Fremantle designed a luxurious bedroom enveloped in soft pink silk. The centerpiece is a Chippendale-style four-poster bed, upholstered with antique paisley shawls, complemented by lozenge-shaped mirrors and mahogany pot cupboards inspired by 18th-century cabinetmaker Gillows of Lancaster. The room also features a reproduction Georgian armchair with faux bamboo legs and a significant 18th-century Anglo-Chinese coromandel cabinet adorned with figurative scenes, reflecting historical English fascination with the Far East. A late-19th-century painting of a resting lion by American artist Newbold Hough Trotter is prominently displayed above one of Jamb’s distinctive chimneypieces, crafted from Grigio Carnico marble, completing the Romantic vision. The Sitting Room by Sophie Ashby for United in Design highlights a commitment to diversity and inclusivity in the design industry. Ashby, recognized as one of House & Garden’s 'Top 100' interior designers, co-founded United in Design in 2020 with Alexandria Dauley. The charity aims to provide opportunities for individuals from diverse and disadvantaged backgrounds. As this year's WOW!house charity partner, a portion of ticket sales will support inclusivity initiatives throughout 2025. Ashby’s eclectic room reflects the charity’s mission by featuring furniture, fabrics, and art created by Black, Asian, and ethnically diverse talents, including designer B.C. Joshua, photographer Sridhar Balasubramaniyam, and textile artist Dalia James. Notable elements include photographs by Lily Bertrand-Webb, a deaf Dominican-English photographer, and a copy of Ashby’s book, _Studio Ashby: Home Art Soul_, showcasing her decade of work. #InteriorDesign #WOWhouse #ChelseaDesignCentre #VeereGrenney #BenedictFoley #LucyHammondGiles #JambLondon #SophieAshby #UnitedInDesign

The WOW!house 2025, a significant interior design showcase held at Design Centre Chelsea Harbour, is presented as a pop-up network of 22 distinct display rooms and outdoor spaces. This event, now in its fourth year, has become a prominent fixture for design enthusiasts and professionals globally, offering a glimpse into emerging interior design trends and prevailing themes. Each space within the showhouse is meticulously crafted by designers with established pedigrees, showcasing their individual design philosophies and theoretical attachments while demonstrating aesthetic refinement. Key highlights from the exhibition include the first-ever entrance courtyard by Alexander Hoyle, which features a classic English garden sensibility with architectural stonework by Artorious Faber. The facade, designed by Darren Price of Adam Architecture, exemplifies Georgian architectural principles through its scale, proportion, and symmetrical design. Victoria Davar of Maison Artefact created an opulent entrance hall, inspired by a modern-day Peggy Guggenheim, incorporating sculptural pieces by Cox London and other artisanal items. Chad Dorsey’s drawing room is envisioned as an Arts and Crafts space transformed into an exclusive social club, distinguished by floral wall coverings from Fromental. Staffan Tollgård’s study emphasizes both utility and decoration, featuring a monochromatic, moody atmosphere with wall coverings by Phillip Jeffries, designed to inspire contemplation. Alex Dauley’s media room is a lesson in textural layering, incorporating a Julian Chichester sofa, a custom Porta Romana lamp, and surround sound by Nucleus. Brigitta Spinocchia Freund’s ‘The Curators Room’ exclusively showcases work by women artists, with bespoke rug designs by Stark. Tomèf Design collaborated with Italian brands Fortuny, Bonacina, and Barovier&Toso; to create a primary bedroom celebrating Italian design, evoking the grandeur of Venetian palaces. The primary bathroom by 1508 London, sponsored by House of Rohl, balances practicality with aesthetics, featuring basins and a bath resulting from a collaboration between Victoria + Albert and Sophie-Elizabeth Thompson. Daniel Slowik’s morning room is a tribute to British art collector Richard Wallace, with furnishings sourced from dealers at the Treasure House Fair. Goddard Littlefair’s courtyard blends Andalusian, Moorish, and North African influences, featuring organic tones and outdoor fabrics by Perennials and Sutherland. Emma Sims-Hilditch’s courtyard room, a quintessential English country boot room/dog room, demonstrates the decorative potential of utilitarian spaces with Delft tiles and floral wallpaper. Alessandra Branca’s romantic bedroom is adorned with textiles and wallpapers from her Casa Branca brand’s new Srinagar collection. Laura Hammett’s bathroom celebrates the centenary of Art Deco, featuring an enormous vanity unit clad in Calacatta Oro marble by Ca’ Pietra and made by Ashton Bespoke, with taps from Samuel Heath. Kelly Hoppen’s living room focuses on light to create atmosphere, with lighting by Visual Comfort & Co. The library by Pirajean Lees is designed with acoustics in mind, promoting a relaxed listening experience with luxurious fabrics from Dedar. Nicola Harding’s powder room, a collaboration with Drummonds, showcases a bold approach to color and traditional English design with Bejmat tiles and a silk-tented ceiling. Peter Mikic’s dining room is a vibrant space with a retro inspiration, utilizing Benjamin Moore paints. Toni Black of Blacksheep designed a home bar with handmade joinery and furniture by Shepel’, aiming for a warm and welcoming atmosphere. James Thurstan Waterworth’s snug offers an eccentric, uncurated aesthetic, with artisan lighting by Hector Finch. The kitchen by Ben Penreath Studio is an “unfitted kitchen” designed to evoke a vast country house, built in collaboration with Lopen Joinery. Finally, Randle Siddeley’s garden terrace, in partnership with McKinnon and Harris, is an ultimate summer entertaining spot designed to inspire indoor-outdoor living. The WOW!house 2025 event runs until July 3rd, offering a unique opportunity to explore these diverse and expertly designed spaces. #WOWhouse2025 #InteriorDesign #DesignShowcase #LuxuryInteriors #ChelseaHarbour #ArchitecturalDesign #HomeDecoration #EmergingTrends #DesignInspiration

This article details the thoughtful renovation of a five-bedroom, four-bathroom Cotswold stone house, originally set in a former orchard, undertaken by its owners, Julie and Neil Daniells. The aim of the renovation was to blend contemporary aesthetics with the property's period setting, utilizing a natural palette of colors and materials to create a comfortable and welcoming environment for both family and guests. The transformation encompasses both the interior and exterior spaces, showcasing a harmonious balance between historic charm and modern design. On the exterior, Julie took the initiative to paint the uPVC windows using Tikkurila paint, custom-mixed to a dark taupe, which contrasts with a charcoal shade used on the interior window frames. This decision added character both inside and out. The garden room, which was originally a conservatory, received an update with new slate-look roof tiles, providing an interesting contrast to the main roof's clay terracotta tiles. This structural change was crucial in regulating the room's temperature, making it comfortable year-round, enhanced by insulation and strategically placed radiators. Two non-reflective roof lights were installed to flood the space with natural light and prevent the adjoining sitting room from becoming too dark. The garden, a significant aspect of the property, was professionally redesigned by award-winning local garden designer Lucy Bravington. Julie emphasized the garden's importance as an extension of the living space, particularly during the summer months. The house's kitchen, though in good condition, saw its hardwood cabinetry repainted from taupe to Neptune's Charcoal, achieving a more dramatic and updated look, complementing the cleaned and sealed ceramic floor tiles. The dining area, adjacent to the kitchen and garden room, features a pale wooden table and leather chairs illuminated by large white pendant lights, introducing a modern touch. The hallway and landing, admired for their generous scale, underwent a restoration where the original orange-varnished staircase was sandblasted and given a chalky wash, maintaining a light and airy feel. The sitting room, centered around a large inglenook fireplace, was transformed with Farrow & Ball's Downpipe on the walls, creating a rich, cozy atmosphere that is balanced by the light ceiling and floor. The main bedroom features paneling behind the bed, painted in Farrow & Ball's Charleston Gray, adding texture. This is complemented by a large brass light fixture, a sheepskin rug, and a Welsh wool throw, contributing layers of comfort and luxury. A guest bedroom adopts a coastal theme with wall paneling from The English Panelling Company and a four-poster bed from Neptune. Lastly, the bathroom showcases a creative touch with an upcycled chest serving as a vanity unit and patterned floor tiles from Fired Earth, adding a distinctive element to the space. #CotswoldHouse #HomeRenovation #InteriorDesign #GardenDesign #ContemporaryLiving #PeriodProperty #NaturalPalette #HomeTour #DesignInspiration

The article details the renovation project of an interior designer, Steph Schlegelmilch of Studio Seva, who transformed a bland new-build home in Westport into a charming family residence. Despite the house being sold at teardown value in a foreclosure auction, Schlegelmilch recognized its potential, especially its English Tudor-style architecture, which was uncommon in the area dominated by modern farmhouses. The initial vision for the renovation was to create a comfortable, elevated, and timeless home with a strong European influence, achieved by selective changes and preserving original features. The renovation began with addressing the home's initially cold and uninspired interior, described as a "builder special." The existing lighting was seen as wasteful and bland, lacking soul. Significant landscaping work was also necessary, involving the removal of almost four hundred yards of ledge, which caused a three-month delay. The exterior transformation included a backyard retreat with a pool, multi-tiered patios, gardens, retaining walls, and mature landscaping, designed to enhance the property's European country home feel. In the kitchen, minimal structural changes were needed, but extensive upgrades for functionality were carried out. Outdated, undersized, and awkwardly configured appliances, such as a left-hinged fridge and freezer positioned side-by-side, were replaced. The original range was upgraded to a Lacanche, a new plaster hood was installed, and lighting was updated, featuring Matthew Cox island pendants from England as a key design element. The dining room was conceived as a dark and sultry space, leveraging its large size and high ceilings. Plaster was used on the walls to add warmth and align with the European style, and a darker finish was chosen to create a bold yet sensible ambiance. This darker tone was subtly echoed through accents in other rooms to maintain continuity, especially since the dining room is not immediately visible upon entering the house. The family room emerged as the designer's favorite space, serving as a daily gathering and unwinding area. It is strategically located adjacent to the kitchen but designed to feel distinct, avoiding the common issue of modern open-plan homes where dining and living areas blend too much. Special design details in this room include an arched niche with custom-stained oak millwork, the addition of symmetry around the fireplace, and the conversion of the fireplace to gas with a reclaimed beam mantel, enhancing its coziness. Throughout the home, Schlegelmilch emphasizes collecting unique items and incorporating pieces from favorite brands like Verellen to create a lived-in, comfortable, and soulful environment. #InteriorDesign #HomeRenovation #WestportHome #EuropeanInfluence #TudorStyle #FamilyHome #KitchenDesign #DiningRoom #FamilyRoom #LandscapeDesign

Lisa and Gary Mieran, owners of Akyrah Kitchens, designed and largely built their two-storey, industrial-style home with modernist influences in Gympie, Queensland. The house, completed in December 2019 after a two-stage construction, is situated on land historically owned by Lisa's family. The design draws inspiration from Heide II, a modernist icon in Melbourne, celebrating concrete, timber, abundant light, and earthy tones. Lisa envisioned a home that would rise organically from the earth, becoming an integral part of the landscape and improving with age. The structure features off-form concrete, walls of glass, and tactile timbers, with the lower storey clad in cedar and the upper storey in recycled hardwood. Steel balustrading, handcrafted by Gary, complements the exterior, which also includes a swimming pool with Andorra limestone pavers. The interior features a breezeway offering spectacular views and airflow, with ceilings made of Henley Oak Grove engineered timber. The foyer includes a BassamFellows 'Geometric' day bed and artworks by Steve Waller. Given their expertise with Akyrah Kitchens, the kitchen in their home is a highlight, featuring blackbutt veneer doors, Basaltina benchtops, Circa taps from Brodware, and Inax 'Ceravio G' tiles. The living areas include a guest sitting area with a B&B Italia 'Le Bambole' sofa and a living room with a Cheminées Philippe fireplace and Jardan furnishings. The home was built in two stages to accommodate their grown children, Taren and Kirra. The first stage was a self-contained flat, which served as their temporary residence during the main build and now functions as a guest wing. The main house and another guest wing are connected by glassed walkways, with the main bedroom suite located upstairs. This design allows for three self-contained bedrooms with ensuites, providing private quarters for everyone while centralizing communal living spaces. Practicality and functionality are key design principles, evident in the integrated laundry within the bathroom behind a blackbutt joinery feature wall, and the kitchen's two large islands designed for simplicity and ample storage. The materials used throughout the home emphasize natural elements. Recycled timber is used for the upper storey and blackbutt joinery adds warmth, while the seamless flow of concrete from exterior to interior reinforces the architectural aesthetic. The home is designed for climate control, with generous light for winter warmth and cross-breezes for summer cooling. Lisa also undertook the landscaping, incorporating native plants like Xanthorrhoea, pandanus, native grasses, and succulents. The furniture, much of it Australian-made from brands like Jardan, is chosen for its timeless appeal and durability, reflecting the couple's preference for classic design over fleeting trends. The house stands as a testament to the couple's comprehensive involvement and shared vision, combining their professional skills with personal passions to create a harmonious and functional living space. #ModernistArchitecture #IndustrialStyle #ConcreteDesign #TimberAccents #SustainableMaterials #HomeDesign #OwnerBuilt #QueenslandHome #InteriorDesign

This guide explores how to incorporate a Western-chic aesthetic into home interiors, drawing inspiration from the romanticized American West. The Shaw Ranch in Cora, Wyoming, a property spanning over 8,600 square feet with a four-bedroom, five-bathroom log cabin mansion, serves as a prime example of elevated ranch life and modern Western style. The ranch features interior elements such as massive stone fireplaces, a copper ceiling kitchen, and a home theater, set on 230 acres with three ponds and open pastures, framed by a wall of windows in the living room. The article outlines several strategies for achieving this design. To create a welcoming Western entryway, one should prioritize an orderly yet unpolished look, using a color palette inspired by the natural landscape, including dusty reds, various blues, and warm browns. Essential elements for this space include a rugged leather bench for cowboy boots and work gloves, utilitarian hooks for vests, jackets, and lassos, and a cobalt flat-weave rug to introduce subtle color. Examples cited include a Womenfolk Palm Hat and Concho Hat band. Layering vintage textiles with mismatched prints is suggested for softening rooms, particularly over plump leather sofas. The color scheme initiated in the entryway should be continued with navy and maroon plaids, shearling throws, and abstract area rugs. Books by Wyoming authors, local ceramics, blankets, and cushions contribute to an authentic local feel. Tasteful taxidermy, such as a buck bust, elk, or bison, can serve as admired statement pieces when used sparingly. For rooms lacking expansive views, large-scale black and white photography, inspired by artists like Ansel Adams, can bring the outdoors in. The study at Shaw Ranch features a black and white photo of wild horses on the fireplace mantel, complemented by a deer antler candlestick and artisan-crafted chairs, such as a consignment Small Tufted Leather Ottoman and a Wooden Lodge-Style Chair from Home Again Jackson Hole, along with an Onyx & Antler Elk Antler Candlestick. Investing in a cowhide rug is recommended for any room, pairing rugged Western décor with elegant furniture like carved four-poster beds and antique daybeds to introduce luxury. Layering super-soft bedding, blankets, and pillows creates a comfortable sleeping space. Quilts or bedspreads with woven details in muted red and blue patterns, striped throws in washed-out hues, and pillows with geometric diamond patterns can complete the look. Warm, sun-kissed neutrals provide a calming backdrop, while mason jars and ceramic pitchers filled with wildflowers maintain a connection to the wild West. The Womenfolk Red, White, and Blue Embroidered Bedspread is presented as an example. Personal clothing and accessories can be repurposed as decorative elements. Vintage-inspired lace dresses can function as window treatments, while turquoise and silver jewelry displayed on a tray serve as both art and easily accessible adornments. Vintage belts and hats can be draped over mirrors or chairs, and cowboy boots arranged beneath a fireplace or window. Specific items mentioned include Sea dresses, LoveStrength belts, Montana Boots, a Womenfolk Vintage Hand-Tooled Bag, a Womenfolk Teal Blake Scarf with Tassels, a Womenfolk Vintage Resistol Hat, Anna Sheffield turquoise and diamond earrings and rings, Sarah Tams Sterling & Fine Silver Handmade Jewelry, and Vintage Postcards. Finally, the article suggests creating a camp-inspired outdoor area that blends off-the-grid camping with a landscaped backyard. Instead of typical Adirondack chairs, unique pieces made from rough-hewn branches are recommended. Layered fabrics and pillows can make outdoor spaces cozy, especially during cooler evenings. If a fire pit is not feasible, a deck-appropriate grill can evoke campfire vibes, accompanied by chili, cornbread (a recipe is provided), and spiked hot chocolate. Marshmallows can be roasted on a stove to complete the experience. Mentioned outdoor items include a consignment Round Elm Side Table from Womenfolk and Rustic Handmade Wood Chairs from Jackson Artisans and Findings. #WesternChic #HomeDecor #InteriorDesign #RanchLife #VintageTextiles #CowhideRug #OutdoorLiving #RusticDecor #DesignTips

Binh and Thomas Allen, a couple with no prior property development experience, embarked on an ambitious three-year renovation of an untouched Victorian terrace in West Dulwich, South London. They discovered a property built in the early 1900s with many original features still intact, a rarity in today's market, and were captivated by its inherent charm. Their vision for the home was to blend its historical Victorian elements with modern mid-century furniture and contemporary furnishings, a reflection of their diverse backgrounds—Binh from Vietnam and Thomas from Switzerland. The renovation was not without significant challenges. The couple chose to live in the house throughout the process, even enduring a period where their roof was removed for a loft conversion. This meant sharing their living space with builders six days a week and contending with constant dust and exposure to the elements, including birds flying into their bedroom through the open roof. Despite these difficulties, their belief in their dream home never wavered. They meticulously managed the project themselves, from sourcing all materials and furnishings to keeping a strict handle on the budget, a task at which Thomas excelled with his detailed spreadsheets. A key motivation for purchasing a "doer-upper" was to maximize their investment. They began with essential upgrades, such as installing a new boiler and removing outdated carpeting. The renovation was phased over three years due to budget constraints. In the second year, they tackled bathroom renovations, and by the third year, they undertook the two most significant projects: the loft conversion and the kitchen remodeling. They gathered ideas by attending local open house sales, which also helped them understand the precedents for loft conversions and extensions in their area, aiding in the planning permission process. For the loft conversion, they hired a builder with the understanding that they would procure all materials themselves. This hands-on approach resulted in a 20 percent saving on the overall cost, and they learned to negotiate prices effectively. Although the work fell under permitted development, they enlisted an architect specializing in period properties to creatively maximize the space and ensure a premium finish. The architect designed a master suite without compromising ceiling height by strengthening existing joists and adding new ones, avoiding the need for steel beams that would have reduced headroom. They also used the opportunity of scaffolding to repaint windows, repoint, install solar panels, and repair exterior damage. The kitchen renovation involved removing a chimney breast to create space for units, taking out the back wall, and installing Crittall doors. They opted for long and wide timber floorboards to enhance the sense of space and a Shaker-style kitchen with brass details for an urban country aesthetic. Cost savings were achieved by selecting a marble-inspired matte worktop made from natural, recyclable materials, with an offcut used to create a feature shelf. Their patio design was inspired by travertine tiles seen on holiday in Israel, chosen for their creamy, warm appearance and minimalist, Mediterranean feel. They also installed a home office/cinema room in the garden, a multifunctional retreat surrounded by greenery. Inside, they maintained a consistent blue and white color palette, restored original Victorian cornices and ceiling roses, and chose a mix of modern and antique furnishings to create a unique character without being overly traditional. The entrance hall's original Victorian tiles were preserved, with broken ones replaced by matching imitation tiles, and the front door's frosted glass was replaced with stained glass inspired by the floor tiles. The bathroom features reclaimed period tiles from Spain, contrasted with white wall tiles and paint, accommodating a large shower and freestanding bath. #VictorianHome #HomeRenovation #LoftConversion #KitchenRemodel #InteriorDesign #DIYProject #PeriodProperty #HomeImprovement #LondonRealEstate

This article showcases a charming garden shed located in Birmingham, Alabama, part of a larger garden featured in Country Living magazine's August/September issue. The shed and its surrounding garden are described as enchanting and storybook-like, with a particular highlight on a fairy garden within the landscape. The shed itself is visually appealing, characterized by its shingled exterior and a vibrant yellow door, which contributes to its whimsical appearance. The outdoor space around the shed is thoughtfully arranged, featuring an iron table and chairs, suggesting a peaceful spot for relaxation or potting activities. The detailed description of the garden environment includes various elements that enhance its aesthetic and functional appeal. Potted plants and rubber boots are visible outside the potting shed, indicating an active gardening space. The garden boasts a variety of colorful flowers, such as delphiniums and red gerber daisies, and also incorporates different types of foliage, including lettuces. These floral and botanical arrangements are presented in diverse ways, including a stone container filled with colorful flowers and a tiered plant stand displaying potted blooms, adding layers of visual interest to the garden. Beyond the vibrant plant life, the garden also features decorative and playful elements. A stone gnome is strategically placed on a gravel path, reinforcing the storybook theme. The mention of a 'charming fairy garden' suggests a dedicated miniature landscape designed to evoke a sense of fantasy and wonder. The overall design emphasizes a blend of practical gardening space with decorative touches that create an inviting and magical atmosphere. The article implicitly encourages readers to draw inspiration from this picturesque setting for their own outdoor spaces. The visual tour through the photographs aims to immerse the audience in the beauty and intricate details of this unique Birmingham garden. #GardenShed #GardenDesign #Fairyland #CountryLiving #BirminghamAlabama #OutdoorDecor #FloralArrangement #HomeAndGarden

English cottage gardens are celebrated for their romantic, wild, and enchanting aesthetic, characterized by lush layers, fragrant blooms, and a storybook appeal. These gardens frequently feature climbing roses, winding pathways, and whimsical accents that underscore a deep appreciation for nature in its most untamed yet beautiful form. This article explores 22 distinct ideas for creating such a garden, whether in a sprawling yard or a compact corner, aiming to inspire outdoor spaces that exude a timeless charm, vibrant colors, and a sense of enduring life. Each idea presented aims to evoke a sense of magic and tranquility, making the garden feel as though it has been flourishing for centuries. The concepts begin with a 'Cottagecore Dream, Straight from a Fairytale,' depicting a pastel-pink garden cottage surrounded by overflowing flower beds and a stone path, suggesting an enchanted, old-world escape. This leads to the 'Wild English Garden Whimsy,' which captures the essence of a summer morning with layered blooms like foxgloves, daisies, and poppies intertwined along a charming stone path, advocating for a slower, more deliberate lifestyle. The 'Sun-Drenched Cottage Garden' showcases ivy-draped golden stone walls and terracotta pots overflowing with flowers, portraying a lived-in and slightly untamed space ideal for relaxation and quiet reflection. 'Whimsy in Bloom' highlights a vibrant array of lupines, scabiosa, and dahlias, complete with an insect hotel, emphasizing the garden as a living ecosystem. Further ideas include 'A Garden Gate to Daydreams,' featuring a rose-covered arbor and a gravel path, conjuring images of storybook romance and secluded tea dates. 'Twilight Tea Among the Blooms' illustrates an intimate setting with lantern light illuminating hydrangeas and clematis, suggesting magical, candlelit evenings. 'Cottagecore, But Make It Botanical' presents a blush-pink garden house amidst tumbling blooms, perfect for quiet contemplation. 'A Garden Gathering Spot With Storybook Charm' details a patio with picket-fenced garden beds and wicker chairs, inviting communal storytelling under the stars. The article also covers 'Romantic Rose Arbor Moments,' describing white arbors cloaked in climbing roses and winding paths. 'Potting Shed Dreams & Fern-Fringed Paths' offers a vision of a garden nook with a timeworn brick path, lavender-toned blooms, and vintage watering cans. 'The Lavender Lane Daydream' describes a brick trail winding through blue and violet blooms, leading to a potentially secret garden. 'The Cottage-Core Dream Fence' showcases a white picket fence adorned with candy-colored roses and lavender. 'Garden Gate Daydream' features a soft brick path leading to a slightly ajar wooden gate with pale blush roses. Additional inspirations include 'Layered Romance by the Pool,' which combines English cottage charm with poolside serenity through cascading flowers and sculpted hedges. 'A Rosy Ramble to the Cottage' depicts a path lined with pink roses, foxgloves, and delphiniums leading to a cozy cottage. 'Ivy-Clad Symmetry & Stone' explores a manicured garden with boxwood hedges and an ivy-draped facade. 'Whimsical Garden Nook' features stone pavers, clipped boxwood, and a tiny green shed. 'Wild Romance Along the Stone Path' portrays a weathered stone path through lavender, salvia, and heirloom roses. 'Tucked-Away Garden Stairs in Full Bloom' details a hillside garden overflowing with wild roses and soft greens. Finally, 'Thatched Roof + Wildflower Whimsy' illustrates a sun-washed thatched cottage enveloped by untamed blooms, emphasizing natural growth over manicured perfection. 'Wildflower Wonderland + Weathered Greenhouse' envisions a grassy trail through meadows leading to a charming, slightly forgotten greenhouse. 'Wildflower Charm by the Garden Shed' describes a sun-drenched, overgrown corner with foxgloves and daisies, embodying relaxed English cottage aesthetic. The last idea, 'Mossy Bricks + Cascading Wisteria,' suggests a serene garden vignette with an iron bistro set under a canopy of wisteria, perfect for tranquil afternoons. #EnglishCottageGarden #GardenDesign #OutdoorLiving #FloralArrangement #Cottagecore #LandscapeArchitecture #HomeGarden #GardeningIdeas #WhimsicalGardens

The article details the meticulous restoration and redecoration of a late-17th and early-18th-century manor house in Wiltshire, England, owned by Esther Cayzer-Colvin and her husband, Jamie. Cayzer-Colvin, whose family includes influential figures in design and aristocracy like Nancy Lancaster and Deborah, Duchess of Devonshire, has imbued the historic home with a unique blend of classic and contemporary, colorful, and comfortable aesthetics. Despite her modest claims of 'plagiarizing' ideas, her approach to decorating is described as highly personal and creative, drawing inspiration from her heritage while asserting her own distinct style. Upon acquiring the Grade II listed redbrick manor in 2005, the house was in disrepair, necessitating extensive renovations including reroofing, replastering, replumbing, and rewiring. A new drawing room wing was also added. The interiors are a curated collection of art, paintings, and furniture, much of which is either custom-made by creative friends or inherited, reflecting a life lived and memories collected. The few pieces from Jamie's family survived a fire at his childhood home, Tangley House, adding sentimental value to the new collection. Cayzer-Colvin's decision to personally oversee the decoration, rather than hiring a professional, ensures a cohesive and personal signature throughout the house. Her attention to detail is evident in various bespoke elements: manganese tiles from Delft were commissioned for the kitchen fireplace to complement an antique porcelain duck; a specific 'cooking-apple' green hue was achieved for the sitting room walls through careful mixing with a specialist decorative painter; and de Gournay chinoiserie wallpaper in the entrance hall was chosen for its silver tones and lack of man-made objects or blue, creating an uplifting, airy feel. The four-acre garden also reflects Cayzer-Colvin's design philosophy, developed with friend Frances Rasch. Lacking distant views, she created a series of intimate 'rooms' using yew and beech hedges, effectively turning the garden inward to form its own microcosm. This design seamlessly integrates the indoors and outdoors. Influenced by her grandmother Nancy Lancaster's Virginia roots, Cayzer-Colvin incorporated American colonial elements, such as two white clapboard pavilions near the swimming pool, inspired by a garden building at Colonial Williamsburg. The ogee shape of their cedar-shingled roofs is echoed in the green-oak fruit cages in the kitchen garden, reflecting a preference for simplicity over grand statements. The article showcases various rooms including the entry, drawing room, sitting room, dining room, kitchen, pantry, and multiple bedrooms, detailing specific design choices and furnishings, many with personal histories or notable designers. #WiltshireEstate #HistoricHome #EnglishCountryStyle #InteriorDesign #GardenDesign #NancyLancasterInfluence #EstherCayzerColvin #CustomDecor #RenovationProject

This article explores how to create a mid-century modern outdoor oasis, drawing inspiration from design experts. The mid-century modern aesthetic, characterized by clean lines, natural materials, and a focus on both ergonomic comfort and style, is experiencing a resurgence in popularity for outdoor spaces. The design philosophy emphasizes simplicity and repetition, avoiding excessive embellishment while still maintaining visual interest. Key to achieving this look is the selection of outdoor patio furniture. Pieces with clean lines and neutral colors are foundational, though accents of traditional mid-century colors like turquoise, green, pink, and yellow can be incorporated through throw pillows on built-in seating. Vintage or reproduction fiberglass loungers, freestanding hammocks, and Cesca-style outdoor chairs are suggested for their classic appeal and functional shapes. The article recommends focusing on sculptural shapes and lines for accent chairs and tables, while more comfortable elements can provide a canvas for color and pattern. Adding texture is another crucial aspect. The use of materials such as wire mesh in chairs, like Acapulco or Bertoia designs, or metal furniture with vinyl webbing (often seen in mid-century Brown Jordan pieces) can provide tactile contrast. Combining bamboo furniture with fabric pillows is also suggested to enhance textural variety. Russell Woodard's Sculptura line of metal mesh furniture is highlighted for its versatility in matching various decors and being enhanced with contrasting cushions. Woven furniture like rattan, wicker, and bamboo are recommended for covered patios and sunrooms to cultivate a cozy mid-century atmosphere. Modern outdoor lighting and shade solutions are essential for both day and night aesthetics. Instead of string lights, the article suggests incorporating mid-century style table and floor lamps made from weather-resistant materials. Rechargeable LED light cubes are presented as a versatile option, capable of serving as both lighting elements and side tables. For shade, square, cantilever umbrellas with clean edges, minimal pole height, and square bases are ideal. Case Study umbrellas, originally designed by Charles and Ray Eames and Aero Saarenin and now reproduced by Modernica, are also referenced as exemplary mid-century shade options. Finally, the integration of modern planters and pots helps complete the outdoor oasis. Ceramic planters, often placed on metal stands, contribute to staggered heights and add color. The article stresses the importance of low-maintenance and drought-tolerant specimen plants and shrubs to maintain the clean lines and overall aesthetic of the modern backyard. Regular lawn maintenance is also emphasized to keep the space looking immaculate, ensuring the mid-century outdoor setup remains free from distractions like mosquitoes. The approach prioritizes a cohesive and uncluttered look that complements the minimalist yet sophisticated mid-century modern design. #MidCenturyModern #OutdoorDesign #PatioFurniture #LandscapeDesign #HomeDecoration #GardenDecor #ModernLighting #OutdoorLiving #DesignTips

This article details the transformation of an old corner pub in inner-urban Melbourne into a contemporary family home, featuring a unique and meticulously designed European-style courtyard garden. The homeowners, inspired by their overseas travels, sought to recreate the enclosed, plant-filled courtyards found in Italy, France, and Spain. Landscape designer Kate Seddon was instrumental in bringing this vision to life, creating a magical oasis hidden behind the property's boundary wall. The architectural renovation, led by Don McQualter of Studio McQualter, involved restoring the original 1870s corner structure and adding a mirror-image, double-storey building. These two structures are connected by a long, single-level pavilion that houses an open-plan living zone, featuring a wall entirely glazed to offer continuous views of the courtyard. This design ensures that the garden serves as a central focal point, visible from nearly every room in the home. The courtyard itself measures a narrow 15x3 meters and is framed by the home's architecture and a tall boundary wall. Kate Seddon's primary objective was to create a lush, textural space that would offer an immediate sense of sanctuary upon entry. The main access point is an enigmatic gate in the boundary wall, leading directly into an 'entrance garden' filled with succulents. From here, stepping stones guide visitors in two directions: one path leads to the original corner building, and the other crosses a pond and a carpet of creeping thyme to a paved seating and barbecue area. The plant palette was carefully selected for its contrasting foliage shapes and textures, prioritizing hardy species suitable for the north-facing courtyard. This includes silvery Teucrium fruticans, fluro-green foxtail fern (Asparagus densiflorus 'Myersii'), rosettes of Agave attenuata, and strappy ornamental grass (Miscanthus 'Kleine Fontaine'). While some flowering plants like Stephanotis, Rhaphiolepis, and Euphorbia are present, the emphasis is on foliage to ensure year-round visual appeal. Boston ivy has been strategically used to cover walls, helping to moderate the environment and deflect heat. A key design element is the central European linden (Tilia cordata 'Greenspire'), which provides a tall canopy and serves as a feature shade tree. Beneath it, a curved concrete bench, poured in situ, adds a sculptural touch. The garden's seemingly expansive feel is achieved through layered planting, mixing climbers, shrubs, and ground covers. The use of stepping stones that dissolve into the solid paving further enhances the perception of space and greenery. Additional intriguing features include a rain chain, which provides both visual and auditory appeal, and pencil pines (Cupressus sempervirens 'Glauca') for vertical interest. Virginia creeper growing along a steel rod beneath the living pavilion's eaves creates veils of foliage that change color in autumn. Despite the small footprint, the courtyard effectively incorporates an entry path, access points, a fish pond, a paved seating area, and a barbecue, demonstrating a masterful use of 'punctuation points' to maximize functionality and aesthetic impact. The project's success was recognized with its nomination as a finalist in The Design Files’ Landscape Design Awards. #CourtyardGarden #EuropeanStyle #LandscapeDesign #UrbanGarden #PlantPalette #ArchitecturalRenovation #OutdoorSpace #GardenFeatures #MelbourneHome

This article details the annual holiday decorating tradition of Nashville interior designer Christopher Todd Hall and his team at a client's equestrian estate in Lexington, Kentucky. Every year, the team transforms the home with extensive holiday decor, evolving the themes and styles over their twelve-year working relationship. The client family typically travels for Thanksgiving, returning to a fully decorated home. The process takes four days, with the team meticulously decorating nearly every room, from the entryway to individual children's bedrooms. The article highlights how Christopher Todd Hall and his team adapt the decor to keep up with trends, changing the look every few years. For instance, the living room's most recent holiday iteration features a towering flocked tree that beautifully complements the room's permanent cool-toned color palette of grays and blues. In contrast, the family room, a central gathering space for Christmas morning, is adorned with a nostalgic, colorful tree featuring vibrant lights and Christopher Radko ornaments, evoking a sense of past holidays. The dining room's decoration emphasizes functionality, with Christopher carefully selecting decor that does not impede meal service or conversation. He prefers smaller, easily movable items, such as glass Christmas trees, over long garlands that might need constant rearrangement. The children's rooms are decorated according to their current interests, which have recently shifted to soccer. Christopher creatively addresses the challenge of decorating three different soccer-themed trees by making one a general FIFA-themed tree with international flags and the other two dedicated to specific teams, such as France and Bayern Munich, showcasing how personalized themes are incorporated. The article concludes with Christopher Todd Hall's seven essential tips for holiday decorating, aimed at helping readers recreate a similar magical experience in their own homes. His first tip encourages individuals to embrace their personal style, whether whimsical, traditional, or elegant, and to commit to it wholeheartedly. The second tip advises maintaining the tree's natural shape even when heavily ornamented, ensuring it still looks like a tree. Thirdly, Christopher advocates for the use of high-quality faux greenery for its realism and durability, especially for decor that will be displayed for over a month. He also emphasizes the importance of selecting warm, glowy LED lights around 2700K for all greenery. The fourth tip suggests replacing ornament strings with more substantial hooks or green pipe cleaners for a cleaner look and better placement control. The fifth tip focuses on prioritizing ornaments: sentimental pieces should be front and center, followed by color-scheme-complementing ornaments, and then filler ornaments to conceal gaps. A key piece of advice here is to decorate abundantly: "When you think you have enough, get more." The sixth tip details careful ornament placement, ensuring that dangly or icicle-shaped ornaments hang straight and do not touch each other. Finally, the seventh tip stresses the importance of an organized take-down process, recommending that ornaments be separated into labeled boxes by category (sentimental, filler) to simplify future decorating efforts. This professional service extends beyond setup, as Christopher and his team return after the holidays to meticulously pack away all decorations, ensuring a seamless transition for the client. #HolidayDecor #HomeTour #InteriorDesign #ChristmasDecorations #DecoratingTips #EquestrianEstate #SeasonalDecor #LuxuryHomes #DesignTrends

The Courtyard House, designed by D'WELL, is a 920-square-meter farmhouse situated on the outskirts of Surat, India. Completed in 2024, the residence is conceived as a sanctuary for a family seeking a tranquil environment away from urban congestion, fostering a lifestyle integrated with nature and shared family moments. The design prioritizes a connection to the natural surroundings and the creation of intimate, well-lit spaces. The architectural approach emphasizes a contextual design, integrating the structure harmoniously with the site's natural elements. Key to this integration is the extensive use of locally sourced materials, contributing to both the aesthetic and environmental sustainability of the project. Concrete, a primary material, is employed for its thermal mass properties, which help regulate indoor temperatures in Surat's climate. This strategic material selection, combined with passive design strategies, aims to reduce the building's energy consumption. A central courtyard serves as the focal point of the house, influencing both its spatial organization and environmental performance. This open-air space enhances natural ventilation, allowing cool air to circulate throughout the interiors and mitigating the need for excessive artificial cooling. The courtyard also acts as a primary source of natural light, illuminating various rooms and reducing reliance on artificial lighting during the day. The arrangement of rooms around this central element fosters a sense of community and provides a private outdoor oasis for the residents. The interior layout features interconnected spaces that facilitate family interaction while also providing areas for individual retreat. Large openings and strategically placed windows blur the lines between indoor and outdoor environments, offering panoramic views of the landscape and drawing the garden's tranquility into the living spaces. The design incorporates minimalist aesthetics, characterized by clean lines and a neutral color palette, which accentuates the natural textures of the materials and the interplay of light and shadow. Sustainability is a core principle in the Courtyard House's design. Beyond material selection and passive cooling, the project likely incorporates other eco-friendly features such as rainwater harvesting or solar energy integration, although specific details are not provided. The objective is to create a living environment that is not only visually appealing but also ecologically responsible and conducive to well-being. The project reflects a growing trend in residential architecture towards designs that prioritize user comfort, environmental performance, and a strong connection to nature. By addressing the specific climatic conditions of Surat and the client's desire for a peaceful retreat, D'WELL has crafted a home that embodies thoughtful design and sustainable living principles. The Courtyard House stands as an example of how modern architecture can blend with local context to create functional, beautiful, and environmentally conscious spaces. #ResidentialArchitecture #CourtyardHouse #SustainableDesign #DWELLArchitects #SuratIndia #ModernArchitecture #NaturalVentilation #EcoFriendlyDesign

This article showcases the cottage garden of Bee Eastman in Chedworth, a village in the Cotswolds, an area designated an ‘Area of Outstanding Natural Beauty’. Bee Eastman, a former forensic consultant, transitioned her gardening pastime into a full-time passion after moving to her cottage in 2011, alongside developing a new hobby in stone carving and etching. Her artistic talent is evident in the design of her garden, which she created from scratch. The 18th-century property, Adam’s Pool, was originally two homes. When Bee and her husband Nigel moved in nine years prior, the garden was well-maintained but in a different style. Bee's vision was to establish a series of distinct garden rooms, providing ample space for relaxation. The initial modification involved constructing a courtyard adjacent to the older part of the house. This courtyard features a folly wall incorporating a quatrefoil recycled church window, creating ledges for candles. This sun-trap courtyard is adorned with topiary, lavender spilling over gravel, and low-growing Verbena bonariensis and Nigella damascena. Pale pink roses and Clematis ‘Perle d’Azur’ cascade from the house walls and the folly wall. The rear garden boasts a rectangular lawn flanked by two abundantly planted borders. One border is designed with 'hot' colors, featuring chocolatey red Dahlia ‘Karma Choc’ and ‘Bishop of Llandaff’ interspersed with towering sunflowers. Spires of bright yellow Lysimachia Punctata, fiery orange crocosmia, cheerful yellow Rudbeckia fulgida var.sullivantii ‘Goldsturm,’ and Sedum spectabile vie for space. Additional height is achieved with apricot-yellow ‘Teasing Georgia’ roses climbing obelisk supports. Sunflowers are grown from seed and require support as they mature. In contrast, the 'cool' border is filled with classic cottage garden plants like phlox in shades of white, pink, and soft purple. Box topiary domes are nestled among the plants, while claret-colored Clematis ‘Madame Julia Correvon’ covers the trellised backdrop and the central archway leading to the potager. Scented white ‘Blush Noisette’ rose, lavender, and fairy bellflower are among Bee’s preferred pastel-colored plants in this area, chosen for their restful colors and wonderful fragrance. The garden provides an ideal setting for entertaining, with an outdoor dining area on the west side maximizing the evening sun, enhanced by fragrant sweet peas in pots. A wooden arbour with cushions offers a comfortable spot for morning coffee. A 'Secret Garden' was recently added on a plot acquired from neighbors, previously a children's play area. This space was transformed with the help of a gardener, requiring the removal of substantial debris to create beds and rebuild an old privy into a tiny potting shed. The Secret Garden now features a gravelled quadrangle accessed through a gothic-style galvanised iron gate, designed by Bee to mirror the quatrefoil in the courtyard garden and crafted by Jon Ward at Donkeywell Forge. The local blacksmith also created the archway to the potager, where Bee cultivates fruits, vegetables, and cutting flowers. Her grandchildren enjoy helping to sow and harvest, with sunflowers and potatoes being favorites. A small greenhouse facilitates seedling growth. Bamboo canes topped with empty snail shells provide plant support and a sculptural element. The front of the house, once an unloved driveway, has been converted into a welcoming entrance. Imposing Acanthus spinosus and daisy-like Leucanthemum x superbum are planted at the gate. Purple Clematis ‘Perle d’Azur’ intertwines with red and white roses across the cottage front, alongside a narrow, gently trickling rill. The garden, with its borrowed views of the Cotswold hills, serves as a peaceful retreat for Bee and Nigel. #CottageGarden #GardenDesign #Cotswolds #BeeEastman #StoneCarving #OutdoorLiving #PlantingDesign #GardenRooms #HomeGardening

The Courtyard House project, located in Bhilai, India, and completed in 2022 by Atelier Varun Goyal, draws its main inspiration from the desire to foster family togetherness within a contemporary architectural framework. The central concept involved creating two distinct yet interconnected homes for two brothers belonging to a joint family. This design approach aimed to maintain their strong familial bond while simultaneously ensuring individual privacy. The architectural theme guiding the project was 'Contemporary and Contextual,' which sought to integrate modern aesthetics with the specific characteristics of the local environment. A core philosophy of minimalism and a deep connection with nature further shaped the design. Spanning an area of 8000 square feet, the project's construction involved a collaborative effort from various specialists. The team included principal architect Varun Goyal, architect Kamal Agrawal, and interior designer Deepshika Khatri. Structural engineering was handled by BSBK and R K Chaurasia, while Dragonfly Farms and Anuja Cambatta were responsible for the landscape architecture. HVAC consultancy was provided by GREE, acoustics by 8mm, and civil finishing works by Makrana Marble. Project management was overseen by Vinay Goyal and Mukul Goyal, with carpentry by Niwas & Amit Suthar. The photography for the project was done by Pankaj Anand. The design incorporates materials and products from a range of manufacturers, including AutoDesk, Gessi, Saint-Gobain, ARCHIDPLY, Ambuja Cement, Arjun Rathi, BOSE, CP Veneers, D'Decore, Goyal TMT, Hafele, Hettich, Hybec, Ikea, Kaff, Kalinga, Kohler, Lafit, Norisys, Orient, Pure Concept, Trimble Navigation, and Wipro. This selection reflects a commitment to quality and contemporary design, fitting the project's 'Contemporary and Contextual' theme. The project emphasizes the integration of nature through its central courtyard, a feature that not only symbolizes unity but also serves as a shared outdoor space for both households. This element is crucial to the project's objective of balancing communal living with individual needs, demonstrating a thoughtful response to the family's lifestyle and cultural context. The focus on minimalism is evident in the clean lines and uncluttered spaces, aiming to create a serene and functional living environment. The Courtyard House represents a modern interpretation of traditional Indian joint family living, offering a solution that accommodates evolving social dynamics while preserving core values of family connection. #ResidentialArchitecture #CourtyardHouse #AtelierVarunGoyal #IndianArchitecture #Bhilai #FamilyHome #MinimalistDesign #ContextualArchitecture #SustainableDesign